Bowery at Midnight (1942)
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X: https://x.com/SuperCultCinema
Welcome to Super Cult Cinema, where classic movies meet contemporary classics! Dive into a world of timeless films, spanning decades and genres, curated for cinephiles like you. From Hollywood classics to international masterpieces, we've got it all. Join us as we celebrate the art of cinema and explore the stories that have captured our hearts and minds for generations. Subscribe now to embark on a journey through the rich tapestry of cinematic history. Don't miss out on our latest uploads, exclusive content, and curated playlists. Get ready to experience the magic of movies like never before with Super Cult Cinema!
Transcript
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00:04:50Take a bowl of that soup if you don't mind.
00:04:52Certainly.
00:04:55Just be seated.
00:05:11I'll take it off.
00:05:20See, the guy that runs this place sure is one swell guy.
00:05:23Yes, he is.
00:05:24Most places you go to, all they want to do is save your soul.
00:05:28Mr. Wagner realizes a man can get awfully hungry just doing nothing.
00:05:32You bet he can.
00:05:45Have another bowl?
00:05:46No, thanks.
00:05:48Then what about a smoke?
00:05:50A nice cigar.
00:05:52Thanks.
00:05:53Come on, my friend.
00:05:54Follow me.
00:06:07Help yourself.
00:06:08Thanks.
00:06:18Real Havana.
00:06:19I hope you enjoy it.
00:06:21Fingers?
00:06:23Fingers?
00:06:24I'm sorry, mister.
00:06:25You must think I'm somebody else.
00:06:27Oh, no, I don't.
00:06:28I have known you and your work for a long time.
00:06:32I tell you, you've got me quite wrong.
00:06:34You've got your wires crossed.
00:06:35I don't think so.
00:06:38Don't worry.
00:06:40I'm your friend.
00:06:48Step into my private office.
00:06:58I want to show you something very interesting.
00:07:10What about this?
00:07:11Hey, that's me.
00:07:13What are you doing with this?
00:07:15Never mind.
00:07:16So you are Fingers Dolan.
00:07:18All right, all right.
00:07:19So you know me.
00:07:20What's the gimmick?
00:07:23Must have been very hard on you to be inactive for such a long time.
00:07:33But that is all in the past.
00:07:35I have great plans for you.
00:07:39Yes, Carl.
00:07:41Hello, Doc.
00:07:42Send Mr. Stratton up immediately when he arrives.
00:07:45Yes.
00:07:55Sit down.
00:08:15Hi, Doc.
00:08:16The boss is waiting for you, Stratton.
00:08:18Did you bring my package?
00:08:19Where is it?
00:08:20No, I forgot to pick it up.
00:08:21But you promised me.
00:08:22I've got to have it.
00:08:23Oh, lay off, you rumb-dumb.
00:08:26Here it is.
00:08:27I knew you wouldn't let me down.
00:08:29Thanks, Stratton.
00:08:30Thanks for what?
00:08:31That stuff is slow death.
00:08:32No, it isn't.
00:08:33I'm a doctor.
00:08:34No.
00:08:35Doctor, my eye.
00:08:38I wouldn't let you treat a good case of dandruff.
00:08:41Can you see, Mr. Stratton?
00:08:43I'm sure many things will become clear to you.
00:08:47Fingers doled.
00:08:51Trigger!
00:08:52I thought you were still doing time.
00:08:54Glad to see you, son.
00:08:55What are you doing here?
00:08:56Mr. Stratton works for me.
00:08:58I'm a doctor.
00:08:59I'm a doctor.
00:09:00I'm a doctor.
00:09:01I'm a doctor.
00:09:02I'm a doctor.
00:09:03I'm a doctor.
00:09:04I'm a doctor.
00:09:05I'm a doctor.
00:09:06I'm a doctor.
00:09:07I'm a doctor.
00:09:08I'm a doctor.
00:09:09I'm a doctor.
00:09:10Mr. Stratton works for me.
00:09:12You see, I like to bring old friends together.
00:09:16Stratton, huh?
00:09:17Got a new moniker.
00:09:19There's more than a new name in it for you if you join our little partnership.
00:09:25Look, you birds.
00:09:26I'm not as quick as I used to be.
00:09:28But these.
00:09:30These are still quick.
00:09:32Aren't they?
00:09:33Sure.
00:09:35Are we going to crack a box tonight?
00:09:37Mr. Stratton, don't be so crude.
00:09:40You lay out a job, case the place, and I tune the dial?
00:09:44The language is rather picturesque, but the meaning is perfect.
00:09:48And there's nobody like Tom for his end of the job.
00:09:51How do you like that?
00:09:54A flophouse for a blind.
00:09:56Boy, you guys had me coming and going.
00:09:58I think that's got it.
00:10:28Good work, Phineas.
00:10:30For a minute, I thought I'd lost the magic touch.
00:10:47It's okay.
00:10:51Phineas did his job. Now it's your turn, Stratton.
00:10:56Fingers?
00:10:57You heard what I said.
00:10:59But he's a valuable man.
00:11:01He was a valuable man.
00:11:03Hey, are you guys kidding me with that talk or what?
00:11:06Do your job, Stratton.
00:11:08But, Carl, I...
00:11:09I've lost your nerve. Go ahead.
00:11:12Please. Please don't kill me. Give me a chance.
00:11:15I only did what you asked me to. I can show you...
00:11:18Oh!
00:11:44May I have some coffee, Doctor?
00:11:45I let it go. Did you have any trouble?
00:11:47No trouble at all. Everything was perfect.
00:11:49You act like there's something bothering you.
00:11:51Didn't you get a big haul?
00:11:52I told you everything was perfect.
00:11:54We got a swell haul.
00:11:56I still say there's something bothering you.
00:11:58Is it that new man, Fingers?
00:12:00No.
00:12:03Fingers won't bother anybody anymore.
00:12:06You mean to say he got rid of him without letting me have the body?
00:12:09He can't do that to me. He promised me.
00:12:12It seems he can do anything he pleases.
00:12:15Didn't you get a big enough cut in this last job?
00:12:18I'm not griping about the cut.
00:12:21You know, Doc, that Fingers was a good man.
00:12:26What's to stop him from getting rid of us in the same way?
00:12:29Carl wouldn't do that. He's our friend.
00:12:32He may be your friend.
00:12:34Me? I'm getting fed up.
00:12:36You know, it ain't healthy to talk like that.
00:12:39I don't scare so easy.
00:12:42Some of these days, I'm going to tail him and see what he does today.
00:12:46A couple of men tried that before you, and now they're buried.
00:12:57Breakfast, little boy. Come on.
00:13:01Now say good morning to Mommy.
00:13:03Good morning.
00:13:05Come on. Say good morning.
00:13:08How about feeding your hungry husband?
00:13:11Certainly, darling. And I have a surprise for you this morning.
00:13:16And I have a surprise for you, too.
00:13:22You finished your book?
00:13:25Oh, another present.
00:13:29To remind you of my love.
00:13:33They are beautiful.
00:13:35Just like you, my dear.
00:13:39But they must have cost an awful lot.
00:13:44Nothing is too good for you, my darling.
00:13:50How can you afford to give me such expensive gifts and so often?
00:13:56To what better use could I put the money for my writing?
00:14:00You should save your money.
00:14:03It's not jewels I want.
00:14:05It's you, your companionship.
00:14:12Freddie, I get so lonesome at times.
00:14:17Why do you have to stay away from me night after night?
00:14:20How much longer are we going on like this?
00:14:23Not long, my dear.
00:14:25Research for my new book will be finished soon.
00:14:28And then we go far away from here.
00:14:44Good morning, Miss Beers. Good morning.
00:14:46Good morning.
00:14:50Ah, there is nothing more invigorating than a nice, cool drink of fresh mountain spring water.
00:14:57Mr. Atwood, every morning for three years you start out with the same stimulating conversation.
00:15:04Sometimes I think I'll scream.
00:15:27This series of robberies is definitely the work of a homicidal maniac.
00:15:33Leaving the body of an accomplice on each job proves that.
00:15:38Some of your uniform men are up for promotion.
00:15:40It's up to you to earn it.
00:15:43As far as the plainclothes men are concerned, they'd better be on their toes.
00:15:48Or they'll find themselves back in uniform.
00:15:51That's all.
00:15:58Well, uh, Mac was sure letting off steam, wasn't he?
00:16:02You ever see an Irishman that isn't?
00:16:04Oh, I'm going to be missing all this soon.
00:16:07Say, you start drawing that pension next month, don't you?
00:16:09Yep. I kind of hate to retire.
00:16:12But of course it would be nice being home without those kids yelling cheese at the cat.
00:16:16Kids.
00:16:18How I love them.
00:16:20You know, Mark, someday I'm going to have a dozen.
00:16:22Yeah?
00:16:24Well, you know you have to get married first, don't you?
00:16:27I am, if I ever get that promotion.
00:16:29You will, son.
00:16:31You'll be a detective before you know it.
00:16:34When that happens, I'm going to buy a little place in the country just like yours.
00:16:38Work in a garden?
00:16:40Yeah.
00:16:41You know, you've no idea how being a detective will help you catch them going.
00:16:46Be seeing you, Peter.
00:16:48So long, Mark.
00:16:51The study of abnormal psychology
00:16:53recognizes paranoia as one of the most dangerous types of insanity.
00:16:57Perhaps Mr. Denison can inform the class.
00:17:00Why paranoia is so dangerous?
00:17:02Well, the patient suffers from delusions of grandeur.
00:17:05He thinks he's very important, way above those around him.
00:17:09He thinks he's a hero.
00:17:11He thinks he's a hero.
00:17:13He thinks he's a hero.
00:17:15He thinks he's a hero.
00:17:17He thinks he's very important, way above those around him.
00:17:20He has a superiority complex.
00:17:22Is that all?
00:17:24No, it's also coupled with persecution mania,
00:17:27caused by an intense feeling that everyone's against him.
00:17:31So far, you're correct.
00:17:33But you haven't explained why such feasts are dangerous.
00:17:37Well, I guess it's because he acts logically.
00:17:40If you didn't study him, you wouldn't know he was maladjusted.
00:17:43And he doesn't hesitate to use force to assert his personality.
00:17:47This leads to an antisocial conduct.
00:17:50Then, Mr. Denison, I take it you imply
00:17:53they might even enjoy a life of crime?
00:18:00Eat.
00:18:01How about a nice corned beef sandwich?
00:18:02Well, that's a deal, but this time the treat's on me.
00:18:04Goldbergs?
00:18:05Goldbergs it is.
00:18:14Well, that hood's Frankie Mills.
00:18:22Don't mind me, Pete.
00:18:24Get after him.
00:18:26He's your promotion.
00:18:33I'm sorry.
00:18:34I'm sorry.
00:18:35I'm sorry.
00:18:36I'm sorry.
00:18:37I'm sorry.
00:18:38I'm sorry.
00:18:39I'm sorry.
00:18:40I'm sorry.
00:18:41I'm sorry.
00:18:42I'm sorry.
00:19:12There's it is.
00:19:31Hello, this is Sergeant Crawford.
00:19:33Get me Captain Mitchell right away.
00:19:42I'm sorry, Mr. Wagner.
00:20:08I didn't mean to disturb you.
00:20:09Oh, you never disturb me.
00:20:10What is it, Judy?
00:20:12Well, I thought I'd consult you before getting the supplies.
00:20:15If we need them, get them, regardless of cost.
00:20:20Those unfortunate souls depend upon us.
00:20:23You must not fear them.
00:20:24I thought you'd say it that way.
00:20:26I'll attend to it at once.
00:20:42You'd better let me take care of that for you.
00:21:01I can take care of it.
00:21:02It might become infected.
00:21:03Let me clean and bandage it for you.
00:21:04Don't worry.
00:21:05I won't hurt you.
00:21:07Sit this way.
00:21:12Come on.
00:21:17Now, if you'll just sit down here, I'll fix you up right away.
00:21:30How did this happen?
00:21:31A guy sliced me with a knife.
00:21:34He tried to take my dough.
00:21:35That's too bad.
00:21:42This will sting just a little bit.
00:21:51This will sting just a little bit.
00:21:58There, that didn't hurt much, did it?
00:22:03It don't hurt at all, Lily.
00:22:06Very well.
00:22:08Let me know when he gets here.
00:22:22There.
00:22:25There's some nice hot soup out there.
00:22:27That is, if you care for any.
00:22:28Thanks.
00:22:52Bill, you and Joe take a look in the pool hall.
00:23:02Yes?
00:23:03What can I do for you?
00:23:05Keep your mouth shut.
00:23:08Good.
00:23:11If it isn't Frankie Mills.
00:23:14It's too bad you recognize me, mister.
00:23:18What's the matter?
00:23:20Had the police after you?
00:23:22Yeah.
00:23:23You better not do anything to upset this baby.
00:23:27Don't worry.
00:23:29I will not betray you.
00:23:32Yes?
00:23:33Who is there?
00:23:35Open up.
00:23:36Just a moment, please.
00:23:40It's safe inside here.
00:23:50Good evening, Sergeant.
00:23:51You make a habit of keeping this door locked?
00:23:53Oh, just a precaution.
00:23:55You see, otherwise my guests would be all over the place.
00:24:00Is there something wrong?
00:24:02Yes, there's a dangerous killer loose somewhere in the neighborhood.
00:24:05Really?
00:24:06We've got orders to search all these borrowed places.
00:24:13I'd be glad to show you around.
00:24:16What's up there?
00:24:17Just a dormitory.
00:24:19Couple of you boys see what you can find upstairs.
00:24:33Is there anything wrong?
00:24:34Yes.
00:24:35The police is looking for someone.
00:24:36And thought he might be hiding here.
00:24:38He's a young fellow by the name of Frankie Mills.
00:24:41About 23 years old.
00:24:42Medium height and dark hair.
00:24:43Baby face.
00:24:45Why, a man of that description was here a few minutes ago.
00:24:48Are you sure?
00:24:49I'm positive.
00:24:50I bandaged his injured wrist.
00:24:52Where did he go?
00:24:53He isn't out there.
00:24:54I guess he must have gone.
00:24:55Thank you.
00:24:58No sign of him up there.
00:25:00You folks keep your eyes open.
00:25:01If you see him again, notify police headquarters immediately.
00:25:03Certainly.
00:25:04I'd be happy to cooperate with the police.
00:25:06All right, boys.
00:25:19Hello.
00:25:21Yes, mother.
00:25:25But I can't leave now.
00:25:28Well, all right.
00:25:30I'll be home in about an hour.
00:25:39You can't be like this now.
00:25:41Your friends are gone.
00:25:43Who are you?
00:25:44What are you soft-soaping me for?
00:25:46Because I have a proposition.
00:25:48Is that thing you like?
00:25:50Let's hear it.
00:25:58What are you doing?
00:25:59Make a stir?
00:26:00No.
00:26:01This represents the difference between my intelligence
00:26:04and the barren minds of my fellow men.
00:26:08What gives you that?
00:26:10Just my household.
00:26:12Hello?
00:26:16Tell him to wait.
00:26:17I'll be right down.
00:26:22How would you like to join my organization?
00:26:25Sure.
00:26:26Why not?
00:26:27My associate is downstairs.
00:26:30I want you to meet him.
00:26:36Hello.
00:26:39Hello.
00:26:53Stanton.
00:26:56I want you to meet Frankie Mills.
00:26:59Frankie Mills, huh?
00:27:01I didn't know.
00:27:02One of the neighborhoods is full of cops.
00:27:04This is my janitor.
00:27:07What's the matter with him?
00:27:09He's afraid of you, naturally.
00:27:12The way I like it.
00:27:15What are you afraid of?
00:27:18Don't get geeked, kid.
00:27:19Just because you're handy with the heater.
00:27:21It seems we all have our little fears.
00:27:25All but you, Frankie.
00:27:28You wouldn't believe it, Stanton.
00:27:30But I am afraid of you.
00:27:34That's a hot one.
00:27:35Don't laugh.
00:27:37I'm afraid of you because you lost your nerve.
00:27:42What'd I do?
00:27:44Frankie, if you want Stanton's job, you can have it now.
00:27:50Don't fall for that line of talk, kid.
00:27:52He'll cross you like he has everybody else.
00:27:55You're not afraid of him now, are you?
00:27:58Good work, Frankie.
00:28:00What are you going to do with the stiff?
00:28:02You shall see.
00:28:08Take care of him, Mr. Stratton.
00:28:14The dormitory of the man in the suit.
00:28:17I'll take care of him.
00:28:20The dormitory of the dead.
00:28:22I never saw a guy with more angles.
00:28:29These meager good skeletons who sleep so quietly now...
00:28:33were once my partners, like Stratton.
00:28:39But how often have I told you to keep that cat from desecrating my graves?
00:28:44Let's go, Frankie.
00:28:46Let's go, Frankie. Our place is not with the dead.
00:28:49Their work is done.
00:28:51Ours is just beginning.
00:28:55Don't take too long, Doc.
00:28:57Is that guy a real doctor?
00:28:59Yes.
00:29:01Once he was a grave doctor.
00:29:04Now he's just a human derelict.
00:29:07Just a derelict, eh?
00:29:10But still a great doctor.
00:29:13And I'll prove it.
00:29:30I will save you, Frankie.
00:29:34I will save you, Stratton.
00:29:36Save you from the dead.
00:29:38Then you'll belong to me.
00:29:44Oh, please, Richard. She'll be home any moment now.
00:29:48Always late. Why can't she be on time just once?
00:29:51But you know, Judy, time is not her own these days.
00:29:55Mrs. Malvern, when are you going to put a stop to all this?
00:29:58Why can't you stay away from that place?
00:30:00Well, after all, Richard, you're the one that can make her understand.
00:30:03You think so?
00:30:05I have a doubt with her.
00:30:07I'm certain you can prove to her which is more important,
00:30:09you or that Carl, or whatever his name is,
00:30:12who runs that awful place on the Bowery.
00:30:15I'll try.
00:30:17Oh, Richard, you're a dear boy.
00:30:20Oh, it'll make me the happiest woman in the world.
00:30:24Well, how cozy.
00:30:29How cozy.
00:30:31Judy.
00:30:33Maybe I'd better leave.
00:30:35Judy, I want to talk to you.
00:30:37And I suppose Mother will be the interpreter.
00:30:39Judy Malvern, what's come over you?
00:30:41Richard has been waiting patiently for over an hour to see you.
00:30:45Of course, what is it?
00:30:47Night, Mom.
00:30:49Sit down, Ellen.
00:30:51Please, sit down.
00:30:53Oh, this won't take very long.
00:30:54Now what have you to tell me that's so important?
00:30:56Judy, I want you to give up that silly job,
00:30:59saving humanity.
00:31:00It's ridiculous.
00:31:01And I suppose I should spend the rest of my life on your yacht.
00:31:04Oh, I'm not asking so much, considering that...
00:31:07Considering what?
00:31:08Considering that I don't want my future wife wasting her time...
00:31:11Your future what?
00:31:13I practically told your mother already.
00:31:16I suppose you'd be a good little boy and run along.
00:31:19Come back tomorrow and tell my mother I think you're both having hallucinations.
00:31:24Okay.
00:31:25See now how you feel about it?
00:31:27Let's forget it.
00:31:29Oh, Richard.
00:31:35I'm sorry.
00:31:37I didn't mean that.
00:31:39I guess it's just because I'm... I'm so tired.
00:31:42That's just it.
00:31:43If you'd stop working down at that mission and take stock of yourself.
00:31:47Judy, do you realize you've given up your friends, your social life, everything.
00:31:52For what?
00:31:54For the opportunity of helping the underprivileged.
00:31:57You should be proud of me for that, Richard.
00:32:00Proud of you?
00:32:01For working in a Bowery?
00:32:03That's no place for a girl like you.
00:32:06And then that Wagner who runs the place.
00:32:09And what about him?
00:32:11I'd like to meet him, that's all.
00:32:13You and Mr. Wagner have nothing in common.
00:32:16Nothing.
00:32:17Except you.
00:32:19Oh, so that's it.
00:32:22I never thought of that.
00:32:24See, it's true.
00:32:25I knew there was another reason for you and Carl spending half your nights down there.
00:32:30You've no idea what a mysterious fondness I have for that man.
00:32:35It's no mystery to me.
00:32:37You're infatuated with him.
00:32:40So you found out.
00:32:44Do you really believe that?
00:32:46Sure I do.
00:32:48Go ahead and have all the fun you want.
00:32:50You and your social work.
00:33:18Hello.
00:33:21Frederick.
00:33:22Frederick!
00:33:23Wake up, darling.
00:33:25Yes, what is it?
00:33:27You were having one of those horrible nightmares again.
00:33:30Yes.
00:33:33Is there anything I can get you?
00:33:36A glass of water, maybe?
00:33:38Thank you.
00:33:41Go back to bed.
00:33:43You sure?
00:33:44Mm-hmm.
00:33:45Good night.
00:33:46Good night, darling.
00:33:47Good night.
00:34:00Ladies and gentlemen.
00:34:05Professor.
00:34:06Yes?
00:34:07I'd like to ask a question, if I may.
00:34:09Certainly.
00:34:10Well, it's about my term paper.
00:34:12I suddenly realized that I know very little about real people.
00:34:15Hmm.
00:34:16What gave you that idea?
00:34:18Well, after all, you can't learn about life cruising around on a yacht.
00:34:22You see, I was thinking of writing what a man thinks just before he dies.
00:34:26It's very unscientific.
00:34:28That's what I mean.
00:34:29So with your permission, I'd like to change to a paper on...
00:34:32If you're qualified to handle it.
00:34:34By all means, make that your subject.
00:34:36Thanks a lot, Professor.
00:34:38Sergeant Crawford reporting.
00:34:40You sent for me, sir?
00:34:42I did.
00:34:43Crawford, I want you to turn in your shield.
00:34:49Turn in my shield?
00:34:51Don't hurt me.
00:34:53By the time Johnny Martin's recovered, he'll be on the retired list.
00:34:58He requested his shield be given to you.
00:35:00I trust you know your first assignment.
00:35:02You bet I do.
00:35:04Good luck, boy.
00:35:06Thank you.
00:35:10Thanks.
00:35:14Yesterday that I'd be working with Frankie Mills on a high-class job.
00:35:17Yes, each day brings its little surprises.
00:35:20I'll meet you later, Frankie, you know where.
00:35:22I'll be all set.
00:35:24You have the idea now, haven't you?
00:35:26Oh, sure. We cover Frankie's getaway from here. It's a natural.
00:35:29That's right.
00:35:30Gee, you're smart to figure all this out.
00:35:35You're not going to take me?
00:35:37I'm not going to take you.
00:35:39I'll take you.
00:35:40You'll take me?
00:35:41I'll take you.
00:35:42You'll take me?
00:35:43I'll take you.
00:35:44You'll take me?
00:35:45I'll take you.
00:35:46You'll take me?
00:35:47I'll take you.
00:35:48I'll take you.
00:35:49You'll take me?
00:35:50I'll take you.
00:35:51I'll take you.
00:36:01Sorry, Misty, you'll have to keep moving.
00:36:21Back up, people! Back up! Quick, back up!
00:36:42Come on, move back! Move back!
00:36:44Keep those people back over there!
00:36:46Is he dead?
00:36:48Police! Police!
00:36:51Help! I've been robbed!
00:36:53You stay here, Jim. George, you come with me.
00:36:57Hurry, boys. I've been robbed.
00:37:01I can feel the hot breath of the outraged public on my neck.
00:37:05These crimes are a disgrace to the city and a menace to our citizens.
00:37:08You'll have to produce results or resign.
00:37:17The chief is on the warpath.
00:37:19We've got to deliver the goods or we'll all be pounding the pavement.
00:37:23I want the Bowery search from one end to the other.
00:37:26Yes, sir.
00:37:41Things are sure tough, aren't they?
00:37:43Things are sure tough, aren't they?
00:37:46How would you know, slumber?
00:37:48You wouldn't think it to look at me, but I'm down on my luck, too.
00:37:52Well, you wouldn't think to look at me that I'm rolling in dough, would you?
00:37:55Say, Bud, got a cigarette?
00:37:57Sure.
00:38:01Hey, aren't you forgetting something?
00:38:03Yeah, you got a match?
00:38:05Yeah. Hey, mind answering a few questions?
00:38:09Why don't you run up and down Park Avenue? Go on, beat it.
00:38:27Hello, sonny. Anything I can do for you?
00:38:29Yes, I want to try that suit on in the window.
00:38:32Of course you can try it on, but not in the window. In the back.
00:38:35Oh, that's a nice piece of material.
00:38:37Can you make me look like a tramp?
00:38:39Can you imagine that? He wants you to look like a tramp. He's coming into my place.
00:38:42Listen, sonny, I want you to understand, this is a first-class establishment.
00:38:45How much is that suit?
00:38:47Do you want to rent or buy?
00:38:49I want to buy.
00:38:50A cash customer. Why don't you say so in the first place?
00:39:07Thank you, Mo.
00:39:08You're welcome.
00:39:09Richard, what on earth are you doing here?
00:39:12Judy, you'll give me away.
00:39:14Where did you get that suit?
00:39:16I sold our yacht.
00:39:18Is this your idea of a joke?
00:39:20Look, Judy, I want you to help me.
00:39:23I'm going to write a term paper on the psychology of the underprivileged.
00:39:26Underprivileged? Why don't you try the millionaire club?
00:39:30I'm on the level, Judy. Remember what you said last night?
00:39:33I've been giving a lot of thought. I think...
00:39:35I'm sorry, but you'll have to move on. I'll talk to you later.
00:39:54What kind of people are living here nowadays?
00:40:00Hey, look at this.
00:40:02Not bad.
00:40:04Not bad at all.
00:40:06The Asterfields announced the coming out of their daughter.
00:40:10Coming out?
00:40:12Coming out of what?
00:40:14Well, I guess they keep their kids locked up.
00:40:20What's the matter? Are you illiterate or something?
00:40:23Come on, let's get to a clean table.
00:40:35Professor, what are you doing here?
00:40:38I beg your pardon?
00:40:40I mean to say that you're not Professor Brenner.
00:40:42Brenner? I'm afraid you've mistaken, young man.
00:40:53Look, Professor, I'd know you anyplace.
00:40:56Come in.
00:40:58Come in.
00:41:03I see it is useless to try to deceive you, Mr. Denison.
00:41:06You must be here for the same reason I am, to do some research.
00:41:09You're right, but I intended to keep it a secret...
00:41:12until I am ready to reveal my findings.
00:41:14You don't have to worry about me, Professor. I can keep a secret.
00:41:17I have no doubt about that.
00:41:19What did you bolt the door for?
00:41:21Oh, so you will not be disturbed.
00:41:24You see, Mr. Denison, I'm conducting this rescue mission...
00:41:28for the purpose of studying men.
00:41:31I'll bet you've gathered some wonderful material.
00:41:33Indeed I have.
00:41:35Would you like me to show you around?
00:41:37That would be great, Professor. Come.
00:41:42Step in.
00:41:50This is my private office.
00:41:52Here you will find a world of valuable information.
00:41:55I imagine I could.
00:41:57I shall go into that later.
00:41:59First, I would like you to meet some very interesting characters.
00:42:08Follow me.
00:42:23Mr. Lewis?
00:42:25I want you to know, Mr. Denison...
00:42:27I, uh...
00:42:29This man is an interesting study in psychosis.
00:42:33I suppose you have never met a homicidal maniac before.
00:42:39You mean he's a...
00:42:41What are you talking about?
00:42:43Ask Frankie some questions.
00:42:45Well, I... I don't know where to begin.
00:42:48Ask if it gives him pleasure.
00:42:51Ask if it gives him pleasure to take human life.
00:42:58Do you enjoy killing people?
00:43:04Sure. I get in my way.
00:43:08Come.
00:43:10Over here, you will see a perfect specimen...
00:43:14of schizophrenia.
00:43:17Back. Get up.
00:43:23Would you like to question him?
00:43:26I guess not.
00:43:31I see you're losing your enthusiasm, Mr. Denison.
00:43:35Perhaps I should ask you your own question.
00:43:38What question?
00:43:40The one you brought up this morning in the classroom.
00:43:44You see what fear does to one's memory?
00:43:48This morning you wanted to know...
00:43:50what a man thinks about just before he dies.
00:43:55That's unscientific.
00:43:57You said yourself you can't ask a dead man.
00:43:59But you can ask yourself, Mr. Denison.
00:44:05You must be joking.
00:44:07Frankie Muir's dead.
00:44:10You must be joking.
00:44:12Frankie Muir doesn't joke.
00:44:15Do you, Frankie?
00:44:17You can't be serious.
00:44:19This is like a crazy nightmare.
00:44:22Think.
00:44:24You have 30 seconds to answer that question.
00:44:27I'm getting out of here.
00:44:29I'm afraid not, Mr. Denison.
00:44:32Think.
00:44:34Please, Professor.
00:44:36What are you thinking?
00:44:38You're insane.
00:44:40All right, Frankie.
00:44:48It's all yours, Doc.
00:44:51How are you, my pets?
00:44:53Hungry, eh?
00:44:55Well, you shall have food.
00:44:57And a new companion, too.
00:45:00How are you, my pets?
00:45:02Hungry, eh?
00:45:04Well, you shall have food.
00:45:06And a new companion, too.
00:45:14Judy.
00:45:16Oh, what time is it?
00:45:18Well, it's only 9 o'clock.
00:45:20I woke you because Mrs. Denison just phoned.
00:45:22Richard didn't come home last night.
00:45:24And the whole family's gone.
00:45:26Mrs. Denison just phoned.
00:45:27Richard didn't come home last night.
00:45:29And the whole family's gone.
00:45:31They thought perhaps you might have seen him.
00:45:33I did see him last night.
00:45:34Where?
00:45:36Your important Mr. Denison came into the mission last night,
00:45:39dressed like a tramp.
00:45:40Richard did that?
00:45:41Why, I can't believe it.
00:45:42Nevertheless, it's true.
00:45:44Well, I'll call her back, and you talk to her.
00:45:48I don't know why she's in such a dither.
00:45:50I mean, dozens of men every night have been missing for years.
00:45:54Nobody gets excited over them.
00:46:01Hello, Mrs. Denison.
00:46:02This is Judy.
00:46:04I just wanted to tell you not to worry about Richard.
00:46:08Yes, he was doing research in the Bowery last night.
00:46:11Oh, Judy.
00:46:13The Bowery.
00:46:15Oh, how can you say he's all right in a place like that?
00:46:19But nothing could possibly happen to him down there.
00:46:24But I don't think that's necessary.
00:46:27Just a minute.
00:46:29She wants me to go to the police.
00:46:31Well, perhaps you're better to hear her.
00:46:33But it's so ridiculous.
00:46:34We'll do it just to make her feel better.
00:46:38All right, Mrs. Denison.
00:46:40I'll go.
00:46:47Did young Denison explain why he came to the mission?
00:46:50He said he was studying types,
00:46:52doing research work for a college thesis.
00:46:54Tell me, Miss Malvern,
00:46:56how well do you know this fellow that runs the mission, Carl Wagner?
00:46:59Quite well.
00:47:00Why do you ask?
00:47:01Because Denison and Frankie Mills were last seen in Wagner's mission.
00:47:05But surely you don't suspect that Mr. Wagner had anything to do with their disappearance?
00:47:10Well, I don't know.
00:47:11But I intend to find out.
00:47:13Crawford.
00:47:14You'd better drop around and see Mr. Wagner right away.
00:47:17He's there only at night.
00:47:18Where is he during the day?
00:47:20I really don't know.
00:47:22But Captain Mitchell, couldn't something be done about it right away?
00:47:26We're doing everything as humanly possible, Mrs. Denison.
00:47:29Crawford, you'd better follow through on this case.
00:47:31Yes, sir. And if it's all right, I'd like to take Thompson with me.
00:47:34Good enough.
00:47:35Thank you. Will you pardon me?
00:47:36Of course.
00:47:42Is that him, lady?
00:47:43No.
00:47:51Is that him?
00:47:52No.
00:47:54Charles.
00:47:55Why, Judy.
00:47:57Did you know him?
00:47:58Yes. Yes, he was staying at the mission.
00:48:01What happened to him?
00:48:02This one fell from a tall building.
00:48:04That's dreadful.
00:48:05Across the street from the jewelry store, just as it was being robbed.
00:48:15Officer, your coffee.
00:48:18Pardon me. Is this Professor Brenner's office?
00:48:20Why, yes, it is.
00:48:21May I see him?
00:48:22Oh, I'm sorry. He isn't in.
00:48:24I believe he just left for home.
00:48:25I wonder if you'd give me his home address.
00:48:27Well, I can't give out that information.
00:48:30I'm Detective Crawford from police headquarters.
00:48:32I wanted to talk to the professor about one of his students, Richard Denison.
00:48:37Oh, I see.
00:48:38Well, just a minute and I'll give it to you.
00:48:45Here you are.
00:48:46Thank you very much.
00:48:47You're very welcome.
00:48:48All right, Thompson.
00:48:59Oh, Professor.
00:49:00I thought you'd gone home.
00:49:02There were two men here to see you.
00:49:03Policemen.
00:49:04Police?
00:49:05Yes, they just left.
00:49:06I'll try and stop them.
00:49:07Never mind.
00:49:09Did they say what they wanted?
00:49:11They wanted to talk to you about Richard Denison.
00:49:13I gave them your home address.
00:49:15Is that all right?
00:49:17Yes.
00:49:18That's why I thought I'd...
00:49:30Mrs. Brenner?
00:49:31Yes.
00:49:32We'd like to talk to your husband.
00:49:33He isn't home.
00:49:34But I'm expecting him any moment.
00:49:36Won't you please come in?
00:49:37Why, yes. Thank you.
00:49:41I'm Detective Crawford and this is Detective Thompson.
00:49:44Detective?
00:49:45Oh, don't be alarmed.
00:49:46We merely want to question the professor about one of his students.
00:49:49Oh, I see.
00:49:50Won't you please be seated?
00:49:51Thank you.
00:50:02Is this the professor?
00:50:04Yes.
00:50:05A lovely picture, don't you think?
00:50:07Yes, it is.
00:50:12Thompson?
00:50:15Where have you seen him before?
00:50:18Why, that's Carl Wagner.
00:50:20Down in the Bowery.
00:50:22He's double.
00:50:23What are you saying?
00:50:32Mrs. Brenner, have you ever had reason to suspect your husband of leading a double life?
00:50:38That's ridiculous.
00:50:40My husband is a famed psychologist.
00:50:42That's only the half of it.
00:50:44This man is also known as Carl Wagner.
00:50:46And he operates a mission in the Bowery.
00:50:48The one where Richard Dennison was last seen.
00:50:52And we have reason to believe that he's using the place to cover criminal activities.
00:50:56We have reason to believe that he's using the place to cover criminal activities.
00:51:11That explains his nightly absences from home.
00:51:17The expensive jewelry.
00:51:21And those horrible nightmares.
00:51:27I'm sorry, Mrs. Brenner, but we'll have to take you to headquarters for questioning.
00:51:33I understand.
00:51:36I'm quite willing to go.
00:51:41I'll get my hat and coat.
00:51:57Captain Mitchell, this is Pete Crawford. I'm at the Brenner home.
00:52:01You'd better prepare yourself for a thunderbolt.
00:52:03I've just discovered that Professor Brenner is none other than Carl Wagner of the Friendly Mission.
00:52:09That's right. And we're bringing Mrs. Brenner in for questioning.
00:52:13Yes, sir.
00:52:15Oh, Thompson, you'd better run her in. I think I'll stay here and pick up the professor.
00:52:20All right.
00:52:22Mrs. Brenner?
00:52:24Oh, Mrs. Brenner!
00:52:51Jim!
00:53:10Jim! There, I flitched you again.
00:53:13For seven times in a row.
00:53:16Afternoon, Miss Judy.
00:53:18Good afternoon, boy.
00:53:19Getting to work kind of early, ain't you?
00:53:21Seems to do. Say, have you seen Mr. Wagner around?
00:53:24No, ma'am, I ain't.
00:53:25Thanks.
00:53:51Doc!
00:54:08Doc!
00:54:09Hello, Miss Judy.
00:54:10What is this? Where did you come from?
00:54:12I can't tell you that.
00:54:13Why not?
00:54:14Carl would kill me. You mustn't let him know you've even seen him.
00:54:17Oh, don't be fantastic. But Carl wouldn't hurt anybody.
00:54:21I know that. I mean, he just wouldn't like it.
00:54:24Well, I'm your friend, Doc. You know you can trust me.
00:54:28I know that, Miss Judy. And I want you to do me a favor.
00:54:32I'd be glad to. You show me what's behind that bookcase.
00:54:36No, no, I mustn't. Carl wouldn't like it.
00:54:39What was it you wanted to do?
00:54:41I want you to get a prescription filled for me. Will you? Right away?
00:54:44It comes in small bottles.
00:54:47What do you want this for?
00:54:48It's good for me. I'm a doctor. I know what's good for me.
00:54:52If I get this filled, will you show me what's in there?
00:54:55If you keep it a secret. And get it for me right away.
00:54:59All right. You stay here. I'll be right back.
00:55:03What do you got?
00:55:04Oh, that's another thousand, I owe you.
00:55:07That's six Gs all together, you owe me.
00:55:09What do you mean, six? Five! Six! Five!
00:55:12Trying to make a liar out of me for a crummy thousand. Why, I'll take you and...
00:55:18Will you do me a favor, please?
00:55:19Sure, Miss Judy.
00:55:20Run down to the drugstore and get this prescription filled.
00:55:23Yes, ma'am.
00:55:27Sorry to break up your game, but he'll be back soon.
00:55:30Oh, that's all right. You just saved me five thousand dollars.
00:55:43I sent one of the boys after him. Come on now, open up.
00:55:46Don't you ever tell a soul.
00:56:12See? It's just a cellar. Let's go back now.
00:56:36What's behind that door?
00:56:37It's just a little closet where I keep brooms and things.
00:56:41It's only my cat.
00:56:43But you can't keep her locked up like that.
00:56:45She likes it in there.
00:56:47Don't be silly. She's crying, poor thing. Open the door.
00:56:52I can't. You must go now, Miss Judy.
00:56:54Not until you let the cat out.
00:56:56No, no. You must go back.
00:57:06You want that prescription filled, don't you?
00:57:10Huh.
00:57:37This is horrible.
00:57:40Remember, you must never say a word about this.
00:58:11Why did you allow her to come down here?
00:58:13He had nothing to do with it.
00:58:14Keep quiet.
00:58:15The police are right. You're a fiend.
00:58:17Richard Dennison did you no harm and you... you killed him.
00:58:20What do you propose to do about it?
00:58:23Here is a little surprise for you, I think.
00:58:25You didn't tell me the girl was in on this deal.
00:58:27She is not. So you know what to do.
00:58:30Nothing doing.
00:58:31Don't tell me that you are getting sentimental.
00:58:34I'm not.
00:58:35I'm not.
00:58:37Nothing doing.
00:58:38Don't tell me that you are getting sentimental.
00:58:41Killing women ain't a part of my racket.
00:58:43Do what you are told.
00:58:44Why don't you let her alone? She didn't do anything.
00:58:47Oh, shut up, you fool.
00:58:53Detail up the girl, then I get the stuff.
00:58:56Outside.
00:58:57All right, you boys, play out here.
00:58:59Now, outside. Outside.
00:59:07Police.
00:59:16Come, let's hide.
00:59:36Come on.
01:00:01I know the very place for you to hide
01:00:03where no one will ever find you.
01:00:05Come with me.
01:00:15I prepared this for just such an occasion.
01:00:22Miss Melvin.
01:00:23Quick, they're down the hall.
01:00:31Oh, dammit!
01:00:35Mmm.
01:00:41Mmm.
01:00:46That takes care of the professor.
01:00:50Richard!
01:00:53Ann will be married.
01:00:54Yes, Richard.
01:00:56Ann, you can do your social work anywhere but the Bowery.
01:01:00Yes, Richard.
01:01:02We'll have six kids.
01:01:03Three boys and three girls.
01:01:05Yes, Richard.
01:01:09Come here.
01:01:14Can't you do anything besides say,
01:01:17yes, Richard?
01:01:19Yes, Richard.
01:01:33BOWERY