Love At Large (1990)

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Transcript
00:00:00I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm
00:00:30doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life,
00:01:00I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what
00:01:30I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my
00:02:00life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't know what I'm doing with my life, I don't
00:02:30know what I'm doing with my life, I don't know what I'm doing with my life, I don't
00:02:48Well, it's a good thing! It's a good thing we never got married!
00:02:52Oh, you're damn right!
00:02:54After the honeymoon, I'd feel like a new man. So would you.
00:02:57Oh!
00:02:58Where's my damn hat?
00:03:00Mary!
00:03:02What?
00:03:03Not even a goodbye kiss?
00:03:06Mmm! Mmm!
00:03:08Mmm! Mmm!
00:03:10Mmm! Mmm!
00:03:11Oh!
00:03:14Hmm.
00:03:16Answer it, Harry.
00:03:18I'm trying.
00:03:20Would it be important?
00:03:22Yeah.
00:03:23Is this Dobbs Agency?
00:03:25Yeah, this is Harry Dobbs.
00:03:27Could you handle a situation for me?
00:03:29Yeah, sure. I could be available.
00:03:31Who is it?
00:03:32It's about a case.
00:03:33Uh-huh.
00:03:34Do you know where the Blue Danube is?
00:03:36Oh, uh-huh. Mm-hmm.
00:03:38Yeah, I got that address.
00:03:40Uh, mm-hmm. I can meet you there.
00:03:42What do you look like?
00:03:44Me? I-I'm regular build, regular height.
00:03:46It's a woman, isn't it?
00:03:48How much do you charge, Mr. Dobbs?
00:03:50Uh, what is that? Oh, uh, well, we have a, uh,
00:03:52standard, uh, retainer of $500,
00:03:54and I will need that in cash or cashier's check.
00:03:56Fine.
00:03:57You son of a bitch!
00:03:59What was that?
00:04:01What?
00:04:02Was that a gunshot?
00:04:03No, no, that was a car outside.
00:04:05Yes.
00:04:06Tell her you love me. Go on.
00:04:08Tell her.
00:04:09My name is Miss Dolan.
00:04:11Right, right.
00:04:12All right, I'll-I'll meet you there,
00:04:14uh, at that time, Miss Dolan.
00:04:16Yes, ma'am. Thank you.
00:04:18What is the matter with you?
00:04:20I could have lost that interview!
00:04:22Miss Dolan!
00:04:24God! God!
00:04:26Go prowl around somewhere else!
00:04:28I never want to see you again!
00:04:30Hey, will you shut up in there?
00:04:32Yeah, yeah.
00:04:33Jesus, what's the matter with you?
00:04:35And you, too!
00:04:37All the rock and chips are climbing
00:04:39Through the sky
00:04:41Holy books worldwide
00:04:43The doctor's working day and night
00:04:45But they'll never, ever find
00:04:47That cure
00:04:49That cure
00:04:51For love
00:05:07Yes.
00:05:11Hi.
00:05:19Miss Dolan?
00:05:21Yes, sir.
00:05:23The village?
00:05:25Yes, sir.
00:05:31Sir.
00:05:37Mm.
00:05:47A Manhattan and a champagne glass.
00:05:59So...
00:06:01What's on your mind, Miss Dolan?
00:06:03Nothing like this has ever
00:06:05Happened to me before, Mr. Dobbs.
00:06:07Harry, nothing like what?
00:06:09I need you to follow a man.
00:06:11He can't know that you're doing it or...
00:06:16Don't worry. He'll never know.
00:06:26I could be put in serious jeopardy.
00:06:28Why do you want me to follow this guy?
00:06:30I can't tell you that.
00:06:32Please.
00:06:36They say you can be trusted.
00:06:40Who says I can be trusted?
00:06:42I saw it in a phone book
00:06:44In the train station.
00:06:46Please, Mr. Dobbs.
00:06:48We haven't much time.
00:06:50I'll pay you $2,000
00:06:52Plus expenses to follow rick
00:06:54For one month.
00:06:58He's coming to this restaurant
00:07:00With me.
00:07:04Cozy, huh?
00:07:06Be here at 9 o'clock.
00:07:14Until you learn
00:07:16The meaning
00:07:18Of the blues
00:07:22Please say yes.
00:07:24I'm staying at the hotel
00:07:26Saint-Simon.
00:07:28I want to know
00:07:30Who she is.
00:07:32She?
00:07:34Uh-huh.
00:07:36It's very difficult for me
00:07:38Living in another place
00:07:40Wondering when it's my turn.
00:07:42Shortens one's life.
00:07:44Makes one feel unlucky.
00:07:46And that's not for me.
00:07:48I've always been a lucky person.
00:07:51I've always been a lucky person.
00:08:01He's six feet tall
00:08:03And has sandy hair.
00:08:05He wears glasses
00:08:07And dresses smartly.
00:08:09He also smells nice.
00:08:11Oh, that's a relief.
00:08:13He may appear very charming
00:08:15But, believe me,
00:08:17He's dangerous.
00:08:21Um...
00:08:25I'll need his name,
00:08:27Address,
00:08:31Type of car,
00:08:33Tag numbers if you got them.
00:08:35What do you mean, dangerous?
00:08:37I'll need his name,
00:08:39Address,
00:08:41Type of car,
00:08:43Tag numbers if you got them.
00:08:45What do you mean, dangerous?
00:09:07I'll need his name,
00:09:09Address,
00:09:11Type of car,
00:09:13Tag numbers if you got them.
00:09:15What do you mean, dangerous?
00:09:17I'll need his name,
00:09:19Address,
00:09:21Type of car,
00:09:23Tag numbers if you got them.
00:09:25What do you mean, dangerous?
00:09:27I'll need his name,
00:09:29Address,
00:09:31Type of car,
00:09:33Tag numbers if you got them.
00:09:35What do you mean, dangerous?
00:09:37I'll need his name,
00:09:39Address,
00:09:41Type of car,
00:09:43Tag numbers if you got them.
00:09:45What do you mean, dangerous?
00:09:47I'll need his name,
00:09:49Address,
00:09:51Type of car,
00:09:53Tag numbers if you got them.
00:09:55What do you mean, dangerous?
00:09:57I'll need his name,
00:09:59Address,
00:10:01Type of car,
00:10:03Tag numbers if you got them.
00:10:05He's dead.
00:10:27This operative began surveillance on February
00:10:2914th, subject known as Rick was seen
00:10:31Rick, I've never been to this place before.
00:10:58Tag number 475D3W.
00:11:28This is the first time I've been to this place.
00:11:34I've never been to this place before.
00:11:40I've never been to this place before.
00:11:46I've never been to this place before.
00:11:53I've never been to this place before.
00:12:01I've never been to this place before.
00:12:08I've never been to this place before.
00:12:16He's not in.
00:12:17You sure?
00:12:18Yes.
00:12:19Any message, sir?
00:12:20No, no, no.
00:12:21No messages.
00:12:22Thank you.
00:12:23Excuse me, sir.
00:12:24Uh, you know, I saw this blond haired guy leaving here with his wife, and he sure looks
00:12:41like this guy I was in the army with, but I can't tell his hair's longer, and I don't
00:12:45remember his last name.
00:12:46You mean Mr. King?
00:12:47Mr. King.
00:12:48Nope.
00:12:49Wrong guy.
00:12:50Hi, Katie.
00:12:51How are you?
00:12:52Hi, kids.
00:12:53Hi, Katie.
00:12:54Have a good day, okay?
00:12:55See you later.
00:12:56Bye, Susan.
00:12:57Thank you.
00:12:58You're welcome.
00:14:30Your friend, Rick, is going by the name of Frederick King now.
00:14:34Did you get a good look at him?
00:14:38Good enough.
00:14:39And her?
00:14:40Look, Miss Dolan, excuse me for being blunt, but...
00:14:45Please.
00:14:46I like blunt.
00:14:47No, I mean this is all pretty clear, right?
00:14:51Mr. King is a happily married man.
00:14:54He never told you?
00:14:56Told me what?
00:14:59Look, why don't I just charge you the retainer fee?
00:15:03I'll even buy you dinner.
00:15:05Or maybe I'll give you half the retainer fee back.
00:15:08I want you to continue to follow him.
00:15:11Are you sure you want this guy in your life?
00:15:14Mr. Dobbs.
00:15:15Harry.
00:15:16As long as I know what Rick is doing, I have a life.
00:15:21Jill, dinner will have to wait, I'm afraid.
00:15:26I have a previous engagement.
00:15:56You don't know what love is
00:16:14Until you've learned the meaning of the blues
00:16:21Until you've loved a love you've had to lose
00:16:28You don't know what love is
00:16:52Until you've learned the meaning of the blues
00:17:10Meow.
00:17:11Meow.
00:17:12Meow.
00:17:13Meow.
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00:19:26Meow.
00:19:31Meow.
00:19:33No, I won't be able to call you for a couple of days.
00:19:36I'm going to be moving around quite a bit, you know.
00:19:39Oh, I miss you too, Doris.
00:19:42Yeah.
00:19:44Look, this is going to be a very rough couple of months for both of us.
00:20:03You bet.
00:20:33Hey.
00:21:02How about going out to Culver today?
00:21:04Sure, we can do that.
00:21:05All right.
00:21:10Wake up.
00:21:14See that blue and white taxi?
00:21:15Yeah, follow it.
00:21:16Okay.
00:21:20Don't get too close.
00:21:36You know, I had a customer that was following a cab like this one time and, boy, that's something.
00:21:42Yeah? What happened?
00:21:43Wound up halfway across the state in a drunk tank where I met my third wife.
00:21:48She was the nutritionist at the Honor Farm.
00:21:59Hey, Hiram, how are you?
00:22:00Good, good, Jimbo.
00:22:01How you doing?
00:22:02Pretty good.
00:22:03Good to see you.
00:22:04Good to see you.
00:22:05Yes, sir.
00:22:06You're supposed to be going home today.
00:22:14You better give me a receipt.
00:22:17You don't want me to wait?
00:22:18No, just give me a receipt.
00:22:20Last guy I picked up wanted me to wait.
00:22:22I think he was on an expense account or something.
00:22:24You can tell by the way they're dressed and he had a funny little mustache.
00:22:28Okay, okay, just don't get lost.
00:22:30How could I get lost?
00:22:32He's going to be sitting here.
00:22:33No, you're not.
00:22:34He's going to follow that truck.
00:23:03If you're going to that farmhouse down there, I can just take you right on down.
00:23:17There wouldn't be a problem.
00:23:18Would you just shut up?
00:23:21I'll be right back.
00:23:42Son of a bitch.
00:24:10Keep the change.
00:24:11Write me out a receipt.
00:24:12I'm going to sign it for tax purposes so it's legitimate.
00:24:15Fine.
00:24:24Your room's down on the end.
00:24:26Okay.
00:24:28Here, kitty, kitty, kitty, kitty.
00:24:39I need a room.
00:24:45Where are you going?
00:24:47I'm leaving.
00:24:48Leaving?
00:24:49I'll make a chart, Larry.
00:24:51My job's finished.
00:24:52What does that mean?
00:24:53Wire me the money.
00:24:54I'll be here about two more days.
00:24:57I have the feeling you're holding something back, Mr. Dobbs.
00:25:01Hey, I told you what I saw.
00:25:03He visited someone on a ranch somewhere.
00:25:05Was there a woman?
00:25:07On the ranch?
00:25:09I'm not very soft, Larry.
00:25:11Yeah.
00:25:12Hold it, Larry.
00:25:13You look like a family to me.
00:25:21What if I told you we were to be married once?
00:25:25After all, she didn't want to be a bigot.
00:25:27No, Larry, I never was.
00:25:29I loved him.
00:25:30Well...
00:25:31Just don't turn your back on him, Mr. Dobbs.
00:25:36Unless you want a hole in him.
00:25:41I'll keep that in mind.
00:25:43Call me tomorrow.
00:25:44I'll be here.
00:25:45Right.
00:25:46And I'll be here.
00:25:49You brought it yourself as well as everything else.
00:25:59Room service, please.
00:26:16Hello?
00:26:17Hello, Doris.
00:26:19Harry!
00:26:22Where are you?
00:26:23Hey, you sound like you're having a party there.
00:26:26I'm just listening to music.
00:26:28Yeah?
00:26:29With who?
00:26:30A few friends.
00:26:32Hey, pour me another highball, would you?
00:26:36You want me never to work, Doris?
00:26:38Is that what you want?
00:26:39I don't want anything anymore, Harry.
00:26:42I've wised up.
00:26:43And with each day, I learn more.
00:27:50Price is $250.
00:27:54$175.
00:27:55Price is $250.
00:27:56$200.
00:27:57Price is $250.
00:27:58I'll tell you what.
00:27:59I'll, uh, I'll give you $150 for as long as I use it.
00:28:03And then when I'm finished, you get it back free.
00:28:08How about that?
00:28:09I'll give you $150 for as long as I use it.
00:28:13And then when I'm finished, you get it back free.
00:28:16How about that?
00:28:17Oh, you mean rental.
00:28:18That's right, rental.
00:28:20Well, see, I'm not in the rental business.
00:28:23Price is $250.
00:28:33Thank you.
00:28:34Did you help make these?
00:28:35Yes.
00:28:41Artie.
00:28:43Hello.
00:28:44Hello.
00:28:47Can I help you?
00:28:49Well, I seem to be lost.
00:28:53Where are you going?
00:28:55That's the problem.
00:28:56I really don't know.
00:28:57Parked my car up the road and saw your house.
00:28:59Say, Ellen, what's up?
00:29:01It's fine.
00:29:04Maybe we can help you get back on track.
00:29:06Um, where are you coming from?
00:29:09Culver.
00:29:12If I could use your phone, I'd be glad to pay for it.
00:29:15Don't be silly.
00:29:16Come on in.
00:29:17Thank you.
00:29:22Got one more lunch to deliver.
00:29:34Do you want some lunch?
00:29:35I can fix you lunch inside.
00:29:37No, thank you.
00:29:38I'm in a hurry, but a cup of coffee would be great.
00:29:41All right.
00:29:42I'll race you to the door.
00:29:43Come on.
00:29:58Phone's in here around the corner, sir.
00:30:00Thank you.
00:30:05What's your name?
00:30:09Harry.
00:30:10Harry what?
00:30:12Uh, Harry Johnson.
00:30:14Harry Johnson.
00:30:16That's right.
00:30:17Where are you from?
00:30:18You're not from here.
00:30:19No, I'm not.
00:30:20I just need to use the phone.
00:30:29Mom, do we have to let him use the phone?
00:30:33Honey, you finish your coloring, OK?
00:30:36Cute.
00:30:40What's your name?
00:30:41My name's Harold.
00:30:42Harold?
00:30:43It's me, Harry Johnson.
00:30:44That's right.
00:30:45I'm lost.
00:30:46Harold wants to know where I am.
00:30:48Uh, Crooked River Ranch, Northwest Prairie Road.
00:30:52Uh, the lady of the house says Crooked River Ranch,
00:30:55Northwest Prairie Road.
00:30:59Oh, really?
00:31:00Mm-hmm.
00:31:02Really?
00:31:03Yeah.
00:31:04OK.
00:31:05Oh, really?
00:31:06Uh-huh.
00:31:07Mm-hmm.
00:31:08Really?
00:31:11Mm-hmm.
00:31:18Uh-huh.
00:31:21Uh-huh.
00:31:22Thanks for the water, Mrs. Navarro.
00:31:25You're welcome, Mark.
00:31:27So he wants 300 gross metal and then 200 gross plastic.
00:31:31Great.
00:31:32Thanks.
00:31:33Bye.
00:31:38Did you figure out where you're going?
00:31:40Oh, yes.
00:31:41Thanks.
00:31:42Uh, boy, if I had this place, I'd
00:31:44be the happiest guy in the world.
00:31:46Yeah.
00:31:47Well, it takes a lot of work, Mr. Johnson.
00:31:49Yeah.
00:31:50Well, it takes a lot of work, Mr. Johnson.
00:31:53Yeah, well, it takes a lot of work, Mr. Johnson.
00:31:55Bet it does.
00:31:56Still, it brings everyone so close together,
00:31:59you know what I mean?
00:32:04Hello.
00:32:05Hi.
00:32:06Dennis McGraw.
00:32:07Johnson.
00:32:08Harry Johnson.
00:32:09Good to meet you.
00:32:10Good to meet you.
00:32:11I was just telling your wife what a wonderful spread
00:32:13you have here.
00:32:14I'm in grommet sales myself.
00:32:16Grommets are those little round plastic and metal ones.
00:32:19Yeah, I know what a grommet is.
00:32:20You do?
00:32:21Sure.
00:32:22Oh, that's better than most people.
00:32:24So did you make your call?
00:32:25Uh, yes, sir.
00:32:26Thank you.
00:32:27And thanks for that great coffee, Mrs. McGraw.
00:32:29You're welcome.
00:32:33Bye.
00:32:42Bye, little girl.
00:32:53Bye.
00:33:02Love you.
00:33:22Bye.
00:33:42We're at Harbor Town Country Club in beautiful Hilton Head,
00:33:45South Carolina, where Harry Dobbs is teeing
00:33:48off on the first hole.
00:33:52Oh, he sliced that one into the rough.
00:33:55This has always been a tough fairway for Dobbs.
00:33:58You don't know what love is until you've
00:34:04learned the meaning of it.
00:34:08You don't know what love is until you've
00:34:13learned the meaning of it.
00:34:17You don't know what love is until you've
00:34:22learned the meaning of the blues,
00:34:28until you've loved the love you had to lose.
00:34:34You don't know what love is.
00:34:39You don't know how lips hurt.
00:34:45Ah.
00:34:52Ah.
00:35:14Well, it's tough, babe.
00:35:17I know it's tough.
00:35:19You've got to bear with me, hon.
00:35:21I mean, it's only going to be a few more years that I'll
00:35:23work at this place, and then we can start doing the thing,
00:35:26you know?
00:35:31OK, look, I better go, babe, OK?
00:35:34I love you.
00:35:35OK, goodbye.
00:35:45Good news, Jim?
00:35:46Yeah.
00:35:47More coffee, honey?
00:35:48That cheeseburger to go will be up in just a second.
00:35:51I'm going to hit you again, Jim.
00:35:53My man.
00:35:57Drew, it's good to see you.
00:35:59It's good to see you, Carol.
00:36:01How long are you here for this time?
00:36:05Well, I might leave for a couple days,
00:36:07but I'm here for a few months now, anyway.
00:36:09Hey, how's that other spread of yours?
00:36:11Is that doing OK?
00:36:12Doubled our grazing, sold real well at market.
00:36:14Thanks, Carol.
00:36:17Take it easy, Jimbo.
00:36:18All right.
00:36:44Ah!
00:36:50Ah!
00:36:53Ah!
00:36:59Ah!
00:37:00Ah!
00:37:14Thanks, lady.
00:37:15My goddamn car committed suicide.
00:37:17You think you can give me a lift?
00:37:22Seen as how we're both staying at the same motel.
00:37:33It's 9 o'clock, and welcome to the Redwood Hotel.
00:37:36Tonight we'll feature the music of Charlie Chips
00:37:39that is supposed to play for you.
00:37:41All right, get in, Charlie.
00:37:45The love manual.
00:37:53Out.
00:37:54Come on, what would that prove?
00:37:56Look, I am here visiting friends,
00:37:59and I have seen you three times in two days,
00:38:03and you have not told me why.
00:38:07Maybe we have some of the same friends.
00:38:10One word and you walk.
00:38:29Uh, thanks again for the lift.
00:38:31Maybe next time we can discuss that book you're reading.
00:38:40Thank you.
00:38:50One for you, Doris.
00:38:51Oh, thank you, Mario.
00:38:55Yeah, hello?
00:38:56Hello, Doris, this is Stella.
00:38:59Oh, right, right.
00:39:01Hey, somebody turn that down.
00:39:03I've been expecting your call.
00:39:06What'd you find out?
00:39:08Basically what he told me is on a case.
00:39:12Does he see her every day?
00:39:15Uh, no.
00:39:16Only in the city.
00:39:19Did you talk to him?
00:39:22Yes, but by accident.
00:39:25What'd you talk about?
00:39:27Well, we didn't. We didn't.
00:39:28No, his car broke down and I gave him a ride.
00:39:32That was pretty stupid, don't you think?
00:39:35It was unavoidable.
00:39:37Oh, yeah? And what else was unavoidable?
00:39:41What is that supposed to mean?
00:39:43Your agency said I could trust you.
00:39:46Look, I am not going to have this conversation with you, Doris.
00:39:49They said a woman could get closer to him.
00:39:51Now that I know what they mean, I want my money back.
00:39:55Look, I'm going to get off the phone now, all right?
00:39:58If you want to replace me, that is your privilege.
00:40:00But right now, I'm going to get some sleep.
00:40:03Yeah, for a long time, because you're fired!
00:40:08Fired? That's great.
00:40:18Miss Dolan's room, please.
00:40:20I'm sorry, she checked out.
00:40:22What?
00:40:23Miss Dolan checked out, sir.
00:40:25Did she leave a forwarding number?
00:40:27No, sir, she didn't.
00:40:29Right.
00:40:38Mmm.
00:40:42Mmm.
00:40:48This better be good.
00:40:51What?
00:40:52Mr. Dodds.
00:40:55Oh, Miss Dolan.
00:40:58Rick called me.
00:41:00I'm frightened.
00:41:01Please come back.
00:41:03Did you check out of the St. Simone Hotel?
00:41:05I had to. He threatened me.
00:41:07I'm at the Devonshire now, registered under Phillips.
00:41:11He'll kill me if he finds me, Mr. Dodds.
00:41:14Harry, relax. He can't get to you before I do.
00:41:18Hello.
00:41:20Are you at all interested in his second wife?
00:41:23What did you say?
00:41:25Another wife?
00:41:28Look, I'll talk to you about it all when I get in tomorrow, okay?
00:41:31Yes.
00:41:33Don't tell me anything else now.
00:41:36Thank you, Mr. Dodds.
00:41:38Harry.
00:41:39Good night.
00:42:01Beep. Beep. Beep. Beep. Beep.
00:42:32One of us is going to move.
00:42:34Not before the other explains what is going on.
00:42:37I don't know what you're talking about.
00:42:41I can find out, you know.
00:42:42I'm not going to be very happy if you're working for McGraw.
00:42:46Or King.
00:42:48Is that a threat?
00:42:50Let's just say I'm very good at what I do.
00:42:52Fooled me.
00:42:53What's that supposed to mean?
00:42:54You get too close to yourself.
00:42:56I don't know.
00:42:57I don't know what I do.
00:42:58Fooled me.
00:42:59What's that supposed to mean?
00:43:00You get too close to your subjects, Mr. Dodds.
00:43:05You mean because I went to his house?
00:43:08Well, you're wrong.
00:43:09That just happened to be a very, very shrewd move.
00:43:14And talk about getting too close.
00:43:16You got a burgundy super classic at the airport?
00:43:20And what about picking me up on the road?
00:43:22No.
00:43:23Cardinal sin.
00:43:24That was unavoidable.
00:43:25What, are you on your off hours now?
00:43:26I want you to move.
00:43:29Bring us a couple of Bloody Marys, will you, honey?
00:43:31No ice, no juice, please.
00:43:33Look, Mr. Dobbs...
00:43:35Harry.
00:43:37Harry, this is not ethical.
00:43:41If we were discussing ethics, it'd be pretty silent here.
00:43:52You better hang on to this,
00:43:53because we'll probably be ordering a few more.
00:43:55Okay, thank you.
00:44:07Bad luck to refuse a toast.
00:44:20Does that book explain
00:44:22when you're falling for someone,
00:44:24whether it's the smile
00:44:27or the situation you're going for?
00:44:35Are you in love with someone, Mr. Dobbs?
00:44:38Harry...
00:44:39Do you think that she is in love with you?
00:44:42Well, that's hard to tell.
00:44:43She's got a temper, that one.
00:44:45But, see, we're sort of broken up now.
00:44:48Demolished, basically.
00:44:50But when I think back on it,
00:44:52I can't even remember the tough times.
00:44:54Are you waiting for her?
00:44:56Waiting?
00:44:57Yes, the one who is in love always waits.
00:45:02Says who?
00:45:03It's in the book.
00:45:04The only waiting I've been doing
00:45:06is outside some guy's house.
00:45:08In both houses.
00:45:09Maybe you're in love with someone else.
00:45:11Yeah?
00:45:12Who?
00:45:13Now, come on, now, you've got to see me through this.
00:45:16Please.
00:45:17Please.
00:45:20Please, please, please.
00:45:24Please.
00:45:33It is a fact that you can squash
00:45:35the person that you are in love with
00:45:37under the weight of love itself,
00:45:39especially during an argument.
00:45:41Squash?
00:45:42Yes, and then squash the person
00:45:44especially during an argument.
00:45:46Squash?
00:45:47Yes, and then something usually happens
00:45:49that makes you jealous and feel threatened.
00:45:52Not me, sorry.
00:45:53And you say that you can't get hurt
00:45:55because you are no longer a part of it.
00:45:57Part of what?
00:45:58This feeling of love that you have,
00:46:00but you're suffering because, in fact,
00:46:02they're not a part of it, and then you blame yourself.
00:46:05No, it's all her fault.
00:46:06And you feel guilty and you suffer.
00:46:08Oh, swell.
00:46:09So either because you want to feel guilty
00:46:11or because you want to show the other person
00:46:13that you're being critical of yourself.
00:46:15You change your clothes, you change your habit,
00:46:17you change your hair, and you wait.
00:46:24It's the lover's signature.
00:46:29What is?
00:46:33They're the ones who wait.
00:46:37Am I going to see you around?
00:46:40No, Mr. Dobbs.
00:46:41From now on, when you turn around,
00:46:43all you're going to see is your shoulder.
00:46:45No, I mean, you know, a show, a dinner,
00:46:48something unethical.
00:46:49No, I'm afraid that I can't do that.
00:46:51Why, are you waiting for someone else?
00:46:55Yes.
00:46:56Oh.
00:46:58No, I mean, I have an agency I have to deal with.
00:47:01Oh, forget the agency.
00:47:02Hang out a shingle, go into business for yourself.
00:47:04It's the only way.
00:47:06Like you.
00:47:07That's right.
00:47:08You know I can find out your name.
00:47:10Oh, really?
00:47:11You know, I'm not so sure of that.
00:47:13You can make it easier.
00:47:14You can test me.
00:47:19Stella.
00:47:20Oh, I like that.
00:47:22Got another name?
00:47:23Don't say Smith.
00:47:24You don't want to know me.
00:47:26We'll wait for that.
00:47:28Why do you think that your man has two families?
00:47:32Most bigamists do.
00:47:33Who hired you to follow me?
00:47:35Do you think that he loves them both equally?
00:47:38Does it matter?
00:47:39Well, don't you think it would to him, I mean?
00:47:41Would you stop with that stuff?
00:47:43Was it misstolen?
00:47:46Believe me, it's not important.
00:47:50Come on.
00:48:13Mr. Tofts.
00:48:14Harry.
00:48:15I'm so glad you're here.
00:48:17Would you like a drink?
00:48:19Cognac, all right?
00:48:21Sure.
00:48:22Please, go on in and sit down.
00:48:24I'll be right there.
00:48:50Ah.
00:48:52I'm ready now to hear what you've learned.
00:48:58So from the beginning.
00:49:02From the beginning?
00:49:05Well, I didn't much like the airplane trip.
00:49:08You poor dear.
00:49:09You must be exhausted.
00:49:11Please, go on.
00:49:14Why don't we start with what you know?
00:49:16It'd be a lot easier.
00:49:18I'm afraid my story is very complicated, Harry.
00:49:22May I call you Harry?
00:49:27You think I still love him, don't you?
00:49:31You think that's why I came to town.
00:49:34I know he does.
00:49:36To be close to him, wait my turn, take my chances.
00:49:43Well, I could never love him again.
00:49:49Especially if what you said on the phone is true.
00:49:57How true it is, I can't tell you.
00:49:59But I know it to be a fact.
00:50:04Two wives.
00:50:07My God.
00:50:13I'm sorry.
00:50:14Look, just let him go.
00:50:17Wipe him out of your memory.
00:50:19Whatever you do, don't be jealous.
00:50:23You'll start hurting yourself.
00:50:26You'll feel guilty.
00:50:28Your hair, you'll cut your hair.
00:50:31And I kind of like it the way it is.
00:50:36He's still very dangerous.
00:50:38He's taken money from people and beaten them up.
00:50:41Maybe even murder.
00:50:46All wrong.
00:50:47Good guy I am.
00:50:56I'm really glad you're here.
00:51:04My God.
00:51:06It's him.
00:51:09My God.
00:51:10It's him.
00:51:31Dry cleaning.
00:51:32Thanks.
00:51:33Here you go.
00:51:34Bye.
00:51:35Thank you, sir.
00:51:40I think I'd better get a room in this hotel on this floor
00:51:43if I can.
00:51:44Yes, I want you to.
00:51:47Now that you're here, I feel that no one
00:51:49can lay a finger on me.
00:51:51Right.
00:51:53Keep your door locked.
00:51:54Don't let anybody in.
00:51:55Yes.
00:51:57I'm going to check in now.
00:51:59Yes.
00:52:01I'm going to check in now.
00:52:03Yes.
00:52:04Thank you.
00:52:30Over here on your right we have the honor bar, Mr. Dobbs.
00:52:35We do have 24-hour room service available.
00:52:38On the rooftop we have a 90-foot pool.
00:52:41Oh.
00:52:42And I hope that you enjoy your stay.
00:52:45No golf course.
00:52:47Some of our larger suites do have putting greens.
00:52:58Thank you very much.
00:53:01He's just checked in on the same floor.
00:53:1124 hours in a day, Buster.
00:53:13Use them.
00:53:14Out.
00:53:15So I suppose you think I'm a failure, right, Corinne?
00:53:18What do you want to hear?
00:53:19That people don't get fired?
00:53:21Well, they do.
00:53:22That's the bottom line, kid.
00:53:23But I didn't do anything wrong.
00:53:25Who said anything about wrong?
00:53:27The client didn't like what you were doing
00:53:28until you got canned, pure and simple.
00:53:30Yeah, well, I didn't deserve it.
00:53:32You should have stood up for me.
00:53:34Stella, from the beginning, I'm wondering
00:53:36what you're doing here.
00:53:37I mean, you wander in, say you want detective work,
00:53:40like it's a haircut.
00:53:41Your first big assignment, you blow it.
00:53:43Oh, so I let you down.
00:53:44Is that what you're saying?
00:53:45I'm saying you're smart, you look OK, you got some class.
00:53:49I have to do this kind of work just to get attention.
00:53:52You don't.
00:53:54I mean, why do you want to hang around shady characters
00:53:56looking for things that never add up?
00:53:59You got to be a little weird for that, Stella,
00:54:01and you're not weird.
00:54:02I mean, not that weird.
00:54:04Not enough to keep a man away.
00:54:06Whatever happened to that guy?
00:54:07He come back or what?
00:54:08What?
00:54:10Look, I know you're on the rebound from a bad love deal,
00:54:13but this work ain't a cure-all, you know?
00:54:15So you want to get rid of me, Corinne?
00:54:18Stella, I am trying to help you.
00:54:20You're the kind of gal who should be out with a guy
00:54:22on a date, not a stakeout.
00:54:24Look, you let me worry about the men in my life.
00:54:27And you let me run my business the way I have to.
00:54:32So I am fired.
00:54:42Oh, that's fine.
00:54:44That's fine.
00:54:45It's just great.
00:54:47It's perfect.
00:54:49Perfect.
00:54:58Oh.
00:55:05Miss Dolan?
00:55:08It's me, Harry.
00:55:12Open up in the name of the law.
00:55:21Miss Dolan?
00:55:28Miss Phillips?
00:55:30Miss Phillips?
00:55:56Hello?
00:55:57Hello?
00:55:58Doris, it's Stella.
00:56:01Who?
00:56:03Stella.
00:56:05Hey, I thought I fired you.
00:56:07Yeah, I got your message.
00:56:10Well, then what do you want?
00:56:11Well, actually, I was wondering if you had a number on Harry.
00:56:28Have you known my husband very long, Mr. Wyman?
00:56:32No, not really.
00:56:33But long enough.
00:56:39So, what is the message my husband asked you to deliver?
00:56:45Mrs. King, does the name James McGraw have any meaning to you?
00:56:50Um, no.
00:56:52That's not familiar to me.
00:56:53Why?
00:56:55Well, he's someone your husband knows quite well.
00:57:00And?
00:57:02And, well, he's with him right now, actually.
00:57:07Well, as I said when you first came in,
00:57:09I'm not that familiar with Freddie's business dealings.
00:57:13And I'm not that familiar with your business dealings either.
00:57:17I'm not that familiar with Freddie's business dealings.
00:57:20Is there something wrong, Mr. Wyman?
00:57:21Why do I get the feeling that something is wrong?
00:57:23Freddie's all right, isn't he?
00:57:25Yeah, sure.
00:57:27He's got his hands full, but he's fine otherwise.
00:57:30You seem so nervous.
00:57:31I'm feeling something else.
00:57:33I do apologize about that, Mrs. King.
00:57:37To tell you the truth, something has happened.
00:57:39To Freddie?
00:57:40Has something happened to Freddie?
00:57:41No, to a friend of mine, someone who Fred knows.
00:57:47I don't understand.
00:57:50Her name is Miss Dolan?
00:57:55And your husband...
00:57:58Yes?
00:58:00Well, he knows that I know her.
00:58:04And I thought maybe he might have mentioned her to you.
00:58:10I haven't seen her in a while.
00:58:13You're confusing me, Mr. Wyman.
00:58:17I'm sorry about that.
00:58:18Look, I can see that you know nothing about Miss Dolan or Mr. McGraw.
00:58:26And I'm kind of anxious, you know.
00:58:28Anxiety is the devil's impatience.
00:58:33Look, Mrs. King, I really appreciate it if you didn't say anything at all about all this to Fred.
00:58:40He might think I'd gone around the bend, you know.
00:58:42No, no, he'd understand. You're friends.
00:58:45Well, a friend in need is a friend to a void.
00:58:51I'm sorry to bother you about all this, ma'am.
00:58:53Goodbye.
00:58:55Goodbye.
00:59:16Thirsty.
00:59:18You?
00:59:20Ah, Bellhop says she's still not back in her room.
00:59:24But you said that her clothes were still there.
00:59:25Yeah.
00:59:27So, we know that she didn't leave permanently.
00:59:32If she left alone.
00:59:33Right.
00:59:37I'm going to go get a drink.
00:59:38Okay.
00:59:40I'll be right back.
00:59:41Okay.
00:59:46We?
00:59:47Yeah, you need a dictionary, you and me.
00:59:49Ah, that ain't written anywhere.
00:59:51No, Harry, this case is way too spread out. You need a partner.
00:59:54You're looking at my partner.
00:59:56All right, Harry, fine, fine, you can be the boss.
01:00:00I was just trying to help you solve this thing.
01:00:04Why?
01:00:05Because it's so fucking exciting.
01:00:08Oh, Annie Oakley?
01:00:09Yeah, when there's a gun in my hand.
01:00:11Yeah?
01:00:12Whose gun?
01:00:13Whose gun?
01:00:16I just thought maybe a woman's intuition could have helped you crack this thing.
01:00:21It's the first time we've touched.
01:00:22I mean, I could have gotten much more out of Mrs. King than you did.
01:00:27I got what I needed.
01:00:28You got nothing.
01:00:30What I needed to know.
01:00:31What?
01:00:33I didn't want to hurt her.
01:00:36Well, sometimes it helps to hurt.
01:00:41She really loves this guy.
01:00:44She said that.
01:00:46She didn't need to say it.
01:00:48Well, suddenly you're the expert.
01:00:49No, you're the expert.
01:00:51You got something, Stella. I don't know what it is, but you got it.
01:00:56You ever been married, Stella?
01:00:58Yeah, me either.
01:00:59You know, they say marriage is the best thing that's supposed to happen between two people.
01:01:02Or the worst.
01:01:04Ever want kids, Stella?
01:01:05Kids?
01:01:06Yeah, little people running around with your face.
01:01:08I know what they are.
01:01:09Yes, I would like kids, but not now.
01:01:12I didn't mean now.
01:01:13Not at all. Now.
01:01:18So, who's the man in your life, Stella?
01:01:19Are you going to call the cops or what?
01:01:23You still waiting?
01:01:29Your friend is missing.
01:01:31The guy who might have done it can hurt people in strange ways.
01:01:35Now, either you can sit here and continue to flirt with him.
01:01:39Flirt?
01:01:40Maybe we can help each other and save someone's life.
01:01:45Or fuck him up.
01:01:47Harry, one of us has to fly up north tomorrow.
01:01:49Right, me.
01:01:51Fine, okay.
01:01:52I will keep an eye on the king house and the hotel and maybe make some calls.
01:01:57No.
01:01:58No, okay.
01:01:59Then I will leave first thing in the morning and you can reach me at the same motel.
01:02:03No.
01:02:04God damn you.
01:02:05Look, this guy could be dangerous.
01:02:07Besides that, there's something going on between Mrs. McGraw and a young ranch hand.
01:02:11Really?
01:02:13It could get sticky. I don't want you up there alone.
01:02:17Harry, if you were born stupid, you're now having a relapse.
01:02:21I'm going to take the 10 a.m. plane.
01:02:23This is my phone here and I also have a service.
01:02:27Stella, listen.
01:02:29You...
01:02:31You...
01:02:36Good night, Harry.
01:02:39What was that?
01:02:42Comes with the slap.
01:02:44So does this, babe.
01:02:55Stella.
01:02:56Come to my hotel tonight.
01:02:57No, no.
01:02:58Why not?
01:03:01I'll call you.
01:03:15Harry, come on.
01:03:17Stella, something's happening in a hurry.
01:03:20Yeah, it's a scene.
01:03:21You love a scene.
01:03:22You told me that.
01:03:23I didn't say that.
01:03:24Yes, you did.
01:03:26What?
01:03:27You said that you couldn't tell the difference between a smile and a situation.
01:03:36I'm learning fast.
01:03:38Besides, you got the smile.
01:03:42This is the situation.
01:03:45Please.
01:03:47Please.
01:03:48You have to get up in the morning.
01:03:50I have to pack.
01:03:52I got to go.
01:03:55Okay.
01:03:58Hey, Harry?
01:04:00Yeah.
01:04:03Good night.
01:04:27Good night.
01:04:57Why, Harry?
01:05:10Why didn't you call me, Harry?
01:05:12Why?
01:05:26Stella.
01:05:28It's me.
01:05:31Harry.
01:05:33Did I wake you?
01:05:39Yeah.
01:05:43Well, what do you want me to say?
01:05:46About what?
01:05:49You know.
01:05:53I have to get some sleep, Harry.
01:05:56Stella.
01:05:57Yeah.
01:05:58Let me come over there.
01:06:00Oh, Harry, I don't think so.
01:06:03I have to go to sleep, okay?
01:06:07Stella.
01:06:08Yeah.
01:06:10You just be careful with McGraw, okay?
01:06:14Yeah.
01:06:15Yeah, I will.
01:06:18Good night, Stella.
01:06:21Hey, Harry.
01:06:23Yeah.
01:06:25I'm glad that we're partners.
01:06:30Yeah.
01:06:31Me too.
01:06:33Good night, Stella.
01:06:35Okay.
01:06:36Good night.
01:06:39Good night.
01:06:45What if I said I'm falling in love with you, Stella?
01:06:50What if I said that?
01:06:56Look for a sign, Harry.
01:06:59Hi.
01:07:01Stella?
01:07:03How are you doing?
01:07:06Marty?
01:07:08Yeah.
01:07:12Why are you calling me, Marty?
01:07:16Why? You don't want me to?
01:07:18You made it very easy for me.
01:07:21I'm sorry.
01:07:23I'm sorry.
01:07:25I'm sorry.
01:07:26You made it very clear that you didn't want me.
01:07:30Well, maybe that's not so clear right now.
01:07:34Is there somebody else?
01:07:36Yeah.
01:07:37There might be.
01:07:39Oh, that's good.
01:07:41Good.
01:07:42Good, good, good.
01:07:44Stella?
01:07:45Take it easy.
01:07:46It's been real nice knowing you.
01:07:48Marty?
01:07:50You're an asshole.
01:07:56You're an asshole.
01:08:15Yeah.
01:08:17I got a message to deliver, pal.
01:08:25Out!
01:08:27Out!
01:08:28We'll continue this talk later, pal.
01:08:47Out!
01:09:03Phone's right here.
01:09:04Oh, thank you.
01:09:17Thank you.
01:09:36You're at Crooked River Ranch, Northwest Prairie Road.
01:09:39Ah, thank you.
01:09:43Hey, Earl.
01:09:44Yeah, it's about those packages.
01:09:49Mm-hmm.
01:09:58Uh-huh.
01:10:00Thirsty.
01:10:01Yeah.
01:10:07Mm-hmm.
01:10:15God.
01:10:30Thanks for the water, Mrs. McGraw.
01:10:38You're welcome, Mart.
01:10:45What is going on?
01:10:48Jim, you're hurting me.
01:10:51What do you think you're doing to me?
01:10:53You know, something's going on when I'm not here.
01:10:55Yeah, which is most of the time.
01:10:59Okay, what are you saying, girl?
01:11:05Nothing.
01:11:07I'm saying nothing.
01:11:09Of course it doesn't help that you're never around.
01:11:11Oh, except when I'm making a living.
01:11:13I mean, around here for me.
01:11:15Look, Ellen, you knew I had another ranch when I met you,
01:11:18so we're not talking about it now.
01:11:20But we never talk!
01:11:22Just listen to me about what you've been...
01:11:26Mm-hmm.
01:11:27Hey, you in there, are you about done?
01:11:29Yeah, I'm just about ready to hang up.
01:11:31Well, hang up.
01:11:32Yeah, Herman, I'll get you that delivery this afternoon.
01:11:35Okay, bye.
01:11:36Okay, all right then, bye-bye.
01:11:42Thanks for the coffee, ma'am.
01:11:44Where are my keys?
01:11:49You were listening.
01:11:51This is none of your business.
01:11:53I see you crying.
01:11:55I'm a woman.
01:12:00That doesn't make it your affair.
01:12:11Come on.
01:12:32Follow me, please.
01:12:36Mr. Wyman is here to see you.
01:12:38Thank you, Pamela.
01:12:39Thank you.
01:12:41I hope I'm not bothering you, Mrs. King.
01:12:43Just doing some weeding.
01:12:45Oh, always healthy to do that.
01:12:47In your garden, in your life.
01:12:50Is that why you came back, Mr. Wyman, to discuss weeding?
01:12:53No, not directly.
01:12:54Then what is it?
01:12:57This is the second time we've met,
01:12:59and the second time I've wondered what your real motives are for being here.
01:13:03Just honest concern.
01:13:06I know what it's like to be gone from someone you love.
01:13:11Is it your purpose to come here and cast doubt upon my marriage?
01:13:15Are you really an enemy of my husband's, disguised as a friend?
01:13:20I'm not an enemy at all, Mrs. King.
01:13:25It is all about value, Mr. Wyman.
01:13:29Love is my value.
01:13:31Love for my husband and for my family.
01:13:34Now, please, I'm asking you to leave.
01:13:38The one who loves waits.
01:13:40What are you implying?
01:13:43Are you trying to hurt me?
01:13:45Are you the devil?
01:13:47The devil?
01:13:48I love my husband, and he loves me.
01:13:51We are constantly reaffirming this fact
01:13:53and cannot be threatened by anyone or anything,
01:13:56including this devil!
01:13:58You're the devil!
01:14:01Here's your peanut butter and cheese crackers and your change.
01:14:04Thank you.
01:14:05Hey, Carol.
01:14:07Uh, you can set me up.
01:14:10I'd like to square up my tab.
01:14:13I'm going to make a phone call.
01:14:19I'm going to make a phone call.
01:14:22I'm going to make a phone call.
01:14:25I'm going to make a phone call.
01:14:27I'm going to make a phone call.
01:14:30I'll have whatever he's drinking.
01:14:33Yes, ma'am.
01:14:40Hi, hon, it's me.
01:14:43Yeah, I'm going to be coming home.
01:14:51Thank you.
01:14:55I love you.
01:14:57I love you. Bye.
01:15:00I love you.
01:15:03I love you.
01:15:16You keep coming, Carol.
01:15:18Bye.
01:15:20Bye.
01:15:26Hey, I know you.
01:15:28We meet again. Yes, we do.
01:15:30Your wife was kind enough to let me use the phone.
01:15:34Well, it's my phone, too.
01:15:40Yes, but I can't tell if you're kind yet.
01:15:45Some people think I'm very kind.
01:15:48Well, they just don't know the whole story.
01:15:56You know, a man's got to be who he is.
01:16:01I mean, most people, they just go on sleepwalking
01:16:04through life. They haven't got a fucking clue.
01:16:07See, I know who I am.
01:16:09And I ain't going to change.
01:16:11So why not just go forward?
01:16:13Why not just forge ahead?
01:16:15Forge ahead, wherever it leads.
01:16:17No matter what the risk.
01:16:19Risk? You got to go out on a limb,
01:16:21because that's where the fruit's at.
01:16:29Well, you're a nosy little person now, aren't you?
01:16:35It's rare that I encounter someone
01:16:37who lives life so fully.
01:16:41Well, you don't know the half of it.
01:16:43I think I know both halves.
01:16:50What's your name?
01:16:54Stella Winkowski. Yours?
01:16:57James McGraw.
01:16:59Fits you.
01:17:03Fits you like a king.
01:17:10Like what?
01:17:13A king.
01:17:15You know, the principle of peace
01:17:17and the game of chess.
01:17:24McGraw?
01:17:26I want to talk to you outside.
01:17:29I ain't moving from this barstool, Arthur,
01:17:31except to fire your coward ass.
01:17:33Well, that suits me fine,
01:17:35because what I'll do is, I'll go back there
01:17:37and I'll get Evelyn and Missy,
01:17:39and you ain't doing a thing about it, all right?
01:17:41No trouble here, Art.
01:17:47I'm gonna wipe the floor of this piece of puppy shit,
01:17:49and then I'm gonna get some answers out of you.
01:17:51Yeah, I hardly think that you're man enough to do either.
01:17:56Watch my hat for me.
01:18:12You don't deserve her.
01:18:14You're never even there.
01:18:24Why would you want to ruin her life?
01:18:35I didn't ruin her life.
01:18:37Why would you hurt somebody
01:18:39if you loved her?
01:18:41Ha!
01:18:44I never hurt anybody.
01:19:09Thank you.
01:19:40Miss Dolan?
01:19:42Harry?
01:19:44Who?
01:19:46You lied to me, Harry.
01:19:48Rick's not married to anybody, are you, baby?
01:19:51Who is this guy?
01:19:53Who is this guy?
01:19:55He's just an acquaintance, baby.
01:19:57Someone I thought I could trust.
01:20:01Get in the car.
01:20:03Carly, I don't like this acquaintance.
01:20:05Right.
01:20:07Hey, we'll take care of her, pal.
01:20:12Good.
01:20:17You all right, sir?
01:20:19Get out of here!
01:20:38Art!
01:20:40I'm driving you and your daughter
01:20:42to your nearest relative.
01:20:44You got one minute to pack.
01:20:46I'm packed.
01:20:55Where are we going, Mom?
01:20:57We're going to the airport, sweetie.
01:21:00Why?
01:21:02I don't know.
01:21:04We're going to the airport, sweetie.
01:21:06Why?
01:21:08We're going to go visit Grandma for a little while.
01:21:12What about Daddy?
01:21:14Did he go away again?
01:21:18Yeah.
01:21:20He's gone.
01:21:22Won't you go back to sleep?
01:21:34Okay, boss. See you tomorrow.
01:21:36Make it early, Harley.
01:21:38It's already early.
01:22:04Rick, where are you?
01:22:29I'm so very ready.
01:22:31I'm glad you're ready, Angel Baby.
01:22:34Because ready or not, here comes Rick.
01:22:49How do I look?
01:22:51You look...
01:22:57Did you hear that?
01:22:59Only the pounding of my heart.
01:23:01Keep on pounding, Angel Baby.
01:23:03I'll be right back.
01:23:07Harley?
01:23:13Harley?
01:23:16Oh!
01:23:35Rick?
01:23:41Mr. Dobbs.
01:23:45Harry.
01:23:47Where is everybody?
01:23:49Hanging around. Get dressed.
01:23:51Dressed?
01:23:53Hey!
01:24:01That bitch!
01:24:03That...
01:24:05That bitch.
01:24:11Whoa!
01:24:13Hey!
01:24:15Help!
01:24:17Help!
01:24:44Please, Harry, at least acknowledge me.
01:24:48I'm feeling frightened and unloved.
01:24:51Naked to the world.
01:25:14Jesus, Harry.
01:25:32Well?
01:25:34I had to find out about Rick.
01:25:37Find out if he was the one.
01:25:40Find out if he was the one.
01:25:43You do understand.
01:25:45Oh.
01:25:48Is there a chance for us, Harry?
01:25:51For you and me?
01:25:54What?
01:25:56Would we be glad and dizzy all the time?
01:25:59Or would we destroy each other?
01:26:01Glad and dizzy?
01:26:03Miss Dolan, get on the train.
01:26:05Harry, please.
01:26:07The truth.
01:26:09Aren't you in love with me?
01:26:13Miss Dolan...
01:26:15It would be as thrilling as winning the exacto,
01:26:18but I'm in love with someone else.
01:26:28Goodbye, Miss Dolan.
01:26:30Gwendolyn.
01:26:40May I have your attention, please?
01:26:42This is a final call from Daylight Central.
01:26:46Now boarding and transferring.
01:26:53Your case and your ticket, Miss Dolan.
01:26:56All aboard!
01:27:07Goodbye, Harry.
01:27:12Excuse me.
01:27:19Say, are you my partner?
01:27:22Ah, life.
01:27:52Ah, life.
01:28:22Oh, Jesus.
01:28:46Oh, Jesus.
01:28:49Marty, what are you doing here?
01:28:51Come on, Stella. You know why I'm here.
01:28:55No, I don't.
01:28:58You're not coming in. You're not coming in.
01:29:01Marty?
01:29:05You know I've been working hard lately.
01:29:08Trying to write.
01:29:10Trying to create.
01:29:12Trying not to think about you.
01:29:14Go home, Marty, now.
01:29:16No.
01:29:18Come here.
01:29:20Don't do this to me.
01:29:25I'm thinking about the way that it was,
01:29:28and I want it back.
01:29:31Wait, wait.
01:29:36Oh, that's great.
01:29:38Now you're a goddamn sniper.
01:29:41Marty?
01:29:42Yes?
01:29:43You clear your ass out of here now.
01:29:50Come on.
01:30:11What if I said that I loved you?
01:30:15Look for a sign, Harry.
01:30:20Not what I've been seeing lately.
01:30:22Look for some tenderness.
01:30:27Sincerity.
01:30:30A sign?
01:30:34What about a whole billboard?
01:30:40And how did you find out where I lived?
01:30:43Like I said once before, I'm very good at what I do.
01:30:50And what are you doing now?
01:30:53Well, I was on a case,
01:30:56but I was following the wrong guy,
01:30:59because the beautiful lady who hired me was doing the same thing.
01:31:03So I put her on the train,
01:31:06and she kissed me, and it felt good.
01:31:10But not like the kind that you keep.
01:31:15And then I saw you kissing this guy,
01:31:18and I felt real tight inside,
01:31:22until I realized
01:31:25you were solving your case, too.
01:31:34Good.
01:31:37So, what do we do now?
01:31:39What do you think?
01:31:41Right.
01:31:49I loved you for a long, long time.
01:31:54I know this love is real.
01:31:57Think it'll last, Ellen?
01:32:00I don't know, Harry.
01:32:04I guess there's only one way to find out.
01:32:08And I can't believe that time
01:32:11is gonna heal this wound I'm speaking of.
01:32:17There ain't no cure
01:32:20There ain't no cure
01:32:22There ain't no cure for love
01:32:30I'm aching for you, baby
01:32:35I can't pretend I'm not
01:32:40I need to see you naked
01:32:43In your body, in your thought
01:32:50I got you like a habit
01:32:53And I'll never get enough
01:32:58There ain't no cure
01:33:01There ain't no cure
01:33:03There ain't no cure for love
01:33:08I even heard the angel
01:33:11Declare it from above
01:33:33I'm searching for a heart
01:33:37I'm searching every one
01:33:41They say love conquers all
01:33:44You can start it like a car
01:33:46You can stop it with a gun
01:33:51Darkness in the morning
01:33:55Shadows on the land
01:33:59Certain individuals
01:34:03I'm sticking to the plan
01:34:07And I'm searching for a heart
01:34:10I'm searching for a heart
01:34:12I'm searching every one
01:34:14I'm searching every one
01:34:16They say love conquers all
01:34:18You can start it like a car
01:34:20You can stop it with a gun
01:34:25I'm leaving in the evening
01:34:29I'm traveling at night
01:34:34Staying inconspicuous
01:34:38I'm staying out of sight
01:34:42And I'm searching for a heart
01:34:46I'm searching every one
01:34:50They say love conquers all
01:34:53You can start it like a car
01:34:55You can stop it with a gun
01:35:08Guitar solo
01:35:21I've been looking high and low for you
01:35:26Trying to track you down
01:35:30Now certain individuals
01:35:34Have finally come around
01:35:38I've been searching for a heart
01:35:41I'm searching for a heart
01:35:43I'm searching every one
01:35:45I'm searching every one
01:35:47They say love conquers all
01:35:49You can start it like a car
01:35:51You can stop it with a gun
01:35:56Yeah
01:36:03Love conquers all
01:36:33Guitar solo
01:36:48Ah, ah
01:36:56I look for a sign
01:36:59I find it searching
01:37:03Guitar solo
01:37:18Tiger roars