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  • 4 months ago
Dillinger and Capone
1995 ‧ Action/Thriller ‧ 1h 38m
*
ACTION, CRIME, DRAMA
*
Dillinger survived assassination and is living a quiet farm life with his family in 1940, but Al Capone, recently freed from prison, need his help for one last score.

Director
Jon Purdy
Writer
Michael B. Druxman
Stars
Martin Sheen, F. Murray Abraham, Stephen Davies
*
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Transcript
00:00:00The next day
00:00:14John !
00:00:17John !
00:00:19John !
00:00:20Roy, who is it ?
00:00:21George, open up !
00:00:23Jesus, I'm gonna' ask George.
00:00:25Where's you brother ?
00:00:26He's at the movies. What the hell happened here ?
00:00:28It's a setup. Go. Warning. Warning. Go. Go. Go.
00:00:58Warning. Warning.
00:01:28FBI!
00:01:29Oh my, no!
00:01:30Aaaaah!
00:01:31Oh!
00:01:32Oh!
00:01:33Oh!
00:01:34Oh!
00:01:35Oh!
00:01:36Oh!
00:01:37Oh!
00:01:38They shot John Tillinger!
00:02:02It's John Tillinger.
00:02:07Two long years, Tillinger.
00:02:32John Tillinger
00:02:36John Tillinger
00:02:41John Tillinger
00:02:46John Tillinger
00:02:51John Tillinger
00:02:56John Tillinger
00:03:01John Tillinger
00:03:06John Tillinger
00:03:11John Tillinger
00:03:16John Tillinger
00:03:21John Tillinger
00:03:26John Tillinger
00:03:31John Tillinger
00:03:36John Tillinger
00:03:41John Tillinger
00:03:46John Tillinger
00:03:51John Tillinger
00:03:56John Tillinger
00:04:01John Tillinger
00:04:06John Tillinger
00:04:11John Tillinger
00:04:16John Tillinger
00:04:21John Tillinger
00:04:26John Tillinger
00:04:31John Tillinger
00:04:36John Tillinger
00:04:41John Tillinger
00:04:46John Tillinger
00:04:51John Tillinger
00:04:56It's very good to see you again, sir.
00:05:06Along with Porter?
00:05:07Afraid so, sir.
00:05:08Jack Barnett, Associated Press.
00:05:09Do you mind if I ask you a few questions, Mr. Paul?
00:05:13Much of a reception, Cecil.
00:05:15Not like former times, sir.
00:05:16The country seems to have a short memory.
00:05:17Well, in case you haven't heard, sir, there's a depression going on and a war breaking out
00:05:22overseas.
00:05:23I'm Al Capone.
00:05:24I made the depression.
00:05:25I fought my own war.
00:05:27I was the king of Chicago before you were his divers.
00:05:29It ain't the same out here anymore, sir.
00:05:30What ain't the same?
00:05:31Things have changed.
00:05:32Things have changed?
00:05:33What, people don't like their broads?
00:05:34They don't like their hooch?
00:05:35They don't like their ponies?
00:05:36I'll tell you something, young man.
00:05:37If you had the balls to live half the life I've lived, you'll know one thing about people.
00:05:45People have changed.
00:05:46They're always willing to pay good money to have their dirty laundry done for them.
00:05:50Somebody else is taking out the cleaning now.
00:05:58You think I'm forgotten?
00:05:59No, sir, I don't.
00:06:00No, no.
00:06:01You think I'm washed up.
00:06:02You think some pissant taxman with a little green visor has brought down the king of Chicago?
00:06:07No, Mr. Capone.
00:06:08Listen, I'm Al Capone.
00:06:10You hear me?
00:06:11I'm Al Capone.
00:06:13Mr. Capone.
00:06:14I pick my teeth with little chits like you.
00:06:19It's not worth it, sir.
00:06:20Please, sir.
00:06:21It's beneath your dignity, sir.
00:06:27Yeah, you're right.
00:06:31I don't have to do this.
00:06:35Let somebody else do it.
00:06:38You do it.
00:06:39Yes, sir.
00:06:44It's true what they say about the syphilis, I mean.
00:06:47Oh, I don't think Mr. Capone would take very kindly to repeating that fact, sir.
00:06:52No, sir.
00:06:53I think you're right.
00:07:17What do you think of Florida, Creto?
00:07:19Florida's lovely, sir.
00:07:21It's not Chicago.
00:07:23Huh.
00:07:24I for damn sure.
00:07:27I'm having nightmares thinking that half-pint thief Gasso's sitting on my throne.
00:07:31Chicago's my town.
00:07:32You're not thinking of returning, are you, sir?
00:07:34I've done enough thinking back there in that rat hole.
00:07:38Now it's time to do something about that imposter.
00:07:41Is that advisable, sir?
00:07:43Our funds are rather depleted, I'm afraid.
00:07:46Don't worry about it.
00:07:48I got a plan.
00:07:50When Al Capone has a plan,
00:07:53Lou Gatto better worry.
00:08:15Come on.
00:08:46Oh, thank you very much.
00:08:49Come on.
00:09:13Mom, Mom!
00:09:14Look what Daddy got me!
00:09:18I bought you some chocolates.
00:09:20My, my, aren't you the lucky boy.
00:09:25What's the occasion, John?
00:09:28Nothing special.
00:09:32Got some mail?
00:09:33Yeah.
00:09:35What's for dinner?
00:09:36Chicken.
00:09:38Smells good.
00:09:40You do too.
00:10:18Thanks.
00:10:29Do you have to?
00:10:32I gave this man my word.
00:10:34You gave me your word too.
00:10:37Look, I have to return something
00:10:38that I've been safe keeping for someone for a long time.
00:10:42Don't worry, nobody will get hurt.
00:10:44That's not what I'm worried about.
00:10:48Amy, you know I have a past.
00:10:53Maybe it's time you heard the whole story.
00:10:55No. We agreed.
00:10:58The past is the past.
00:11:01For both of us.
00:11:18Hello, Eli.
00:11:38Hi.
00:11:40Look at you. The dead man lives.
00:11:44People still don't believe I ran with a legend.
00:11:47I'll get this over with.
00:11:50Count it.
00:11:53No.
00:11:56Anybody else but you, I'd never even see this.
00:11:58There's your share.
00:12:01What'd you do with yours?
00:12:04Got that girl out of her pickle and bought a farm.
00:12:07At least that's what I heard from George.
00:12:14I believe the great John Dillinger's a fart.
00:12:18The name is John Dalton.
00:12:21And if I hear anything else from you again, I'll cut your tongue out.
00:12:26You're right. Mom's the word.
00:12:28I'll see you around, Eli.
00:12:30Stay.
00:12:33You ready?
00:12:34How about some pie?
00:12:35Nothing for me.
00:12:46That postman over there is wearing wingtips.
00:12:49Yeah?
00:12:50Yeah.
00:12:53Well, at least you're the rags I'm gonna buy.
00:12:57That guy's not a postman, is he?
00:13:03He's a fed.
00:13:05John, I was just gonna tell you that.
00:13:08Oh, yeah?
00:13:10I knew it was a big mistake coming here.
00:13:13Does he have any company?
00:13:16The cook, by the way.
00:13:22You traded me in.
00:13:23John, it wasn't like that.
00:13:27It was the chair or this.
00:13:30These two feds pulled the strings.
00:13:35There you go.
00:13:36They know about you.
00:13:38Just didn't know where to find you.
00:13:40They sent just two guys after me?
00:13:43That don't quite add up.
00:13:47They ain't really feds.
00:13:50They was.
00:13:51But, uh...
00:13:53But they're trying to get reinstated.
00:13:55Get some glory.
00:13:58John.
00:14:00I wouldn't have given you up if it wasn't for the chair.
00:14:05And I'm still not.
00:14:07Feel under the table.
00:14:11Coming right up.
00:14:13How you doing over here?
00:14:18Power.
00:14:21You taught me good, John.
00:14:23You taught me good.
00:14:25I taught you how to betray me and them.
00:14:29I didn't have a choice, John.
00:14:32A man's always got a choice, Eli.
00:14:36And you ain't gonna like mine.
00:14:42Eli!
00:14:46Now hold it!
00:14:47Nobody move!
00:14:50You ain't gonna get away with this, Eli.
00:14:52I'll kill her! I swear!
00:14:54I mean it!
00:14:56So do I.
00:14:57Eli!
00:15:13Get down!
00:15:19I'm just gonna borrow it!
00:15:25Hey, hey, hey!
00:15:26Slow down!
00:15:27Slide over! I'm just gonna borrow it!
00:15:29Hang on, honey.
00:15:45I don't suppose that was the police?
00:15:47Eli!
00:16:00You better hang on, babe.
00:16:12Get this heaper closer! Come on!
00:16:18Come on!
00:16:24Oh, shit!
00:16:48Damn!
00:16:56We almost had him!
00:16:58This is not over, Dillinger!
00:17:18This will be fine for me.
00:17:22And, uh, thanks for letting me borrow the car.
00:17:27You know, I'm a big girl now.
00:17:29I don't have to be home by dark.
00:17:32I do.
00:17:35Thanks again.
00:17:47Bye.
00:18:11Abigail!
00:18:14Abigail!
00:18:16Honey? Anyone home?
00:18:19Bobby?
00:18:21Sam?
00:18:27Abigail!
00:18:31Sam!
00:18:46Sam!
00:19:16Sam!
00:19:47I'm sorry, sir. I'm afraid these gentlemen will need to frisk you.
00:19:50I'm not armed.
00:19:52It's for your own protection I assure you, sir.
00:19:54There's a frightening number of firearms on the premises already.
00:19:58Nobody's gonna search me.
00:20:01Gentlemen.
00:20:16Oh, dear. I was returning it to your boss.
00:20:19I'm sure you were, sir.
00:20:21Gracias, gentlemen. Gracias.
00:20:29This way, sir.
00:20:41Please don't be alarmed at his demeanor, sir.
00:20:43He's been rather ill lately, and he's not quite himself.
00:20:46My family in there?
00:20:48Not at the moment, sir, but I expect them shortly.
00:20:51In the meantime, I'm sure there's things you and Mr. Capone wish to speak of.
00:20:56He's waiting for you, sir.
00:21:13Come on!
00:21:44You don't look like a man who robbed 57 banks.
00:21:48You don't look like the kingpin of Chicago.
00:21:55But I was.
00:21:59And I will be again.
00:22:05It's like you. I'm back from the dead.
00:22:08Except it wasn't you who died, was it, Big John?
00:22:12I mean, how could anyone not recognize the great, the legendary John Dillinger?
00:22:18Even the stupid feds couldn't make a mistake like that, unless...
00:22:23Unless the dead body was close.
00:22:26Very close.
00:22:28Like a brother.
00:22:32It should have been me.
00:22:36I'd give anything to switch it all back.
00:22:40Yeah, I know, John. I know.
00:22:44Sometimes you give anything to stay alive.
00:22:51But sometimes you just want to die.
00:23:01You know what I don't get?
00:23:03Is that the feds so stupid they still don't know they just get tired of chasing you.
00:23:08I never went back to find out.
00:23:11I bet they're just stupid.
00:23:14I know they're stupid.
00:23:16Let me show you something.
00:23:21I got something here you should see.
00:23:23This is a picture of J. Edgar Hoover in a dress.
00:23:28This is why they can't identify dead bodies.
00:23:32Yeah, but you can hardly make out the face.
00:23:35Of course not. You think if I had his face I would have done any time?
00:23:46Mr. Capone, may I ask what it is you want from me?
00:23:51If there was a time I wouldn't need your help.
00:23:54I wouldn't need anybody.
00:23:56I'd walk right in, I'd take what belongs to me in broad daylight.
00:23:59Nobody would want to touch me. But I can't!
00:24:03Not right now. Not right yet.
00:24:09So I sent for the best.
00:24:11I want you to get something for me.
00:24:15With all due respect, sir, I don't run errands for anybody.
00:24:20But you do rob banks.
00:24:22I used to. I'm a farmer now.
00:24:25I'm not asking you to steal. I'm just asking you to bring back what belongs to me!
00:24:31And I'll pay you handsomely for it.
00:24:34If it's so simple, why bother with me?
00:24:37Eccola! Now we're talking.
00:24:41Let's have a little drink.
00:24:44A little something special.
00:24:47I think maybe we could be friends.
00:24:49Oh, yeah?
00:24:51Yeah. I like to work with the best.
00:24:55And I like to drink the best.
00:24:5920-year-old scotch.
00:25:02That's right. 20 years.
00:25:06What were you doing 20 years ago, Dillinger?
00:25:09Something I probably shouldn't have been doing.
00:25:12My whole life.
00:25:14So I hear.
00:25:17No offense.
00:25:20All right, I'll make it quick.
00:25:22I got about $15 million stashed in a private bank in Chicago.
00:25:25Why don't you go get it for me? Take it out, bring it back, I'll give you 10%.
00:25:29$15 million?
00:25:31About.
00:25:33No bank I ever hit had that much money.
00:25:36So you can see why I need someone talented and dependable.
00:25:40And someone with a family.
00:25:43We got no choice.
00:25:46It's fate, you and me working together.
00:25:48It had to happen.
00:25:51Fate.
00:25:55Dad!
00:25:57Sam. Nothing like family, John.
00:26:00Nothing like family.
00:26:02You said you didn't care who I was.
00:26:05I didn't know you were John Dillinger.
00:26:08I tried to tell you.
00:26:10Well, you should have tried harder.
00:26:12I'm sorry.
00:26:14Do you want to leave?
00:26:16I don't think that's possible right now.
00:26:18We can't go anywhere without his thugs.
00:26:20No, no. I mean...
00:26:23Come back with me.
00:26:30I knew you had a past.
00:26:33I guess I thought it'd just stay there.
00:26:38I tried to tell you.
00:26:40It's so overwhelming. Here we are, guests of Al Capone.
00:26:45I never saw the guy in my life, I swear to God, honey.
00:26:54You shouldn't swear.
00:26:56I'm sorry.
00:27:05What does he want, John?
00:27:08You know, some business deal.
00:27:11Don't worry, I haven't said yes yet.
00:27:13He won't take no for an answer.
00:27:15That's why he kidnapped you and Sam.
00:27:18But I might be able to figure out a way to get us out of here.
00:27:22Let's get out of here.
00:27:53What's up, friend?
00:27:55Do you remember me?
00:27:57Yes, yes.
00:28:23What's the problem here?
00:28:25No, senor.
00:28:26What's the problem?
00:28:28No problem, senor Capone.
00:28:30This is my guest.
00:28:33This is...
00:28:35This is Al Capone's guest.
00:28:37What are you, stupid? You insult my guest.
00:28:40You insult Al Capone. You think you can do that?
00:28:43Senor, por favor.
00:28:44I can buy your stinking island.
00:28:48Ah, now look.
00:28:51I gotta go change.
00:28:54Listen, uh...
00:28:57Where's your hat, Mr. Dillinger, huh?
00:29:00Excuse me.
00:29:02I don't think they're gonna bother you anymore.
00:29:18I strongly recommend you do not walk the garden again, sir.
00:29:22Unescorted.
00:29:24Yeah, you answer me that!
00:29:27Answer him!
00:29:30Don't you tell me!
00:29:33It's Weiss.
00:29:35Weiss is the one.
00:29:37What are you telling me?
00:29:39He's the one who made the hot dog look like Swiss cheese, ain't he?
00:29:42Ain't he?
00:29:43Who's he talking about?
00:29:45Jaime Weiss, sir.
00:29:47He's dead, ain't he?
00:29:49Not to Mr. Capone, sir.
00:29:51There's a great deal my employer refuses to accept.
00:30:07So it's true. He really is gone.
00:30:10Oh, if you could have seen him before, sir.
00:30:12He hasn't always been this way, you know.
00:30:14It's taken rather a toll on him, I'm afraid.
00:30:17What has?
00:30:18He picked up a nail from a prostitute years ago, sir.
00:30:21What about penicillin?
00:30:23Oh, he refuses to take a needle, sir. Deathly afraid.
00:30:26In fact, I think it's the only thing he's afraid of, sir.
00:30:31Maybe there's some justice after all.
00:30:34No.
00:30:36Just another form of vengeance, sir.
00:30:45I heard a shot.
00:30:47It's just one of Capone's mugs blowing off steam.
00:30:49You're bleeding.
00:30:50I'm all right.
00:30:51I got so worried when you didn't come back.
00:30:53I'm sorry. There's no way out.
00:30:56You and Sam are going to have to stay here for a while.
00:31:44Thanks.
00:32:07Hello?
00:32:09Yes, sir.
00:32:10You have a suite for Mr. John Douglas?
00:32:13Yes, sir.
00:32:14And are you in Chicago on business, Mr. Dalton?
00:32:18That's right, I am.
00:32:27Room 404 and your luggage will be right up.
00:32:34Got a light?
00:32:36I'm sorry, I don't smoke.
00:32:38May I, sir?
00:32:40There you go.
00:32:42Are you visiting Chicago?
00:32:44Yeah.
00:32:45Business.
00:32:47Sales.
00:32:52Me too.
00:32:54Maybe we could get together.
00:32:57Exchange samples.
00:33:02Maybe so.
00:33:10Thank you.
00:33:41I want to case that bank right away.
00:33:44Find out if there's any way to get in there at night
00:33:47so we don't draw any unnecessary attention.
00:33:53I'd gladly show you now, sir.
00:33:59Thanks.
00:34:00You're welcome.
00:34:02I'll see you later.
00:34:04Good night.
00:34:05Good night.
00:34:10Will you stop?
00:34:11Sorry, sir.
00:34:14This way, sir.
00:34:22Just a moment, sir.
00:34:33What's going on, Cecil?
00:34:35Bear with me, sir.
00:34:37After you.
00:34:41This way, sir.
00:34:43Would you mind, sir?
00:35:10Mind your head, sir.
00:35:23Oh, dear.
00:35:24What is it?
00:35:41What was all this talk about a bank?
00:35:44I was speaking metaphorically, sir.
00:35:46It's rather a fault of mine, I'm afraid.
00:35:48You've had a lot of faults, Cecil.
00:35:50It's a bank, all right.
00:35:52The mob's bank.
00:35:54You got any more surprises for me?
00:35:57Can we go now, sir?
00:36:10...1995, with a record of 19 one-and-ones, and wearing brown trunks...
00:36:20Shut up!
00:36:25You ready for a swim, Bobo?
00:36:31Cool.
00:36:32Sounds like you're ready to me.
00:36:35Am I right or wrong?
00:36:37That mug is Lugazzo.
00:36:40Yes, sir.
00:36:41Mr. Gazzo, I'm...
00:36:43What?
00:36:44What's the matter?
00:36:46Look, you're all hot and sweaty.
00:36:48Don't you take a nice swim in the lake? It'll cool you down.
00:36:51I don't want to die like that.
00:36:53Like what?
00:36:56Sinking into 400 feet of water.
00:36:59Wet, cold, dark.
00:37:03Clinging to your last breath, to your insides.
00:37:05You're gonna explode.
00:37:07You don't want to die like that, huh?
00:37:11All right.
00:37:13All right.
00:37:15Then let's see...
00:37:16Boss!
00:37:18Let's see you die like a man.
00:37:25Go on.
00:37:29No, no, no, no.
00:37:31I said like a man.
00:37:36Don't you want to take the guy who did this with you?
00:37:39You shoot me, and then I tell him what makes up to shoot you.
00:37:42Nice and fast.
00:37:46What are you waiting for?
00:37:51I don't want to shoot you, Lou.
00:37:53I could never hurt you.
00:37:57I love you, Lou.
00:38:00You do, huh?
00:38:05All right, all right, all right, all right.
00:38:07Come on, come on.
00:38:08Hey, hey, hey.
00:38:11You all right?
00:38:14Take it easy, all right?
00:38:19Take it easy.
00:38:22All right, all right.
00:38:25You all right?
00:38:27Take it easy.
00:38:31You didn't think it was loaded, did you?
00:38:34That was a good one, that was a good one.
00:38:36Of course not, Lou.
00:38:39You're smarter than that.
00:38:43Dad, now look, don't worry about me.
00:38:45I appreciate what you've done.
00:38:47And I ain't gonna throw you in Lake Michigan.
00:38:50Because I don't want to scare the fish.
00:38:53Yeah, I like fish.
00:38:55Especially in hollandaise sauce.
00:38:59But I don't like you.
00:39:06All right.
00:39:25All right.
00:39:27Clean them up.
00:39:29I'll go first, sir. Make sure it's clear.
00:39:31Okay.
00:39:35Hey, what are you doing?
00:39:39Hey, I know you.
00:39:41I... I don't think so, sir.
00:39:44I never forget a face.
00:39:46What's your name?
00:39:48Henry.
00:39:49And this is my first trip to Chicago,
00:39:51so I'm quite sure that we've never met.
00:39:54I'm Henry.
00:39:55And this is my first trip to Chicago,
00:39:57so I'm quite sure that we've never met.
00:39:59Oh, yeah?
00:40:00Well, what are you doing here?
00:40:02I'm staying here.
00:40:04Oh, in the linen closet?
00:40:07I know what you're up to.
00:40:09You're stealing towels.
00:40:11Now get out of here!
00:40:12Don't let me catch you again!
00:40:15Hasty.
00:40:26Oh!
00:40:37That was very close.
00:40:39But I don't think he recognized you.
00:40:41I'll take that, sir.
00:40:44You want a drink?
00:40:46Oh, yes, please, sir.
00:40:48So why didn't you tell me you worked for Capone
00:40:50when he lived here at the hotel?
00:40:52Sorry, sir.
00:40:54I've been in Mr. Capone's service for some time now, sir.
00:40:57I managed his estate in Florida
00:40:59while he was away in prison, sir.
00:41:01Why?
00:41:03Sir?
00:41:04I mean, why would someone like you
00:41:06end up working for a guy like that?
00:41:08Gambling, sir.
00:41:10You lost a wager, huh?
00:41:12Oh, no, sir.
00:41:13I was the wager.
00:41:18Somehow, I think I understand how you must have felt.
00:41:21Here you go.
00:41:22Thank you, sir.
00:41:23So what am I supposed to do down there?
00:41:25Rob Gazzo's vault?
00:41:26Oh, no, sir.
00:41:27The money's not Mr. Gazzo's vault.
00:41:30No?
00:41:31No, sir.
00:41:32Then where is it?
00:41:33Mr. Capone didn't like banks or believe in vaults, sir.
00:41:36Perhaps due to gentlemen like yourselves?
00:41:38No, sir.
00:41:39No, sir.
00:41:40No, prior to going to prison, sir,
00:41:42he took the money downstairs to the basement
00:41:44and sealed it up in an alcove, sir.
00:41:47I see.
00:41:48And since then, Gazzo has moved his operation down there?
00:41:51It would appear so, sir.
00:41:53But he doesn't know anything about this money.
00:41:55Oh, he shouldn't think so, sir.
00:41:57The wall appears to be intact.
00:41:59I see.
00:42:03This isn't what I bargained for.
00:42:05What do you intend to do, sir?
00:42:07This isn't what I bargained for.
00:42:09What do you intend to do, sir?
00:42:10I intend to contact your boss
00:42:12and tell him to find another dead man to pull off this job.
00:42:15Speak to him by all means, sir.
00:42:17Yes, operator.
00:42:18Hold it, please.
00:42:19What?
00:42:20The hotel operators tend to eavesdrop, sir.
00:42:23Never mind, miss. Thank you.
00:42:27Thank you, sir.
00:42:28Might I suggest a call box in the foyer, sir?
00:42:30You might.
00:42:31Thank you, sir.
00:42:33It gets curiouser and curiouser.
00:42:37Lewis Carroll, sir.
00:42:51This way, sir.
00:43:07This way, sir.
00:43:24Is everything all right?
00:43:25Well, no, sir. Everything is not all right.
00:43:27You didn't say anything about the mob.
00:43:30That's exactly why it worked, John.
00:43:32They never expect anyone to try.
00:43:34Look, Mr. Capone,
00:43:37these guys are like a small army, you understand?
00:43:40And no matter how much talent you think I have,
00:43:42I'm still only one man.
00:43:43Relax. You got Cecil.
00:43:45All right. One man with a butler.
00:43:47But either way, sir, this just ain't gonna work.
00:43:50If you need help, you need help.
00:43:52Of course, they get paid out of your share.
00:43:55Stop worrying, John. Nobody can hurt you.
00:43:58You're already dead.
00:44:01Hello?
00:44:04Hello?
00:44:10I'm sorry to have kept you waiting, ma'am,
00:44:12but there are some empty booths.
00:44:14Oh, I know. I wanted yours.
00:44:17Then by all means, be my guest.
00:44:20It would be my pleasure.
00:44:21Pleasure is entirely mine.
00:44:30Shall I pack the bags, sir?
00:44:31I think not.
00:44:32We're gonna need some more men.
00:45:02Mr. Capone.
00:45:10Mr. Capone.
00:45:14Mr. Capone.
00:45:22Mr. Capone.
00:45:33It's Abigail, Mr. Capone.
00:45:35All right.
00:45:41What do you want? What do you want?
00:45:45I've led a hard life.
00:45:47I've made some mistakes.
00:45:51But I don't want my son to suffer for them.
00:45:54Let him go.
00:45:55Let me send him to my sister's house.
00:45:58You can keep me prisoner if you want, but...
00:46:02Please just let him...
00:46:04Hey, no, no. Hey, hey.
00:46:06I got people to do this.
00:46:09Please.
00:46:15You're a prisoner, huh?
00:46:21You've been in a real jail, little lady.
00:46:26Forget about it.
00:46:27So you think this is a prison.
00:46:30Well, it is, but not for you.
00:46:34Pardon me, but I'm the prisoner.
00:46:37I'm a prisoner in my own home.
00:46:42Let my son go.
00:46:44Keep me, but let him go.
00:46:47Or I'll shoot.
00:46:52I don't want your son.
00:46:55I don't want your son.
00:46:58And I don't want you.
00:47:02I just want to smell the fear on their fingers when I shake their hands.
00:47:06I'll shoot.
00:47:08I will.
00:47:24Hey, shh, shh, shh.
00:47:25No, no, no, no.
00:47:26Mrs. Dillinger, please.
00:47:28Don't cry.
00:47:29Hey!
00:47:32Don't cry.
00:47:34Go to bed, go to bed, go to bed.
00:47:35That's all.
00:47:55Hey, hey.
00:47:57Some big Buick just pulled up.
00:48:01So what?
00:48:02Some poor slob died and can't afford a hearse.
00:48:24That's him.
00:48:27I'll be damned.
00:48:29Our boy just walked in the front door like he was going to confess.
00:48:34Yeah, and luthers don't confess to nothing.
00:48:48Excuse me, sir.
00:48:50When is the next penitent's service?
00:48:52I'd like to get some things off my chest.
00:48:57It'll take kind of the sinners around here.
00:49:00And I think we're both in the wrong place, George.
00:49:04John!
00:49:05John!
00:49:08How are you?
00:49:09I'm good, kid. How about yourself?
00:49:10Great.
00:49:11What the hell are you doing here?
00:49:13I'm the custodian.
00:49:15George, what happened to your eye?
00:49:17Rough night, way back.
00:49:20You finding any wooden nickels under the pews?
00:49:22Not in this joint. It's closed.
00:49:24The preacher here runs off with the choir director.
00:49:26I'm running the joint.
00:49:31Not a bad cover, kid.
00:49:33Would have been great when we were knocking down those banks, huh, John?
00:49:36Which reminds me.
00:49:38Can you take a few days off from your service to the Lord?
00:49:42I had this cleaned for him.
00:49:43I don't sing his songs.
00:49:45I got an offer for you, but I don't feel comfortable talking about it around here.
00:49:51Let's step outside.
00:49:59What do you think?
00:50:01Let's go in.
00:50:02No.
00:50:03Let's sit tight, see what happens.
00:50:06Churches give me the creeps anyway.
00:50:09Yeah, me too.
00:50:11I always hated Sunday school.
00:50:13I never could remember a sing.
00:50:15It won't be easy, of course, but that's the deal.
00:50:18So what do you say, George? You want in?
00:50:20Of course I want in.
00:50:21What's the problem?
00:50:22I don't think I can handle a Thompson.
00:50:24You know, I got a nephew.
00:50:26He's a spunky kid, but he's dependable.
00:50:28I can pay him out of my cut of the loot.
00:50:31Wait, what'd he do? Did he pay you to go along with this daydream?
00:50:35I don't know what he's been telling you, but it's true.
00:50:37We did run with Dillinger.
00:50:39For a while, anyway.
00:50:40Uncle George.
00:50:41Uncle George.
00:50:42He's blind as a bat.
00:50:43He wasn't blind then.
00:50:45No, he's a straight arrow.
00:50:46Even my mama trusts him.
00:50:47He gets all wound up by pitch pennies.
00:50:49You gonna tell me that he used to run with John Dillinger?
00:50:51Yeah.
00:50:52The John Dillinger?
00:50:53Yeah.
00:50:54Yeah, I'm Al Capone's nephew.
00:50:56Well, nephew or not, how would you like to learn how to handle some scat?
00:51:03Scat?
00:51:04That's a Tommy gun.
00:51:05Right.
00:51:06Oh, boy, would I?
00:51:08Good.
00:51:09Let's go, then.
00:51:15I told you.
00:51:16Didn't I tell you?
00:51:18The old gang is a mighty hard bond to break.
00:51:22Especially when you're flat broke.
00:51:28Let's go.
00:51:29Yeah, let's move on.
00:51:31What the hell's going on here?
00:51:36Whoa.
00:51:37Mama.
00:51:38This baby kicks, right?
00:51:41As you have just learned.
00:51:43When fired, this weapon pulls up and to the right.
00:51:46So, in order to steady it, you have to pull the trigger.
00:51:49And when you pull the trigger, you have to pull the trigger.
00:51:52And when you pull the trigger, you have to pull the trigger.
00:51:55And when you pull the trigger, you have to pull the trigger.
00:51:58All right.
00:51:59So, in order to steady it, use your shoulder like so.
00:52:01Grab the front, look down the barrel, spread your feet like a prize fighter.
00:52:04That's better.
00:52:05All right.
00:52:06Here's the full load.
00:52:08Just to clarify, sir, is the object to hit the bottle or leave it standing?
00:52:12Hey, why don't you go shine it someplace else, limey?
00:52:16Let's get a hold of that stiff, anyway.
00:52:18Al Capone.
00:52:19He's one of Big Al's best men.
00:52:21Is that right?
00:52:23How is Uncle Al, anyway?
00:52:25Billy Neal, I'm afraid.
00:52:26He couldn't make the trip.
00:52:28So, I doubt you'll have the opportunity to renew your acquaintance.
00:52:32That's a pity.
00:52:33That's a damn pity.
00:52:34All right.
00:52:35Anyway, this here, this is for Uncle Al.
00:52:41Maybe we should have taken him before they unpacked all the heat.
00:52:44Hold off.
00:52:46It'd be one thing to catch Dillinger.
00:52:48It'd be another to catch him in the act.
00:52:50Especially after all these years, right?
00:52:52What about Jake?
00:52:53Oh, he's in the army.
00:52:54Oh, he's in the army.
00:52:56And Matt?
00:52:57Jail.
00:52:59And Phil?
00:53:00He's dead.
00:53:03I'm sorry to hear that.
00:53:06Where's Jack?
00:53:07Oh, he married a doll.
00:53:09Five kids.
00:53:11That's not possible.
00:53:12It's only been five years.
00:53:13Well, he's a happy man.
00:53:20What about Cap?
00:53:22Did you use him again?
00:53:24If I had to.
00:53:26Good thing he's dead.
00:53:27It figures.
00:53:29That means it's just the four of us, then.
00:53:31Golly, you got one-eyed Jack here.
00:53:33You got a butler, a baby, and a ghost.
00:53:36How do you reload this thing?
00:53:38I'll tell you what, son.
00:53:40When we get ready to pull the job,
00:53:41you make sure you aim that weapon at the three of us.
00:53:43That way, we'll all feel safe.
00:53:45You know what?
00:53:46Just because you can get a Tommy gun
00:53:47does not mean that you knew John Dillinger, all right?
00:53:49Anybody can get a hold of a Tommy gun.
00:53:51He's right.
00:53:53No more lessons for today, son.
00:53:58What?
00:54:01Ah, Hoover's gonna have a fit.
00:54:04That's the point, isn't it?
00:54:06This is a whole new ballgame now.
00:54:09I think we got something here.
00:54:21Shh.
00:54:34Let her sleep. She needs it.
00:54:39You like ice cream?
00:54:42Me too.
00:54:44I like vanilla.
00:54:46Plain vanilla.
00:54:48But you can have chocolate if you want.
00:54:51Okay.
00:54:52Yeah?
00:54:55Come on.
00:54:58Come on.
00:55:01I figured we needed at least 15 or 20 minutes on the inside.
00:55:04The problem is how to get inside.
00:55:06What's wrong, sir?
00:55:07It's time I was making a telephone call, sir.
00:55:10Fall in the back.
00:55:14I beg your pardon, sir,
00:55:16but I feel rather awkward speaking with Mr. Capone in the church.
00:55:18I understand.
00:55:20There's a phone booth on the corner.
00:55:21Thank you.
00:55:24Be careful, sis.
00:55:28You sure that bloke's on the level?
00:55:30Yeah. He's 100%, Jake. Don't worry.
00:55:33And go on. What do you say?
00:55:36I think we should go in through the loading dock.
00:55:39No, no.
00:55:40If we go in the back way,
00:55:41they'll have time to wake up and spread the word.
00:55:43Not if we blast them first.
00:55:46You ever killed anyone?
00:55:48I know, sir. I have not.
00:55:51You don't want to, ever.
00:55:54Any too late if you want to.
00:55:56No, I ain't afraid.
00:55:57I mean, George knows.
00:55:58I don't know what he told you about me,
00:55:59but I've seen my share of trouble.
00:56:00Son,
00:56:01go back and finish your work on the junction box.
00:56:04You guys, you don't need my help here for nothing?
00:56:06No, thanks.
00:56:09See, I was thinking if we go in through the...
00:56:11Let John figure out how to pull this job.
00:56:14Hey, what about Eli?
00:56:17Eli is most definitely dead.
00:56:20I was there.
00:56:25What's he doing?
00:56:26He's messing with the wrong box.
00:56:29We don't have a prayer, do we, John?
00:56:39I'm sorry, John.
00:56:40I'm sorry.
00:56:50Good evening, sir.
00:56:51It's Hustle calling.
00:56:52Now, wait a minute.
00:56:53Wait a minute.
00:56:54Will you give me a minute?
00:56:55Yeah, I'm being entertained.
00:56:56Come on.
00:56:57Being detained, sir?
00:56:58For what?
00:56:59No, entertained.
00:57:01I got the girl that was Friday night.
00:57:02Here, take this.
00:57:04Now, listen.
00:57:05Now, this is important.
00:57:06Watch it.
00:57:07Here.
00:57:08Now, once you get the job done,
00:57:10I want you to take them all out.
00:57:14I think you're pulling my leg, sir.
00:57:15I've never fired a gun in my life.
00:57:17Then you take Dillinger out first.
00:57:24Surely you can't mean me, sir.
00:57:26It's Cecil, sir.
00:57:27Cecil, your gentleman's gentleman.
00:57:29You can't expect...
00:57:30Calm down, Cecil.
00:57:31If you work for me,
00:57:32you're gonna get dirty sometimes,
00:57:33which you can always take a shower after.
00:57:36Listen, if you don't do it,
00:57:37I'll get somebody else.
00:57:39For you and him.
00:57:43Do I make myself clear?
00:57:44Answer me.
00:57:46Yes, it's perfectly clear, sir.
00:57:54Frank!
00:57:57You're not gonna believe this.
00:57:58What?
00:57:59You're not gonna believe who that is.
00:58:01Who?
00:58:02Al Capone's butler.
00:58:04Dillinger.
00:58:05And Capone are working together.
00:58:10Dillinger and Capone.
00:58:11Yeah!
00:58:13This is getting better and better.
00:58:16I'm telling you,
00:58:17I'm gonna be attorney general.
00:58:20You know what they used to say?
00:58:21What?
00:58:22They used to say that if Ness had a run for it,
00:58:25he would have been elected president.
00:58:27You vote for me, I'll vote for you.
00:58:29Yeah!
00:58:35Well, I got that fixed.
00:58:37So do I.
00:58:38We're going right in through the front door.
00:58:40I always liked going right in through the front door,
00:58:42didn't you, George?
00:58:43I guess.
00:58:44What about the mob?
00:58:45Don't worry.
00:58:46Those mugs are gonna let us waltz right in.
00:58:48They're gonna beg us to come in.
00:58:49They might even thank us when we leave.
00:58:52Come on, we got some shopping to do.
00:58:54I was gonna say.
00:59:08Yeah!
00:59:39Well, there we go again.
00:59:41Five will get you ten in their packet.
00:59:43That's a chump bet.
00:59:49That's them.
00:59:50Should I get that, sir?
00:59:51Go ahead.
00:59:58Come over here, buddy.
00:59:59Looks like doom, but we finally got them.
01:00:01Let's have a look.
01:00:02Problem is, we can only get three.
01:00:04That's what they'll have to do.
01:00:06Cecil?
01:00:07I'm gonna give you a torch.
01:00:09What about the explosives?
01:00:11Jake.
01:00:12All right, now, remember,
01:00:13we're not gonna blow up the building.
01:00:14We're just gonna knock out the power.
01:00:15Be just like that job in Terre Haute.
01:00:17That'll be swell.
01:00:18All right, lads, eyes up.
01:00:21Now, you know that Cecil and I have to lay low.
01:00:24They mark our mugs if we open our yaps,
01:00:26so it's gonna be up to you guys to do all the talking
01:00:28and get us in that door.
01:00:29If you can't pull this off, we don't get the first base.
01:00:31But you can do it,
01:00:32as long as you keep shining these lights in their eyes
01:00:34while you're talking.
01:00:35George, you're the foreman.
01:00:36Billy, you're the engineer.
01:00:37I want you to study those blueprints
01:00:39so you can at least sound like you know
01:00:40what the hell you're talking about.
01:00:41Cecil, you're in charge of the car.
01:00:43Fueled and ready, sir.
01:00:44All right.
01:00:45Gentlemen, we move tonight.
01:00:46I figure if everything goes well,
01:00:48we can get in and out without firing a shot.
01:00:50But God forbid if anything goes wrong
01:00:52or if for any reason we have to separate,
01:00:54we all meet up at your church, George.
01:00:56That's about it.
01:00:57Any questions?
01:00:58Uh, Cecil?
01:01:00Is there something for Butterfly, sir?
01:01:02Don't worry, kid, you'll be all right.
01:01:04We'll make a bank robber out of you yet.
01:01:06Gentlemen, let's get into costume.
01:01:08Cecil?
01:01:09Thank you, sir.
01:01:10Billy?
01:01:11George?
01:01:16How many?
01:01:17Give me two.
01:01:21Now, hey, who the hell taught you how to deal?
01:01:24Your mother.
01:01:25My mother?
01:01:26Yeah.
01:01:27Hey, hey, he knew my mother.
01:01:29Well, I know your father.
01:01:30Don't talk about my father.
01:01:31Look, I know you're both your families, all right,
01:01:32and I regret it.
01:01:33Can we play, please, over here, all right?
01:01:35Two, please.
01:01:36Great.
01:02:04They're moving.
01:02:06Let's go.
01:02:24What the hell was that?
01:02:25What is that?
01:02:27What the hell was that?
01:02:29Why do you run this thing on bathtub, Jim?
01:02:34Hey, hey.
01:02:35What?
01:02:36What?
01:02:37All the lights are out.
01:02:39Take care of this in about five minutes.
01:02:43Good evening.
01:02:44Elevator's broken.
01:02:45Electricity's down.
01:02:46We're here for the public works.
01:02:47We came to do the Deuce on point.
01:02:49No, ma'am, please remain calm.
01:02:51It's an emergency.
01:02:52It's an emergency.
01:02:53It's an emergency.
01:02:54No, ma'am, please remain calm.
01:02:56It's just a power outage.
01:02:57Yeah, we've got to get to the junction box.
01:02:59It's up around the roof.
01:03:01The stairs.
01:03:02Yes, of course I've called the city.
01:03:04Matter of fact, we've got a repair crew here right now.
01:03:07Yeah, we've got to fix the elevators.
01:03:08That's the whole idea of being here.
01:03:09Oh, no, that's right.
01:03:10We're at the Lex.
01:03:11Yeah, we've got to get down to the base.
01:03:12Can't you read?
01:03:13Authorized personnel only.
01:03:14All I know is we're sent here from the city.
01:03:16We're from the public works.
01:03:17We came over to turn the Deuce.
01:03:19The front desk.
01:03:20Oh, yes, Mr. Gosling.
01:03:22We're working on it.
01:03:23It's up to you.
01:03:24We can go down to the break.
01:03:25We have this place put up 15 minutes' time.
01:03:27Let him in.
01:03:28Let him in.
01:03:29Got something for us?
01:03:31I guess you're authorized.
01:03:32Go ahead.
01:03:33OK, great.
01:03:34Yes, Mr. Gosling.
01:03:35They're taking care of it now, Mr. Gosling.
01:03:54There's a short here for sure.
01:03:55I know there's a short somewhere in here.
01:03:56It's got to be in this door here.
01:03:57Whoa, whoa, whoa, whoa, whoa.
01:03:58Who are you?
01:03:59Ah, we're from the power company.
01:04:00Yeah, what do you got back there?
01:04:01It's none of your business.
01:04:02No, the hell you say.
01:04:03You know why?
01:04:04Because that's where your problem is,
01:04:05and that is where your junction box is.
01:04:06We've got to get the Deuce back on for you.
01:04:07You can't go back there.
01:04:08You know what?
01:04:09That's fine by me, pal.
01:04:10I'm going to tell you what I told that guy upstairs.
01:04:11You know, dispatch called.
01:04:12He said, go to Lex first.
01:04:13We came to Lex first.
01:04:14There's a drill.
01:04:15There's a drill.
01:04:16I do not know what is with you people, but I do know.
01:04:18We've got 15 buildings up there.
01:04:19People are screaming, give me the power,
01:04:20give me the power, give me the power.
01:04:21So if you don't have a problem,
01:04:22go over to Drake and set them up.
01:04:23Do you understand me?
01:04:24OK, you can go buy yourself some candles.
01:04:25In fact, that's what we're going to do.
01:04:26We're going to go over to Drake and get them all set up.
01:04:28That's what we're going to do.
01:04:30Take it easy.
01:04:31Hold on, hold on.
01:04:32Excuse me, gentlemen.
01:04:33Excuse me, boys.
01:04:35Mr. G wants the lights on right now, OK?
01:04:38So you've got to let him in.
01:04:39Just let him in, OK?
01:04:40Let him in.
01:04:42Good?
01:04:43Whoa, whoa, whoa, wait.
01:04:45Whatever you see back there, you didn't see.
01:04:48It's none of your business.
01:04:49You understand?
01:04:50Scouts on him.
01:04:57All right.
01:04:59Here we are.
01:05:05X marks the spot.
01:05:06Right here, boys.
01:05:08Get those blueprints up here.
01:05:10Whoa, whoa, whoa, that's just a wall.
01:05:12It's a sub-regulator bed.
01:05:13I didn't hear it.
01:05:14I was told back in 1932.
01:05:15Back in 1932.
01:05:16Yes, before they remodeled it.
01:05:17OK, come on, guys.
01:05:18Let's get to work.
01:05:19We've got to get over to Drake.
01:05:20This is the boss.
01:05:21What are you talking about?
01:05:22He's young enough to be your grandson.
01:05:23At least he went to high school.
01:05:24Did you hear what he said?
01:05:25What happened?
01:05:26They're working on it, boss.
01:05:27It must have been a storm.
01:05:28Oh, yeah, we heard this Sunday.
01:05:29You've got to talk about the weather.
01:05:30You've got to play some cards on me.
01:05:31I was trying to play cards.
01:05:32Well, then play cards on me.
01:05:33But I'm trying to, Rush.
01:05:34All right, then to it.
01:05:35Let's do a little race.
01:05:36Paris is not going to do it, not this time.
01:05:44Where do you want me to start, Mr. Greene?
01:05:47About here?
01:05:48Jake.
01:05:49Wait, wait, wait.
01:05:50What's he doing?
01:05:51There's a transformer buried there.
01:05:52We've got to get to it.
01:05:53I thought you said regulator.
01:05:54Same thing.
01:05:55No, except for the amperage.
01:05:56There's a whole different story with regulator.
01:05:57Yeah, well, don't worry about it.
01:05:58Excuse me, sir.
01:05:59I don't want to invite you to get hurt.
01:06:00Catch the dust.
01:06:02What are you doing?
01:06:03What are you doing?
01:06:04Come on.
01:06:05Go wash your hands.
01:06:06You've got to screw up the cards.
01:06:07You've got it like a fountain all the time.
01:06:08Look at this.
01:06:09Hey.
01:06:10Here.
01:06:11Brush that off, will you?
01:06:12Hey.
01:06:13Hey.
01:06:14Hey.
01:06:15Hey.
01:06:16Hey.
01:06:17Hey.
01:06:18Hey.
01:06:19Hey.
01:06:20Hey.
01:06:21Hey.
01:06:22Hey.
01:06:23Hey.
01:06:24Hey.
01:06:25Hey.
01:06:26Hey.
01:06:27Hey.
01:06:28Hey.
01:06:29Hey.
01:06:31What do you want from me, this guy?
01:06:34Hey.
01:06:36Capone's butler.
01:06:38That titty mouse.
01:06:39I caught him the other day.
01:06:41Pinching towels.
01:06:43You're an Alex?
01:06:44Yeah, I know him.
01:06:45Come on, Capone's butler.
01:06:46Get out of here.
01:06:47I never forget her face.
01:06:49What was that guy's name?
01:06:50Cyrus?
01:06:51No, no, no, no.
01:06:52Uh, wait a minute.
01:06:54Cecil.
01:06:55Yeah, right.
01:06:56So what would Capone's butler be doing stealing towels?
01:06:59Capone is a has-been.
01:07:00Come on.
01:07:01He said he was a guest and he got lost.
01:07:03What are you talking about?
01:07:04Capone, he's still not.
01:07:05That guy, he's got syphilis so bad he don't know up from down.
01:07:08Yeah, and I thought the butler stayed with him.
01:07:09He's running that place for him in Florida.
01:07:11Well, he did.
01:07:12He did.
01:07:13So?
01:07:14So?
01:07:15Hey, wait a minute.
01:07:16The lights.
01:07:17Come on, everybody.
01:07:18Down to the basement.
01:07:19Right now.
01:07:21Get in.
01:07:44Folks, folks.
01:07:46Come on, lads.
01:07:47Get back on duty.
01:07:48Watch that door.
01:07:51Come on.
01:07:56Stop him!
01:07:57It's a hoax.
01:08:12You got to get down.
01:08:13Stay down.
01:08:21Is there another way out of this room?
01:08:23I'm afraid not, sir.
01:08:24I got him, Uncle George.
01:08:25I got him.
01:08:47Jack, go.
01:08:51Wake up, kid.
01:08:52Come on.
01:08:53Ah!
01:09:20Boss.
01:09:39Ah!
01:09:40Ah!
01:09:41Ah!
01:09:42Ah!
01:09:43Ah!
01:09:44Ah!
01:09:45Ah!
01:09:46Ah!
01:09:47Ah!
01:09:48Ah!
01:09:50Ah!
01:09:51Ah!
01:09:52Ah!
01:09:53Ah!
01:09:54Ah!
01:10:03Go, go!
01:10:10Cecil!
01:10:14You punks!
01:10:15This is for Al Capone!
01:10:19Ah!
01:10:20Ah!
01:10:21Ah!
01:10:22Ah!
01:10:23Ah!
01:10:24Ah!
01:10:25Ah!
01:10:26Ah!
01:10:27Ah!
01:10:28Ah!
01:10:29George!
01:10:42Cecil!
01:10:43Let's go!
01:10:44Come on, keep going!
01:10:50Come on, kid.
01:10:51Good job kid.
01:10:52Oh, no!
01:10:53I can't go home!
01:11:00How are you doing, kid?
01:11:02I'm scared.
01:11:03I can't see nothing.
01:11:05Cecil, give me that torch, will you?
01:11:11Oh Christ.
01:11:12Pull over, Cec...
01:11:13You think that's wise, son?
01:11:15Pull over, damn it, I need your help!
01:11:18Okay, you're gonna have to hold this.
01:11:20All right, hold it right there.
01:11:21This might hurt.
01:11:22No, I can't feel nothing.
01:11:23That ain't necessarily good.
01:11:24Come on, sis!
01:11:28Would you mind stepping out of the car, please, sir?
01:11:30What are you talking about?
01:11:32I deeply regret this, sir,
01:11:34that I must return to the service of my first master.
01:11:36What the hell's the matter with you?
01:11:37The kid needs our help.
01:11:38These are Mr. Capone's instructions, sir.
01:11:40No, Mr. Capone, you're working for me
01:11:41till I say different, you understand?
01:11:43Now you got two choices.
01:11:45You can get your ass back here
01:11:46and help me stop the bleeding,
01:11:47or you can pull that goddamn trigger.
01:11:51Where's some of the other?
01:11:58Easy, sir, easy, easy.
01:12:01Who are these two, sir?
01:12:03Where'd they come from?
01:12:05Mr. Capone always insisted upon fresh linen
01:12:08when he dined in the car, sir.
01:12:09A lot of that.
01:12:11May I, sir?
01:12:12I'm not altogether unfamiliar with this sort of thing.
01:12:14Be my guest.
01:12:17Just press your gaiter.
01:12:18All right.
01:12:21Sorry for betraying your trust back there, sir,
01:12:25but I had no choice.
01:12:28I understand about the choices Capone gives people.
01:12:31Hang on, son, hang on.
01:12:38I could never make it up to you, sir.
01:12:42You already have.
01:12:44Thanks.
01:12:46You guys really do know Capone, don't you?
01:12:49Yes, unfortunately.
01:12:52I knew that.
01:12:53I'll hold on to you.
01:12:55You getting any feel back?
01:12:56I can feel it.
01:12:57Okay.
01:12:57I'll be dancing on this before long.
01:12:59Thank you.
01:13:01Try and stay still, okay?
01:13:03Okay.
01:13:06All right, come on, let's go.
01:13:07No, sir.
01:13:09Like you, I fear I'm a dead man.
01:13:12All right.
01:13:13Capone would never let you forget it, would he?
01:13:15I fear not, sir.
01:13:23You make the best of a second chance.
01:13:30Good luck, Mr. Bumgarter.
01:13:31Save these.
01:13:43I'm sorry, Capone.
01:13:45I'm sorry for what I did to you.
01:13:47I'll never forget it.
01:13:49I will never forget it.
01:14:00Yeah, yeah, we got the bleeding stopped,
01:14:01but the slug's in deep.
01:14:03All right, we'll be there in 20 minutes.
01:14:05Thanks, doc.
01:14:08What's the count, bud?
01:14:09I got 14 and a half million dollars.
01:14:12All right, Capone is expecting 13 and a half,
01:14:15and that's what I intend to give him.
01:14:16That leaves us with a million.
01:14:18Now, thanks.
01:14:21George says I get like five grand.
01:14:24He didn't think you'd believe him,
01:14:25but the fact is, he was getting half.
01:14:28He was gonna split it with you.
01:14:31I get a hundred, I get 250 some thousand dollars?
01:14:36No, you get his whole share.
01:14:39I get a half a million bucks?
01:14:42Yeah, and do yourself a favor, kid, retire.
01:14:49I gotta know, did you and Uncle George,
01:14:54did you really run with John Dillinger?
01:14:56Yeah, so what?
01:14:57What was that man like, John Dillinger?
01:15:00That man is dead, Billy, and you'll be dead too
01:15:02if you think this kind of life has any future.
01:15:05Now, let's move, the doc's waiting.
01:15:07Come on.
01:15:10All right, all right, you stay put, I'll get the door.
01:15:16Feel all right?
01:15:17Yeah.
01:15:18Okay, I'll be right back.
01:15:19Hey, hey, can I keep this?
01:15:24Like a souvenir?
01:15:27Sure, why not?
01:15:29Hey, I did good, right?
01:15:30I mean, I did good.
01:15:33Yeah, Billy, you did real good.
01:15:36Look at me, I'm like a gangster now.
01:15:39Top of the world, ma, just like the movie.
01:15:42Oh!
01:15:43Oh!
01:15:44Oh!
01:15:45Oh!
01:15:45Oh!
01:15:46Oh!
01:15:47Oh!
01:15:48Oh!
01:15:49Oh!
01:15:50Federal agents, reach!
01:15:54Reach!
01:15:57Man said reach.
01:16:00You packing?
01:16:02No.
01:16:03Come here, come on.
01:16:06Turn around.
01:16:09He's clean.
01:16:14At long last, we're gonna get our due.
01:16:16Hoover's gonna have to eat some big crow here.
01:16:20Well, well, well, we finally meet the mug himself,
01:16:24John Dillinger.
01:16:30My name is John Dalton.
01:16:32Yeah, you go ahead and play your little game, Dillinger.
01:16:35We know the truth.
01:16:36Yeah, you see, we knew the man killed
01:16:38in front of the Biograph Theater, not John Dillinger.
01:16:41Yeah, we just couldn't prove it, that's all.
01:16:43And you still can't.
01:16:44Are you trying to tell me that I can't prove who you are?
01:16:47Maybe, maybe not.
01:16:51Say, do you mind if I have a smoke?
01:16:52Kinda calm my nerves.
01:16:56In church, could be my last one.
01:16:59Sure, thanks.
01:17:06Hey, well, Gil, look in here.
01:17:12Hey, hey, my, my.
01:17:16Looks like we caught up with you
01:17:17at just the right time, doesn't it?
01:17:20What do we got here?
01:17:21About 14 and a half million.
01:17:24What do we got here?
01:17:25About 14 and a half million.
01:17:30It's the missing DuPont money.
01:17:35We got all this, and the real John Dillinger, too.
01:17:39This is real interesting.
01:17:42Are you thinking about the same thing I am, Gil?
01:17:47Yes, I am, Frank.
01:17:54Ah.
01:18:00We're in church.
01:18:08Well, as you can see,
01:18:11I'm a little tore up here.
01:18:14How's that?
01:18:16You see, on the one hand,
01:18:19I could not only be the man who brought in Dillinger,
01:18:21but I could be the man who brought in Dillinger
01:18:23with Capone's hidden stash.
01:18:26See, I could be a hero.
01:18:29And on the other,
01:18:31I could be very rich.
01:18:34Take it easy, kid.
01:18:36You're gonna have to make a choice.
01:18:38Now you figure.
01:18:40Huh?
01:18:41Because I got the money,
01:18:43and I got the gun.
01:18:45I got this.
01:18:48What are you doing?
01:18:49What are you doing?
01:18:51I toss it, and the money's gone.
01:18:53Or you catch it, and I'm gone.
01:18:58Either way, you're gonna have to make a choice.
01:19:00You can't have both.
01:19:02Oh, you.
01:19:04Come on, kid.
01:19:06Not much time left.
01:19:09No, you wouldn't do that.
01:19:11Hey, you like baseball?
01:19:12What?
01:19:13Baseball.
01:19:14You like to play baseball?
01:19:16I love baseball.
01:19:17Yeah?
01:19:18Me too.
01:19:19Catch!
01:19:47I mean, I got a problem.
01:19:52I got a problem.
01:19:55Well, I got a good man.
01:19:59And I got a lot of money.
01:20:03The man's done me no harm.
01:20:06But it's my money.
01:20:09And I got a problem.
01:20:12I got a problem.
01:20:15I got a problem.
01:20:17And I got to make a choice.
01:20:19I got to.
01:20:25Yeah.
01:20:27Yeah, you're right.
01:20:29It's the money.
01:20:31The money makes it go.
01:20:34The money makes me king.
01:20:36You know, that's why we get along.
01:20:40Yeah, you can't trust anybody or anything but the money.
01:20:44Where the hell do you think you're going?
01:20:45Hey, I'm talking to you.
01:20:47Turn around!
01:20:50That's for nothing.
01:20:53Give me the woman!
01:20:55Give me the woman!
01:21:17Your prayers are answered, son.
01:21:19Dad!
01:21:22We're getting out of here.
01:21:23Where's your mother?
01:21:24She's down the hall.
01:21:26Is there a guard at this door?
01:21:27No.
01:21:28He's around the corner.
01:21:32You think you can get him to turn his back to me?
01:21:34Yeah.
01:21:35Okay.
01:21:36All right.
01:21:37Be careful.
01:21:38Okay.
01:21:39All right.
01:21:40All right.
01:21:41You think you can get him to turn his back to me?
01:21:43Yeah.
01:21:44Okay.
01:21:45All right.
01:21:46Be careful.
01:21:47Yeah.
01:21:56¿Dónde vas?
01:21:57Quiero ice cream.
01:21:58Bien.
01:22:02You wanted to see me?
01:22:06Yeah, listen, Kitty, uh...
01:22:08I cleaned up that mess.
01:22:09I made a mess.
01:22:16I'm sorry, boom.
01:22:17I thought I was taking my money.
01:22:18I had to.
01:22:26It's okay.
01:22:27I'll clean it up.
01:22:31It's okay?
01:22:33What do you mean, it's okay?
01:22:34You two-timing slut.
01:22:38You've been pulling his bell rope.
01:22:40Huh, Kitty?
01:22:42You're supposed to belong to me.
01:22:44Mr. Capone, I'm not Kitty.
01:22:45I'm Abigail.
01:22:46You liar.
01:22:55It's beautiful how a gun can clean up all your messes.
01:22:57Kitty, you ain't dead.
01:23:03Hey, Kitty.
01:23:07Hey, Kitty, Kitty, Kitty, Kitty.
01:23:10Hey.
01:23:11Stay here.
01:23:12Don't move.
01:23:13Hey, Kitty, Kitty, Kitty, Kitty.
01:23:15Hey.
01:23:16Stay here.
01:23:17Don't move.
01:23:36This...
01:23:38in my own home!
01:23:39In my own home!
01:23:44I'm an anus!
01:23:59I'm an anus!
01:24:10I'm an anus!
01:24:22Cecil? Is that you, Cecil?
01:24:25Did you get nuts?
01:24:28How'd he get away?
01:24:30I'm afraid he's got away, sir.
01:24:34That's alright, that's good.
01:24:37He'll be back.
01:24:40It's like old times.
01:24:45I'm back on top, Cecil. I am back on top.
01:24:48You can always tell when the blood flows and it ain't mine.
01:24:50I am back on top!
01:24:53Till the king of Chicago!
01:25:00Maybe we'll go to Florida for the winter.
01:25:03Treat the boys to some, uh,
01:25:06Cuban Okie and some spice rum, huh?
01:25:09Yeah.
01:25:15Do I have reading glasses, Cecil? I can't see a damn thing.
01:25:39Yeah.
01:25:58Well, Cecil,
01:26:00make the plans for Florida.
01:26:03Very well, sir.
01:26:04I shall make all the arrangements.
01:26:10Sam!
01:26:13Sam, what do you think you're doing?
01:26:15He was gonna kill my mom!
01:26:16Wait a second. Think about it.
01:26:20Now look at that man.
01:26:22If you pull that trigger, you'll be killing yourself, son.
01:26:24Not Al Capone.
01:26:26But he was gonna kill my mom!
01:26:29I could take that gun away from you.
01:26:32But this has to be your choice.
01:26:37Sam!
01:26:40Hi.
01:26:41Attaboy.
01:26:43Attaboy.
01:27:39Attaboy.
01:27:40Attaboy.
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