1986 Hardbodies 2 FULL HOT MOVIE
A film crew is travelling from America to Greece to produce a movie. Before their work is done they will have to face many unusual situations, along with numerous opportunities for the actresses to take their clothes off.
Transcript
00:00:00♪ Adventures in paradise. You take me around the world when I close my eyes. You got me walking on fire and ice, and it sure feels nice.
00:00:18Adventure and imagination. Exotic places we can play. We're making movies on location. Pictures that we dream carry us away. Yeah, yeah, yeah, yeah.
00:00:48We're making movies on location. Pictures that we dream carry us away. Adventures in paradise. You take me around the world when I close my eyes. You got me walking on fire and ice, and it sure feels nice.
00:01:18Oh, oh, oh, oh, oh. Adventures in paradise. You take me around the world when I close my eyes. You got me walking on fire and ice, and it sure feels nice.
00:01:37Adventures in paradise. You take me around the world when I close my eyes.
00:01:44Dad?
00:01:45It's caca.
00:01:46Well, for caca, it's good caca.
00:01:49Logan, I can see the strings on the tray.
00:01:51Oh, Zack, you can see them. No one else can. Lights!
00:01:55It's embarrassing, Logan.
00:01:57Oh, for Pete's sake, Zack, will you calm down? No one of average intelligence can see anything.
00:02:02You didn't notice any strings, did you, Snookums?
00:02:05Oh, no, I didn't see anything, Bobo.
00:02:07Talents from gay parades.
00:02:10Lucy, my little cream puff. About the bathroom set, a real airplane bathroom is just too tight. Could you build me a bigger one, perhaps with some windows?
00:02:21Whatever you want, chief. One loo with a view coming up.
00:02:28Cheese and crackers.
00:02:29What's the matter?
00:02:30Oh, Logan, don't tell me the money fell through.
00:02:32No, those idiot actors. They missed the plane, and the airline refused to permit Scotty's fiancee to bring her pussy aboard.
00:02:39How rude.
00:02:43Dinner time. Here you go, baby Rambo. You're hungry.
00:02:47Rax, you're not going to believe this. Listen to this stuff.
00:02:50All right, man. What's next? Hit me.
00:02:52As Scotty opens the bathroom door, a gust of wind whips his hair to and fro.
00:03:02I'll keep you in suspense. What happens next?
00:03:20Check this out. The plane shutters, starts doing barrel rolls in a fantastic aerial orgasm.
00:03:28That is sick. The women in this script are just tits and ass with nothing but sex on their minds. I mean, is that really what you want?
00:03:36Yes, please.
00:03:39Well, then you can have it. Both of you.
00:03:43Morgan.
00:03:48Great. Thanks, pal.
00:03:51I'm sorry, man. I didn't know she was so sensitive.
00:03:54I'm not exactly thrilled that our co-stars are going to be topless half the time.
00:03:57But not that I intend to use this movie to entice gorgeous young females to abuse my overdeveloped body.
00:04:03Right.
00:04:05Where are you going?
00:04:06To apologize to a gorgeous young female, who I happen to be engaged to.
00:04:14Scott, what are you doing?
00:04:16Morgan, we have to talk.
00:04:18About what?
00:04:20Look, I think you're confusing me with the character I play in the film.
00:04:24I'm not a dumb surfer kid who walked off the beach with a surfboard and a hard-on.
00:04:28I know that. It's just that for the past few months we've been alone, and now I have to share it.
00:04:34Share me?
00:04:36Morgan, love, would I have given you this if I didn't intend on staying true?
00:04:41You're the only woman I want.
00:04:44Oh, Scotty.
00:04:46You make me just want to throw you down and jump on your bones.
00:04:55Oh, honey.
00:04:57Oh, baby boy.
00:05:08Oh, yes, Morgan.
00:05:14Oh, my God. Morgan.
00:05:16Morgan.
00:05:18It's like all this here, Morgan.
00:05:21Come on. Come on. Just pull. Pull. Come on.
00:05:24Morgan.
00:05:39Coming through. Look out. Where's the beach?
00:05:41Hey, my thing's on your board.
00:05:43Is this yours?
00:05:45Yeah.
00:05:46Can you prove it?
00:05:47Hey, dude, she wants my body. I can tell.
00:05:52Hey.
00:05:54Ritvinton, off my board.
00:05:58George, look, just pretend it's a big bone, okay?
00:06:03Drugs?
00:06:04Nah.
00:06:05Me?
00:06:06Nah.
00:06:07Come on. Jump back.
00:06:08Dude, that dog of yours is a little high-strung.
00:06:10I think he's a dope.
00:06:11Yeah.
00:06:14Hey, one of those guys grabbed my surfboard.
00:06:17Hey, back up.
00:06:21No, no! Not my surfboard!
00:06:25No! No!
00:06:27No!
00:06:36Look, man, there's no drugs in here.
00:06:38Oh, I'm sorry about that, boy. Enjoy.
00:06:57Come on.
00:07:13What's the matter, bud?
00:07:15You can't be done hassling me. My suitcase is still in one piece.
00:07:17Come on, man. Cool out.
00:07:22Open it.
00:07:23What for?
00:07:24Come on. Open it.
00:07:25It's obviously unnecessary.
00:07:27Hold on. You're on a power trip, right? I get it.
00:07:30Don't mess up my shirt.
00:07:33What is this?
00:07:36This is obviously not my suitcase.
00:07:43Can you believe that?
00:07:45Drugs in my surfboard.
00:07:46Yeah, I know. Like you'd have put them in such an obvious place.
00:07:50Really?
00:07:56Cut.
00:07:59We need a pick-up of the chainsaw, cutie.
00:08:01Okay, everybody, that's a wrap.
00:08:02Crew bus leaves in half an hour.
00:08:04Cast and cookie comes with me.
00:08:05Daddy! Daddy!
00:08:06Oh, I can't believe it's you.
00:08:08Sign your name in here, please.
00:08:10What has he got that we haven't got?
00:08:13Looks, charm, hit TV series.
00:08:19Holy shit.
00:08:20This is real.
00:08:21Are you ready to go?
00:08:22Ready?
00:08:24Sure, I've got a headache, my shoulder feels separated,
00:08:27and I'm bored out of my mind.
00:08:28I guess you're ready to go.
00:08:35Come on.
00:08:38Excuse me, officers, but that's not real.
00:08:41It's just a prop for the movie, you understand?
00:08:44It's a prop for the movie.
00:08:46It's a prop for the movie.
00:08:48It's a prop for the movie.
00:08:50It's a prop for the movie, you understand?
00:08:52Movie.
00:08:53You understand?
00:08:54Movie, movie.
00:08:56It's just parsley.
00:08:58Cookie, look at those silly cops.
00:09:00They think the kids are smoking real pot.
00:09:03They are.
00:09:04I told Bruce to get the real stuff.
00:09:07You what?
00:09:09Doesn't smell anything like grass.
00:09:11Here, take this back to the prop truck, please.
00:09:15Cookie.
00:09:18God, is that a joint in your hand?
00:09:20Oh, disgusting.
00:09:21And you promised me you'd give it up.
00:09:23Eat it.
00:09:24It's not part of your mind.
00:09:25I don't take drugs.
00:09:26You can eat it.
00:09:45What do you want, plain-bred?
00:09:47Did you want to get us all thrown in a slammer?
00:09:49What I want is reality on the screen.
00:09:52Oh, you want reality?
00:09:53You got it, lady.
00:09:54You're fired.
00:09:58Before you fire me, Logan, I walk.
00:10:01Oh, no, no, no, no.
00:10:02I fired you before you walked.
00:10:07Bad news.
00:10:08Trouble in paradise.
00:10:09Nothing but trouble in paradise.
00:10:11Bad news.
00:10:12Trouble in paradise.
00:10:14Nothing a quick poke won't cure.
00:10:16The next time your phone rings, that'll be my attorney.
00:10:19And you'll be hearing from my agents.
00:10:22Cookie, come along.
00:10:24We have script changes.
00:10:26Montino, I need you presto.
00:10:32I'm sorry, sir, but there's nothing else I can do.
00:10:35Look, you can't put all three of us in one room.
00:10:38That's what the reservations call for.
00:10:40I can't believe it.
00:10:53I feel sick.
00:11:03Hey, Sean.
00:11:05You sharing your room with anybody?
00:11:07Not permanently.
00:11:08How about taking on rags as a roommate and helping me out?
00:11:11I want to get girls in my room, man, not scare them away.
00:11:29Well, I think I'll leave you two lovebirds alone for a while.
00:11:32Thanks, buddy.
00:11:33Yep.
00:11:35Hey, Carl Nasby.
00:11:37When did you get in?
00:11:38Early, son.
00:11:39Just flew in after 14 and a half hours in a seat designed for a chimpanzee.
00:11:43Well, then come on downstairs so we can toss down a couple of ice cold beers.
00:11:46I'm not quite feeling human yet.
00:11:48Tomorrow's my first day of shooting.
00:11:50I better get a little sleep.
00:11:51Good night.
00:11:52Greg?
00:11:53Hi, Mrs. Logan.
00:11:54Welcome to Greece.
00:11:55Thank you.
00:11:56Tell me, have you seen my husband around?
00:11:58Uh, not recently.
00:12:02Who's banging in my door?
00:12:07Who's banging in...
00:12:09Oh, what a surprise!
00:12:12If it isn't my little wifey, kiss, kiss.
00:12:15Darling, just let me straighten up a bit.
00:12:18Make some room for you, huh?
00:12:25Cookie, you'll get those sheets changed.
00:12:27I mean, the script sheets changed, right?
00:12:29Oh, yes, yes. Right away.
00:12:31Oh, I'm sorry.
00:12:32That's okay. You need some help?
00:12:34No, I'm okay.
00:12:36Thank you.
00:12:42Work, work, work, work, work, work, work.
00:12:46Oh, are we a little cranky?
00:12:49Well, it's been a long trip.
00:12:51I know, I know, I know.
00:12:55I love you.
00:12:56I love you.
00:12:57I love you.
00:13:04This place isn't so bad.
00:13:06I mean, it may not be the Ritz,
00:13:09but at least it's clean.
00:13:12What's wrong with baby Rambo?
00:13:15Oh, nothing.
00:13:17Just jet lag.
00:13:20Oh, God, I feel like grief, right?
00:13:22Shit.
00:13:23Probably that joint gig.
00:13:25Getting a buzz yet?
00:13:27Oh, my God!
00:13:29Morgan, what is it?
00:13:30My period is two days late.
00:13:33Big deal.
00:13:34I missed a few pills last month.
00:13:36So?
00:13:38I'm PG.
00:13:39I'm preggo.
00:13:41My God, I've been knocked up.
00:13:43Are you sure this isn't a hysterical reaction from the grass?
00:13:47Hysterical reaction?
00:13:49I'm pregnant and you're calling me hysterical?
00:13:52Our baby is growing inside my womb
00:13:55and you accuse me of being an emotional basket case.
00:13:58I didn't say that.
00:14:00But you implied it.
00:14:03Like horse shit.
00:14:07Like horse shit?
00:14:14Come on, baby.
00:14:15Don't. I don't deserve this kind of abuse.
00:14:18What do I have to do?
00:14:19Get on my hands and knees?
00:14:23Maybe.
00:14:30It feels so good to hold you.
00:14:33Just the three of us together.
00:14:38You know what, honey?
00:14:39What?
00:14:41I think maybe we shouldn't make nookie nookie for a while.
00:14:44Why not?
00:14:46Oh, just to be safe.
00:14:49You know, we're in the family way.
00:14:52Oh, darling, isn't it wonderful?
00:15:05Man, another hour in this sun and my nose will be fried.
00:15:07Did you bring any nose coat?
00:15:09Yeah.
00:15:10Hey, buddy, we got to face reality.
00:15:12If pennies don't start dropping from heaven,
00:15:14we're going to have to get jobs.
00:15:16Please, God, anything but that.
00:15:18Whose is this?
00:15:23Thank you, Jesus.
00:15:24Saved from the minimum wage.
00:15:26Put it back, man. This isn't ours.
00:15:28Scotty, dude, we're in Europe.
00:15:30I mean, miracles happen all the time over here.
00:15:32That's pretty lame, dude.
00:15:34Look, we'll find the rightful owner
00:15:36and maybe we'll get a cash reward.
00:15:42Ask and ye shall receive.
00:15:47Oh!
00:15:55Everyone on board, please.
00:15:57Setting sail for another island paradise.
00:15:59Come on, let's go.
00:16:01This is school?
00:16:02Things have sure changed since I dropped out.
00:16:06Gentlemen, I'm Miss Rollins, the chief administrator.
00:16:08May I help you?
00:16:09Uh, yes, uh, Sean Kingsley.
00:16:11Oh, Mr. Kingsley.
00:16:12Thank God you've arrived.
00:16:14I was hoping to vote for you.
00:16:16And this must be your private tutor.
00:16:18That's me, Professor D.W. Rags.
00:16:20Ph.D., MBA, DDS, DDT, LSD, and ABC.
00:16:24Look, Miss Rollins, my name is not Sean.
00:16:26It's Scotty.
00:16:28Scotty?
00:16:29Uh, it's his middle name.
00:16:31Sean Scott Kingsley.
00:16:32You see, he uses it when he travels incognito.
00:16:34You understand.
00:16:35Of course.
00:16:36The son of a billionaire can't be too careful.
00:16:38Son of a...
00:16:40Now, if you'll excuse me,
00:16:42tell the captain we're ready to cast off.
00:16:44Uh, Rags, we can't do this.
00:16:46This is crazy.
00:16:47Don't be such a squid, dude.
00:16:48Besides, it's educational.
00:16:52Hey, hey!
00:16:53Where are you going?
00:16:54Wait a sec!
00:16:56Hold on! Hold the boat!
00:16:59Hold on!
00:17:00Ashby?
00:17:01Lana?
00:17:02Hi, Scotty.
00:17:03What the hell are you guys doing here?
00:17:05I'm the captain of this crate,
00:17:07and we bought it as an investment.
00:17:09These son of a bitches are floating tax write-offs.
00:17:12Boy, it's sure good to see you, son.
00:17:14Hell, I get hungover just thinking about old times.
00:17:17We sure did raise a lot of hell, didn't we?
00:17:19You know, we don't mind you and Rags here being on board,
00:17:22as long as we come to a little understanding.
00:17:24Anything you say, chief.
00:17:26Be on time for class,
00:17:28and do your homework.
00:17:32I don't know how to...
00:17:40And this is the temple where they worship Rodos,
00:17:43the lovely nymph and daughter of Poseidon,
00:17:46built in the 3rd century B.C.
00:17:49According to Pindar,
00:17:51Helios, the god of the sun,
00:17:53fell in love with the nymph Rodos on sight
00:17:55and decided to marry her.
00:17:57Okay, sucker, this time wait for Papa.
00:18:27And over here is the recently restored statue of Rodos,
00:18:30the lovely nymph.
00:18:32Even today, centuries after she was chiseled out of rock,
00:18:35we're still struck by her incredible beauty.
00:18:46Cut.
00:18:47Cut it.
00:18:48I can't get it up for this scene.
00:18:50What's the matter, cupcakes?
00:18:52The script calls for me to gaze lovingly into her eyes.
00:18:55Why can't I? She's headless.
00:18:57You seem to want a little head, Madam Director.
00:19:00Sorry, look, I'm an actor.
00:19:02I need something to help me fulfill this moment.
00:19:05How's about 5,000 bucks a week, buttface?
00:19:08Listen, honeybuns, until we cast the part of Rodos, the nymph,
00:19:11we can't cast the head.
00:19:14Hey, Scotty, is this what you need?
00:19:16Ragos, the nympho.
00:19:18Nympho.
00:19:26Oh!
00:19:33Oh, no!
00:19:41Well, hello, everybody.
00:19:43Quick, Scott, Scott, you're a half an hour late.
00:19:45Get your keister in here.
00:19:47It's pretty hard to wake up quickly on your only day off.
00:19:50Oh, I think you'd be well-rested, sugar buns,
00:19:52after sleepwalking through all your scenes.
00:19:54Just following your inspiring direction.
00:19:57Come on, come on, come on, let's get cracking.
00:20:00If we don't find our nymph today, tomorrow we are screwed.
00:20:04Who are those guys?
00:20:06Those are our investors.
00:20:08And they're very good people, Scott.
00:20:10Doctors, lawyers, dentists.
00:20:12Fletchers.
00:20:14I just love investors.
00:20:16Yes, I know you do, dear.
00:20:18Cookie, perhaps you could trot out the first young lady.
00:20:21Coming right up, Bobo.
00:20:25Janaye Pilatus.
00:20:27This is our director and producer and his wife.
00:20:30Janaye is wearing a bathing suit underneath her dress,
00:20:34and she wanted to know whether or not you wanted to see her body
00:20:37before or after reading.
00:20:39I think before.
00:20:41Sounds professional to me.
00:20:43Definitely.
00:20:49Yeah.
00:21:05Dude, what's wrong?
00:21:07Lauren's punishing me.
00:21:09No, Nookie.
00:21:11Why?
00:21:13When she told me she wasn't pregnant, I was so happy.
00:21:15A French kid's the maid.
00:21:17Thank you, Janaye. A plus.
00:21:20Now let's hear your reading.
00:21:23Am I really awake?
00:21:25Let me pinch myself.
00:21:27If you love me, open those lovely lips and tell me in your own sweet voice.
00:21:32Words of love are only words.
00:21:35Therefore, think carefully before you answer me.
00:21:39Are you really in love with me, or is it just with my body?
00:21:43Your body.
00:21:45Next.
00:21:47Next.
00:21:49Next.
00:22:15Words of love are only words.
00:22:18Therefore, think carefully before you answer me.
00:22:24Are you really in love with me,
00:22:27or just with my body?
00:22:29My body.
00:22:30My body.
00:22:31Body.
00:22:32Body.
00:22:33Body.
00:22:34How about Monique Monet?
00:22:36She wasn't so bad.
00:22:38Wasn't so bad?
00:22:39She can't even say her name and make it sound real.
00:22:41That's because it's not.
00:22:43Can I get you anything else?
00:22:45Oh, just coffee, my dear.
00:22:48Coffee.
00:22:49Make it three.
00:22:50Nothing, just some water.
00:22:55Please.
00:22:57Three coffees and one water.
00:22:59Thank you.
00:23:00Good luck, my dear.
00:23:04Oh, I got it.
00:23:06I got it. We make her a poor little mute girl.
00:23:09That way she can look great and she doesn't have to say a bloody word.
00:23:12I suppose the love scenes will be done in sign language.
00:23:15Yeah, it's just like ordering dinner in a sushi bar.
00:23:17I mean, he points at everything he wants.
00:23:24Excuse me.
00:23:27Excuse me, are you an actress?
00:23:29No, I'm a waitress.
00:23:31So are most of the actresses I know.
00:23:33Would you mind reading these lines of dialogue with me?
00:23:35I told you, I'm not an actress.
00:23:37Please, I'll leave you a big tip.
00:23:39Want a glass of water?
00:23:40Come on.
00:23:41Okay, but only if you promise to quit bothering me.
00:23:44All right, look, I'll read this and then I'll cue you.
00:23:46If you love me, let me know by opening those lovely lips
00:23:50and tell me in your own sweet voice.
00:23:52Words of love are just words.
00:23:54Therefore, think carefully before you answer me.
00:23:57Are you really in love with me or just with my body?
00:24:00Okay?
00:24:01Okay, that was more than okay.
00:24:03That was really good.
00:24:04You didn't even tell me your name.
00:24:05Cleopatra, but I go by Cleo.
00:24:07So Cleo.
00:24:08How would you like to be in a movie?
00:24:10How does it end?
00:24:11Very happily.
00:24:12I mean, do I end up taking off my clothes
00:24:14and jumping into bed with you?
00:24:15That's right.
00:24:16How'd you know?
00:24:17I've been in that movie.
00:24:18It doesn't end happily.
00:24:20Hey, I'm serious.
00:24:21We're trying to cast the lead in a film.
00:24:23You'd be perfect.
00:24:24You guys, I just read her and she's great.
00:24:27Try telling that to my stepfather.
00:24:33Oh, what a fine-looking girl.
00:24:36Oh, what a fine-looking citizen.
00:24:39Well, my dear, perhaps you'll take off your reed for us?
00:24:42Please, try to understand.
00:24:44I don't even go to the movies
00:24:46and I have no desire to be in one.
00:24:48I'm just a student working to save some money for college.
00:24:51Now, I'm flattered that you ask,
00:24:53but there's really nothing you can say to change my mind.
00:24:56How about 150,000 drachmas a week?
00:25:01Perhaps the most outstanding example of the Ionic order
00:25:05is the Erechtheum, located in the Acropolis.
00:25:08At the southern portico of the Erechtheum...
00:25:22Hello there!
00:25:24You're the most beautiful girl I've ever seen!
00:25:28You're the most beautiful girl I've ever seen!
00:25:35What's your name?
00:25:37I have to talk to you!
00:25:39I'm coming aboard!
00:25:45Come on, now! Keep away from the boat!
00:25:48I've got to do something!
00:25:50Get away from the boat!
00:25:54Get away from the boat!
00:25:56Get him!
00:25:58Bring him over here!
00:26:00Shoot him again!
00:26:17Then the demons way down deep inside me
00:26:20Stirred and called for my surrender
00:26:26I lost another battle
00:26:29The weakness of the flesh has won again
00:26:36Very good!
00:26:40Hey, Cleo! Wait up!
00:26:44You were really good today!
00:26:46Me?
00:26:47How do you like making movies?
00:26:49Honestly, it was the most boring day of my life.
00:26:53All that waiting around with nobody to talk to but actors.
00:26:57Sorry, princess. I guess actors are beneath someone of your noble birth.
00:27:04Oh, you don't understand!
00:27:06Scram! Just leave us scram, that's all!
00:27:08And you, Mr. Papa Peppelin, out! Out! I want you out!
00:27:12I will not tolerate this trashy, sexist behavior on my set!
00:27:16You are finished!
00:27:18I have a contract, sir. You tend to it.
00:27:21Oh, you have a contract, do you?
00:27:24Well, I invoke the Morals Clause on your contract.
00:27:28Oh, shit!
00:27:30The Morals Clause? What's going on?
00:27:33Logan caught Mr. Papa Peppelin with his hand in the cookie jar.
00:27:39Herbert! You're through! Shoot! Shoot! Shoot your history! Shoot!
00:27:43Logan, you just fired one of my supporting leads and he has to work again tomorrow.
00:27:48Replace the degenerate.
00:27:49On one day's notice? How?
00:27:51Oh, throw a souvlaki sandwich into any crowd.
00:27:53Anyone you hit will be a better actor than that turkey.
00:27:56Come on, get in!
00:28:01See you later, princess.
00:28:04Look, Scott, I didn't mean to be a snob.
00:28:07I'm just feeling uneasy for what we're doing.
00:28:10If my stepfather hears that we have a nuisance together,
00:28:13he'll lock me up and come after you with a knife.
00:28:16Why is it that every time I see that man he has a weapon in his hand?
00:28:19Maybe it's a sign.
00:28:23Thanks for your help today.
00:28:27Ciao.
00:28:47Oh! God, Scott, what are you trying to do? Give me a heart attack?
00:28:51I know you've been mad at me, but I did not expect to find you in war paint.
00:28:55Are you making fun of my avocado mask?
00:28:57Me? Make fun of that?
00:29:00It looks pretty stupid.
00:29:03Morby, I was only kidding.
00:29:05Look, if you want to know the truth, that guacamole on your face really turns me on.
00:29:09Oh, yeah, sure.
00:29:12Hey, little girl, I'm Dr. Dan, and I make house calls.
00:29:17Naughty girl, have you been cleaning your ears?
00:29:21Oh, Scotty, don't.
00:29:24You know what that does to me.
00:29:26That's why Dr. Dan is doing it.
00:29:34Oh, guess what?
00:29:38Oh, guess what?
00:29:40I ran out of birth control pills.
00:29:42I was saved without them.
00:29:44Oh, honey, do we care?
00:29:52Well, I guess that's your answer, huh?
00:29:55And I thought you loved me.
00:29:57Morgan, let's not fight.
00:30:00We can hold off making love until you get some more pills.
00:30:03Morgan, you don't know what it's like on the set, all day,
00:30:06surrounded by these beautiful girls with beautiful bodies.
00:30:10Come on, reach out and touch someone.
00:30:13Me.
00:30:15Oh, I got you.
00:30:17So while you lie back and daydream about all those great-looking bodies,
00:30:21Morgan, I'm going to get you some more pills.
00:30:24Come on.
00:30:26Come on.
00:30:28Come on.
00:30:30So while you lie back and daydream about all those great-looking bodies,
00:30:33Morgie here does all the dirty work, right?
00:30:36Come on, Dr. Dan just needs a little relief.
00:30:39You need relief, honey?
00:30:41Take two of these and call me in the morning.
00:30:44I'm taking a bath.
00:30:46Morgan.
00:31:00♪
00:31:31Uh-huh.
00:31:33Uh-huh.
00:31:35♪
00:31:42Ooh.
00:31:45Ooh.
00:31:47♪
00:31:52Aah!
00:31:54Aah!
00:31:57I'm sorry about the mess,
00:31:59but I had to see you again.
00:32:01Come away with me.
00:32:02Come to the disco tonight.
00:32:04Tonight, okay?
00:32:06The disco!
00:32:08Tonight!
00:32:09Murderer!
00:32:11Drown him!
00:32:13Hey, guys, it's been a long time since I've done any cliff diving.
00:32:16Seriously.
00:32:18I guess this practice thing's perfect.
00:32:21Aah!
00:32:24Whoo!
00:32:31That was a good rehearsal, my soggy little macaroon.
00:32:34Now let's shoot it.
00:32:36Just kidding.
00:32:38Next setup!
00:32:40The desert insert!
00:32:42Where the hell is Sean?
00:32:44Somebody find me Sean!
00:32:46You know, I think he's off learning his lines.
00:32:49Oh, he doesn't have any lines.
00:32:51Take it, babe.
00:32:53Whoo!
00:32:55Hey, princess, what's with the long face?
00:32:58Nothing, just that in spite of my better judgment,
00:33:01I'm beginning to like you.
00:33:03Well, it's a good thing you don't love me.
00:33:05You'd probably commit suicide.
00:33:07I've never had a crush on a playboy before.
00:33:09Playboy?
00:33:11What makes you think I'm a playboy?
00:33:13Hey, Scotty, maybe it's because she's heard all the banging and screaming
00:33:16coming from your dressing room.
00:33:18I mean, everybody else sure has.
00:33:20Sex and traveling.
00:33:22See you. Gotta roll.
00:33:24You don't believe him, do you?
00:33:26Cut me some slacks, will you?
00:33:28I don't believe everything I hear.
00:33:30I'm here. Let's shoot this puppy.
00:33:32Where have you been, Sean? Get out there.
00:33:34Hello, Mrs. Logan.
00:33:36Oh, hello, Jane. How are you today?
00:33:38Wonderful.
00:33:40Tell me something.
00:33:42Has there ever been a time in your life when you haven't been wonderful?
00:33:44Not so far.
00:33:46Everybody ready?
00:33:48And...
00:33:50Camera!
00:33:52Action!
00:34:00Water!
00:34:02Water!
00:34:06Water!
00:34:10Real cute, Scott.
00:34:12Hey, hey, hey, cut it off.
00:34:14Knock it off, you uncured ham.
00:34:16Look around there, Sean.
00:34:18Take two, coming up.
00:34:22Sean doesn't have much a sense of humor.
00:34:24That's because what you did was not funny.
00:34:26Oh, and I suppose what he did was.
00:34:28No.
00:34:30Actually, you're both behaving like children.
00:34:32If you think it's impressing me, you couldn't be more wrong.
00:34:46No!
00:34:48No!
00:34:50No!
00:34:52No!
00:34:54No!
00:34:56No!
00:34:58No!
00:35:14Hey, don't forget your spoken force on it.
00:35:18Have you ever been in love with two women at once?
00:35:20Not in this incarnation.
00:35:22Hell, yeah, several times.
00:35:24I just never let my left ball know
00:35:26what my right ball is doing.
00:35:28So we're juggling lovelies, are we, Scotty?
00:35:30I don't know what to do.
00:35:32Hell, move to Saudi Arabia.
00:35:34Legal there.
00:35:36Liquid libations, are not?
00:35:38Boy, I would be, hell, wouldn't I?
00:35:40Stuck in a desert with two women and no liquor.
00:35:44Okay.
00:35:46So the casting dude says,
00:35:48I'm sorry, but we're looking for the Robert Redford type.
00:35:50And I say, dude, that's incredible.
00:35:52He's my father.
00:35:54I forgot my blonde hair.
00:35:56I love your hair. It's so spiky.
00:35:58Do American girls like spiky hair?
00:36:00Oh, hell, yeah.
00:36:02I mean, spiky hair and earrings, serious turn-ons.
00:36:04I'll drink to that.
00:36:06Bottles of Dom Perignon
00:36:08and a funnel right away, huh?
00:36:10And, uh, why don't we plan
00:36:12on getting together later on?
00:36:14Put clothes on me, lad, and I'll do the dishes.
00:36:16Would you rather do the dishes or do me?
00:36:18The dishes.
00:36:20Less grease.
00:36:22Where the hell did you find these guys, Logan?
00:36:24They look like a gaggle of pussycats.
00:36:26Say, would you really be frightened
00:36:28if this guy kidnapped your wife?
00:36:30Oh, yeah.
00:36:32I'd be frightened for him, poor bastard.
00:36:34Couple of nights with Lana
00:36:36would drive a guy bananas
00:36:38or turn him into some other kind of fruit.
00:36:40I'm serious, dickbrain.
00:36:42The role of the kidnapper is critical.
00:36:44We've got to find someone who looks real.
00:36:46Real?
00:36:48Oh, you want real? Well, you're gonna get real.
00:36:50Uh,
00:36:52could you come over here, please, Dimitri?
00:36:54Incoming.
00:36:56Ooh.
00:37:00Darling, you're not going to believe
00:37:02the bargains I got.
00:37:04Everything in the whole marketplace was on sale.
00:37:06And you bought it all.
00:37:08You know, the thing I just love about shopping here
00:37:10is the money just doesn't look real.
00:37:12You can just spin and spin and spin, and it's like confetti.
00:37:14Oh, oh, somewhere here,
00:37:16I've got something for you.
00:37:18It's a bill.
00:37:20Oh, here it is, darling.
00:37:22I ran into Sean, and he helped me pick it out.
00:37:24Hi, Sean.
00:37:26It's one of a kind.
00:37:28What do you think?
00:37:30It certainly is one of a kind.
00:37:32Not many people know how to make them babies.
00:37:34Sean helped pick that out?
00:37:36Mm-hmm.
00:37:38I'll have to find a unique way of thanking him.
00:37:42You don't like it, do you?
00:37:44You hate it, I can tell.
00:37:46It's beautiful.
00:37:48I love it to death.
00:37:50Well, let me tell you something, bucko.
00:37:52You know, it's not easy being stuck over here
00:37:54with nothing to do all day.
00:37:56You know, I'd go crazy if I couldn't go out
00:37:58and do a little shopping now and then.
00:38:00Morgan, it's just that you're going through our money
00:38:02faster than I can make it.
00:38:04Then I suppose my sanity is only worth $50 a week.
00:38:12Or maybe $75.
00:38:14Good old Morgan.
00:38:16Just lock her up in the hotel room
00:38:18and throw away her credit cards. Is that it?
00:38:20Well, I don't have to take that kind of abuse from anybody.
00:38:22You know, I'll wire Daddy for money if I have to.
00:38:24He knows how delicate and sensitive I am.
00:38:26Here, take your gold card
00:38:28and shove it up your wallet.
00:38:30I'll survive somehow.
00:38:32Morgan, it's...
00:38:34Sean, I got a feeling
00:38:36she's blown a thousand off your credit card.
00:38:38Next time, better leave home without it.
00:38:44Thank you.
00:39:02Music playing in my head
00:39:06And I just want everything
00:39:10I got things I wanna do instead
00:39:14I have nothing
00:39:16Crashing in the door
00:39:18All you Atlantis,
00:39:20All you Atlantis
00:39:22You want blood all over that white suit?
00:39:24Be a good doggie, eh?
00:39:28Lighten up our world
00:39:30So let it shine, let it shine
00:39:32For we are
00:39:34Children of the night
00:39:36We're dancing to the beat
00:39:38Of a different song
00:39:40Excuse me, sir. This is 380 American dollars.
00:39:43No problem. Just put it on my tab and keep it flowing to those guys, okay?
00:39:47Yes, sir. Mr. Kindley.
00:40:11Hey!
00:40:24You know what happened to me last night?
00:40:26What?
00:40:27I dreamed we were dancing together just like this.
00:40:29So, in the dream of yours, what happens next?
00:40:33Next I say, hey, let's blow this joint and watch the sunrise.
00:40:37I'd love to, but my father would never allow it.
00:40:41Funny, that's what you said in the dream.
00:40:43And then I said, hey, let's just sneak out the back door.
00:40:46I wish we could, but my bodyguards watch every move I make.
00:40:50Well, in my dream, this is where I point out to you that your two gorillas are blotto over there in the corner.
00:41:04I've never done anything like this before.
00:41:06I have. In my dreams, and believe me, it's worth it.
00:41:14Hey, you don't happen to know where the semester at C Group is, do you?
00:41:18I heard a couple of the guys are in here.
00:41:21The only guy I want is Sean Kingsley.
00:41:24That's me. I'm Sean Kingsley.
00:41:28Listen, gay boy.
00:41:30This 24-bottle of champagne is 280,000 rachmans without tip.
00:41:36That's ridiculous. I don't have that kind of money.
00:41:39Well, I hope you have a gold tip.
00:41:56Hold it a bit longer.
00:42:00And cut. Very nice.
00:42:03Next set-up.
00:42:05Was that good for you?
00:42:06It was fine.
00:42:07Okay, let's get that camera rolling.
00:42:08Yoo-hoo! Scotty! Scotty!
00:42:11Scotty!
00:42:16Who are you?
00:42:17I didn't expect to see you up so early this morning.
00:42:19I woke up feeling cheap as hell.
00:42:21You snuck out of bed like a one-night stand.
00:42:23You didn't even leave me any breakfast money.
00:42:31Cafe au lait, mademoiselle?
00:42:33Thanks.
00:42:50What are you doing?
00:42:52Oh, just practicing.
00:42:56Someday I want to be a director.
00:42:59Stranger things have happened.
00:43:01Really? You think so?
00:43:03Yeah. One or two.
00:43:11Don't I get any lunch money, Daddy?
00:43:18Thank you, darling.
00:43:20A good boy deserves a good kiss.
00:43:22Morgan, not here, okay?
00:43:25Who's that girl over there?
00:43:27You mean you don't know?
00:43:29That's Scott's fiancée.
00:43:31First team, let's go.
00:43:33On the double before we lose this light.
00:43:35Let's man the orange flames.
00:43:37You're still angry at me from last night, aren't you?
00:43:39No.
00:43:40Then prove it and give Morgie back the gold card.
00:43:44Here, you have it all.
00:43:46Are you satisfied?
00:43:47I will be as soon as the stars open.
00:43:50Get it?
00:43:51All right, kiddie pies.
00:43:53This is where you're kissing and the two gorillas come after you.
00:43:55This will be a master. Ready?
00:43:57Okay. Picking up where we left off.
00:44:00Just wait until she calls action, okay?
00:44:02Roll sound!
00:44:06Camera!
00:44:07Four to 30, shot to the 50, take one.
00:44:11Action!
00:44:25♪
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00:53:11Hey, I told you, distance.
00:53:14Are you okay?
00:53:19Son of a bitch.
00:53:21♪
00:53:26♪
00:53:31Hey, what are you doing?
00:53:34♪
00:53:41Sorry, honey buns, it just doesn't look real.
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00:55:15Hey, hey, princess.
00:55:17You look even prettier than I remember you from last summer.
00:55:20And you look even taller.
00:55:23Danny says my pituitary must be wired to the stock market.
00:55:26Each day we're both hitting new highs.
00:55:29♪
00:55:34Carlton Ashby, my wife and two young sons.
00:55:38Howdy.
00:55:40♪
00:55:44Please.
00:55:46♪
00:55:52Beautiful, cut!
00:55:54Ah, more dribble.
00:55:57Mr. Logan!
00:56:01Mr. Logan!
00:56:05Mr. Logan, you're wanted on the set.
00:56:07Oh, well, you're wanted on my lap.
00:56:11How I've missed my milk and cookies.
00:56:14Cut it out, Mr. Logan, it's not right.
00:56:17Oh, but it feels so good.
00:56:20Face it, Mr. Logan, it's reality.
00:56:26God, how I hate reality.
00:56:28Boss.
00:56:30Oh, come out, come out into the light where I can see you.
00:56:33Yes, not bad, not bad.
00:56:35Don Corleone you will never be, but for a mutro you'll do.
00:56:44Brucey!
00:56:46I got the kidnapper here.
00:56:48Get his gun and ammo right away, will you? Make it snappy.
00:56:51Right away, chief.
00:56:53Now, the kids are going to come down the gangplank...
00:56:57and you're going to abduct them right here.
00:56:59Good, good. Now, you see the boat over there?
00:57:02Vodka.
00:57:03Yes, that's the getaway boat.
00:57:05First time it's ever been done.
00:57:07Fresh idea, no?
00:57:09Yes.
00:57:10Hey, Logan, you're holding up the whole damn company.
00:57:14Bitch.
00:57:15Piece of cake for a mutro like you.
00:57:18Break a leg.
00:57:24Here we are.
00:57:25Regular 38, quarter loads.
00:57:28Personally, half loads hurt my ears.
00:57:33Why didn't you tell me you're already equipped?
00:57:36In a .45.
00:57:38I see you're a man who likes big pistols.
00:57:41I know I do.
00:57:50Why is it great living on a boat?
00:57:53I find it convenient as hell.
00:57:55No matter how much beer you drink...
00:57:57you only got to go ten steps in any direction to pee.
00:58:02You're always in the water. Hell, you can't miss.
00:58:05It's sort of like living in a giant toilet bowl, ain't it?
00:58:09I'd like to propose a merger, princess...
00:58:12between two of the richest multinationals on earth.
00:58:15Toi et moi.
00:58:18Oh, Jean, this is so unexpected.
00:58:21I don't know what to say.
00:58:23In the language of love, words are obsolete.
00:58:26Jean!
00:58:28Hey, hillbilly Joe!
00:58:30Walk the plank, man!
00:58:33Hey, out of here, dude!
00:58:36He's a claimant in violation of the International Seamans Code.
00:58:40International Seamans Code? Get real!
00:58:42Hey, cut it out!
00:58:44Hey, what's this?
00:58:46It's a proper flotation device.
00:58:48Float on this!
00:58:50He's a claimant on safety.
00:58:52What's that? Kiddie pool?
00:58:54Kiddie pool?
00:58:56If you're gonna visit the kiddie pool, you have to be wearing these.
00:59:03Snap! Snap!
00:59:05Snapping us on it, no problem!
00:59:08Hey, Papa, snaggle fire for six.
00:59:11Had too much to drink.
00:59:13What is it, son? Beating a mighty puny?
00:59:16Hell's bells, boy. Don't hold back. Go ahead and bomb it.
00:59:20What you got?
00:59:22Snaggle fire?
00:59:24You take your brother right back to the boat, you hear?
00:59:29Well, I'll get him peltin' for you.
00:59:31Can't hardly hold a pecker, much less their liquor.
00:59:34Hey!
00:59:36You're not too fast there, sport.
00:59:38Ah!
00:59:43Stop or I'll shoot!
00:59:53No, no, no!
00:59:55Cut! No, no, no!
00:59:57Cut! Cut the camera!
01:00:01Cut it!
01:00:05They're shooting real bullets!
01:00:07Bullets?
01:00:09Come on, buddy. They call cut. Turn this tug around.
01:00:12Hey, buddy, come on. They call cut.
01:00:18He said to shut up or he'll blow your head off.
01:00:21With thanks. Okay, we laughed. The joke's over.
01:00:31Oh, where's my poor Scotty?
01:00:34What are they doing to him?
01:00:37You don't think they're pulling out his fingernails one by one...
01:00:41or burning his feet with cigarettes, do you?
01:00:45Oh, what if they chop off his ears?
01:00:48Oh, he'll look so ugly!
01:00:51Holy! Keep his sunglasses on!
01:00:54You seem very, very upset. Why don't I take you up to bed?
01:00:58I can still see it so clearly.
01:01:01The flash of the gun, the hurtling of the bullets towards me.
01:01:05Snap out of it, Leah Zackerly.
01:01:07You know, sometimes reality is so phony.
01:01:10The reality is we have one more day to shoot this turkey...
01:01:13and our stars have been shanghaied.
01:01:15Their ransom note just came. They're demanding 50 big ones.
01:01:1850,000 dollars!
01:01:20No, no, no, no, no. 50,000 dollars, Mr. Logan. 50 million dollars.
01:01:24It says here, 50 million dollars in cash.
01:01:27Tonight, we'll cut off his bippy.
01:01:45What's she saying?
01:01:46She's mad at him for bringing home guests without telling her first.
01:02:15Ritz. You, me. Ritz.
01:02:25Ritz.
01:02:34I know you.
01:02:36Timmy.
01:02:38Scott Allen Palmer.
01:02:41That's me, right. Right here in the flash.
01:02:45Well, Scotty.
01:02:48How do you like Greece?
01:02:51It's great. I hope I can come back and visit sometime...
01:02:55if I make it out of here alive.
01:02:58I, too, am actress.
01:03:01You're an actress?
01:03:03Of course. I should have known.
01:03:05Have I seen your work?
01:03:08You want to see my work?
01:03:11Yeah, sure, sure. We'd love to see your work, wouldn't we, Cleo?
01:03:14Yeah, sure.
01:03:45What the hell was that?
01:03:47It's me, Tia, from Euripides.
01:03:49Oh.
01:03:53A woman like me can only take so much.
01:03:57I need to be held.
01:03:59I need to be touched like a woman, not like a cow.
01:04:03I need to be loved.
01:04:06I need to be loved.
01:04:09I need to be loved.
01:04:12I need to be loved like a woman, not like a cow.
01:04:16Make love to me now, here on the floor by the fire.
01:04:20Or else... or else I'll kill myself with this little dagger.
01:04:28Yeah. Yeah, very nice.
01:04:33What was that, Mamma Tia?
01:04:35I think it was Sue Allen from Dallas.
01:04:38Now that I have bared my naked soul to you...
01:04:41give me something I want very badly.
01:04:48Your autograph?
01:05:00It's getting pretty quiet over there, Princess.
01:05:02Don't call me that, okay?
01:05:04This whole thing has been nothing but drags.
01:05:06These Jews are killing me.
01:05:08I...
01:05:10Oh, God. I can't go on.
01:05:13Come on. Up and at them.
01:05:15Oh, Scott, I can't.
01:05:17I can't walk with Jews. I can't walk without them.
01:05:19I don't know what to do.
01:05:21Can you sing?
01:05:23Sing? Sure, a little bit.
01:05:25Why?
01:05:27Just to pass the time.
01:05:29Come on. One, two, three.
01:05:33Quel mazzolin di fiori che vianda la montagna
01:05:36Quel mazzolin di fiori che vianda la montagna
01:05:40Quel mazzolin di fiori che vianda la montagna
01:05:43Vada bene che non si bagni
01:05:45Perché lo devo regalar
01:05:47Regalar, regalar, regalar, regalar
01:05:50Lo devo regalare perché è un bel mazzetto
01:05:53Lo devo regalare perché è un bel mazzetto
01:05:56Non è venuto a me a dammela
01:06:00Che so' poverina
01:06:11Morgan?
01:06:15Morgan?
01:06:21Scotty, dude, you're back.
01:06:23God, man, it's been a killer night.
01:06:25We didn't know whether we'd ever see you again.
01:06:27It's been quite an evening. Look, I'll tell you about it later.
01:06:29Have you seen Morgan? Have you seen her?
01:06:31Oh, no, man, not since last night.
01:06:33Who's that hiding in your bed?
01:06:35Olly olly oxen free.
01:06:38All right, guys, later.
01:06:43Well, as I live and breathe.
01:06:45Hey, Carlton, have you seen Morgan around?
01:06:47No, son, I can't say that I have.
01:06:50Mrs. Logan, hi.
01:06:53So you made it back in one piece.
01:06:56Well, I guess I could go and try to rouse the old goat
01:06:58and tell him the good news.
01:07:00The old goat?
01:07:02Logan put the lights out last night with a couple of reds
01:07:05and nature just sort of took its own course.
01:07:08Just like in the movies.
01:07:12Son, there's a familiar tinkle to that laugh.
01:07:16Ow!
01:07:25So, darling, did you miss me while I was gone?
01:07:28Where am I?
01:07:30Who are you?
01:07:32How did I get in here?
01:07:34Scott, I think I must have amnesia.
01:07:37Somebody must have drugged me or something.
01:07:39Morgie, love, you're in bed with another man.
01:07:42This is a little awkward. I don't know what to say.
01:07:45Except thank you both.
01:07:48Scott, what are you doing?
01:07:50Repossessing my little piece of the rock.
01:07:53Scott, no!
01:07:55By the way, you guys look great together.
01:07:59Scotty, wait!
01:08:01Come back, Scotty!
01:08:03One last thing.
01:08:05I'm calling the police and reporting the gold cart stolen.
01:08:07Nighty-night.
01:08:10The gold cart?
01:08:13Stop it!
01:08:39Beautiful!
01:08:41Cut! Camera inside for the love scene.
01:08:43On the double!
01:08:45Okay, everybody, that's it.
01:08:47We got a half an hour for the kiss-kiss-push-push scene.
01:08:50Then on to the airport and the great silver bird.
01:09:02You ready for this?
01:09:04Hardly.
01:09:06I've never been in public before, much less in front of a camera.
01:09:12Now, who are those guys?
01:09:16Hey, Logan, come here.
01:09:18Yes, Scott, what is it?
01:09:21What are those clowns doing over there?
01:09:23Clowns? Oh!
01:09:25No, no, no, those are not clowns, Scott.
01:09:27Those are our dear, dear investors.
01:09:29They just drop by to watch a little filming,
01:09:31see their money at work, so to speak.
01:09:34Well, uh, kindly give them this message from the actors.
01:09:36Oh, certainly, Scott.
01:09:38Get the fuck out of here, or we're not doing the scene.
01:09:44Come on, boys, time for a drink.
01:09:46But, Mr. Logan, I'm an actor. I belong on the set.
01:09:50I got something for you.
01:09:55Scott, I can't take this.
01:09:57I can't take it back.
01:09:59Okay, honey pies,
01:10:01I know you're both a little nervous, but so am I.
01:10:04Listen, in this scene, you finally admit to yourself
01:10:06that you're in love with Scotty the man,
01:10:08no matter what your father or anybody else has to say about it.
01:10:11I think I can relate to that.
01:10:13Good, good. Let's go for a take.
01:10:17Uh, 43, shot 100, uh, uh, uh, do-do.
01:10:20Uh, take one.
01:10:31Take two.
01:10:53So, how's my baby doing?
01:10:55She's doing great. She's doing her big love scene right now.
01:10:58What love scene?
01:11:00The one with Scott, the one where they...
01:11:02bang like bunnies.
01:11:04As long as she didn't have to take off her clothes.
01:11:08Oh, but she did.
01:11:10The producer had her stripped
01:11:12in front of all those animals on the crew.
01:11:14I mean, it was very humiliating.
01:11:17She was crying.
01:11:20That's showbiz.
01:11:30Cut!
01:11:44Tomasa, stop them!
01:11:48Let me go!
01:11:50Tomasa, hurry!
01:11:52Tomasa!
01:11:54Go! Tomasa!
01:11:56Shoot that man in the leg!
01:11:58He's out the front door!
01:12:00Come on, guys, let's go!
01:12:07Cut! Print!
01:12:08Last set of outside!
01:12:10Hurry up, hurry up!
01:12:11Come on, we've only got ten minutes to get this shot!
01:12:14Zacherly!
01:12:15Zacherly, do you realize the actors have got to catch the plane?
01:12:18I know, I know!
01:12:19I know, I know, but if Scott misses that plane,
01:12:22he goes into triple golden time!
01:12:25Oh my God, that's $400 an hour!
01:12:27Logan, let go of my arm!
01:12:33Hey, bud!
01:12:34Hey, how you going?
01:12:35Want me to save you a seat on the plane?
01:12:37I'm not going to make it, I've got another scene to shoot.
01:12:39Well, if you don't, I guess I'll catch you back in La La Land.
01:12:41Cleo, it was great meeting you.
01:12:44I hope you come to L.A. sometime.
01:12:46Maybe I will, sometime.
01:12:49The sooner the better.
01:12:53See you guys.
01:12:54Later.
01:12:55Ciao!
01:12:56Ciao to you!
01:12:57You got it, dude!
01:12:58All right!
01:13:00Ah!
01:13:01What is this?
01:13:0212,000 drachmas to the government?
01:13:04Cleo's passport and visa.
01:13:06What the hell did you do?
01:13:07Buy a real passport and real visa?
01:13:09Don't look at me.
01:13:10Zacherly insisted.
01:13:11Oh, you stupid swisher.
01:13:12Do you do everything people tell you?
01:13:14If I told you to punch me in the nose, would you do it?
01:13:16Hold, please.
01:13:18The swish is my command.
01:13:21Scott!
01:13:23Scott!
01:13:25Scott!
01:13:26Oh, Scott!
01:13:27Oh!
01:13:30I thought you were going to leave without me.
01:13:32That's the plan.
01:13:34Oh, oh, I know Morgie's been bad.
01:13:37But life just swept me off my feet and galloped away with me.
01:13:41Oh, but you don't know what happened.
01:13:43You see, I've been dumped in the dirt.
01:13:45Oh, Scott, Morgie needs you.
01:13:47It's too late for that.
01:13:48Is it too late for Dr. Dan?
01:13:50Wouldn't Dr. Dan like to make a house call?
01:13:54Scott and Cleo, get your butts out here.
01:13:56We're ready to shoot.
01:13:58Scott, no, no, no, no.
01:14:00Please forgive me.
01:14:01Please, Scott.
01:14:02At least give me my plane ticket home.
01:14:05Oh!
01:14:06Oh!
01:14:07Oh!
01:14:08Oh!
01:14:09Oh!
01:14:10Oh!
01:14:11Oh!
01:14:12Oh!
01:14:13Oh!
01:14:14Oh!
01:14:15Oh!
01:14:16Ugh!
01:14:30Caught in the act you over-sexed spiky haired little punk rocker.
01:14:34What's your problem, Logan?
01:14:35We were just saying goodbye.
01:14:36Goodbye, goodbye?
01:14:38You're massaging your tonsils with your tongue, you call that goodbye?
01:14:41Oh no, you're fired!
01:14:43You're fired! Off! Off my set!
01:14:46You can't fire me. I'm done working.
01:14:48Besides, this is not your set. This is the airport.
01:14:51Oh, perfidious slut.
01:14:53You're history, too.
01:14:55Off my set! You're fired!
01:14:57Myopic little ditzoid.
01:14:59What did you call her?
01:15:01I called her a myopic little ditzoid.
01:15:04You want to make something of it?
01:15:08Let's just discuss it, Logan, okay?
01:15:10Okay.
01:15:14Let's go! Faster!
01:15:27Okay, cutie pies, this is your dash to freedom.
01:15:30On action, I want you to start running towards that plane.
01:15:33Now, the grillers are going to be coming from right behind,
01:15:35so you're going to have to haul ass.
01:15:37Direction! Direction!
01:15:39Direction!
01:15:44Wait for me!
01:15:57You can't leave without me!
01:16:01Roll sound. Camera. Action!
01:16:14Action! Action!
01:16:31You idiot! Get back here!
01:16:33You're going the wrong way!
01:16:35Come back in there!
01:16:41Get back here! We haven't had enough time to do that!
01:16:51Stop! Stop! Stop!
01:17:01Come on! Hurry up!
01:17:03We made it!
01:17:06This is crazy! What are we doing?
01:17:09You love me.
01:17:15Excuse me. Excuse me.
01:17:18There seems to be a problem here.
01:17:28I'll see your tickets, please.
01:17:31Tickets.
01:17:33And our two passports.
01:17:39Everything seems to be in order.
01:17:53No! Your history!
01:17:55You'll never work in this town again!
01:18:00You lice! You bums! You rummies!
01:18:03You bunghole sippers!
01:18:05Quit whining, Logan. It's just a dumb movie.
01:18:09Dumb movie? Yeah.
01:18:11Come here. Come here.
01:18:15Dumb movie.
01:18:30Dumb movie.