Category
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Short filmTranscript
00:00:30Oh
00:01:00Oh
00:01:22Better call an ambulance
00:01:31I
00:01:35Have to buy one Chicago
00:01:38Better send an ambulance out here to the Eisenhower just apparently kids II turn off got a wreck
00:01:43We got coverage on it. We'll send it in with a bike man
00:02:00You
00:02:30I
00:03:00I
00:03:30I
00:04:00I
00:04:04Know that's his public posture
00:04:06But he's the one who's right there with his eyes glued to the screen when they when the blood starts running, you know
00:04:12And he's the one who said ooh, isn't it a horrible?
00:04:15Who is in horrible? Let me see some more
00:04:21Say is that it happens it has happened always when whether it was a photographer or a journalist or
00:04:30Cameraman when you are in the middle of something happening you it is a risk of the profession
00:04:36Well, it's a difference between a person who?
00:04:38Type something and a typewriter the typewriter doesn't really care about what's being typed on it
00:04:44But a typewriter is a machine and you're not a machine
00:04:50Actually, I'm kind of an elongation of a tape recorder
00:04:54And I'll tell you something else
00:04:55I've made films on all kinds of social problems and the big bombs were the ones where we went into detail and showed why
00:05:01Something happened. Nobody wants to take the time
00:05:04They'd rather see 30 seconds of somebody getting a skull crack turn off the TV set
00:05:13Our position is one to to to record the dynamics that are happening in society
00:05:18We don't we don't deal with the static things. We deal with the things that are happening. We deal with the violence
00:05:23We deal with the who wants to see somebody sitting who wants to see somebody lying down
00:05:27We want to see somebody talking peace unless they're talking loud
00:05:30Do I think the cameraman makes the choice himself and he's out there to get the blood and guts?
00:05:35Oh, yes, I believe that the other night on television. There was a fellow in Gary and the ghetto
00:05:40There's something else that maybe is kind of nice something could fill the news
00:05:43He'll take the stabbing even if he's had 27 minutes of stabbing before there's some place where it's safe
00:05:48They're away from it
00:05:49They deplore it but they deplore it like all good people all good people deplore problems at a distance like Thomas Jefferson
00:05:56He loved the common man, but at a distance. All right. No, this is exactly what happened five cameramen have been killed one guy in Germany
00:06:04He was beat to death by a mob just literally stone beat to death for UPI
00:06:08You know what the excuse was the crowd thought he was taking pictures for the police
00:06:12They had a couple of fellows down in a civil rights protest that were you know chained together and I was taking pictures
00:06:18And the cops came over and said don't you think you'd better load the camera and I says I'm not out of film and they
00:06:22Say we'll load it anyway because we want to move these guys
00:06:24And he starts pushing the lens and I says the next time you push me. I'll fall down and start crying
00:06:31No lens and yanking back and forth yelling black power at me and I'm just you know
00:06:37Shaking the desk with a $1,200 lens on the front of the car
00:06:40So here I am in the middle and I got no place to hide
00:06:43Because I'm carrying a big 40-pound camera and I'm trying to get pictures of it
00:06:47And so the rioter wants to beat me up. He thinks I'm trying to identify him for the police
00:06:52the policeman wants to
00:06:54Elbow me out of the way and I'm being very gentle about it because he doesn't want the sergeant to see that he picked up
00:06:59some guy by the scruff of the neck and threw him in the backseat of a car and
00:07:02The editor who says hey, I want the pictures because my audience doesn't care about what brought this on my audience
00:07:08Is only your family and you need the money to feed your family if you don't bring him back to you
00:07:13Forget about that. I got a job to do and I'm interested in it
00:07:16And if this is it, but the point I resent very much is the fact that wherever I go
00:07:21I'm beat up
00:07:40And we got a chaplain
00:07:43I
00:08:08Am brigadier general Richard T. Dunn
00:08:11Commanding general of the emergency operation headquarters of the Illinois Army National Guard
00:08:18The emergency operation headquarters is one which was established last winter
00:08:24for the purpose of
00:08:25planning and controlling operations in the event of civil disturbances
00:08:32Out on the street their bayonets are fixed and
00:08:36They know it's for real in a real riot in a city and here we know it's more or less a
00:08:42It's a it's a war game
00:08:44How's it going so far that I couldn't tell you I'm the enemy
00:09:05Oh
00:09:23The free choice of people
00:09:28This country is changing it is no longer for all the people it is for some of the people
00:09:35We see a war we do not want
00:09:39We see an apathy towards love and brotherhood
00:10:05I
00:10:28Left you use our swimming pool
00:10:36We've operated we've operated the liquor store with a minimum of profit I
00:10:45Understand that you have some problems
00:10:57Understand that you have some complaints
00:11:05Oh
00:11:35Oh
00:12:05Oh
00:12:35I
00:12:57Want to move over here, please
00:12:59Let's go time is money. Let's go
00:13:02Gus is the L gonna be too loud for you
00:13:05Now we can live with it
00:13:09Okay
00:13:13I took my physical last week physical to vote. Why are you working for Kennedy?
00:13:24What are you doing here she's my friend
00:13:30Who are you for I just don't like him I mean because of Oswald and and Dallas
00:13:36What does that have to do with it?
00:13:38Well, I just I think that I think that he should have looked into it
00:13:41I mean, I think there's a lot of serious questions that haven't been answered Helen the Saturday evening post
00:13:45There was a proven statement that the CIA knew about Lee Harvey Oswald's trip to Mexico only two months
00:14:05You
00:14:35I
00:15:05Damn it. It looks like I'm a prime target. First the hubcaps now my radio antenna
00:15:22Oh
00:15:34What's the difference channel 8 Scott lots more where these came from that's not the point
00:15:43Where do you want to go how about a movie?
00:15:52I
00:16:22I
00:16:52I
00:17:22Oh
00:17:52Oh
00:18:22Oh
00:18:52I show him what to
00:18:59Do sit a while Robert they can't anything you want him to
00:19:10How many one
00:19:15What do you want me for
00:19:22I
00:19:37Got two aces I
00:19:43Didn't get him there in the back
00:19:46He's doing that
00:19:49Well, that's hot you got anything to drink
00:19:52There's plenty of water in the sink
00:19:54I don't want any water. I want a coke or something
00:19:56Let's go get coke
00:19:58Let's go
00:20:00We'll see you there
00:20:02Hi
00:20:04Where'd your friends go?
00:20:06I don't know
00:20:08I don't know
00:20:10I don't know
00:20:12I don't know
00:20:14I don't know
00:20:16I don't know
00:20:18I don't know
00:20:20Where'd your friends go get a coke get a coke
00:20:27What was your plane
00:20:31One nobody
00:20:35What's the matter
00:20:39Hey, you're pretty dirty been working in birds you better go wash up before we eat supper
00:20:48Well, come on
00:20:50Come on now get
00:21:20We thank thee Lord for this food bless it to the nourishment of our bodies in thy name we pray
00:21:50The racing pigeon or homing pigeon
00:21:52The racing pigeon or homing pigeon remains faithful to the Lord
00:22:23Throughout its life provided that the mate is present at all times
00:22:30especially when the
00:22:31Melbourne returns
00:22:33After a long flight in addition when the pair has young this bond is even stronger
00:22:42if however
00:22:43The family is separated for an extended period the male pigeon not unlike his
00:22:51Human counterpart can be relied upon
00:22:55to seek
00:22:56female
00:22:58companionship
00:23:00elsewhere
00:23:20I
00:23:45Let's find this guy
00:23:47I
00:23:52Don't know I heard they were behind the San Francisco contingent. This is in this direction here
00:24:01I don't know how long this thing is where is it? Let's go this way
00:24:17I
00:24:29Would hope now that the California primary is finished
00:24:32Now that these primaries old that we can now concentrate on having a dialogue or a debate
00:24:38I hope between the vice president and perhaps myself of what direction we want
00:24:47Oh
00:25:17I don't believe it. You say that you think you know the meaning of love
00:25:27You say love is all we need
00:25:30Say with your love
00:25:33You can change all of the fools all of the hate. I think you're probably out
00:25:47You
00:25:49Guys here to cover the funeral. Yeah, that's what we're here for. I didn't hear you come in last night
00:25:59You score
00:26:04You left the TV set
00:26:09You know, you can meet a lot of interesting people in the cocktail lounge
00:26:12Did you know that for every man in Washington DC, there are four and a half women
00:26:23Beautiful city, huh?
00:26:28This air-conditioning really gets you
00:26:37Look at these guys
00:26:43Couple of hours, they're all set up
00:26:502025 camera positions like nothing
00:26:57They've had experience as we did JFK in 63
00:27:12I
00:27:14Do
00:27:38What are your plans for the summer this
00:27:41which will be a very political summer and possibly a very hot one.
00:27:45Oh, well, now let's not get into politics.
00:27:48Well, we always go up to our place up in Ontario, Canada.
00:27:57It's a place called Deborah, that's D-E-S, it's French, it's not like the girls' name.
00:28:04And, well, about this time of year we always start looking forward to getting away from the city
00:28:10and the crowds and the heat, it's very primitive up there.
00:28:16I think sometimes it's good for the soul, don't you, to get away from civilization, so to speak, don't you think so?
00:28:41Hello.
00:28:42Hello. Is your mother home?
00:28:45Yes.
00:28:46No.
00:28:47No? Is she working?
00:28:49Yes.
00:28:50Uh-huh. What time will she be home?
00:28:53At twelve.
00:28:55I see. Now, how long have you lived here?
00:28:59I don't know.
00:29:00You don't know?
00:29:01No.
00:29:02Well, could you tell me where you lived before you moved here?
00:29:05I don't know.
00:29:06You don't know?
00:29:07No.
00:29:08Well, could you tell me where you lived before you moved here?
00:29:10Yes.
00:29:11Uh-huh. Where?
00:29:12At West Virginia.
00:29:14I see. In West Virginia. Uh-huh.
00:29:17Now, how many rooms do you have?
00:29:19No, yeah, four.
00:29:21Four rooms. Uh-huh. Do you have a TV set?
00:29:24Yes.
00:29:25You do. Uh-huh. Do you have stereo?
00:29:27Yes.
00:29:28And how many brothers and sisters do you have?
00:29:30None.
00:29:32None.
00:29:33None. You're the only child, hmm?
00:29:35Yes.
00:29:36Uh-huh. And how old are you?
00:29:38Thirteen.
00:29:39Thirteen, really? And do you go to church?
00:29:42Yes.
00:29:43That's a good boy. Now, what is your father's name?
00:29:47Buddy.
00:29:48What?
00:29:49Buddy.
00:29:50Buddy. Uh-huh. Does he live here at home with you?
00:29:53No.
00:29:54Uh-huh. Could you tell me where I could find him?
00:29:59At Vietnam.
00:30:02Well, let's go see what damage we've done up here.
00:30:10Look at that. Look at the holes in it.
00:30:12Yeah.
00:30:13Look around and see if you can find another.
00:30:19Hey, I got something here. Come here.
00:30:21I ain't gonna waste this, so...
00:30:24Give me three kisses.
00:30:33Come on.
00:30:38Hey, you wanna shoot it?
00:30:39Uh-uh.
00:30:40It ain't gonna hurt you. Just go ahead and put a shell in like that.
00:30:44This is safe.
00:30:46Won't hurt you at all. Draw it back.
00:30:50Knock it off of there. That's all you gotta do.
00:30:54Come on, let's go.
00:30:57Come on, let's go look at the pigeons.
00:31:02Come on.
00:31:32Come on.
00:31:33Come on.
00:31:35Come on.
00:32:01Nothing's missing. I looked.
00:32:05Come on.
00:32:10You out of shape, pal?
00:32:13Hey, what's in the basket?
00:32:17Dinner.
00:32:35Why don't you admit it?
00:32:38Come on, just say it.
00:32:40You're a bastard.
00:32:45Admit it to me.
00:32:47Admit it to yourself.
00:32:50You're a rotten, egotistical, selfish...
00:32:58country cameraman.
00:33:05Well...
00:33:10Well...
00:33:17Look at this here.
00:33:21How do you like it? Gus wired it up for me.
00:33:24Look back there.
00:33:26Fiber optics. Great, huh?
00:33:29See the TV?
00:33:31Lights.
00:33:32Look at that.
00:33:34Shining.
00:33:37Do you remember when we saw Mondo Connie?
00:33:40We didn't see Mondo Connie.
00:33:43Well, I saw it.
00:33:45Well, I saw it too, but I don't remember seeing it with you.
00:33:49Well, anyway, that's not the point.
00:33:52What's the point?
00:33:55Well...
00:33:57You remember that scene on an island where they tested an atom bomb?
00:34:01Yeah.
00:34:03Well, there were these big turtles.
00:34:06You know, tortoises?
00:34:08Who at a certain time of their lives would walk to the sea to lay their eggs.
00:34:14And they found that the radiation thing threw the turtles sense of directions.
00:34:19So instead of heading to the sea, they went inland and they died.
00:34:23Oh, I'm crying.
00:34:28Damn it!
00:34:30Look, somebody took those movies, right?
00:34:33I mean, do you think, did they or didn't they, after they took those movies...
00:34:40Do you think, did they reach down and turn those turtles around?
00:34:44Or did they put them in a jeep and drive them back?
00:34:47How the hell do I know what they did? Those were Italian cameramen.
00:34:54I give up.
00:34:56I surrender.
00:35:00Hey, no calories.
00:35:04I'd rather keep my kidneys for a while.
00:35:16Research physicians at the Instituto del Salvador Muni in Rome
00:35:20revealed today the results of tests involving a new device to be worn by
00:35:24expectant mothers during the entire course of their pregnancy.
00:35:27This device consists of a steel and plastic cylinder which can be controlled
00:35:31so as to create a partial vacuum around the mother's abdomen,
00:35:35reducing atmospheric pressure on the fetus.
00:35:39This pressure,
00:35:43which is at sea level 14.7 pounds per square inch,
00:35:47can be reduced by as much as 50%.
00:35:50It was Dr. Jacobo Marziani, director of the hospital's research institute,
00:35:54who first made public the results of the tests involving the new device.
00:35:58Although it is anticipated that the price,
00:36:01in the early stages of development at least, will be prohibitive.
00:36:05Prohibitive.
00:36:07Prohibitive.
00:36:09Official comment on the new device has not yet been forthcoming from the Vatican.
00:36:24I can't see it!
00:36:26I can't see it!
00:36:28I can't see it!
00:36:30I can't see it!
00:36:40No, tag me!
00:36:42Tag you!
00:36:44No!
00:36:47Me, me!
00:36:49Tag me!
00:36:55You dropped your newspaper.
00:36:58Who are you?
00:37:00Horton, 4444 North Clifton.
00:37:03I think this belongs to your little brother.
00:37:06I don't have a brother. It belongs to my son.
00:37:11Mr. Horton go for green beans?
00:37:25Get out of the car!
00:37:27Get out of the car!
00:37:29Get out of the car!
00:37:31Get out of the car!
00:37:33Come on!
00:37:35Hey, get out of there!
00:37:46Hey, get out of the car!
00:37:48Come on, this is an official car, come on!
00:37:51All those kids out there yours?
00:37:54No, they belong to my neighbors.
00:37:57Are you from the mountains?
00:37:59West Virginia.
00:38:01I just spent three weeks there.
00:38:03You did?
00:38:05We sure starve a lot when the stamps run out.
00:38:09Trouble is you can't get no tobacco on stamps.
00:38:12So you know about the stamps.
00:38:14No, not really.
00:38:16I did this documentary, those words are on the tape.
00:38:24Come on.
00:38:34Hello, Marion, this is Gus.
00:38:36Page Katselis on number 512.
00:38:40Have him report to the wagon immediately.
00:38:43Okay, 10-5.
00:38:45I guess I could have let the bird go and he would have flown back,
00:38:48but I don't know how he would have carried the basket.
00:38:50Well, it might have flown back to West Virginia.
00:38:52Harold spends all his time trying to retrain him.
00:38:55How long have you been out here?
00:38:57Not too long.
00:39:04You got a telephone around here?
00:39:06In the hall.
00:39:08Katselis, sir.
00:39:11Yeah, but he's right outside.
00:39:14He did, huh?
00:39:16Yeah, all right.
00:39:18Anything else?
00:39:20All right, thank you.
00:39:26I'm sorry.
00:39:28I'm sorry.
00:39:30I'm sorry.
00:39:32I'm sorry.
00:39:34I'm sorry.
00:39:35I'm sorry.
00:39:41You tell Harold
00:39:43the bad guy from the parking lot brought his bird back.
00:39:47You tell him, Marion.
00:39:49I will.
00:40:01Why are you cutting this off?
00:40:03We've got to make sound here.
00:40:05You shut this off?
00:40:07Shut it off!
00:40:12All right, where was the money at?
00:40:14Where was it really located?
00:40:16Was it stuffed in the seat?
00:40:18It was in an envelope on the floor.
00:40:20What kind of envelope?
00:40:23What kind of an envelope was it?
00:40:25Ask him.
00:40:27He's counting the money there.
00:40:29He's counting the money?
00:40:30How much money was it?
00:40:32No, don't ask him.
00:40:34I want to know from you, how much money did you have?
00:40:36How much did you count?
00:40:38Did you count the money?
00:40:40$10,000.
00:40:42You sure it was $10,000?
00:40:44It wasn't $9,000? It wasn't $11,000?
00:40:46$9,000? $10,000, right?
00:40:48Yeah, it was $9,000.
00:40:50I put $1,000 of mine to go along with it to make it $10,000.
00:40:52What are you going to do?
00:40:54Are you going to get funny now?
00:40:56Are you going to start putting me on?
00:40:58Let's not play games with each other.
00:41:00Where did you get it?
00:41:02Aren't you thankful that I did turn in $10,000?
00:41:05Maybe I'm not. I'm a policeman.
00:41:07I'm just here to find out the facts.
00:41:31$10,000.
00:41:34$10,000.
00:42:01Just tell her we cover the news.
00:42:03We do not manufacture violence.
00:42:06Talk to her, okay?
00:42:10Mrs. Harris, I'm...
00:42:13Well?
00:42:15You remember the shot I did at the cabbie who turned the money in?
00:42:17Forget it.
00:42:19There's a story there, Carlin.
00:42:21It's worth following up. A lot of people are interested.
00:42:23I think it'll go on the Sunday Reports.
00:42:25No, no. I've got a convention coming up,
00:42:27plus I've got a war, plus I've got baseball,
00:42:28plus I've got a nervous city,
00:42:30plus I've got chicken-shit cameramen
00:42:32that are afraid to go into the ghetto
00:42:34without police protection.
00:42:36No. N-O.
00:42:38You stay out of those neighborhoods
00:42:40until I send you in there.
00:42:42I want film and lab.
00:42:44Look, they ain't got film.
00:42:46I want film and lab.
00:42:48Look, my friend, would you please stop bothering me?
00:42:50Mr. Evans' office on Line 6, Mr. Carlin.
00:42:52Right up the voucher.
00:42:54Yes, sir.
00:42:56Good morning.
00:42:58Get out of there!
00:43:01Get out of there!
00:43:03Get out of there!
00:43:05Get out of there!
00:43:08Cards slaughtered Philadelphia, nine to nothing,
00:43:11and finally it was the Mets walloping the Pirates.
00:43:18Locke?
00:43:20Yeah.
00:43:22You know you're two blocks away, don't you?
00:43:24Yeah, well I had some trouble in there last night.
00:43:26Thought we'd keep the equipment safe.
00:43:28White bread on a sandwich is not too good.
00:43:33Oh, come on now.
00:43:36That's out of it. Out of it.
00:43:39I don't think we have any other kind, but I'll take a look and see here.
00:43:42Frank, I dug your name in the paper.
00:43:45What's happened? You're somewhat of a celebrity now, aren't you?
00:43:48Fill me in.
00:43:51Well, not really a celebrity, but I found the bread and I turned it in.
00:43:57You turned it in.
00:43:59Now, were you acting as a Negro or were you acting as a black man?
00:44:02How do you feel? I'm concerned about this.
00:44:04What do you mean, was I acting as a Negro or a black man?
00:44:06Because I feel that if you were acting as a black man, you would have kept the money.
00:44:10If you were acting as a Negro, you turned it in.
00:44:13Sir, you're my man.
00:44:16You're my man, everything.
00:44:18Frank, how much money was that?
00:44:20Ten thousand dollars.
00:44:21Ten thousand dollars? Are you kidding?
00:44:25Now, look, now you know.
00:44:27Do you realize how much ammunition and guns ten thousand dollars would have cost?
00:44:34Well, I'm not quite there yet, you know.
00:44:37But I'm talking about, baby, you got to be alive to be honest.
00:44:41What are you doing around here, man?
00:44:43Just buying some cigarettes.
00:44:45Well, you ain't got no right. Come on out here and buy no cigarettes.
00:44:49Huh?
00:44:51Guys like you get shot all up, you know.
00:44:55Yeah, let's go, Des.
00:44:57Don't come around here no more for no cigarettes.
00:44:59You know what I mean?
00:45:22Come on.
00:45:43We have a visitor.
00:45:47Frank Baker live here?
00:45:49Frank Baker live here?
00:45:50Frank Baker, cab driver.
00:45:52Frank Baker, cab driver?
00:45:54Does he live here?
00:45:55Does he live here?
00:45:57Yeah, does he live here?
00:45:58Does he live here?
00:46:00There's no Frank Ambrose here.
00:46:05You don't know him?
00:46:07He's a cab driver. I did a story on him.
00:46:09I'm a reporter.
00:46:11What's his name again?
00:46:12Frank Baker.
00:46:13Frank Baker.
00:46:15Come on, Jeff, you're putting the guy on.
00:46:17What's up with me on television? I live in color, man. How you doing?
00:46:20Very well.
00:46:21Well, listen, I don't want to bust in.
00:46:23I just wonder if you got five minutes to talk.
00:46:25Let's do it over a drink, huh?
00:46:27Good.
00:46:36You know, uh...
00:46:38Chicago cops are getting funnier looking every day.
00:46:44I'm not a cop. I'm a sound man.
00:46:46I bet you got credentials, too.
00:46:48The FBI supplies the best credentials.
00:46:52We know, you know, that one of the best ways for spying on black people is to impersonate TV men.
00:46:58I'm up here with John. We're talking to Frank about doing a story.
00:47:01Yeah, what's that?
00:47:02It's my page boy.
00:47:04Yeah.
00:47:05Your page boy?
00:47:07Yeah.
00:47:09Hey, Richard.
00:47:11Come and dig this sketch. Page boy.
00:47:15And what do you do with my page boy?
00:47:19Well, I don't do anything. It just hangs there.
00:47:21The station, if they want me to go someplace or do something, they call me up on it.
00:47:25Oh, you mean they, uh...
00:47:28They give you orders on this?
00:47:30Yeah.
00:47:35Man, you mean to tell me they talk to you and you can't even talk back?
00:47:40He means he's a receiver and not a sender.
00:47:45Looks like they're calling you now.
00:47:47What? What you, a white flunky or something?
00:47:50Wrong. I've gotten a bad idea about...
00:47:53I forgot something downstairs. I'll meet you in the car.
00:47:57All right.
00:47:58Coming back. He's coming back.
00:48:01There he goes. There he goes.
00:48:04A hunky flunky. Yep.
00:48:07Look, man, I've been on television, I've been in the newspapers,
00:48:11and it's made my life total confusion.
00:48:13What'd I do? I find $10,000 in the back of the cab,
00:48:16I'm boob enough to turn it in,
00:48:18and I get my butt kicked by everybody in the world.
00:48:20Hey, no, man.
00:48:22Well, Les just did, Frank.
00:48:24Frank, it's a human interest story.
00:48:26People identify.
00:48:28It'll be very constructive.
00:48:30I'll give you a call, and we'll have another talk about it.
00:48:33Thank you very much.
00:48:35Excuse me, TV man.
00:48:37You wanted someone for an interview, right?
00:48:39Yeah, I haven't got time right now, dear. I gotta run.
00:48:41Oh, yeah, but I wanted to talk to you about it.
00:48:43You see, I'm a black actress, and...
00:48:45Listen, honey, I haven't got time right now.
00:48:47Don't honey me. I'm a black actress.
00:48:49That, I demand respect. I'm not looking for, you know, your glamour.
00:48:52All right, look, if you call the station, you call the station...
00:48:54No, you said you wanted somebody, so you want to talk to somebody?
00:48:56You want to hear what's being, you know, what's going on,
00:48:58what black people are doing?
00:48:59Listen, honey, I'm not interested right now.
00:49:01Wait, wait, wait.
00:49:02No, don't honey me.
00:49:03No, no, you gotta start respecting our women.
00:49:06Look, I have no disrespect in mind.
00:49:08I gotta leave. I don't have time.
00:49:10No, I want to talk to you about what I'd like to do.
00:49:13You see, you people are always busy
00:49:15putting your kind of people on and what you want.
00:49:17So I want to talk to you about what I want to do.
00:49:20Listen, dear.
00:49:21I told you about that, dear.
00:49:23I'm trying to be very respectful. Now, look.
00:49:25I don't have any time. You demand what?
00:49:27Demand respect.
00:49:29Oh, no.
00:49:31Oh, no.
00:49:32Henley.
00:49:33Okay, don't call me now, honey.
00:49:35I'm not calling you now.
00:49:37Wait a minute. Wait a minute.
00:49:38This is a guy that came by the house,
00:49:40and it's a guy who's got the stuff on him.
00:49:42So don't give him a bad time.
00:49:45Leave him alone. He's all right.
00:49:47Come on, baby.
00:49:49Wait a minute.
00:49:50I want to talk to you.
00:49:52Come here. Come here.
00:49:54Let me ask you something.
00:49:56Are you being friendly, or are you being tough?
00:49:58Listen, I just saved your life. You understand that, don't you?
00:50:00If I got to be afraid...
00:50:01You understand that I just saved your life?
00:50:03If I got to be afraid in order for your argument to work,
00:50:05then you got no arguments.
00:50:07Oh, no. No, no.
00:50:08All I want you to understand is that I saved your life.
00:50:10Yeah.
00:50:11You see, now, you came down here to do some sort of jive interview.
00:50:15You did that.
00:50:17Came down here with 15 minutes of a black sensibility.
00:50:20And, see, you don't understand that.
00:50:22You came down here to shoot 15 minutes
00:50:24of what has taken 300 years to develop.
00:50:27Grief, you know?
00:50:29Look, I'm not interested in grief.
00:50:30And all we're trying to explain to you is that you don't understand.
00:50:34I do something. You see, I do it well.
00:50:36That's my job.
00:50:37No, but you don't do it black enough.
00:50:39You can't, because you're not black.
00:50:40I'm white.
00:50:41We are.
00:50:42When you come in here and you say you come to do something of human interest,
00:50:45it makes a person wonder
00:50:47whether you're going to do something of interest to other humans
00:50:51or whether you consider the person human in whom you're interested.
00:50:55And you have to understand that, too.
00:50:58You can't just walk in out of your arrogance
00:51:02and expect things to be like they are,
00:51:05because when you walked in, you brought LaSalle Street with you,
00:51:08City Hall, and all the mass communications media.
00:51:12And you are the exploiters.
00:51:14You're the ones who distort and ridicule and emasculate us.
00:51:20And that ain't cool.
00:51:22You don't want to know, man.
00:51:23You don't know the people.
00:51:25You don't show the people, Jack.
00:51:27I mean, dig, here's some cat who's down and out, you dig.
00:51:30I mean, he's nobody, you know.
00:51:31So he says to his old man, you know, he says,
00:51:33Man, like I'm nobody.
00:51:35I mean, you know, I'm going to die, man, and ain't nobody going to even know I live, you dig.
00:51:39So the cat finds a brick, and he throws it through Charlie's window, you understand.
00:51:43Well, he takes a gun, and he shoots.
00:51:46Then the cat lives, man.
00:51:48He really lives, you dig.
00:51:50A hundred million people see the cat on the tube, man.
00:51:53And they say, Ooh, the former invisible man lives.
00:51:55Everybody knows where he went to school.
00:51:57They know about his wife and kids and everything.
00:51:59You dig, because the tube is life, man.
00:52:02Life.
00:52:04You make him an Emmy, man.
00:52:06You make him the TV star of the hour.
00:52:09On the 6, the 10, and the 12 o'clock news.
00:52:13Because what the cat is saying is truth, man.
00:52:15Why don't you find out what really is?
00:52:19Why you always got to wait until somebody get killed, man?
00:52:21Because somebody is going to get killed.
00:52:23Gunshot.
00:52:29Gunshot.
00:52:33Gunshot.
00:52:36Gunshot.
00:52:42Gunshot.
00:52:44Is that thing loaded?
00:52:46As a matter of fact, they call it a shotgun.
00:52:48It looks about 12 gauge.
00:52:53Okay.
00:52:56That's a good background.
00:52:58Very good.
00:53:00We can't shoot here.
00:53:01What do you mean we can't shoot here?
00:53:02It's too noisy.
00:53:03His gunshots will wipe us out.
00:53:05It's always too noisy, isn't it?
00:53:06Okay.
00:53:07Come on, let's go back over here.
00:53:09Good for you?
00:53:10Yeah, fine.
00:53:13Pepsi machine, good enough?
00:53:14Fine.
00:53:18Just speak in a normal tone of voice.
00:53:20Speak in a normal tone of voice.
00:53:21Rolling here.
00:53:23Well, there's been about a 46% increase in pistol registration since last year's riot.
00:53:29We're getting our business from people who want to protect their families and their homes.
00:53:34Can you hold it a minute?
00:53:35Excuse me, Mr. Floyd.
00:53:36The damn thing's stuck or something.
00:53:37Point that down.
00:53:39I've only got one head.
00:53:41There we go.
00:53:42See?
00:53:43Disrelease.
00:53:44Okay.
00:53:45Okay.
00:53:46Thank you.
00:53:47There we go.
00:53:50Not bad.
00:53:52You ready again?
00:53:53You want me to start again?
00:53:56Well, I don't know what you're looking for.
00:53:58If a person has a driver's license, he has to know how to drive.
00:54:03And if a person gets a gun, he has to know how to use it.
00:54:08How he uses it or what he uses it for is a personal right.
00:54:17Jake, let me have a dime.
00:54:18Sure, Johnny.
00:54:23There you go.
00:54:26I asked him where he was.
00:54:27He said I was on vacation.
00:54:28I didn't.
00:54:29Hey.
00:54:30Hey, lover boy.
00:54:31Dee Dee's looking for you.
00:54:46You looking for me?
00:54:47Johnny.
00:54:49Hey, there might be a little problem.
00:54:51What is it?
00:54:52I mean, well, Carlin came around yesterday, kind of mad.
00:54:56Oh, tell me something new.
00:54:58Johnny, you know the outtakes for that footage?
00:55:03Well, you know, the draft card burners?
00:55:05Yeah.
00:55:06Did you give that to the light show kids?
00:55:08Oh, for Christ's sake, Dee Dee, don't be cute with me.
00:55:10What the hell did he say?
00:55:11Well, he didn't say anything definite, really.
00:55:14He just complained about you being out when he needed you
00:55:17and screwing around, shooting stupid interviews.
00:55:20That kind of thing.
00:55:21Well, listen, what the hell is up?
00:55:22Don't tell me what you think.
00:55:24Just tell me what kind of shit's flying around.
00:55:26Jesus, let go.
00:55:32Okay, okay, I'll tell you.
00:55:39Well, for about a year now,
00:55:43the station's been letting the cops and the FBI study our footage.
00:55:53You're putting me on.
00:55:55You're kidding me.
00:55:56What am I, a fake?
00:55:59How can I go out and cover a story?
00:56:01It's a wonder more cameras haven't been smashed.
00:56:04I want to know why nobody told me what the hell's been going on.
00:56:07Because you can bet your ass out there in the streets, they know.
00:56:10You should have told me, Dee Dee.
00:56:12Hey.
00:56:16Just a second.
00:56:17Is he here? Where is he?
00:56:18I want to see him.
00:56:20Well, he won't be in this morning.
00:56:22This is for you.
00:56:30Where the hell is he?
00:56:32Why won't he be in?
00:56:34What the hell is this crap?
00:57:01I don't know what day it plays.
00:57:04What?
00:57:06That was a business call.
00:57:10Accounting?
00:57:11Did you get a severance notice for John Catullus?
00:57:14Just a minute.
00:57:18Yes, I have it here.
00:57:20Who's calling?
00:57:24I tell them to stuff their lousy job in a minute.
00:57:27Well, you know that I would.
00:57:32I would.
00:57:34As far as I'm concerned, I'm with you, John.
00:57:37I'll tell the bastards if John goes, then I walk with him.
00:57:45Well, I got to get moving.
00:57:49Take it easy, Gus.
00:58:14Remember me?
00:58:22Yeah.
00:58:24Yeah, I almost didn't recognize you in that outfit.
00:58:26I work over there at Motorola.
00:58:29Oh.
00:58:32Well, it's been good seeing you.
00:58:39How's the pigeon boy doing?
00:58:41Real good, just fine.
00:58:44How about you here?
00:58:46It's pretty bad, isn't it?
00:58:48Most times I bring my own.
00:59:01Did you finish your salad?
00:59:03You want some of mine?
00:59:05Sure.
00:59:06Okay.
00:59:11What's the matter?
00:59:14Maybe it's just that he's not used to company, huh?
00:59:22What'd you do back home?
00:59:24I was a school teacher.
00:59:26You were?
00:59:27Why aren't you teaching here?
00:59:29Well, things are very different up here.
00:59:31Down home, I taught five grades in one room for one thing.
00:59:36Wow.
00:59:37Like the Little Red Schoolhouse.
00:59:39Kind of.
00:59:40But, you see, they don't recognize me as a teacher up here.
00:59:46I mean, the education that I had down home
00:59:49ain't good enough for them for me to teach here.
00:59:52So I came.
00:59:53But I'll tell you, I don't think I'd want to anyway.
00:59:56I mean, I wouldn't want to teach in the schools in this neighborhood.
00:59:58Why not?
00:59:59They don't teach you nothing.
01:00:01Well, it's a Chicago school.
01:00:02They got to teach you something.
01:00:04They don't.
01:00:05They bring a television in there.
01:00:09Well, they use TV these days.
01:00:11They use educational television.
01:00:13Yeah, not that kind of TV.
01:00:15You watch anything you want.
01:00:17They don't try to.
01:00:20When you ask them if you want to do some work things,
01:00:23they say, no, you do what I tell you.
01:00:26They let you watch TV, is that it?
01:00:28That's all.
01:00:29They don't do nothing else.
01:00:31Don't you like TV?
01:00:33Yeah, but...
01:00:35You're probably doing what you like.
01:00:37Where are you from?
01:00:38Right here, Chicago.
01:00:40CYO Welder Wade Boxer, 1958.
01:00:45You ever box?
01:00:46Or do you just wrestle when you fight?
01:00:48People down in here use sticks, rocks, guns,
01:00:52and everything down in here.
01:00:54Nah, you don't use rocks, do you?
01:00:56Yeah.
01:00:57What don't they do?
01:00:58Yeah, well, only dirty fighters use rocks.
01:01:01And guns and sticks.
01:01:03You got a gun?
01:01:04Uh-uh.
01:01:05Play gun?
01:01:06Uh-uh.
01:01:07That's good.
01:01:09I shot a gun when I was, I mean, 10 years old.
01:01:13Where?
01:01:16What, for real?
01:01:17Take him with me to CYO, maybe.
01:01:20And let him hit the bank.
01:01:28I don't watch TV.
01:01:32You help me put the plates in the sink,
01:01:34and then you can go watch TV.
01:01:39I'll give you a hand here.
01:01:44Harold?
01:01:46Is your bird okay?
01:01:50The other day, I thought you were stealing something
01:01:52off my car in the parking lot.
01:01:53I don't steal!
01:01:55Anyway, what's the great about your shitty car?
01:01:58I brought your bird back, didn't I?
01:02:03Anyway, it's not my car.
01:02:14Early Hillbillies, normally scheduled for this time,
01:02:17will not be seen tonight.
01:02:19Instead, we bring you the third part of a network special
01:02:21on John F. Kennedy, Martin Luther King, and Robert Kennedy.
01:02:45Why the fire?
01:02:47Can you get another job?
01:02:49Can you get welfare?
01:02:50I mean, unemployment?
01:02:54Do I look worried?
01:02:58Too many questions.
01:02:59Why they can't be...
01:03:02I'm not sure I know the answer.
01:03:06I started a story about a cab driver
01:03:08who found all that cash somebody lost
01:03:10and, for unknown reasons, wouldn't claim.
01:03:14Why?
01:03:15Hey, there's only one kind of money
01:03:16a guy would be afraid to claim,
01:03:18and I had some idea maybe there was a connection
01:03:20between guns, vigilante groups
01:03:22maybe getting ready for a blow-up this summer, you know?
01:03:25Then I got sort of sidetracked.
01:03:27Interested, so to speak.
01:03:29But nobody said anything about this.
01:03:32My director just told my union local
01:03:34I had taken company film without authorization.
01:03:37You see, it gets pretty complicated.
01:03:39People rarely say the real reasons for things.
01:03:42Big corporations never do.
01:03:46It's just politics.
01:03:48Plain bureaucratic politics.
01:03:52I guess it's a season up here.
01:03:54Anyway, we only been in Chicago a little while,
01:03:57not even long enough for me to vote.
01:04:03Come on, tell me how you managed to teach
01:04:05five grades in one classroom.
01:04:08I didn't manage.
01:04:10One thing I did was...
01:04:12Well, I just had three in the third grade,
01:04:14so I put one boy up to fourth
01:04:16and a boy and a girl back to second.
01:04:18That way I only had four grades.
01:04:21Is that the new method?
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01:29:23Ladies and gentlemen, my name is Hal Horton.
01:29:28This is Hal Horton.
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