Cherry Crush ( Drama, Thriller )
Transcript
00:00:00I would say each of them had their own motives for doing it.
00:00:04I didn't put them under a spell or slip GHB into their Red Bull.
00:00:09I'll put your shoulders back.
00:00:11In fact, a lot of them came to me after they saw the shots I did.
00:00:16That's great right there.
00:00:19So they were so blown away by your photography that they came to you
00:00:23and they begged you to photograph them in the buff and then post their pictures on the net.
00:00:29It's not a porn thing like you're making it out to be.
00:00:36Did you have sex with these girls?
00:00:38There were rules.
00:00:41Rules? Really?
00:00:45I would never shoot the same girl twice.
00:00:47I would never post anything that would reveal their faces.
00:00:50These are simple rules that I came up with so I wouldn't end up in a situation like this.
00:00:59The most important rule was no sex, just pictures.
00:01:03We found ten girls on the site. Does that sound about right?
00:01:09Honey Delight, Ruby Satin, Sherry Licious.
00:01:15Where'd you get these names?
00:01:17Lipsticks.
00:01:20Their favorite shade?
00:01:23So, since we can't see their faces, why don't you just tell us who they really are?
00:01:27It was agreed that their names weren't going to remain out of this.
00:01:30How many of them were underage again?
00:01:32None of them are underage. I've said that a number of times. They're all my year.
00:01:35Can you prove that?
00:01:36Stop, stop, stop.
00:01:39Now, are you going to charge them with a crime or not?
00:01:41I'm still trying to work that out.
00:01:42What is there to work out?
00:01:44No one has leveled a charge against Jordan and no one's even come forward to admit that they're on the site.
00:01:48So the only thing that you're going to accomplish by letting this out of closed doors is to tarnish Xavier's reputation.
00:01:54And not to mention your family's good name.
00:01:57Well, I'm sure the press will love it, but it's not in the best interest of Xavier.
00:02:01Dean Mullen, it's your call. If you want me to pursue this, I will.
00:02:05I don't think that'll be necessary, Detective.
00:02:10Jordan, I think I speak for both your parents and myself when I say that you have placed us in an extremely precarious position.
00:02:20Your father has rendered invaluable counsel service to this school over the years, not to mention our personal friendship.
00:02:28And even so, after speaking to the headmaster and the trustees, the only solution we can come up with is expulsion.
00:02:36Deep down, I didn't care that the pictures got me kicked out.
00:02:42Or that they landed me here, Edgerton High.
00:02:46Three miles from Xavier, but it felt more like a million.
00:02:51My name is Jordan Wells.
00:02:54A marketer's report on me is a piece of shit.
00:02:58And I'm not the only one.
00:03:01My name is Jordan Wells.
00:03:04A marketer's report on me would read something like this.
00:03:07Rich, privileged, future doctor, future lawyer, future somebody.
00:03:14It would be accurate, but incomplete.
00:03:18It probably wouldn't include confused, indecisive, lax confidence.
00:03:26Kids like me, our lives don't happen by accident.
00:03:29They're scripted very tightly.
00:03:32At Edgerton, I thought I could loosen things up a bit.
00:03:42The record will show that I started my new school on September 23rd.
00:03:47I enrolled in some AP classes.
00:03:51Joined the photo club.
00:03:54Figured I'd just fly under the radar for a while.
00:03:58Write my own story.
00:04:04Of course, my dad had a few ideas of his own.
00:04:19What do you think?
00:04:21It's an art school for troubled kids.
00:04:24Whose funding is on the chopping block.
00:04:27I'm considering chairing their foundation.
00:04:29I was thinking you and I could co-chair.
00:04:33I don't really know anything about chairing a foundation, Dad.
00:04:35Well, so what?
00:04:37Jordan.
00:04:39Getting decent grades in chem lab and world studies
00:04:42might move your resume to the top of the stack
00:04:44if you're looking to make a career steaming milk at some coffee bar.
00:04:47But if you aspire to greater heights, Jordan,
00:04:50then you've got to distinguish yourself from the pack.
00:04:53Fine.
00:04:55Fine.
00:04:57Your friend Desiree chaired the chocolate ball at the club last winter.
00:05:01Why don't you give her a call?
00:05:02Maybe she could help us.
00:05:10I'll think about it.
00:05:12I want to make sure it's worth my time.
00:05:14How could it not be?
00:05:15We're talking about saving an art school for city kids.
00:05:18I mean, come on.
00:05:19It's not the kids.
00:05:21If I'm going to be putting in the hours,
00:05:22I want to make sure you're really in with this.
00:05:24I'm a busy girl.
00:05:26You're still at your dad's office?
00:05:28Yeah.
00:05:29I'm officially a new visions justice professional.
00:05:33Which is what?
00:05:34A glorified name for someone who delivers coffee to the assistant DAs?
00:05:38Lunches, too.
00:05:40Yeah, and I pick up their laundry.
00:05:42You know, there's a lot of aspects to fighting crime.
00:05:45Which brings us back to you.
00:05:48How did Ben talk you into this?
00:05:50This?
00:05:51Art project, museum kids.
00:05:54I mean, I bet your little sabotage effort really knocked him on his ass.
00:05:57And don't bother telling me that's not what it was.
00:06:00I know you sometimes even better than you know yourself.
00:06:03Then I bet you know the answer, Des.
00:06:06Jordan, they just want what's best for you.
00:06:08Is that so bad?
00:06:11I guess not.
00:06:21Hey! Hey! Hey!
00:06:51Get that shot, bitch!
00:06:53Get that shot, bitch!
00:07:18If you were at the game that night,
00:07:20you would have noticed her, too.
00:07:24We all have ways of showing our defiance.
00:07:28She flashed hers like a roadside attraction,
00:07:32daring you to drive by without taking a look.
00:07:42Of course I wanted to shoot her the moment I saw her.
00:07:51She had everything I look for in a subject.
00:07:56Loneliness.
00:08:01Mystery.
00:08:12You guys look miserable.
00:08:14Okay? Yearbooks for a lifetime with smile.
00:08:16A lot of kids hide who they really are.
00:08:20They become masters at doing it.
00:08:24Behind perfect GPAs.
00:08:29Behind fixed smiles.
00:08:32Designer clothes.
00:08:35The kids they hang out with.
00:08:38Some have been hiding so long, they don't know who they are anymore.
00:08:50That's what I've tried to find with my camera.
00:08:55Who they really are.
00:09:01I've been trying to find out who they really are.
00:09:07Who they really are.
00:09:21Any recommendation on a good read?
00:09:28By a woman. About a woman.
00:09:31But required reading for men.
00:09:33The Awakening.
00:09:35Doesn't this end with a suicidal drowning?
00:09:38It's like the ultimate form of sleeping.
00:09:41It's kind of a contrast, wouldn't you say?
00:09:44Edna awakened to the fact that in her society she was nothing more than chattel.
00:09:48And her mentor, Mademoiselle Rice,
00:09:50taught her that the artist must possess a courageous soul which dares and defies.
00:09:54She felt like the only way she could courageously act in such a society
00:09:58was to refuse to live in it, to defy it by death.
00:10:01That's a very fair assessment.
00:10:02But wouldn't you say the ending's kind of weird?
00:10:05You'd do it differently?
00:10:07Sure. I'd fake my own death. Set up shop on some tropical island.
00:10:11You'd run away.
00:10:13I would live to fight another day. And paint many, many more.
00:10:16We're out. Shea, you coming?
00:10:18No, I think I'm going to stay and finish this.
00:10:20Whatever.
00:10:23What's your name?
00:10:25Jordan Wells.
00:10:29Shea Betancourt.
00:10:30What are you doing after school today?
00:10:33Do you have a car?
00:10:50It's right here.
00:10:57Thanks.
00:11:00That's all I get?
00:11:02I thought we were going to get to hang out.
00:11:04I'm sorry, I have work.
00:11:06Can't you get someone to cover your shift?
00:11:08My boss doesn't like it when we do that.
00:11:11And where's that?
00:11:13Folk Valley.
00:11:15The Country Club? Oh, my father's a member.
00:11:17I've done your brunches. It's not really my scene.
00:11:19Why? You don't like the food?
00:11:21I don't like the cigar smoke.
00:11:24I guess you haven't been in a while.
00:11:26There's a new no-smoking policy in the main dining room.
00:11:28It's not the smoke that bothers me.
00:11:30Thanks for the ride.
00:11:34Good afternoon, and welcome to MOCA.
00:11:36Thank you.
00:11:38This is some useful information you guys are going to need
00:11:40tomorrow for the press release.
00:11:42So, you're welcome.
00:11:44There you go.
00:11:46Thank you, dear.
00:11:48Okay, well, let's begin.
00:11:50Desiree Thomas.
00:11:52She fit perfectly in the scripted world.
00:11:54Did everything with a natural grace.
00:11:57Comfortable wherever she was.
00:11:59Effortless.
00:12:03Seems everything I did was calculated.
00:12:05I'm a good guy.
00:12:07I'm a good guy.
00:12:09I'm a good guy.
00:12:11I'm a good guy.
00:12:13I'm a good guy.
00:12:15I'm a good guy.
00:12:17I'm a good guy.
00:12:19It led to get me somewhere else.
00:12:21Took me twice as much energy
00:12:23for half the result.
00:12:28We dated a few times,
00:12:30but there was no mystery.
00:12:34A good relationship needs mystery.
00:12:46Yes.
00:12:47Yes?
00:12:47Hi, is Shea home?
00:12:49I'm sorry.
00:12:50Shea?
00:12:51We go to Edgerton together.
00:12:53I think you have the wrong house.
00:12:56Is this the bet in courts?
00:12:58No.
00:13:17I dropped my lipstick.
00:13:45I noticed.
00:13:49Aren't you going to ask?
00:13:50What?
00:13:51Your real address?
00:13:53Nice fake.
00:13:54You trying to throw me off balance?
00:13:56No, not really.
00:13:57I just didn't want to tell you where I live.
00:13:58Why is that?
00:13:59Because it's not Ambassador Heights.
00:14:01Oh, I'm sorry.
00:14:03So you think I'm so shallow that I would
00:14:05judge you by where you live?
00:14:06Look, we can talk about my class inferiority complex later.
00:14:09Wouldn't you prefer to discuss my favorite shade?
00:14:23Hey, Astro.
00:14:26I heard all about you and your one lipstick fetish.
00:14:29You want to add me to your collection?
00:14:31Oh, come on.
00:14:34Those other ones were like homework assignments.
00:14:38And I'm like the final exam?
00:14:41Yeah, and that's a good thing because I always ace my finals.
00:14:44So what exactly do I get if you ace me?
00:14:48Some unbelievable pictures of yourself.
00:14:50Yeah, but those are for you.
00:14:53I guess I'm just cashed out then, huh?
00:14:56Maybe not.
00:15:09She learned the cello taking night classes
00:15:14at Rutherford Music School.
00:15:18Her mom's idea.
00:15:20Thought it would add a little refinement
00:15:22to an otherwise shaky upbringing.
00:15:26She told me her mom died a few years back.
00:15:31Now she lived with her sister, who wasn't around very much.
00:15:37How's this?
00:15:39I'll let you shoot a roll of pictures of me
00:15:42if you take some pictures for me first.
00:15:44I'm sorry.
00:15:45I'm kind of slow on the uptake here.
00:15:47Can you translate that for me?
00:15:51I'm in a bit of a situation.
00:15:52A situation?
00:15:54Relationship.
00:15:56Somebody at school?
00:15:58It's complicated.
00:15:59How so?
00:16:00He's older.
00:16:02Married?
00:16:03No, not married.
00:16:04Not anymore.
00:16:06But let's just say in his position,
00:16:07he definitely shouldn't be hooking up with me.
00:16:09And what position is that?
00:16:11That would be the fact that I'm still in high school.
00:16:13OK.
00:16:14I'm listening.
00:16:17So I'm not exactly sure where things are going right now,
00:16:20but it seems to be getting out of control.
00:16:23So how's my camera fit in in all this?
00:16:25I'd like you to follow us.
00:16:27Capture a few moments, if you know what I mean.
00:16:29Just in case something happens.
00:16:31My advice, you should call a cop.
00:16:33Look, he made me a promise, and I just
00:16:34need to make sure that he keeps it.
00:16:35So I take pictures for you, and you
00:16:38let me take pictures of you.
00:16:40Exactly.
00:16:42I don't know if I'm the right person for this.
00:16:45I've got my own problems at the moment.
00:16:48OK.
00:16:49There's the door.
00:17:00It seemed like a reasonable deal.
00:17:02Pictures for pictures.
00:17:10But the more I shot, the more intrigued I was by her.
00:17:20And it made me realize how bored I'd been.
00:17:32Crush.
00:17:35Every picture I took peeled away another layer.
00:17:44But every time I peeled one away,
00:17:47it seemed like I discovered two more.
00:17:54For the first time in a while, I felt excited by a challenge.
00:17:58His name's Wade Chandler.
00:18:00He's a member at Oak Valley and a partner
00:18:03in a law firm downtown.
00:18:07We had a recital last winter at Rutherford for supporting
00:18:10patrons, and he was there.
00:18:13And he came up to me and said he remembered me from the club.
00:18:17And he liked how I played.
00:18:19And he promised to help me get into this program at Hartley.
00:18:24A performance scholarship awarded
00:18:26to four students every year.
00:18:27Full ride, all expenses.
00:18:31Do you know what Hartley means?
00:18:33That's one of the best music schools in the country.
00:18:36It means freedom, Jordan.
00:18:38Not being trapped.
00:18:39Not having my options limited.
00:18:42The fast lane into any philharmonic in the world.
00:18:47And he's just going to set you up?
00:18:51He has some friends on the advisory committee.
00:18:53Huh.
00:18:56So this beautiful young cellist who
00:19:01basically lives on her own takes this young artist
00:19:05under his wing.
00:19:06It wasn't like that.
00:19:08It just slowly developed into more.
00:19:10And how many other musicians is he helping?
00:19:13Any overweight tuba players with club feet
00:19:17and bad cases of acne?
00:19:18You don't do gel as well.
00:19:20Has anyone ever told you that?
00:19:21Really?
00:19:22It feels very natural.
00:19:23Well, I'm glad you think you know everything.
00:19:25You have it all figured out.
00:19:26Sorry.
00:19:27You're the one who's having me take the pictures.
00:19:29Clearly, you're having doubts.
00:19:31Can I see the pictures?
00:19:38Thanks.
00:19:46Good.
00:19:48OK.
00:19:49So your place after school?
00:19:51Better make it yours.
00:19:54It's been said, a good photographer
00:19:57captures the subject.
00:19:59But a good subject captures the photographer.
00:20:04She had me.
00:20:06There was no doubt about it.
00:20:09She wasn't like the Xavier girls.
00:20:13But that's what drew me to her.
00:20:21Sit down.
00:20:51Sit down.
00:21:07Play.
00:21:08Play Bach.
00:21:22Look at me.
00:21:31Her face spoke volumes.
00:21:35I became addicted to it.
00:21:43Her horny face spoke volumes.
00:21:46I became addicted to it.
00:21:51Her rigid eyes challenged me.
00:22:01It's a strange thing that happens
00:22:03when an artist and a subject click.
00:22:08A synergy is created.
00:22:14Each senses that they're playing a role
00:22:16in something that's very powerful.
00:22:22But it's unspoken.
00:22:28Say that out loud, and you might kill it.
00:22:52Hey.
00:22:54You want to shoot some more?
00:22:56Absolutely.
00:22:57Meet me at my place after school.
00:23:10Like this?
00:23:11I can't hear you.
00:23:22I could take your picture every day.
00:23:34How about this right here?
00:23:38Yeah, that's it.
00:23:46You got to change roles?
00:23:48No, I've got one more shot.
00:23:52Cute.
00:23:53What's it going to be?
00:24:05You're on the phone.
00:24:17What is this shit?
00:24:20T?
00:24:21Why aren't you answering yourself?
00:24:23T, this is Jordan from school.
00:24:25Jordan, this is my sister, Tara.
00:24:27You should answer your goddamn cell.
00:24:29I've been calling you since yesterday.
00:24:31I haven't gotten any phone calls from you.
00:24:33Are you sure you're dialing the right number, honey?
00:24:35What the fuck are you trying to say?
00:24:37You should go now.
00:24:39Are you going to be okay?
00:24:41Shay, where the fuck is it?
00:24:43Where's what, Tara?
00:24:45You fucking know what.
00:24:47Tara, you have to be more specific.
00:24:49You want us to...
00:24:50Picasso once said that every child is an artist,
00:24:53but that the secret is to remain one once you grow up.
00:24:58The Museum of Kids Art, the reason why you're all here today,
00:25:01helps artistically inclined children do just that.
00:25:05But MOCA's good intentions...
00:25:08will remain, uh, intentions,
00:25:12without commitment, without action,
00:25:14without a few checkbooks behind them.
00:25:19We started this foundation to let MOCA know
00:25:22that they do not stand alone in their efforts,
00:25:25that there are a number of other people that will support them.
00:25:35And he told me that if you get me $10 million, I can retire,
00:25:39and I never heard from him again.
00:25:42Jordan! Someone I want you to meet.
00:25:44Jordan, this is Wade Chandling.
00:25:46How are you?
00:25:47Mr. Chandling is a bankruptcy lawyer.
00:25:49He's got a firm downtown.
00:25:51Hopefully you'll never need our services.
00:25:53You're cleaning up that High Falls mess.
00:25:56Yeah, if I can get the federal auditors off my ass.
00:25:59Yeah, well, after what happened in Alma,
00:26:01those guys are going to peel back every state-funded urban renewal project.
00:26:04Yeah, it's a dead end.
00:26:05They're never going to find anything on my guy.
00:26:07I liked your speech.
00:26:09Thank you.
00:26:11Listen, if you ever need anything for your foundation,
00:26:13you just give me a call.
00:26:15I will.
00:26:20Jesus, Jordan, what are you doing?
00:26:22I'm abducting you.
00:26:23If you scream, I'll be forced to cover your mouth.
00:26:25No, Jordan, I didn't know he was going to be here.
00:26:28What if he catches us?
00:26:29Let him.
00:26:31What did you guys talk about?
00:26:33Some pictures that I was going to show him.
00:26:35Right, yeah. Funny.
00:26:37I got to go.
00:26:38Hey.
00:26:39I got to go.
00:26:40I got to go.
00:26:42Shay, Shay.
00:27:04Tell me, tell me true
00:27:07Do you speak with the spirits
00:27:09The way I do
00:27:11Do you dance the dance
00:27:13With the hands on you
00:27:15Do you sleep at night
00:27:18All right, look right at me.
00:27:20What difference does it make
00:27:22Perfect.
00:27:23You can walk for the life
00:27:25Or make a mistake
00:27:27Forgive me now
00:27:29I've got something to shake
00:27:31Do you see that monkey here
00:27:35Dance with me
00:27:37Take my hand
00:27:39I've become a person
00:27:41I don't understand
00:27:43But with you I can find
00:27:45And find a place to land
00:27:47If you dance with me
00:27:49Magenta madness.
00:27:51No.
00:27:54Cotton candy.
00:27:56No.
00:28:01Crimson red.
00:28:03No.
00:28:06You're not going to tell me?
00:28:09Not until you tell me something first.
00:28:12Okay, what?
00:28:14I don't know, anything.
00:28:17Something no one else in the world knows except you.
00:28:22You scare me.
00:28:23I already knew that.
00:28:24I said tell me something that no one else knows.
00:28:26You scare me and I like it.
00:28:30You're such a charmer.
00:28:32Oh, yeah?
00:28:35Yeah.
00:29:05Her favorite shade was cherry crush.
00:29:27It fit so perfectly that I didn't know whether to believe her or not.
00:29:35One thing I did know,
00:29:39there was something different about her.
00:29:46She felt like something I needed
00:29:49more than I wanted.
00:29:59That maybe I was crossing some line without realizing it.
00:30:18You know, that uniform would look great on the deck next to my hot tub.
00:30:24Jordan Wells.
00:30:26Mr. Shannon.
00:30:29Call me Wade.
00:30:30What are you drinking?
00:30:33Coke.
00:30:34Ooh, boy.
00:30:35Drinking this man a Coke, Gary.
00:30:41The speech you made really impressed me.
00:30:44Thanks.
00:30:47Thanks, Gary.
00:30:48Funny thing is,
00:30:51watching you that day
00:30:55really reminded me of myself at your age.
00:31:00How's that?
00:31:03High-powered father?
00:31:06Gives you a lot, but nothing without strings attached?
00:31:10Am I close?
00:31:13Yeah.
00:31:17Gotta give your father some credit, though.
00:31:22He must have a lot of control.
00:31:27After that Xavier business.
00:31:34Can't keep a secret too long in the age of information, can you?
00:31:39Cheering the foundation.
00:31:41Your father's idea?
00:31:42Yeah.
00:31:43Got your eye on Cornell?
00:31:46It's the plan.
00:31:47Look,
00:31:50very few kids grow up wanting to be lawyers.
00:31:55I mean,
00:31:57growing up you want to be a ball player, an astronaut, a rock star.
00:32:03Not a lawyer.
00:32:05Christ, you think I grew up wanting to be a bankruptcy attorney?
00:32:09Fuck, no.
00:32:11You know what lawyers are, Jordan?
00:32:14Lawyers are translators.
00:32:17Translating the language of the land.
00:32:20What is the language of the land?
00:32:26Money.
00:32:27Money, fuck yeah, you got that right.
00:32:30The question is,
00:32:33are you going to speak the language of the land,
00:32:36or are you going to have it spoken to you?
00:32:39Freud had it right.
00:32:42Two most important things in this life,
00:32:45your work, your sex.
00:32:50Don't need to make it complicated, Jordan.
00:32:53Just don't let anyone fuck with your money,
00:32:58or your pussy.
00:33:12Thank you, cop.
00:33:22God, I was so nervous watching you two.
00:33:25He's fearless.
00:33:27I mean, he's the kind of guy that just drives through red lights
00:33:30to let the world know they can't fuck with him.
00:33:35You know how they catch monkeys in Southeast Asia?
00:33:38I do not know how they catch monkeys in Southeast Asia.
00:33:42Would you like to know?
00:33:47With a basket.
00:33:50They cut a little hole in the basket
00:33:52that's just big enough for the monkey to put his hand into,
00:33:55and they put fruit in it,
00:33:57so when the monkey puts his hand in and he grabs the fruit,
00:34:00his closed fist is too big to put back through the hole.
00:34:04So instead of just letting the fruit go and running free,
00:34:07he just waits there until the trappers come.
00:34:14Is that true?
00:34:16Sucks for the monkey.
00:34:21It's kind of like most guys I know.
00:34:24Once they get a taste of it, they just can't help themselves.
00:34:27Even though logic is telling them to just back off, they can't.
00:34:33I just keep coming back for more.
00:34:37Her life wasn't easy, that much I was certain of.
00:34:44There was something tragic and sad just under her skin,
00:34:50a feeling that she had limited time,
00:34:56and any moment her world might cave in.
00:35:03Hey.
00:35:05Jordan.
00:35:07What's wrong?
00:35:09I need to see you.
00:35:12I called Hartley.
00:35:14They said the letters went out two weeks ago.
00:35:17Did you call him?
00:35:20I'm going to show him the pictures, Jordan.
00:35:24What?
00:35:27Shay, you've got to think this through.
00:35:31No.
00:35:32Fuck him.
00:35:33He's not getting away with this shit.
00:35:35Fuck him.
00:35:36Treating me like I'm some fucking Barbie doll,
00:35:38like he can just play with me whenever he wants to.
00:35:41Fuck that.
00:35:43I'm going to take these to the cops.
00:35:45I'm going to show his friends, a lawyer.
00:35:47I don't know, but I'm going to show somebody
00:35:49because someone's going to fucking listen to me.
00:35:52You had such a good idea.
00:35:55It's too late.
00:35:57We're meeting by the glen tonight.
00:36:01I can't let you do that.
00:36:04It's not up to you, Jordan.
00:36:06I'm involved in this.
00:36:08You made me a part of this, Shay.
00:36:11Oh, I did.
00:36:12I did.
00:36:13I'm sorry.
00:36:14Okay, then you're excused.
00:36:15How about that?
00:36:16Is that better for you?
00:36:18One way or another, he's going to help me get into this program.
00:36:21Without a scholarship?
00:36:23What do you think, he's just going to snap his fingers?
00:36:26Just wave a magic wand?
00:36:28No.
00:36:29No, they want me.
00:36:30I know that they want me.
00:36:31I just need the money.
00:36:32And he's got the money.
00:36:33Trust me, he's got the money.
00:36:37Did you know that he's been under investigation?
00:36:41Have you seen these?
00:36:45Yes, and they haven't found anything.
00:36:48There's a metal box bolted to the floor in his bedroom closet.
00:36:51It's not really a safe, but one of those fireproof things that you put really important documents in, you know what I mean?
00:36:56I was at his place once and I could have sworn I saw Wade put cash into it.
00:37:00A lot of cash.
00:37:03Why?
00:37:05Say it.
00:37:07Tell me what you're thinking.
00:37:09Tell me how naive I am.
00:37:11Tell me I'm really fucking stupid for thinking that he might actually care about me.
00:37:15I think you should forget about him.
00:37:18I think you should let it go.
00:37:19That's easy for you to say, right?
00:37:21Easy for you to say because you could just hop back into your cozy silk covers whenever you need to.
00:37:26It doesn't work like that for me.
00:37:28The world doesn't work like that, okay?
00:37:31I needed this.
00:37:33I really needed it.
00:37:48Are you okay?
00:37:50I just wanted to hear you.
00:37:52We should come up with a signal or something.
00:37:54For?
00:37:56Well, in case you get the feeling that something bad is happening.
00:37:58I'll deal with it.
00:38:02Just open up the door and get out of the car.
00:38:05Okay, and then what?
00:38:07I don't know.
00:38:09I don't know.
00:38:11I don't know.
00:38:13I don't know.
00:38:16Okay, and then what?
00:38:18And then I'll come and save you.
00:38:25Jordan?
00:38:26Yeah?
00:38:27I'm glad you're here.
00:38:45I'm glad you're here.
00:38:47I'm glad you're here.
00:38:49I'm glad you're here.
00:39:13I don't like it.
00:39:15I don't like it.
00:39:17Don't fuck around with me, okay?
00:39:19Don't fuck around with me.
00:39:20Right now.
00:39:21Get off me.
00:39:22Get off me.
00:39:28Get off me.
00:39:32Jordan!
00:39:48What the hell happened?
00:39:50I've been waiting for an hour.
00:39:52We're supposed to meet about the charity auction.
00:39:54What, you totally blew me off.
00:40:03Jesus, what happened to you?
00:40:07I'm okay.
00:40:09Okay? No, you're not okay.
00:40:10I'm okay, please.
00:40:13Jordan, look at you.
00:40:14You're not okay.
00:40:15What happened?
00:40:21I've been waiting here an hour
00:40:23and you're not going to give me the courtesy of an explanation?
00:40:28I'm sorry.
00:40:33Whatever.
00:40:46Just take it easy.
00:40:48You're fucking in on this with her?
00:40:50What?
00:40:54You're trying to take my fucking money?
00:40:56You want to take my fucking money?
00:41:15I'm sorry.
00:41:45I'm sorry.
00:42:15I'm sorry.
00:42:46I don't think you and I should be seen together for a few days.
00:42:51Okay?
00:42:52Yeah.
00:42:59Where are Wade's keys?
00:43:01I've got them.
00:43:03Let me see.
00:43:16One of these keys unlocks that box.
00:43:22I know Wade's security code.
00:43:24He left me a key that time I was there.
00:43:27Look, I think the only thing you and I should be focused on right now
00:43:32is how to keep us breathing free air for the rest of our lives.
00:43:38For the rest of our lives.
00:44:08I love you.
00:44:10I love you.
00:44:12I love you.
00:44:37I've replayed it a thousand times in my mind, frame by frame,
00:44:41and come up with a thousand things we should have done differently.
00:44:47But life doesn't give you the chance to go back and edit.
00:44:56Should we have come clean?
00:44:59Called the cops, called my dad, pleaded self-defense?
00:45:05Or should we have been more drastic?
00:45:08Driven his body hundreds of miles away,
00:45:10dropped it into a river somewhere and hoped we weren't seen?
00:45:16A thousand things we should have done differently.
00:45:19But all we're left with is what we did.
00:45:23His assistant became concerned when no one heard from him Tuesday morning.
00:45:28Police searched for signs of Chandling in places he frequented,
00:45:32but found no traces of him.
00:45:35Early this morning, his body was discovered in the woods near Corbett's Glen.
00:45:39Sarah Cowan is at the scene.
00:45:41They found Wade Chandling's body in the park.
00:45:43Local attorney Wade Chandling was discovered early this morning by hikers.
00:45:47Really?
00:45:49He'd been missing for a couple of days.
00:45:51A hiker found him near the Glen, beaten to death.
00:45:54I'm Sarah Cowan, Channel 6 News.
00:46:00That's mezzo-forte in the second measure, Elena.
00:46:10Help you?
00:46:15She's not here.
00:46:17She didn't show up for practice today.
00:46:22Elena, please listen!
00:46:24She's sick.
00:46:26The office said there was no call.
00:46:31Thanks.
00:46:40Is she home?
00:46:42No, she's not home.
00:46:44Do you know where she is?
00:46:46No, I thought you might know where she is.
00:46:50Gordy, right?
00:46:52What?
00:46:54Gordon.
00:46:56Jordan.
00:46:58What do you want with her, anyway?
00:47:00Nothing.
00:47:02What do you want with her?
00:47:04Nothing.
00:47:07Nothing?
00:47:09We were just going to meet up later.
00:47:17Hey, this is Shay.
00:47:19Leave me a message after the beep and I'll call you back.
00:47:21Thanks.
00:47:23Shay, it's Jordan. I know I keep calling.
00:47:25I'm just trying to track you down.
00:47:27So, if I'm on my cell, if you could call me.
00:47:29Thanks.
00:47:37So, the, uh, donations that we got for the auction
00:47:39are several paintings and drawings
00:47:41from Elliot Damien, Gary Fine, and Robert Walker.
00:47:44And they're all estimated at over a quarter of a million dollars.
00:47:48So, we got very lucky.
00:47:57Really?
00:47:59Very interesting.
00:48:03What's up?
00:48:05What do you mean?
00:48:07You didn't say two words in there.
00:48:09Well, there's not much to say.
00:48:11I mean, Desiree and I just got a handle on it.
00:48:13Well, who's co-chairing this with me, you or her?
00:48:15Besides, last I heard,
00:48:17Desiree's already been accepted to Yale for the fall.
00:48:19Ah, yeah.
00:48:21I swear, Jordan, sometimes I just want to shake you
00:48:23out of your complacency.
00:48:28You do your homework before the next meeting.
00:48:31If you sit there with your thumb up your ass again,
00:48:33I'll take it off and leave it there permanently.
00:48:37Put the phone away.
00:48:59Remember me? Detective Griffin?
00:49:02Remember when you had that little problem at Xavier?
00:49:05Yeah.
00:49:07Did you take these?
00:49:09Yes.
00:49:11Not bad.
00:49:13You're a regular Andy Warhol, huh?
00:49:15No, not really.
00:49:17He was more of a painter.
00:49:21You know, you're just the guy I want to see.
00:49:23I'm thinking about getting a digital camera.
00:49:26Any suggestions?
00:49:28All that mega-pixel stuff.
00:49:30Makes my head spin.
00:49:35How much are you looking to spend?
00:49:37Not a lot.
00:49:41I'll give it some thought.
00:49:43I understand you're a friend of Shea Betancourt's.
00:49:47Yeah, that's right.
00:49:49Any idea where she is?
00:49:51She's been out the last few days.
00:49:53You know, I think she's sick.
00:49:55Don't think so. I checked her place.
00:49:57She's not there.
00:49:59Is she pretty tight?
00:50:01We hang out, man.
00:50:03She like having her picture taken?
00:50:09What's this about?
00:50:11How much do you really know about her?
00:50:14What do you mean?
00:50:16You know about her mom, right?
00:50:20Yeah, that she's dead.
00:50:22Who told you that?
00:50:24Shea mentioned it.
00:50:26Well, no.
00:50:28Her mom's alive and well
00:50:30and living in the Attica State Correctional Facility
00:50:33for women.
00:50:36How's that?
00:50:39She carved up Shea's stepdad
00:50:41with a steak knife a couple years back.
00:50:47I think we're talking about two totally different people here.
00:50:49Don't think so.
00:50:51How long has she been seeing Wade Chandler?
00:50:53You know who he is, right?
00:50:55Never mentioned him.
00:50:57Yeah, I guess dating a guy
00:50:59that's old enough to be your dad,
00:51:01that's not something you want to advertise.
00:51:03How do you know this?
00:51:05Well, Wade Chandling is a...
00:51:07was a member of the Oak Valley Country Club,
00:51:09same place Shea works.
00:51:11Some of the members had a problem
00:51:13with their cars being vandalized in the past few months,
00:51:15so they put a video camera in the parking lot
00:51:17to keep an eye on things.
00:51:19We got a look at the tapes.
00:51:21Lots of video of Shea
00:51:23climbing into Chandling's car after hours.
00:51:27Yeah.
00:51:29That's a real head-scratcher, isn't it?
00:51:33If you see Shea,
00:51:35it's important she contact me.
00:51:37Take care, Warhol.
00:51:43My office is really just getting up to speed on this case.
00:51:45Now, I've spoken to Chief Malley
00:51:47several times over the past few hours.
00:51:49I've made it very clear to him
00:51:51that he has our full support.
00:51:53You have to understand that an investigation of this type...
00:51:55Ms. Desiree?
00:51:57Dee, it's me. What are you doing?
00:51:59Watching my dad feed the media a few sound bites.
00:52:01What's up?
00:52:03I need to see you.
00:52:05Jordan Wells asking me for a favor.
00:52:07What are the odds?
00:52:09Can you meet me in an hour?
00:52:11Are you going to stand me up again?
00:52:13Dee, come on.
00:52:15Yeah, okay. Where?
00:52:21Here.
00:52:35Hey.
00:52:39With soy milk?
00:52:41Yeah.
00:52:43Hmm. You must be desperate.
00:52:45Thanks.
00:52:48Wanted to talk to you about the other night.
00:52:53And you've just got to trust me
00:52:55when I tell you that it's okay
00:52:57and that I'm sorry.
00:53:01Okay.
00:53:03I wanted to get together and thank you
00:53:05for everything you've been doing for the Foundation.
00:53:07Dee, I mean,
00:53:09you're saving my ass.
00:53:11Hmm. Right.
00:53:13So how's everything going with you?
00:53:15I mean, how's everything going in your dad's office?
00:53:17Everything's fine.
00:53:19You guys must be on this channeling thing.
00:53:21Hmm. Not officially,
00:53:23but, you know, they're moving kind of fast.
00:53:27Dude, you have any suspects?
00:53:29Well, I'm an intern, Jordan,
00:53:31and they don't really tell me anything.
00:53:35That's never really stopped you before, though.
00:53:37True.
00:53:41Okay. So off the record,
00:53:43it looks like they haven't been able
00:53:45to pull that much from the scene.
00:53:47What do you mean?
00:53:49Well, it means that whoever did it
00:53:51covered their tracks pretty well.
00:53:53They are hoping to catch a break
00:53:55when they find Chandler's car.
00:53:57And what about this whole audit thing
00:53:59that everybody's been talking about?
00:54:01What about it?
00:54:03Well, I mean, if he was shuffling around money
00:54:05for some of his clients, things could have gone bad, right?
00:54:07Yeah. Okay.
00:54:09Okay, what's the deal?
00:54:11Is this all for a pen and paper?
00:54:13Or does the Edgerton bugle
00:54:15have the whole staff working on the story?
00:54:17I'm just interested in what you do.
00:54:19I'm trying to keep up.
00:54:23Okay.
00:54:25You know, I'm gonna go.
00:54:27I don't really feel like hanging out with a stranger.
00:54:29Especially when it's a stranger
00:54:31I've known my whole life.
00:54:35Thanks for the chai.
00:54:41Thanks.
00:54:53What are you doing here?
00:54:55I freaked out.
00:54:57We talked about not doing anything
00:54:59out of the ordinary.
00:55:01Do you remember that?
00:55:03I'm just really confused right now.
00:55:07Where have you been?
00:55:09I went to the abandoned house on the bluffs.
00:55:11Huh.
00:55:13I just had to sort some things out in my head, you know?
00:55:17I got a visit from the police today.
00:55:21They know about Wade and me down there.
00:55:23Yeah, well, they have security cameras
00:55:25installed in the parking lot
00:55:27of the country club.
00:55:29So, yeah, they do.
00:55:35Why don't you tell me about your mother?
00:55:39You know what I mean.
00:55:41Because I was afraid, Jordan.
00:55:43Wade made it out like she was dead.
00:55:45As far as I'm concerned,
00:55:47she is dead.
00:55:51You didn't have to hide it from me.
00:55:53Not that.
00:55:59You have to go in there,
00:56:01and you have to talk to them.
00:56:03What if they put everything together?
00:56:05I just talked to my friend
00:56:07and they don't know anything.
00:56:09What if they find his car
00:56:11and then they find my fingerprints in it?
00:56:13No, they already know that you were in the car.
00:56:15They just don't know you were in the car that night.
00:56:19If you keep letting this hang out there,
00:56:21they're gonna get really suspicious about you.
00:56:25And then they could become really suspicious about me.
00:56:33What do I tell them?
00:56:37This is amazing.
00:56:39Amazing.
00:56:41I mean, in my wildest dreams,
00:56:43when I first decided to enter into this with my father,
00:56:45I did not think that we'd get this much support.
00:56:47So many of you tonight
00:56:49have been given so much.
00:56:51Not that I'm implying you haven't worked
00:56:53for what you have,
00:56:55but there is some money in here that is so old,
00:56:57I don't think there's a carbon dating test
00:56:59to trace its origins.
00:57:03What we've all been given,
00:57:05this money, though,
00:57:07is the invaluable blessings of our supportive families.
00:57:09A respect for education
00:57:11and belief
00:57:13in our hopes and dreams.
00:57:21Shay walked into the Edgerton Police Department
00:57:23and lied her way out of it.
00:57:27Later that day,
00:57:29I put the finishing touches on my own story.
00:57:31I completed my image
00:57:33transformation from prep school bad boy
00:57:35to a shining crusader
00:57:37for children's art.
00:57:39Right back into the Ivy League
00:57:41and beyond.
00:57:45Sometimes it feels like a charmed life,
00:57:47doesn't it?
00:57:49Sold for $4,500.
00:57:51There we go.
00:57:53Hey, awesome job.
00:57:55Awesome job.
00:57:57Thanks.
00:58:01Thanks.
00:58:13You had a good night tonight.
00:58:15Probably made enough to keep Milka running for years.
00:58:17I should definitely turn a few heads at Cornell.
00:58:21You sure know how to throw a great party, Dee.
00:58:23What do you want me to say?
00:58:25I do.
00:58:27It's in my blood.
00:58:29Yeah, the question is, though,
00:58:31is it in yours?
00:58:33What does that mean?
00:58:39We found Chandling's car today.
00:58:41It was parked on the roof
00:58:43of the city garage.
00:58:45They're pretty sure that he didn't leave it there
00:58:47because they found some muddy footprints in a size 10.
00:58:49He's a 12.
00:58:53The mud matches the samples
00:58:55that they took from the woods near the Glen.
00:58:57They also
00:58:59found a few partial latents
00:59:01that, uh, someone
00:59:03didn't do a very good job wiping off.
00:59:11The police got a tip today, Jordan,
00:59:13that a blue Audi
00:59:15was parked at the Glen
00:59:17for a few hours the night Chandling went missing,
00:59:19right about the same time you and I were supposed to get together.
00:59:21You know the girl
00:59:23they interviewed today, right?
00:59:29Yeah.
00:59:33Jesus, Jordan.
00:59:35That's what the chai latte
00:59:37was all about yesterday, huh?
00:59:39Oh, come on, don't.
00:59:41Don't you dare.
00:59:43I saw you that night.
00:59:45I saw the mud all over you,
00:59:47and I hope to God I was the only one.
00:59:49Look, you know something.
00:59:51Let's go to my dad right now.
00:59:55I know that she was involved
00:59:57with Wade Chandling,
00:59:59but that's...
01:00:01that's really
01:00:03just all I know, Dee.
01:00:05Come on, Dee.
01:00:21They cleared me.
01:00:23I'm free.
01:00:35I'm free.
01:01:05I'm free.
01:01:31Hello?
01:01:33Hello?
01:01:35Griffin.
01:01:37We gotta talk, you and me.
01:01:41I'm kind of in the middle of something right now.
01:01:43I suggest you drop it
01:01:45and meet me at the ball field in 20 minutes.
01:02:03This was my school, too.
01:02:05You might not believe it,
01:02:07but I was kind of a nobody back then.
01:02:11During football games,
01:02:13I'd sit on that hill over there
01:02:15by myself,
01:02:17observing life like it was
01:02:19being lived without me.
01:02:21Football players on the field,
01:02:23cheerleaders on the sideline,
01:02:25guys like you,
01:02:27Wade Chandling,
01:02:29and I.
01:02:31Wade Chandling
01:02:33in the stands,
01:02:35smiles on their faces,
01:02:37not a care in the world.
01:02:39I gotta get to class.
01:02:41Hey.
01:02:43I'll write you an excuse.
01:02:57Your girl's off the hook.
01:02:59Did she tell you?
01:03:01Yeah.
01:03:03And, uh,
01:03:05look what landed in my lap this morning.
01:03:09You already know what's in there.
01:03:11But open it anyway.
01:03:13I want to see your reaction.
01:03:25Now, there's two ways we can play this.
01:03:27One,
01:03:29I take those pictures to a judge,
01:03:31and I get a subpoena
01:03:33to check your shoe size and fingerprints.
01:03:35Your previous history
01:03:37with photography should make that
01:03:39almost a lock.
01:03:41Or two,
01:03:43you help me conduct
01:03:45a little experiment
01:03:47that just might save your ass.
01:03:49I've never seen those pictures before in my life.
01:03:51Right.
01:03:53And your A4 wasn't at the Glen the other night.
01:03:55I gotcha, Warhol.
01:03:57And the thing is,
01:03:59I'm pretty sure it wasn't your idea.
01:04:01It was all hers.
01:04:11You know anything about metadata files?
01:04:19It's the most amazing concept
01:04:21in digital photography.
01:04:23You store a file
01:04:25with a photo on a disc.
01:04:27All sorts of juicy stuff
01:04:29gets encoded in there.
01:04:31Date, time,
01:04:33what kind of camera,
01:04:35serial number.
01:04:39It's like a digital fingerprint.
01:04:41It's the nail in your coffin
01:04:43if somebody decides to cross-check those files
01:04:47against the number on your camera.
01:04:54Yeah.
01:04:56Scholarship.
01:04:58He was gonna help her
01:05:00get a scholarship.
01:05:02A scholarship.
01:05:04To Harley.
01:05:07Oh, man.
01:05:09That's beautiful.
01:05:11All for the advancement of art, eh?
01:05:15I don't think that was it, Warhol.
01:05:17It's just a theory I'm working on.
01:05:19I don't have it all put together yet,
01:05:21but it involves Chandling
01:05:23and a whole pile of money
01:05:25I think your girl
01:05:27was trying to get her hands on.
01:05:29And I am not talking
01:05:31tuition money.
01:05:33I'm talking about something
01:05:35in excess of one million bucks.
01:05:39Come on.
01:05:41See,
01:05:43I think Shay made you think
01:05:45that it was about the music.
01:05:47But really, Chandling
01:05:49was sitting on something big.
01:05:51And she knew it.
01:05:53So she tried to squeeze him
01:05:55to get him to pay her
01:05:57to keep her mouth shut.
01:05:59Things went bad,
01:06:01and then you came along to help clean up the mess.
01:06:03It was supposed to be about a scholarship.
01:06:05Well, like I said, it's only a theory.
01:06:09But we can test it.
01:06:13I'm thinking once I run your prints,
01:06:15they're gonna do a whole
01:06:17lot of talking.
01:06:19Maybe not enough
01:06:21to put one of Ben Wells' kids in Attica
01:06:23for the rest of his days,
01:06:25but do you think for one second
01:06:27that your life's gonna be the same?
01:06:29Which brings us back
01:06:31to our little experiment.
01:06:33I want one million dollars.
01:06:35What?
01:06:37One million.
01:06:39I don't have that.
01:06:41But she does.
01:06:43And maybe you already
01:06:45know that, Warhol.
01:06:53Here's my number.
01:06:55I want to hear
01:06:57from you by the end of the day.
01:07:01Now get the fuck
01:07:03out of here.
01:07:15♪♪♪♪
01:07:17♪♪♪♪
01:07:19♪♪♪♪
01:07:21♪♪♪♪
01:07:23♪♪♪♪
01:07:25♪♪♪♪
01:07:27♪♪♪♪
01:07:29♪♪♪♪
01:07:31Jordan?
01:07:33What happened
01:07:35to my house?
01:07:37You went back for the keys, Shae.
01:07:39Why would you say that?
01:07:41I met with the cop Griffin
01:07:43earlier today.
01:07:45What did he tell you?
01:07:49That he found the box
01:07:51in Wade's bedroom
01:07:53empty.
01:07:59Was this ever about the musical?
01:08:01Of course it was.
01:08:03He's trying to get us against each other.
01:08:05Can't you see that?
01:08:07I'm telling you the truth, Jordan.
01:08:09What do you want me to do to prove that to you?
01:08:15Where's the money, Shae?
01:08:17It's not here.
01:08:19I hid it someplace safe.
01:08:21In a few hours, Griffin is going to get a subpoena
01:08:23so they can check my prints.
01:08:25If you want to prove it, I need that money.
01:08:27Okay, you pay him, and then what?
01:08:29He could arrest you.
01:08:31He could even kill you.
01:08:33I don't care.
01:08:35He could arrest you. He could even kill you.
01:08:37We have two options right now.
01:08:39We can either get out of here
01:08:41as fast as we can, or we kill him,
01:08:43and we're not killers.
01:08:45We're not? No, we're not.
01:08:47I know a place where we could go
01:08:49where no one would ever find us
01:08:51and the cops couldn't touch us.
01:08:57I can't live looking over my shoulder, Jordan.
01:09:05I can't.
01:09:13I told her I'd go with her,
01:09:15but it was a lie.
01:09:17The only place I wanted to go
01:09:19was back.
01:09:21Back to simple.
01:09:23Back to scripted.
01:09:29Shae could ad-lib.
01:09:31She could make it up as she went along.
01:09:33She'd been doing it her whole life.
01:09:37And my whole life
01:09:39had been mapped out for me.
01:09:43I wasn't going anywhere.
01:09:53Griffin.
01:09:55You'll have it in an hour.
01:09:57The life everyone lives in their minds
01:09:59is so much better.
01:10:01So much more appealing
01:10:05than the one they're actually living.
01:10:09But almost always,
01:10:11the moment they have to give up
01:10:13the real one for the imagined,
01:10:15the equation changes.
01:10:31Hey.
01:10:45How much is there?
01:10:47A little over a million.
01:10:55We're gonna be okay, Jordan.
01:10:57Shae, I can't.
01:11:01What do you mean?
01:11:03I'm sorry.
01:11:07No, but everything was all set.
01:11:11I have to take this to Griffin.
01:11:13Just wait, all right? Just think this through.
01:11:15I already have.
01:11:17Where'd you get that?
01:11:19It was in the box with the money.
01:11:21What are you gonna do, shoot me?
01:11:23I'm sorry, but I can't let you go.
01:11:29Do whatever you gotta do.
01:11:37Come on.
01:11:39Come on.
01:11:41Come on.
01:11:43Come on.
01:11:45Jordan!
01:11:47Jordan!
01:12:15Jordan!
01:12:45Come on.
01:13:15Come on.
01:13:45God damn.
01:13:47Got the pictures?
01:13:55We're done?
01:13:57Yeah.
01:13:59Well, maybe not quite.
01:14:03Get on your knees.
01:14:05What?
01:14:07Oh!
01:14:09Oh!
01:14:11Oh!
01:14:13What?
01:14:15I have taken you down, kid.
01:14:17And you can tell every cop in the station
01:14:19That I took this money from you
01:14:21Because nobody's gonna believe you.
01:14:23I placed a call to Hart.
01:14:25Check out your girlfriend's story.
01:14:27There was no scholarship, Warhol.
01:14:29She never auditioned.
01:14:31Hell, she never even filled out an application.
01:14:33Nobody there knew anything
01:14:35About Shae Bettencourt.
01:14:37Get away from him.
01:14:39Hold your fire.
01:14:41Get away from him.
01:14:43I'll do it. Let him go.
01:14:45Jake, get out of here.
01:14:46Shut up, Jordan.
01:14:47Throw me your gun.
01:14:48It's not gonna happen.
01:14:51No! No, Jake!
01:15:12We gotta go.
01:15:14I'm not going with you.
01:15:17You don't have a choice, Jordan.
01:15:20Who are you?
01:15:22Me? Who am I?
01:15:26I guess I'm just a girl who saw an opportunity and took it.
01:15:29For money?
01:15:34I only have two real talents, Jordan.
01:15:36And the second one is that I know what the first one is.
01:15:39That's why you needed me.
01:15:41You knew just the right buttons to push.
01:15:43You probably even had the fucking log picked out to crash his head anyway.
01:15:47I lied about Hartley.
01:15:49Okay? I did.
01:15:51And I'm sorry.
01:15:53Look at me.
01:15:55I'm here, right?
01:15:57I saved you, didn't I?
01:16:02You saved me or you saved the money?
01:16:05Believe whatever you want.
01:16:07Believe whatever you want.
01:16:09But the reality is, if you stay here, they're gonna arrest you.
01:16:12Okay?
01:16:15Jordan?
01:16:20Come on.
01:16:28You do realize your life is over, don't you?
01:16:37Come on.
01:16:39Come on.
01:17:05A good photographer captures the subject.
01:17:10But a good subject...
01:17:14captures the photographer.
01:17:18I had been captured all right.
01:17:40Tea?
01:17:44What the hell happened?
01:17:47How long have you been here?
01:17:50Not long.
01:17:53Just got off the phone with my dad.
01:17:55He's been out all night.
01:17:57He's been out all night?
01:17:59I don't know.
01:18:01I don't know.
01:18:03I don't know.
01:18:05I don't know.
01:18:08He's been out all night.
01:18:11They found another body at the Glen.
01:18:14Detective Griffin?
01:18:16From the channeling case?
01:18:19You know him?
01:18:22Yeah.
01:18:23Yeah, that's the right answer, Jordan.
01:18:25They took a look at Griffin's phone records.
01:18:27They saw that you called him an hour before this happened.
01:18:29Tell me.
01:18:32Were you there?
01:18:37Mm-hmm.
01:18:40And that's when I realized it.
01:18:44What Shea meant.
01:18:48My life as I knew it...
01:18:51was over.
01:18:59You gotta get out of those clothes.
01:19:02Jordan!
01:19:04You gotta get out of those clothes.
01:19:07Jordan, go!
01:19:20Who were you last night?
01:19:22I was right here.
01:19:23Mr. Wells, we'll take it from here.
01:19:25Jordan, would you have a seat?
01:19:31You're not Detective Griffin, right?
01:19:35Yeah.
01:19:36I spoke to him last week.
01:19:38Spoke to him last week.
01:19:39Exactly. Why did he come and see you?
01:19:41Friends. We're friends with the girl.
01:19:45Who is this girl?
01:19:48We found these images on Detective Griffin's computer.
01:19:51Can you imagine anything about pictures like these?
01:19:53This is the last time you saw her.
01:19:54Yeah, it's true.
01:19:56You know what she is.
01:19:58Were you at the Glen last night?
01:20:00That's right.
01:20:02Now, under the circumstances,
01:20:03give me one of the judges who can grant me a subpoena
01:20:05to check if Wilson got on the channel in his car.
01:20:07So where were you last night, Jordan?
01:20:10I was here.
01:20:11Can you back that up?
01:20:12Okay.
01:20:13We'd like to help you, but you're crossing the line,
01:20:15and I think you should leave.
01:20:17You know what, Mr. Wells?
01:20:18We will come back with that subpoena.
01:20:20You don't have to get a subpoena.
01:20:22Who's this?
01:20:24Desiree Thomas.
01:20:25D.A. Thomas' daughter.
01:20:27I was with Jordan last night.
01:20:29We were right here.
01:20:32Are there any other questions?
01:20:36Well, I guess that's it, then.
01:20:38You know what, Mr. Wells?
01:20:39I think that's enough.
01:20:40Thanks for your time.
01:20:42I'll see you around.
01:20:43That won't be necessary.
01:20:51How well did you know this girl?
01:20:53We were just hung out, Dad.
01:20:54Jesus Christ, Jordan, tell me the truth.
01:20:56Now tell me.
01:20:57Do not let them blindside me with something else.
01:20:59There's nothing else.
01:21:00There cannot be.
01:21:25The guy, huh?
01:21:27I don't know what to say.
01:21:31You know what, Jordan?
01:21:34Neither do I.
01:21:44I just bought you two days.
01:21:46Maybe three.
01:21:48But this isn't over, Jordan.
01:21:57It was the final gift she would ever give me.
01:22:03Her last favor.
01:22:10It's strange to think of your future in terms of days.
01:22:17I'm sorry.
01:22:18I'm sorry.
01:22:19I'm sorry.
01:22:20I'm sorry.
01:22:21I'm sorry.
01:22:22I'm sorry.
01:22:23I'm sorry.
01:22:24I'm sorry.
01:22:26But it wasn't going to take those detectives any longer than that.
01:22:34Money was her only way out.
01:22:36And now it became mine.
01:22:41And that's why I transferred most of the money to another bag...
01:22:45before meeting Griffin.
01:22:49The money was the only leverage I had left.
01:22:55There's always a moment, sometimes more than one,
01:23:02when you can walk away.
01:23:08Choose not to play a role someone else may be writing for you.
01:23:16Reality finally kicked in.
01:23:20From my life,
01:23:26it was time I started writing my own script.
01:23:42My name's Jordan Wells.
01:23:46A marketer's report on me would read something like this.
01:23:51Rich. Privileged.
01:23:57Future doctor. Future lawyer. Future somebody.
01:24:04But you wouldn't expect an accessory to murder.
01:24:09Twice.
01:24:11With a million dollars to decide what to do next.
01:24:15But you wouldn't expect an accessory to murder.