Igra sudbine 1143 Epizoda - Igra sudbine 1143 Epizoda
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Transcript
00:00THE NEXT DAY
00:07Yes, everything is going according to plan.
00:11I'm glad. I didn't doubt you two.
00:15We can't wait to finish.
00:17We miss you, Aleks.
00:19We'll be back soon.
00:21I can hear in your voice that everything is not okay.
00:24Let's say there were some difficulties,
00:28but we won't solve anything. I'm a little tired.
00:31How is the collection going?
00:33A lot of money.
00:35That's good to hear.
00:39I have some good news for you.
00:42Come on, tell me.
00:44Lenka, it's hard.
00:46Wait, how is that all of a sudden?
00:48It's not all of a sudden, it's hard.
00:50Congratulations, Aleks.
00:52Since when do you know that?
00:53A few days ago.
00:56Did you talk about the wedding?
00:58I haven't thought about it yet.
01:00Let's take it easy.
01:02You should solve that issue as soon as possible.
01:04Okay, I'll talk to Lenka.
01:07Tell me, how is Luka?
01:10He's working. He's good.
01:13Take care, Aleks, and call me.
01:16Bye.
01:25Bye.
01:48Cheers.
01:49Cheers.
01:55This is me.
01:57This.
01:58Do you understand me?
01:59Yes, I do.
02:00Civilization.
02:01Civilization.
02:05How do you like the air?
02:07Do you understand me?
02:08Yes, I do.
02:10Why are you laughing?
02:12Tell me.
02:14It's not funny, Seljanović.
02:16What are you trying to say?
02:17That I'm crazy?
02:18What?
02:21Why are you laughing?
02:22I wouldn't say you're not crazy.
02:26Oh.
02:27You mean Ljubinka?
02:29Yes, Ljubinka.
02:30Okay, she's really beautiful.
02:32She has some attributes.
02:34Okay, I'll work on her a bit more.
02:36But this, this, this, this, this,
02:38animal, cave, real man.
02:40Who?
02:41Čalinjen.
02:43This, this, forest man.
02:45Gorilla, yeti,
02:47connected to Frankenstein.
02:50What a madman.
02:52Madman with an axe.
02:54My friend.
02:56It's not up to him.
02:57It's up to you.
02:59Up to me?
03:00Yes.
03:01How is it up to me?
03:02What is it?
03:03Everything?
03:04When you hang out with the peasants,
03:06it's up to you.
03:07Seljanović.
03:09What?
03:10Ljubinka.
03:12Little one.
03:13With blue eyes.
03:15She's not a peasant.
03:17She's a pianist.
03:19Don't get offended.
03:20Don't get offended.
03:21My friend.
03:22We're not offended.
03:23I'm just telling you.
03:24I know what it's like to be from the mountains.
03:26I know what it's like to be a peasant's child.
03:29And believe me, Ljubinka,
03:31and that dear cabbage,
03:33they're peasant's children.
03:35Where did you get the cabbage from?
03:37Now you're talking about it.
03:38Let me finish.
03:39I'm not asking where you got it from.
03:41Fool.
03:43Fool.
03:44He can get
03:46five hundred thousand
03:48Australian dollars
03:50if he gets married.
03:52And he doesn't get married.
03:53Who?
03:54Dear cabbage.
03:55That man from the city
03:57would never miss it.
03:58You can.
03:59Where did you get that information?
04:01I know.
04:02I know.
04:03I moved there
04:04and found it in the will.
04:06Dear this one.
04:07What?
04:10Imagine.
04:11This man.
04:12Five hundred thousand kangaroos.
04:14What?
04:16Cabbage, give me that money, man.
04:19I'll get married right away.
04:21With you.
04:23And...
04:24And a koala.
04:26And a kangaroo.
04:29Imagine.
04:31Imagine.
04:34Okay, okay.
04:36I'm so happy.
04:44I'm so happy, Panchetta.
04:46I can't stop smiling
04:48since Aleks told me
04:50Lenka is difficult-looking.
04:51Oh Olga, yes. I believe you, I know, I come from myself, so everything is clear to me.
04:56Bravo, grandma, you shine, you shine!
04:59Aha!
05:01Do you see how strange that is? I'm happy, but at the same time I'm somehow in disbelief.
05:07Well, okay, Olga, that just means that happiness is the greatest, that's how it is for you.
05:13I don't know how it is with one more child, I mean, I didn't hope.
05:18And excuse me, what do you have to hope for or not? Well, it's not hard for you.
05:24We're going to have to explain all this to Lule, you know?
05:28I really don't want him to feel like he's being set up or to lose all his attention.
05:31That's terribly important, right?
05:33No, it is, it is, of course, just slowly, slowly, calm down a little now.
05:39Everything is in its time.
05:42Wait, what do you mean? Is something wrong?
05:44No, my dear wife, everything is fine.
05:46Of course it's not, no, no, there are no problems.
05:49I just want us to let a little time pass, for the two of them to get along, you know?
05:56And when are we going to tell Lule all this nicely together?
06:02Don't worry, don't worry.
06:04What's there to get along?
06:08Look, Olga, this is just the beginning of the difficulty.
06:13Let things lie down a little, let some time pass.
06:17You know, you can be a little picky.
06:19They haven't been together for a hundred years.
06:22I'm not saying anything, I'm just saying.
06:24There is time, slowly, everything will be fine.
06:27Olga, hey, Baba, hello?
06:30You're great, I understand.
06:31Well, yes.
06:32Alex is definitely not easy after all.
06:35I mean, he's had enough of the challenges in front of him, from the collection and so on.
06:39There you go, you see how you know everything.
06:44Come on, Olga.
06:46Bye.
06:47See you.
06:52Come on, come on, come on.
07:04Sijanović, don't look at me like that.
07:07Don't look at me like that. Why are you looking at me like that?
07:09I'm thinking, I'm getting some ideas.
07:14Listen, don't, please, you never get ideas in your life.
07:17I see.
07:19Maybe it's not a bad idea for you to marry that couple.
07:25Maybe you're right.
07:27What are you talking about, boy?
07:28What are you talking about?
07:30You should marry Mileta Kupusa.
07:34Come on, boy, are you normal?
07:37I married her at the right time.
07:38Why should I marry her?
07:39Believe me, believe me.
07:40This is how the story goes.
07:42He should get 500,000 Australian dollars if he marries in the next six months.
07:49And no one writes who he should marry.
07:51And you know that 100%?
07:53Well, I know.
07:54I told you that I did a survey, that I'm in our testament.
07:58Listen, boy, let me tell you something.
08:00I'm doing a survey of your brain now.
08:02And I can tell you right away, you're a pig.
08:04And now I'm going to call you a pig.
08:05What?
08:06You're a pig, you know?
08:07You're not good.
08:08And here's some water to wash you down with those devilish ideas.
08:13What are you talking about?
08:14Little devil.
08:15Well, today there are also polygamous marriages.
08:17Did you say that you are a man of civilization?
08:19Prove it.
08:20Listen.
08:21Prove that you are a man of civilization.
08:24Me, to prove that I am a man of civilization?
08:27I'm asking you, a man of civilization.
08:29What?
08:30I'm just asking you.
08:31Why is it so good?
08:32Why don't you do it?
08:33Come on, do it.
08:35It's not that someone needs to make a business plan.
08:37And you did it.
08:38Well, I did it.
08:39You?
08:40You marry Mileta Kupusa.
08:42You split it in half.
08:44And I take 20% from each of you.
08:46Huh?
08:47What do you say?
08:48You know what I say?
08:50Do you want me to tell you?
08:51Tell me.
08:52Or should I take out a gun and put it in your head and maybe I'll burn you?
08:55Let go.
08:56Come on, move.
08:58Don't tell me that story, man.
09:00We said that a man of civilization would never miss it.
09:04Believe me, think it over and I'll call you.
09:09It's a lot of money.
09:25How was the therapy?
09:28It was... ordinary.
09:31Ordinary?
09:34And when you went to therapy, you know it's ordinary.
09:40This doesn't have to turn into a conspiracy.
09:44It doesn't have to, absolutely.
09:46And we don't have to talk about it if you don't want to.
09:48It's completely legitimate.
09:51On the contrary.
09:53If you're interested, I can tell you something.
09:56And?
09:57I'm listening.
09:58I'm listening.
10:00Tell me, do you mind that I'm...
10:06a powerful man?
10:09Hm?
10:11Do you mind that I'm a powerful man?
10:14Why would I mind?
10:17I'm just asking.
10:20I mind more...
10:23your dominant behavior.
10:25And not that you're powerful.
10:28Isn't that the same?
10:30Powerful, dominant?
10:32Well, no.
10:33The dominant is the one who emits power,
10:36but it doesn't make him powerful in itself.
10:39So I emit power?
10:44You can behave that way.
10:49And...
10:50how is it that I emit power towards you?
10:53How does it manifest?
10:56By helping everyone,
10:59and for everyone's sake.
11:04I don't understand.
11:06So...
11:08you didn't need help?
11:14Tell me honestly.
11:16You had everything.
11:18You didn't need anything.
11:19You didn't need help.
11:21And I actually...
11:23offered you my help.
11:26As far as I understand.
11:27Is that right?
11:42I...
11:46get you.
11:48I get you.
11:52I get you.
11:57Hello, birdie!
11:59Where are you, birdie?
12:02Here I am,
12:04trying to figure out
12:06where to put this meat.
12:11What meat?
12:13This one?
12:14This one,
12:15which is...
12:17What?
12:18Pancetta didn't tell you?
12:22I'm crazy about pancetta.
12:24Listen,
12:25this is Pjanović's apartment,
12:27where we were.
12:28He has his own barbecue,
12:29and he has his own barbecue,
12:31and he's opening here,
12:33in Maldives,
12:34his exposition.
12:35So...
12:41Okay, birdie,
12:42don't be afraid of me.
12:44It's not that bad at all.
12:46It doesn't have to be bad,
12:48because...
12:50he's going to solve our problems,
12:52he's going to fix us up a bit,
12:54that guy Mido,
12:55you know?
12:56And we're going to sell him
12:58his clothes
13:00in exchange for pancetta,
13:02you know?
13:06Well,
13:07no matter who that guy Mido is,
13:09he's going to have to tell you
13:12pancetta.
13:14Yes.
13:17Yes.
13:19I'm going to solve your problem.
13:23I'll give you
13:25170.
13:39Yes, I needed help,
13:41but I still feel uncomfortable because of it.
13:45Then it's up to you.
13:46I'm sorry.
13:47It's not just up to me.
13:49You helped me too much.
13:53Too much?
13:54Yes.
13:56How can someone help you too much?
13:58That's simple,
13:59it doesn't exist.
14:00It exists.
14:01Or at least it exists
14:02in this relationship.
14:03I feel that way all the time.
14:05And what's wrong with that?
14:09Andrija,
14:10we need to be equal,
14:11and we're not.
14:14You knew that.
14:16How am I going to pretend to be someone else
14:18overnight,
14:19to be some other man?
14:20I knew that,
14:21but I thought that this relationship
14:23would at least make it worse.
14:25Hey, Una.
14:27I've been
14:29a strong man
14:32for years.
14:34How can that make it worse,
14:35just tell me.
14:36It can.
14:38Easily.
14:40How?
14:42Just be a little soft towards me.
14:47Okay.
14:49How?
14:51Okay, if I really have to draw you...
14:54Draw me.
14:56For example,
14:57when I have to tell you,
14:59when you gave me a flower for the last time.
15:02Why didn't I give you anything in life?
15:04Andrija, that's not the point.
15:08What?
15:09Okay.
15:11Okay.
15:14Like this.
15:17You didn't want to have sex with me
15:19because I was
15:21and still am a strong man.
15:24And Milena didn't believe me
15:25when I told her that, you know?
15:30Okay.
15:32If you're going to call Milena now,
15:34you'd better talk to her.
15:36You know how it seems to me
15:38that Milena doesn't bother strong men.
15:42Right?
15:44How do you know that?
15:45She told you during the session...
15:47I concluded it myself.
15:50Maybe she just didn't feel strong people on her skin.
15:53Unfortunately, you won't either.
15:56At least for a while.
15:59What does that mean?
16:03Where are you going now?
16:05Andrija, you can't...
16:06Andrija!
16:12Oh, shit.
16:30Pull yourself together, Mileta.
16:32Sweetie, please.
16:35We live in our time.
16:37Time is...
16:39Oh, man, what a night.
16:43Wow, this was really...
16:45unforgettable.
16:47Wow!
16:49Where are you?
16:51That was good.
16:52You know, I'm your talent for unforgettable nights.
16:55And on the other hand,
16:57I'm a hunting talent.
16:59A scout.
17:00A business scout.
17:01Yes.
17:02And as such, I have to say
17:04that I'm going to keep you here
17:06for the next 16 years.
17:08That long?
17:10If you count the first 17 years.
17:13Okay, I won't be in a hurry.
17:14You won't be in a hurry.
17:16You won't be in a hurry.
17:17Look at this mess.
17:20Wow, man, I've never imagined
17:22that this would happen to me.
17:24What will happen to you?
17:27What will happen to me?
17:28That I'll come to Italy,
17:29that here...
17:30that here I'll make
17:31the beginning of my life,
17:33that...
17:34that all of this
17:35and...
17:36and...
17:37and...
17:38and everything else.
17:40What did you get?
17:41A drunkenness?
17:42No, don't say that.
17:44No, a drunkenness.
17:45Among other drunkenness,
17:47I got...
17:49I got a woman like this.
17:51Let's say,
17:52the woman of my life.
17:54Well, I'm not used to
17:55talking to you like this.
17:56If you're not...
17:57I keep talking like this.
17:58I keep talking like this.
17:59No one listens.
18:00That's the problem.
18:01The problem is with the listeners.
18:02No, I...
18:03You're here, right?
18:05And I have to thank you
18:06for this opportunity.
18:08You've completely
18:10saved our project.
18:14No problem.
18:16It's my job.
18:17You're doing a great job.
18:20You're doing a great job.
18:22In terms of jobs,
18:23as far as I'm concerned.
18:24Really?
18:25Yes, in terms of jobs.
18:26And I'm watching this now,
18:27watching...
18:28You've actually opened
18:29a path to the stars for us.
18:31A car path to the stars.
18:32A car path to the stars.
18:33And I'm here,
18:34in this big space,
18:36and I have to look at the stars
18:37so I can see exactly
18:38where we are.
18:39And that's because of you.
18:41You're infinitely precious.
18:43Really?
18:44I don't know.
18:45You're infinitely sweet.
18:47You're infinitely naive.
18:49And infinitely
18:51spiritual.
18:53I don't know if I can
18:54carry all this now.
18:55Thank you.
18:56I can't,
18:57but here...
18:58Can I go to the room over there?
19:00I think that's best.
19:01That's best, right?
19:02Yes, yes,
19:03for adult people.
19:05Full of sadness,
19:06dynamite,
19:07and tears.
19:32What's wrong?
19:33Are you upset?
19:34No, I'm not.
19:35Maybe...
19:36Maybe a little.
19:37I don't know.
19:38What would you do?
19:39What would I do?
19:40It's only two days
19:41until the fashion week.
19:42What would I do?
19:43Well,
19:44soon everything will be ready.
19:45Yes,
19:46the collection is ready,
19:47but we have to organize
19:48the after party.
19:49The invitations are not printed,
19:50so you don't know
19:51how much it will cost.
19:52I know, Aleksa.
19:53Laura probably
19:54was worried about that,
19:55right?
19:57Okay,
19:58let it go.
19:59Tell me
20:00about it.
20:01Tell me,
20:03you can't wait
20:04to show the world
20:05what I dreamed of.
20:08You can't imagine
20:09how much it will cost.
20:11Yes,
20:12I really hope
20:13for a great success
20:14in the collection.
20:15Yes,
20:16but not only the collection,
20:17but also well-organized
20:18negotiations and...
20:19Okay,
20:20slowly, slowly.
20:21Man,
20:22we did a lot of work.
20:23Give yourself
20:24a little space
20:25to enjoy it,
20:26to be satisfied.
20:28We will sell
20:29the collection,
20:30but the main thing
20:31is to make good deals
20:32with those fashion houses.
20:33Okay,
20:34okay,
20:35and if we don't make it,
20:36what now?
20:37We have to make it.
20:38There is money.
20:39There is money.
20:40I know.
20:41Okay,
20:42everything will be okay.
20:43When I tell you,
20:44everything will be okay.
20:45I'm sorry.
20:47I'm sorry,
20:48we have some more important
20:49topics to talk about,
20:50so...
20:51I was a little
20:52impulsive.
20:54I thought
20:55I would organize
20:56a romantic evening for us.
20:57Me?
20:58Yes.
20:59Can I?
21:00Of course.
21:15I was so envious
21:16of you being there
21:17in Kosmaj,
21:18in the fresh air.
21:19You have nothing
21:20to envy us about.
21:21We weren't there
21:22for a day,
21:23peace and quiet.
21:24Yes,
21:25it was a mess.
21:26It was always a mess.
21:27I'm sitting here
21:28in this gloomy Belgrade
21:29and I'm thinking,
21:30they are sitting
21:31next to the pool,
21:32enjoying themselves.
21:33Yes,
21:34they were enjoying themselves.
21:35They were,
21:36yes, they were.
21:38You didn't really
21:39get a tan?
21:41No,
21:42I didn't.
21:43I don't like
21:44to get tanned.
21:45No,
21:46she didn't get the color,
21:47but that's why
21:48she lost
21:49her head
21:50a little bit.
21:51Really?
21:52In the end,
21:53it was like in the Wild West,
21:54right?
21:55Yes, I know,
21:56I know,
21:57it was tight here,
21:58but the weapons
21:59didn't move.
22:00Really?
22:01There was a fight here?
22:02As much as you want.
22:03Really?
22:04Wait,
22:05who did you hang out with?
22:06That damn Paljba,
22:07everyone with everyone.
22:08Yes.
22:10Talk,
22:11talk, Bulbo.
22:12You know what,
22:13the less you know,
22:14the better for you,
22:15trust me.
22:16Well, yes,
22:17I totally agree with that.
22:18I never like
22:19to get involved
22:20in someone else's conflicts.
22:21Well, you don't like
22:22to get involved,
22:23but you will definitely
22:24get involved,
22:25so let's get involved
22:26right away,
22:27let's get involved.
22:28Oh, Dobrice,
22:29Dobrice,
22:30you've always been
22:31too happy.
22:32Yes, thank you.
22:33You,
22:34Leon,
22:35Bada,
22:36Nosu,
22:37every story,
22:38it's a miracle.
22:39Yes.
22:40It's not true.
22:41No, it's not.
22:42It's not true,
22:43because I'm very discreet.
22:44Well, okay,
22:45then let it stay that way.
22:46Come on,
22:47now,
22:48I have to go,
22:49I have to work.
22:50Well,
22:51look,
22:52we have to,
22:53we have to.
22:54It's important
22:55to slow down,
22:56like,
22:57to cut back on hunger.
22:58So,
22:59we have to slow down,
23:00so we can have a good rest
23:01on the Cosmo,
23:02so let's continue
23:03to rest a little bit more.
23:04Mhm.
23:05You've gotten a little bit
23:06more tanned,
23:07if I may notice.
23:08Mhm.
23:09I can't hear you,
23:10all that water
23:11from the pool
23:12is still in my ears.
23:13I can't hear you.
23:14You've gotten tanned.
23:15You noticed it well,
23:16because you didn't
23:17get pimples
23:18several times a day.
23:19Oh, well,
23:20what now?
23:21A little diet,
23:22a detox,
23:23Come on, come on.
23:24Why are you so pretty for that job?
23:25Who drives slaves?
23:26What's wrong with that?
23:27Get out of here!
23:28Come on, come on.
23:29I have to work.
23:30And remember,
23:31only look in your yard.
23:33Eh, tell me that this year.
23:35You don't have to tell me.
23:36What do I have to do with it?
23:38Come on, come on.
23:39Well, he plays it,
23:40Zakif and Oki play it.
23:41Come on, you can work.
23:42I'm going to work.
23:43Bye.
23:54Psst.
23:56Come on, again.
23:58Uff.
23:59I like it a lot.
24:01It's really nice.
24:02Very nice.
24:03Like, I don't know,
24:05from Spanish movies.
24:08Come on, what?
24:10What don't you know?
24:11Who am I asking?
24:12What do you know about Spanish movies?
24:14Look at it.
24:15Beautiful, beautiful showcase.
24:17I remember someone who works here,
24:19who is an employee.
24:21I wonder if there will be
24:23live pig heads here.
24:26And heads.
24:27What?
24:28Live pigs' heads and heads.
24:30Will they be there?
24:32Am I participating in some kind of stupidity?
24:37Am I here in some kind of stupidity quiz?
24:40What are you doing?
24:41What are you digging?
24:42It will be fine.
24:44Pig balls, ready for serving.
24:47Pig balls.
24:49Pig roast.
24:50In chocolate.
24:52In what chocolate?
24:54Milo, get a hold of yourself, please.
24:56It's pork, cleaned from the bone,
24:59pressed, baked.
25:01And in chocolate.
25:02Don't be stupid, there's no chocolate, Milo.
25:04But you say pig balls.
25:05Milo, listen to me carefully.
25:07In the shape of a pig ball,
25:09a cut pig.
25:11Do you understand?
25:12Didn't that come to your mind?
25:14And ready for serving.
25:16It didn't come to my mind.
25:18It didn't come to your mind,
25:19because there was nothing to come to your mind.
25:21But to pass me the brain,
25:23it came to your mind.
25:24The pig called.
25:26Last night.
25:28He called you.
25:30And he didn't call me.
25:31He didn't call me.
25:32The pig is angry,
25:35because no one consulted him
25:38about the new concept in Maldives,
25:40and no one...
25:41and that's none of my business.
25:43Really?
25:44Yes.
25:45What are you saying?
25:46Oh, that's too sweet.
25:48How can I inform him?
25:49Tell me how to inform him.
25:51I can't even call him.
25:52Because I'm waiting for him to call me.
25:55Do you understand, Milo?
25:56How can I send him smoke signals?
25:58He will receive them
25:59while he's squatting on the beach.
26:02But Milo...
26:03To receive, to receive signals.
26:05But...
26:06There is no but, Milo.
26:08While I'm here,
26:10while I work,
26:12I work hard,
26:14I work on innovations.
26:16I don't ask anyone,
26:17just myself.
26:18Tell me, Marica,
26:19what should I do now?
26:21What should I do
26:22about what you forgot?
26:24That's it.
26:25I'm going to do
26:26what I forgot,
26:27and then I'll be back.
26:30Okay.
26:44And this is the head.
27:03Wait.
27:04Let go.
27:05No.
27:06You started first,
27:07and now I'm here.
27:12Laura, I'm sorry, I love you.
27:13Luka, can you come here for a second?
27:14I need to talk to you.
27:15I'm coming.
27:22I'm coming, man.
27:26I'll be right back.
27:44Hello, Tico.
27:48What...
27:49What don't you...
27:53What does that mean to you?
27:56What does that mean to you, Tihomir?
27:58What mess?
28:13Hello, Miki.
28:14Hey, where are you?
28:16I didn't want to call you
28:17until I got the material.
28:19Okay,
28:20don't keep me in the dark anymore.
28:22I already sent you the photos.
28:23You didn't see them.
28:30I'm not quiet,
28:31I'm listening to you.
28:33I have no reason
28:34to go crazy.
28:36You know,
28:37I don't open
28:38any mess.
28:39And I don't even know
28:40what that means to you.
28:41What does that mean to you?
28:42You're lucky,
28:43dear Messar.
28:45Yes.
28:47Yes.
28:48Well, you know what,
28:49my dear?
28:50I'm just trying,
28:51I'm giving everything I have
28:53for Moldova to be
28:55an attractive place.
28:57That's right,
28:58attractive.
29:12Hello.
29:13Hello.
29:15Am I bothering you?
29:17No.
29:18How can I help you?
29:22I would like to ask you
29:23a private question,
29:25if that's okay.
29:29Well, in this company
29:30everything has become
29:31a private question,
29:32so...
29:33Just go ahead.
29:41You're welcome.
29:48Where are you from, Merevica?
29:50I'm just walking around the city,
29:52so I thought I'd stop by
29:54and see how you're doing.
29:56You know,
29:57what's wrong with me?
29:58What?
29:59What's wrong?
30:00You look different to me
30:01than back there,
30:02you know?
30:04What do you mean different?
30:05What do you mean?
30:07Don't be offended,
30:08but you look like a hipster,
30:09you know?
30:10What do you mean?
30:11Merevica Debeljko.
30:24I talked to him,
30:25so we'll see.
30:26Okay, you talked to him,
30:27but look at the time.
30:30So?
30:31He's still not here.
30:34I'm a little bit
30:35nervous now.
30:37Why?
30:38Because I told you
30:39about the problem between him
30:40and Laura,
30:42and now you're nervous
30:43about me.
30:55Good day, Una.
30:58Good day to you.
31:03Today we can start
31:04by having you tell me
31:07what you want to do.
31:09Well, today
31:10I don't want to deal
31:11with any topic.
31:14We won't,
31:15so let's be quiet.
31:16Oh, no.
31:17Believe me, I won't.
31:29Formally, legally,
31:31she's not the owner.
31:34How could she
31:35agree with me
31:36about partnership
31:37and all that?
31:39Is that right, Merevica?
31:41I'm asking you something.
31:43Did you come here
31:44for a coffee,
31:45a cracker,
31:46or for a drink?
31:59For you, Andrija.
32:00Who would it be for?
32:02God,
32:03what a beautiful bouquet.
32:04Look at it.
32:06Beautiful.
32:07It's really beautiful.
32:09With taste.
32:13Who is it from?
32:15Could you please
32:16go to my office
32:17and wait for me there?
32:32I don't understand.
32:33You're explaining
32:34the obstacle to them.
32:35Well, of course,
32:36there's no intimacy
32:37between the two of us
32:38because
32:39he and I
32:40are constantly
32:41connected
32:42to that woman.
32:43Aha.
32:59Please, Ido.
33:01Oh, Pancetta,
33:02you old hag.
33:03What's new?
33:05What's new, huh?
33:06Here I am
33:07in the Maldives.
33:08Isn't that right, Ido?
33:10Why did you send
33:11Merevica here
33:12in the Maldives?
33:13He drank Debeljka
33:14and Mileta
33:15with your brandy.