Category
📺
TVTranscript
00:00♪♪
00:30If I hadn't done it, what chances did I have
00:33of writing to a woman who, curiously,
00:36was also a friend of Mrs. Margarita's?
00:38You disappeared.
00:40Out of the house, without leaving a trace,
00:43without any explanation, without any farewell.
00:46We even thought you were dead.
00:48But I'm fine now.
00:51I'm even happier than ever, you know?
00:55It's best if you forget about me.
00:57And that suit?
00:59It's from the Sundays. It's the best I have.
01:02Yeah.
01:06Maybe it's not a good idea for me to go to dinner.
01:08No. Nonsense.
01:10It makes me happy that you come with me.
01:13Do you know what hurts me the most?
01:15Your behavior.
01:16It's as if you wanted to ruin all your love encounters with Cruz.
01:20As if you wanted to make it clear where your heart is and everything else.
01:23I'm glad you finally understand.
01:26And I regret that I can be so mean.
01:28Anuel, I'm going to that asylum.
01:31I have to prove with my own eyes that Martina is okay.
01:34So what you're proposing is to take care of the action while I cover your back, is that it?
01:38Inventing good excuses to justify my absence.
01:44Yeah.
01:47Don't say anything. Don't smile and continue as you were.
01:51I know everything.
01:53I don't care about the threats I have about you.
01:55We'll see what we do.
01:57But get out of here.
01:59If there's no explanation, there's no point in blaming yourself.
02:04It was all by chance.
02:06Yes, it was all by chance.
02:08But you said you thought your son had no responsibility.
02:12I'm not thinking about my son.
02:14I'm thinking about Petra Arcos.
02:16I repeat that I have not sent any invitation to that lady
02:19and I have not contacted her in any other way.
02:22Of course not. You always deny your participation in everything.
02:24But then it turns out that time ends up pointing it out.
02:28I've been very bad to you. I've made you suffer.
02:31You've also made me very happy.
02:33Don't ever leave again, please.
02:35You don't know how much I've missed you.
02:43I'm sure we're all going to get all that money.
02:46But, Lupe, that money is useless if I don't have a place to live with my son.
02:52I've got an idea.
02:54For the money or for the child's accommodation?
02:58For both.
03:00Doña Pia?
03:02Doña Pia?
03:04Ana, she's not responding.
03:06She's fainted or something.
03:07Doña Pia, wake up.
03:08Doña Pia, please wake up.
03:09Doña Pia!
03:10Doña Pia.
03:11Doña Pia!
03:12Are Catarina and Curro also late?
03:13Curro is not coming to dinner.
03:15They are not very well.
03:17And then?
03:18For whom is that other blanket?
03:19For my companion.
03:22Let me introduce you to Adriano García Pardo,
03:24one of the lenders of the promise.
03:30Sit down, please.
03:39Adriano, welcome.
03:43It's always a pleasure to have a new guest at this table.
03:49Thank you, Don Manuel.
03:51Yes, it will be a pleasure for you to have dinner with us.
03:54A pleasure for me too, Mr. Marqués.
03:56Thank you.
03:58Wine, sir?
04:00Yes, please.
04:02Yes, now I'll bring you some water, but I'll serve you the wine.
04:07Yes.
04:08The truth is that there is a glass for wine and another for water,
04:11I think it makes no sense.
04:12Because the only thing that causes them are mistakes, right?
04:16It's not that there is a lot of room for error, precisely.
04:20Well, it's been a long time since we all sat around the table.
04:26Well, we're not all here, Lorenzo.
04:29I don't know if you've noticed that neither your son Curro nor my daughter Martina are here.
04:33I think this dinner was to celebrate their return.
04:36Yes.
04:41I suppose that after such a long confinement, Catalina,
04:45this will seem like a crowd to you, right?
04:49Don't you find it uncomfortable to have to alternate with so many people at the same time?
04:53I like to be alone, but I know how to live in society.
04:56There is nothing wrong with wanting to live in solitude, sister-in-law.
04:59There are people who are loyal and faithful like dogs
05:03and there are others who are independent and grumpy like cats.
05:08So you see me as a cat?
05:11Well, it suits you, Catalina, it suits you.
05:14Cats don't want anyone to get close to them, much less to be caressed on the back.
05:19In any case, don't think I've missed these evenings.
05:22It's better to be silent than to hear certain things.
05:25Yes, I completely agree with you.
05:28Sometimes, in apparently civilized conversations, there are cruel and unfair acts.
05:34It seems to me that you don't point without a purpose and you are referring to a specific act.
05:38Well, yes. I am referring to the injustice that has been committed against my cousin Martina,
05:43locking her in that sanatorium, against her will.
05:48What's so unfair about trying to heal someone who is sick?
05:51My cousin is not sick.
05:53It seems to me that perhaps with your coming and going from the hangar you have lost some information.
05:58No, no. I have all the information and I am clear that my cousin is innocent
06:03and that she would never end anyone's life.
06:06This dinner was to celebrate Manuel and Curro's return
06:10and it is becoming a conversation full of cross-references.
06:14Well, I think your daughter had a lot of accumulated conversations.
06:19Well, I want to propose a toast to Manuel and Curro.
06:24Although he is not at his disposal.
06:30We are all delighted that you are back, safe and sound.
06:37To Manuel and Curro.
06:42I'm sorry.
06:43Don't worry, I'll pick it up.
06:46Don't worry, don't worry.
06:48I'll bring you a new set of blankets right now.
06:51It won't be necessary. A knife and fork will be enough.
06:54I say this to make the task easier.
06:57I don't think your guest knows how to use the rest of the blankets.
07:00Bring him the complete set, Salvador.
07:04The complete set.
07:06Yes, sir.
07:15To Manuel and Curro.
07:45To Manuel and Curro.
07:46To Manuel and Curro.
07:47To Manuel and Curro.
07:48To Manuel and Curro.
07:49To Manuel and Curro.
07:50To Manuel and Curro.
07:51To Manuel and Curro.
07:52To Manuel and Curro.
07:53To Manuel and Curro.
07:54To Manuel and Curro.
07:55To Manuel and Curro.
07:56To Manuel and Curro.
07:57To Manuel and Curro.
07:58To Manuel and Curro.
07:59To Manuel and Curro.
08:00To Manuel and Curro.
08:01To Manuel and Curro.
08:02To Manuel and Curro.
08:03To Manuel and Curro.
08:04To Manuel and Curro.
08:05To Manuel and Curro.
08:06To Manuel and Curro.
08:07To Manuel and Curro.
08:08To Manuel and Curro.
08:09To Manuel and Curro.
08:10To Manuel and Curro.
08:11To Manuel and Curro.
08:12To Manuel and Curro.
08:13To Manuel and Curro.
08:14To Manuel and Curro.
08:15To Manuel and Curro.
08:16To Manuel and Curro.
08:17To Manuel and Curro.
08:18To Manuel and Curro.
08:19To Manuel and Curro.
08:20To Manuel and Curro.
08:21To Manuel and Curro.
08:22To Manuel and Curro.
08:23To Manuel and Curro.
08:24To Manuel and Curro.
08:25To Manuel and Curro.
08:26To Manuel and Curro.
08:27To Manuel and Curro.
08:28To Manuel and Curro.
08:29To Manuel and Curro.
08:30To Manuel and Curro.
08:31To Manuel and Curro.
08:32To Manuel and Curro.
08:33To Manuel and Curro.
08:34To Manuel and Curro.
08:35To Manuel and Curro.
08:36To Manuel and Curro.
08:37To Manuel and Curro.
08:38To Manuel and Curro.
08:40A说 не так быстро
08:57That is why we should re-making the mermalade we did before.
09:03Since the Tsar took the business, it has been a feast.
09:08He's still making a profit, but at the cost of increasing the hours of work of the women of the village and lowering their pay.
09:15That man has the soul of a blacksmith. It is believed that instead of a maid, he has a nail.
09:19I'm sick of him. What hurts me the most is that we no longer make original and different jams.
09:24And what about your jams, Gracia?
09:25I tried them and they were delicious.
09:27What sense does it make to make jams of the lot, huh?
09:30Worse than jams of the lot, Lope. The captain uses the worst fruit there is and is also about to pass out.
09:36You see that instead of throwing them to the pigs, he takes them for the jams.
09:40It is almost impossible to make a good product, no matter how hard we try.
09:44Much less a product as special as the one we offered before.
09:48With the illusion that I had put it on, the lady has finished the business.
09:52That business was very well thought out and it also gave very good benefits.
09:55That is why I tell you that instead of wasting time in lamentations,
09:59let's get down to work, make the jams we made before.
10:04Erase and new account.
10:06Well, old account in this case. What we have to do is go back to the previous one.
10:10But that's not that easy, Simona.
10:12Neither easy nor difficult, Candela. It's all about getting started.
10:15I'm sure that if we sell the jams,
10:17we get the happy 550 pesetas that Virtudes needs in a Santiamén.
10:22And maybe we even get more money for the child's accommodation.
10:26One thing is true, those jams were out of our hands.
10:30Of course.
10:31It's a big business and we're going to make that money and more.
10:33I'm sure.
10:34What do you say, Candelilla?
10:36I'm going to tell you that I'm with you until the end of the world.
10:38And if Lope and Virtudes come, you're happy that we're going to the end of the world.
10:43The first thing we have to do is, with the money we have already raised,
10:45take it to start with all this.
10:47With the first sales we are going to get plenty of money for Virtudes and her child.
10:50You are all so good.
10:52The jams are good, they are of category.
10:55I'm already looking forward to putting my hands to work.
10:57Well, before we get down to work, we have to consult with the rest.
11:01Do you agree?
11:02We're going to need a lot of help.
11:03We don't agree, we don't agree.
11:04We don't agree, Mrs. Simona.
11:05But we have to start now, I'm already excited and anxious to get started.
11:08And do you personally work the land or supervise the day laborers?
11:35Well, the truth is that I am not a landowner,
11:40just a simple landlord of Mr. Marqué's land.
11:44And thanks to the landlords, the crops on the farm are sustained.
11:49But the fact is that I don't have any day laborer on my shift.
11:54So, do you take care of everything by yourself?
11:57Well, during the harvest season, some man from the village comes to help us.
12:03For him to pick up, of course.
12:05No, both.
12:12So, you work the land with your hands ...
12:15It is obvious that he works with his hands.
12:17There is nothing more than looking at them.
12:22There is nothing wrong with working the land with your hands.
12:25Nor cheating the newspaper with the sweat on your forehead.
12:29Catalina, don't talk about sweat on the table, I beg you.
12:31It's disgusting.
12:34As far as I understand, Catalina is helping you manage your lands.
12:38That's right.
12:40I was surprised.
12:42I didn't even understand that you wanted to put that kind of ... activities aside.
12:46No, I try to advise him with my experience.
12:49Congratulations, young man.
12:51I congratulate you.
12:52I don't know what kind of spell you have cast on my niece to double her will.
12:58Sorry, spell.
12:59Don't listen to him, Adriano.
13:01Sometimes my uncle uses a bit of a barracks humor.
13:07And a lot of honor.
13:09In the army, you learn to laugh at everything.
13:11Even death.
13:19I guess a slacker like you doesn't have many opportunities to sit at a table like this.
13:26I admit that ... I've never seen so many glasses covered.
13:31It shows.
13:33Well, keep this experience in your memory, in case you don't have a chance to repeat it.
13:36Well, that's enough!
13:38I'm not saying it in a bad way, Catalina.
13:40I'm sure it's much more comfortable to sit at a more modest table
13:44and not have to be aware of the label and the wardrobe.
13:48It is obvious that your friend is not comfortable with that suit.
13:52As good as he feels.
13:54By the way, isn't that suit from your old fiancé?
14:04You know it perfectly well, but it is obvious that you had to bring up Pelayo's name at this table, right?
14:09Sorry. I didn't want to bother you.
14:24Don't look at me like that, girls.
14:26No, Mrs. Pia, it's just that we were scared to death. What can I tell you?
14:30And I thought that Hanna was going to be able to make her react.
14:34Come on!
14:35We were so scared!
14:37Look, you're exaggerating, María Fernández.
14:40I'm not exaggerating and I'm not being judged, Mrs. Pia.
14:42Look how you are, trembling.
14:44I'm not being judged.
14:46I'm not being judged.
14:48I'm not being judged.
14:51I'm not exaggerating and I'm not being judged, Mrs. Pia.
14:53Look how you are, still trembling.
14:55Trembling.
14:57Are you sure you feel better?
14:59Yes, I'm much better.
15:01I don't even know what happened to me.
15:03Yeah, but it happens to you several times, right?
15:06I'm fine, Hanna, I'm fine.
15:10Tell us the truth, Mrs. Pia.
15:13That it's no use lying to me.
15:15And besides, I think that so much confinement is already doing to her.
15:20That's just it.
15:22I mean, all the hours we thought she was sleeping,
15:25she was actually in a kind of semi-consciousness.
15:30There's something about that.
15:32I'm ... I'm bored, I'm ... I'm sad.
15:37And the tension too, I guess, I don't know.
15:40Maybe something's wrong with her body.
15:42Don't scare me, Hanna, please.
15:44I don't mean to scare you, Mrs. Pia, but if you told me right away what you feel,
15:47maybe I could find out what's wrong with her.
15:49Tell Hanna that I trust her.
15:51But if I've already told you, Maria,
15:53I'm really fine, it's just that I'm bored, worried and ...
15:59and sad.
16:06And then I feel that I have less strength every day than the day before.
16:10Because if I had energy, I could move or ...
16:14or dance, like you.
16:16It's just that just thinking about it ...
16:18I'm exhausted.
16:23What are you doing, Hanna?
16:25What do you mean, what are you doing?
16:27Continuing with the planned plan, please.
16:29It took us a lot of effort to get here, didn't it?
16:35I think we should start rationing the food.
16:38So that when we leave, we have enough.
16:40You're right.
16:42Besides, it's very difficult to get here.
16:44We have to make sure she's okay when we leave.
16:47But wait a minute, when are you going to leave?
16:49Not yet.
16:51But at some point we'll have to leave to see if it's safe to get her out of here.
16:56We're running out of time that Mr. Baeza gave us.
17:00And we should ration the food so that when we leave,
17:03she can last as many days as possible.
17:05Just in case.
17:10She has to be strong.
17:12Yes, and for that she has to eat well.
17:17What's wrong?
17:21Well, I'm shaking.
17:23Just thinking that ...
17:26that I'm alone again.
17:42I'm sorry.
18:13Virtudes, you're still here.
18:16I was finishing to fill the bottle of ammonia that had run out.
18:22That's why you have glassy eyes.
18:24Because of the ammonia.
18:30Virtudes, are you okay? Did something happen?
18:32Yes.
18:34Come on, tell me what's bothering you.
18:37No, it's nothing bad.
18:40Well, it's good that you're hiding it, because your face doesn't look the same.
18:46It's for my son.
18:50My mother had an idea to get the money and get my son back.
18:56Well, come on, tell me.
19:00It's about selling jams, like the ones they made for Miss Catalina.
19:04I've tried them, and they're exquisite.
19:06And they're the best of originals.
19:08My mother is convinced that the sale of jams will bring good returns.
19:12And I also believe it.
19:14It seems like an excellent idea.
19:16Well, yes.
19:19Well, then I still don't understand why you're like this.
19:23It's pure emotion, Vera.
19:25Even if it's not frequent, she also cries with joy.
19:29And when that happens, it's beautiful.
19:34I had never received the affection of so many people.
19:38All of you...
19:41You have been very generous.
19:45You have offered me your help without asking for anything in return.
19:49And what's wrong with helping others?
19:53Nothing.
19:55But one does not get used to being shown so much love.
20:00Don't worry.
20:03You...
20:05You have opened your arms to me.
20:09And your hearts.
20:13Come on, give me a hug.
20:34Salvador.
20:40Salvador.
20:42Sir, what are you doing here?
20:44I'm sorry, it was my intention to scare you.
20:46No, it's just that you arrived so stealthily and stealthily that...
20:50Yes, you're right, but it's because I don't want anyone to discover me.
20:53Salvador, I have to ask you a very important favor.
20:56But you have to refrain from asking any questions about it.
20:59Don't worry. Curiosity killed the cat.
21:02And the street too.
21:04Good.
21:06You see, I have come to you because you are the one I trust the most.
21:10And also because of my cousin Curro.
21:12Curro?
21:13Is he worse, Mr. Curro?
21:16No questions, no questions.
21:18Sorry.
21:20Salvador, you must say that you are in charge of him.
21:22It must be you and only you who take the food to his room.
21:26And in the morning you will untie his bed and disorganize his room
21:29for when the maids arrive to clean.
21:31I don't understand. Is he in charge of doing that himself?
21:34Sorry if it sounds like a question.
21:36I'll shut up.
21:37No, I understand your strangeness.
21:41You see, I can only tell you that Curro can't do it.
21:46Because he can't find the promise.
21:48So he's asking me to cover up the absence of the little man.
21:53Indeed.
21:55Salvador must seem to be still here.
21:57No one must notice that he has left.
22:00And where do I say he's gone?
22:02When someone comes to clean the room or when he has a visit?
22:07In that case, say he's taking a bath.
22:11Or that he's getting some fresh air, riding a horse.
22:14It's of vital importance.
22:17No one must know about this, Salvador.
22:19Don't worry, sir. No one will.
22:22Good.
22:26Here.
22:27No, no, no. Please, no.
22:30Salvador, it's a gratification.
22:32I understand that what I'm asking you is out of your reach.
22:36It's not necessary, really, sir.
22:38For me, it's a great honor that you trust me.
22:41Whatever happened to Mr. Curro,
22:44I'll follow your orders.
22:46I'll leave the bed as if he were still sleeping there
22:49and I'll cover him when someone comes to his bedroom.
22:53I want to tell you that what you're doing is for a good cause.
22:56I have no doubt, sir.
22:58You have your reasons, but I'm sure they're fully justified.
23:03Thank you, Salvador.
23:04I'll sleep better tonight.
23:06I'm glad to help you rest.
23:22I'm glad to help you rest.
23:25I'm glad to help you rest.
23:36A perfect brush.
23:37You can give it to Captain de la Bata.
23:47Good morning, Ricardo.
23:49Good morning, Romulo.
23:50You look more serene than yesterday.
23:52It's always good to consult the problems with the pillow
23:55before making hasty decisions.
23:57I'm sorry, I was very angry.
23:59A lot. You didn't spit in my mouth, but almost.
24:02It's just that Mrs. Arcos makes me mad.
24:05She gets the worst out of me.
24:06No, out of everyone.
24:07You have to learn not to get out of your box.
24:09Yes, I guess so.
24:10Still, I was very worried yesterday
24:13because you even talked about abandoning the promise.
24:17Well, it's what I really thought.
24:20Well, I hope you've reconsidered.
24:24Don't you realize that if you don't, she'll get away with it?
24:27I guess that's it.
24:28Thank you.
24:29No, don't talk like that.
24:31Don't let Mrs. Arcos push you to throw everything away.
24:34I can't with her.
24:36I've served for many years at home
24:38and I've never come across someone so harmful.
24:41Take it as a challenge.
24:43Ignoring her sarcasm and her ignominy
24:46will not only make you a better mayor,
24:48but also a better person.
24:49Yes, I suppose that if you're able to maintain your serenity
24:52when that lurking viper is by your side,
24:55you become a little less than an altar saint.
24:58Man, look at me.
25:00I'm about to canonize.
25:04Okay, okay. I won't go, Romulo.
25:07That's what I wanted to hear.
25:08But still, the injustices annoy me.
25:11I'm still convinced that Petra
25:13was the one who sent the invitation for Mrs. Margarita's snack.
25:17I can't assure you, but I wouldn't be surprised either.
25:19That woman is capable of that and much more.
25:22But she never does anything if it's not on purpose.
25:25What can she gain by acting this way?
25:28I already told you.
25:29Leaving me in the wrong place.
25:31Don't you think it's a little?
25:32That the Duchess of Carlisle has presented a snack
25:34to which she has not been invited,
25:36that only shows a fragrant lack of organization.
25:38And to whom did those invitations belong?
25:40To you.
25:41Ah, well, there you have it.
25:42That woman is willing to sink me.
25:44Yes, and from what I see, she can get it.
25:47Don't let her drag you down.
25:49Don't do anything you might regret later.
25:55I finally find you, Mr. Baeza.
25:57How can I help you?
25:58Mrs. Margarita wants to talk to you as soon as possible.
26:00She just finished breakfast and is waiting for you in the living room.
26:03What do you want to talk about?
26:05About the invitations to the happy snack.
26:07I'm coming with you.
26:08Yes, yes, it's also my responsibility.
26:11No, it's better that you don't come if it's not strictly necessary.
26:13But Romulo ...
26:14If she has not claimed me alone, then I will go alone.
26:17Besides, don't worry.
26:18I'm used to this type of talk.
26:21They are the people of the trade.
26:23You can cut the tension with a knife.
26:36Besides, you already know what the gentlemen are like.
26:38They take off their skins, but they never lose their shapes.
26:41And the food?
26:43Well, delicious, but they almost didn't even try it.
26:45They were too busy throwing reproaches.
26:48But the dinner was for Mr. Manuel.
26:51And what happened to your garden?
26:53Yes, well, they have been able to return from the war.
26:55But what happened yesterday, that was a war.
26:57A verbal war, without blood.
27:00Which is not little.
27:02But how could everything be so annoying?
27:05Well, it was the presence of a friend of Miss Catalina that altered everything.
27:09Adriano?
27:10Could it be?
27:11Yes, I know him.
27:12He is a boy, a farm worker.
27:14He is a bricklayer.
27:16A bricklayer and a gambler.
27:18I don't know who comes up with that eccentricity of inviting someone like him to a tag dinner.
27:23But he is Miss Catalina's friend.
27:26That woman has completely lost her mind.
27:28The retreat, instead of making her reconsider, what it has done has been to wild her even more, if it fits.
27:34I remind you that you are the key master of this house.
27:37And that this is not a proper way to talk about Miss Catalina.
27:41Yes, it is true that the one who was most noticed lost was this Adriano.
27:47He didn't know how to use the cutlery.
27:49He didn't know how to distinguish a glass of wine from a glass of water either.
27:52Like a little fish out of the water, poor thing.
27:54That's it.
27:55But thank goodness that Miss Catalina was giving him directions all the time discreetly.
27:59I don't want to give Mrs. Petra the reason.
28:03But with a job, she shares tables and butter with the gentlemen.
28:09It is not usual, but he was Miss Catalina's guest.
28:13And he also had the benevolence of Don Manuel, who was the honored one, so ...
28:17What a way to ruin a dinner that should have been unique and emotional.
28:22I understand Mrs. Marquesa more and more when she gets angry with Miss Catalina's behavior.
28:28Everyone has to know what position they occupy in this society.
28:32Don't overdo it, Mrs. Petra.
28:34I don't overdo a pencil, Salvador.
28:36Don't you realize, Miss Catalina, that with all those libertarian ideas of yours, you would lose everything you have?
28:42So much suffragette literature has made you ...
28:45lose your mind.
28:47Those books should all be burned in a pyre.
28:50Books should never be burned, Mr. Arcos.
28:53And if Miss Catalina invited that boy to dinner, she would have her reasons.
28:58I'm with Simona there.
29:00If she considers him her friend, she must have seen him.
29:02Good members and nobility.
29:05As I didn't know him, I didn't know anything about him, and suddenly I saw him dressed in a suit that looked like a glove.
29:10And I said, this guy can't be Labriego.
29:13Yeah ...
29:14A suit ...
29:16that belonged to Don Pelayo.
29:18By the way,
29:20I was informed that Miss Catalina sent to look for him.
29:23Yes, yes.
29:24Mrs. Marquesa made it clear in front of everyone
29:28that the suit belonged to the former fiancé of Miss Catalina.
29:31Did she really say that?
29:33Yes, yes. It was a rather unfortunate comment.
29:36He has a bad taste and a bad mouth.
29:38Let's not get ahead of ourselves.
29:40What barbarity.
29:41The calluses judging the hand that feeds them.
29:44And Labriego sitting at the table of the gentlemen as if he were one more.
29:48If this is not the end of the world, may God come and see him.
29:57What I don't understand is how such a blatant mislead could have happened.
30:00Couldn't it be a little more specific, ma'am?
30:02Well, I thought it was common knowledge that the Duchess of Carril
30:05showed up unannounced at the snack I had organized.
30:08Well, I had no knowledge.
30:09Well, that's how it was. That's how it was.
30:11And I can assure you that she was not on my guest list.
30:13So how could she come?
30:15Well, there lies the mystery.
30:17I'm sure I invited four of my friends.
30:19Imagine that I was stunned when suddenly I ran into Bruces with the Duchess of Carril
30:23like out of nowhere.
30:25I understand.
30:26And I also know that he received an invitation from me.
30:29Well, that's weird.
30:31I don't know.
30:32I want to find out who sent that invitation without my consent.
30:35But who could be interested in the Duchess of Carril being at your snack?
30:39Well, that's what I want to find out.
30:41That this is a matter of extreme seriousness.
30:43It is true that nothing happened this time,
30:45but imagine that someone ungrateful to the family suddenly shows up.
30:48It is certainly a very serious matter, ma'am.
30:51Unfortunately, I cannot help you clarify it.
30:54I was not in charge of organizing the snack or the invitations directly.
30:58But you are the one who supervises everything, right?
31:00Yes.
31:01But I have delegated certain tasks to focus on others
31:05directly related to the palace's attendance.
31:08I see. I'll take care of it.
31:10Anyway, I would like you to talk to whoever you have to talk to to solve this enigma.
31:15I will investigate to find out what happened.
31:18And if it was a mistake, find the person responsible for this negligence.
31:21I will do so, ma'am.
31:23At the moment, I can only apologize and regret that your snack went bad.
31:28Don't worry.
31:29As I said, nothing has happened.
31:31But we must prevent these mistakes from happening again in the future
31:34with much more serious consequences.
31:36With your permission, ma'am.
31:38Thank you.
31:59Adriano. Come in, please.
32:03I came to return the fras that you lent me for dinner last night.
32:07You didn't have to do it so hastily.
32:11If it were up to me, I would have returned it to you after the same dinner.
32:15I must admit that Pelayo had an exquisite taste for dressing.
32:19I'm sorry for my stepmother's comments.
32:22They were unfortunate and very unpleasant.
32:27Caterina, you could have told me that the fras belonged to your ex-fiancé.
32:32You're right.
32:34I'm sorry.
32:36In any case, don't listen to my stepmother because she only intends to bother me
32:40and she did it through you.
32:42She killed two birds with one stone.
32:44I had never had a bad drink like this before.
32:47I apologize.
32:49I didn't want to put you in such an uncomfortable situation.
32:52And I didn't want you to feel bad.
32:54What did you want?
32:55Nothing.
32:57If I lent you that fras, it was because I didn't have another one of your size.
33:01In that case, you would have preferred to wear my own clothes, Catalina.
33:04I wanted you to be elegant.
33:06I mean, those dinners have a label.
33:10Well, I would have preferred not to attend those dinners.
33:16Forgive me, Adriano.
33:19Don't be angry with me, please.
33:23I didn't do it with bad intentions.
33:26For me, what we have is special.
33:31Catalina, I'm in love with you.
33:34I already told you.
33:37But I don't want to become your toy.
33:40I understand that you have enough reasons to be at war with your stepmother.
33:44But I don't want you to use me against her.
33:48I'm not a pill.
33:53I'm not a pill.
34:18Don't worry.
34:20I'm going to leave these books.
34:23I'll leave you alone in your office right away.
34:27Now that we are alone, we have the opportunity to clarify things.
34:33And what is exactly what needs to be clarified?
34:36Let's leave a conversation in the middle.
34:39Well, since you are not more specific, what do you want to talk about?
34:43About what happened between us.
34:46No. Did something happen to you?
34:48It's obvious. But I think there was a confusion.
34:51And unfortunately, you misinterpreted things.
34:55Do those two kisses seem unfortunate to you?
34:57They were involuntary on my part. You took the initiative and not the other way around, as you said.
35:01Of course. Poor thing.
35:03You couldn't keep your lips sealed. You felt forced. Isn't that it?
35:06My intention was not to kiss you.
35:08Well, you did.
35:10Because you didn't let me escape. How many times do I have to repeat it?
35:13No matter how many times you do it, you won't get it to be true.
35:15Stop it, María Antonia. Don't blame me.
35:18Of course. Now you are a poor victim, aren't you?
35:21A happily married man who has suffered the attack of a harpy.
35:24Don't put things I haven't said in my mouth.
35:27I'm not stupid, Alonso.
35:29Your strategy is stupid, with all that sudden passion that has woken you up.
35:33My relationship with my wife is not your fault.
35:36It is. When what you do with her is to make me jealous.
35:38Please, what are you saying?
35:41Or maybe your reasons are even more twisted.
35:45Maybe those unfortunate kisses we gave each other had a spark
35:48and you had to crush your passion for someone.
35:50You're delirious.
35:52How can you distort things like that?
35:55If someone manipulates you, it's you.
35:58Because if you had nothing to hide, you would have already told your wife,
36:01so as not to give way to misunderstandings.
36:03I don't want to put the cross against her best friend.
36:05Of course. That's why you're asking me to leave, right?
36:08To separate from her and not to talk to her.
36:12I don't think you care that she knows what happened.
36:15So let's leave it at that.
36:18Because it's clear that we're not going anywhere.
36:39I have met you again and I have also summoned you
36:42to discuss the mysterious invitation to the dinner
36:46organized by Mrs. Margarita.
36:48An unforgivable negligence.
36:50Let me lead this conversation, Mr. Arcos.
36:56Mrs. Margarita insisted this morning that she wants to get to the bottom of the matter.
37:00I agree.
37:01And me?
37:02I claim that you are satisfied to know if we can discuss this matter.
37:07I am responsible for the entire service
37:10and I have to be aware of any irregularity
37:15to avoid the complaints of the gentlemen.
37:17I already made it very clear to you that I did not make any mistakes.
37:20I limited myself to including Vera in the service of the snack
37:23and supervising that what was served was appropriate.
37:26And nothing else.
37:27The invitations were things of Mr. Pellicer.
37:30Which is great for you to get rid of all suspicion.
37:34And I also limited myself only to fulfill my duties.
37:38Well, of course he didn't do it right.
37:41Don't interrupt, Mr. Arcos.
37:43We have all been very clear about your opinion.
37:46In case there was any doubt, Mr. Baeza.
37:49Can we reconstruct the facts, please?
37:53I think Mr. Pellicer should start,
37:55since he was in charge of notifying the guests.
37:59Yes, it is true.
38:01Yes, it is true, yes.
38:02But that task was entrusted to Santos.
38:04I was overloaded and he offered to help me.
38:07On top of the fact that the task is entrusted to a lackey,
38:09he accuses me of the entanglement that was formed with the snack.
38:12You have no shame, Mr. Pellicer.
38:15Mrs. Arcos, let's talk.
38:20That's right.
38:21My father was overwhelmed
38:23and the snack had to be prepared overnight.
38:26So we both agreed that it was best for me to write and send those invitations.
38:30I know.
38:31What I am very clear about is that there were five names on that list and not four.
38:36As Mrs. Margarita assures,
38:38I simply limited myself to writing the name on each letter and nothing else.
38:43Well, it's your word against that of a lady.
38:46It is more than evident that it would weigh more on a scale.
38:49Having more weight does not mean that you are right.
38:52We all know that Mrs. Margarita has her head elsewhere
38:55since they admitted her daughter to the sanatorium.
38:58Well, the only proof that could make us doubt
39:01is to have that paper with the list.
39:03Impossible.
39:04The paper was thrown in the trash and it is more than lost.
39:07Anyway,
39:09what sense would it make for Santos to lie about this matter?
39:12Why would he include another name?
39:14Well, look at you.
39:16That's where I agree.
39:18The boy has no reason to do such stupidity.
39:22But that does not mean that you gave him a task on his shoulders that did not correspond to him.
39:27Mrs. Arcos,
39:29I have already told you that we know very well what your opinion is.
39:33Well, let's see if we start acting accordingly.
39:37Well, since we are not going to find out the truth of what happened,
39:41I will manage this matter with Mrs. Margarita in the best possible way.
39:46And what are you going to tell her?
39:48I'm going to tell Chayega Cerviz
39:50and assume the error,
39:52promising him that nothing like this will happen again.
39:54But that is to assume that yes, he made a mistake.
39:57Well, the best thing to do is to assume the blame and settle the matter as soon as possible.
40:01Also, if Mrs. Margarita claims that she put four names,
40:04there is no way to convince her otherwise.
40:06I see.
40:08Leave the matter in my hands.
40:10By the way, please, I ask you to be more careful in the future.
40:13We will do so.
40:15I'll do it.
40:24I'll do it.
40:54I'll do it.
41:16Where are you?
41:18Where are you?
41:28Wait for me.
41:32It's lunchtime, sir.
41:34I'll be right down.
41:48I'll be right down.
42:18I mean, go back to the original jams.
42:33The ones with new and different flavors.
42:35That's it.
42:37And with that jam remesa, sell them.
42:39And the profits, allocate them to the fund to recover Adolfito.
42:42And give him a home while Virtudes finds another job.
42:46I'm so excited that you do that for me.
42:48Virtudes, we do it for you, for Mrs. Simona and for everyone.
42:51That's it. We don't stay here with our arms crossed when we have a problem.
42:55That's right. I'm looking forward to making the jams.
42:58But first I need the sugar and the fruit.
43:02We can buy it with the initial collection.
43:04That's what we thought.
43:06Also, I'm convinced that we will recover the money in a centipede.
43:09Of course.
43:10You can count on my help, in case you have any questions.
43:13We don't need any.
43:15Thank you.
43:17Don't mention it, Virtudes.
43:19Anything to help you bring your creature back, you're welcome.
43:23And count on me too.
43:25If I don't have to make the jams, of course.
43:28I'll take care of that.
43:30We'll find you a job so you can get on your feet.
43:34Will you be able to count on the help of the women of the village?
43:38I wish we could.
43:40But they are under the yoke of Captain De la Mata and his business.
43:43And you?
43:45And we have barely supervised the jams for a long time.
43:48So we have time.
43:50And I've heard that the captain pays a lot.
43:52Yes, that's right.
43:54It's a shame not to have money to pay those women as they deserve and God commands.
43:59Let's see if all this is going to be a conflict with Don Lorenzo.
44:04For nothing in the world I would like them to go against you.
44:08Virtudes, it's a risk.
44:10After all, we are going to compete with him in the sale of jams.
44:13That's why we have to be discreet and prevent this from happening.
44:16In any case, I also tell you.
44:18As much as the two of us sell jams, ours is a totally different product.
44:22That's right.
44:23His jams are intended to be sold to the Spanish army.
44:26And ours, we are looking for something more humble, something on a small scale.
44:31And you think that will stop him?
44:33You know how gentlemen are.
44:35Envious and arrogant.
44:37Virtudes, it's not going to be fun for him that we set up our own business.
44:41Especially because we are vulgar members of the service.
44:44We are inferior beings.
44:47But it is a risk that we have to take.
44:49I am willing to take it.
44:51But you have to make it clear to everyone who enters the company, everything that is played.
44:59I don't want anyone to play it for me, Salvador.
45:03Please leave all this jam business.
45:06It seems pointless to me and ...
45:10I don't want anyone to do anything.
45:32Good afternoon.
45:33Good afternoon.
45:35How lonely and thoughtful, right?
45:37Me?
45:38Yes.
45:39You haven't even understood the point.
45:42Yes.
45:43You're right.
45:45And that's one of the best I've ever found.
45:47What's got you so drunk?
45:51Well, the truth is that right now I was thinking ...
45:54I was thinking ...
45:56I was thinking ...
45:58I was thinking ...
46:00Well, the truth is that right now I was thinking about María Antonia.
46:04Yes, I was thinking about whether the time has come for her to continue her life outside the promise.
46:09Don't say that, Alonso.
46:10I may have rushed a few weeks ago.
46:13But now that Manuel and Curro have returned, I think their stay here is too much.
46:17I'm sorry, but I still don't understand why you insist that my friend leave.
46:21She has done so much for us.
46:23You are more encouraged. We are all more encouraged.
46:26And she has behaved wonderfully.
46:28So?
46:30Why? Does it bother you so much?
46:32No, it doesn't bother me.
46:34On the contrary, she is a very nice woman and a great talker.
46:38And a loyal friend.
46:40Yes.
46:42She has been by your side in these difficult times, with Manuel at the forefront, fighting for her life.
46:48Well, I understand less and less.
46:50Cruz, I think she deserves to be left alone and to continue her life outside here.
46:55Alonso, she herself told us that she has no commitment outside the promise.
46:59And you know as well as I do that she needs me too.
47:04Yes.
47:06But I'm afraid that now that we are all in the palace, she will have the feeling that we are putting her aside.
47:12It is a matter of time before she feels out of place.
47:15And I don't want that to happen.
47:17After everything she has done for us, I would not like things to end badly.
47:23Cruz, everything has a beginning and an end.
47:27And prolonging things more than is convenient always brings problems.
47:33Why don't you talk to her and explain it to her?
47:36I'm sure you have more tact than I do.
47:40Okay.
47:42Okay.
47:52Bye.
48:15Hello.
48:18How are you?
48:20I'm fine.
48:22Why do you ask that question?
48:25I noticed that you were a little upset when you stopped serving the snack that Mrs. Margarita had prepared for her friends.
48:38Vera, you can trust me.
48:40I know something is happening to you.
48:42We may not be dating anymore, but I know you very well.
48:46One of Mrs. Margarita's guests was my mother, the Duchess of Carré.
48:53I was stunned when I met her face to face.
48:57I guess so.
49:00I had no idea she was Mrs. Margarita's friend.
49:05And how did your mother react when she saw you?
49:08Well, she was just as surprised as I was. Even more.
49:11Imagine seeing your daughter disappear after so long, and on top of that, dressed as a maid.
49:15That must have been what shocked her the most.
49:19My mother could not escape her amazement when she saw that she was part of the service of the Marquis.
49:25But Mrs. Cruz has less rank than she herself.
49:29Now I understand your disembodied face.
49:34I still can't get over that impression.
49:38I still can't get over that impression.
49:42It's not for less.
49:45And what are you going to do?
49:48Well, now that my family has located me, I'm in a bit of a complicated situation.
49:55Maybe your mother is understanding with you.
49:58No.
50:00The meeting was a bit violent. She even slapped me.
50:05Really?
50:08I didn't know it was that bad.
50:13The good ways are always so complicated in my family.
50:20If you need anything, I'm at your disposal.
50:28Pera, you can trust me. Really.
50:32I know I've been very bad to you, but I promised to keep your secret.
50:36And I haven't revealed it to anyone.
50:39All I want is to support you.
50:41Unconditionally.
50:44Thank you, but there's nothing you can do.
50:49Santos, I prefer to be honest with you.
50:51I'm in love with Lope and this is not going to change my feelings.
50:57I know.
50:59I'm sorry it's a bit sudden, but I don't want you to get your hopes up.
51:04I understand. Don't worry.
51:23An invisible airplane?
51:25Yes.
51:26The fabric of these planes has been replaced with a transparent material, almost invisible.
51:31A mixture of cellulose and acetic acid.
51:33But it's not a very fragile material.
51:35No, on the contrary.
51:37It has the resistance of an elastic rubber.
51:40It's very foldable and can't be burned.
51:42And this plane has been tested? Or is it just a project?
51:46The first tests were made two years ago, in the summer of 1913.
51:51Sister, at a height of 1,000 meters, an airplane with this material is invisible.
51:57Don't you think it's incredible?
51:58A lot. If you don't tell me, I won't give you credit.
52:02But does this have to do with the prototype you're working on?
52:07No.
52:08No, mine has more to do with the aerodynamic design of a new aircraft.
52:12That's why I'm studying the new models in depth, to be able to improve them.
52:17I'd love to see it when you have it, Pergeña.
52:22I will.
52:26I thank you for the visit.
52:28In addition to being pleasant, it has been very instructive.
52:33I know I get very heavy when I talk about airplanes, sister.
52:36Not at all.
52:38I love to see the passion with which you talk about it.
52:43It was you who brought out the passion to do things.
52:47And I'm sorry I gave you up.
52:52I don't think you've come to talk to me about the advances in aviation.
52:59I know.
53:01I know, last night's dinner was a complete disaster.
53:07I wouldn't be the one to take away your reason.
53:10Although the worst that happened was your guest.
53:12It was my fault.
53:14I shouldn't have invited Adriano.
53:16I put him in a very violent situation.
53:18Didn't you suspect that my mother would explode when you saw yourself appearing with him?
53:22Well, yes, maybe.
53:24But I didn't think it would be that bad.
53:27I thought he would coerce himself in front of everyone, I don't know.
53:32I was naïve.
53:33I thought he would coerce himself in front of everyone, I don't know.
53:37I was naïve.
53:43You see, something tells me that ...
53:47if you insisted on taking Adriano to that family dinner, it was ...
53:53because for you that man is something more than just a tenant.
53:58Am I wrong?
54:04No.
54:05Okay, I'll tell you another way.
54:10Is Adriano your boyfriend?
54:17Well, I praise the effort of that boy for trying to behave at the table.
54:22An effort that turned out to be improvised.
54:24You can't learn good manners in two minutes.
54:26That boy?
54:27He would have needed a century to learn to behave.
54:30No one is born taught.
54:33But there are people who learn faster than others.
54:36And we already know what kind of person Adriano was.
54:39Yes, the kind of person who should not sit at our table.
54:42Although Catalina seems not to understand something so simple.
54:46She has always gotten along well with the workers.
54:48She has nothing wrong.
54:49Well, yes, she does.
54:51We each have our place, Alonso.
54:53If she wants to relate to those people, I think it's very good.
54:56But don't force us.
54:57It's very unpleasant.
54:58She has a good relationship with him and she just wanted us to meet him.
55:01Nothing else?
55:02Despite everything, for me, the evening was the most entertaining.
55:07Well, that's why I prefer to go to the circus.
55:09Not that the circus comes to my house.
55:11It will take me centuries to recover from such a mess.
55:17I'll take it.
55:18I'm waiting for a friend's call.
55:25Yes.
55:26Yes.
55:30So?
55:32Good.
55:34I understand.
55:36Good afternoon.
55:49It was from Martina's sanatorium.
55:52What happened?
55:54Bad news.
55:57What bad news?
56:13I hope this from Escalmiento will help Mrs. Margarita and Conde Dayala.
56:17What a nice solution to lock up the poor girl being innocent.
56:21Mrs. Garcia, I remember that you are talking about the gentlemen.
56:24I'm telling a lie.
56:26We must give part to the Civil Guard.
56:28And give it.
56:29But what insistence with the Civil Guard?
56:31Can you think of a better way to face the situation?
56:34I still think that Mrs. Arcos is behind all this in one way or another.
56:37Yes, it is possible.
56:38But as long as we don't have proof, everything has to stay that way.
56:41That list with the names of the guests is the answer to everything.
56:46So you'll have to find her.
56:48How?
56:49She ended up in the trash.
56:51Well, we'll have to look for another way.
56:54She couldn't have been a simple miscarriage.
56:56I don't want to go to bed yet.
56:58Lately, it's been a bit difficult for me to reconcile sleep.
57:01From your disposition in Mrs. Margarita's snack.
57:05Has something happened in that snack?
57:08I met my mother.
57:10And Curro doesn't know anything either?
57:12What does Curro have to do with all this?
57:14It's obvious, isn't it?
57:16Curro was perhaps the person who had a closer relationship with Martina before going to war.
57:21And I haven't seen him since his welcome dinner.
57:24To which, by the way, he did not attend.
57:27He is very clear that he loves me.
57:30He told you?
57:31Yes.
57:32A beautiful statement.
57:35And I just have to spoil everything.
57:37I invited him because he's my friend.
57:38I know, daughter.
57:41What I don't know is if there was any other intention on your part.
57:45Like what?
57:46You wanted to bother Cruz.
57:48The time has come for us to talk.
57:51And that's not exactly what we're doing.
57:54Your generosity to me has been infinite.
57:57You abandoned all your obligations to take care of my help when I needed you.
58:01And that's an effort that ...
58:04I can't keep asking you anymore.
58:09Are you throwing me out of the promise?
58:10I want you to tell me where Curro is.
58:13Come on, Ignacio.
58:15That boy is just sick.
58:17And you shouldn't bother him.
58:19Curro is not here.
58:20And you know it as well as I do.