Sueños de Libertad - Capítulo 121
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00:30to make you rich.
00:32So dare to do it, my love.
00:37What if I'm wrong?
00:40Well, I'll be here to comfort you.
00:44Be careful with your behavior.
00:46Or next time I'll be forced to tell the bishop.
00:49I really can't believe we're having this conversation
00:51for the simple fact of having helped people.
00:53Don't worry.
00:54If he has nothing to hide, he shouldn't worry.
00:58See you later.
00:59See you later.
01:27Live in a different way
01:29Wings to fly
01:31Wherever the soul wants
01:33Dreams of freedom
01:35The heart doesn't wait
01:37It's asking for another chance
01:42Dreams of freedom
01:44Even if the past hurts
01:46Start again
01:48Love whoever I want
01:50Scream freedom to them
01:53Live without fear and without looking back
02:13Dreams of freedom
02:23Dreams of freedom
02:39This is not signed by my father or my brothers.
02:42It's the renewal of the credit policy.
02:44You are the first.
02:45I think it's fine, but don't tell me anything
02:47where my signature is not final, okay?
02:49Yes, sir.
02:50Look, Marta.
02:51Sign the credit policy.
02:53Pass it, please.
02:54Thank you.
03:02By the way, I've made some amendments
03:04to the contract with Lambert.
03:05I'm waiting for the good view from Paris.
03:09That contract was already reviewed
03:11and approved by the lawyers and by father.
03:13Well, it was poorly reviewed and worse approved.
03:16With what right do you make changes
03:18in a contract without counting on anyone?
03:20With the right you give me
03:21to be the most experienced executive
03:23and with the intention
03:24that they don't abuse our good faith.
03:26And don't get angry, Marta.
03:27You know perfectly well
03:28that if we're negotiating with the French,
03:30it's thanks to me.
03:31Jesus, are you trying to provoke me?
03:34Because lately you've been very high
03:35and more in front of Isabel.
03:37I, if you want, I'll leave.
03:39No, you stay, Isabel.
03:40Let me show you something.
03:48Where is it?
03:50Here.
03:53The issue of who takes care of the expenses
03:55if the merchandise suffers imperfections in transit?
03:57What's wrong with that?
03:59Do you think it's normal
04:00that we have to be the ones
04:01who pay for everything?
04:07It's the usual.
04:08Our own lawyers can confirm it to you
04:10or even Isabel, who was aware.
04:12Isabel?
04:13But she was the one who drafted those changes.
04:16Take advantage and explain it to her.
04:17Come on.
04:18But hurry up.
04:19Lately, my sister
04:20doesn't go to this office very often.
04:21But...
04:22Well, Mr. Jesus proposed that
04:24in the case of imperfections,
04:26each of the parts
04:27would take on 50% of the expenses.
04:30Great.
04:31I should have consulted him.
04:32Isabel,
04:33you're the director's secretary of this company,
04:36not a spy at my sister's service.
04:38I hope you haven't lost everything
04:40because you went too far.
04:42I did it for the company's sake.
04:44No, what you've done
04:45is put me at risk
04:46and risk a contract
04:47that I already had.
04:49And that thing about the French
04:50is none of your business.
04:52Good thing everyone knows
04:53that I was the one
04:54who brought Patricia Lambert here.
04:59Answer, please, Isabel.
05:03Direction of Perfumeries de la Reina, tell me.
05:06Good afternoon.
05:08One moment, please.
05:10It's Mrs. Lambert.
05:13Give it to me.
05:17Patricia, how are you?
05:21Yes, it was a last minute change.
05:25Because it's a fair and equitable clause,
05:2750-50.
05:29Did you think it was wrong?
05:32Then make it sound right.
05:36I remind you that we have an agreement.
05:38And if you want to get your share,
05:39you have to look out for the interests of both parties,
05:41not just yours.
05:44Very good.
05:45Goodbye.
05:48Problem solved.
05:49They accepted the clause.
05:50No, I had the impression
05:51that it was still to be seen.
05:52Patricia, it was her job.
05:54Have faith.
06:07Do you want to sum up what happened?
06:11But you'll see that you'll get over it soon.
06:14We'll both get over it.
06:17Together we can do anything.
06:21I need you by my side.
06:26Come in.
06:31I came to pick up the tray.
06:32Don't worry, don't bother.
06:34I'll take it down now.
06:35I have to go to the factory.
06:37I see that at least you have regained some appetite.
06:39Having the queen's lieutenant here,
06:41it's impossible to skip a meal.
06:44Well, I'll be back for dinner later.
06:46And remember that you have recognition with Jaime.
06:48He won't notice.
06:52Goodbye, my love.
06:53Goodbye.
06:56Could you keep her company for a while?
06:58As long as I need to, of course.
07:00Thank you.
07:10Oh, my God.
07:11You finally got him to eat from your hand.
07:15Well, I told you he was capable of doing anything to get it back.
07:18Of course, you went to the action, yes.
07:21Well, woman, what's wrong with wanting to take a walk with you?
07:24Man, I know you and I know that when you get so affectionate,
07:27it's that you want to tell me something.
07:29And tell me what it has to do with the postcard.
07:32Eh? Or am I wrong?
07:33Why do you say that?
07:36Eh? Or am I wrong?
07:37Why do you say that?
07:38Man, because it's been missing for two days
07:40and suddenly, by magic, it appears in the closet where we always leave it.
07:43Well, it must have fallen behind the coffee pot, woman, I don't know.
07:46You're talking nonsense.
07:48What do you have with the postcard?
07:50It's that, more than with the postcard, it's with the money in it.
07:54Yes or no?
07:55Don't tell me you bought another whim.
07:56I haven't bought anything, woman.
07:58But, let's see.
08:00Oh, I hope so.
08:01You brought me here so I don't yell at you in front of everyone.
08:04Carmen, let's see.
08:06I've got a good business
08:08and I'd like to tell you before doing anything.
08:11Oh my God, now a business.
08:13Let's see, and what is it about, if you can tell me?
08:15And how much money do I have to invest?
08:17You know, Carmen, the more you invest in business, the greater the profit.
08:20Tassio, how much?
08:2110,000 pesetas.
08:2210,000 pesetas?
08:25I managed to get that thief husband to come dragging, apologizing to me.
08:29What I don't understand is how you managed to get Jaime to follow the game,
08:32telling everyone that you've lost a creature he knew didn't exist.
08:38Luck.
08:40It's in the bold.
08:42What do you mean?
08:44Because Jaime is a respectable doctor.
08:47I'm surprised he lent himself to any trickery to validate your lie.
08:51Maybe he's not as respectable as you think.
08:53But, Olga, I don't understand anything.
08:56I found out by chance that he and Dr. Borrell are lovers.
09:03What?
09:04I heard them on the phone, in a very high-pitched conversation,
09:07but you can't say anything, Gema, please.
09:09And you blackmailed him.
09:10Well, that's a very ugly word, no.
09:13I warned him that if he wants to continue playing doctors with the doctor
09:17without the family finding out, he has to follow my lead and shut up.
09:20Maria, I think you've crossed a line.
09:22Gema, don't be a pussy.
09:24Besides, if Jaime doesn't want trouble, he shouldn't cheat on his wife.
09:28The truth is that he's lucky that the man stops following her around
09:31and ends up cheating on him in his own house.
09:33Gema, please, I repeat, not a word to anyone.
09:37If they find out about the cake,
09:38Jaime wouldn't have any reason to follow my lead, please.
09:42It'll be a grave, don't worry.
09:44You're the only person I trust in this house.
09:47Don't let me down.
09:48Don't let me down.
09:53Oh, don't worry, how can I not worry, Tassio?
09:55It's all the savings we have for the house
09:57after giving you the whim of the fridge.
09:59Carmen, I know, I know.
10:00But, woman, maybe in a month with this
10:02we can pay the mortgage to the house.
10:05You're multiplying too fast.
10:06There's no honest business that goes that fast.
10:11Tassio, no, no.
10:12You're not thinking about playing again, are you?
10:14No, no, woman, no.
10:15No, woman, no.
10:16This isn't a trap.
10:19It's a new business Iñigo has offered me,
10:21the new operator.
10:23Oh, another one.
10:25And what is this business about?
10:28Well, look.
10:30It turns out Iñigo has a cousin
10:32who works in a factory of German appliances.
10:34And the cousin gives him all the models
10:36that Jesse discards and then he leaves them as new.
10:39And then Iñigo resells them?
10:40Yes, yes, and makes good money for each one.
10:42If not, why do you think that guy lives so well?
10:44He invited us to the Bernabéu stage and everything.
10:46Being a simple operator.
10:48I see.
10:49And if he's doing so well,
10:50why is he still a simple operator?
10:54Well, I don't know.
10:55He'll know.
10:56Besides, if you kill yourself working, you don't kill yourself.
10:58So, the important thing here, Carmen,
11:00is what we do.
11:02That would be reselling defective appliances.
11:04Because they're fine, Carmen.
11:05They work perfectly, in my case.
11:06I don't know, Tassio.
11:07That sounds very strange to me.
11:08What do you want me to tell you?
11:10Look, to give you an idea,
11:12I've already sold two last-generation radios.
11:14And I've made almost double the money with them.
11:16Imagine what we'd do with 50 appliances.
11:18That's crazy.
11:19Well, that amount of money could be ours.
11:24Wait, you bought those radios?
11:26You bought those radios with the money from our postcard.
11:29That's why they didn't show up.
11:30Tassio, no, I don't like you doing this behind my back.
11:33I know, but it worked out well.
11:34And it'll work out well again.
11:35Besides, I'm telling you all this
11:38to see what you think.
11:39Because I need your approval.
11:42I don't know, Tassio.
11:43I...
11:44What do you want me to tell you?
11:45I think it's crazy to invest our savings in a business
11:47that we don't know if it's going to work out, right?
11:49Carmen, it'll work out, it'll work out,
11:50because I've already tried it.
11:53But, well, if you don't like it, I'll forget about it and that's it.
11:56That's the most sensible thing.
11:59But thank you very much
12:00for telling me and not going ahead without my consent.
12:04Thank you for the ride and for listening to me.
12:08Although a couple of shouts also took me.
12:23Digna, I'm going to the factory.
12:25Very well.
12:29Then I'll need your advice,
12:31to see if you can guide me on some furniture changes
12:34that I want to do in the office.
12:35That's very personal.
12:37I think you should ask your daughter for advice.
12:41For the love of God, Digna,
12:42we're going back to our worst moments.
12:45How long are you going to keep punishing me?
12:49I try to do my job in this house as best I can.
12:52By the way, I have to go see how dinner is.
13:03It's time to go.
13:08Everything okay?
13:10Yes, just business problems.
13:13I'm going.
13:14Begoña,
13:16I have to ask you something.
13:35Hello.
13:37What are you doing here so early?
13:39I came to see how you were.
13:41When you tell me if your brother and you are still angry,
13:43I'll tell you if I'm okay or not.
13:45I can't stand seeing you argue one day like this and another like that.
13:49Mother,
13:50I don't like being like this either,
13:52but what do you want me to do?
13:54He'll get over it, won't he?
13:57I need you to be okay.
13:59Especially now.
14:01And I have no interest in the opposite,
14:03but I can't support Joaquín in the plumbing project.
14:06Do you think he's that crazy?
14:09Yes, of course I think he's crazy.
14:11Me, you and everyone else, because he's a chimera.
14:13Yes, but he would be our chimera.
14:17Mother, it's a very risky project.
14:20There are too many things that could go wrong.
14:22I think it's much more sensible to bet on what we have here.
14:25Besides, you agreed with me.
14:26Have you changed your mind?
14:29You've read the article in the magazine, haven't you?
14:32That one dedicated to the Queen's family.
14:34Mother, are you going to come with that too?
14:36Yes.
14:38Because it's perfect
14:39to see what that company looks like from the outside.
14:44I don't understand where you're getting at.
14:46Anyone who reads that
14:48will be very clear about what kind of company it is.
14:50A very family-oriented company.
14:52Is that so?
14:53Isn't it family-oriented?
14:55Yes, family-oriented.
14:57One family.
14:59The Queen's family.
15:05You don't have to worry.
15:07All I've done this morning
15:09was corroborate his disgusting lie.
15:11I don't know why you're asking me,
15:13but I was listening from the corner of the door, weren't I?
15:16Maintaining that version is the best option for everyone, Begoña.
15:19Don't be mistaken, Don Damián.
15:21If I haven't told Igna the truth,
15:22it's because I found it very cruel
15:24to make that poor woman suffer more.
15:26Believe it or not,
15:28that's exactly the same motivation
15:30I've had for lying.
15:32To avoid the suffering of both families.
15:34Do you mean the lucky shot I received?
15:36Or the other shots?
15:38Don't play with me, Begoña.
15:40I'm not.
15:41It's dangerous to play with you.
15:43Although the truth is like water,
15:45even if we try to contain it with our silence,
15:47it will end up overflowing,
15:49taking everything in its path.
15:51None of that will happen
15:53if no one loses their calm.
15:56So if Igna asks again,
15:59you know what to tell her.
16:30I don't understand why you're telling me all this.
16:33What does it have to do with the spa?
16:35Think about it, son.
16:37If your father decided to keep it a secret,
16:40it's because he saw a way
16:42to take a different path,
16:44getting rid of the Reina family.
16:48You've always believed
16:50that the company was the most important thing for him.
16:53I, too, was convinced.
16:55I've been convinced for a long time.
16:58But now I know that at the end of his life,
17:00his dreams were different.
17:04What do you want me to do?
17:06Leave the company
17:09now that I'm at my best
17:11to embark on a project
17:12that I don't know where it's taking me?
17:14Knowing him.
17:15If he saw a business in that spa,
17:17it's true.
17:19Besides, now it's convenient for us
17:21to keep our distance from the Reina family.
17:24And your father is putting him on a plate.
17:27It looks like he's guiding you from above.
17:30I don't know, Mother.
17:31I do know.
17:33Your brother and you together can go very far.
17:36He with his talent, and you with your talent.
17:39You can give back to the Merino family
17:41the place that belongs to them.
17:44Wouldn't that be wonderful?
17:58You're here again.
18:00I hope you're not returning the soaps
18:01you took the other day to give away.
18:03No, no, on the contrary.
18:04They liked them so much
18:05that taking advantage of the fact
18:06that I had to go to Correos to send some letters,
18:08I've come to get a box for myself.
18:10Ah, that's great.
18:12Yes, the gifts for yourself are the best.
18:15Because you can never go wrong.
18:17That's true.
18:20Ah.
18:22Is something wrong?
18:24No, no, nothing.
18:25I was looking at your handkerchief.
18:27It's beautiful.
18:29Thank you.
18:30And of very good quality.
18:32I saw it in Toledo, and not anywhere else.
18:35In the Canobas shop, no less.
18:37I love that shop.
18:39And the one in Madrid,
18:40I don't know if you've been there,
18:41but it's spectacular.
18:43Yes, yes, I know both of them.
18:45You're so lucky to have a friend like that.
18:47Yes, I know both of them.
18:48You're so lucky to be able to afford it.
18:50With my salary,
18:51I can't even afford to buy a button there.
18:53No, no, not with mine either.
18:55Don't think about it.
18:57So?
18:59They've given it to you?
19:01Yes.
19:02It's a gift from my father.
19:06Well, tell him it has an exquisite taste.
19:08I'll tell him.
19:09Thank you.
19:10I'd like my father to give me gifts like that,
19:12or, I bet, to ask
19:14a good boyfriend to give it to me.
19:16But neither my father nor I have a boyfriend,
19:18so I'd better save up.
19:21Isabel, if you don't mind,
19:22I'm going to charge you.
19:23It's just that my shift is about to finish
19:25and I have to put two exhibitors back.
19:27Of course, woman.
19:28If I'm still here,
19:29I have a thousand things to do before I leave,
19:31so...
19:32Of course.
19:34Here.
19:35Charge yourself.
19:42Here's your change.
19:44Thank you.
19:45I hope you enjoy the soap operas.
19:48Thank you.
19:50Beautiful.
19:51The handkerchief.
19:57Patricia Lambert has confirmed it to me.
19:59Well, then...
20:00Come in.
20:02I'm sorry, Mr. Damián.
20:03I didn't know you were busy.
20:04Don't worry, Tassio.
20:06Jesús was finishing up.
20:07Don't worry.
20:08No, no, I don't want to bother you.
20:10I just wanted to tell you
20:11that I'm not going to enter the business
20:12I told you about.
20:14Wait a minute, wait a minute.
20:15What are you talking about?
20:17Is it also up to date
20:18with the guys
20:19the operators bring in?
20:21He's not a guy.
20:22It was a good investment opportunity
20:24and his father was coming
20:26to give me some advice, that's all.
20:28I gave him a couple of tips, that's all.
20:31Let's see, kid.
20:32You interrupted a private conversation.
20:34Yes, yes, I know.
20:35I apologize.
20:36I'm leaving.
20:37No, no, no, no.
20:38Since you interrupted us,
20:39come in and tell us about the business.
20:41Jesús, stop.
20:43Tell your father
20:44what I was going to tell him.
20:46Let's see if I got it right.
20:48You want to go from operator to businessman.
20:52Sorry, from night to morning.
20:54Is that it?
20:55That's the idea, yes.
20:56Uh-huh.
20:57And what happened
20:58to make you back out
20:59if you can tell us?
21:00Of course.
21:02Well, it turns out
21:03we had to invest a lot of capital
21:04at the beginning
21:05and talking to my wife
21:06it's better not to spend
21:07the money we have saved
21:08for the house.
21:09Of course, of course.
21:10Totally understandable.
21:11Are you sure about that?
21:13Think that opportunities
21:15don't come when you want them to.
21:17They come when they come.
21:18Antasio, come in, please.
21:20Close the door and come in.
21:23Sit down and tell me.
21:26The other day you were very excited
21:29when you told me about your projects.
21:32Yes, the truth.
21:33But well,
21:34then commenting on it with Carmen,
21:36it's better
21:37to cut your fingers with this.
21:41You can tell
21:42that it's so funny.
21:44Your naivety, Antasio.
21:46Look, for your information,
21:47there is no risk-free opportunity.
21:50In business, nothing is easy.
21:52Or do you think this man
21:53was given the empire
21:54he created out of nowhere?
21:56I'm not the only one
21:57who has fallen for this company.
21:59All the workers
22:00do it every day,
22:02from the first to the last.
22:06I won't keep you any longer.
22:09And you,
22:11it will be better if you keep saving.
22:13So, with a little luck,
22:14I calculate that in 10 or 15 years
22:17you can already have your little house.
22:19It's coming.
22:22See you later.
22:31Don't listen to him.
22:33He likes to provoke.
22:35Actually, he hasn't said any lies.
22:37Or are you going to deny
22:38that he didn't risk anything
22:40when he started with the company?
22:41There is always a risk,
22:42I'm not going to deny it.
22:43When I started, I was very young
22:45and the dream of raising it with my own hands
22:47was more than the fear of failure.
22:49I will also tell you
22:50that on more than one occasion
22:51and on more than two
22:52the bank was about to lose everything.
22:54But fortunately,
22:55things turned out well.
22:57Yes, it can be seen.
23:00Starting a business
23:01is a path full of complications, Antasio.
23:03And not everyone is prepared for it.
23:07Don't worry about your decision.
23:10And enjoy what you do,
23:11because you do it very well.
23:15Thank you very much for your advice.
23:18You don't have to thank me.
23:20You know I'm here for what you need
23:23and when you need it.
23:34Isabel just came out the door.
23:37Isabel, my secretary?
23:39Yes.
23:40She has come to buy some soaps
23:41and I have become very nervous.
23:44Why? What's wrong?
23:45Well, because she was just testing the handkerchief
23:47that you gave me when she came in.
23:50That's why I gave it to you,
23:51so that you can show it off,
23:53even if it wasn't for work.
23:55Yes, but I knew it was for work.
23:57I didn't want to embarrass you.
24:00Even if it wasn't for work.
24:02Yes, but I knew it was for Canovas
24:03and that it was very expensive.
24:05And I got very nervous.
24:06I told her it was a gift from my father.
24:08Do you think he stole it?
24:10Oh, mother.
24:11What's wrong?
24:14This morning she saw that I had bought something
24:16in Canovas, precisely.
24:19Well, I'm sure she has realized
24:20that you gave it to me.
24:21Let's see, I told her it was a gift for me.
24:24In fact, she has only seen the box.
24:25She doesn't even know if there is a handkerchief
24:27or what color it was.
24:28So there is nothing to worry about.
24:30Yes, but this Isabel is longer than long.
24:32I'm sure she doesn't make stitches with thread.
24:34Stitches without thread.
24:36Without thread.
24:37But she is very smart, yes.
24:41Although it would not be unreasonable
24:42to think that since your father
24:45has trusted me all my life,
24:47he has asked me where he could buy you
24:50a good quality gift.
24:53And since I have been buying in Canovas lately,
24:55I have recommended it to him.
25:00There is nothing to worry about.
25:02I already told you this morning.
25:04What have we agreed on?
25:06That when you are nervous
25:07or you think something is wrong,
25:09you just have to look me in the eyes
25:11and remember that everything will be fine.
25:17Better?
25:21I'll see you later.
25:23Please.
25:25I'm dying to spend the night with you.
25:28There is less.
25:31Carmín will replace me in nothing.
25:34And I will go to the room,
25:36I will change,
25:38I will take the car,
25:41and see you in Madrid.
25:43And from Madrid to heaven.
25:51Oh.
25:59Your brother and you together
26:00can go very far.
26:02He with his wealth
26:03and you with your talent.
26:05You can give back to the Merino family
26:07the place that belongs to him.
26:10Wouldn't that be wonderful?
26:16I have to talk to you.
26:20You have me.
26:22Luis, I have not come to argue.
26:24I have come to tell you
26:25that I am going to lift the ballet project
26:27and that I do not need your approval for anything.
26:31It is a risky project, brother.
26:34You will have to make complicated decisions
26:36on issues that you do not master.
26:37Yes, yes, yes.
26:38I already know,
26:39but I suppose that some management
26:41I will have learned all these years working here.
26:43Don't you think?
26:44Of course.
26:45And besides, I'm not going to be alone.
26:46I'm going to surround myself with the best team.
26:48Good, good.
26:49You are right.
26:50A good team is fundamental.
26:54And what is so much understanding coming now?
26:56Let's see.
26:57I don't know why you say that.
26:58Well, I don't know.
27:00If you try to give me the reason,
27:02like the crazy people,
27:03so that I realize
27:04the blow I'm going to get,
27:05then you can stop doing theater
27:07because neither you nor anyone is going to stop me.
27:09No, and it is not my intention
27:10to make you change your mind.
27:12Not anymore.
27:14Not anymore?
27:17I have been listening to my father
27:19and I have opened my eyes to certain issues.
27:24And? And what else, Luis?
27:25What has he told you?
27:26You are making me nervous, as always.
27:27Well, I have realized
27:28that Perfumerías de la Reina
27:30was not the vital project of Father.
27:32No, no, no.
27:33I would rather say
27:34that it has become yours.
27:35It may be.
27:38And I suppose that if Father wanted to take you
27:40to the balneary in secret,
27:42it is because he wanted to do
27:43exactly what you are doing now.
27:45And that is to get rid of La Reina.
27:51So you think it's a good idea?
27:53I think it's a very good idea.
27:56And then you are clear
27:57about everything you have in front of you?
27:58Yes, yes, yes.
28:00First, we have to find out
28:01who those landowners are.
28:03Second, tie the deal
28:04and talk to the banks
28:05to see if they can finance it.
28:07And third,
28:08lift the balneary
28:10and put it into operation.
28:12That's nothing, huh?
28:13Yes, I have a long way to go,
28:14but I think it is the path
28:15that I should follow.
28:16And the path that our father
28:17would like to have followed.
28:19Yes.
28:20Hey, have you already thought
28:21about possible names for the balneary?
28:24No, no, no.
28:25I haven't had time, no.
28:27There is still time for that,
28:28but maybe we can launch proposals.
28:33We can.
28:35You and me.
28:39Come on, if you don't want to,
28:40then I'll step aside.
28:41But if you want me to be part of the team,
28:44I'm willing to do everything I can
28:47to get this project
28:48done together.
28:51Are you serious?
28:53Or have you taken a sip
28:55of the cologne you have there?
28:57Totally.
29:00I have realized that this can be
29:01a project that is a great opportunity
29:03for Los Merino.
29:10You liked it, didn't you?
29:13Give me a hug.
29:19Everything is as expected.
29:21So this is the last time
29:22you make me waste my time like this.
29:25Jaime, please, we have a deal.
29:28No.
29:29One thing is that I had to swallow
29:30with your damn blackmail,
29:32and another very different thing
29:33is to tell everyone
29:34that you are worse than you really are.
29:35I'm not going to go through that.
29:38Okay, then I suppose
29:39you should give me the high five.
29:40Yes, I suppose I should.
29:42And that's exactly what I'm going to do.
29:45Good, because I was tired
29:46of being in bed all day.
29:49God, how can you be so frivolous?
29:52Your lie has hurt a lot of people,
29:54starting with your husband.
29:56Don't meddle in my marriage.
29:58I don't meddle in yours
29:59or in your relationship with Dr. Borrell.
30:06Hi, honey.
30:08How are you?
30:10Sad.
30:11Sad, but it seems
30:13I don't have to rest anymore.
30:16I can finally go out
30:17and have my head busy.
30:19Are you sure
30:20that's the best thing to do?
30:24I can live a normal life, right?
30:27Yes, yes.
30:28It's not necessary
30:29to rest as much as they say, Maria.
30:32Jaime, are you sure?
30:34I don't know.
30:35Maybe I should wait a couple of days
30:36just to be sure.
30:37No, no, no.
30:38Your health is not in any danger.
30:41It's good that you're recovering.
30:42It's normal activity.
30:45And now, if you'll excuse me,
30:46I have important things to attend to.
31:04What kind of lies
31:05did you tell the secretary of the diocese
31:06about Claudia and me?
31:08First of all, good afternoon,
31:09not from God.
31:10Don't you think?
31:11Anger shouldn't be
31:12tied to duration.
31:13You lied to me
31:14to convince Claudia
31:15to come to Godor with me.
31:16And then you lied
31:17to the secretary of the diocese
31:18telling lies
31:19about what happened there.
31:20I didn't lie to anyone.
31:21I just answered their questions.
31:23And I can assure you
31:24it was very persuasive.
31:25But I already told you.
31:26We were repairing the roof.
31:27Then it was too late.
31:28We missed the train
31:29and then we had to
31:30sleep at the station.
31:31That's all that happened.
31:32The roof was a sign of the Lord,
31:34but spending the night together
31:35was a decision
31:36exclusively yours
31:37and very unwise, by the way.
31:38You have to be miserable
31:39to insinuate
31:40what you're insinuating.
31:41Now you're a priest
31:42in a vulgar warehouse.
31:43You should know
31:44where the limits are.
31:45And you know it.
31:46What have I done to you?
31:48Why are you so resentful of me?
31:50Is it because I officially
31:51buried Mrs. Mercedes?
31:52Is that what's wrong with you?
31:53I don't allow you
31:54to speak to me like that.
31:55It's clear that my presence
31:56here bothers you.
31:57But wanting to destroy my career?
31:59That's crossing the line.
32:01You don't think
32:02it's that important, kid.
32:03I only did what
32:04Claudia's mother asked me to do,
32:05which was to watch
32:06the little virtue
32:07that girl still has
32:08and, at the same time,
32:09uncover the little vocation
32:10I see in you.
32:11Ramona is behind all this?
32:12She was already smelling it.
32:14The instinct of a mother
32:15is practically infallible.
32:17Maybe
32:18nothing will happen
32:19between you two that night,
32:20but you can't deny
32:21that girl moves you inside.
32:24No resentment
32:25for what I feel for you and Mateo,
32:26but...
32:27compassion.
32:28I'm just trying to prevent you
32:30from falling into the temptation
32:31of peace.
32:32She's played too dirty.
32:35I'm not going to let her win.
32:38I'm going to do the same.
32:39So you can be careful now.
32:52Mateo, are you okay?
32:54Have you been listening?
32:57No, not enough
32:58to know what you were talking about.
33:00It's normal
33:01for you to feel this way,
33:02but you'll see
33:03how time
33:04and the future children you have
33:06will dilute that sadness.
33:08I hope so.
33:09Now I see it impossible.
33:11As Machado said,
33:12everything happens and everything stays.
33:14And I say this
33:15knowingly,
33:16because before your brother
33:17Jesus came into the world,
33:19Catalina, my wife,
33:21went through the same trance as you.
33:24I didn't know a mother lost a child.
33:26Yes, it wasn't something
33:27that your mother and I
33:28would like to remember.
33:31I'm not surprised.
33:33But I take it to heart,
33:35because after that,
33:37we had three beautiful children
33:39who made us very happy.
33:41And I'm convinced
33:42that you will follow
33:43the same steps.
33:46Thank you, Father,
33:47for trusting us with that story.
33:49It means a lot to us.
33:51When you get such a hard blow,
33:54you realize
33:55the true value of family.
33:57And you don't know
33:58how sorry I am, son.
34:00I never wanted you
34:02to go through this
34:03or any of you.
34:05Andrés and I will do
34:06everything in our power
34:07to be a united and happy family.
34:10And as many as possible,
34:11of course.
34:12God willing, daughter.
34:13God willing.
34:16Mateo, don't worry.
34:18If you want to go home,
34:20we'll talk about it later.
34:22No, Claudia, no.
34:23There won't be
34:24any more visits to Godó
34:25or anywhere else.
34:27Don Agustín suggested
34:29that you come with me,
34:31but it was a trap
34:32to unmask me.
34:33Unmask you? How?
34:35That worm thinks
34:37that you and I...
34:42that we're hiding feelings.
34:44But where did you get that from?
34:46Your mother.
34:48She told Don Agustín
34:50and the wretch
34:51made a trap
34:52for me to supposedly
34:53fall into temptation
34:55and show me
34:56that I'm no good as a priest.
34:59They're shameless.
35:03Are you okay?
35:07Claudia,
35:08don't worry,
35:09because you have nothing
35:10to do with this.
35:12Mateo, it's just that...
35:15It's just that Don Agustín
35:16isn't going so badly
35:18without Camila.
35:20What?
35:22That you...
35:24Well,
35:26that you and I
35:28I mean, that I...
35:30That I...
35:32That I have feelings for you.
35:54Excuse me.
35:55I know you like tea,
35:57but before I start,
35:58I've taken the liberty
35:59of bringing you one
36:00with some cookies.
36:01Thank you.
36:02You've read my mind.
36:03I'd also like to apologize
36:05for not asking you
36:06about the changes
36:07in the contract
36:08with the galleries, Moro.
36:10It's all clear, Isabel.
36:11Don't worry.
36:12You just did
36:13what my brother asked you to
36:14and you're doing
36:15an excellent job.
36:16Thank you.
36:18No one in the world
36:19would want you
36:20to consider me
36:21a disloyal person.
36:22I promise you
36:23it wasn't my intention.
36:24Don't turn around.
36:25It's forgotten.
36:26Thank you again.
36:28I'm glad to hear you say that
36:30because, believe me,
36:31I really appreciate it.
36:33Thank you.
36:37Don't worry.
36:39Let me help you.
36:40Don't worry.
36:41There's no need.
36:43Are...
36:44Are these the store's notes?
36:46Yes.
36:47Give them to me.
36:48I'll clean them
36:49and keep them all here.
36:50Is there a problem
36:51with the notes?
36:52No, not at all.
36:53I was just going to check
36:54that all the data
36:55was correct.
36:57I didn't ask you
36:58for that kind of work.
37:00In my previous job,
37:01the workers' notes
37:03were a real mess.
37:06If you don't think it's necessary,
37:07I can leave it
37:08and take care of other things.
37:10Although I think
37:11in a couple of days
37:12I could have all the notes
37:13finished
37:14and sorted out.
37:17No, it's perfect.
37:19Thank you.
37:20Perfect?
37:21Well,
37:22I'll get to it.
37:23I'm going back to the office.
37:37Isabel,
37:38I'm going to go
37:39and take a message.
37:40I don't want to be late.
37:42See you tomorrow.
37:43See you tomorrow.
37:53See you tomorrow.
38:13Shall we go now?
38:15We need to talk.
38:18Sure.
38:19What's wrong?
38:21What are you doing?
38:23I think you should keep it
38:24until we leave La Colonia.
38:26Just as a precaution.
38:28Yes, I know, Marta,
38:29but until now
38:30I was the scary one
38:31and you were the one
38:32who avoided my fears.
38:34What's wrong?
38:35Nothing,
38:36I just think
38:37that maybe lately
38:38I've let myself go
38:39for what I feel
38:40and that we can't go on like this.
38:43Like what?
38:44Loving each other
38:45like we love each other?
38:46No.
38:48I just think
38:49we should
38:50space out our meetings
38:51a bit more.
38:52I don't want to go through this
38:53again, Marta, really.
38:54I didn't say
38:55we shouldn't see each other,
38:56I just...
38:57You know that if they find out
38:58about us,
38:59we could go to jail.
39:00You don't understand that.
39:01Of course,
39:02since the first day.
39:03What I don't understand
39:04is why you're telling me
39:05these things all of a sudden.
39:06Seriously,
39:07nothing's happened.
39:08No, everything's fine.
39:10No, nothing's fine
39:11because living like this
39:12isn't living.
39:14What are you doing?
39:15Why are you giving me back
39:16the handkerchief?
39:17Because I'm only going to wear it
39:18when I can take it without fear, Marta.
39:19Where are you going?
39:20That's what I'm asking myself.
39:21Where are we going?
39:22Because this is a living hell.
39:29Everything's fine.
39:51Everything's fine.
40:15Do you need a room book?
40:17No.
40:21Do you need the office?
40:23Does a factory worker
40:24have to come
40:25and ask for advice
40:26to invest in a stock market
40:27or something like that?
40:31Don't make that face, Father.
40:32Esetasio is getting
40:33too confident with you.
40:36He gives you his hand
40:37and they end up taking your arm.
40:40You have to be nice
40:41to the people
40:42who work with us.
40:43They are the company.
40:45The ones who take it
40:46day by day.
40:47Go ahead.
40:51No, thank you.
40:52And you shouldn't either.
40:55I think you're
40:56overdoing it.
40:58Don't worry.
40:59I'm just relaxing a bit.
41:01I see.
41:07So?
41:08How are things
41:09with my future stepmother?
41:11Did I tell you
41:12about the third grade
41:13she submitted me to
41:14to get my information
41:15about Valentín and Clotilde?
41:16Yes, Dina
41:17is a bit upset.
41:21She's asking
41:22a lot of questions.
41:24I even found out
41:25she was asking
41:26too many questions
41:27to your wife
41:28about the gunshot
41:29she received.
41:30Oh, really?
41:33Well, now that she's
41:34getting married to them,
41:35I hope she'll cut it short.
41:37How can I tell you
41:40not to talk
41:41about your aunt like that again?
41:44For your information,
41:46that's not
41:47going to change.
41:49Your aunt.
41:50Oh.
41:52So there's no wedding?
41:53The last time we spoke,
41:54she told me
41:55she had accepted
41:56her proposal.
41:58But then she got upset.
42:00I don't want to talk
42:01about that.
42:11So,
42:12she's asking
42:13too many questions.
42:17I suppose
42:18you didn't take it
42:19as well as you thought
42:20about hiding
42:21that Julia was your granddaughter.
42:23I'll tell you again,
42:24I don't want to talk about that.
42:26Okay.
42:27Deal.
42:30As long as you
42:31assure me
42:32that Dina
42:33will stop harassing me
42:34with uncomfortable questions
42:35and that she will also
42:36stop doing it
42:37with my wife.
42:38That's it.
42:39Stop worrying about Dina
42:40and pay more attention
42:41to the woman
42:42you sleep with.
42:44Begoña.
42:46She's the only one
42:47who knows the truth
42:48about Valentí and Crotilde's death.
42:50And now that her mother
42:51has passed away,
42:52I can't pressure her
42:53with the divorce.
42:55Your wife
42:56is getting away from us.
42:59Well,
43:00don't worry about my wife.
43:02I'm thinking
43:03of changing my strategy
43:04with her.
43:09Changing strategy?
43:11What strategy?
43:12Yes.
43:14I've been too,
43:15let's say,
43:16benevolent
43:17with her.
43:19Benevolent?
43:21Do I remind you
43:22that she was about to die
43:23because of a shot from you?
43:25That was an act of madness,
43:26Father.
43:28An error
43:29that I will regret
43:30for the rest of my life.
43:31But she has to admit
43:32that she took me to the limit
43:33by running away with my daughter.
43:37And since then
43:38I've only dragged myself
43:39in front of her
43:40like I never did
43:41in front of anyone.
43:42I even brought her mother
43:43here,
43:44to this house
43:45to get her forgiveness.
43:47And what have I gotten in return?
43:49Disgrace,
43:50and more disgrace.
43:52And that as soon as
43:53she turned around
43:54she would run to console herself
43:55in my brother's arms.
43:57But the looks
43:58will be over.
44:00I will be respected.
44:15How did it go
44:16at the factory?
44:18Have you been able
44:19to clear things up
44:20with your brother?
44:22We've finally been able
44:23to tell each other
44:24the truth face to face.
44:25Did you fight?
44:26Joaquín, I don't think
44:27it's my fault
44:28that now you...
44:29No, no, no, Gema.
44:31The only thing
44:32that's your fault
44:33is that you stopped
44:34feeling small.
44:35Small
44:36in front of Luis,
44:37in front of Jesús de la Reina,
44:39even in front of me.
44:41Joaquín...
44:42It's true, Gema.
44:43Now I know
44:44that if before
44:45I felt small
44:46in front of the world,
44:47it wasn't because of the world,
44:48but because of me.
44:50I've already told you before
44:52that you're worth
44:53a lot more than you think.
44:54Yeah, but I didn't believe it.
44:57And now I do believe it.
45:00After hearing you,
45:01I thought,
45:04what if you're right?
45:06What if...
45:07what if I'm capable
45:08of doing anything
45:09I want?
45:11I mean,
45:12from now on,
45:13I'm going to be
45:15the man I want to be.
45:17You told me
45:18I could be.
45:19Me and anyone
45:20who knows you.
45:21And I know
45:22there will be a lot of stones
45:23along the way,
45:24and I'll even
45:25put them myself,
45:26but I swear,
45:27by my father's memory,
45:28that I'm going to do
45:29everything I can
45:30to make his dream come true.
45:31I'm so happy
45:32to see you like this.
45:33Thanks to you.
45:34I wish I had known
45:35how much you're worth
45:36before,
45:37and above all,
45:38how much I care about you.
45:39Well, no.
45:40No.
45:41Let's just say
45:42I haven't been
45:43very receptive either.
45:44Don't do it again.
45:45What?
45:46Blaming yourself
45:47for everything.
45:49I've also had a lot
45:50to do with
45:51how bad you were.
45:52All my frustrations
45:53haven't helped at all.
45:55No, Gemma.
45:57You're special too.
46:00Do what you do
46:01and say what you say.
46:04Can I ask you a question?
46:06Go ahead.
46:10Is the roast goat
46:11still in the fridge?
46:13Yes.
46:15And the marmalade.
46:17But if it wasn't,
46:18I'd cook it for you
46:19a thousand times.
46:21Thank you.
46:22Would you like us
46:23to have it together?
46:25Just let me change
46:26the sheets in my room.
46:27No, no, no.
46:28No.
46:29You don't need
46:30to change any sheets.
46:32The ones in the
46:33wedding bed are clean.
46:36That's enough for us.
46:37If you want us
46:38to sleep together, of course.
47:07No.
47:29Where did you get them?
47:32I thought you ran out.
47:34I'm going to get an infusion.
47:36Are you avoiding me again?
47:40I'm not avoiding you. What do you want?
47:47You've had enough.
47:49What else do you want?
47:51Then you'll go down for that infusion.
47:53Now, let's talk a little.
47:55I just want to have a nice time with my wife.
47:59Like in Jesus' day?
48:02Like this morning,
48:04when you accused me of provoking Maria's abortion.
48:08I see.
48:10Sorry, it was a bit sudden.
48:12But I was upset with you.
48:14And I think you were right.
48:17I don't think there was a reason to be so cruel.
48:19Don't play innocent.
48:21Or do I have to remind you how that poor girl surprised you in Andrés' arms?
48:26She was consoling me for death.
48:28And a piece of shit.
48:30I also tried to console you when your mother died.
48:33And you rejected me as if I had the plague.
48:35I'm fed up, you hear me?
48:37Fed up.
48:39Jesus, I just took a pill to sleep.
48:41I'm not in the mood for arguments.
48:44Come here.
48:49What are you doing?
48:50No more excuses.
48:52You're my wife.
48:54And you're going to start behaving like one.
48:57Jesus.
48:58Stop.
49:00I'm not in the mood.
49:03Jesus.
49:06Stop, please.
49:07Don't you realize how much I've missed you?
49:10I'm not going to hurt you.
49:12I just want you to love me a little.
49:15I don't want to. Stop.
49:17Stop.
49:19I love you.
49:21I love you.
49:24You're my wife.
49:26Don't you realize?
49:31I love you madly.
49:51Do you think it's time for us to go back to normal?
49:55This is normal.
49:57You in your place and I in mine.
49:59We'll never go back to the old ways we had.
50:02I spoke to Fonsalida last night and we reached an agreement.
50:06Do you know how hard it was for me to make this decision?
50:09This is how it works. I told you.
50:12Damn my luck.
50:13Does Jesus have anything to do with your sadness?
50:20To start this business, I need a lot of money that I don't have.
50:24If I go to a bank like you did, they'll laugh at me.
50:27Talk to me clearly.
50:29I need a loan as soon as possible.
50:31I know you're a man of God.
50:33Between us, there's nothing but spiritual feelings.
50:37Please, this is all crazy.
50:39Stop fooling yourself.
50:41I don't feel anything like what you feel.
50:44That girl, Sonsi Peralta, is one of his secret friends in Madrid.
50:50Let's end this.
50:52I'm fed up with the idea that for the project of our lives,
50:55we have to get rid of the contacts Gemma made in Madrid
50:58while she was with another man.