Sueños de libertad Cap 125 (20-08-24)
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00:00No, at that price, it's impossible.
00:11Mr. López, if you want quality, pay for it.
00:13Good afternoon.
00:14Father, you're here.
00:15I wasn't expecting you this late.
00:17Well, you see.
00:18How is Begoña?
00:19I hope she's calmer, for the good of all.
00:22She is.
00:23And she is very sorry.
00:24I spoke to her this morning and she was fully aware of her disappointment.
00:29I suppose I came all the way here not just to ask about Begoña, right?
00:33Indeed.
00:34Good afternoon.
00:35I have been called for a meeting.
00:38Well, if you don't know what that meeting is about, I have no idea either.
00:41Don't worry.
00:42It's a festive matter.
00:43Festive?
00:44And why don't you call Marta and Andrés?
00:47I'm sure they have less important things to do.
00:49Your brother is organizing new routes of shipment to Bascongadas and your sister is in the
00:54new sand store.
00:57What else is there to complain about, son?
01:00Well.
01:01I want the Reina and the Merinos to celebrate the anniversary of the factory together tomorrow.
01:07Don't you think the celebration is enough?
01:09The feast that is being set up.
01:11That's for the employees.
01:12We will make a family meal.
01:14And before you start talking nonsense and saying that you are very busy, it will only be a couple of hours.
01:19We can even do it at home so we don't have to go anywhere.
01:23I think it's a great idea, uncle.
01:25I think it's great that when my mother and Gema don't have to worry about anything and we save ourselves a show like the last time.
01:29Don't worry, that won't happen again.
01:31As for the food, we will order it at the Salvatierra restaurant.
01:33We can even do something more informal like a cocktail, an aperitif.
01:38Something to object to, son?
01:40Oh no, no.
01:42If that's what you want, I will tell Isabel to do the job right now.
01:45Uncle, does my mother know anything about all this?
01:47I say it because knowing her, she may be preparing some of her special dishes.
01:50No, no.
01:51I don't think so.
01:52She doesn't know anything yet.
01:53Well, you two, as representatives of the family in the board of directors,
01:58you will be in charge of communicating with the rest of the guests, don't you think?
02:02I'll talk to my brothers, anything else?
02:04Nothing else.
02:05Very well, I'm leaving.
02:07I'll talk to you, Luis.
02:09We put this in this game.
02:24And this here.
02:29And we would have it.
02:32Here is a summary of everything we need for the feast.
02:35What a brand has is what is missing.
02:38The food has already been ordered by Gaspar.
02:40My goodness.
02:42How wonderful, I take off my hat.
02:44You are very effective, right, Gizma?
02:46Yes, yes, it's true.
02:49Oh, I play a lot with this wind.
02:51I need it to go well.
02:52I know.
02:53I work every day for those of the queen and I know what their level of demand is.
02:57Get out of sight.
02:58What a shame.
02:59And I'm calling him little dog Faldero.
03:00Don't worry.
03:02If he finds out about things they call me without knowing me.
03:05We get an idea.
03:08That people are sometimes so cruel.
03:13Isabel, and this interrogation that there is in Orquesta Fantasía?
03:16Yes, I was going to let them know so that they would amuse La Verbena,
03:19but first I wanted to consult you.
03:21I know them.
03:23They played at the parties of Nambroca, but they are nothing like the other Thursday.
03:26Well, they have told me that they are very excited.
03:29I have a better option.
03:30The kids from Spain.
03:32I also know them.
03:33And of course it is a good option, but it would be very expensive to bring them here.
03:38They would take almost the entire budget of La Verbena.
03:41I know, I know.
03:42But my friend Kari is the drummer's girlfriend.
03:45So if I talk to her, I think that maybe she can give us a discount.
03:49Maybe.
03:51It won't be too risky.
03:54Let's see if we're going to run out of music at the last minute.
03:56It would be a disaster.
03:57Doña María is right.
03:58We can't trust a maybe when there is so little time left.
04:01No, no, of course not.
04:02We stay with the Orquesta Fantasía.
04:04Very well.
04:05Then we will miss the lanterns and the garlands.
04:09I'll take care of it.
04:11My friend Pepa will get it for us.
04:13Your friend Pepa?
04:14Yes, she set up an ultramarine store and still has a lot of products in her house from when she closed.
04:18I'm sure she has garlands.
04:20And I think that if I give her some marbles, she will even give them to me.
04:25That savings would not be bad for us.
04:28When did your friend close the store?
04:31Six or seven months ago.
04:33We can't risk it.
04:35Let's see if the garlands are in bad condition and the lanterns won't even turn on.
04:39No, no, no.
04:40We need guarantees.
04:41Of course.
04:42Besides, those were four bitches, right?
04:43Of course.
04:44Well, whatever you want, María.
04:45I said it to help.
04:47Thank you, Gemma.
04:48Really.
04:49Isabel, take care of the garlands and the lanterns.
04:56Well, what do I do then?
04:58Clap my hands?
05:01Well, Gemma, you can take care of the cake.
05:03Do you know the best confectioneries in Toledo?
05:06Perfect.
05:07But that's too little, so I'm also going to take care of the chairs,
05:11and the dishes, and the glasses.
05:13And also the couverts.
05:15Very good.
05:16Great.
05:17So Isabel and I will take care of the carpet, the napkins, and everything else.
05:22Tomorrow, on the day of Our Lady of the Perpetual Rescue,
05:25the 30th anniversary of the founding of the prestigious company
05:29Perfumerías de la Reina will be celebrated,
05:31which will be a great party.
05:33Taking advantage of the festival,
05:35the company's board of directors has wanted to embellish its facilities
05:39to offer an exquisite event,
05:41the evening when all the employees of the factory,
05:44as well as the authorities...
05:46I've ordered the food.
05:47Do you think they're going to nominate me?
05:49Shut up, man, I can't hear you.
05:53Here we go again.
05:58Man, no, no, no.
06:00You can't spoil yourself now, man.
06:03Come on, calm down.
06:04How do you want me to calm down?
06:06Please.
06:07It's new.
06:08And I need it for the feast, man,
06:10so that people get excited and spend money on me.
06:12Let's see,
06:13and I need it for the feast, man,
06:14so that people get excited and spend money on me.
06:16Let's see,
06:17let me take a look at it.
06:19Do you know about the radio, Isidro?
06:21No, but I've fixed a car's
06:23and I don't think this will be so difficult.
06:25Do you have a screwdriver around here?
06:28Who would send me to change the radio?
06:37I'm really coming, Negra.
06:41What's wrong with you?
06:42Are you okay?
06:45I'm going to tell you two things.
06:47Which one do you want me to start with?
06:48Well, normally there's a good one and a bad one, so...
06:51Very good.
06:52Well, tomorrow we're going for a cocktail.
06:55Seriously? Where?
06:56To the Queen's house.
06:58Luis told me that Damien wants to celebrate
07:00the factory's famous anniversary
07:03with us as guests.
07:08Well, this time I'm going to have to fail.
07:10Why?
07:11Because I have to help María
07:12with the preparation of the drink.
07:14I have to organise a lot of things,
07:16go and book the cake,
07:18a thousand things, come on.
07:20And I don't want to fail,
07:21because if I don't, the perfect lady is going to come
07:22and throw it in my face.
07:25Well, don't worry.
07:26You can always do anything.
07:27Are you sure you'll have everything ready before the cocktail?
07:30I hope so.
07:32Well, now tell me the other one.
07:33The bad one, right?
07:34Yes.
07:36Let's see.
07:38My brother has a meeting tomorrow
07:39with the director of the central bank,
07:40but he has some tests in the lab,
07:44and I have to go.
07:46And what's the problem?
07:48Gemma, they're not going to give me the mortgage.
07:52No, I'm afraid that as soon as I get in,
07:55they'll see this face of starvation that I have,
07:57like what happened to me with Peralta,
07:58and they won't give me the mortgage.
08:07Good morning, sir.
08:08If I have a coffee, I'll clear out.
08:11Well, if you're not clear at this time, we're in trouble.
08:14I haven't been in La Colonia in two days,
08:15and I'm tired of my roommate.
08:17What do you mean?
08:18That Vicen, he snores like an animal,
08:20he won't let me sleep at night.
08:21But you've come back here, to your room, to La Colonia.
08:24Yes, well, I didn't ask about the problem with the woman.
08:26No, no, I didn't ask anything.
08:28I just hope you can solve it soon.
08:30Yes, I'm listening.
08:33By the way, now that I look at it,
08:34what are you doing with Gaspar's new radio?
08:37Man, he's crazy.
08:38I wanted to talk to you.
08:40Which one do you prefer?
08:41Two.
08:42The radio you sold doesn't work anymore.
08:44Well, I don't know.
08:45How is it possible that Gaspar is so high-end?
08:47Yes, that's what I thought too.
08:49Because, come on, when it was discovered that your friend
08:51was a swindler, I said, well,
08:52I'm sure he has a fan somewhere.
08:54But, come on, I doubt it a lot.
08:55Well, why is that?
08:56Because he's been fooling around for days,
08:57and it's been a minute since he's died completely.
08:59Come on, don't listen to him anymore.
09:00Well, I don't know, it must be some cable
09:02that's not well-palmed, I don't know.
09:04Ah, perfect.
09:05So, with that explanation, you're so high-end.
09:07With the money I pay you for it, right?
09:09I told you this doesn't have much to do with it.
09:11Look, Gaspar, what do you want me to do?
09:13If he fooled me just like he fooled you?
09:15Well, look, I'm going to tell you what I want you to do.
09:18That you give me back all my money.
09:20What?
09:21Look, I don't care what happened to you.
09:23And that Carmen also kicked you out of the house.
09:25But when they caught that bird,
09:27they also got all the money back, right?
09:29Well, then it's legal for me to get my dad back too.
09:31Yes, I know, Gaspar, I know.
09:32But I put your share for the second remittance.
09:35And right now I'm worse off than a rat.
09:37What do you want me to tell you?
09:39You did leave me out of it.
09:40And on top of that, in exchange for a very expensive gun
09:42that doesn't even work.
09:44Well, look, let me take it for a couple of days.
09:46I'll take a look and see what happens.
09:48Of course, another engineer like Isidro
09:50has never seen a radio in his life
09:52and he goes hand in hand.
09:54I don't want an old junk that doesn't work.
09:57So you bring me a new one,
09:59a real good one,
10:01or you give me all my money back.
10:03And no matter how sorry you make me,
10:05I feel more sorry for myself.
10:07I didn't expect this from you.
10:09No, no, not from you either.
10:11I don't break my back from sun to sun
10:13because I'm being swindled.
10:14Well, they swindled me, Gaspar.
10:15Well, I'm sorry, I'm sorry.
10:16But you were the one who messed with me.
10:18So now you're going to pay for it.
10:21Don't scratch it, please, on top of it.
10:23Please.
10:28Well, if you're so afraid,
10:30let's practice.
10:32Get up.
10:34Joaquín, get up.
10:36I'm going to be the director of the bank.
10:38Practice.
10:41Good morning, sir.
10:42Don't laugh, take it seriously.
10:45Good morning, Mr. Merino.
10:47What can I do for you?
10:49Good morning, Mrs. Andrade.
10:50Press hard, please.
10:52It's important.
10:55As if you were in a bar,
10:57doing a pulse.
10:58That's why he has to notice that
11:00he's doing a pulse.
11:02Good morning.
11:04Good morning, Mrs. Andrade.
11:06Good.
11:08What can I do for you?
11:11Well...
11:13I wanted to...
11:15Well, I wanted to ask you...
11:17No, no, no, I can smell your fear.
11:18Sit down, sit down.
11:19Let's start over.
11:20I can't smell your fear.
11:22You have to show confidence.
11:24Think that bank directors
11:26are like savages.
11:27So, confidence.
11:29And...
11:30You also have to be a little nice.
11:32Ironic, if necessary.
11:33Ironic, too?
11:34That's it.
11:35You can tell him something like, for example...
11:40I've come to make him earn money.
11:44What are you laughing at?
11:47Joaquín!
11:49You're the smartest bank director I know.
11:52And the one who smells the best.
11:57What?
11:58At least you've relaxed a little.
12:00Yes, yes.
12:01Yes.
12:02Now I know how the interview starts.
12:04But the most important thing is to know how it ends.
12:07And, Gemma,
12:08if they don't give me the mortgage,
12:11our dream ends in that office.
12:14Not at all.
12:15They're going to give you the mortgage,
12:16you're going to enter that office
12:17and you're going to get that director the mortgage
12:19and whatever you propose.
12:20And do you know why?
12:22Because men like you
12:24give the mortgage whenever they need it.
12:32Come in.
12:35Hi.
12:40Did you go to see Begoña?
12:42Yes.
12:43And how did you find her?
12:45Today she didn't come down to eat
12:46and she hasn't called me all day.
12:48She's very stunned, Andrés.
12:50I asked her if she was still taking pills or anything else
12:52and she said no.
12:53But when I went to get her blood to do an analysis,
12:55she refused completely.
12:57In fact, she became violent and threw me out of there
12:59with all the fury she could gather
13:01despite her precarious state.
13:03Maybe if you hadn't treated her that way.
13:05I don't know, Luz, maybe she needed more tact.
13:08Andrés, Begoña is also my friend, you know that.
13:11I worry about her as much as you do.
13:14Besides, somehow I had to prove
13:16that she wasn't still taking those damn pills.
13:19And you didn't care about her word?
13:20Begoña is not a liar, Luz.
13:22Andrés, don't be fooled.
13:24All addicts are.
13:26I don't like you talking like that about her.
13:28Well, I prefer to talk like that about her
13:29than to think about anything else.
13:31What do you mean?
13:34That if it's not an addiction problem, then...
13:38You could be losing your mind.
13:41And that's the last thing I'd like to face.
13:44Because then I know we'd lose her forever.
13:47So before giving up,
13:49I'd rather discard anything else.
13:51Begoña needs us.
13:53She needs to know that whatever happens,
13:55whatever she does, no matter how strange it seems,
13:57we'll be there to support her.
13:59And why is it so hard for us?
14:03Let's not judge her, Luz.
14:05Let's just support her.
14:08Andrés, you're in love.
14:10Do you think your unconditional love can save her?
14:16Maybe I'm the one who's wrong
14:18and Begoña isn't taking anything.
14:21But soon we'll know the truth.
14:23How can you be so sure?
14:26Because when she runs out of pills,
14:28and she does,
14:30she'll need more.
14:32Then we'll know what the real problem is.
14:35And if Begoña is willing to let herself be helped,
14:37she'll detoxify.
14:40And if she isn't?
14:43Does that mean she's willing to suffer
14:45from her mother's illness?
14:48Unfortunately, that option would be stronger.
14:52But let's trust that it's just a temporary illness.
14:54Yes, it has to be that.
14:57Because I don't want Begoña
14:59to be the woman
15:02I fell in love with again.
15:07God, I don't know what I'm going to do with you two.
15:13Now we have to wait.
15:15With a bit of patience,
15:17she'll tell us what's going on.
15:35I wanted to apologize for what happened before.
15:37Maybe I was a bit harsh.
15:41No, you didn't do anything wrong.
15:43It's me who's always in trouble.
15:45And that's how my life goes.
15:47Well, my mother is a liar.
15:50I'm sorry I made you come here for nothing.
15:55I was hoping to see you at the slaughterhouse.
15:58But since you didn't come,
16:00it was hard to convince me.
16:02José, I don't want you to go
16:04with this bad taste in your mouth.
16:06Well, if it makes you feel better,
16:08I'll take a cross from Dana
16:10that I bought for my collection.
16:12Well, if it makes you feel better,
16:15I'm very happy to see you.
16:19Before, when...
16:22we were kids,
16:24everything was easier, right?
16:26And more beautiful.
16:28Well, it was different.
16:31Do you remember when we used to go together
16:33to feed the donkeys?
16:35You used to laugh at them.
16:37Come on, we did laugh.
16:39Do you remember the day I told you
16:41I was going to kiss one of them
16:43to make him a prince?
16:45The bastard you ate.
16:49I told you it was with the frog.
16:52Can you imagine?
16:53He would have forgotten about me because of a pig.
16:59That's good.
17:01In the end,
17:03you did it too.
17:05And without even being a pig.
17:07Well, pig,
17:09for me,
17:11you're always a special friend.
17:14I know.
17:16But now,
17:17don't ask me to hold your hand
17:19like when we came back from the era.
17:21Well, I asked you to hold my hand
17:23because I was afraid to go back
17:25on that lonely road at night.
17:27But that, for me,
17:29was like touching the sky.
17:31And that's why I came here.
17:33To touch it again.
17:36Yes, I...
17:38I understand you,
17:39because I also have very good memories
17:41from that time.
17:43The first thing that dies is not forgotten,
17:45Claudia.
17:47Come on, Paco, don't make a fuss.
17:49No, you bring me 40 chairs
17:51tomorrow at the first hour,
17:52and then I'll invite you to an omelette
17:53and a coffee and Gaspar's.
17:57It's just that everything is not enough for you, Paco.
18:00Well, it's fine.
18:01Yes, yes.
18:02You'll have some extra tip.
18:05But bring them to me, for God's sake.
18:08Good. Perfect.
18:09Thank you very much. See you tomorrow.
18:13There.
18:14Forty foldable chairs,
18:15almost free.
18:16So that later they tell me,
18:17Mrs. Perfect.
18:21And what's wrong with you?
18:23Well, I'm missing my contract
18:24and my brother's.
18:26Neither of us keep it.
18:29What a mess of men.
18:31And what are you waiting for?
18:32To go get a copy?
18:33Let it be a little later
18:34and the office is quieter.
18:38Gemma.
18:39Tell me.
18:40Would you accompany me
18:42to the Central Bank tomorrow?
18:45Me?
18:46But what am I painting there?
18:48If the house you are going to mortgage
18:49is your family's?
18:51Well, when a man goes
18:53from his wife's arm
18:54to ask for a loan,
18:56it gives a better impression
18:57than if he goes alone.
18:59It inspires confidence, darling.
19:02Then why don't you take a vase
19:04and take it with you?
19:05No.
19:06It will cause the same feeling.
19:07But I'm not saying it for that, darling.
19:09I say it because you negotiate
19:10much better than me.
19:11And you have more people's gift,
19:12well, when you don't have to, of course.
19:14Well, that's why.
19:15Look how I dealt with Peralta.
19:16Yes, but in the end you solved it.
19:19And I'm sure that when the time comes,
19:20you'll give me a cable.
19:22Darling,
19:23you have the security I need.
19:26I, with you by my side,
19:27I'm capable of doing anything.
19:30Really?
19:32Really.
19:33We form a very good team.
19:35And what do I tell Maria?
19:36I can't leave her alone now.
19:37But who said that?
19:39Gemma, really,
19:40it will be seen and not seen,
19:41I promise you.
19:42We have an appointment at the first hour.
19:43At nine, nine and a half,
19:44we'll be here again.
19:46And where are we going to spend the night?
19:48Well, at the hotel from the other day,
19:49if you like it,
19:50I'll call right now.
19:52And are you going to wear
19:53that black suit that suits you so well?
19:56I'll even invite you to dinner.
20:02That's a yes.
20:05Where are you going?
20:06To prepare the suitcase.
20:08We have to present ourselves
20:09in an elegant way in front of the banker.
20:11I'll also get your tie.
20:18Tell me one thing,
20:20how can you be pregnant
20:21if you're not with anyone?
20:24Well,
20:26because I had a celibate boyfriend
20:28and very little time,
20:31but enough to make a fool of myself.
20:35And the rest,
20:36you can imagine.
20:38You couldn't touch heaven either.
20:41Since my mother found out,
20:42she's been nagging me
20:44not to raise my son alone.
20:46And the woman doesn't want to understand me.
20:48That may not be right,
20:50but I understand poor Ramona.
20:52Well, now I just need her to understand me.
20:55And what happened to the father?
20:57Did he smoke?
20:59No, no.
21:01The father is close.
21:03What happens is that you can't do ...
21:07He can't be a father like that
21:09because he's in a bit of a difficult situation.
21:12Well, come on.
21:14Sorry.
21:15No, no, no.
21:16You're right, Joselito.
21:18You're very brave, you know?
21:22Well, more than brave,
21:24I'd say I'm a survivor
21:26because I have no choice.
21:28Are you sure about that?
21:30Because if you're afraid,
21:32my hand will still be there
21:34like when we came back from the era.
21:36What do you mean?
21:39Well, if necessary,
21:41I'll give you my hand and whoever comes.
21:45No, no, no, Joselito.
21:47Really, you're very good people,
21:49but ...
21:51but it's not a good idea.
21:55But well, Joselito,
21:56we will always have good memories
21:59between us and the affection we have.
22:02Well,
22:04I would call it affection in another way.
22:09Really, you don't.
22:14Oh, Joselito.
22:16I had a great time with you
22:18and you made me laugh a lot.
22:22And I'll always have you in my heart.
22:33That was a very nice kiss.
22:49Sorry, Mrs. Ángela,
22:50I met a client and she entertained me.
22:52Don't worry.
22:53Carmencita Maja.
22:55How are you?
22:56How am I going to be?
22:57Worried about my son.
22:58Well, don't worry,
22:59I already told you
23:00that it was nothing important.
23:02So what is it?
23:03You made so much mystery on the phone
23:05that one doesn't know what to think.
23:07Look,
23:09your son has been the other way around for a couple of days
23:12because of a piece of news that broke his heart.
23:14Well, tell me, please.
23:16Are you going to break my heart?
23:18You know who his father is.
23:23Mother of God.
23:25In the end.
23:27Yes.
23:28Mr. Damián spoke to him
23:31and since then everything has gone from bad to worse.
23:34But why didn't he tell me anything?
23:35Why didn't he call me?
23:36Well, I've known it since dinner.
23:39From one night to the next,
23:41they started going hunting together
23:43and doing very strange things.
23:45I already had the fly behind my ear
23:47so I had no choice but to tell him.
23:50Yesterday I went to talk to Mr. Damián
23:51and he told me to keep it a secret.
23:54And to think that I was the one who insisted
23:57that he tell him.
23:58But I did it with good intentions.
24:00No, of course, and I have no doubt, Mrs. Ángela.
24:03But the news has made him lose his mind.
24:05He is very disoriented.
24:08And he has gotten into a good mess.
24:10What mess?
24:11Tell me all at once, please.
24:14Well...
24:15Because he was at the level of his father and his brothers,
24:18he wanted to become a businessman
24:20by reselling household appliances to the people here in the neighborhood.
24:23And he couldn't get away with it.
24:25Who? Do I know him?
24:27No.
24:28He's a swindler.
24:31He was here working in the factory
24:33just in time for Enreda Tassio
24:34to invest all our money in that business.
24:38You don't even have to say that he kept the money,
24:40with the payment of all the household appliances,
24:42and then, well...
24:43He disappeared overnight.
24:45But it can't be. My Tassio is not that stupid.
24:47His Tassio is not his Tassio right now.
24:49Mrs. Ángela is very lost.
24:52He spent a night in the dungeon.
24:55And there would have been more
24:56if Mr. Damián hadn't taken care
24:59of paying all the people affected by the scam.
25:02Did he do that?
25:03Yes.
25:05He took care of everything, except for our money.
25:08Of course, so that he would wake up at once.
25:10Yes, that's very good.
25:13But he left me with one hand in front and the other behind.
25:16You're right, Carmencita.
25:19Mrs. Ángela, I...
25:23I understand that I can't let this pass.
25:28We've argued.
25:31And I've thrown him out of the house.
25:38You're right.
25:39This son of mine has to die at once.
25:42Mrs. Ángela, it's a given.
25:45And I'm afraid he'll go down the wrong path again,
25:48but I can't do anything.
25:49As you understand,
25:50I have to stay firm in my decisions.
25:53That's why I thought that maybe your mother...
25:58would help me with him.
25:59Of course, my daughter.
26:01Of course.
26:02Let's see, where is that Zopinco?
26:04Get me the bags, Maja.
26:05I can't.
26:06What are you carrying here?
26:08I'm going to bring you food and canned food
26:10for your flight.
26:12Do you still have a fridge or have you lost it too, daughter?
26:38No.
26:57Good afternoon.
26:58Good afternoon, Isabel.
27:00I don't know if you know,
27:01but your wife and I are helping Mrs. María
27:04prepare the food.
27:05Hand in hand.
27:06Of course I know.
27:07Hand in hand and elbow to elbow.
27:10I must say that Gema has an enviable energy.
27:14You're going to tell me.
27:17I wanted to do something.
27:18I haven't even asked her about the conch of La Verbena.
27:20No, don't worry.
27:22I wanted to tell Jesus something.
27:25Well, in fact, you can tell him.
27:27Of course, tell me.
27:28That's what we're here for.
27:29I'm going to enter the factory a little later tomorrow.
27:32And why is that?
27:34Good afternoon.
27:36Because I have to take the car to the workshop.
27:38And you can't take it in the afternoon, as God commands?
27:41No, because it's the only free slot they have.
27:43Wow.
27:44Yes.
27:45And look, in fact, Jesus, I wanted to tell you something.
27:48I think we should be more flexible in this company.
27:53More flexible?
27:55Yes, be more flexible with the workers.
27:58I think they should have a couple of hours a month,
28:01free, to be able to solve their issues.
28:04Then they would be happier and later they would perform better.
28:08What do you think, Isabel?
28:10My cousin is doing merits to get his head in the board,
28:13as his brother's smartass did.
28:15What's the matter?
28:16Have you already got the cocktail invitation in your head?
28:19No, no.
28:21No, I don't think it's such a crazy idea
28:24to help the workers.
28:26Listen to me, Joaquín.
28:28You take the car to the mechanic tomorrow or wherever you want.
28:31But stop talking nonsense about what to do or not in this company.
28:35Less thinking and more working.
28:38Sure.
28:39You're the boss.
28:41So you'll see.
28:42Exactly.
28:43I'll see.
28:45And what you'll see is that tomorrow we can have all the cocktails you want
28:48and toast to life.
28:50But never forget your place, Joaquín.
29:01Anything else?
29:03No.
29:05So see you tomorrow?
29:07See you tomorrow.
29:31See you tomorrow.
29:39Come in.
29:41What's up, Jaime?
29:43Luz has gone out to do some housework.
29:46Not the Luz I want to see.
29:49I wanted to talk to you.
29:51I don't know what we have to talk about, Luis.
29:55I'm sorry.
29:57Maybe it's better if I don't bother you.
29:59No, it's fine, it's fine.
30:01Forgive me.
30:03If you're worried about her, you've come to the right place.
30:09And it's not too much to enjoy these talks.
30:12I don't have many left.
30:15It's good that you don't lose your sense of humor in spite of everything.
30:19Sit down, please.
30:22You see, Jaime...
30:25Luz has told me about her past.
30:28About what she's hiding.
30:30I assumed she would.
30:32How is that possible?
30:34I can't believe it.
30:36How can a woman as responsible and prudent as Luz be acting without a title?
30:42I thought something similar when she told me.
30:45And what has it done to you not to report?
30:47What has it been? Because you were together?
30:50Well, it's more complicated than all that.
30:55It's because she kept the secret about your illness from you, right?
31:00I guess she influenced me at first.
31:03But then I realized the truth. Luz is an exceptional doctor.
31:06Yes, yes, yes. I have no doubt about that.
31:09But imagine...
31:11Imagine, Jaime, that any misfortune happens to a patient and someone asks for responsibility.
31:17The consequences would be devastating for Luz and for the company.
31:20That's right. And what do you propose?
31:24I need a reason not to report her.
31:27A reason?
31:30Have you stopped to think that maybe there isn't one?
31:35Jaime, I'm part of the company's board.
31:39I can't allow myself...
31:41Luis, with or without a title, Luz is one of the best doctors I know.
31:48Her commitment to the patients is way above many colleagues
31:52who fill their offices in the center of Madrid with titles they don't even deserve.
31:57If you let a paper get in between her and you, you'll regret it for the rest of your life.
32:04You can have a future with her.
32:07Take advantage of it.
32:19How do you feel?
32:23A little better.
32:26How's school?
32:27Very good. Today has been like being on vacation.
32:30And that?
32:32Because first we had crafts and then, at the last minute, drawing.
32:36Do you want me to show you what I've done?
32:38Please.
32:49Do you like it?
32:54It's beautiful.
32:56This landscape conveys calm and serenity.
33:00I wish I could live in it.
33:04I'll give it to you as a gift.
33:08You're welcome.
33:09In fact, I thought a lot about you when I drew it.
33:13I'm going to keep it.
33:15I think it's the most beautiful thing you've given me in a long time.
33:18I love seeing you so excited.
33:20I'm going to bring you a drawing every day so you can continue like this.
33:23You're a sun. You don't have to.
33:26The truth is that I've slept a little bit and now I'm more clear.
33:32And on top of that, after seeing you, even better.
33:34You're my vitamin.
33:36Come here.
33:39Hey, I was going to take you for a walk.
33:41Do you want to come with me?
33:43I'm sorry, I can't.
33:45Isidro is going to take me to Rita's house.
33:47Her father has bought a new projector and he's going to put us in a movie.
33:51Look, what a good plan.
33:53And it's been so long since I've seen a movie.
33:56Do you remember that we could go together to Toledo this weekend?
33:59Alone, both of us?
34:01Yes.
34:03I'm going to tell you something.
34:05Do you remember that we could go together to Toledo this weekend?
34:07Alone, both of us?
34:08Of course.
34:09And we could go shopping.
34:11And then we could have a snack at the confectionery in Plaza de la Mar Galena.
34:15Yes, please.
34:16Yes?
34:20What are you doing?
34:21Well, I wanted this lady to take me for a walk, but at least she has plans.
34:27Isidro is going to take me to Rita's house.
34:29Oh, very good.
34:30But tell her to pick you up before eight, okay?
34:32I want you back for dinner.
34:34Very good, I'll tell her.
34:35You'd better, miss.
34:38What about you?
34:40How are you?
34:42A little better.
34:44I'm glad to hear that.
34:46I'm going to tell Tere to make you an infusion with some candy and then we'll go for a walk, if you want.
34:52Great, you have someone to go with you.
34:56I'll leave the drawing there.
34:58Sure, have a good time.
34:59Bye.
35:00Bye, dear.
35:04How nice.
35:06Jesus, the truth is that I'm a little tired and I think it's better to leave that step for another day.
35:15I'm happy to go out to the garden for a while.
35:19Sure, sure.
35:21Don't worry, you rest as much as you can.
35:23Tomorrow is going to be a very busy day for everyone in this house.
35:27So what?
35:28My father has organized an aperitivo with the Merinos to celebrate the anniversary of the company.
35:34Do you feel like attending?
35:37I don't know what to tell you, the truth is that the days go by and I haven't just been well.
35:42Well, be patient.
35:44I'm going to the kitchen to make you that infusion, I'll bring it to you in five minutes.
35:48I'd better go, so I can stretch my legs a little.
35:50You don't have to, there are many I bring to the kitchen.
35:53You better have a snack here quietly and then you can go for a walk in the garden.
35:57I won't take long to bring you that infusion.
36:17It didn't go well with Claudia, did it?
36:20My joy in a well.
36:22Although it may have something to do with her being in Toledo and I in Dominito.
36:28You don't have to hide it from me.
36:30I know what Claudia is waiting for.
36:33But it's better not to say it out loud, because there are people who don't know.
36:41I don't understand it.
36:43We've known each other since we were kids, we get along well.
36:45And I can give her a future and...
36:48And you already know.
36:50Why doesn't she want to see me in painting?
36:52Do you really think that what I can offer her is worse than what awaits her?
36:58Let's see, Joselito.
37:00Claudia chose her path a long time ago.
37:02And...
37:04In fact, let's not be for her mother, I don't think your paths would have crossed again.
37:09No.
37:10Yes, it is clear that what Ramona wanted was for me to have a grandchild.
37:14But you know what I tell you?
37:15That I'm delighted.
37:17Your third coffee.
37:19One more and you're on your way to spending the night in a candle, huh?
37:23With coffee or without coffee.
37:25I already thought about that.
37:27What's wrong with you, kid?
37:29What is it?
37:30A toothache?
37:32Debt?
37:33Love sickness?
37:34Health, money or love?
37:36Well, in terms of health, I'm like a bull.
37:39And I don't need money for luck.
37:42Have you broken your heart? Come on.
37:44No, I haven't broken it.
37:46I have it destroyed.
37:47And I don't understand why.
37:49But the last thing he told me was that he would always carry me in his heart.
37:53But did he really tell you that?
37:55If we hadn't stopped talking about how well we were getting along when we were kids.
37:58But, well.
38:00But where do you get the idea that he gave you a ticket?
38:02Besides singing?
38:04That girl is not rejecting you.
38:06That she is begging you.
38:07It's not the same.
38:08Seriously?
38:09It's very clear.
38:10Let's see, Gaspar.
38:11Be careful, because you're messing with me.
38:13But what do you know about these things?
38:14Mateo, please.
38:16What do I tell you? That I have the money?
38:18That if he told you that, it's to spoil you.
38:20Not to kick you.
38:22Man, I hadn't seen it that way.
38:24Well, if you haven't seen it that way, it's for a reason, right?
38:26Don't you think?
38:28Because surely he told you what he told you because he likes you and wants to comfort you.
38:32No, man, no.
38:33You have to go for her.
38:35But if he has left it to you,
38:37I will always carry you in my heart, man.
38:39You have to know between the lines.
38:41What milk.
38:42You're right.
38:48Thank you very much for the coffee.
38:49And especially for the advice.
38:51I go back accompanied to Don Benito
38:53as my name is José Francisco Pérez Pulido.
38:56Yes, sir.
39:00What do you say, Mateo?
39:02How does it end?
39:04Good or bad?
39:08I think it's good.
39:24Well, mother, the desire I had...
39:28I understand that Carmen has told you everything, right?
39:30What do you think?
39:31She's cheating on you.
39:32And she's right.
39:34Look, letting you mess with her like a whore,
39:36you're not going to learn.
39:38It's normal that a woman can't anymore.
39:40Especially now that you're scared of her because you're leaving.
39:42Mother, I'm not leaving.
39:44Look, I would take you out of your house
39:46if it weren't because your wife doesn't even want to see you.
39:48Look, please, I don't need any more fights.
39:50They have cheated on me and they have deceived me,
39:51so please don't make me more blood.
39:54There's something else, right?
39:57Has Damien told you?
39:59Well, yes.
40:01So you can see that I'm not the only one who does things wrong here.
40:03Because, damn it,
40:04how could he have deceived me all these years?
40:06My position was the least easy,
40:08but you're not wrong.
40:10My father was a traveler.
40:12You know I was looking for him like an idiot.
40:15I'm very sorry.
40:16No, no, I'm the one who's sorry.
40:17I had him right in front of my nose
40:18and I didn't realize it all these years.
40:21Damien and I made a deal.
40:22I couldn't break it.
40:24He was married and I couldn't face him.
40:27But he always made sure you had everything, Tassio.
40:30Yeah, he's already told me a couple of details.
40:33Can I at least ask how you met?
40:42I worked as a waitress
40:44in a restaurant in Villescas
40:46where Damien went with his partners.
40:48And one day...
40:49No, no, don't tell me anymore.
40:50The young man got carried away
40:51with the waitress who served him
40:52when he went with his friends to have a drink, right?
40:54It wasn't just one night.
40:56If that's what you mean.
40:59For me, it was a very beautiful time.
41:01Beautiful and sad, don't lie.
41:03What a great role model.
41:05Imagine when I got pregnant.
41:09That's when we both woke up from sleep
41:13and I decided to fade away
41:14and start a new life outside Toledo.
41:17And you don't hold a grudge against him?
41:20On the contrary.
41:22I'll always be very grateful to him.
41:24When you were just getting into trouble,
41:27he didn't hesitate for a second
41:28to find you a job here,
41:30in La Colonia.
41:31He's never had a no for you.
41:33Yeah.
41:35But I'll always be a second son to him.
41:39Don't say that, son.
41:41I don't think he deserves it.
41:43Neither do you.
41:45Yeah, but it's the truth.
41:47For Mr. Damien,
41:48I'll never be a second son to the Queen.
41:50Never.
42:18Digna.
42:20Did Luis tell you about tomorrow's aperitif?
42:22Yes, he called me this afternoon to tell me.
42:24He's been very insistent.
42:26And I suppose he also told you
42:28that you don't need to cook anything,
42:30that the Salvatierra guys will bring the food.
42:32Very well.
42:34My father will be very happy
42:36to see us all together for a day.
42:38Jesus, don't try to hide it from me.
42:40We know that this is...
42:42This is what this house needs right now.
42:44And above all, it's what Begoña needs.
42:45Let's see if...
42:47Let's see if she gets a little excited.
42:49Yes, I also hope she gets excited.
42:51Yes, I'm...
42:53I'm very worried about her.
42:55Especially after the reaction she had last night.
42:57I had never seen her so...
42:59It didn't look like her.
43:01We all saw that she's having a very bad time.
43:03Digna, tell me something.
43:05I spend all day at the factory
43:07and I can't be aware of her.
43:09But do you know if she's had
43:11any other similar episode lately?
43:13All I've seen
43:15is that she's very sad
43:17and that she misses her mother very much.
43:19I see.
43:21It's been a very hard blow for her.
43:23But I confess that I don't know what else to do
43:25to get her to change her mind.
43:27If you're interested in my opinion,
43:29I think Begoña needs a lot of care.
43:32And also that we leave her alone.
43:35Time will take care of the rest.
43:42I...
43:43I thought it was just sadness.
43:45But after last night,
43:47I don't know what to think anymore.
43:49Do you think that...
43:51what happened has anything to do
43:53with her mother's illness?
43:55No, don't say that.
43:57I'm terrified by the idea.
44:00But I'd fool her
44:02if I said it hadn't crossed my mind.
44:04Let's not draw hasty conclusions.
44:06The pain of a loved one
44:08is a hard and slow process.
44:10And we both know
44:11what we're talking about.
44:13Yes.
44:15Yes, I hope I'm wrong,
44:17but there are certain things
44:19that don't get me married
44:21by going through a duel.
44:23Jesus, now that her mother is dead,
44:25you're the most important person for her.
44:27Don't you think you should
44:29put the company's needs aside
44:31and focus on your wife's?
44:33Do you think I'm neglecting her?
44:36No, I didn't say that.
44:38I mean, things happen in a marriage.
44:41And if we see that our partner
44:43is having a bad time,
44:45a very bad time,
44:47we should do everything we can
44:49to help her get out of the hole.
44:52Who was it?
44:54Who destroyed it?
44:56Calm down, Karina. What's this?
44:58It's a gift Julia gave me this afternoon.
45:00I told her I'd keep it forever,
45:02and now it's broken!
45:04Calm down. We'll tell her to make another one.
45:06I don't want another drawing!
45:08When I kept it in my book,
45:09someone had to take it and destroy it!
45:11But someone else saw it,
45:13apart from you and Julia.
45:15No one.
45:17I swear
45:19I kept it in my book with all the care in the world.
45:23Someone could have taken that book.
45:26I don't know.
45:29I'm confused.
45:32My love,
45:34you're going through a very difficult time,
45:36and it's normal for you to forget things.
45:39But it's just a drawing.
45:44That landscape gave me a lot of peace.
45:48I wanted to paint it.
45:51What if you take a break and rest?
45:54That's it.
45:56Sleeping will do you good.
45:58When you wake up, you'll be better.
46:00Yes.
46:02I'm very tired, auxiliary.
46:04Come on, lean on me.
46:06Let's go upstairs and rest.
46:08And don't worry,
46:10I'll stay with you until you fall asleep.