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03:25¿Qué haces aquí?
03:26Padre.
03:30Pensaba que nunca volverías a la casa.
03:32Llegó el momento.
03:36Aunque solo fuera para ver que todo sigue igual por aquí.
03:40Os habéis enzalzado nada más veros.
03:42Estábamos hablando de Martina.
03:44Simplemente tenemos puntos de vista distintos sobre el asunto.
03:47Tenemos que hacer algo por ella, como sea.
03:50Lo vamos a intentar.
03:52No será fácil, pero lo vamos a intentar.
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25:01¿Cómo me ve?
25:03Pues bien guapa.
25:05Ya verás cómo Salvador se va a quedar impresionado
25:07en cuanto te vea.
25:08¿Tú crees?
25:09Pues claro que sí.
25:11Y ponte algo de chaqueta que va a hacer frío.
25:13¿Estás segura de que no te quieres venir?
25:15Mira que va a haber orquesta, tómbola, churros...
25:17Santos.
25:19Verdad.
25:21No lo digas que me pone mal cuerpo.
25:23Yo no sé cómo la Vera sigue con ese malaje
25:25y no la ha mandado ya a tomar viento fresco.
25:27Si tan desagradable te parece,
25:29¿por qué vais con él?
25:30Pues porque antes de que nos pudiéramos negar,
25:32él ya lo dio por hecho.
25:33Y se fue.
25:34Sin darnos la opción a réplica.
25:36Así que vais con muchas ganas, ¿no?
25:39O quiero ir, pero no con él.
25:41Pues conmigo no cuentes guapa.
25:43Lo que necesita una buena jarana es la señorita Martina.
25:46Bueno, la verdad es que sí.
25:48Al menos se olvidaría de sus penas.
25:50No dejo de pensar que fue por mi culpa.
25:52Igual si no le hubiera hablado de la cicuta...
25:55Bueno, María, pues deja de darle vueltas a eso.
25:58Ya, eso quisiera yo, pero no puedo.
26:00Pero ya lo hemos hablado.
26:01La señorita Martina no ha tenido nada que ver con ese envenenamiento.
26:04Ya, pero Hanna, no sé...
26:05Pero nada.
26:07Yo sinceramente creo que es inocente.
26:09Ya, y yo también.
26:11Y ojalá pudiera hacer algo más por ella.
26:15Si estuvieran aquí Manuel y Cuorro seguro que sería más fácil.
26:19Pues sí, removerían cielo y tierra para ayudarla.
26:24A ver si he terminado de una vez esa maldita guerra.
26:28Bueno, pues por lo menos sabemos que están bien por las cartas.
26:32Y al final la señorita Catalina salió de la ratonera esa.
26:35Están entrando rayitos de luz entre tanta penumbra.
26:38Y me voy ya.
26:40Que entre tantas chacharas voy a llegar tarde a la verbena.
26:46Marca, ¿te hago una barra con Santos?
26:48Enseguida voy a bailar yo con ese malaje.
26:51Ya está.
26:59¿Es una alegría que la señorita Catalina decida vivir de nuevo en la casa?
27:03Sí, la verdad es que sí.
27:05El problema es que dijo que era algo temporal.
27:08Que estaba aquí solo para ayudar a la señorita Martina.
27:11¿Usted cree que volverá a meterse en ese inmundo hangar?
27:15Pues espero que pasa unos días y le quite esa idea de la cabeza.
27:18Pero con esta mujer nunca se sabe.
27:21Todo es posible.
27:24¿Es que vas a salir?
27:26¿Tengo yo pinta de ponerme a esa berenjena?
27:29No, no, ¿verdad?
27:30Pues eso es que voy a salir.
27:32Y vosotras dos y López me voy a tener que echar un capote.
27:35Para que nadie se dé cuenta de que estoy fuera.
27:38¿Ya has perdido loremos?
27:40¿Viste cómo se puso la marimandrajos?
27:42Porque López estuvo baldado en la casa.
27:44¿Y tú?
27:45¿Y tú?
27:46¿Y tú?
27:47¿Y tú?
27:48¿Y tú?
27:49¿Y tú?
27:50¿Y tú?
27:51¿Y tú?
27:52Vosotras, ¿quiénes eran las marimandragos?
27:55¿Por qué López estuvo baldado en la cama?
27:58Imagínate si se entera que tú te vas así porque así.
28:00¿Pero si yo entro en casa?
28:01No tiene por qué darse cuenta.
28:03Y se asoma el hocico por aquí.
28:05Pues vosotras le decís que estoy en el escuchado.
28:08¿Y si se asoma dos veces?
28:10Eso sería muy raro.
28:11Pero vamos.
28:12Si eso pasa, le decís que tengo cagalera.
28:14Vaya.
28:15¡Eso no va a pasar!
28:16Además, si me voy, dame acá unas horas.
28:18¿Unas horas?
28:19¿Cuántas?
28:20Today, I'm going to make some decisions.
28:24You're very mysterious.
28:25What decisions are those?
28:27Decisions to get you to return your son to Virtute.
28:33But what are you going to do?
28:35Something that will work out, huh?
28:38It will make you have your son back in a few days, forever.
28:42Be careful, Candelilla, this is a very delicate matter.
28:45You tell me, I know what I'm doing, huh?
28:49It's better if you don't tell me.
28:51Trust me, Simona.
28:53Are you sure I'm going to do everything possible
28:55to get him back to Virtute and that's it?
28:59No, I don't doubt it.
29:01Hell is full of good intentions.
29:04Woman of little faith, trust me.
29:06Leñe, this matter will be solved today.
29:11I'm leaving.
29:13And you know, if Marimandrajo shows up here,
29:16I can say that ... I have the guts.
29:20Goodbye.
29:33Good morning, welcome to La Promesa.
29:35Thank you for welcoming me to my own home.
29:38Do you mind?
29:40Thank you.
29:45I see that you have woken up very early.
29:47I also have the habit of getting up early.
29:50I like to have breakfast in peace and solitude.
29:52Well, this time I think I'm going to bother you a bit.
29:56But look, so we can take advantage and chat.
29:59Of course.
30:02I am very happy that you have decided to leave your retirement.
30:04I'm sure your cousin Martina feels good to have you here.
30:08I have left only for her.
30:12I'm sure your father feels good too.
30:14He has realized how much you miss him.
30:17He could come visit me whenever he wanted.
30:19I was just a few meters from here.
30:22From what I've heard, you didn't like to receive visits, not even his.
30:26But hey, you're back and we're all very happy.
30:30Sure.
30:32Well, my friend Cruz is not so happy to see you here.
30:38Quite the opposite.
30:41I am your adult person.
30:43I'm sure you will resolve your differences by talking.
30:46She and I have nothing to talk about.
30:49But I will try to live in peace because that is what my father has asked me to do.
30:53I see that you have become as combative as when you left.
30:56If I told you so.
30:58In any case, I want you to know that I am not upset because you did not want to receive visits at the hangar.
31:04Look, the truth is that I don't care if you are upset or not.
31:08We can stop pretending between us.
31:11Do we have to be so frank?
31:13An excess of sincerity can be a rudeness.
31:16It can be.
31:18But I prefer you to know that I am as excited to see you as I am to see your friend Cruz.
31:22And I guess the same thing happens to you.
31:24You guess a lot.
31:26I think we shouldn't waste energy on pretending there is nothing.
31:30We reserve our strength to help Martina.
31:33Enjoy it.
31:35Thank you.
31:59I suppose Mrs. Petra watches you all the time, right?
32:02Well, yes, like a hawk. And she doesn't even leave me alone in the shade.
32:06If I'm here, it's thanks to Don Rómulo, who is covering my back.
32:10If he were here, this would have been impossible.
32:12Good for him to say.
32:23Hanna.
32:25Can you tell me what you're doing there?
32:27Planted like a cockroach.
32:29Are you paid to work?
32:31Why are you looking at the cockroaches?
32:33I'm ironing the clothes, ma'am.
32:40And are the dresses I sent you to starch ready?
32:44Well, the truth is not.
32:46Because I haven't had time, but I realize ...
32:48No.
32:49You do it when I send it to you.
32:51Because if I ask you for some starched dresses, it's because I want them now.
32:54No later.
32:56Understood?
32:57Yes, ma'am.
32:58As soon as I finish ironing, I'll do it.
33:01Wait.
33:03I'm not done with you yet.
33:05You've been ironing for several days now.
33:09Not doing what I tell you, or doing it wrong.
33:12Neither ...
33:13Don't reply to me!
33:15Or was the fabric of Mrs. María Antonia's dress well done?
33:19Honestly, I think so.
33:21You think wrong!
33:23The same lady complained when she saw it.
33:25But she's a slob and she's in a hurry.
33:28In that case, I'm sorry.
33:30Well, stop feeling and do your job well.
33:33Because if you continue like this, you're going to have a very serious problem.
33:36And I won't tell you anymore.
33:38But what are these voices coming from?
33:40That I'm doing my job.
33:42And what does it consist of? Screaming?
33:44To make these sluts do their jobs.
33:46But you think that insulting and vociferating are ways to get nothing.
33:51And now you come to tell me how ...
33:53How should I treat the maids?
33:55Do I just tell you how you have to work with the sluts?
33:58I just remind you that in this house the manners matter.
34:01And that the authority is not overwhelmed with education.
34:05Are you calling me rude?
34:08I just tell you that I don't want voices.
34:11And I don't want you to get my attention in front of a maid.
34:14What do you want?
34:16Do I lack respect?
34:17What I want is for you to retrain.
34:19And behave in the ways you are presupposed to.
34:21And I want you to stop insulting me.
34:24Who do you think you are?
34:26But how are you able to speak to me in that tone?
34:28Well, forgive me.
34:30Excuse me, I ...
34:32I wanted to say that all this has been my fault.
34:35That Mrs. Arcos is right and ...
34:39And that's it, you can leave the subject alone.
34:50The next day
34:53It was a lot of fun last night, we had a great time, right?
34:56Yes, it was entertaining.
34:58And it was a very good idea to invite María Fernández and Salvador.
35:01Yes, María is very funny. I had never had the opportunity to go out dancing with her.
35:04With Salvador you were also very comfortable.
35:06You were very comfortable with everyone, except me, Vera.
35:10I don't know why you say that.
35:12Yes, you do.
35:13When I wanted to make you dance, you rejected me or made me look like a whore.
35:17And when they talked to you, you listened to me.
35:19That's not true.
35:20No, of course it's true.
35:22You were with me like bitter.
35:24And as soon as I moved away to buy you a ticket to La Tómbola or an apple with caramel,
35:29you immediately started laughing with your friends.
35:31Well, I don't know, María would say something funny.
35:33You know that's not why, Vera, don't lie.
35:36Well, yes, it's something else.
35:38You know perfectly well what's going on between us, so I don't understand how this surprises you now.
35:42Ah, and you admit it.
35:44It's nothing new.
35:45That I don't want to dance with you, well, no.
35:47That I don't care what you have to say, well, neither.
35:49So don't keep insisting on all this because my patience has a limit.
35:52Calm down, Luchesita.
35:54I remind you that here I am the one who has the pan on the handle.
35:57To a certain extent.
35:59Because you can force me to accompany you to the town or to walk, but you will never govern my feelings.
36:05Well, I don't care if you don't love me.
36:07You'll end up doing it.
36:10That's not the problem.
36:12The problem is that if you continue like this, I'm going to end up hating you.
36:15So you're hot today, aren't you?
36:17I'm just reminding you what's going on in case I had forgotten you.
36:20I'm not going to give you more than I'm already giving you, Santos.
36:31And I arrived when Catalina was having breakfast in the first hour.
36:34I'm sure she got up early so as not to meet anyone.
36:37At least with me.
36:38Well, the plan went wrong because she had to hold me for a while.
36:41But did you talk about anything?
36:44Not much. And I was the most charming.
36:47It's not worth making an effort with that impertinent girl.
36:52She told me that you had agreed on a temporary truce.
36:55Not because of Alonso, but because of me.
36:57I don't care how that bitch is doing for years.
37:01She's not very nice.
37:03Not very welcoming.
37:05Trying to be nice to her is like hitting a wall.
37:09Before, when you talked to me about her, I thought you were exaggerating.
37:12But you were right. She's a spoiled brat.
37:15Well, I'm glad you've opened your eyes.
37:17It's never too late if the fortune is good.
37:20Yes.
37:22You reacted in time, yes.
37:24But by the hair. Because you almost left the promise without saying goodbye.
37:29You still haven't forgiven me for that insensitivity.
37:33I'm still hurt, yes.
37:35You know how hard it is for me to get angry with you.
37:38I'm relieved to hear it.
37:40You should know that later, when I thought about what I was about to do,
37:44I knew that I had behaved like a schoolgirl.
37:46I still don't understand why you wanted to leave like that.
37:49Without saying goodbye.
37:50Now I know that I did wrong.
37:52That one must leave places like a lady.
37:56That's it.
37:57But the goodbyes to the French woman are not made for us.
38:00I'm not going to do it again, I promise you.
38:03But if at some point you feel that I'm abusing your hospitality,
38:08tell me.
38:09Abusing you?
38:11Come on, man, there are many other names on that list before you.
38:15Starting with Ignacia.
38:17The count is delaying his stay a lot, isn't he?
38:20And creating many problems.
38:23However, you came to accompany me and ...
38:27And you don't know how well it has done me to have you here,
38:29in these difficult times.
38:30You don't know how happy it makes me to know that I'm being useful to you.
38:35Alonso.
38:36Come here for a moment.
38:41Tell me.
38:43Maria Antonia and I were talking about the other night,
38:46when she tried to leave the promise.
38:50I would like to know that ...
38:52that misunderstanding between you is solved.
38:55Yes.
38:56For my part, everything is solved.
38:58For my part too.
39:00Everything is clear.
39:02Well, I'm glad to hear that.
39:04I didn't like to think that my husband and my best friend were not on good terms.
39:16Understood.
39:17Then go in search of Mr. Pellicer and make yourself at his disposal.
39:24Hey, Mr. Baeza.
39:25Leopoldo is sick.
39:27Yes, yes.
39:28On the basis of wines and anisettes.
39:30In the Nervenas of Lujan.
39:31Well, I don't want to talk about that.
39:33What do you want?
39:34To thank you.
39:36Again?
39:37You already thanked me yesterday.
39:39Maybe I went too far with the blow I gave you in the head
39:42and made you lose your memory?
39:44No, no, no, no.
39:45Because I remember it perfectly.
39:46But still, I wanted to thank you again.
39:48Well, being born well is being grateful.
39:51But you are thanking me every day.
39:53And I would like to leave this behind and look ahead.
39:56Mr. Baeza, you are not aware, but you have saved my life.
39:59Now we go from thanks to exaggerations.
40:02I'm telling you the truth.
40:04What I had to pay was a lot of money.
40:06Well, that debt is paid.
40:08Forget it.
40:09And I'm going to pay you.
40:10Everything.
40:11I promise you.
40:12No, Miguel.
40:13Don't worry about the rooms.
40:14I'm not going to threaten you.
40:16And I don't intend to take that money.
40:18No, Mr. Baeza.
40:19I'm going to give it back to you until the last penny.
40:20I swear.
40:21No, stop swearing.
40:22I take it for granted that you have learned the lesson.
40:25The lesson is learned.
40:26And for life.
40:27I have it etched in my memory.
40:29Very good.
40:30Well, if you want to thank me so much,
40:32thank your companions for everything they did for you while you were in bed.
40:37I know.
40:38They have acted like blessed souls.
40:40They did the possible and the impossible so that this would not transcend.
40:43They gave their lives for you, especially Miss González.
40:47I know.
40:48I'm going to thank her when I meet her.
40:50That's what you have to do.
40:52And for my part, if she doesn't thank me again,
40:55I will thank her.
40:58Go to work.
41:15Excuse me for having brought you down to the service floor.
41:18I know it's inappropriate,
41:19but I wanted to avoid any kind of confrontation with the Marquise.
41:22Don't worry.
41:23I understand your prudence.
41:24I know things are a bit tense and I didn't want them to get worse because of me.
41:28Okay, but the next time you come to visit the palace,
41:31I will receive you on the noble floor.
41:33As you wish.
41:34It was just to help.
41:36I understand.
41:37But I'm not afraid of my stepmother.
41:39And I don't care what she says or does.
41:42I remember.
41:43Take note.
41:44There you have Don Tadeo.
41:47Thank you.
41:49Thank you.
41:54Miss, I'm glad you're no longer in the hangar.
41:58But you don't know how scared I was.
42:01Why?
42:03Because I went to look for you there and when I didn't see you,
42:06I thought something had happened to you.
42:08Family matters.
42:10That's why I'm back.
42:11But it's not a final decision.
42:13You know my opinion.
42:15I don't think it's a place for a lady like you.
42:18Well, we'll see.
42:20Now all I care about is helping my cousin.
42:23You always help your neighbor.
42:27Now your cousin a few days ago Adriano,
42:30giving him his necklace.
42:32Is he aware?
42:34Of course.
42:35He told me on the spot.
42:38He is very happy because ...
42:40because he was finally able to pay off his debts, thanks to his gift.
42:44He couldn't let it go to waste.
42:46Besides, I've also gained something from all this.
42:49Yes.
42:50May your income system not collapse.
42:53Much better.
42:55Adriano's friendship and the satisfaction of doing something for someone who needed it.
42:59Wow, yes.
43:01And you have helped him return to the palace.
43:04I've already told him that this is a family matter.
43:07I'm disgusted.
43:09It's my cousin Martina.
43:10What's going on?
43:13You are accused of using cicuta for reprehensible purposes.
43:17Cicuta?
43:19That's right.
43:21Are you sure you haven't been able to confuse it with another plant?
43:24I understand that the cicuta leaf is very similar to the parsley leaf.
43:29No, they found a jar in your room.
43:32There wasn't much room for confusion.
43:34That cicuta was not found in nature.
43:37And you think it must have been found elsewhere.
43:41In a pharmacy, for example, right?
43:43I know she went to the pharmacy before the poisoning.
43:47Do you know if the doctors still prescribe it?
43:50In ancient Greece it was used to kill the condemned.
43:54In high doses it is deadly.
43:57But its controlled use is used to cure diseases such as herpes or bone pain.
44:04Yes, but you haven't answered my question.
44:07Before it was prescribed more, but now there are safer and less dangerous remedies.
44:13But you said you could get it in a pharmacy.
44:17I guess so, but I really don't know.
44:21I've never needed to go to the pharmacy to buy cicuta.
44:25And you could try to buy it?
44:28What do you mean?
44:30I could tell the pharmacist if he sells you a jar of cicuta.
44:38Well...
44:41I guess so.
44:44That man likes pesetas more than a stupid pencil.
44:48And if I find money, he'll give me cicuta and whatever I want.
45:02Candela, how did it go? Who did you talk to?
45:04What's going on with my son?
45:06Calm down, calm down. One at a time.
45:09Don't get upset.
45:11Stop being mysterious and tell us what happened.
45:14Did it go well?
45:17It went very well!
45:19But what did you do?
45:21Let's see, little by little. Let me explain.
45:24You don't explain.
45:26For now, I went to talk to Mr. Fermin.
45:30And I told him about the problem we have here.
45:34Did you tell him everything that happened to me?
45:36No, not everything.
45:37What was necessary.
45:39The thing is, I told him that you are a very good girl.
45:42Very hard-working and very honest.
45:45And he told me that's normal, being Simona your mother.
45:50Mr. Fermin values me a lot.
45:53A well-fed priest is always a grateful priest.
45:57The bread is from Calatrava that we gave to the man.
46:00Then I told him that you were looking for a job
46:04so you could have a job and take care of your son.
46:08And does he know who could give me a job like that?
46:11Of course he knows.
46:13He's going to give it to you.
46:14What? The priest?
46:17Do you remember?
46:18We were talking about how Filippa had to go to her town
46:22to stop taking care of priests for a few months.
46:24Oh, my mother.
46:25And the priest is going to want my daughter to take care of him.
46:28But the truth is that the man had already thought of a woman.
46:31But I started hitting on you,
46:33telling him that I took the virtue for the total work.
46:36He convinced him.
46:37What a golden piquito you have, Candelilla.
46:39But are you sure?
46:40Of course I'm sure.
46:42So you're going to have a house here in Luján.
46:45You can take the boy to the village school
46:47and you will also be on your guard when the boy leaves school.
46:50It's a job I haven't even painted for you, my daughter.
46:53Of course.
46:54You have to tell me if you take the job,
46:56because we will have to close the deal with Don Fermín.
46:58Well, of course I love you, Candela,
46:59and I also want to give you a big hug for what you have done.
47:02Hug me, but don't push me too much,
47:04that I bring the ribs of the diligence.
47:07I'm in full, come on.
47:12Oh, the girl.
47:15The priest.
47:24Come on.
47:49Can I know what you're doing, Hanna?
47:51Well, I'm going to get some food.
47:55And for whom?
47:56Well, who else? For me.
48:00I see.
48:01Haven't you had enough with dinner?
48:05Well, I haven't had time to have dinner with the others.
48:09And that's why I came to see if there were any leftovers.
48:12And where have you gone
48:13so that you don't have time to have dinner with your colleagues?
48:17Well, to Almidonando.
48:18Almidonando the new dresses you asked me to tailor.
48:22Look, Mrs. Petra, in the end, with so much work,
48:24you will understand that it will not be all.
48:26If you applied, I would give you time.
48:28But how do you not breathe?
48:30These things happen to you.
48:32Well, the fact is that right now I'm starving
48:35and I want to take something in my mouth before going to bed.
48:38Okay.
48:40Eat.
48:41But leave the kitchen as you found it.
48:44I don't want to see a single crumb on the floor.
48:46Be careful, if there is any crumb, take it away.
48:48Thank you.
48:49I don't want to see a single crumb on the floor.
48:51I don't want to see a single crumb on the floor.
49:15Well, today I saw a photograph in the news
49:18of Infante Don Alfonso with Infantito Don Álvaro
49:21taking off in one of those airplanes,
49:23very similar to Manuel's.
49:25Well, I don't understand how the Infante
49:26came up with getting his son on one of those.
49:29Well, you know, even the royal family flies.
49:32And you, who made poor Manuel look green because of his hobby.
49:35Well, I didn't want to see things either, Lorenzo.
49:37We didn't make him look green, we just drove him around.
49:40Because flying is dangerous.
49:41Either Manuel does it or the king of Spain.
49:43I agree.
49:44Those guys are very fragile.
49:45Well, they won't be so much when Infante himself
49:47gets his son on one of those.
49:49Well, we can change the subject.
49:50I don't like talking about airplanes.
49:51Well, what do you want to talk about, sister-in-law?
49:53Because you can't talk about war in this house either.
49:55You leave us very little room.
49:56If you don't mind, I'd like to talk about me.
50:00Of course, Martina.
50:02What do you want to tell us?
50:05I know that lately you've been thinking about my ...
50:09my problem, to call it that.
50:12In a way.
50:13Well, yes, daughter.
50:14Because I don't have anything else on my mind.
50:16Well, I wanted to insist on my innocence.
50:19Because I would be unable to try to poison
50:21neither the count nor anyone else.
50:23You don't have to say that, Martina.
50:25At least to me.
50:27I know that the count goes crazy accusing you.
50:31You have the support of almost everyone of us here.
50:36Thank you.
50:37But what good will it do me if in the end I'm socially condemned?
50:40No.
50:41That's not going to happen.
50:42And how do you know? Because the count ...
50:44Go on, go on.
50:47You were talking about me, weren't you?
50:50Ignacio, why did you get out of bed?
50:52You have to recover.
50:54Don't worry about me.
50:56I'm much better than others would like.
50:58I didn't poison him.
51:00Repeating a lie a thousand times won't make it true.
51:03What is true?
51:04Your truth.
51:07I've made a decision.
51:10There are those who recommended me to solve this in private.
51:13It's the most sensible thing.
51:15I think we have a very different vision, you and me,
51:17of what sensibility is.
51:18And what are you going to do? Set up a scandal?
51:20I don't want to do it.
51:21But I have no choice.
51:23If I don't do something,
51:24no one will ever know exactly what happened here.
51:30And what are you going to do?
51:31The right thing.
51:33As I have always done in my life.
51:35I can't allow anyone who has tried to kill me,
51:37whoever it is,
51:40to be unpunished.
51:45So I've decided to put this matter in the hands of the Civil Guard.
52:05I remind you that I don't live in a hangar right now.
52:08What else would I want? For you to have stayed there.
52:10And if I did, it would be only to lose her sight.
52:14It is obvious that one of the two is left in this house.
52:17You were very worried about me, Lope.
52:20I know.
52:23But here Mr. Baeza has all the merit.
52:26Yes.
52:27He has also done his part.
52:29And I have thanked him.
52:32But with you everything is different.
52:35Don't worry, Martina.
52:38I will get to the truth, no matter what.
52:42Do you promise me?
52:43You have my word.
52:45Trust me.
52:48There is no one I trust more than you.
52:50I don't know for sure when I will leave.
52:53In the meantime, I intend to continue with my tasks.
52:55You are very responsible for your part.
52:57Yeah.
52:58Unless Mrs. Arcos makes it clear.
53:01Nobody takes me seriously.
53:02They don't even bother to inform me when a maid comes in or out.
53:05They laugh at me.
53:07First, Mr. Baeza.
53:09She says it because of the march of virtues.
53:11Among many other things, yes.
53:13She has gone to her in-laws' house to get her son back.
53:17But if he fell?
53:20He is not dead.
53:21Do you want me to forget what happened?
53:23Martina can be whatever you want, but she is not a murderer.
53:26And above all, she is your niece.
53:27That's right.
53:28She is a Lujan.
53:30If you attack her, you attack me.
53:32So if something serious happens to her because of you,
53:35I assure you that I will do everything I can to destroy you.
53:39Mrs. Pia?
53:43Mrs. Pia?