1983 Nana FULL HOT MOVIE
Courtesan Nana (Katya Berger) invades Paris in the 1880s, quickly working her way up to the top levels of society in this erotic drama loosely adapted from Émile Zola's novel. She entices a wealthy banker to buy her a house, then moves on to a respected count.
Category
🎥
Short filmTranscript
00:00:00What the hell is going on here?
00:00:20Give them out! Out, you big stupid son of a...
00:00:24I will totally... This is a respectable house!
00:00:27Out! Out! Do you hear what I say? Out!
00:00:31Go on! Go on! Out! Out!
00:00:34Move! Move!
00:00:38Oh, Monsieur Steiner! Oh, welcome, welcome!
00:00:43A pleasure to see you again.
00:00:45Bonsoir, Monsieur Fontaine. I hope you have a very good table for me tonight.
00:00:48I have with me a very important guest.
00:00:50Oh! Oh, Monsieur Fauchery!
00:00:53The famous journalist of Le Figaro!
00:00:57Oh, you'll not be sorry.
00:01:00You'll not be sorry you ventured out in this awful weather.
00:01:04I have a surprise for you tonight.
00:01:07What is it?
00:01:08Marvellous!
00:01:09Who?
00:01:10The magician!
00:01:11Oh!
00:01:12And his beautiful assistant, Dara.
00:01:16She'll raise more than your eyebrows, gentlemen.
00:01:19Come, come!
00:01:45Marvellous!
00:01:46Who?
00:01:47The magician!
00:01:48Oh!
00:01:49And his beautiful assistant, Dara.
00:01:50She'll raise more than your eyebrows, gentlemen.
00:01:51Come, come!
00:01:52Marvellous!
00:01:53Who?
00:01:54The magician!
00:01:55Oh!
00:01:56And his beautiful assistant, Dara.
00:01:57She'll raise more than your eyebrows, gentlemen.
00:01:58Come, come!
00:01:59Marvellous!
00:02:00Who?
00:02:01The magician!
00:02:02Oh!
00:02:03And his beautiful assistant, Dara.
00:02:04She'll raise more than your eyebrows, gentlemen.
00:02:05Come, come!
00:02:06Marvellous!
00:02:07Who?
00:02:08The magician!
00:02:09Oh!
00:02:10And his beautiful assistant, Dara.
00:02:11She'll raise more than your eyebrows, gentlemen.
00:02:12Come, come!
00:02:13Marvellous!
00:02:14Who?
00:02:15The magician!
00:02:16Oh!
00:02:17And his beautiful assistant, Dara.
00:02:18She'll raise more than your eyebrows, gentlemen.
00:02:19Come, come!
00:02:20Marvellous!
00:02:21Who?
00:02:22The magician!
00:02:23Oh!
00:02:24And his beautiful assistant, Dara.
00:02:25She'll raise more than your eyebrows, gentlemen.
00:02:26Come, come!
00:02:27Marvellous!
00:02:28Who?
00:02:29The magician!
00:02:30Oh!
00:02:31And his beautiful assistant, Dara.
00:02:32She'll raise more than your eyebrows, gentlemen.
00:02:33Come, come!
00:02:34Marvellous!
00:02:35Who?
00:02:36The magician!
00:02:37Oh!
00:02:38And his beautiful assistant, Dara.
00:02:39She'll raise more than your eyebrows, gentlemen.
00:02:40Come, come!
00:02:41Marvellous!
00:02:42Who?
00:02:44The magician!
00:02:45Enjoy yourself!
00:02:46Go!
00:02:51Hector!
00:02:52Hector!
00:02:53Why are you hiding there in the corner?
00:02:55Come join us!
00:02:56Bonsoir, monsieur Stein.
00:02:58Good evening.
00:03:01May I introduce you to young Hector Muffat de Beauville,
00:03:03son of my good friend, Count Muffat.
00:03:05Pleasure.
00:03:06Monsieur Fauchéry of Les Figaro.
00:03:08How do you do, monsieur?
00:03:09Fine.
00:03:10I read your articles frequently.
00:03:11I find him most enlightening.
00:03:13You mean my gossip column.
00:03:15Thank you, I'm flattered.
00:03:17Is this, by any chance, your first visit?
00:03:20Huh, Hector?
00:03:21Yes.
00:03:22And what do you think of it?
00:03:24I find it almost incredible.
00:03:25Yes, indeed, incredible, that's what it is.
00:03:28Does your papa know that you're here?
00:03:30Oh, no.
00:03:31I certainly hope not.
00:03:32Please, Monsieur Fouchery, I beg you,
00:03:34do not announce it in your paper tomorrow.
00:03:36Don't worry, Hector.
00:03:37I only write on enlightening subjects.
00:03:41Thank you.
00:03:53Bravo!
00:03:54Wonderful!
00:03:55Wonderful!
00:03:56Bravo!
00:03:57Bravo!
00:03:59Thank you, ladies, thank you.
00:04:01And now, mesdames et messieurs,
00:04:03the minotaur proudly presents to you
00:04:06the dance of the erotic ostrich.
00:04:08And if you see anything you shouldn't,
00:04:10pray don't hide your heads in the sand.
00:04:35Nana.
00:04:36Nana.
00:04:39I've just seen Fontin.
00:04:41He says everyone is here,
00:04:42and they're all waiting to see you.
00:04:44Come on, off with the gown.
00:04:49Here, this should take the chill out of it.
00:04:59Now, smile at the rich ones.
00:05:01They're the ones who want to like you.
00:05:06Come on.
00:05:22Girard, I have you nothing better to do
00:05:24than stand round here.
00:05:25Out, out!
00:05:32I think he's very handsome.
00:05:34Handsome?
00:05:35Who cares if he's handsome?
00:05:36He hasn't got a soo.
00:05:59Thank you, thank you.
00:06:01And now, mesdames et messieurs,
00:06:04by public demand,
00:06:06the return of the magnificent man
00:06:08of magic and mystery,
00:06:10Monsieur Georges Méliès!
00:06:22I thank you.
00:06:25Good evening, ladies and gentlemen.
00:06:27Tonight, I have something very special for you.
00:06:31You have seen my illusions.
00:06:34You have also seen my famous erotic shadow play.
00:06:39And now, ladies and gentlemen,
00:06:41I'm going to show you my incredible new invention,
00:06:44the moving photographs,
00:06:46with the exciting new actress, Nana!
00:07:01Excuse me.
00:07:03Excuse me.
00:07:33Excuse me.
00:08:03Excuse me.
00:08:04Excuse me.
00:08:33Excuse me.
00:08:42I see you like my new invention,
00:08:45the moving photographs.
00:08:47And now, my new actress, Nana!
00:09:03Bravo!
00:09:04Bravo!
00:09:05Bravo!
00:09:06Bravo!
00:09:07Bravo!
00:09:08Bravo!
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00:10:00Bravo!
00:10:01with her. Fontaine d'etre girl is wonderful. We must meet this beautiful nana.
00:10:06No problem. No problem. Follow me. Hector, you'd better stay here. This is not for
00:10:14you. You've seen enough for one night.
00:10:25Come! Come!
00:10:31Yes, monsieur? Some gentleman to see nana. I'm sorry, but nana is dressing. It only
00:10:47takes a moment. I said no, not now. She just can't. Gentlemen, nana's just finished her
00:10:54show. She's very tired. She needs time to get changed and have a rest. Gentlemen. Gentlemen,
00:11:07I'm sorry. Well, let's go. No, wait! Look!
00:11:24She's gorgeous! Wonderful. Look, look, look, look, look, look, look, look, look, look, look,
00:11:53look, look, look. Fontaine, Fontaine, I simply must have that girl right now, this very minute.
00:12:20Oh, I'm sorry, sir. That's impossible. She just isn't one of my girls.
00:12:24The baker one. You must. She's so young. She's so beautiful.
00:12:29She's wonderful.
00:12:31How much will it cost?
00:12:33500.
00:12:34500.
00:12:35500 francs? For that? You're crazy.
00:12:3950 and that's...
00:12:40Oh, you must be joking. I'm sorry, sir.
00:12:43It's robbery.
00:12:45200.
00:12:46200.
00:12:47200.
00:12:49All right. Five.
00:12:52Bless you, sir. And don't forget to give something to the girl.
00:12:57Come with me, sir.
00:13:01Go on. Go on. Go on.
00:13:04Take time.
00:13:24Good morning.
00:13:25You are late. Or should I say early?
00:13:31Sorry, father. I was...
00:13:33Sorry? Your poor mother didn't sleep last night.
00:13:38But, father, I...
00:13:39And Renny? Well, I think she's about to break off the engagement.
00:13:43Please, father, I...
00:13:45I hope you have a good excuse, young man.
00:13:48Forgive me, mama.
00:13:52See me in my library.
00:13:58If you'll excuse me.
00:14:04Yes, father?
00:14:09Are those the clothes for the Sorbonne?
00:14:13And I wasn't aware the Sorbonne was in the habit of giving all-night lectures.
00:14:19No, father, they're not.
00:14:21Ah.
00:14:24Then perhaps you could give them to me.
00:14:27No, father.
00:14:28No, father, they're not.
00:14:30Ah.
00:14:33Then perhaps you'd care to tell me where you did spend the night.
00:14:37I was at the Minotaur.
00:14:39The Minotaur?
00:14:42Why, that's a...
00:14:43A bordello.
00:14:46You...
00:14:47A mouffard?
00:14:50You spent the night in a bordello?
00:14:52I... I mean in a house of ill repute?
00:14:56Well, if anybody had seen you,
00:14:59I wouldn't be able to show my face in town,
00:15:02even less at the ministry.
00:15:06Why, only yesterday I was appointed personal escort
00:15:10to the Prince of Scotland
00:15:12during his state visit, and my son...
00:15:14Mother, please.
00:15:17And your mother,
00:15:19your poor mother,
00:15:21if she knew...
00:15:25And what about Rennie?
00:15:28The daughter of the Duke of Chezelles.
00:15:31Father, you talk as if I didn't know who we are.
00:15:34And you act as if you don't know who we are.
00:15:40A bordello.
00:15:48I thought I ought to prepare for my wedding day.
00:15:52Well?
00:15:54Did you?
00:15:56No, Father, I didn't.
00:15:58That is, I couldn't. I didn't dare to.
00:16:01Good heavens, that makes it even worse.
00:16:04That son of a bitch, Fontaine!
00:16:06Is this all he gives you?
00:16:08I bet Steiner paid far more than that.
00:16:10But that's over 200 francs.
00:16:12That's nothing. Steiner owns a bank.
00:16:15You can get far more than that.
00:16:17The man's wallowing in it.
00:16:19The man's wallowing in it.
00:16:21I'll bet he paid Fontaine more than twice that amount.
00:16:25Don't give him so easily next time.
00:16:28Make him beg.
00:16:31Do you think he'll come back?
00:16:33Oh, he'll be back for more, all right. You can bet on that.
00:16:36But don't take a pittance next time.
00:16:38If a man wants you, make him pay.
00:16:40Horses, carriages, jewels.
00:16:42Make him give you his soul.
00:16:50Oh!
00:17:14Nana!
00:17:16Nana!
00:17:18Yes?
00:17:24What a beautiful dress.
00:17:26I have to go to the Minotaur. See you tonight.
00:17:28Goodbye.
00:17:29Don't be late. We have a show tonight.
00:17:31Bye.
00:17:40That was my stunning new actress, Nana.
00:17:44Goodbye.
00:17:48Goodbye.
00:18:03Listen, I'm sorry I'm late, my darling,
00:18:05but I was at the Sorbonne with my professor.
00:18:07Your professor? Strange.
00:18:09Yesterday I was at the Sorbonne looking for you,
00:18:11and the professor said he hadn't seen you in a month.
00:18:14You were at the Sorbonne?
00:18:16Listen, Hector, I'm tired of your lies.
00:18:18I hardly see you anymore.
00:18:20I don't know where you are, what you're doing.
00:18:24Renée, I...
00:18:25I don't care. I've decided to break our engagement.
00:18:28Oh, no, you can't mean that. Please, forgive me.
00:18:32I love you very much.
00:18:34I'll speak to my father, and we'll get married soon.
00:18:39Sometime next month.
00:18:42Right.
00:18:46Nana!
00:18:48Oh, you.
00:18:50Where is she? Where's Nana?
00:18:54There.
00:18:58Nana.
00:19:00You look so beautiful.
00:19:06Would you like to have dinner with me tonight?
00:19:08No, I can't.
00:19:10No, I can't.
00:19:12I booked my special table at Maxim's.
00:19:14I can't. I've got a show tonight.
00:19:17Fontanis promised to let you go straight after the show,
00:19:19so don't worry about that.
00:19:21I don't want to.
00:19:22Nana.
00:19:28This is the last night.
00:19:33Well?
00:19:35No, I can't.
00:19:40No.
00:20:00Stop!
00:20:02Oufa, there's the minotaur.
00:20:04You've heard of it. I want to go inside.
00:20:07But, sir, surely you don't want to go in there.
00:20:10This is a house of a repute.
00:20:12But just the same. I want wine, women, and song.
00:20:15Oh, my Lord, I was asked to show you Paris.
00:20:18No, let's go in. Let's go in.
00:20:20Come on, Oufa.
00:20:23If you insist.
00:20:25Sir, are you sure?
00:20:31Hector.
00:20:33How are you?
00:20:36Do you know each other?
00:20:38I know the young man's father.
00:20:40Ah.
00:20:42This is Xavier de Vandeur,
00:20:45king of Parisian nightlife.
00:20:47Pleased to meet you.
00:20:54Welcome, my friends.
00:20:56Xavier.
00:20:58This is His Royal Highness, the Prince of Scotland.
00:21:01Your Royal Highness.
00:21:04My good sir.
00:21:06Welcome to my humble establishment.
00:21:08Follow me. I have the best table in the house for you.
00:22:04APPLAUSE
00:22:11Thank you, thank you.
00:22:13Your Royal Highness, I'm proud to present our brightest new star,
00:22:16Little Nana.
00:22:18Your Highness. Thank you.
00:22:20And may I also present you to the Count Mouffard.
00:22:23A real count? Yes.
00:22:29I enjoyed your show.
00:22:32You are very lovely.
00:22:34Thank you. May I offer you champagne?
00:22:36Thank you. To you.
00:22:44Ah, Monaco.
00:22:46May I look? Yes, of course.
00:22:50Now do I look like a real countess?
00:22:52Yes.
00:23:02If you like it, please keep it.
00:23:05It's a gift.
00:23:07Thank you.
00:23:09I must go. Oh.
00:23:12Thank you.
00:23:32Good morning, darling.
00:23:37Where is Hector? I haven't seen him.
00:23:40He came home very late from his studies last night,
00:23:43so I didn't want to wake him too early this morning.
00:23:46His studies? Ah, it's good to know the boy is working hard.
00:23:50He'll have to if he's to raise a wife and family.
00:23:53Hmm? I'll go and wake him up.
00:23:55I have to talk to him.
00:23:57Don't disturb him. Please.
00:23:59It's important.
00:24:27Thank you.
00:24:57Hey, you! I've come to see Naná. I must see her.
00:25:00Where is she? Where is she?
00:25:02Naná, you've come to see Naná?
00:25:04Now the whole world knows she's dead.
00:25:06She's dead?
00:25:08She's dead.
00:25:10She's dead.
00:25:12She's dead.
00:25:14She's dead.
00:25:16She's dead.
00:25:18She's dead.
00:25:20She's dead.
00:25:22She's dead.
00:25:24She's dead.
00:25:26Naná, now the whole world wants to see her.
00:25:29Come.
00:25:35All these people for Naná?
00:25:56Naná.
00:26:02Ah, Naná.
00:26:04You're proving very popular.
00:26:06But don't let success go to your head.
00:26:09All I see is my success going to your pockets.
00:26:12You're well paid to get your share.
00:26:14Besides, I've got my overheads to think of.
00:26:16This place is expensive to run.
00:26:18Well, don't think I'll spend the rest of my life slaving for you.
00:26:21Well, do as you please, but elsewhere you're on your own,
00:26:23and I doubt if you'll survive.
00:26:25You'll see about that.
00:26:27Naná, I must talk to you.
00:26:29Naná, I must see you.
00:26:31I think of you.
00:26:33I think of you all the time.
00:26:38I want you.
00:26:40Oh, Steiner, please.
00:26:42Naná.
00:26:44Naná.
00:26:46I think of you all the time.
00:26:49I want you.
00:26:51I want you for myself.
00:26:54What does that mean?
00:26:56I'll give you anything.
00:26:58Anything you want.
00:27:00Steiner.
00:27:01Naná.
00:27:02I just...
00:27:03Believe me, anything.
00:27:07Anything?
00:27:13Anything?
00:27:15Yes.
00:27:16Come, tell me.
00:27:18Tell me what you desire and I'll get it for you.
00:27:20Within reason, of course.
00:27:24Well, I don't like it here.
00:27:26I work too hard.
00:27:28I'd like a big house
00:27:30with a big garden,
00:27:32all of my own.
00:27:37It's done.
00:27:48Naná.
00:27:51Come and see this.
00:27:53You won't believe it.
00:27:55It's so beautiful.
00:28:06Beautiful.
00:28:08Oh, and look at that over there.
00:28:10Isn't it fantastic?
00:28:17It's wonderful.
00:28:20Yes.
00:28:30Oh, it's lovely.
00:28:32Yes.
00:28:50Yes.
00:29:17Naná.
00:29:19Naná.
00:29:21Oh, Steiner, I love it, I love it.
00:29:23Everything is so wonderful.
00:29:25Well, do you realize what this property is worth?
00:29:28This is one of the best residential parts of Paris.
00:29:32On the northern end of the boulevard
00:29:34lives the Duke of Danzig,
00:29:36who incidentally is bankrupt.
00:29:38And on this end,
00:29:40the Count Muffat and his family.
00:29:42Count Muffat?
00:29:44I met him at the Minotaur.
00:29:46Oh, I got you out of there just in time.
00:29:49You would have ended up knowing everybody.
00:29:52Damn it, I can only spare a few minutes.
00:29:55I have a busy morning.
00:29:57Oh, Naná, Naná.
00:29:59Oh, Naná.
00:30:01Naná.
00:30:13Do you know what Cook has just told me?
00:30:16No, my dear, what is it?
00:30:19That banker Steiner,
00:30:22he's given a house to one of his women.
00:30:24The house right next door.
00:30:26She's some little stompett that works at the Minotaur.
00:30:31The Minotaur?
00:30:33It's one of those places one sees, dear,
00:30:36off the Champs-Élysées,
00:30:38full of foreigners and loose women
00:30:40who enjoy that sort of thing.
00:30:45Um, did you say the...
00:30:48the house next door?
00:30:50Yes, the de Villiers property.
00:30:53Within no time at all,
00:30:55the entire neighborhood will be a slum.
00:31:02Oh, Naná.
00:31:04Oh, Naná.
00:31:16Naná.
00:31:31Naná.
00:32:01See you tonight.
00:32:11This is Hector, the young man who sent you flowers.
00:32:20Ah, so you're Hector.
00:32:24Please don't get up.
00:32:26I've met your father.
00:32:28A very nice man.
00:32:31My father?
00:32:34Naná,
00:32:36I've seen your show at the Minotaur and...
00:32:39And?
00:32:43I adore you.
00:32:45Well, that's nothing new.
00:32:47Every man I've ever met has adored me.
00:32:50Every man wants something from me.
00:32:53But would you do something for me?
00:32:57Would you marry me?
00:32:59I can't.
00:33:01Oh, why not?
00:33:10I'm already engaged to be married.
00:33:12Yes.
00:33:14And who's the lucky girl?
00:33:21Well,
00:33:23well...
00:33:26My cousin. Her name is Renée de Chazelle.
00:33:29Renée de Chazelle.
00:33:31And when is the marriage?
00:33:35In July.
00:33:46Well, now, listen.
00:33:48I'll make you a promise.
00:33:50We'll get together, just you and I, on your wedding day.
00:33:53That's an easy date for you to remember.
00:33:56And if you really adore me, you'll be only too happy to do that.
00:34:20I love you.
00:34:22I love you.
00:34:50© BF-WATCH TV 2021
00:35:20My very first party in my own house.
00:35:22Imagine that.
00:35:25And everybody from the Minotaur will be coming.
00:35:27Oh, God.
00:35:28And I've arranged something for them.
00:35:30What?
00:35:31A hunt.
00:35:32A hunt?
00:35:33Steiner!
00:35:34No, no, no. I can't afford it.
00:35:36It's much too much.
00:35:37It's going to be beautiful. Look at the flowers.
00:35:39They're very nice.
00:35:40Come on, look.
00:35:41It will cost a fortune.
00:35:42Everything is going to be so lovely.
00:35:43Excuse me, I need some money. We have to pay them.
00:35:47All right.
00:35:48No, that's not enough.
00:35:49That's enough.
00:35:50I need more.
00:35:52Steiner, please. Thank you.
00:35:55That's for you.
00:35:56This is for you.
00:35:58Here you are.
00:36:00This is for you.
00:36:20Oh, God.
00:36:21Oh, God.
00:36:22Oh, God.
00:36:23Oh, God.
00:36:24Oh, God.
00:36:25Oh, God.
00:36:26Oh, God.
00:36:27Oh, God.
00:36:28Oh, God.
00:36:29Oh, God.
00:36:30Oh, God.
00:36:31Oh, God.
00:36:32Oh, God.
00:36:33Oh, God.
00:36:34Oh, God.
00:36:35Oh, God.
00:36:36Oh, God.
00:36:37Oh, God.
00:36:38Oh, God.
00:36:39Oh, God.
00:36:40Oh, God.
00:36:41Oh, God.
00:36:42Oh, God.
00:36:43Oh, God.
00:36:44Oh, God.
00:36:45Oh, God.
00:36:46Oh, God.
00:36:47Oh, God.
00:36:48Oh, God.
00:36:49Oh, God.
00:36:50Oh, God.
00:36:51Oh, God.
00:36:52Oh, God.
00:36:53Oh, God.
00:36:54Oh, God.
00:36:55Oh, God.
00:36:56Oh, God.
00:36:57Oh, God.
00:36:58Oh, God.
00:36:59Oh, God.
00:37:00Oh, God.
00:37:01Oh, God.
00:37:02Oh, God.
00:37:03Oh, God.
00:37:04Oh, God.
00:37:05Oh, God.
00:37:06Oh, God.
00:37:07Oh, God.
00:37:08Oh, God.
00:37:09Oh, God.
00:37:10Oh, God.
00:37:11Oh, God.
00:37:12Oh, God.
00:37:13Oh, God.
00:37:14Oh, God.
00:37:15Oh, God.
00:37:16Oh, God.
00:38:17I've found you, so don't you dare run.
00:38:32Look over there.
00:38:34Oh, isn't that exciting?
00:38:47Oh
00:39:17Oh
00:39:27Come I'll introduce you to Nana
00:39:30Nana Nana
00:39:33Nana
00:39:34Hello
00:39:36This is one of my best friends
00:39:38Hello, I'm pleased
00:39:47I
00:39:57Nana
00:40:17You
00:40:36Good morning, sir. Good morning. Um, could you tell the lady of the house that can't move eyes here to see her?
00:40:42Come on far
00:40:46Come in sir, come in. Thank you
00:40:50One moment, sir
00:40:54Nana Nana
00:40:58Nana quickly get dressed you won't believe who's arrived to see you can't move far come afar
00:41:12I
00:41:29Follow me sir. Thank you
00:41:43You
00:42:02Hello come far what a pleasant surprise
00:42:08Please sit down, won't you?
00:42:13Well, can I do something for you
00:42:17Well
00:42:21I'm terribly sorry to intrude
00:42:25But
00:42:27There's an important
00:42:28matter
00:42:30But I I want to talk to you about it concerns my son
00:42:36Hector you see he's only a student and
00:42:40And
00:42:42He has to complete his final exam
00:42:47My
00:42:49My wife and I are very concerned if he comes to see you all the time, but he's only been here once Oh
00:42:59But the point is one second, please
00:43:05Did you hurt yourself Oh
00:43:08My little baby, what's matter
00:43:21What happened she had to
00:43:37Hmm Oh
00:43:42My
00:43:45If only you knew
00:43:48I'm sorry
00:43:50Sorry, what have I done?
00:43:53my god
00:43:56I lost control. I I think I should go I know why stay
00:44:07Oh
00:44:37Why have they blocked a door up
00:44:44What's happening
00:44:52Steiner
00:44:54Steiner
00:44:56Where is the ma?
00:44:58Get away from this house. What on earth do you mean go away? Where's the ma go away?
00:45:03She doesn't want to see you doesn't want to see me. This is my house. No, it isn't. It's in Nana's name
00:45:08Oh, what nonsense is this Zoe?
00:45:11You signed it in her name. Don't you remember?
00:45:14She's a legal owner. She's the legal owner and how does she intend to pay the upkeep or pay the property taxes?
00:45:21Tell me that I'm sure she'll manage now. Just go away and leave her alone
00:45:27No, how dare you this is my house
00:45:33I'll make you little trollop. Sorry for this you mark my words
00:46:03You
00:46:33You
00:47:03Ah
00:47:05Ah
00:47:31No, no
00:47:35Oh
00:47:42Nana
00:47:44Oh
00:48:02What's the matter
00:48:04nothing
00:48:05Why are you dressed like that? I want to be a boy
00:48:09Boy, that's silly
00:48:12That would be a pity
00:48:15No, no
00:48:17Now tell me what's wrong nothing
00:48:22everything
00:48:24Nobody loves you. Don't love me. How can you say such a thing?
00:48:29What do you mean? I don't love you
00:48:32You know, I love you. I only want you to be happy and I will do anything to make you happy
00:48:40Anything yes
00:48:44Be my horse what be my horse, but no
00:48:52Come on you're my horse. What do you do?
00:49:10I want you to be my dog
00:49:24Good boy. Good boy. Go fetch it. Come on. Come on. Come on go fetch it
00:49:34Come on come on boy. Come on. Come on bring it back. Come on. Come on fetch it. Come on
00:49:39Come on boy. Good boy. Oh
00:50:09I
00:51:09I
00:51:39I
00:51:51No, no
00:51:52So you've come
00:51:54So certain this is your little Nana
00:51:57You're the actress you look even more beautiful than you do in the moving photograph. Oh Felix. Leave us alone
00:52:09Come on Jean you had them. I want to be a left alone
00:52:39No
00:53:09Oh
00:53:39You
00:54:09You
00:54:40Nana I'm so glad that you could find the time to come and visit with me as I wanted you to meet Bijou
00:54:49Hey Bijou
00:54:53Isn't he magnificent he most certainly is I want to buy him
00:54:59Buy him for what?
00:55:02He's a professional fighter will arrange fights for him
00:55:06He's as strong as an ox and will make a fortune in bets how much would he cost
00:55:13He belongs to a friend of mine he wants
00:55:16500,000 for him
00:55:18500,000
00:55:20Hmm
00:55:21Do you think I could?
00:55:24Certainly
00:55:27Go on
00:55:35Oh
00:55:41Come with me Bijou
00:56:05Oh
00:56:35Oh
00:57:05Oh
00:57:22But it'll be an investment
00:57:26No no I cannot raise that kind of money, oh don't be silly of course you can
00:57:35Please
00:57:38You know you know that I've given you everything you wanted right everything this time
00:57:48As a matter of fact my my financial situation just now is not very healthy
00:57:56So one of your farms in Normandy
00:57:59Sell one of my farms in Normandy
00:58:02But no no that's impossible I would have to what
00:58:08Well um I would have to tell my wife oh, I see
00:58:15We'll borrow the money
00:58:20500,000 where could I borrow it from borrow it from anybody borrow it from Steiner
00:58:28Steiner
00:58:30No no no no you must be joking
00:58:33Why not you'll make it back, and you could pay it back to him no no not not Steiner. Don't ask me that
00:58:40No, no
00:58:42Please no
00:58:44No
00:58:46I
00:59:10Want you to do something for me well now for you anything
00:59:16I think you might even enjoy it. Do you want me to kill someone not exactly?
00:59:22But I want you to have an affair with that countess Muffa
00:59:27Sabine me
00:59:30You want me to seduce Sabine why not she doesn't have a lover and she's a good-looking lady
00:59:38Me and Sabine
00:59:40I'll do it, but why what are you planning this time?
00:59:45Oh, no no you are a little devil do it why not Oh for sure II thank you
00:59:55Get me the contract
01:00:03You are required to sign both copies and of course will require substantial clitoral
01:00:12What would you suggest
01:00:15Property would be acceptable hmm if you feel in here
01:00:20say
01:00:21your house
01:00:25Your house on the boulevard de batignolles
01:00:31Sign here, please and fill in the address here, please
01:00:44I
01:00:50Thank you
01:01:14Oh
01:01:25It's so exciting then I can't wait all right come sit down now come on BG. We've just got to win
01:01:44Oh
01:02:14Oh
01:02:44Oh
01:03:14Oh
01:03:44Oh
01:04:14Oh
01:04:44Oh
01:05:14Oh
01:05:44Oh
01:06:14Oh
01:06:42Don't be upset
01:06:45Never mind
01:06:47Come come to bed. No. I don't feel like it
01:06:52But why?
01:06:53It's only money
01:06:56only money I
01:06:58am ruined
01:07:01And
01:07:02I'm not only thinking of myself
01:07:06What about my family my poor wife
01:07:11Your poor wife
01:07:14Your wife gets everything she needs from fushari, I'm sure she can get some money, too
01:07:20Oh Sherry yes fushari
01:07:27Listen if you care so much about your wife. Why don't you go back to her?
01:07:31Go on go home
01:07:33Get out. I don't want you here anymore. Please go and leave
01:07:38Get out of my house
01:07:40Go on get out
01:08:10Oh
01:08:30You
01:08:40You
01:09:10You
01:09:41I
01:09:54Don't I don't understand
01:09:59Don't you understand
01:10:02This is an eviction notice madam. You have precisely one hour to leave the premises this house
01:10:08Apologies round stables and outhouses now belong to this tiny bank
01:10:12This is to include furniture personal belonging clothing pictures and paintings
01:10:18in short
01:10:19Get out
01:10:22This is all your fault
01:10:25Because of you and your strumpet we're ruined
01:10:38I
01:11:01Don't understand you
01:11:04Steiner has taken my house
01:11:06Yes, but here
01:11:13Convenience you know no on the contrary. Ah now I can come to Hector's wedding with you
01:11:20No
01:11:22No, you can't
01:11:25Why not? Well, I I don't know. It's out of the question. Oh
01:11:30I see I'm good enough. You'd come and live with when you're homeless, but not good enough to go to your precious son's wedding
01:11:38We'll see
01:11:59Oh
01:12:25This way this way
01:12:29Oh
01:12:59Oh
01:13:29Oh
01:13:59Oh
01:14:29Oh
01:14:59Oh
01:15:22The enemies have become the best of friends. Well, he is the new Minister of Finance
01:15:27Don't tell me I wrote a big article about it in the figure. Oh, were you surprised that they appointed him?
01:15:35Say love you
01:15:36He's a good customer
01:15:39There you are Sutter that'll cheer you up. I'm sure make you feel better
01:15:44What's the matter with you sat down?
01:15:46Look so sad
01:15:49Haven't you heard about Nana? You know, she's leaving Paris
01:15:53She's decided to give up the good life, I'll believe that when I see it
01:16:00It's true she's leaving tomorrow. She's going to India to meditate
01:16:04We're all going to see her off
01:16:06Paris without her will be
01:16:08different
01:16:22Oh
01:16:52Oh
01:17:22Oh
01:17:52Oh
01:18:22You