La promesa - Temporada 3 - Ep 401
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00:00What do you mean?
00:06I've cancelled the musical.
00:08And why?
00:09Because after a first meeting between my friends...
00:12What?
00:15I had the impression that most of it would end very kindly,
00:19but with the invitation declined.
00:21What's wrong, sister?
00:23Well, Adrián was right.
00:26The only flaw you have is not being Pelayo.
00:32That miserable man.
00:34He doesn't deserve my love, but I...
00:38I still love him.
00:40You have my word that I'm not going to report her to the authorities
00:44and that she's not going back to that place.
00:46In fact, I've called and said she's not coming back.
00:50So, whenever you want, you can go get Martina
00:53and bring her back to the palace.
00:55But they told me she left overnight without telling me.
00:59With my son.
01:01I don't have the means to get him back.
01:05I don't even know where he is now.
01:08Well, Hanna, we have to go.
01:11I wanted to thank you.
01:15Because you see,
01:17you've given me life these days here.
01:26I'm willing to face everything and everyone
01:30so that we can live our love.
01:33That's exactly what I needed to hear.
01:35Your real name is Vera.
01:37The person I was before was called Mercedes.
01:40Now I'm Vera.
01:42I'm a maid and I'm in love with Lupe Ruiz.
01:46Stop lying, Santos.
01:48You always said there were five names on that list.
01:52But I've found it.
01:55And there are only four here.
02:01I firmly believe that whoever commits a crime must pay for it.
02:04One way or another.
02:07And what does that mean?
02:11My decision is for Martina to enter a convent.
02:14Please.
02:17Where do you want to go, Loreto?
02:20Alonso, your husband.
02:23He kissed Maria Antonia.
02:26That's why he wants to kick her out.
02:37Are you okay?
02:39Are you dizzy?
02:40I'm perfectly fine.
02:41It doesn't seem like it.
02:43It's normal.
02:44What I've told you isn't easy.
02:45I've told you I'm fine.
02:47I shouldn't have been so frank with you
02:49or told you what happened between your husband and Maria Antonia.
02:51Lorenzo, don't insist.
02:52An infidelity.
02:53And under your own roof.
02:54I understand that it impacts you and displaces you.
02:56Cruz.
02:57Nothing happened.
02:58Do you hear me?
02:59Don't you care that your husband kissed Maria Antonia?
03:01My husband is a faithful man.
03:03Yes, like all men.
03:04Like me too.
03:05Don't be sarcastic.
03:06I'm telling you that Alonso would never do something like that to me.
03:10And much less with my best friend.
03:12You know, the role of a trusted wife doesn't suit you at all.
03:15It's not a role.
03:16I really believe in him.
03:18Okay.
03:19Nothing is further from my intention than to destroy the foundations of such a solid marriage.
03:23I'm just transferring what Maria Antonia told me.
03:26Well, I'm sure you misinterpreted her words.
03:29You're right.
03:30She probably told me that day she read the newspaper and I understood that she kissed her.
03:33What's wrong with you?
03:34That you enjoy this?
03:36I've already told you that I don't have the body to withstand your insidious comments.
03:41Look.
03:43If you have the slightest doubt, it's very easy for you to get to the truth.
03:46Ask your husband or ask Maria Antonia.
03:49They were the ones involved in that alleged kiss, right?
03:54Is there anything else you want to tell me, Lorenzo?
03:58Nothing.
04:00Well, yes.
04:03I want you to know that if I have told you this, it is because of the appreciation I have for you and the loyalty I have for you.
04:09I would always want a friend to tell me the truth, no matter how much it costs.
04:13But you are free to believe whatever you want.
04:16I leave that to your choice.
04:18I've kept my word.
04:48I love you.
05:18I love you.
05:48I love you.
06:12It was a stupid mistrust of your word.
06:14You are a liar.
06:15Absolutely.
06:17I have fulfilled everything I promised.
06:18That's not true.
06:19Shut up.
06:20You twisted your words to get away with yours.
06:22I am a count and a man of honor.
06:24I said I would not go to the Civil Guard and I will not go.
06:26That I would not return to the sanatorium and I will not return.
06:28He intends to send her to a convent, for the love of God.
06:31A much more benevolent measure.
06:34Or do you want me to impugn her?
06:35He tried to end my life.
06:37I didn't do anything.
06:38I've told you a thousand times, please.
06:39I don't want to go to a convent.
06:41Sir, to tell a lie, a half-truth, is the same.
06:44If his intention was to send my cousin to a convent, he should have told us before.
06:48And show my vases?
06:50So he would never have returned to the palace.
06:52Of course not.
06:54You have played with me well.
06:56You have behaved like a despicable taurus.
06:58He has deceived us.
07:00He is a despicable taurus.
07:01I cover.
07:02I cover.
07:04We are not going to use violence.
07:05We are going to lower the tone.
07:08Don't take him away, please.
07:10And we are going to try to be reasonable.
07:12I would appreciate both things.
07:14Martina is a young girl who has her whole life ahead of her.
07:18You can't expect her to be locked up in a convent.
07:20What are you going to achieve with that?
07:22Alonso is right.
07:23Please, reconsider.
07:24My daughter is innocent.
07:27You have been deceived.
07:30I'm not going to let anything happen to you.
07:31Okay?
07:32Mr. Cony.
07:34Please reconsider your position.
07:35You can't do this.
07:36Enough!
07:38We are talking about poisoning.
07:40A murder attempt for the love of God.
07:42Do you want me to pretend that nothing has happened?
07:44No.
07:45I'm not going to do it.
07:48Martina will go to a convent.
07:50And you should appreciate my decision.
07:54Please.
07:56My daughter.
08:00Please.
08:11Since when do you like to search the trash, Mrs. Petra?
08:16Since I can find the truth in it.
08:19The only way to get out of doubt is with this list.
08:23Here it is, Santos.
08:25Well, you had to stir up the waste very well to find it.
08:29Yes.
08:30But it was worth it.
08:34Because I still haven't found the fifth guest you were talking about.
08:38The name of the Duchess of Carril Santos does not appear anywhere.
08:42I see.
08:44I can see it now.
08:47Tell me, Santos.
08:49Why did you send an extra invitation?
08:53Maybe Mrs. Margarita should have mentioned it to you.
08:56No.
08:58She had no intention of inviting her.
09:00Well, I misinterpreted it.
09:01No, Santos.
09:02You never did that because she didn't tell you anything.
09:08Are you trying to fool me?
09:10Because if that's the case, you'll have to learn to lie better.
09:15Do you think I'm stupid, Santos?
09:19Tell me.
09:21Where did you get the name of the Duchess of Carril?
09:24And why did you invite her?
09:25But above all, why did you invite her and not someone else?
09:31I don't know what you're talking about.
09:34Yes, you do.
09:36But for whatever reason, you don't want to tell me.
09:39And I'll give you one last chance.
09:42Speak, Santos.
09:50Okay.
09:52You wanted it.
09:54But I warn you that's not the way to talk to me.
09:59Are you threatening me?
10:00No.
10:01I'm not threatening you.
10:03I'm acting.
10:04I'm acting.
10:07What would happen
10:09if I go with this list to your father and tell him everything?
10:13I doubt that Mr. Pellicer can turn his back on the evidence.
10:18And no matter how much your father is, he couldn't free you
10:21from being trampled on in the street.
10:23And I assure you, Santos,
10:24that I will personally take care of this matter
10:27and if I act with justice.
10:30Don't talk.
10:35Get out of my office.
10:37Right now.
11:00A YEAR LATER
11:09And you didn't know where Miss Martina was hiding?
11:12Since she ran away from the sanatorium,
11:14the only thing I knew about her whereabouts was Mr. Curro.
11:17It was terrible.
11:18It had to be that asylum so that Miss Martina could get away.
11:22I don't want to be put in a place like that.
11:24If I lose my badge, I want to be sacrificed like the horses.
11:28Don't talk nonsense.
11:29Besides, you couldn't pay for it.
11:31Those places are very expensive.
11:32It's also true.
11:34Well, he had to have some advantage from that poor guy, right?
11:38And do we know what's going to happen to Miss Martina now?
11:41Are they going to send her back to that place?
11:42I don't know what to tell you, Miss González.
11:44The gentlemen have been locked up all afternoon.
11:49Come on, daughter.
11:50Sit down with us for a while and rest.
11:52Come on, yes, sit here.
11:55Here.
11:56Here.
11:59I'm going to give you an infusion.
12:01I'm sure it will calm you down and you will sit well.
12:04No, it's not necessary.
12:05Yes, yes.
12:06Yes, daughter.
12:08Come on, rest a little here with us.
12:14How are you, daughter?
12:18How do you want me to be?
12:20It is possible that I will never see my son again.
12:24Don't think that.
12:26I'm sure there is a reason why your in-laws have left.
12:30Which one?
12:33It's not normal to leave without warning.
12:35So suddenly.
12:36Come on.
12:37Take the herbal tea, little one.
12:40But slowly, don't get stuck.
12:44Víctor, since the last time I saw your in-laws, you didn't notice anything.
12:48Something that made you suspect that they were going to leave.
12:52No.
12:53They didn't say anything about leaving.
12:56They only told you about the pesetas, right?
12:58It was when they asked you for that money to bring your child back.
13:02That's right.
13:03No one could have imagined that they were going to run away.
13:09It is clear that they definitely want to keep me away from my son.
13:13I don't deserve to be with him.
13:16Don't go crazy, daughter.
13:18It's as silly as a glass of wine.
13:21Deep down, I can't blame you, Candela.
13:23I'm not worthy.
13:24Don't say that.
13:25Okay?
13:28It hurts me to hear you say those things.
13:30Simona is right.
13:32How can a mother not be worthy of her son?
13:35Of course, Virtue.
13:36You just have to see how distressed you are to realize how much you care about that creature.
13:41It's that they jump at the sight and get into the worst.
13:44It doesn't lead to anything good.
13:45And where do you want me to put myself?
13:47Nowhere.
13:48Nowhere.
13:50But stop worrying.
13:52We don't know what happened.
13:54Maybe your in-laws have reasons that we don't know.
13:59What sense do you always use, Mr. Baeza?
14:04Did you leave a message in your house that they would give you a warning in case there was any news?
14:09I asked the neighbors to let me know if my in-laws returned to the greatest urgency.
14:15Well, then all we have left to do is wait.
14:17We can't do more.
14:19And put bad thoughts aside.
14:21But you have to be positive.
14:22No, I didn't say that.
14:24We don't have to venture anything.
14:26Neither positive nor negative.
14:28Well ...
14:45No.
15:04Martina, are you okay?
15:11Aren't you going to answer me?
15:14No.
15:21I don't want to talk to anyone.
15:24It's not worth it.
15:39Not even with me?
15:45Everyone deceives me.
15:49I can't trust anyone.
15:51You can trust me.
15:54You can always trust me, Martina.
16:04I know.
16:07It's true.
16:10Martina.
16:13If you had known the intentions of Count Dallara, I promise you that you would never have broken your promise.
16:18I promise you.
16:19I know, I know.
16:20But that man knows all the tricks.
16:24No, it's her.
16:26She made fun of me as she wanted.
16:29You are as much a victim of all this as I am.
16:32No.
16:34No, I'm not.
16:37I'm not going to be held in a convent.
16:41My future, my freedom ...
16:44They are not in danger.
16:47But Martina, I guarantee you that that will not be your destiny either.
16:53I'm not going to let Count Dallara get away with it, I promise you.
16:56And what are you going to do to avoid it?
16:59Well, whatever it takes.
17:05If necessary,
17:08I will run away with you.
17:11Far away.
17:13We will start from scratch, you and me.
17:17I can help some men I met on the front.
17:20They will surely offer me a job to get ahead.
17:23And from there we can take a house and ...
17:25No, no, no.
17:29We are not going anywhere.
17:31No.
17:34I'm very tired.
17:38I'm tired of escaping, hiding,
17:42of not being able to be myself,
17:44of always facing my own family.
17:46I just can't anymore.
17:48And I'm very tired of being unhappy.
17:53These weeks I spent in that horrible place have left me exhausted, right?
18:03It's just that ...
18:08The screams still resonate in my head,
18:11heartbreaking screams that I heard every night.
18:15And I get chills when I think about the ice baths
18:18or the pills that completely annulled me.
18:20It was not me.
18:22And I need to be myself.
18:30I'm not going to let anything bad happen to you.
18:34No, no, no. Ayala is not going to get away with this.
18:37I'm not going to stand by and watch him decide your life for you.
18:40Javier, hug me.
18:43Please.
19:04I love you.
19:14This road is getting longer and longer.
19:17In the dark it is easier to lose the reference of distances.
19:23I'm exhausted from all these days.
19:26Yeah, me too. In fact, we're going to fall even more.
19:29And I always complain about that mattress.
19:31Right now I feel like the most comfortable in the world.
19:34Come on, I wouldn't change it for one made with peacock feathers.
19:38Well, whenever you miss something, you end up valuing it.
19:42That's right.
19:44Before going to bed, we have to talk about what we are going to tell tomorrow.
19:47Yes, because I get mental and I'm sure I'll screw up.
19:50Well, no. No improvisation.
19:52Yes, I'm going to limit myself to saying what Mr. Baeza told us.
19:56That we had been at the house of Don Gabriel, the Duke of San Rafael.
20:00Yes, that we were helping to take care of his family because he came suddenly.
20:04And what family?
20:06Well, maybe we don't have to give so much information, I don't know.
20:09Can we say that his three sons have shown up at the same time?
20:12As a surprise.
20:14María, don't start fantasizing because then we get tangled up and we don't.
20:17No, and lies have very short legs too.
20:20And what do we say so that they don't catch us in a renunciation?
20:23Well, the less details we give, the better, I think.
20:27Can we say that we were attending to the wife of the colonel?
20:31That I understand that she was in trouble.
20:34And if that woman has an iron health, what?
20:36Everyone has a bump from time to time, right?
20:39And what is the name of her maid?
20:42Well, I have no idea about that.
20:44I would have to ask Mr. Rómulo.
20:46And also to know more about the family.
20:48Well, yes. Better than going around saying nonsense.
20:51Don't you think?
20:53And there is also the loose end of the food.
20:56What do you mean, the food?
20:58Candela and Simona are going to ask us how we have been fed in that house.
21:03Well, fine, fine. We eat very well.
21:06But the promise is eaten better and that's it.
21:08No more details, no more details.
21:11And well, let's go to sleep, I'm falling asleep.
21:14Wait, we still have the issue of María Mandrago.
21:17She will be throwing foam around her mouth for not going without her permission.
21:20Well, how angry.
21:21Because we are not going to tell her anything at all.
21:23And besides, this has been the order of the Marquis.
21:25Yes, and she doesn't give a damn.
21:28Anyway, I'm sure that Mr. Rómulo has already solved this matter.
21:34Let's go to sleep.
21:36You're going to fall asleep here at the end.
21:38I think I can.
21:41How difficult it is to tell a lie.
21:44Yeah, especially when you're not used to it.
21:48Come on, let's go.
21:50It's just a matter of habit.
21:53Because look, there are people who spend the day lying,
21:56without even lifting an eyebrow.
21:59Come on.
22:19Alonso, your husband,
22:23he had an affair with María Antonia, he kissed her.
22:26That's why he wants to kick her out.
22:30Ma'am, I bring you the dress I request.
22:34And freshly ironed.
22:38Although I see that it has finally been sold for another one.
22:44Is something wrong, ma'am?
22:50Ma'am?
22:53What do you want, Petra?
22:55I came up to bring you the dress you asked for
22:57and, in passing, to talk about the menu of the week.
23:00Do you think I'm in the mood to talk about food?
23:04I'll be back at a more appropriate time.
23:06It's not urgent.
23:07Much better.
23:09I don't have the head for anything,
23:11much less to start choosing dishes.
23:16If the lady would like to share
23:18what worries her so much about me,
23:20maybe it will help her to vent.
23:25Leave.
23:27Wait.
23:30Ma'am?
23:37Take that dress.
23:39You don't see that I don't need it anymore.
23:56The truth is that I was very upset when they came to visit Mrs. Pia.
24:00She was very down and very, very angry.
24:02I hope her presence has encouraged her.
24:04Something like that, but I'm afraid she'll fall
24:07because when we left there, as Maria says, she was very down.
24:10A pinch.
24:11At least she was able to eat well with the food that arrived.
24:14What a load.
24:15Yes, she must have put on weight.
24:17I guess so, but the lack of movement
24:20and the air so addicted,
24:22the air so addicted, they're going to end up having a hard time.
24:25Hearing her, I don't know if I should cheer up or worry even more.
24:28A little bit of both, Mr. Baeza.
24:31Anyway, all I can tell you is that she was sad.
24:35And also very tired and much more apathetic than usual.
24:38And from time to time she releases some disturbing comment about death.
24:41Yeah.
24:42But hey, at least she can go around that cave,
24:46that when I was there locked up, she was chained up.
24:49In any case, I thank you for spending your time with her.
24:54And I thought I was going to Mr. Noble's house.
24:57Yes, it's true, and I owe you an apology.
25:00I lied to you.
25:01I told you that you were going to work at the palace of the Duke of San Rafael.
25:04It's just that I didn't have time to give more explanations.
25:06Don't worry, Mr. Baeza.
25:08I understand perfectly.
25:10Now, when I saw Doña Pia in that cave,
25:13I almost got a heart attack.
25:14I guess so, because you thought she was dead.
25:16And suddenly I find her there, like a ghost.
25:20I honestly think that she shouldn't be in that cave much longer.
25:25It's like being buried alive.
25:27It's better to be buried alive than really in a holy field.
25:31Well, I'm afraid that for now she will have to remain locked up for a while longer, for her safety.
25:36Two days ago, I received a letter from that man.
25:41And what did the letter say?
25:43Well, he has planted himself in the cemetery of the village of Mrs. Adarre
25:46and he has discovered that she was no longer there.
25:49But that man was able to open a grave?
25:51Yes, he personally verified that Mrs. Adarre was alive and he will not stop until he kills her.
25:57But that's horrible.
25:58That's a lot.
25:59Anyway, we must not let ourselves be fooled.
26:01We will continue with the planned plan.
26:04We will review how his supposed stay at the palace of the Duke of San Rafael was
26:10before he meets his companions.
26:12Yes, it is. Tell us, how is that man's palace?
26:15Well, it's a hunting house.
26:18You have not been in the usual residence of the Duke.
26:22You have been in his summer palace.
26:24I understand. And what is the reason for the change?
26:27Mrs. Arcos called the palace of the Duke to ask about you
26:31and there they told her that you were not there.
26:33You know how distrustful she is.
26:35You have to be very careful with her. She is a dog.
26:39In any case, you have to keep calm.
26:41I told her that the Duke had decided to move to his summer palace, which is where he usually goes hunting.
26:46Everything is under control.
26:47I do not forget. Summer palace.
26:51And the keymaker, what is her name?
26:53Mrs. Gallardo.
26:55And her name?
26:56No, I have always known her by that name.
26:59And the lady?
27:00Doña Susana.
27:03Doña Susana, Mrs. Gallardo and Summer Palace.
27:06That's it.
27:07Doña Susana, Summer Palace and Mrs. Gallardo.
27:09And if you have any more questions, I will answer them on the day of all the details.
27:13Doña Susana and Mrs. Gallardo.
27:15That's it.
27:16And Summer Palace.
27:35Are you going to be like this with me for a long time?
27:38With this silent sepulchre?
27:41Believe me, it's better if I don't tell you what's going on in my head.
27:45If we don't talk, we don't argue.
27:47Come on, Margarita.
27:50Don't punish me.
27:53That I don't punish you?
27:55But do you think I'm going to stay like this while you want to put my daughter in a convent?
28:00I can't stand you getting mad at me.
28:01Well then, don't demand something so terrible.
28:04Terrible, this?
28:05Terrible is to think that right now I could be dead.
28:08Yes, but you are not, Ignacio.
28:10You recovered and you were left in a simple discomfort.
28:12Thank God.
28:13It was by a stroke of luck that I recovered.
28:15Because your daughter wanted to poison me.
28:16I am the victim, not the culprit.
28:18No, my daughter didn't poison you.
28:21And that's how the conversation started.
28:25Well, yes. Because I don't want to keep talking.
28:28Then come and help me at least.
28:30No, Ignacio.
28:31I want to be alone.
28:32Margarita.
28:36Margarita.
28:44What have you done to her now?
28:46Nothing.
28:48Don't pretend to be innocent with me.
28:51I'm not.
28:52The truth is that I don't know why she is so tense.
28:55Maybe because you want to put your daughter in a convent.
28:59Are you going to blame me too, Alonso?
29:01She tried to kill me.
29:02And you insist that I act as if nothing had happened.
29:05Putting Martina in that convent takes the matter to an unbearable limit.
29:08And you know it.
29:09I see that you are all against me.
29:10Maybe it's for something.
29:12Reflect.
29:13And what do I do?
29:14I can't take her to prison.
29:16Not to a sanatorium.
29:17Not even to a convent.
29:19Why do you insist on getting involved with Martina?
29:21I insist?
29:22She tried to kill me, for God's sake.
29:24She must have deserved it.
29:25And do you think she hasn't had it yet?
29:28Do you think she hasn't suffered enough in that terrible asylum?
29:32Of course, as a father, I put myself in Margarita's place and I understand her perfectly.
29:39You don't know how much it hurts me.
29:41I love her.
29:44Well, I don't think it's the way to prove it.
29:47I didn't start this war.
29:49It was Martina who, from the first moment, stood up against me, saying that I was unworthy of her mother.
29:55If that girl agreed to our marriage, I would forgive her and I would give up taking her to a convent or anywhere.
30:02Would you be willing to make a deal with her?
30:06Of course.
30:08If Martina agreed to marry me to her mother, I would forget all this poisoning thing.
30:16But it's useless.
30:19She doesn't even listen to me.
30:24Maybe she would listen to you.
30:26I love you.
30:27I love you.
30:53Stop, stop, stop.
30:54Stop, they're going to see us.
30:55They're going to see us?
30:56Yes.
30:57What energy.
30:58We have to recover a lot of lost time.
30:59Yeah, yeah.
31:01Yes, I'm sure you haven't missed me that much and you've been the most entertained there.
31:05Yes, I've been very entertained and I've been thinking a lot too.
31:07Thinking?
31:08Thinking about your eyes, thinking about your lips, thinking about your kisses.
31:18Okay.
31:20Tell me, tell me how you are at the house of the Duke of San Rafael.
31:25Well, very well.
31:27Yes, very well.
31:30It was the summer palace, wasn't it?
31:32Yes.
31:34A summer house.
31:36In the open air, you breathed in the pure air.
31:41You would have loved it.
31:42Yes?
31:43Was it for so long?
31:44Yes, I saw the most lush tree in my life and there was a stream that fell into a waterfall.
31:50How did you bathe if you don't know how to swim?
31:52But I bathed in the pools that were there, that doesn't cover it.
31:55Okay, I'll do it.
31:57Let's see if you think I'm so unconscious to get into a deep river.
32:00Come on, how cowardly I am.
32:03But stop asking me questions and tell me, I don't know, what's going on around here?
32:09News?
32:10Well, the truth is that nothing, everything is still the same as always.
32:14Really?
32:15Look, Don Romulo has told me that the captain of the mat has put Lope and the cooks on the street.
32:21Well, yes, he has kicked them out of the jam business, but it has been a relief for them.
32:27Well, has something else happened?
32:29No, as far as I know, no.
32:31No?
32:33Don Manuel and Mr. Curro de la Garra have not returned either?
32:35Yes, they have come back, indeed.
32:37And it has been a surprise for everyone.
32:39And for you, everything remains the same.
32:40Women who have caught me so suddenly.
32:43I imagine that Mrs. Marquesa will be crazy happy that her son is back.
32:47Well, yes, yes, they are all very happy.
32:50And you are very little talker.
32:52You have to get things out of your mouth.
32:54No, woman, it's not that.
32:55It's just that, I don't know, I have a lot of homework this morning and I have my head elsewhere.
32:59Really?
33:00In what?
33:02Well, in the jackets of the captain of the mat, specifically.
33:04That I have to brush them.
33:06Well, then don't be late.
33:09Don't let that man have a bad time.
33:12And besides, Petra will also have me a good day to prepare for those that are not over.
33:16I have to recover the lost time.
33:19And you and I also have to recover the lost time.
33:26Come on, go.
33:35Now yes.
33:44The potatoes, the tomatoes and the onions, leave them in the office.
33:48The meat and the fish have not yet arrived.
33:50I suppose it is what is most in a hurry to prepare lunch.
33:53Don't worry about that, Mr. Pellicer, because the menu is already prepared.
33:56Come on, look.
33:57In addition to being a good cook, he is very foresighted.
34:00Well, in my opinion, they are two inseparable conditions.
34:02That is also true.
34:04The fruits, leave them in the pantry.
34:07I suppose those fruits are not the ones they are using to make the jams, Mr. Ruiz.
34:12Of course not, Mr. Baeza.
34:13Both the vegetables and the fruit are for the exclusive use of the gentlemen.
34:16Oh, you're not going to give it up, are you?
34:18I see, I see.
34:19Of course, since I started with the jam business, they have been very discreet.
34:23I haven't seen you cook for a single moment.
34:25What a stealth.
34:26That is, Mr. Baeza, because now we are elaborating and storing the jams off the table.
34:31We are.
34:32That's right, the ladies of the town are helping us.
34:34Oh, I thought those women worked for the captain.
34:38And they did.
34:39But they are very unhappy and have not hesitated to help us.
34:42Well, be careful, because as the captain finds out that they are using his hand to work his back,
34:48you and those women may be in a good mood.
34:51I know, Mr. Baeza.
34:53But I fully trust your discretion.
34:55It's not true for me to have postponed the jam production out of promise.
34:59Because the last thing I have left to do is for Mrs. Peta to find out about all this and ...
35:04You are more afraid of a cloud, Mr. Pellicer.
35:06No, no, not fear.
35:07But that woman exhausts me.
35:09I hope that now that Hanna and María Fernández have returned, she is a little calmer.
35:13Good.
35:14Well, I'm going to see where the fish is,
35:16because one thing is that I don't need it now and another thing is that they leave it to me in the sun.
35:19Okay.
35:22Of course, the boy is doing his best to help Virtudes.
35:25Well, everyone, because everyone here is being very generous.
35:27It is that from the departure of the heroes of Mrs. Alcarranza with her child, you have to help her more than ever.
35:32I don't know, Rómulo.
35:33I've been thinking about what you told me and I still believe that maybe it is not necessary to continue saving this money.
35:42I don't know, I'm afraid it's all a useless effort.
35:45No, there is no useless effort if it is done with affection.
35:48Besides, maybe the departure of her heroes has a simpler explanation than we think.
35:54Rómulo, I understand that you are proud to command this service.
35:58I'm not going to fall into the topic of saying that we are a family, but that's the way it is.
36:02Well, yes, and I think you have fallen into the topic.
36:05Yes, right? Well, look, why not? We are a family.
36:25What is all this suit for, miss?
36:28I have decided to give away some things that I have here and that I will not need in the palace.
36:33I think some maids and maids will be wiser than me.
36:38So the rumors are true.
36:41Are you going to get out of this hole?
36:44They had told me, but I couldn't believe it.
36:47Because you are very much yours.
36:49And I was convinced to stay in this hole until an impossible happened.
36:54The impossible has happened.
36:57Has the Marquess apologized to you?
37:00In her own way, but ... yes.
37:02Congratulations, miss.
37:04Not many have asked me for a knee pardon, huh?
37:07Well, in the case of the Marquess, let her recognize her responsibility.
37:11It is already a success.
37:13In one way or another, justice has been done.
37:17I guess so.
37:20But she doesn't look excited.
37:23She has managed to double her stepmother.
37:26And that's a tough challenge.
37:28Yeah, I know.
37:30But I would have liked it if everything had been solved.
37:34That none of this would have happened.
37:36Yeah.
37:37I'm sure that's all.
37:39You should be happier.
37:43Yes, I also thought I would feel better if Cruz was right.
37:49No.
37:51You are worried about something else.
37:53Yes.
37:54Yes, I know her well.
37:56You are the ones who leave a concern and go to the next one.
38:00That's not it.
38:02Yes.
38:03And this concern worries me much more than the previous one.
38:08And it has to do with ...
38:13With Adriano.
38:17Have you argued with him?
38:24The good thing about trifles is that they are not eternal.
38:27And when you remember them, you laugh at them.
38:32And it is also a sign that the other person cares about you.
38:36And if not, look, Candela and me.
38:39All day long.
38:41And I couldn't be a minute without her.
38:45It is that Adriano has decided to break all the relationship with me.
38:49Forever.
38:51Oh my God.
38:54Well, that does start to sound bad.
39:00And do you want to go back to him?
39:02I don't know.
39:05The only thing I feel is that I am missing something.
39:08Something very important.
39:13And there is no possibility that they will make up?
39:16No.
39:18No, and as much as it hurts me, I know it's for the best.
39:21So I'm not going to do anything to get it back.
39:23I see.
39:25It is the right decision.
39:27I should have made it, but I didn't have the courage.
39:33I don't recognize myself.
39:35With what I have been.
39:37And I am becoming a coward.
39:41No, no, miss. That's not true.
39:44You are having a bad time, but ...
39:47You as a coward have no hair.
39:53Thank you.
39:57Everything happens, miss.
40:14Do you need anything, Mr. Arcos?
40:16Yes.
40:17I wanted to inform you that Miss Martina is still resting in her bedroom.
40:21And I have asked you not to bother her.
40:23So that you can communicate it to your lackeys and not make noise when they pass by.
40:27Thank you very much. I will do so.
40:29By the way, Mrs. Arcos.
40:31I suppose you will be satisfied with the return of María Fernández and Hanna.
40:35Now you will be able to organize the shifts better.
40:38Well, those two have become more lazy than they left.
40:42I will have to cut them short until they regain their rhythm.
40:45Don't overdo it with those girls, Mrs. Arcos.
40:48I know they arrived late yesterday.
40:50From Gandulear, in the summer palace of the Duke of San Rafael.
40:54But here they cannot be hand in hand, Mr. Baeza, without sticking to the water.
40:58Give them a break.
41:00Yes, of their rest.
41:02But they will have to work like everyone else.
41:08Oh, by the way.
41:11I think it is not necessary for me to remind you that I would like to be aware
41:15before you dispose of my maids on your own.
41:18It was an emergency, Mrs. Arcos.
41:20But don't worry, I will be informed.
41:22Yeah.
41:23It's just because I don't want situations like Mrs. Margarita's snack to happen again.
41:29Please, Mrs. Arcos.
41:30Can we leave that matter alone now?
41:33Unless, of course, you have new data that shed light on what happened.
41:41Do you have them or don't you, Mrs. Arcos?
41:46Mrs. Arcos.
41:50No.
41:51I don't have them.
41:53At the moment.
42:06It's in the cover of the newspaper.
42:08Are you referring to the article titled
42:10A new female profession in Germany?
42:12Yes, that one.
42:13I have also read it.
42:16And what does it say? What interests you so much?
42:19Look, mother, this article in question refers to the fact that in some large warehouses in Berlin
42:24they have replaced the men of the service they gave by going up and down the elevators with women.
42:29Yes, because most of the men are fighting in the front,
42:32they have had to take that desperate measure.
42:35I really don't know where we're going to end up.
42:37Instead of women in their homes, taking care of their families.
42:41Well, times are changing.
42:43And I don't think it's bad that women get involved in the work.
42:46And that they do the same tasks as men.
42:48What they should do is not neglect their true obligations.
42:52Stop being so frivolous.
42:54I wouldn't dismiss the subject so lightly.
42:57In fact, women contribute a lot to the labor market.
43:00In the front, without going any further, there were many nurses.
43:03They are eager to try their luck.
43:08Gentlemen, I bring you the snack.
43:12Hanna.
43:15You're back.
43:17Yes, María Fernández and I returned last night from the house of ...
43:21Well, enough chitchat.
43:23Serve us, please.
43:27And how was everything with my friend Don Gabriel?
43:30Fine, sir, it was fine.
43:32In fact, María and I hope it was useful for him.
43:36I'm sure it was.
43:41Serve me another cup, please.
43:45If you can know why you have become so useless ...
43:48Excuse me, ma'am.
43:49Disaster, for God's sake.
43:50Mother, I'm not a reliever.
43:53I don't like to see her angry.
43:55Rather, quite the opposite.
43:57With a smile on her face.
44:01This is how I have remembered her all these days in the war.
44:05Did you remember me?
44:08At all hours.
44:10Every day.
44:13Even in the worst moments, the only thing that encouraged me was to remember her smile.
44:21You know that I also constantly thought about you, my son.
44:27You can't imagine the wonderful feeling of well-being that it gave me to imagine myself by her side.
44:38She would close her eyes and ...
44:42I could smell her.
44:45Even touch her.
44:48And even if I was surrounded by death, misery and destruction ...
44:53In those moments my head was free.
44:58And I went from being in hell to being in paradise with you.
45:11What you say is beautiful, son.
45:14It's the most beautiful words you've ever said to me.
45:19If there's one thing this war has taught me, it's that you don't ...
45:23You don't have to hide your feelings, but show them.
45:28And I'm glad that's the case.
45:37Yes, you don't need anything else.
45:48Thank you.
45:59It's a perfect meringue. It looks like a cloud.
46:02I'm glad you're impressed.
46:04Louis XV's wife was a fan of this recipe.
46:07And her husband, the king, to please her, made it fashionable in the French court.
46:11Well, it impressed me.
46:13I congratulate you, Majesty. I saw it first.
46:15Besides, you made it with your own hands. I'm sure the king didn't even care.
46:19Now you have to try it.
46:21Oh, I don't know. I'm a little embarrassed. It's so beautiful.
46:24Well, his is also delicious, right?
46:26I don't know. Let me look at it a little longer.
46:29You'll see. It's a dessert, not a dress.
46:36That's it. Go.
46:38Thank you, fool.
46:39If you don't destroy it, you'll never taste it.
46:42You've stained my nose.
46:44Come, I'll clean you up.
46:52I just came to prepare the service.
46:57Well, let's see. I'm going to try it.
46:59Try it.
47:05Besides, it's delicious.
47:08Thank you.
47:11It doesn't just have egg whites and sugar.
47:14It also has vanilla essence.
47:16But what I'm most proud of is that the texture has been ideal and it's not easy at all.
47:20Really? And let's see what the ideal point is.
47:23The ideal point of the meringue is that the texture on the outside is dry and crispy,
47:28and on the inside it has to be moist and juicy.
47:30Let's see.
47:35Well, my compliments to the cook.
47:37It's at its perfect point. Improved.
47:39Can you stay still?
47:41We're not doing anything wrong.
47:42You're playing with the meringue next to the gentlemen's tray.
47:45It's an irresponsibility.
47:46Yes, but we haven't stained it.
47:47You're making the fool with the meringue.
47:50Well.
47:53That meringue looks great. Did you make it, Mr. Ruiz?
47:56That's right.
47:57Can I try it?
47:58Of course. It would be an honor.
48:09Congratulations. It's unbeatable.
48:11Thank you.
48:12Thank you, Mr. Villicer.
48:13It's the best meringue I've ever tasted in my life.
48:30The revenge of Maria Mandrago.
48:32I'm so proud of you for having been out these days.
48:36Well, I'm really pissed off too.
48:38I've been up all day.
48:40I've slept in all the beds.
48:41With her sheets down, with her sheets in the middle, with her pillow.
48:45Aren't you exaggerating a bit?
48:47Well, no. Not even a little bit.
48:50Well, I didn't go into Miss Martina's room because she was in a bad mood.
48:54And she didn't want to.
48:55Right?
48:56Poor girl.
48:57Well, yes.
48:58What must it be like to be locked up in a noisy convent?
49:02But come on.
49:04A boredom like a mormon.
49:06Well, it's not funny at all.
49:08And what a mess with Count Ayala, who always wants to see him locked up.
49:11And he doesn't care where.
49:14Anyway, that helped me to give my savior a couple of kisses.
49:19Well, you should have been pleased.
49:21Well, don't believe you.
49:22I still have hugs and kisses to give him.
49:25I've missed him so much that I breathe every day.
49:27Well, then think about it.
49:28And you haven't withdrawn him from the beds you've made today.
49:32But don't think he was as excited as I was.
49:36He doesn't seem to enjoy it.
49:39Well, Maria, being excited like you is very difficult.
49:43That's true.
49:45And how was your day?
49:48Well, look, I think I was a little ...
49:50I was luckier than you.
49:51I had to be at the laundry in the morning,
49:53then I had to serve the snack,
49:55and set up the dinner a little more.
49:58You're a good girl.
50:00I would have liked to be at dinner because that way I could have gone to work.
50:05And have you been able to see Don Manuel?
50:08Yes, at the snack.
50:10And how was the reunion, like a turtle?
50:12Well, weird, but very nice.
50:17Tell me.
50:19Maria, well, I don't know, when we saw each other,
50:22a face lit up and it was as if our hearts were coming out of our chests.
50:27And you kissed like a novelist.
50:29What? No way, the Marquesas were in front of us.
50:32So all that was reduced to looks, right?
50:35Well, not exactly.
50:37Because Manuel was telling his mother some very nice things that he was actually telling me.
50:43And how is that? With a mother, not with a girlfriend.
50:46Well, but he loves them both very much anyway.
50:49The thing is that Manuel was telling his mother, for example, that he had missed her a lot,
50:54but in the meantime he was looking at me with disdain.
50:58I see.
51:00Well, I hope she didn't notice.
51:02Wow, the Marquesa was delighted that her son told her such beautiful things.
51:06Well, in the end you both won.
51:09She because she thinks her son admires him madly,
51:12and you because in the end, who he loves madly is you.
51:16Although, well, the words are beautiful, but where you put a hug, a kiss and a caress ...
51:22Yes, we wanted to meet again after the snack, but it was impossible.
51:26There were a lot of people interrupting.
51:28Some inopportune, right?
51:31And then, Manuel also mentioned me after dinner in a little room,
51:35but the Marqués complained and in the end, well, nothing, impossible.
51:42Well, there will be times to be together.
51:45Well, yes. But tomorrow is better than the day after, right?
51:48I understand you perfectly.
51:50Because we haven't gone for two weeks and I was going up the walls to see Salvador.
51:55One that you, who has not seen Manuel for months because of the war.
52:14Catalina.
52:19Where are you going at this hour?
52:26Have you finally decided to leave the hangar and go home?
52:31Since your mother asked me for forgiveness, there was no point in prolonging my exile.
52:35In fact, I've been organizing things all day.
52:39But I preferred to move at night.
52:42And from what I see, you've ruined the plan.
52:46If there was someone I didn't care to meet, it was you, brother.
52:55In that case, I am pleased to welcome you.
53:00And I want you to know that I am very happy that you are coming home.
53:03And so, by the way, you get your hangar back.
53:05That no matter how much you tell me, I know you were wishing for it.
53:08Okay, I won't tell you no.
53:13But something tells me that this doesn't make you very excited.
53:17Rather none.
53:18I love you.
53:21But ...
53:23If I'm honest with you, I'm not going to stay for long.
53:27Why?
53:30I'm going to break my promise.
53:41I wanted to give you another chance to show me that I'm making a mistake with you.
53:46Don't make me regret it.
53:47Well, maybe you have to admit that I am how I am.
53:50And if you don't like it, I'm sorry.
53:52Santos.
53:53You can take me away from your life again.
53:54Your mother is never going to give up, Martina.
53:56But she has already given up.
53:58If she wanted to fight for me, she would face the count, but she doesn't.
54:03You are very strange.
54:05No, I am as always.
54:07No, not as always.
54:09Something happens to you that I know you as if you were born.
54:11Not even his own mother mentions Martina.
54:15In case you don't know, she's upstairs.
54:16Waiting to be locked up in a convent for something she didn't do.
54:19We've all turned our backs on her.
54:20And we are condemning her with our silence.
54:22Stop meddling with the subject.
54:23It shows that your life is not the one in danger.
54:26And who were those guests?
54:29Well, we didn't get to meet any guests because we served Mrs. Susana,
54:33who is the duke's wife.
54:36So two foreign maidens to serve the hostess.
54:40Didn't you have your own service?
54:42We have a new priest in Luján.
54:45So the opportunity that my virtues have a job is closer.
54:48Well, as soon as a few days pass and the man is settled,
54:51I come to visit him and keep him informed of everything.
54:53What's coming to your room?
54:55Before it dries up, I plant myself at the door of the house of the priest as a candle that I call.
55:00And now it turns out that I have no choice but to lock up my daughter in a convent.
55:03Well, you do have another way out, Margarita.
55:05Which one?
55:06If Ignacio has made it clear that he is not going to give me his arm to twist.
55:09Ignacio spoke to Alonso.
55:10And he told him that he would be willing to forget everything if Martina did his part.
55:15Do you want me to report my in-laws to the Civil Guard?
55:17They are Adolfo's parents and Adolfito's grandparents.
55:20And the same thing that your son has been taken without permission.
55:22And if they haven't done it with bad faith?
55:24But we still have the same cordial relationship as always.
55:27And I keep the affection that your husband deserves.
55:30He ...
55:31He emphasized again the relevance of you leaving the palace.
55:35He will have his reasons.
55:37And what reasons could those be?
55:40To be continued...