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00:00♪♪
00:05We have to make sure she's okay when we leave.
00:08Wait a minute. When are you leaving?
00:11Not yet.
00:12But at some point, we'll have to leave
00:14to see if it's safe to get her out of here.
00:17We're running out of time, Mr. Baeza.
00:21We should ration the food
00:23so that when we leave,
00:24she can hold out as many days as possible,
00:27just in case.
00:29I understand you have enough reason
00:30to be at war with your stepmother,
00:32but I don't want you to use me against her.
00:36I'm not a pimp.
00:38If someone manipulates you, it's you.
00:40If you didn't have anything to hide,
00:41you'd have told your wife
00:43so she wouldn't get her hands dirty.
00:44I don't want to put the cross on her best friend.
00:46That's why you want me to leave, right?
00:49To separate from her and not talk to her.
00:51I don't think you care that she knows what happened.
00:53So let's leave it at that.
00:55Why would Santos lie about this?
00:58Why would he include another man?
01:00Well, since we're not going to find out the truth
01:03of what happened, I'll try to manage this matter
01:07with Mrs. Margarita in the best way possible.
01:09And what are you going to tell her?
01:11I'll admit my mistake,
01:12promising her that nothing like this will happen again.
01:14Let's see if all this is going to be a conflict with Dolorenzo.
01:19For nothing in the world would he want to go against you.
01:22VÃtudez, it's not going to be fun for him
01:24if we set up our own business.
01:25We have to make it clear to everyone who enters the company
01:28everything that is at stake.
01:30I don't want anyone to risk it for me, Salvador.
01:33Please, I don't want anyone to do anything.
01:37Well, the truth is that right now I was thinking about Maria Antonia.
01:40It's a matter of time before she feels out of place.
01:43And I don't want that to happen.
01:45After everything she's done for us,
01:47I wouldn't like things to end badly.
01:50Why don't you talk to her and explain it to her?
01:53Okay.
01:54All I want is to support you.
01:56Unconditionally.
01:58Thank you.
01:59But there's nothing you can do.
02:01Santos, I prefer to be honest with you.
02:03I'm in love with Lope and this is not going to change my feelings.
02:07If you insisted on taking Adriano to that family dinner, it was ...
02:14Because for you that man is more than just a tenant.
02:17Adriano is your boyfriend.
02:21It was from Martina's sanatorium.
02:24What happened?
02:27Bad news.
02:30What bad news?
02:42Martina escaped from the sanatorium.
02:44What?
02:46How did she escape?
02:47Yesterday was the last time they saw her.
02:50But that's impossible.
02:51She wasn't born.
02:52You told me yourself that the surveillance in that place was even exaggerated.
02:56It's obvious that I was wrong.
02:58Well, the important thing here is not how she escaped, but why.
03:02Poor thing, she should be living in hell in there.
03:05Or maybe she just ran away after another fight with that intern.
03:09That's it.
03:10How can you be so sure to reload the tapes against Martina?
03:12It's just a hypothesis.
03:14It's not time for your games, Ayala.
03:15Well, shut up!
03:16Shut up all of you.
03:18As long as you talk, my daughter is still there.
03:20Missing.
03:21Let's see.
03:22Alonso, did they tell you that the last time they saw her was yesterday?
03:24I don't understand why they didn't tell us before.
03:25It seems that they acted according to the protocol.
03:27Protocol?
03:28Before informing the relatives, they organize beatings and wait for the intern to return on his own.
03:33What a stupidity.
03:34Well, we have to go to the sanatorium.
03:36We all have to look for her.
03:38No, now it would be useless.
03:40They are convinced that Yana is near there.
03:42And how do they know?
03:43Because given their professionalism, I no longer trust them a bit.
03:46In this case, yes.
03:48If it were Martina and I had managed to escape, I would have moved away from there as soon as possible.
03:53And I would look for a safe place.
03:55Do you think she could be coming here to La Promesa?
03:57I think so.
03:59Martina would never think of coming back here.
04:04This is no longer a safe place for her.
04:06After all, they are both responsible for her entering that horrible place.
04:11Who tells you that they will not return her to the asylum as soon as she sets foot in La Promesa?
04:16I say it.
04:17Because if my daughter is having such a bad time in that place, I will not allow them to lock her up again.
04:21But your daughter doesn't know that.
04:23Then how do I find my daughter?
04:41The things that have happened since I saw you
04:45The lights that have danced through our garden
04:49The new rumors
04:51Between the heart and the walls
04:55In La Promesa
04:57There will be particles of love in motion
05:01There will be secrets that will never come out
05:06It will be as beautiful as the flight of a plane
05:12And in La Promesa
05:14The farewells are spins on the ground
05:18Even the flowers will dance in their own way
05:22Balancers between fear and passion
05:29We are like a jump to the D3
05:33We are the love when life or death is lived
05:37A long way to go
05:41In La Promesa you will be a matter of luck
05:45We are like a jump to the D3
05:49We are the love when life or death is lived
05:53A long way to go
05:57In La Promesa you will be a matter of luck
06:08Adriana is no more than a friend.
06:10With the aim of becoming something else?
06:12Don't insist, Manuel.
06:14Okay.
06:16I'll just tell you that he seemed like a good man to me.
06:18Because he is.
06:20I understand that inviting him to dinner was atypical.
06:23But don't assume anything romantic.
06:28Okay, if you say so, I won't.
06:31Adriano has helped me a lot these last few weeks.
06:33Before you came back from France.
06:35And I have helped him in his lands.
06:38There may have been some affection between us.
06:42But it's not the affection you're thinking about.
06:46And don't you think it's too many words to tell me that you don't love him?
06:49I love him.
06:51But not the way you think.
06:55I see.
06:59I understand.
07:00Have I bothered you by asking you such a personal question?
07:02No, not at all.
07:04And you've seen that I've had no problem answering you.
07:08I see.
07:11Just one thing.
07:14If at some point your intentions towards Adriano changed,
07:18I'd like you to tell me.
07:21For the trust we've always had.
07:23And you'll be the first to know.
07:29You know, I was excited.
07:32Yes, not only because it would be fantastic if you found the man who would love you.
07:36Love is always something good and desirable.
07:40But because I would love to celebrate another family dinner with Adriano.
07:46It was a lot of fun.
07:49I hope we haven't scared him forever.
07:51I don't know who tried it.
07:53Yes, to no one's surprise.
07:57Catalina, I'm not going to excuse my mother's attitude because it's inexcusable.
08:03But don't you think that if things got to that point, it's because you both have too many reproaches?
08:09As if she needed a reason to spread her hatred.
08:14What I mean is that maybe we wouldn't have gotten to that point if you had buried the war axe.
08:20You saw what she did to me.
08:23Yes, and that's why I talked to her later, but she doesn't seem to have any intention of taking any responsibility.
08:30Of course not.
08:32But there's the evidence.
08:34She publicly humiliated me, Manuel. I don't know how you defend her.
08:37I don't.
08:38It's clear that my mother is behind the scourge you suffered, Catalina.
08:41Of course she is.
08:45But in the meantime, you're the only one who suffers with your resentment.
08:51Sister, look at yourself.
08:53You've moved away from your father.
08:55You're locked up in my hangar.
08:58Your hatred is consuming you.
09:01Thank you for reminding me of my misfortunes.
09:04I'm aware of them day after day.
09:07Well, it's up to you to put an end to them.
09:13I can't let Cruz win all the time.
09:16And I don't even expect her to repair the damage she caused.
09:20I'm content with an apology.
09:25But in the meantime, you're the only one who suffers with your resentment.
09:30So be it.
09:44Miss MartÃn has disappeared.
09:46How is that possible?
09:47And we don't know anything about her.
09:49Yesterday afternoon, there was an alarm.
09:52And they started looking for her in the vicinity of San Antonio.
09:54A few hours ago, they notified the family that she had left there.
09:58But why did she run away?
10:00If she was going to be there temporarily, she wasn't going to be locked up for life.
10:03I have no doubt, Lope.
10:05Miss MartÃn was not well.
10:07You don't leave like that, with one hand in front and the other behind.
10:10A jail with a bar of gold is still a jail.
10:14A sanatorium like that was not for Miss MartÃn, that is clear.
10:18Clear as the water of the stream.
10:20Now that this was coming.
10:22Because from the beginning there were problems.
10:24Or do you remember when she had the fight with her roommates?
10:27Well, that's what we know.
10:29What else has happened to us?
10:31Oh, poor girl. Where will she be?
10:34I hope this will serve as a deterrent to Mrs. Margarita and Count Dayala.
10:38What a nice solution to lock up the poor girl being innocent.
10:41Mrs. GarcÃa, I remind you that you are talking about the gentlemen.
10:44Am I telling a lie?
10:46Well, I think you are giving a lot of things, of course.
10:48The smell of cathedrals.
10:50Make fun of me if you want.
10:52But the disappearance of the lady has a much simpler explanation.
10:55Ah, illustrate us.
10:57Well, to begin with, they are describing the sanatorium as a horrible place, a fairy tale.
11:02And it is not as Mrs. Margarita described it.
11:04What's up with you?
11:06Hey cute, saint.
11:08Do you think his mother is going to be taught the bad things that are done there?
11:11Maybe those bad things don't exist.
11:13And his escape is a sign that his confinement was the right thing.
11:17What are you insinuating? That the lady is crazy then?
11:20Everything points to it.
11:22The idea of ​​the confinement was to show who the poisoner was.
11:25And the reality is that since he left, there has been no more attacks against Count Dayala.
11:30And that fight they are talking about can be a sign of his delirium perfectly.
11:34Ah, a very serious blow to the brain, saint.
11:37Why don't you give me arguments instead of attacking me to prove that I'm wrong?
11:41It is not necessary, saint.
11:43It is only necessary to know Miss Martina to know that she is innocent and that she has not done anything.
11:47Well said, Lope.
11:48Well, stop with the sterile discussions.
11:50Everyone can have their opinion, whatever it is.
11:53The important thing is that the lady appears as soon as possible.
11:56God hear you, Mr. Baeza.
11:58The roads, of course, are not the safest for a lady of Alcurnia.
12:02Come on, it's not your bad time, Salvador.
12:04No, but I hope that saying does not come true that bad news never comes alone.
12:14You don't have to get into the worst either.
12:16Martina has just disappeared.
12:19Aren't they going to keep looking for her?
12:21No.
12:22Those of the sanatorium wash their hands.
12:24They say that now it is our thing.
12:26My daughter, while she is lost out there in the worlds of God.
12:30She will appear sooner than later, aunt, I assure you.
12:33Sure.
12:37I see you very sure, Manuel.
12:39Do you have any clue about Martina's whereabouts?
12:45But what am I going to know, Mr. Count?
12:47I remind you that Martina was admitted to that sanatorium long before I returned from France.
12:52Well, I know that you and Martina have a close friendship.
12:55Maybe if you remember, you can remember somewhere where she may have hidden.
13:00I hope so.
13:02If so, you will be the first to know.
13:06And Curro doesn't know anything either?
13:09What does Curro have to do with all this?
13:12It's obvious, isn't it?
13:15Curro was perhaps the person who had a closer relationship with Martina before going to war.
13:21And I don't see it from his welcome dinner.
13:24To which, by the way, he did not attend.
13:26Well, because he was unwilling. Right, Manuel?
13:29Yes.
13:31Yes, and he has not yet recovered from his ailments.
13:36And you have not yet been informed of Martina's disappearance?
13:39I think the best thing to do is not worry my cousin.
13:42Why?
13:43Because the last thing we need is for him to change, aunt.
13:47And what is Curro supposed to have to do with all this?
13:50General discomfort.
13:54General discomfort?
13:56Yes, it's ...
13:59He feels weak.
14:02Tremble, as if all the tension lived in the forehead had passed bill now.
14:08It's as if everything had fallen at once.
14:11Well, it doesn't seem to have affected you so much.
14:14That's because each person is a world.
14:16The only thing I know is that right now what my cousin needs is to rest quietly and that no one bothers him.
14:23Well, okay.
14:24We won't tell him anything.
14:26Now the important thing is to find my daughter, please.
14:29We agree on that.
14:31We must be part of the Civil Guard.
14:34And give it, but what insistence with the Civil Guard.
14:37Can you think of a better way to face the situation?
14:39Well, yes, many.
14:40And none so proclivity to start a scandal.
14:42Nobody.
14:43Nobody is going to talk to the Civil Guard for now.
14:46If they find Martina, they will ask her for her entrance to the sanatorium and then ...
14:50They will find the episode of the poison.
14:52And what? Is it a lie?
14:54Ignacio, don't start, please.
14:56It's just that if we had reported it at the time, we would have saved all this.
15:00But what do you want?
15:01What do you want? See my daughter in a dungeon?
15:03Well, if the judge determines so, yes.
15:11Let's be sensible.
15:13All I'm saying is what must be done in these cases.
15:18Report his disappearance.
15:23My cousin will appear, Mr. Conde.
15:26I assure you.
15:28So the most important thing is not to report anything at the moment.
15:33And trust that all this is solved.
15:43Well, can you believe that Santos kept insisting that Miss Martina had lost her mind?
15:48Don't talk to me about Santos now.
15:51All I want is to be with you and think about you.
15:55Sure.
15:57But we have to go to bed.
15:59It's late and tomorrow we wake up earlier than the sun.
16:01Stay with me a little longer.
16:06Okay.
16:12Are you okay?
16:16I don't want to go to bed yet.
16:18Lately, it's been a little difficult for me to reconcile sleep.
16:21Lately?
16:23Since your indisposition at Mrs. Margarita's dinner?
16:27Let's see if something is going to happen to you and you need to see a doctor.
16:31No, Lope.
16:33This has nothing to do with doctors.
16:37Has something happened at that dinner?
16:48I met my mother.
16:51With your mother?
16:53Who did you promise?
16:58Do you remember the ruckus that was created by the woman who was not invited to the dinner?
17:03Do you remember the ruckus that was created by the woman who was not invited to the dinner?
17:08Yes.
17:11What does that have to do with your mother?
17:16Well ...
17:19That woman,
17:21the Duchess of Carril,
17:25is my mother.
17:27What do you mean she's your mother, Vera?
17:31But what have you heard?
17:34That I am the daughter of the Dukes of Carril.
17:45And who else knows this?
17:48Does anyone else know?
17:50Santos.
17:53Santos?
17:55Santos.
17:57What do you mean Santos?
18:00Apparently he was working like crazy at my house.
18:06I didn't remember him, but I did remember him.
18:09And when I got to the prom, he recognized me.
18:13Then I blackmailed myself and I had to pretend to be his girlfriend or else I would tell everyone who I really was.
18:19That was the secret that Santos knew about me.
18:24I'm very sorry, López.
18:26I know I shouldn't have lied to you, but I had no other choice.
18:33I don't know how my mother found out that I was here.
18:38Maybe I already had the suspicion and took advantage of the snack to prove it.
18:49Or maybe Santos
18:52fulfilled his threat.
18:56And now that we're together, he's decided to take revenge, Vera.
19:05He told me he wouldn't say anything even if we had left him.
19:13Are you sure about that?
19:15Are you sure about that?
19:39López, are you okay?
19:40Are you okay?
19:44Tell me something.
19:48What do you want me to tell you, Vera?
19:52I don't know how I am.
19:54That's the reality. I don't know.
20:03It would be best if we went to sleep.
20:06Good night.
20:08López.
20:12Tell me.
20:19Good night.
20:22Good night.
20:36A few days later.
20:44Tell the kitchen to prepare the tray with breakfast.
20:47And tell the maid that Mrs. Margarita had a very bad night,
20:50so that she is bothered as little as possible, understood?
20:53Very well.
21:05All this matter of Miss Martina
21:08is getting too complicated.
21:10I just came to talk to Mr. Marquez.
21:13Any news?
21:14Well, he went from the first hour of the morning to the phone,
21:16calling those friends who live near the sanatorium,
21:19in case they had seen her.
21:20And he didn't call the sanatorium itself?
21:21Or maybe he decided to return when he saw her alone?
21:23Yes, too, too, but nobody knew anything, no.
21:26And it's been two days since she disappeared.
21:28But where could this girl have gone?
21:30I wish we knew, yes.
21:31Well, it is true that Miss Martina is a resourceful woman.
21:35Yes, but alone and without money.
21:37Yes, the only hope we have is that those calls bear fruit.
21:41Yes.
21:43Let's hope it doesn't come too late.
21:46Oh, and I also came to discuss another topic.
21:49It is about the fifth invitation to Mrs. Margarita's wedding.
21:54But she is still worried about that,
21:56having gone through what happened to her daughter.
21:58On the contrary.
21:59On the contrary.
22:01Explain yourself.
22:03Well, this morning, when I went to talk to the Marquis,
22:06I went to see Mrs. Margarita to clarify the matter, as I told you, and nothing.
22:10We can say that this mess is solved.
22:14The truth is that you have always managed this type of situation very well.
22:17It didn't take me much effort either.
22:18I just made up my excuse.
22:20And as you say, right now the priority is to find Miss Martina.
22:24That is the most sensible thing, of course.
22:25And I have to admit that I am glad
22:27that all this was already beginning to be a mess.
22:31I'm glad too.
22:32But I can't hide from you that it makes me uneasy
22:36not to have solved the matter and also to deal with an error
22:40that we don't even know where it comes from.
22:42What do you want me to tell you?
22:44I still think that Mrs. Arcos, one way or another, is behind all this.
22:48Yes, it is possible.
22:49But as long as we don't have proof, everything has to stay that way.
22:52Well, don't warn Raul.
22:54No, if not, I won't.
22:55But I'm worried that something so serious will happen again.
22:59I will be more aware of it from now on.
23:01But here the really important thing is that Mrs. Margarita has given the matter to be finalized.
23:07Well, I'm going to inform Mrs. Arcos and your son that everything is solved.
23:13By the way, do you know where they are?
23:21Lost, I already told you.
23:22That list with the names of the guests is the answer to everything.
23:28So you'll have to find it.
23:30How? It ended up in the trash.
23:34Well, we'll have to look for it elsewhere.
23:37It couldn't have been a simple mislead.
23:40And why not?
23:42Because a mislead would have been not to send an invitation or for it to be lost along the way.
23:47And that would mean one less guest.
23:49One less, but never one more.
23:52But it was not a mislead of ours.
23:54But of Mrs. Margarita, who wrote five names and doesn't remember them.
23:58That's impossible.
24:00And also, it's a mess.
24:02Not so much.
24:04Because in that note were not only the names, but also the instructions on how to write the invitations.
24:09And she was the one who asked you to write those letters?
24:14Is this an interrogation?
24:16You answer my question.
24:19You know I didn't.
24:21I was just a messenger and then my father ordered me to write the invitations.
24:25I see. Or you offered yourself.
24:28Better said, didn't you?
24:30And that's the only reason I had to be the one to meddle.
24:33Think about it. What sense does it make that I want to invite no one to Mrs. Margarita's snack?
24:40You're right.
24:42This had to be someone who wanted to ruin that snack.
24:47And isn't it easier to believe me when I tell her that there were five names and not four?
24:52But you're listening to yourself, Santos.
24:54It doesn't make any sense for Mrs. Margarita to invite five people and then forget.
24:58Of course not.
25:00But that lady hasn't ruled well since she put her daughter in the sanatorium.
25:03What?
25:05Because you don't know who's crazier, the mother or the daughter.
25:07You don't know what you're talking about.
25:11All right.
25:13Forgive me.
25:15There were four names on that list, Santos.
25:19Look, believe me when I tell you that I'd love to find that list first.
25:25But I'm telling you that it's impossible to recover it.
25:29There are other ways to unravel the truth.
25:33But don't worry.
25:35Because as soon as I find out what happened to that fifth guest,
25:39you'll be the first to know.
25:45Santos.
25:48Have you served Mr. Currón these days?
26:15Come in.
26:18Sir.
26:20Salazar.
26:22Here's your breakfast.
26:24Leave it where you see a hole.
26:33Salazar.
26:35Have you been able to do what I asked you to?
26:38Yes, yes.
26:39I've been in charge of serving Mr. Currón his breakfast,
26:42so that it looks like he's still eating as usual.
26:45And what about cleaning his room?
26:48I've also been in charge of cleaning his bed every morning,
26:52and a bit of a mess in his room.
26:54None of the maids suspect the absence of Mr. Currón.
26:57In fact, when they asked me to come in,
26:59I told them to come in when Mr. Currón was taking a bath or going for a walk.
27:03Thank you.
27:05Not only for your effort,
27:06but for the confidence that you're showing
27:08by doing what I've asked you to do without knowing the reasons.
27:11It's enough for me to know that it's important to you.
27:14It is.
27:16The only thing I hope is that we don't have to do this many more times.
27:19I also hope so, sir,
27:21because I don't think we can cover for Mr. Currón's absence for much longer.
27:25But didn't you say that no maid suspects anything?
27:28No maid.
27:30The one you suspect is Mrs. Petra.
27:32Petra?
27:34Does she know anything?
27:36No, I don't think so.
27:38But she doesn't stop going around the room and asking questions.
27:41No, she won't dare to come in.
27:43I made it very clear that my cousin needed to be alone.
27:47Is there anything else I can do for you, sir?
27:51Thank you, Salvador.
27:53But no, you've already taken a lot of risks and I don't want to get you in trouble.
27:57Well, leave that to me.
28:00I really appreciate your good will, but you don't have to.
28:04If my cousin Curro takes longer to come back,
28:07I'll be the one to tell the truth.
28:15Salvador,
28:17have you heard from MarÃa Fernández and Hanna?
28:21No.
28:23No, sir, since they went to the Dukes' house.
28:26Ah, of course.
28:28That was a week ago, wasn't it?
28:30Two. Almost two.
28:31Almost two.
28:36And do you know when they'll be back?
28:39No one knows anything, sir.
28:41And I find it quite strange.
28:43Not because Hanna and MarÃa offered a service to a friend of the Marquis,
28:47which seems normal to me,
28:49but because of the way they had to do it.
28:52What do you mean?
28:55Maybe I'm talking nonsense.
28:58Salvador, no.
29:00Don't worry, I trust you.
29:03Well, the way they had to leave,
29:06so fast, without saying goodbye.
29:08They didn't leave us a note.
29:10They didn't tell us when they were leaving or when they were coming back.
29:13Of course.
29:15The most probable thing is that they come back as soon as possible and everything is fine.
29:18But so far, everything is very strange.
29:21I understand.
29:24And now, if you'll excuse me.
29:26Of course.
29:30Let's go.
29:44Don't you think it's strange that we still don't know anything about Martina?
29:48I don't know.
29:51You say it very calmly.
29:53Excessively calmly.
29:55Well, despite the situation,
29:57I have come to the conclusion that there are no fundamental reasons to worry.
30:02Well, it's true that I'm worried about my niece and that I'm eager to hear from her,
30:07but Martina is a resourceful woman.
30:09I've never told you how she came to La Promesa, behind her parents' backs.
30:13Yes.
30:15To a bully for the liars, to the scandal for that kiss with the heir of Carvajal and Cipuentes.
30:19Her parents took months to discover that she was not in Paris, as they believed.
30:23So this, in a matter of days, maybe weeks, will be resolved and everything will return to normal.
30:30So you don't think she'll return to La Promesa?
30:32No. I think Lorenzo is right.
30:35If she does, the heartless Ignacio will return her to the sanatorium without any remorse.
30:40If it's not worse, he'll send her to the barracks.
30:44As much as Margarita is now determined to go as a protective mother.
30:49I had that all this could affect you, Paramán.
30:53And he did, at first.
30:55But you see, it wasn't so bad in the end.
31:00And Manuel's return has given me the peace and strength I so longed for.
31:08In fact, the time has come for us to talk.
31:14And that's not exactly what we're doing.
31:17You see, when you mention Manuel's return,
31:21I remember so many difficult moments we've had while he was at war.
31:27You know it's not good for you to relive those moments, friend.
31:30I know, and I'm telling you, I'm finally at peace with myself.
31:34You know how happy I am to hear that.
31:39When I look back, I realize everything you've helped me.
31:43And how little I've thanked you.
31:46Sometimes I've even responded to your care in very bad ways.
31:52Well, I know you didn't do it to hurt me.
31:55And that it was all the result of that restlessness you felt inside.
31:58Forgive me, I've been a fool.
32:01You're the best friend I could ever wish for.
32:05I haven't done anything extraordinary.
32:08I'm sure you've done it for me.
32:10I haven't done anything extraordinary.
32:13I'm sure you would have done the same for me if I needed it.
32:17I'd like to think so, but your generosity towards me has been infinite.
32:23You abandoned all your obligations to take care of me when I needed you.
32:27And that's an effort I can't keep asking you to do.
32:34Are you throwing me out of the promise?
32:37No, never.
32:38You know that the doors of my house will always be open to you.
32:43But I can't expect you to abandon your life to take care of mine.
32:47You've done enough.
32:49Well, if that's your concern, you know full well that I'm a widow
32:53and that I don't have obligations to wait for me or family responsibilities.
32:57You have a house to tend to.
32:59I trust blindly in the good work of my key master.
33:03Actually, I'm asking you as a favor.
33:06But...
33:08What's going on? Has anyone asked you to leave me?
33:11I don't need anyone to tell me what I have or don't have to do.
33:15You're right about that.
33:19It's the last favor I ask of you, my friend.
33:30She had to get in somewhere.
33:32We haven't heard from Miss Martina in a long time.
33:36Do you think she's okay?
33:38Speaking of my cousin...
33:40Miss Catalina, we haven't heard from you.
33:43You again. Can I help you with anything?
33:46No, I just came to seek peace and good advice.
33:49And what better place than here?
33:51Have you heard about your cousin's disappearance?
33:55Yes, I've been told.
33:57Is there anything new?
33:58No, nothing has come to us yet, but you know.
34:02The news arrives here later than the Expresso de Extremadura.
34:06Maybe the Marquis knows something else.
34:09Could you ask him?
34:11Yes, although I have the feeling that my cousin is fine.
34:14He's healthy and safe.
34:16It's true that this girl is one of the most spoiled.
34:22Well, Simona.
34:24I'm going to get the potatoes.
34:26If you'll excuse me, miss.
34:31You have to see how good Candela is.
34:34You don't know her well.
34:38But I didn't come to talk to you about Martina.
34:42I already imagined.
34:44And since you're imagining,
34:46maybe you want to tell me something about that boy you're meeting.
34:50Yes, Adriano.
34:53And...
34:55Are things going well with him?
34:57That's my question, Simona.
34:59I don't even know how things are going.
35:01That's the bad side of men.
35:04When it comes to love, they always drift away.
35:07Yes, but this is not the case.
35:09Adriano...
35:12He knows very well that he loves me.
35:15He told you?
35:17Yes.
35:19A beautiful statement.
35:20And I just have to ruin everything.
35:23It won't be that bad, miss.
35:25That's because you're overwhelmed.
35:28Yes, but not because he pressures me.
35:30On the contrary, he has given me all the time in the world
35:33for me to think about my answer.
35:35But I don't know what to answer.
35:37Well, silence is also an answer.
35:40Do you think so?
35:42Of course, miss.
35:44If that boy really loves you,
35:46he will know how to wait
35:47until you are ready
35:49to love again.
35:51Because these things cannot be forced.
35:54If they are done, they end like the rosary of the Aurora.
35:57But do you think I'm doing things right?
35:59Of course, miss.
36:01And don't forget the saying that says
36:03that whoever loves never loses.
36:06Although I want to tell you one thing.
36:08If you continue with this relationship,
36:11remember that she is the daughter of a marquis
36:14and he...
36:15a labriego.
36:16He is a labriego.
36:44Have you sent for me?
36:46Do you want me to tell them to take you out for a drink?
36:50I want you to tell me where Curro is.
36:53I understand that he's locked up in his bedroom, unwilling, right?
36:57Are you sure about that? I passed by before and there was no sign of him.
37:01Tell me where he is.
37:03Well, maybe you caught him just when he went out to get some fresh air.
37:08Because he's sick. There's no possibility, Ignacio.
37:11Don't laugh at me. That boy has been missing for a few days.
37:15Come on, Ignacio. That boy is just sick.
37:19And you shouldn't bother him.
37:21You don't want the Marquises to find out that you're disturbing their rest, right?
37:27Curro is not here. And you know it as well as I do.
37:29No, it's not true.
37:31In fact, every morning my maids take their clothes off the day before,
37:35stretch the sheets of their bed and ventilate their bedroom.
37:39And not only that, but all the meals are served when they should be.
37:43And their dishes become as clean as a patina.
37:48But if it's not indiscretion, Ignacio,
37:51what is that obsession with Mr. Curro due to?
37:55Haven't you heard that Martina has escaped from the sanatorium?
38:00No, I didn't know.
38:05Do you suspect that I have a relationship with Isaúlida?
38:10I want ... I want to talk to all the maids who clean their bedroom every day.
38:15And with the lackeys who serve her food too.
38:17With pleasure. But I doubt they can tell you much more than I have told you.
38:25Has anyone seen him?
38:26I understand that yes. But if you want, I can question my maids.
38:31Out of piety.
38:34Something doesn't fit. Don't play with me, Petra.
38:37I won't, Ignacio. In fact, I have no problem with you talking to my maids.
38:41And they will give you a very good account of the shirts and socks that Mr. Curro has worn during these days.
38:49And now, if you'll excuse me.
39:07You know, this liqueur is one of the best things in the Marquez winery. Do you like it?
39:16I think you're taking your time to taste it.
39:22Maria Antonia, you are like this only because my sister-in-law has shown interest in ...
39:27How do you call it? For your obligations.
39:31I've been in this house for months. Months. And now I get out with these.
39:36Is it that bad?
39:37You don't understand, Lorenzo. He's kicking me out of the promise.
39:41Did he say that to you? With that force?
39:43No. Not with those words.
39:45He has disguised his arguments with flattery and thanks, but the message was more than clear.
39:50That is one of my sister-in-law's virtues. It is always understood.
39:57If it's a consolation, you're not the first or the last one to be fired when it's no longer useful.
40:04That's how I feel.
40:06Like a loafer who handles his whims and then throws away the trash.
40:11If you look at it on the bright side, at least he has had the decency to let you know with some time.
40:17I remember an occasion when ...
40:20The men of Rubiales were dispatched for breakfast.
40:25He ordered the ladies to make their luggage when they were enjoying some muffins.
40:30And when they finished, he said goodbye with two kisses, without looking back.
40:35Come on, let's go for a walk.
40:37If he pays me all my expenses, all the sacrifices I have made for her ...
40:43Maria Antonia, I know this is not helpful, but ...
40:47I want you to know that I totally oppose the decision of the Marquis.
40:53Why?
40:55As you know, I only spend long seasons in the promise.
41:00In that time I have had the opportunity to meet several friends of my sister-in-law.
41:06Women who could be on the cover of any magazine for their beauty.
41:11Others who were dedicated to collecting nobility titles or even some who could die buried in their own notes.
41:20But no one like you.
41:23I also feel sorry to leave and miss the opportunity to get to know each other better.
41:31It is true ...
41:34that at first I put a wall between the two.
41:37I let myself be carried away by prejudice.
41:40But then I realized that you are an interesting man.
41:49A shame that our paths crossed just now that they began to join.
42:01I'm sorry.
42:11Meeting of shepherds, dead sheep. What's up now, Simona?
42:16No, nothing bad, Candela.
42:18If I have brought you here, it is to tell you that we are moving forward with the jam.
42:23So Virtudes has changed her mind?
42:25My daughter neither pinches nor cuts.
42:27This is one of our things.
42:28Well, let's see what you're going to do to her.
42:31They stick out their noses and find us conclave.
42:33Don't worry about her because I have sent the people to do some shopping.
42:37What?
42:39Are we together in this?
42:41We are.
42:43You will see that when we put the pesetas in her hand, she will accept it without resisting.
42:49And it is not the fault of Virtudes, Mrs. Candela.
42:52I know that it is not easy to accept the help of others.
42:55As good as the intentions are.
42:56How bad you made it happen to us.
42:59With your bad eye, Salvador.
43:01And I'm sure you don't regret anything now.
43:04And besides, you were very handsome with the pirate partner.
43:07Come on, let's work.
43:09Already?
43:11Of course, Mrs. Simona is right.
43:13We already have the necessary ingredients to start with the money we get in the collection.
43:16And very high quality fruit.
43:18Not like the one the captain uses for his sheep.
43:21My mouth is watering.
43:23As soon as I see you putting your hands in my soya, I'll cut them off.
43:26The last drop has to be served to get Adolfito to go back to his mother.
43:30And what do I do?
43:32I have no idea how to make jam.
43:35You and I, what we can do is boil the jars and make the labels.
43:41We all have homework, right?
43:43Well, let's get to work.
43:45We have to finish before my Virtudes returns from Wuhan.
43:52Let's go.
44:23Father, what are you doing here?
44:26Did something happen to Martina?
44:28No, we still have no news of her.
44:31I see you were about to go to bed.
44:34Do you want me to come back tomorrow?
44:36No, I was going to read a while before going to bed.
44:43Do you want to drink something?
44:45I can't offer you much.
44:47Would you like some tea?
44:49No, thank you, daughter.
44:50I've usually come to talk.
44:53I hope you don't insist that I go back to the palace.
44:56And to risk you kicking me out with empty boxes?
44:59No.
45:03I see you have a good library.
45:10And that you have stolen almost all of Seneca's works.
45:14Have you come to talk about books?
45:17No.
45:21I've come to talk about Adriano.
45:24You too.
45:26Who else has come to ask you?
45:29Manuel, yesterday.
45:32I don't know what we're surprised about.
45:34Not every day a leprechaun eats at a Marquis' table.
45:39I invited him because he's my friend.
45:41I know, daughter.
45:43What I don't know is if there was any other intention on your part.
45:48Like what?
45:49I can think of two.
45:51Go ahead, you can make friends with whoever you want.
45:55But it's the first time you've invited someone you don't know to a family dinner.
46:01And not just any dinner.
46:04Did you want to bother Cruz?
46:07Absolutely.
46:09I asked him to come with me because I didn't want to be alone.
46:13I really appreciate his company.
46:15I see you trust him a lot.
46:17That's right.
46:19Since he introduced us to Tadeo because of the problem Adriano had with his land,
46:25he's been a great support for me.
46:27I see.
46:29And that confirms my second theory.
46:32Which one?
46:34I think you didn't bring him as a friend.
46:37It was a family dinner.
46:40Are you suggesting that Adriano and I are dating?
46:44Maybe not yet.
46:45But it doesn't seem like a friendship to use, of course.
46:48Well, you're wrong, Father.
46:50There's nothing romantic between him and me.
46:52Are you sure?
46:54Because it's one theory or the other?
47:00Okay.
47:02Okay, I admit it.
47:04You're right.
47:06I invited him to make Cruz angry.
47:11And I'm sorry if it bothers the rest.
47:13Well, yes, you did.
47:15I know and I regret it.
47:18You don't have to admit it, daughter.
47:20But this can't go on like this.
47:22Cruz and you have to make up.
47:24Don't be fooled, Father.
47:26There has never been peace between us.
47:28If you put both on your side ...
47:30That woman hates me.
47:32Like she hated Tomás.
47:34She only behaved well at first.
47:36As a strategy to get what she wanted, which was to marry you.
47:39After the wedding, everything changed.
47:41And we became a nuisance.
47:43So don't ask me for something that's not in my hand.
47:54The spicy garland is ready.
47:56Do you want to lower the tone of your voice, soul of Cantalou?
47:58The Marquises will hear you.
48:00Hello, Marim Andrago,
48:02but you never know when you can show your rat's snout.
48:04Here I bring the jars.
48:06Another one that also dances.
48:08What's wrong? Did I do something wrong?
48:10You talk like a pregonero.
48:12Sorry, here I bring the jars.
48:14I'm going to give you the remedy.
48:16Come on, fill them with Lope.
48:18And you, Candela, help me with the tomatoes and citrus.
48:20Smells like food.
48:22Less talking and more filling jars.
48:24Before my virtue returns.
48:28Don't worry, mother.
48:30I'm here.
48:33Can I explain it to you, daughter?
48:35There is not much to explain.
48:37They are preparing jam to sell it.
48:39Even though I told you not to do it.
48:41Well, Virtudes, you gave us your opinion and we listen to you.
48:44But as far as I know, making jam is not a crime.
48:46It will be if it reaches the ears of Don Lorenzo or the Marquise.
48:49Yes, but that will not happen because it will not come out of these four walls.
48:52I don't want anyone to look for a problem to help me.
48:55I would never forgive myself.
48:57Save saliva, Virtudes.
48:59We are all aware.
49:01Virtudes, whatever you say, we are going to sell jam
49:04until you get the last peseta you need to recover your son
49:06and you can go live with him.
49:08Well said, Lope.
49:10So let's stop wasting time talking and ...
49:13Take a spoon and start filling jars.
49:18Let's go.
49:20But these are a lot of jars.
49:23And more than we will do tomorrow.
49:25And where are we going to put all this until it can be sold?
49:28Well, in Hanna and Maria's room, which is why it is empty.
49:31Everything is thought out, Virtudes.
49:33I miss those two a lot.
49:35No, Mrs. Simona.
49:36What I miss are four hands that help us with all this work.
49:40Well, me too, really.
49:42Hey, Salvador.
49:44We still don't know when they will return from the palace of the dukes of Saint-Raphael, right?
49:47Saint-Raphael, Mrs. Candela, Saint-Raphael.
49:50Well, it's more of an archaic than another.
49:52Raphael.
49:54And Miguel.
49:56And Miguel.
50:00Well, thank you very much.
50:02Good night to you too.
50:06Nothing?
50:08No.
50:10From the sanatorium they say they can't do anything.
50:14I don't know how they have the guts to get their hands in that way.
50:17Do you know how much money it cost me to get my daughter in there?
50:20To get her out in front of their noses.
50:24Of course, your procedure was not what was expected from a place with such a reputation.
50:28You are being very correct, Maria Antonia.
50:31It has been a horror, a disaster.
50:33It is true, yes, but ...
50:36It is no less true that maybe they are right.
50:39Martina must already be far from the sanatorium and they waste time looking there.
50:44You know your daughter well.
50:46Maybe if you remember, you can remember some place where she could be hidden.
50:51In the palace of a friend or in a inn where you spend the night on one of your trips.
50:55I don't know, I don't know.
50:57Because I don't know her that well either.
50:59Me neither.
51:02What did you do here?
51:04At the promenade?
51:06No, you heard Lorenzo.
51:09This would be the last place where she would go.
51:12I mean here, in Lujan.
51:14The sanatorium is not far from the town and ...
51:17Well, it's a place she knows well.
51:19You think?
51:21I think we don't lose anything by going and asking.
51:24Besides, tomorrow is market day.
51:25Tomorrow is market day.
51:27There will be many traders from the surroundings and maybe someone can put us on the trail of their whereabouts.
51:31No.
51:32No, why?
51:34Because I don't want anyone to ask about my daughter in the village.
51:37I just need her name to be dragged by the mud.
51:40But with the appropriate discretion, well ...
51:42No, no.
51:44No, Maria Antonia.
51:46I couldn't stand it.
51:48And I would understand if they murmured about me because ...
51:51What kind of mother would put her daughter in a place like that?
51:55You have done the best for Martina.
51:57No, I have been a coward.
51:59I should have faced Ayala.
52:02Don't be fragile.
52:04She didn't leave you another alternative either.
52:06If I had not accepted it, the situation for Martina would have been much worse.
52:10Poor daughter.
52:12You are going to see the tortures she has been subjected to, to escape in that way.
52:16Well, think that all this is over.
52:19And that very soon you will have her back by your side.
52:22And if not?
52:25And if she doesn't want to see me again?
52:27But don't say huge things.
52:29Martina knows enough about the love you have for her.
52:32Well, the love that you haven't been able to show her.
52:36And I would understand if she wanted to put dirt in the way.
52:40I don't judge her.
52:42Maybe I would do the same if I were in her place.
52:44It is normal that with anguish you see everything in black.
52:48But you have to be strong for Martina.
52:50I have no doubt that very soon you are going to give her that hug you so long for.
52:57I just hope it's as soon as possible so that I can say goodbye to her too.
53:02Why are you leaving?
53:06It's my own thing.
53:09Apparently I don't paint much here anymore.
53:12Are you going back home then?
53:14That's right.
53:16I'm going back home.
53:17That's right.
53:19I'm going back home.
53:40But how could Petra find out?
53:42Lower your voice, maybe it has nothing to do with the jams.
53:45So what is it going to be?
53:47I don't know.
53:58Well.
54:00We are all here.
54:05As you know, I'm not a person who likes to waste time.
54:11So I'll get to the point.
54:13Among my tasks as a key master is to be aware of everything that happens between the walls of this palace.
54:22So if someone hides information from me, that would be a very serious lack.
54:31I want you to tell me everything.
54:34Absolutely everything you know about Mr. Vito Curro.
54:38Look.
54:40Virtues.
54:42You are in charge of cleaning his bedroom, right?
54:46Speak.
54:51As you know, we have not seen anything out of the ordinary, Mr. Argos.
54:55That's right.
54:57Like every morning, we make the bed, air the bedroom,
55:02lay the floor and pick up all the clothes that Mr. Vito Curro has used to wash it.
55:11And during these last days that he has been sick, you have not seen him?
55:23Salvador.
55:25You are in charge of raising the food and cleaning it.
55:29You must have had to see him, right?
55:32Yes.
55:34Yes, every day.
55:36But I don't understand what all this is about, Mrs. Petra.
55:48Okay.
55:50You can go.
55:53Except you, Vera.
55:56You stay.
55:59Thank you.
56:09As I have already told you, I do not know anything about Mr. Vito Curro.
56:12No.
56:14This has nothing to do with that matter.
56:18Although everyone insists on looking the other way, I ...
56:21I have the firm determination to find out what happened to the fifth guest at Mrs. Margarita's snack.
56:29So I'm going to give you one last chance to tell the truth.
56:35Tell me, Vera.
56:38What do you know about Carri's depression?
56:49Have you been crying?
56:50No.
56:51No, it's the allergy that I mixed with the ammonia to clean.
56:56If there is something that has put you in this state, maybe if you tell me, I can help you.
57:00No.
57:01Nothing has happened to me.
57:03You won't have any problems with Santos again, will you?
57:06I have thought of organizing a recital to celebrate the return of my son Manuel.
57:11I think it's an excellent idea.
57:13You are going to take care of it.
57:14I pay you to work.
57:15Or so you can have a good time.
57:18Yes, ma'am.
57:20You go thinking of options, you present them to me and I will choose.
57:23That's how I always worked, compadre.
57:25And I never had to be above everything.
57:28We are going to start making jams to sell them as soon as possible.
57:32Be careful so that Mr. Lorenzo doesn't find out about anything.
57:35Yes, well, we already know that.
57:37With the little money that the captain spends, as soon as he finds out what we are doing, he can get fat.
57:44I was thinking about it and I thought you would still be upset about the dinner with my stepmother and the frac.
57:50A little upset, yes, I was, you know, but ...
57:55How was I not going to come see you?
57:57Cruz has made me fall very elegantly that it is already time for me to leave the promise.
58:02I told you days ago that you were no longer necessary here.
58:05And you told her too?
58:06We share everything.
58:08Everything? Really?
58:10MarÃa Antonia, I don't feel like arguing with you, so if you have only come for that, you can go.
58:15Are you also kicking me out of this room?
58:17The point is that we are making jam here, in the kitchen.
58:20For the promise.
58:21No, no, no. They are to sell them here, in Luján.
58:24And get some money so that my virtues can get my grandson back.
58:28Well, I don't think the gentlemen will find it funny.
58:31And much less the captain of the Mata.
58:33López, don't lie to me.
58:34Since I told you who I am, you don't stop running away from me.
58:37That when we are in the same room, you don't even look me in the eyes.
58:40Vera, what's going to happen to me?
58:41What's going to happen to me?
58:42That your parents are dukes, that happens to me.
58:44And?
58:45Vera, it's a problem.
58:47If you can know why it took you so long to come back.
58:49You had me desperate.
58:50I know, I know. And I'm sorry.
58:52It's just that things got more complicated than expected.