Carnival of Souls (1962)

  • 3 months ago
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Transcript
00:00:00Hey, Joe, drag your foot, boy, look what we got here.
00:00:04Hey, you want to drive, huh?
00:00:06Come on.
00:00:07See that telephone pole?
00:00:09We'll take you to it.
00:00:10Yeah.
00:00:11Yeah, we can take you.
00:00:13We've got a free car.
00:00:15Well, we've got your car, so I can take you there.
00:00:17Yeah, come on.
00:00:18You want to drive?
00:00:19Sure.
00:00:20Ha, ha, ha.
00:00:22OK.
00:00:23Rev it up.
00:00:25Come on, man.
00:00:26Get ready.
00:00:30Come on.
00:00:54I'll show him how to drive.
00:00:55Just watch me.
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00:05:31Larry.
00:05:32Larry, are you all right?
00:05:34How did he get out?
00:05:36Here, put this on.
00:05:38We better get you back to town.
00:05:43What about the other girl?
00:05:49a moment.
00:06:19A moment of silence for a moment of silence for a moment of silence for a moment of silence
00:06:46for a moment of silence for a moment of silence for a moment of silence for a moment of silence
00:07:13for a moment of silence for a moment of silence for a moment of silence for a moment of silence
00:07:40for a moment of silence for a moment of silence for a moment of silence for a moment of silence
00:08:05for a moment of silence for a moment of silence for a moment of silence for a moment of silence
00:08:20for a moment of silence for a moment of silence for a moment of silence.
00:08:25Is this like the one I was playing in Utah?
00:08:27It's quite similar.
00:08:29I supervised the installation myself.
00:08:31The accident won't delay your going, will it?
00:08:34with no I'm leaving this morning there's nothing I can do here that's right well
00:08:40Mary you'll make
00:08:41a fine organist for that church be very satisfying to you I think it's just
00:08:46a job. Not quite the attitude for going into church work I'm not taking
00:08:52about I'm only going to play the old one more than that course it doesn't pay much
00:08:58but well at least it's
00:08:59a stop are you driving by better to see your folks now I can
00:09:06I I'm not I've got to leave I'm going to try to. Marry
00:09:13it takes more than intellect to be
00:09:14a musician put your soul into it OK.
00:09:19Good
00:09:26luck Mary. I'm going to see if the next time you're in thank you but I'm never
00:09:33coming back.
00:09:33I don't
00:09:48know about that girl how do you mean day before yesterday she was the only one of
00:09:53three girls to survive an accident you think she feel a little something like
00:09:58humbleness or gratitude never know what she thinks she's always kept pretty much
00:10:05to herself yeah maybe in her place I do the same thing just pick up life again
00:10:12well she's so quiet like she fools you but she's a tough minded little thing I guess
00:10:18that's what it takes to survive I still say she's behaving strange well if she's
00:10:26got
00:10:26a problem it'll go right along with her.
00:13:26You.
00:13:56You.
00:14:26You.
00:14:56You.
00:15:06I help you fill it up all right.
00:15:26You.
00:15:35Have anything else I did. Could you tell me what that.
00:15:43All you mean you'll back out. And it used to be
00:15:46a pretty risky place in the old days and the lake went down and they made
00:15:50a dance hall out of it and they put those buildings up out there and made some sort
00:15:55of a carnival there for a while. Years ago though just stands out there now.
00:16:06I have an address here of
00:16:07a rooming house could you direct me. Oh sure well that's just right over here
00:16:13a little way.
00:16:13And.
00:16:23And saving that for you I think I got your letter.
00:16:29But I read it yesterday. Just about what I expected I
00:16:36mean. There's been no regular room in the house you know I only got
00:16:42you Mr Linden across the hall.
00:16:51Each room's got its own private bathroom too.
00:16:57You can take all the baths you want I'm not one to fuss about things like that
00:17:02thank you I think I'll be quite comfortable. Well I hope you'll stay a while.
00:17:08I'm downstairs in the back part of the house so. If there's anything else you need
00:17:13I guess I'll have to wait till morning.
00:17:21Good night Mrs Talbot.
00:18:37And.
00:18:42And this Miss Henry is our pride and joy. You know this is made in the same town
00:18:48where I've been studying of course that's where we heard about you oh by the way
00:18:53you have found a place to say yes I have a good. Well we hope you're going to like
00:18:59it here we're not the largest church in this area of course but we have
00:19:03a nice congregation. We'll have to have some sort of
00:19:08a section they want to meet you couldn't we just get that. I don't suppose it's
00:19:15an absolute necessity I don't know what some of the ladies will say they say I'm
00:19:20a fine organist that should be enough. Yes of course we'll
00:19:27let it go at that for the time being but my dear you cannot
00:19:32live in isolation from the human race you know. Mind if I try this now I want you
00:19:39to.
00:20:02I mean.
00:20:32To.
00:21:03To.
00:21:11To.
00:21:19To.
00:21:26To.
00:21:32To.
00:22:01What do you think.
00:22:02Nothing, nothing at all. I practiced all afternoon and it got me in the mood.
00:22:09You need some fresh air. I've got to make a call out past the lake. Would you like to
00:22:14come along for the ride? You know that old pavilion out there?
00:22:17Mm-hmm. Will we pass it?
00:22:20Go right by it. Stop and look at it if you like.
00:22:23I would, with you along. Good.
00:23:02It's a nice place. It's been deserted for a long time now.
00:23:06Will you take me in? My goodness, no. It isn't safe out there
00:23:10anymore. That's why they put up this barrier.
00:23:13It'd be very easy to step around it. What attraction could there be for you out
00:23:19there? I'm not sure. I'm a reasonable person, I
00:23:23don't know. Maybe I want to satisfy myself that the place is nothing more than it
00:23:28appears to be. Would you take me out there?
00:23:32No. The law has placed it off limits. It wouldn't be very seemly for a minister to
00:23:37break the law, would it? No. Maybe I can come back some other time.
00:23:43Shall we go along now?
00:23:59I thought that'd be you. Didn't it?
00:24:03That organ playing must take a long time. You've been gone most the whole day.
00:24:08I went for a long drive in the country with my new boss.
00:24:12An elderly minister. Oh, poor old man.
00:24:17I'm sure he'll be happy to see you.
00:24:21I went for a long drive in the country with my new boss.
00:24:25An elderly minister. Oh, poor old man.
00:24:29That must have been a kick in the head. I learned that from my other boy, Mr.
00:24:35Lyndon. Did you get your supper?
00:24:38Oh, I forgot. Well, there's ain't no boarding house, but
00:24:44I got some coffee and there's a sandwich maker left.
00:24:47I've been bringing you some up after a while. Good.
00:24:50I'll be taking one of those bags you're so generous with.
00:24:53Well, take as many as you want. I ain't one to make a fuss about a thing
00:24:56like that.
00:25:17Good.
00:25:21Good, good, good, good.
00:25:24Good.
00:25:45Honey, I'm going to be a foreigner.
00:25:48Just a minute.
00:25:55Hello.
00:26:10What are you doing in the stables?
00:26:13Yeah, I was, when you asked me.
00:26:16I'm John Lyndon. I'm your neighbor right across the hall.
00:26:19Nice meet you, but excuse me.
00:26:21Hey, I just wondered if you could do me a favor.
00:26:23a friend I guess.
00:26:25A.
00:26:25A.
00:26:28A.
00:26:33A.
00:26:38A.
00:26:43A.
00:26:47A.
00:26:48A.
00:26:50A.
00:26:52I forgot to introduce myself.
00:26:54I'm Mary Henry.
00:26:55Yeah, I know.
00:26:56I heard you tell Mrs. Tom that you haven't eaten anything yet.
00:27:00I just thought, being a neighbor and all this,
00:27:03I haven't eaten anything either.
00:27:05I just thought we had to ask you out to dinner.
00:27:08That's very thoughtful of you, but I can't accept.
00:27:10I know, I know.
00:27:11It doesn't matter anything yet.
00:27:12I just thought we'd eat at the same time.
00:27:13I'm sorry.
00:27:14You don't have to excuse me.
00:27:15Look, there's a nice restaurant right down the street.
00:27:18I just thought, what kind of guy doesn't like to eat by himself?
00:27:22I've made arrangements to eat in my room tomorrow.
00:27:26Well, if you change your mind, just holler.
00:27:33So let's go.
00:27:35Good night, Mr. Lomond.
00:27:55Good night.
00:28:25Good night.
00:28:56Miss Henry?
00:28:58It's Miss Thomas.
00:29:19Who's the man in the hole?
00:29:21Who's the man in the hole?
00:29:27Oh, you must mean Mr. Linden.
00:29:31He has the room across the hall.
00:29:34No, I mean the other one.
00:29:38There is no other.
00:29:41Me, and you, and Mr. Linden.
00:29:44Us three is all there is in this house.
00:29:47But you might have asked him out there.
00:29:50You're eating this food.
00:29:53Oh, is that?
00:29:54Eating makes you jumpy sometimes.
00:29:57Maybe you heard the boards pop or something.
00:30:00These old houses creak worse than my knees.
00:30:03I didn't hear him, Miss Thomas.
00:30:05I saw him.
00:30:09Now, don't talk that way.
00:30:13I don't sleep so good as it is.
00:30:17These old houses, they're big enough so that you could hide a man in every corner.
00:30:26You just gotta not let your imagination run away.
00:30:30Are you going out there?
00:30:31Well, of course.
00:30:47There's nobody there.
00:30:52Now, you just go and eat that sandwich I made for you.
00:30:57Don't drink the coffee.
00:30:59If coffee keeps you awake, it won't.
00:31:06Coffee never keeps me awake.
00:31:09Coffee never keeps me awake.
00:31:39Coffee never keeps me awake.
00:32:10Coffee never keeps me awake.
00:32:36Well, good morning.
00:32:39I heard your alarm.
00:32:40I knew you'd be up.
00:32:41Guess what I got.
00:32:42I can't imagine.
00:32:44Just what it takes to start the day off right.
00:32:47I'll make it in my room.
00:32:48You know, it saves me having to go out and get dressed up.
00:32:51I had to get dressed to come over here anyway.
00:32:54Oh, this is just like what I needed.
00:32:56Well, then, two cups of coffee coming up.
00:33:03Say, uh,
00:33:06I guess you took a wrong last night about me coming to your door and all.
00:33:10I'm not a very sociable person, ordinarily.
00:33:13How can I resist an inducement like this?
00:33:15What?
00:33:17Come on, I don't know all those big words.
00:33:19I'm just an ordinary guy working a warehouse, that's all.
00:33:22I make pretty good money, though.
00:33:24Hey, look, I got a couple of shots left over from last night.
00:33:27You want a little bit in yours?
00:33:29No, thanks.
00:33:30It's not the recommended breakfast for a church organist.
00:33:33Oh, is that what you do?
00:33:35Hey, you mean they pay somebody to play the organ in church?
00:33:38Some churches do.
00:33:40Hey, I hope you don't mind about this.
00:33:43I just didn't know you were a church woman.
00:33:45To me, a church is just a place of business.
00:33:48Well, that's a funny way to look at it.
00:33:50Why?
00:33:51People seem shocked because I took a job in a church,
00:33:54and I regard it simply as a job.
00:33:57I'm a professional organist, and I play for pay, that's all.
00:34:01Something like that, don't they give you nightmares?
00:34:05Strange, you should say that.
00:34:08As a matter of fact, not for that reason, mind you,
00:34:11but I had the strangest feeling last night.
00:34:15Yeah, I had kind of a lost night myself.
00:34:19Funny.
00:34:21The world is so different in the daylight.
00:34:25But in the dark, your fantasies get so out of hand.
00:34:30In daylight, everything falls back into place again.
00:34:35Let's have no more nights.
00:34:37Or let's make them more interesting.
00:34:44Hey, how'd you get to be a church organist?
00:34:46I studied it in college.
00:34:48I could have gone to college.
00:34:50Yeah, I used to play pretty good football,
00:34:52but they wanted me to take a lot of classes and things, you know?
00:34:55Well, they're that way.
00:34:56Well, I'm just as smart as the next guy.
00:34:59Yeah, but I just didn't dig what they were teaching in school, you know?
00:35:03The thing I hated most was principal product.
00:35:06Principal product?
00:35:08You know, like a principal product to Brazil.
00:35:15Coffee, beans, a snake oil, you know, like that.
00:35:19When I was in school, I couldn't care less.
00:35:21You know, what I cared about was girls.
00:35:23Didn't they offer a course in that?
00:35:26If I would have done that, I would have graduated.
00:35:31What's the matter?
00:35:32Can you still taste the coffee?
00:35:34Come on, what do you think?
00:35:35I'm an alcoholic?
00:35:37Look, I just like to start the day off in a good mood, that's all.
00:35:40You must be hilarious by noon.
00:35:42Look, I'm just the kind of a guy employed at once.
00:35:45You know, the happy worker.
00:35:47Come on, come on.
00:35:48Nay, make your morning happy.
00:35:50This morning, you're exactly what I needed.
00:35:53You're going to need me in the evening, too.
00:35:54You just don't know it yet.
00:35:57I'll rinse off these cups.
00:35:59No, no, no, no.
00:36:00It just spoils the flavor for tomorrow.
00:36:03Well, thank you for the coffee.
00:36:05It was unsanitary, but delicious.
00:36:07Well, uh, you should have put some of the germ killer inside.
00:36:13Well, I, uh, take leaves early.
00:36:16I think you can get through the door.
00:36:19You know, you got the wrong impression of me.
00:36:21I know because you have so many things to carry.
00:36:24Oh.
00:36:25Like I said, I got to leave.
00:36:27Well, it's been a pleasure, Mr. Linden,
00:36:29but I'm sure you have to get to work.
00:36:31Well, don't you?
00:36:32Nope.
00:36:33I'll have the whole day free for shopping.
00:36:47Does the hem hang right in back?
00:36:49We might change the hemline a little.
00:36:51The drape is just fine.
00:36:53Otherwise, it looks very nice.
00:36:55I'm sure it isn't very chic to take the second dress,
00:36:58but I like it.
00:36:59We offer a little here to make it straight all the way around.
00:37:03Say, do you want to go back to your dressing room?
00:37:19All right.
00:37:49All right.
00:38:19Well, I just got home.
00:38:20I believe I'll have you deliver the dress if you don't mind.
00:38:24I did say I'd take it.
00:38:50What's the matter with her?
00:38:56What's the matter with everyone?
00:39:01Why don't they answer me?
00:39:19Why don't they answer me?
00:39:49Why don't they answer me?
00:40:19Why don't they answer me?
00:40:20Why don't they answer me?
00:40:50What is it?
00:40:51That man.
00:40:54I didn't mean any harm.
00:40:55I just stopped to get a drink.
00:40:57No.
00:40:59No.
00:41:00It was that man.
00:41:05That man.
00:41:09There was someone else there.
00:41:11It was that man.
00:41:12It was that man.
00:41:14It was that man.
00:41:15It was that man.
00:41:16It was that man.
00:41:17There was someone else there.
00:41:19That strange man was there.
00:41:21Now, look.
00:41:22Look, you've had a fright.
00:41:23Hysteria won't solve anything.
00:41:25Now, control yourself.
00:41:27Look, I'm Dr. Samuel.
00:41:29My office is right across the street there.
00:41:32You've had a shock.
00:41:35If you would like my assistance, I'll be glad to offer it.
00:41:38Thank you.
00:41:39Could I come with you now?
00:41:40Certainly.
00:41:42I'll take her over to my office.
00:41:43We'll see that she's all right.
00:41:47Oh, good.
00:42:00It was more than just not being able to hear anything
00:42:04or make contact with anyone.
00:42:07It was as though...
00:42:10as though for a time I didn't exist.
00:42:15As though I had no place in the world.
00:42:19No part of the life around me.
00:42:22And then you saw this... this man.
00:42:26Yes.
00:42:30You'll excuse my back,
00:42:32but I wanted to get some of that written down.
00:42:34I must have been talking for an hour.
00:42:37Anything else?
00:42:38Anything you haven't told me?
00:42:41That's all there is.
00:42:43That's the whole story.
00:42:44He's been following me.
00:42:45That's all there is to it.
00:42:47It isn't that simple, though, is it?
00:42:50What do you mean?
00:42:51He could hardly have been in the park this afternoon,
00:42:53or one of us men would have seen him.
00:42:55And that night in the hallway,
00:42:56you said yourself that landlady came up a minute later,
00:42:59and she didn't see him, did she?
00:43:01What are you driving at?
00:43:03It's been less than a week since you were in a car
00:43:05that crashed into the river.
00:43:07How you got out of that, no one seems to know.
00:43:10But that experience must have been a serious emotional shock.
00:43:13You think I imagined all of it, don't you?
00:43:15You think I'm insane?
00:43:16I didn't say that.
00:43:17I don't mean that.
00:43:18I'm a competent person.
00:43:20If anything, I'm a realist.
00:43:21I'm not given to imagining anything.
00:43:24Hogwash.
00:43:26All of us imagine things.
00:43:28Have you ever heard two men talking behind your back
00:43:30and imagined they were talking about you?
00:43:34Have you ever imagined you saw someone you knew
00:43:36and walked up to them and found they were a perfect stranger?
00:43:39I don't see what this has to do with it.
00:43:41The point is this.
00:43:42Our imaginations play tricks on us.
00:43:44They often misinterpret what we see and hear.
00:43:47Do you agree?
00:43:48I suppose so.
00:43:50If that can happen in ordinary times, go a step further.
00:43:54Look what can happen in a high fever
00:43:56or following a serious emotional shock.
00:43:58It doesn't seem possible that I could have imagined all of it.
00:44:02Does this man, this figure,
00:44:04resemble anyone you've ever known,
00:44:06an acquaintance, or your father?
00:44:08No.
00:44:09Do you have a boyfriend here or back home?
00:44:10No, and I have no desire for one.
00:44:12Never?
00:44:13No.
00:44:16I'm surprised to find myself saying that, but it's true.
00:44:20I have no desire for the close company of other people.
00:44:24Have you always felt this way?
00:44:28I don't know.
00:44:30Don't you want to join in the things that other people do,
00:44:33share the experiences of other people?
00:44:35I don't think capable of being very close to people.
00:44:39I do fear that perhaps I am trying to reach out for those other things.
00:44:43Do you feel guilty wanting them?
00:44:46I don't understand you.
00:44:48I'm not a psychiatrist, and perhaps I'm being clumsy at all this,
00:44:52but I am suggesting that perhaps this figure represents a guilt feeling.
00:44:56Oh, that's ridiculous.
00:44:58Maybe.
00:44:59Frankly, I don't know.
00:45:02Well, I know one thing.
00:45:04My imagination is playing tricks on me.
00:45:07I'm going to put a stop to it.
00:45:09You're a very strong-willed person, aren't you?
00:45:12I survive, if that's what you mean.
00:45:14That old pavilion out by the lake,
00:45:17somehow you associate it with all this, don't you?
00:45:21I could go out there.
00:45:24I could put an end to that, too.
00:45:26I could go out there.
00:45:27Now, don't be hasty.
00:45:30If it is all my imagination, I could put a stop to it.
00:45:34Maybe, but at least someone should be with you.
00:45:36Now, I can't possibly get away now.
00:45:37As you say, Doctor, I'm a person of strong will.
00:45:40And the time to go out there is now.
00:45:43And if I have to, I can go alone.
00:50:06Say, uh, I don't want to get turned down again.
00:50:20I was thinking of asking you out to dinner.
00:50:23I stopped for a bite to eat on the way in.
00:50:25Anyway, I have to practice at the church.
00:50:27Well, look, uh, how about if I took you up that wood
00:50:32and we'll go someplace and dance or something?
00:50:35I'm sorry.
00:50:36I'm not much for dancing.
00:50:40Hey, uh, you mind if I ask you a question?
00:50:45I won't know until I hear it.
00:50:47What, are you afraid of men?
00:50:49No, I'm not afraid of men.
00:50:52Well, you seem sort of cold.
00:50:56This morning when I brought you the coffee, friendly.
00:51:00This morning I needed company.
00:51:03Well, maybe you'll need company tonight.
00:51:07Better than walking home alone.
00:51:10Yes, it is.
00:51:14I should be finished around nine.
00:51:16Will that be all right?
00:51:17That's okay by me.
00:51:20Say, uh, see you in church.
00:51:33Good night.
00:51:34Good night.
00:52:03Good night.
00:52:04Good night.
00:52:33Good night.
00:52:34Good night.
00:53:03Good night.
00:53:04Good night.
00:53:05Good night.
00:53:33Good night.
00:53:34Good night.
00:53:35Good night.
00:53:36Good night.
00:53:37Good night.
00:53:38Good night.
00:53:39Good night.
00:53:40Good night.
00:53:41Good night.
00:53:42Good night.
00:53:43Good night.
00:53:44Good night.
00:53:45Good night.
00:53:46Good night.
00:53:47Good night.
00:53:48Good night.
00:53:49Good night.
00:53:50Good night.
00:53:51Good night.
00:53:52Good night.
00:53:53Good night.
00:53:54Good night.
00:53:55Good night.
00:53:56Good night.
00:53:57Good night.
00:53:58Good night.
00:53:59Good night.
00:54:00Good night.
00:54:01Good night.
00:54:02Good night.
00:54:03Good night.
00:54:04Good night.
00:54:05Good night.
00:54:06Good night.
00:54:07Good night.
00:54:08Good night.
00:54:09Good night.
00:54:10Good night.
00:54:11Good night.
00:54:12Good night.
00:54:13Good night.
00:54:14Good night.
00:54:15Good night.
00:54:16Good night.
00:54:17Good night.
00:54:18Good night.
00:54:19Good night.
00:54:20Good night.
00:54:21Good night.
00:54:22Good night.
00:54:23Good night.
00:54:24Good night.
00:54:25Good night.
00:54:26Good night.
00:54:27Good night.
00:54:28Good night.
00:54:29Good night.
00:54:30Good night.
00:54:31Good night.
00:54:32Good night.
00:54:33Good night.
00:54:34Good night.
00:54:35Good night.
00:54:36Good night.
00:54:37Good night.
00:54:38Good night.
00:54:39Good night.
00:54:40Good night.
00:54:41Good night.
00:54:42Good night.
00:54:43Good night.
00:54:44Good night.
00:54:45Good night.
00:54:46Good night.
00:54:47Good night.
00:54:48Good night.
00:54:49Good night.
00:54:50Good night.
00:54:51Good night.
00:54:52Good night.
00:54:53Good night.
00:54:54Good night.
00:54:55Good night.
00:54:56Good night.
00:54:57Good night.
00:54:58Good night.
00:54:59Good night, boys and girls.
00:55:01And I feel sorry for you and your lack of soul.
00:55:05This organ, the music of this church, these things have meaning and significance to us.
00:55:12I assume they did to you.
00:55:16But without this awareness, I am afraid you cannot be our organist.
00:55:22In conscience, I must ask you to resign.
00:55:29That does not mean that I am abandoning you, nor should you turn your back on the church.
00:55:54There is help here, and I urge you to accept it.
00:56:25Well, hi there. I've been waiting an awful long time for you.
00:56:28My car's just over there. I know just the right place to go.
00:56:54What's the matter? Don't you drink either?
00:56:59Not really.
00:57:01Not really.
00:57:02How else is there if you don't drink really? Answer me that.
00:57:05Now me, I not only drink really, I really drink.
00:57:12What's the matter? Do you like the music either?
00:57:21I like it fine.
00:57:22No, you don't like it. You don't like to dance, and you don't like to drink.
00:57:28You don't like for a man to hold you close. That's it, isn't it?
00:57:32I didn't say that.
00:57:33You haven't said anything all evening.
00:57:38Why don't I go play that song again? You like it so much.
00:57:48Hey Johnny, who's the doll?
00:57:51Nobody you know, chicken.
00:57:52Oh, come on now. You've been holding out on me.
00:57:55That's not the kind of pig you usually drag around.
00:57:58You quit licking your chops. She's out of your class.
00:58:02You want a bet?
00:58:04Lay off, huh?
00:58:07I got something on the stove there, man.
00:58:09Listen, I'll help you put it over.
00:58:10I don't want her to think I even know creeps like you.
00:58:15Good luck.
00:58:21Meet the fella you know?
00:58:23Yeah. He's a college fella.
00:58:30He told me about this girl he wanted to meet me.
00:58:35Wanted me to meet her?
00:58:36Why didn't you tell him?
00:58:38I said how could I? You're my date, you know.
00:58:46Said you, uh, didn't seem to enjoy my company much.
00:58:51That's not true.
00:58:53I really appreciate you taking me out this evening.
00:58:56I've had a miserable night if you haven't.
00:59:00Forget it. Come on. Here. Join the party. Drink up.
00:59:10I paid good money for that stuff. It ain't poison.
00:59:13I'm sorry if I annoy you.
00:59:17No, I don't get you.
00:59:19Where's your standing off?
00:59:20Well, it's okay. It's a clad.
00:59:23If you ain't got something, you're just holding back.
00:59:26Oh, everything I say is okay. You're a mouse.
00:59:30Yesterday I didn't care.
00:59:33Tonight I want to be with you.
00:59:35Me or just with anybody?
00:59:37With you.
00:59:45Why don't you throw out, hmm?
00:59:51Or maybe you want to be alone.
00:59:52I'll be alone if that's what you want.
00:59:55I like being with you. Really, I do.
00:59:59I don't want to be alone tonight.
01:00:01I want to be near you.
01:00:12You mean that?
01:00:14Yes.
01:00:25Why don't you and me get out of here, huh?
01:00:28You know, my room's only a couple of feet from yours.
01:00:32Ain't likely to get very far from me, are you?
01:00:54Oh, no.
01:00:57Wait, Mrs. Thomas.
01:00:58That old girl's in the back of the house.
01:01:00She won't hear nothing.
01:01:11Honey.
01:01:14You don't want to go in there all by yourself, do you?
01:01:19It's dark and it's lonely in there.
01:01:23You don't have to be alone tonight.
01:01:27Just let me come in a while.
01:01:28Let me stay with you, huh?
01:01:31You don't want to be alone, do you?
01:01:33No.
01:01:46Sorry, I have to get.
01:01:49You ask me and you like me a little, huh?
01:02:16Hey, what's the matter with you?
01:02:26What's going on around here?
01:02:29What's the matter with you?
01:02:31Aaron's after me.
01:02:33You've got to stop him.
01:02:34He's after me again.
01:02:35I'm getting out of here.
01:02:36I told you to let me go.
01:02:38Not me, sister.
01:02:39That's just what I need.
01:02:41I don't want to be left alone.
01:03:11What'd you find out?
01:03:40What'd you find out, doctor?
01:03:43Not very much, I'm afraid.
01:03:46I'm sure glad you just happened around.
01:03:50I was going to call somebody, but I was afraid you'd have to pay the bill.
01:03:54I came on purpose.
01:03:56I've been thinking about her ever since she left my office yesterday.
01:04:00What's she been up to?
01:04:03Only the devil knows that.
01:04:06I heard her moving things all around that room all night.
01:04:11Never heard such goings-on.
01:04:13And she wouldn't let me in her room this morning.
01:04:16She's a strange one.
01:04:18She absolutely refuses my help.
01:04:21I can't say that I blame her.
01:04:23There's something about her that completely baffles me.
01:04:26I've urged her to call upon me if she feels she needs help, and I hope she will.
01:04:31I can't let her stay in this house.
01:04:34You don't have to worry about that.
01:04:36She's determined to leave the city, and she wants to get away as soon as possible.
01:04:40I hope she does leave.
01:04:45I hope she can.
01:05:15You decided to leave, did you?
01:05:34Where are you going?
01:05:40I can't bring fun none of your week's rest when you go off like that.
01:06:25Sounds like a transmission.
01:06:42Can you pull it up on the rack?
01:06:57Okay, fine.
01:07:00Will it take long?
01:07:01Well, I have to check it first.
01:07:02Would you like to get out?
01:07:05May I just sit here?
01:07:06Sure.
01:07:37Thank you.
01:07:51Thank you.
01:08:11Thank you.
01:08:40Thank you.
01:08:53Oh!
01:09:22Oh!
01:09:51When is the next eastbound bus?
01:09:55When does the next bus leave?
01:09:56I must get on.
01:10:14I want to get out of here.
01:10:16I want to get away from here.
01:10:32Eastbound bus.
01:10:35Now loading.
01:11:05Now loading.
01:11:20Now loading.
01:11:45Don't close the window!
01:11:46Wait!
01:11:47Wait!
01:11:48Let me in!
01:11:49Let me in!
01:11:50I've got to get away from here!
01:11:52Please!
01:11:53Please!
01:11:59You'll hear me.
01:12:01You'll get to hear me.
01:12:15They can't see me.
01:12:18How can they see me?
01:12:20How?
01:12:37Why can't I hear anything?
01:12:43Will you help me?
01:12:44I need your help.
01:12:50Just a moment, please.
01:13:10Open the door!
01:13:11Open the door!
01:13:12Open the door!
01:13:13Open the door!
01:13:14Open the door!
01:13:15Open the door!
01:13:16Open the door!
01:13:17Open the door!
01:13:18Open the door!
01:13:19Open the door!
01:13:20Open the door!
01:13:21Open the door!
01:13:22Open the door!
01:13:23Open the door!
01:13:24Open the door!
01:13:25Open the door!
01:13:26Open the door!
01:13:27Open the door!
01:13:28Open the door!
01:13:29Open the door!
01:13:30Open the door!
01:13:31Open the door!
01:13:32Open the door!
01:13:33Open the door!
01:13:34Open the door!
01:13:35Open the door!
01:13:36Open the door!
01:13:37Open the door!
01:13:38Open the door!
01:13:39Open the door!
01:13:40Open the door!
01:13:41Open the door!
01:13:42Open the door!
01:13:43Open the door!
01:13:44Open the door!
01:13:45Open the door!
01:13:46Open the door!
01:13:47Open the door!
01:13:48Open the door!
01:13:49Open the door!
01:13:50Open the door!
01:13:51Open the door!
01:13:52Open the door!
01:13:53Open the door!
01:13:54Open the door!
01:13:55Open the door!
01:13:56Open the door!
01:13:57Open the door!
01:13:58Open the door!
01:13:59Open the door!
01:14:00Open the door!
01:14:01Open the door!
01:14:02Open the door!
01:14:03Open the door!
01:14:04Open the door!
01:14:05Open the door!
01:14:06Open the door!
01:14:07Open the door!
01:14:08No, no.
01:14:09I don't belong in the world.
01:14:10That's what it is.
01:14:11Something separates me from other people.
01:14:17They have been left, they're everywhere.
01:14:27They're not going to let me go.
01:14:35There's something blocking my spring.
01:14:39He's trying to prevent me from living.
01:14:43He's trying to take me back somewhere.
01:14:46I can't fight him, Ma.
01:14:48I don't know what's real anymore.
01:14:52I... I... thank you, Doctor.
01:14:55Because you're my... my last hope.
01:14:59If... if you don't help me, I...
01:15:03I have to go back there.
01:15:05He's... he's trying to take me back somewhere.
01:15:11Doctor, you've got to tell me what to do.
01:15:52He's... he's...
01:16:22He's... he's...
01:16:52He's... he's...
01:17:22He's... he's...
01:17:24He's... he's...
01:17:26He's... he's...
01:17:27He's... he's...
01:17:28He's... he's...
01:17:29He's... he's...
01:17:30He's... he's...
01:17:31He's... he's...
01:17:32He's... he's...
01:17:33He's... he's...
01:17:34He's... he's...
01:17:35He's... he's...
01:17:36He's... he's...
01:17:37He's... he's...
01:17:38He's... he's...
01:17:39He's... he's...
01:17:40He's... he's...
01:17:41He's... he's...
01:17:42He's... he's...
01:17:43He's... he's...
01:17:44He's... he's...
01:17:45He's... he's...
01:17:46He's... he's...
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01:17:55He's... he's...
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01:18:37He's... he's...
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01:18:40He's... he's...
01:18:41He's... he's...
01:18:42He's... he's...
01:18:43He's... he's...
01:18:44He's... he's...
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01:18:50He's... he's...
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01:18:53He's... he's...
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01:18:55He's... he's...
01:18:56He's... he's...
01:18:57He's... he's...
01:18:58He's... he's...
01:18:59He's... he's...
01:19:00He's... he's...
01:19:01He's... he's...
01:19:02He's... he's...
01:19:03He's... he's...
01:19:04He's... he's...
01:19:05He's... he's...
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01:19:07He's... he's...
01:19:08He's... he's...
01:19:09He's... he's...
01:19:10He's... he's...
01:19:11He's... he's...
01:19:12He's... he's...
01:19:13He's... he's...
01:19:14He's... he's...
01:19:15He's... he's...
01:19:16He's... he's...
01:19:17He's... he's...
01:19:18He's... he's...
01:19:19He's... he's...
01:19:20He's... he's...
01:19:21He's... he's...
01:19:22He's... he's...
01:19:23He's... he's...
01:19:24He's... he's...
01:19:25He's... he's...
01:19:26He's... he's...
01:19:27He's... he's...
01:19:28He's... he's...
01:19:29He's... he's...
01:19:30He's... he's...
01:19:31He's... he's...
01:19:32He's... he's...
01:19:33He's... he's...
01:19:34He's... he's...
01:19:35He's... he's...
01:19:36He's... he's...
01:19:37He's... he's...
01:19:38He's... he's...
01:19:39He's... he's...
01:19:40He's... he's...
01:19:41He's... he's...
01:19:42He's... he's...
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01:19:44He's... he's...
01:19:45He's... he's...
01:19:46He's... he's...
01:19:47He's... he's...
01:19:48He's... he's...
01:19:49He's... he's...
01:19:50He's... he's...
01:19:51He's... he's...
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01:19:54He's... he's...
01:19:55He's... he's...
01:19:56He's... he's...
01:19:57He's... he's...
01:19:58He's... he's...
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