Specters (1987)

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Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:07And the distance between the same as we used on this same specification just follow the plans of every door
00:02:30I
00:02:33Make sure the cement has the same mix we've been using. I don't want any skimping sir
00:02:37You're one of the service tunnel hurry. Okay. I'll be right there
00:02:40What about things today?
00:02:42Ball, this is Ross. If you read me ball, this is Ross. I told you to shut down
00:02:47You gotta hold up the drilling. There is the cave in here. What's wrong?
00:02:50Grossly, they don't stop drilling this whole thing could come down
00:02:54You gotta stop
00:02:56You don't stop drilling the whole thing to go, you know
00:03:12The total height including the freeze is 15 feet six and a half inches
00:03:18That's almost twice the width of the main entrance
00:03:23Yes, professor
00:03:26Now
00:03:29Take a measurement across the width of the arch
00:03:46Where's professor Lasky over there
00:03:49a
00:03:51Hole just opened in the wall a vaults right behind it
00:04:22When did this happen just now
00:04:25Marcus was inside those vibrations kept getting stronger and I don't know the wall caved in they must be working on the subway right under us
00:04:43They encountered some displacement the past few days but nothing to speak of and all of a sudden this
00:04:52No this way professor
00:04:56I'll follow you
00:04:58We haven't touched anything
00:05:02Maybe we ought to reinforce it right away because the vibrations might cause a cave-in and block the passage again could be dangerous
00:05:13Here we are sir, be careful
00:05:21There it is professor
00:05:52This is what we've been searching for yeah, thank God for the subway
00:06:07Those bastards will bring everything down
00:06:12No one has crossed this threshold in 2,000 years
00:06:22Hic
00:06:24vocatum
00:06:26atque
00:06:28non vocatum
00:06:36Malum
00:06:38adred
00:06:42Here
00:06:45Whether invoked
00:06:48or not
00:06:51Invoked
00:06:54Evil
00:06:57Will come
00:07:21Oh
00:07:46We are
00:07:51Champagne hey, don't drink it all leave some for me
00:08:00Close your eyes
00:08:02Why I got a surprise for you
00:08:06What is it?
00:08:08Surprise is a surprise, you know
00:08:21Oh, all right
00:08:30Can I look
00:08:33Hey
00:08:36Come on I don't like this waiting
00:08:41Let me look, huh
00:08:51Hey, where are you?
00:08:56Hey, come on, where are you what's going on?
00:09:03Come on answer me Joe
00:09:10Where are you? What are you doing?
00:09:17Joe I'm afraid
00:09:21You
00:09:30Hey now that's enough I don't like this anymore, where are you Joe?
00:09:51You
00:10:21You
00:10:51You
00:11:17God that's a print. Okay
00:11:21Thanks Alice you were fine
00:11:34Thank you, yeah, it's cold here. Oh
00:11:41Alice I want you to meet a friend of mine Ferdinando Costa music critic from El Pais. Did you have a good fight?
00:11:48Hey, he just flew into town. He wants an interview. All right. I'll be back in a minute. Okay, okay
00:11:57I don't work tomorrow so we can be together
00:12:03Sorry, honey, I can't I gotta see Lasky in the morning Oh
00:12:08Alice
00:12:10We'll be through by noon it's not a tragedy
00:12:15Nothing's a tragedy except for the fact that I spend more time with the guy in the fish suit than with you
00:12:20Then get out of here. Will you?
00:12:22Get out. Okay
00:12:27Anita I would be very happy to know
00:12:36Marcus
00:12:38Ah
00:12:43The ancient Romans attached great importance to cleanliness and physical culture
00:12:47These are the ruins of one of their many baths which were frequented not only by the rich but by the lower classes as well
00:12:53This is what we've been searching for
00:12:56for over a year
00:12:59It's certainly the entrance to Domitiano's tomb
00:13:03But this is not an extension
00:13:06To the catacombs we've been working on
00:13:09It's something different
00:13:11But professor according to the printout it seems to be the computer doesn't know everything
00:13:18what and
00:13:21Neither do you
00:13:28200 years
00:13:31200 years before the Christians built the tomb of Demetriana there was somebody else
00:13:39living underneath this mausoleum
00:13:44Legend speaks of monstrous divinities
00:13:50To whom
00:13:52Human sacrifices were made
00:13:57No, I guess we're all here
00:14:00All right, let's go. Follow me everybody
00:14:06Here come on
00:14:18You drop this
00:14:25This is the mystery
00:14:28Domitiano's tomb
00:14:30Has never been discovered. Maybe somebody hid the passageway on purpose. Yes, that's what I think
00:14:37Domitiano was sacrificed to a bloodthirsty pagan God a
00:14:42God of evil
00:14:45That's provoked something
00:14:48We still don't know what it was
00:14:51We do know that everything was sealed
00:14:53forever
00:14:55Even the memory of the sacrifice was erased
00:14:59for 2,000 years
00:15:01But that's what the legend says. It's only a supposition
00:15:06We don't know what we're going to find when we go down there
00:15:10But of one thing we can be certain that's the writing on the tombstone
00:15:15Those words serve as a mess to transmit a warning
00:15:21Invoked or not invoked
00:15:26Evil will come
00:15:46Good afternoon, I
00:15:48Will be your guide on a very special tour a trip in time
00:15:53Back through the centuries and through the arcane pathways of the spirits. This is only a tiny part of the Roman catacombs
00:16:02An
00:16:04immense
00:16:06underground world
00:16:08Reaching out beneath the city
00:16:11under buildings streets
00:16:15squares
00:16:18Inextricable a labyrinth
00:16:23He's blind blind
00:16:28There's no need of eyes
00:16:32In this place where only darkness reigns my dear girl
00:16:38You must understand I've been living here
00:16:43Since I was a boy
00:16:46Now let us go
00:16:48All right
00:16:53Experience in every group. There is somebody who wants to go off alone
00:17:00But don't do it
00:17:03Especially in these catacombs, I wouldn't advise it
00:17:07Don't forget we are now in a place of suffering of
00:17:13persecutions and a cemetery
00:17:16and
00:17:18if
00:17:19If you are a quiet a while
00:17:23You
00:17:24You can even hear the distant voices of those who are buried here
00:17:39The excavations of the catacombs by the early Christians
00:17:44dates from the first century AD
00:17:47But there are many catacombs the oldest ones
00:17:51Which were natural caverns or that they utilized by other cooks for instance
00:17:59Hey wait
00:18:01What a boy this guy is
00:18:05Let's cut out, huh and go where I don't know
00:18:10I
00:18:11Can't take this guy another minute
00:18:16Come on
00:18:20A
00:18:23Catacomb
00:18:46The catacomb we are going through now is still largely unexplored
00:18:52You see, there are hundreds, hundreds of miles of catacombs in Rome still to be explored.
00:19:04Hey, it's spooky here.
00:19:22How about going back now? This place gives me the creeps.
00:19:35I know. You scared?
00:19:38Yes, I'm scared.
00:19:40You're kidding.
00:19:46Mike, stop.
00:19:48Oh, come on.
00:19:52Come on.
00:20:05Come on, let's get out of here. Let's get out of here. Hurry, come on.
00:20:11We've got to go.
00:20:12No!
00:20:21Quiet. Quiet.
00:20:26Be still. Silence.
00:20:33Silence. Don't move.
00:20:42Ah!
00:21:00No! No!
00:21:12Glasses! Glasses!
00:21:27Help me! Help!
00:21:34Take my hand.
00:21:36It's all right.
00:21:39Calm down. Calm down.
00:21:40It's all right. It's all right. You're all right.
00:21:45It's all right. It's all right.
00:21:47Mike! Mike!
00:21:49It's okay.
00:22:11Ah! Ah!
00:22:24Here, cover him.
00:22:26Easy now.
00:22:28I don't think he's got any fractures, but I want him x-rayed.
00:22:31It's okay, boy. You're going to be just fine. Okay. Okay.
00:22:40All right, lift him up now.
00:22:42Easy.
00:22:44Don't cry, Maria. He'll be all right.
00:22:49Calm down. It's all over. Get in.
00:23:02You'll be fine.
00:23:04I hope so.
00:23:06You mustn't feel responsible.
00:23:10You did what you could.
00:23:16The kids...
00:23:19Kids are always doing these things.
00:23:22I'm sorry.
00:23:24It's terrible.
00:23:26Yes, it's terrible.
00:23:28I just can't understand what they saw.
00:23:30It's not easy.
00:23:32Do you believe it was a hallucination?
00:23:34A hallucination?
00:23:37That place is...
00:23:40for those without eyes,
00:23:42for those who can't meet the gaze of a demon
00:23:47who has the power to confuse us.
00:23:49Evil is not just a symbol.
00:23:52Evil has a face and...
00:23:57and...
00:23:59and...
00:24:01and light, sleep.
00:24:10And...
00:24:12and...
00:24:14and...
00:24:16and...
00:24:18and...
00:24:20and...
00:24:22and...
00:24:24and...
00:24:26and...
00:24:28and...
00:24:30and...
00:24:32and...
00:24:34and...
00:24:36and...
00:24:37and...
00:24:40and...
00:24:42and...
00:24:44and...
00:24:46and...
00:24:48and...
00:24:50and...
00:24:52You see, after 1800 years,
00:24:54the stars will bring about an adverse conjunction for us
00:24:58under the sign of Scorpio,
00:25:00and that's your sign, Alice.
00:25:02Oh, yeah?
00:25:03Ooh.
00:25:05You don't believe me?
00:25:07there'll be an alignment of the planets.
00:25:10You'll see Mercury and Venus in Taurus, opposite Pluto.
00:25:14Tell her, Barbara, tell her.
00:25:17This is no laughing matter.
00:25:19Yes, he's right.
00:25:21The stars say that a catastrophe's on the way.
00:25:25Okay, there'll be a catastrophe, all right,
00:25:27but only if you don't make me a plate of spaghetti.
00:25:30Spaghetti?
00:25:31Your world's just spaghetti.
00:25:33I'm giving you a horoscope, Barbara.
00:25:37Thank you.
00:25:39Your friend is late, huh?
00:25:40Yeah, he'll get here when I'm ready for bed.
00:25:43Even Marcus only wants me to warm his bed, it's true.
00:25:47But it's not enough.
00:25:50Oh, I want to leave this town.
00:25:52Oh, come on.
00:25:54I'm starving.
00:25:56For what?
00:25:59Two plates of spaghetti, please.
00:26:02Barbara, don't pinch my employees.
00:26:04They'll get embarrassed when we're into it.
00:26:06Okay, but what's the fun for us here?
00:26:09Well, girls, there's always me.
00:26:11Ah, I'd be careful if I were you.
00:26:13There's a feline lying in wait behind your planet.
00:26:16A feline?
00:26:17Most probably my cat.
00:26:19Hello, everybody.
00:26:21Sorry I'm late.
00:26:23I've been plotting the planets for Alice.
00:26:26It's a time of decision for her.
00:26:29It's dangerous.
00:26:31For marriage or separation?
00:26:36Hello, Marcus.
00:26:37How are you?
00:26:39Ah, I see you can find the time to have fun.
00:26:44Good, there are other things in life besides work.
00:26:46Work is fun for some of us.
00:26:50Hmm, that's nice for you.
00:26:52See you soon, then.
00:26:56Who was that?
00:27:02His name's Gaspari.
00:27:04He's an archaeologist and an antique dealer.
00:27:19A wheeler dealer.
00:27:22And he used to teach archaeology at the university.
00:27:26Then he found his true path, boys under 20.
00:27:30Sorry, Alice, I told you I can't.
00:27:35At least for a weekend.
00:27:37Two whole days, not just a night.
00:27:40Same old problem.
00:27:41Then why don't we solve it?
00:27:43We? It's your problem.
00:27:45Oh?
00:27:47You mean you see me at night just to make love?
00:27:50Hey, now, is that so bad?
00:27:53Don't you understand that I want to be with you,
00:27:56talk with you, laugh with you?
00:27:59I want to live with you.
00:28:01The timing's wrong.
00:28:03Wrong for everything except my work with Professor Lasky.
00:28:06And two days is a lot of time.
00:28:11What is it about this city that keeps you here?
00:28:13I don't know.
00:28:15I'm studying it.
00:28:18It never ceases to amaze me.
00:28:22And this time, we're onto something really big.
00:28:28Hmm.
00:28:30Might be better if I go back to New York.
00:28:33She's right.
00:28:35It's time to leave,
00:28:37to run away from this rotten place.
00:28:41The centuries and the wickedness of the people who live here
00:28:44have corroded it to the core.
00:28:47From its womb have come forth blind monsters.
00:28:52Go. Go now.
00:28:54Flee the city before evil,
00:28:56which is tired of hiding in the bowels of the earth,
00:28:59decides to wake.
00:29:02Leave before the sinister howls of the phantoms
00:29:06engulf us all.
00:29:08Heh-heh-heh-heh-heh-heh-heh.
00:29:12Give a coin to a poor cripple.
00:29:16Heh-heh-heh-heh-heh-heh.
00:29:19Heh-heh-heh-heh-heh-heh.
00:29:49Heh-heh-heh-heh.
00:30:19Heh-heh-heh-heh-heh-heh.
00:30:49Heh-heh-heh-heh-heh-heh.
00:30:52Heh-heh-heh-heh-heh-heh.
00:30:55Heh-heh-heh-heh-heh-heh.
00:30:58Heh-heh-heh-heh-heh-heh.
00:31:01Heh-heh-heh-heh-heh-heh.
00:31:04Heh-heh-heh-heh-heh-heh.
00:31:07Heh-heh-heh-heh-heh-heh.
00:31:10Heh-heh-heh-heh-heh-heh.
00:31:13Heh-heh-heh-heh-heh-heh.
00:31:16Heh-heh-heh-heh-heh-heh.
00:31:18Heh-heh-heh-heh-heh.
00:31:21Heh-heh-heh-heh-heh-heh.
00:31:24Eh-eh-eh-eh-eh-eh-eh.
00:31:27Ah-ah-ah-ah.
00:31:48You
00:32:18You
00:32:48You
00:33:18You
00:33:48You
00:34:13Testing one two three four testing. Do you read me Andrea?
00:34:18Yeah, I copy you. Okay. Remember to give me your position every 15 feet
00:34:33Well, I'm ready thank you testing the camera
00:34:45You look sexy
00:34:48No
00:34:54Being the first is a rare privilege
00:35:18I
00:35:48I
00:36:18I
00:36:48I
00:36:50Guess how you doing? Okay, it's awfully hot down here. How far am I now? I'll check
00:37:02According to my calculations you've gone
00:37:07120 feet forward and about 12 down. You're probably halfway
00:37:18You
00:37:48You
00:37:55There's some fumes here going to use oxygen
00:37:58You
00:38:16Mark are you? All right? Everything's a-okay here. No sweat
00:38:28You
00:38:42Do you know what's causing those fumes? I don't know
00:38:48They're gone now
00:38:50And the temperature has changed it's colder now
00:38:55According to the computer graphic you should be there. Yeah, right
00:39:07Do you hear me Marcus?
00:39:14I've lost contact
00:39:24You
00:39:29He's breathing he's going to be all right
00:39:54I
00:40:24You
00:40:34Now he's walking Marcus come in do you read me?
00:40:43There's a camera it's still working
00:40:47And
00:40:52Headset, are you okay? What are you doing? Answer me? Wait a minute
00:41:05This place is incredible looks like a tomb pagan temple
00:41:12Skeletons and frescoes
00:41:15Steps leading to another room
00:41:28I'm inside another vault now something here. That looks like an altar sarcophagus
00:41:44You
00:41:51There's a figure on
00:42:06Oh, and there's an inscription on the base
00:42:15You
00:42:22Hey, there's something else
00:42:28What's that, I don't know it's like a dagger some sort of weapon
00:42:44I
00:43:08Buddy at last
00:43:15So far so good
00:43:22You probably passed out from lack of oxygen down there when I pulled you out you were pretty far gone I
00:43:29Owe you one
00:43:31Yeah
00:43:33I'll send you the laundry bill. Okay. I'm sure you will you did a good job Marcus
00:43:41What you found
00:43:43May solve the mystery
00:43:50And to the victor goes the prize
00:43:55This is not a Christian symbol
00:43:59But something
00:44:01quite different
00:44:04It's like the mark left by the dagger on the victim
00:44:10after the sacrificial blow
00:44:14So this discovery proves that the legend is a fact
00:44:30Frankly I've never seen anything like this
00:44:37What could it be a
00:44:40Feline I
00:44:44Can't tell you right now
00:44:46It's gonna take time and I need more information which I don't have at the moment
00:44:55Are you shitting me with just a bone splinter you can reconstruct the whole skeleton come on
00:45:01Look I got a lot of work to do
00:45:05I'll be back the day after tomorrow
00:45:07Okay, what makes you think I'll do it?
00:45:10Because you're dying of curiosity just to know what kind of an animal it is, too
00:45:15right
00:45:17Now go to work, I'll see
00:45:24I
00:45:26Go to work, I'll see I
00:45:31Have to admit that as an archaeologist you're a good investment
00:45:37You got to the site very quickly, didn't you?
00:45:40Well, it wasn't too difficult
00:45:43You know rumors spread quickly and even if you have been very lucky
00:45:50You still are the most capable and the best of us I
00:45:54Have to admit I envy you I really do
00:45:58Archaeology is still your only lover. It's a heavy lover
00:46:04And an expensive one too
00:46:07Ting for you to show what you found
00:46:14Shall we go
00:46:23Curious a
00:46:27Sacrificial weapon hmm, not very refined. They were a bloodthirsty
00:46:34Lot something
00:46:38Something peculiar about them
00:46:44You were always blessed with two things
00:46:49Morals and luck
00:46:52But absolutely no imagination my dear professor
00:47:00It's a pity your imagination only serves to fuel your vice
00:47:07And your digs
00:47:12Had we both stayed at the university you wouldn't have a penny to finance your excavations
00:47:18And to possess things like the one you're holding for the moment
00:47:25What we have found belongs in the museum
00:47:29Not everything
00:47:32Not everything
00:47:35Only what we agreed on
00:47:48Oh
00:48:18No
00:48:48Oh
00:49:18I
00:49:48I
00:50:18Oh
00:50:38You need me I hurried
00:50:48I have a job for you
00:50:53It's rather
00:50:56What's the rush I want you to go into the catacomb where Lasky is working
00:51:02He's found very interesting objects, and I want to know what that'll cost you a little more
00:51:09That doesn't matter. I
00:51:11always pay to be the first
00:51:13and
00:51:15For everything I want for myself
00:51:45I
00:52:15I
00:52:45I
00:53:15Oh
00:53:31Hey, it's me. It's me, baby. Okay. It's okay. It's just me. I'm here
00:53:42The sarcophagus is carved out of a single block of marble
00:53:45The front is divided into three sections the center panel contains a bar relief showing a male figure
00:53:52Probably a pagan divinity in the act of assaulting a woman the same subject appears on a fresco
00:53:57Which is on the left wall of the crypt?
00:54:07On the left the panel contains astrological symbols which appear to be precisely plotted
00:54:15I
00:54:45I
00:55:15I
00:55:32Is anybody there answer me
00:55:46I
00:55:59Come on answer
00:56:15I
00:56:46It's so late
00:56:53I'm exhausted
00:56:58I'm going back now
00:57:03No, I'm taking a short vacation with my new friend Richard
00:57:09And don't try looking for me, please
00:57:15I
00:57:17I
00:57:44This is a joke it's a stupid one
00:57:48Andrea
00:57:53Is that you
00:57:57Do you hear me
00:58:02Andrea
00:58:12Oh my god
00:58:17I
00:58:47I
00:59:17I
00:59:47I
01:00:17I
01:00:30On the left the panel contains astrological symbols which appear to be precisely plotted is anybody there
01:00:43It's so late
01:00:46I'm going back now
01:00:51No, I'm taking a short vacation with my new friend Richard who's this Richard, you know, no
01:01:04Do you think she really quit I don't know
01:01:10Anyway, it wouldn't be the most surprising thing that Barbara ever did
01:01:15Hey
01:01:17Play that tape again
01:01:26There stop play that back
01:01:32Why would she ask something like that probably she heard a noise this isn't the nicest place to be at night all the same
01:01:39She was alone
01:01:40Yeah, but what about that mess over there?
01:01:45She's never been very tidy
01:01:48Still it looks like there's been a hurricane
01:01:52What about the bag she left behind, huh
01:02:00Now there's nothing much in it I
01:02:03Don't know what to tell you. I don't see anything strange. Yeah, maybe you're right. She could be flaky at times
01:02:11And this isn't the first time she took a few days off without notice
01:02:15Yeah
01:02:45See
01:03:15Oh
01:03:30Is that you
01:03:35Gino
01:03:45I
01:04:15I
01:04:45I
01:05:15I
01:05:26Told it
01:05:39Nothing
01:05:45Wait a minute
01:05:49There is something there you're right looks like ashes
01:06:02I'll have them analyzed
01:06:15I
01:06:45Oh
01:06:58Yeah, I know I was in the clouds sorry, that's okay we'll take it from the top rolling
01:07:16I was what happened
01:07:18What's matter you break? We're way behind our schedule just an hour, please no more than 10 minutes
01:07:28Where are you going?
01:07:41Hi
01:07:44Hmm what happened just go on move get me out of here
01:07:54Okay
01:08:13I
01:08:18Want to go somewhere specially no, thank you
01:08:27Marcus
01:08:30Scared
01:08:33Scared
01:08:35What I don't know exactly I have these
01:08:40These weird dreams nightmares
01:08:46It's like something's going to happen to me
01:08:53Maybe I should be taking better care of you
01:09:04Then take me home
01:09:09Yes, ma'am
01:09:40Oh
01:09:42Oh
01:10:08Carla you here
01:10:12Oh
01:10:42Oh
01:11:04Given the configuration of the vertebrae may be deduced the subject had an erect posture
01:11:42I
01:12:12I
01:12:42Still
01:13:12I
01:13:30This is 3 7 5 3 1 4 5 I'm out for the moment, please leave your message and I'll get back to you
01:13:36I
01:13:51Get over here and see it fast. It's incredible. Hello. Hello
01:13:59Can't believe it he hung up the guy always hangs up. I don't know possible. I'm sorry, baby, but I gotta go
01:14:06This is really important
01:14:09If
01:14:11You decide you don't want to see me again, I understand it's it's it's
01:14:18It's the way this. Yeah, that's right. Don't bother to call
01:14:36I
01:15:06I
01:15:36I
01:16:06I
01:16:16Andrea
01:16:20Andrea
01:16:23Everybody here
01:16:26Is everybody
01:16:36I
01:17:06I
01:17:36I
01:18:06I
01:18:36I
01:19:06I
01:19:36I
01:20:06I
01:20:37Oh
01:20:50Professor
01:21:02What happened
01:21:06Saw evil Marcus I
01:21:11Looked in into size
01:21:16Don't move
01:21:18You'll be all right
01:21:20I'll call a doctor
01:21:30It's useless
01:21:37But
01:21:43You must you must close them
01:21:50Before
01:21:52It
01:21:55Late
01:21:58Professor
01:22:01Forget it
01:22:03I wish them
01:22:33I
01:23:03I
01:23:33I
01:24:03I
01:24:33I
01:25:03I
01:25:33Oh
01:26:03Oh
01:26:33Oh
01:27:03No
01:27:18This way is quicker keep following this wall and don't stop don't turn around
01:27:24You must keep moving. Aren't you coming with us? Don't worry here. I'm better off than you are go
01:27:31go
01:27:33Oh
01:28:03Oh
01:28:33Come on
01:29:03Oh
01:29:24Hurry
01:29:33Oh
01:30:00You know
01:30:03Maybe I can find a couple of days for our honeymoon
01:30:21I love you
01:30:32I
01:31:02I
01:31:23Never change
01:31:32You
01:32:02You
01:32:32You