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00:00♪♪
00:30If I hadn't done it, what chances did I have
00:33of writing to a woman who, curiously,
00:36was also a friend of Mrs. Margarita's?
00:38You disappeared.
00:40Out of the house, without leaving a trace,
00:43without any explanation, without any farewell.
00:46We even thought you were dead.
00:48But I'm fine now.
00:51I'm even happier than ever, you know?
00:55It's best if you forget about me.
00:57And that suit?
00:59It's from the Sundays. It's the best I have.
01:02Yeah.
01:06Maybe it's not a good idea for me to go to dinner.
01:08No. Nonsense.
01:10It makes me happy that you come with me.
01:13Do you know what hurts me the most?
01:15Your behavior.
01:16It's as if you wanted to ruin all your love encounters with Cruz.
01:20As if you wanted to make it clear where your heart is and everything else.
01:23I'm glad you finally understand.
01:26And I regret that I can be so mean.
01:28Anuel, I'm going to that asylum.
01:31I have to prove with my own eyes that Martina is okay.
01:34So what you're proposing is to take care of the action while I cover your back, is that it?
01:38Inventing good excuses to justify my absence.
01:44Yeah.
01:47Don't say anything. Don't smile and continue as you were.
01:51I know everything.
01:53I don't care about the threats I have about you.
01:55We'll see what we do.
01:57But get out of here.
01:59If there's no explanation, there's no point in blaming yourself.
02:04It was all by chance.
02:06Yes, it was all by chance.
02:08But you said you thought your son had no responsibility.
02:12I'm not thinking about my son.
02:14I'm thinking about Petra Arcos.
02:16I repeat that I have not sent any invitation to that lady
02:19and I have not contacted her in any other way.
02:22Of course not. You always deny your participation in everything.
02:24But then it turns out that time ends up pointing it out.
02:28I've been very bad to you. I've made you suffer.
02:31You've also made me very happy.
02:33Don't ever leave again, please.
02:35You don't know how much I've missed you.
02:43I'm sure we're all going to get all that money.
02:46But, Lupe, that money is useless if I don't have a place to live with my son.
02:52I've got an idea.
02:54For the money or for the child's accommodation?
02:58For both.
03:00Doña Pia?
03:02Doña Pia?
03:04Ana, she's not responding.
03:06She's fainted or something.
03:07Doña Pia, wake up.
03:08Doña Pia, please wake up.
03:09Doña Pia!
03:10Doña Pia.
03:11Doña Pia!
03:12Are Catarina and Curro also late?
03:13Curro is not coming to dinner.
03:15They are not very well.
03:17And then?
03:18For whom is that other blanket?
03:19For my companion.
03:22Let me introduce you to Adriano García Pardo,
03:24one of the lenders of the promise.
03:30Sit down, please.
03:39Adriano, welcome.
03:43It's always a pleasure to have a new guest at this table.
03:49Thank you, Don Manuel.
03:51Yes, it will be a pleasure for you to have dinner with us.
03:54A pleasure for me too, Mr. Marqués.
03:56Thank you.
03:58Wine, sir?
04:00Yes, please.
04:02Yes, now I'll bring you some water, but I'll serve you the wine.
04:07Yes.
04:08The truth is that there is a glass for wine and another for water,
04:11I think it makes no sense.
04:12Because the only thing that causes them are mistakes, right?
04:16It's not that there is a lot of room for error, precisely.
04:20Well, it's been a long time since we all sat around the table.
04:26Well, we're not all here, Lorenzo.
04:29I don't know if you've noticed that neither your son Curro nor my daughter Martina are here.
04:33I think this dinner was to celebrate their return.
04:36Yes.
04:41I suppose that after such a long confinement, Catalina,
04:45this will seem like a crowd to you, right?
04:49Don't you find it uncomfortable to have to alternate with so many people at the same time?
04:53I like to be alone, but I know how to live in society.
04:56There is nothing wrong with wanting to live in solitude, sister-in-law.
04:59There are people who are loyal and faithful like dogs
05:03and there are others who are independent and grumpy like cats.
05:08So you see me as a cat?
05:11Well, it suits you, Catalina, it suits you.
05:14Cats don't want anyone to get close to them, much less to be caressed on the back.
05:19In any case, don't think I've missed these evenings.
05:22It's better to be silent than to hear certain things.
05:25Yes, I completely agree with you.
05:28Sometimes, in apparently civilized conversations, there are cruel and unfair acts.
05:34It seems to me that you don't point without a purpose and you are referring to a specific act.
05:38Well, yes. I am referring to the injustice that has been committed against my cousin Martina,
05:43locking her in that sanatorium, against her will.
05:48What's so unfair about trying to heal someone who is sick?
05:51My cousin is not sick.
05:53It seems to me that perhaps with your coming and going from the hangar you have lost some information.
05:58No, no. I have all the information and I am clear that my cousin is innocent
06:03and that she would never end anyone's life.
06:06This dinner was to celebrate Manuel and Curro's return
06:10and it is becoming a conversation full of cross-references.
06:14Well, I think your daughter had a lot of accumulated conversations.
06:19Well, I want to propose a toast to Manuel and Curro.
06:24Although he is not at his disposal.
06:30We are all delighted that you are back, safe and sound.
06:37To Manuel and Curro.
06:42I'm sorry.
06:43Don't worry, I'll pick it up.
06:46Don't worry, don't worry.
06:48I'll bring you a new set of blankets right now.
06:51It won't be necessary. A knife and fork will be enough.
06:54I say this to make the task easier.
06:57I don't think your guest knows how to use the rest of the blankets.
07:00Bring him the complete set, Salvador.
07:04The complete set.
07:06Yes, sir.
07:15To Manuel and Curro.
07:45To Manuel and Curro.
07:46To Manuel and Curro.
07:47To Manuel and Curro.
07:48To Manuel and Curro.
07:49To Manuel and Curro.
07:50To Manuel and Curro.
07:51To Manuel and Curro.
07:52To Manuel and Curro.
07:53To Manuel and Curro.
07:54To Manuel and Curro.
07:55To Manuel and Curro.
07:56To Manuel and Curro.
07:57To Manuel and Curro.
07:58To Manuel and Curro.
07:59To Manuel and Curro.
08:00To Manuel and Curro.
08:01To Manuel and Curro.
08:02To Manuel and Curro.
08:03To Manuel and Curro.
08:04To Manuel and Curro.
08:05To Manuel and Curro.
08:06To Manuel and Curro.
08:07To Manuel and Curro.
08:08To Manuel and Curro.
08:09To Manuel and Curro.
08:10To Manuel and Curro.
08:11To Manuel and Curro.
08:12To Manuel and Curro.
08:13To Manuel and Curro.
08:14To Manuel and Curro.
08:15To Manuel and Curro.
08:16To Manuel and Curro.
08:17To Manuel and Curro.
08:18To Manuel and Curro.
08:19To Manuel and Curro.
08:20To Manuel and Curro.
08:21To Manuel and Curro.
08:22To Manuel and Curro.
08:23To Manuel and Curro.
08:24To Manuel and Curro.
08:25To Manuel and Curro.
08:26To Manuel and Curro.
08:27To Manuel and Curro.
08:28To Manuel and Curro.
08:29To Manuel and Curro.
08:30To Manuel and Curro.
08:31To Manuel and Curro.
08:32To Manuel and Curro.
08:33To Manuel and Curro.
08:34To Manuel and Curro.
08:35To Manuel and Curro.
08:36To Manuel and Curro.
08:37To Manuel and Curro.
08:38To Manuel and Curro.
08:40Valencia comes and goes...
08:44We'll listen to it once and for all.
08:48They DID THE BUTCHER
08:51A WEEK LATER
08:56So that's why we should do new preparations.
09:03Since it's the reminds us of the cat we must do,
09:07It's still generating profits, but at the cost of increasing the hours of work of the women of the town and lowering their pay.
09:15That man has the soul of a blacksmith. It is believed that instead of a maid, he has a nail.
09:19I'm sick of him. What hurts me the most is that we no longer make original and different jams.
09:23And what happened to all the grace?
09:25I tried them and they were delicious.
09:27What sense does it make to make jams of the lot?
09:30Worse than those of the lot, Lope. The captain uses the worst fruit there is and is also about to pass out.
09:36You see that instead of throwing them to the pigs, he takes them for the jams.
09:40It is almost impossible to make a good product, no matter how hard we try.
09:44Much less a product as special as the one we offered before.
09:48With the illusion that I had put it, the young lady has finished the business.
09:52That business was very well thought out and it also gave very good benefits.
09:55That is why I tell you that instead of wasting time in lamentations, let's get down to work,
10:01make the jams we made before.
10:04Blur and new account.
10:06Well, old account in this case. What we have to do is go back to the previous.
10:10But that is not so easy, Simona.
10:12Neither easy nor difficult, Candela. Everything is to put on.
10:15Surely if we sell the jams, we get the happy 550 pesetas that Virtudes needs in a Santiamén.
10:22And maybe we even get more money for the child's accommodation.
10:26One thing is true. Those jams took them out of our hands.
10:30Of course. It is a round business and we are going to earn that money and more. I'm sure.
10:35What do you say, Candelilla?
10:36What I'm going to tell you is that I'm with you until the end of the world.
10:38And if Lope and Virtudes come, you are happy that we are going to the end of the world.
10:43The first thing we have to do is, with the money we have already raised, take it to start with all this.
10:47With the first sales we are going to get plenty of money for Virtudes and her child.
10:51You are all so good.
10:52The jams are good. They are of category.
10:55I am already wanting to go back and get down to work.
10:58Well, before we get down to work, we have to consult it with the rest. Do you agree?
11:02We are going to need a lot of help.
11:04We agree, we agree.
11:05We agree, Mrs. Simona, but we have to start now that I am already excited and eager to start.
11:29And do you personally work the land or supervise the day laborers?
11:36Well, the truth is that I am not a landowner, just a simple landlord of Mr. Marqué's land.
11:44And thanks to the landlords, the crops of the farm are sustained.
11:49But the fact is that I do not have any day laborer in my position.
11:54So, do you take care of everything alone?
11:56Well, at harvest time, yes, a man from the town comes to help us.
12:02So that he can harvest, of course.
12:05No, both.
12:11So you work the land with your hands ...
12:14It is obvious that he works with his hands.
12:16There is nothing more than looking at them.
12:21There is nothing wrong with working the land with your hands.
12:24Nor cheating the day laborer with the sweat on his forehead.
12:27Catalina, don't talk about sweat on the table, I beg you. It's disgusting.
12:32From what I understand, Catalina is helping him manage his lands.
12:37That's right.
12:39I was surprised.
12:41I didn't even understand that you wanted to put that kind of ... activities aside.
12:45No, I try to advise him with my experience.
12:48Congratulations, young man.
12:49I congratulate you.
12:50Congratulations, young man.
12:51I congratulate you.
12:52I don't know what kind of spell he will have exerted on my niece to disobey his will.
12:58Sorry, spell.
12:59Don't listen to him, Adriano.
13:01Sometimes my uncle uses a somewhat barracks humor.
13:07And a lot of honor.
13:09In the army, one learns to laugh at everything.
13:12Even death.
13:14I suppose that a labriego like you doesn't have many opportunities to sit at a table like this.
13:22I admit that I have never seen so many glasses covered.
13:26It shows.
13:28Well, keep this experience in your memory in case you don't have a chance to repeat it.
13:31Well, that's enough!
13:33I'm not saying it in a bad way, Catalina.
13:36Surely it is much more comfortable to sit at a table like this.
13:39And not having to be aware of the label and the wardrobe.
13:43It is obvious that your friend is not comfortable with that suit.
13:47As good as he feels it.
13:49By the way, isn't that frac from your old fiancé?
13:59You know it perfectly well, but it is obvious that he had to take Pelayo's name out at dinner at this table, right?
14:04You know it perfectly well, but it is obvious that he had to take Pelayo's name out at dinner at this table, right?
14:09Sorry.
14:11I didn't want to bother you.
14:35Don't look at me like that, girls.
14:38No, Mrs. Pia, it's just that we were scared to death.
14:40What can I say?
14:42And I thought Hanna was going to be able to make her react.
14:45Come on!
14:47We would have died of fright.
14:49Look, you're exaggerating, María Fernández.
14:51I'm not exaggerating and you haven't judged me, Mrs. Pia.
14:53Look how you are, still trembling.
14:56Trembling.
14:58Are you sure you feel better?
14:59Yes, I'm much better.
15:01I don't even know what happened to me.
15:04Yes, but it happens to you several times, doesn't it?
15:07I'm fine, Hanna, I'm fine.
15:11Tell us the truth, Mrs. Pia.
15:14It's no use lying to me.
15:16And besides, I think she's the one who's been keeping me locked up.
15:21That's right.
15:23I mean, all the hours we thought I was sleeping, I was actually in a kind of semi-consciousness.
15:30There's something about that.
15:32I'm ... I'm bored, I'm ... I'm sad.
15:37And the tension too, I guess, I don't know.
15:40Maybe something's going on in her body.
15:42Don't scare me, Hanna, please.
15:43I don't intend to scare you, Mrs. Pia, but if you told me right away what you feel,
15:46maybe I could find out what's wrong with her.
15:49Tell Hanna that you trust her.
15:51But if I've already said it, María, I'm really fine.
15:54It's just that I'm bored, worried and ...
15:58and sad.
16:05And on top of that, I feel like I have less strength every day than the day before.
16:09Because if at least I had energy, I could move or dance like you,
16:14but just thinking about it exhausted me.
16:22What are you doing, Hanna?
16:24What do you mean, what are you doing?
16:25What do you mean, what are you doing?
16:27To continue with the planned plan, please.
16:30It took us a lot of effort to get here, didn't it?
16:35I think we should start rationing the food so that when we leave, we have enough.
16:41You're right.
16:42Besides, it's very difficult to get here.
16:45We have to make sure it's okay when we leave.
16:48But wait a minute, when are you going to leave?
16:50Not yet.
16:52But at some point we'll have to leave and see if it's safe to get her out of here.
16:57We're running out of time that Mr. Baeza gave us.
17:00And we should ration the food so that when we leave,
17:03she can hold on for as many days as possible.
17:06Just in case.
17:11She has to be strong.
17:13And for that, she has to eat well.
17:17What's wrong?
17:22Well, I'm shaking.
17:24Just thinking that...
17:27That I'm alone again.
17:51I'm sorry.
18:14Virtudes, you're still here.
18:16I was finishing to fill up the bottle of ammonia that had run out.
18:22Is that why you have gloomy eyes? Because of the ammonia?
18:30Virtudes, are you okay? Did something happen?
18:33But...
18:35Come on, tell me, you're making me anxious.
18:37No, it's nothing bad.
18:41Well, it's good that you're hiding it, because your face didn't do the same.
18:46It's for my son.
18:50My mother had an idea to get the money and get my son back.
18:56Well, tell me.
19:00It's about selling jams, like the ones they made for Miss Catalina.
19:05I've tried them, and they're exquisite, and they're the best of originals.
19:09My mother is convinced that the sale of jam will bring good returns.
19:12And I believe it too. It seems like an excellent idea.
19:16Well, yes.
19:19Then I still don't understand why you're like this.
19:23It's pure emotion, Vera.
19:25Even if it's not frequent, she also cries with joy.
19:29And when that happens, it's beautiful.
19:34I had never received the love of so many people.
19:38All of them.
19:42You have been very generous.
19:45You have offered me your help without asking for anything in return.
19:49And what's wrong with helping others?
19:53Nothing.
19:55But one doesn't get used to being shown so much love.
20:00Don't worry.
20:03You...
20:07You have opened your arms to me.
20:09Your arms.
20:12And your hearts.
20:16Come on, give me a hug.
20:40Salvador.
20:42Sir, what are you doing here?
20:45I'm sorry, I didn't mean to scare you.
20:47No, it's just that you arrived so stealthily and stealthily that...
20:51Yes, you're right, but it's because I don't want anyone to discover me.
20:54Salvador, I have to ask you a very important favor.
20:57But you have to refrain from asking any questions about it.
21:00Don't worry. Curiosity killed the cat.
21:03And the street too.
21:05Good.
21:06You see, I have come to you because you are of my utmost trust.
21:10And also because of my cousin Curro.
21:12Curro?
21:14Is he feeling worse, Mr. Curro?
21:17No questions, no questions.
21:19I'm sorry.
21:21Salvador, you must say that you are in charge of him.
21:23It must be you and only you who take the food to his room.
21:26And in the morning you will untie his bed and you will disorganize his room
21:29for when the maids arrive to clean.
21:31I don't understand, he is already in charge of doing that.
21:33He can do it himself.
21:35Sorry if it sounds like a question.
21:37I'll shut up.
21:39No, I understand your strangeness.
21:42You see, I can only tell you that Curro can't do it.
21:46Because he can't find the promise.
21:49So he is asking me to cover up the absence of the little man.
21:53Indeed.
21:55Salvador must seem to be still here.
21:58No one must notice that he has left.
22:00And where do I say that he has left?
22:03When someone comes to clean the room
22:05or when he has a visit.
22:08In that case, say that he is taking a bath.
22:12Or that he is taking the air, riding a horse.
22:14It is of vital importance.
22:18No one must find out about this, Salvador.
22:20Don't worry, sir.
22:22No one will.
22:27Here.
22:29No, no, no, please, no.
22:31Salvador is a gratification.
22:33I understand that what I am asking you is out of your attributes.
22:36It is not necessary, really, sir.
22:39For me it is already a great honor that you trust me.
22:42Whatever happened to Mr. Curro,
22:45I will follow your orders.
22:47I will leave the bed as if he were still sleeping there
22:50and I will cover him when someone comes to his bedroom.
22:57I want to tell you that what you are doing is for a good cause.
23:00I have no doubt, sir.
23:01You will have your reasons,
23:03but I am sure they are fully justified.
23:06Thank you, Salvador.
23:08Tonight I will sleep more peacefully.
23:10I am glad to favor your rest.
23:31A perfect brushing.
23:33You can put it on Captain de la Bata.
23:41Good morning, Ricardo.
23:43Good morning, Romulo.
23:45You look more serene than yesterday.
23:47It is always good to consult the problems with the pillow
23:50before making hasty decisions.
23:52Excuse me, I was very angry.
23:54What, a lot?
23:56Weren't you going to get out of bed?
23:58No.
23:59What, a lot?
24:01You didn't spit in my mouth, but almost.
24:03It's just that Mrs. Arcos sulfurates me.
24:05She gets the worst out of me.
24:07And of everyone.
24:09You have to learn not to get out of your box.
24:11Yes, I guess so.
24:13Still, I was very worried yesterday
24:15because you even talked about abandoning the promise.
24:18Well, it's what I really thought.
24:21Well, I hope you have reconsidered.
24:24Don't you realize that if not, she will leave with hers?
24:27Well, I guess that's it.
24:29No, don't talk like that.
24:31Don't let Mrs. Arcos push you to throw everything out the window.
24:35I can't with her.
24:37I have served for many years in houses
24:39and I have never come across someone so harmful.
24:41Take it as a challenge.
24:44Ignoring his sarcasm and his ignominy
24:47will not only make you a better mayor,
24:49but also a better person.
24:51Yes, I suppose that if you are able to maintain serenity
24:53when that lurking snake is by your side,
24:56you become a little less than an altar saint.
24:59Man, look at me.
25:01I'm about to canonize.
25:05It's okay, it's okay.
25:07I won't go, Romulo.
25:09That's what I wanted to hear.
25:11But still, it's that the injustices bother me.
25:13I'm still convinced that Petra
25:15is the one who sent the invitation for Mrs. Margarita's snack.
25:18I can't assure you, but I wouldn't be surprised either.
25:20That woman is capable of that and much more.
25:23But she never does anything if it's not on purpose.
25:26What can she gain by acting this way?
25:29I already told you.
25:31Leaving me in the wrong place.
25:33Do you think it's not enough that the Duchess of Carlisle
25:35has presented a snack to which she has not been invited?
25:37That only shows a fragrant lack of organization.
25:40And who was she supposed to send those invitations to?
25:42To you.
25:43Ah, well, there you have it.
25:45That woman is willing to sink me.
25:47Yes, and from what I see, she can get it.
25:49Don't let yourself be dragged down by her.
25:51Don't do anything you might regret later.
25:56I finally find you, Mr. Baeza.
25:57How can I help you?
25:59Mrs. Margarita wants to speak to you as soon as possible.
26:01She has just finished breakfast and is waiting for you in the living room.
26:04What do you want to talk about?
26:06About the invitations for the snack.
26:08I'm coming with you.
26:10Yes, yes, it's also my responsibility.
26:12No, it's better that you don't come if it's not strictly necessary.
26:14But, Romulo, if you don't want me,
26:16if you've complained to me alone, then I'll go alone.
26:18Besides, don't worry.
26:20I'm used to this kind of talk.
26:22I'm the head of the office.
26:28You can cut the tension with a knife.
26:30Besides, you know how the gentlemen are.
26:32They take off their skins, but they never lose their shapes.
26:35And the food?
26:37Well, delicious, but they almost didn't even try it.
26:39They were too busy throwing reproaches.
26:41But the dinner was for Mr. Manuel.
26:43What about Mr. Curro?
26:45Yes, well, they have been able to come back from the war,
26:47but what happened yesterday,
26:49that was a bit of a shock.
26:51I don't know if it's a shock,
26:53but it's a bit of a shock.
26:54I don't know if they have been able to come back from the war,
26:56but what happened yesterday, that was a war.
26:58A verbal war, of course, without blood.
27:00It's not little.
27:02But how could everything be so annoying?
27:05Well, it was the presence of a friend of Miss Catalina
27:08that changed everything.
27:10Adriano, maybe?
27:12Yes, I know him.
27:14He's a boy, a farm worker.
27:16He's a slacker.
27:18A slacker and a scoundrel.
27:20I don't know who comes up with the eccentricity
27:21of sending someone like him to a tag dinner.
27:24But he's Miss Catalina's friend.
27:26That woman has completely lost her mind.
27:29The retreat, instead of making her reconsider,
27:31what it has done has been to wild her even more, if it fits.
27:34I remind you that you are the key master of this house
27:37and that this is not a proper way to talk about Miss Catalina.
27:43It is true that the one who was most noticed lost
27:46was this guy Adriano.
27:48He didn't know how to use the blankets,
27:49he didn't know how to distinguish a glass of wine from a glass of water.
27:53Like a little fish out of the water, poor thing.
27:55That's it.
27:57But thank goodness Miss Catalina was giving him directions
27:59all the time discreetly.
28:01I don't want to give Mrs. Petra the reason,
28:04but with a job, she shares a table and butter with the gentlemen.
28:09It's not usually the usual.
28:11But he was Miss Catalina's guest
28:13and he also had Don Manuel's benefit,
28:15which was the tribute, so...
28:17What a way to ruin a dinner that should have been unique and emotional.
28:22I understand Mrs. Marquesa more and more
28:24when she gets angry with Miss Catalina's behavior.
28:28Everyone has to know what position they occupy in this society.
28:32Don't exaggerate, Mrs. Petra.
28:34I'm not exaggerating a pencil, Salvador.
28:36Don't you realize, Miss Catalina,
28:38that with all those libertarian ideas of hers,
28:40she would lose everything she had?
28:42So much suffragette literature has made her
28:44lose her mind.
28:46Those books should all be burned in a pyre.
28:50Books should never be burned, Mrs. Arcos.
28:53If Miss Catalina invited that boy to dinner,
28:56she would have her reasons.
28:58I'm with Simona there.
29:00If she considers him her friend,
29:02she must have seen him.
29:04He has good limbs and nobility.
29:06Well, I didn't know him,
29:08I didn't know anything about him,
29:10and suddenly I saw him dressed in a suit that looked like a glove,
29:12and I said,
29:14Frak,
29:16that belonged to Don Pelayo.
29:18By the way,
29:20I was informed that Miss Catalina had him searched.
29:23Yes, that's right.
29:25Mrs. Marquesa made it clear
29:27in front of everyone
29:29that the suit belonged to the old fiancé of Miss Catalina.
29:32She said that? Really?
29:34Yes, yes. It was a rather unfortunate comment.
29:36He has a bad taste and a bad mouth.
29:38Let's not get ahead of ourselves.
29:40How outrageous.
29:41I'll shut her up,
29:43judging by the hand she gives them to eat,
29:45and I'll wrap her up at the table
29:47as if she were someone else.
29:49If this is not the end of the world,
29:51may God come and see it.
29:57What I don't understand
29:59is how such a blatant misguidance could have happened.
30:01Couldn't it be a little more specific, ma'am?
30:03Well, I thought it was common knowledge
30:05that the Duchess of Carril
30:07showed up unannounced
30:09at the snack I had organized.
30:11And I can assure you
30:13that she wasn't on my guest list.
30:15Then how could she have come?
30:17Well, there lies the mystery.
30:19I'm sure I invited four of my friends.
30:21Imagine that I was stunned
30:23when I suddenly ran into the Duchess of Carril
30:25as if she had come out of nowhere.
30:27I understand.
30:29And I also know that she received an invitation from me.
30:31Well, that's weird.
30:33I don't know.
30:35I want to find out who sent that invitation
30:37without my consent.
30:39But who could be interested
30:41in a matter of extreme seriousness?
30:43It's true that nothing happened this time,
30:45but imagine that someone ungrateful
30:47shows up to the family all of a sudden.
30:49It's certainly a very serious matter, ma'am.
30:51Unfortunately, I can't help you clarify it.
30:54I didn't organize the snack
30:56or the invitations directly.
30:58But you're the one who supervises everything,
31:00aren't you?
31:02Yes, but I have delegated certain tasks
31:04to focus on others
31:06directly related to the palace's attendance.
31:09I see. I'll take care of it.
31:11Anyway, I'd like you to speak
31:13to whoever you have to speak to
31:15to solve this riddle.
31:17I'll investigate to find out what happened.
31:19And if it was a mistake,
31:21find the person responsible for this negligence.
31:23I'll do that, ma'am.
31:25For now, I'll just apologize
31:27and regret that your snack got spoiled.
31:29Don't worry.
31:31As I said, nothing happened.
31:33But we have to prevent these mistakes
31:35so that they don't happen again in the future
31:37with much more serious consequences.
31:39With your permission, ma'am.
31:41Thank you.
32:01Adriano.
32:03Come in, please.
32:05I came to return the snack you lent me
32:07for dinner last night.
32:09You didn't have to do it
32:11if it were up to me.
32:13If it were up to me,
32:15I would have given it back to you
32:17after dinner.
32:19I must admit that Pelayo had
32:21an exquisite taste for dressing.
32:23I'm sorry for my stepmother's comments.
32:25They were unfortunate
32:27and very unpleasant.
32:29Caterina, you could have told me
32:31that the snack belonged
32:33to your ex-fiancé.
32:35You're right.
32:37I'm sorry.
32:39In any case, don't listen to my stepmother
32:41because of you.
32:43I killed two birds with one stone.
32:45I've never had a bad drink like this before.
32:48I'm sorry.
32:50I didn't want to put you
32:52in such an uncomfortable situation.
32:54Unless you felt bad.
32:56I don't understand. What did you want?
32:58Nothing.
33:00If I lent you that snack,
33:02it was because I didn't have anything
33:04of your size.
33:06In that case,
33:08I would have preferred to wear my own clothes.
33:10I would also have preferred
33:12not to attend that dinner.
33:16I'm sorry, Adriano.
33:19Don't be mad at me, please.
33:23I didn't do it on purpose.
33:26What we have is special to me.
33:31Catalina, I'm in love with you.
33:34I already told you.
33:37But I don't want to become your toy.
33:40I know you have enough reasons
33:42to be at war with your stepmother,
33:44but I don't want you to use me against her.
33:48I'm not a toy.
34:10Don't worry.
34:12I just came to leave these books.
34:15I'll leave you alone in your office right away.
34:19Now that we're alone,
34:21we have the opportunity to clarify things.
34:26And what exactly do we have to clarify?
34:29Let's leave a conversation in the middle.
34:32I'm sorry,
34:34but I don't think
34:36I can do that.
34:37Let's leave a conversation in the middle.
34:40Well, since you're not more specific,
34:42what do you want to talk about?
34:44About what happened between us.
34:47No. Something happened to you.
34:49It's obvious.
34:51But I think there was a confusion
34:53and unfortunately you misinterpreted things.
34:56Do those two kisses seem unfortunate to you?
34:58They were involuntary on my part.
35:00You took the initiative and not the other way around,
35:02as you said.
35:04Poor thing.
35:05You felt forced, didn't you?
35:07My intention was not to kiss you.
35:09Well, you did.
35:11Because you didn't let me escape.
35:13How many times do I have to repeat it?
35:15No matter how many times you do it,
35:17you won't get it to be true.
35:19Stop it, Maria Antonia.
35:21Don't blame me.
35:23Of course, now you're a poor victim, aren't you?
35:25A happily married man who has suffered
35:27the attack of a harpy.
35:29Don't say things I haven't said.
35:31I'm not a fool, Alonso.
35:32I would never have turned to Cruz.
35:34My relationship with my wife is not your fault.
35:36It is.
35:38When what you do with her is to make me jealous.
35:40Please, what are you saying?
35:42Or maybe your reasons are even more twisted.
35:46Maybe those unfortunate kisses we gave each other
35:48had meaning and you had to crush your passion for someone.
35:51You're delirious.
35:53How can you distort things like that?
35:56If someone manipulates you, it's you.
35:59Because if you had nothing to hide,
36:00you would have already told your wife
36:02so as not to give way to misunderstandings.
36:04I don't want to put Cruz against his best friend.
36:06Of course, that's why you want me to leave, right?
36:08To separate from her and not talk to her.
36:12I don't think you care that she knows what happened.
36:16So we're going to let it be.
36:18Because it's clear that we're not going anywhere.
36:31THE ANGELS
36:39I have met you again and I have also mentioned you
36:42to discuss the mysterious invitation to the party
36:46organized by Ms. Margarita.
36:48An unforgivable negligence.
36:50Let me lead this conversation, Mr. Arcos.
36:56Ms. Margarita insisted this morning
36:58that she wants to get to the bottom of the matter.
37:00I agree.
37:02So do I.
37:04And I am glad that you are satisfied.
37:06Let's see if we can find something out about this matter.
37:08I am responsible for the entire service
37:11and I have to be aware of any irregularity
37:15to avoid the complaints of the gentlemen.
37:18I already made it very clear to you that I did not make any mistakes.
37:21I allowed myself to include Vera in the service of the snack
37:24and to supervise that what was served was appropriate.
37:26And nothing else.
37:27The invitations were things of Mr. Pellicer.
37:30Which is great for you to get rid of all suspicion.
37:35And I also limited myself only to fulfill my duties.
37:39Well, of course he didn't do it right.
37:42Don't interrupt, Mr. Arcos.
37:44We have all been very clear about your opinion.
37:47In case there was any doubt, Mr. Baita.
37:50Can we reconstruct the facts, please?
37:54I think Mr. Pellicer should start,
37:55since he was in charge of notifying the guests.
38:00Yes, it is true, yes.
38:02But Santos was in charge of that task.
38:04I was in charge and he offered to help me.
38:07On top of the fact that a lackey is in charge of your tasks,
38:10he accuses me of the entanglement that was formed with the snack.
38:12You have no shame, Mr. Pellicer.
38:15Mrs. Arcos, let's talk.
38:20That's right.
38:22My father was overwhelmed
38:23and the snack had to be prepared from one day to the next.
38:26So we both agreed that it was best for me to write and send those invitations.
38:31I know.
38:33What I am very clear about is that there were five names on that list and not four.
38:37As Mrs. Margarita assures,
38:39I simply limited myself to writing the name on each letter and nothing else.
38:43Well, it's your word against a lady's.
38:47It is more than obvious the one that would weigh more on a scale.
38:50Having more weight does not mean that you are right.
38:53We know that Mrs. Margarita has her head in the other direction
38:56since your daughter was admitted to the sanatorium.
38:58Well, the only proof that could make us doubt
39:02is to have that paper with the list.
39:04Impossible. The paper was thrown in the trash and it is more than lost.
39:07Anyway,
39:09what sense would it make for Santos to lie about this matter?
39:13Why would he include another name?
39:15Well, look at you.
39:17That's where I agree.
39:19The boy has no reason to do such a stupid thing.
39:23But that does not mean that you gave him a task on his shoulders
39:26that did not correspond to him.
39:28Mrs. Arcos,
39:30I have already told you that we know what your opinion is.
39:33Well, let's see if we start acting accordingly.
39:37Well, since we are not going to find out the truth of what happened,
39:41I will manage this matter with Mrs. Margarita in the best possible way.
39:46And what are you going to tell her?
39:47I'm going to tell Chayega Cerviz
39:49and assume the mistake,
39:52promising him that nothing like this will happen again.
39:54But that is to assume that yes, he made a mistake.
39:57Well, if you doubt it, it is best to assume the guilt
40:00and settle the matter as soon as possible.
40:02Also, if Mrs. Margarita claims that she put four names,
40:04there is no way to convince her otherwise.
40:06I see.
40:08Leave the matter in my hands.
40:10Of course, please, I ask you to be more careful in the future.
40:13We will do so.
40:15I already do it.
40:17Let's go.
40:47Let's go.
41:17Where are you, Hanna?
41:24Where are you?
41:38This wait is killing me.
41:42It's lunchtime, sir.
41:44I'll be right down.
41:47Thank you.
42:17I mean, go back to the original jams.
42:19The ones with new and different flavors?
42:21That's it.
42:23And with that jam remesa, sell them.
42:25And the profits, allocate them to the fund to recover Adolfito.
42:28And give him a home while Virtudes finds another job.
42:31I see.
42:33I see.
42:35I see.
42:37I see.
42:39I see.
42:41I see.
42:43I see.
42:45I see.
42:47I'm so excited that you do that for me.
42:49Virtudes, we do it for you, for Mrs. Simona and for everyone.
42:52That's it.
42:54We don't stay here with our arms crossed when we have a problem.
42:56That's right.
42:58I'm looking forward to making the jams, but first I need the sugar and the fruit.
43:02We can buy it with the initial collection.
43:05That's what we thought.
43:07Besides, I'm convinced that we will recover the money in a centipede.
43:10Of course.
43:12You can count on my help, in case you have any questions.
43:14We didn't have any.
43:15No.
43:17Thank you.
43:19Don't mention it, Virtudes.
43:21Anything to help you bring your creature back, you're welcome to do.
43:25And count on me too.
43:27If I don't have to make the jams, of course.
43:30I'll take care of that.
43:32We'll find you a job so you can fix your shoulder.
43:35Will you be able to count on the help of the women of the village?
43:39I wish we could.
43:41But they are under the yoke of Captain de la Mata and his business.
43:43What about you?
43:45We haven't supervised the jams for a long time.
43:49So we have time.
43:51I've heard that the captain pays a lot.
43:53Yes, that's right.
43:55It's a shame not to have money to pay those women as they deserve and God commands.
43:59Let's see if all this is going to be a conflict with Don Lorenzo.
44:04For nothing in the world would he want to go against you.
44:08Virtudes, it's a risk.
44:09After all, we are going to compete with him in the sale of jams.
44:13That's why we have to be discreet and prevent this from happening.
44:16In any case, I also tell you that no matter how much we sell jams,
44:20ours is a totally different product.
44:22That's right.
44:24His jams are destined to be sold to the Spanish army.
44:27And ours, we are looking for something more humble, something on a small scale.
44:30And you think that will stop him?
44:33You know how gentlemen are.
44:35Envious and arrogant.
44:36Virtudes, it's not going to be fun for him that we set up our own business.
44:40Especially because we are vulgar members of the service.
44:44We are inferior beings.
44:46But it is a risk that we have to take.
44:49I am willing to take it.
44:51But you have to make it clear to everyone who enters the company,
44:56everything that is played.
44:58I don't want anyone to play it for me, Salvador.
45:01Please leave all this jam business.
45:05It seems pointless to me.
45:08And I don't want anyone to do anything.
45:31Good afternoon.
45:33Good afternoon.
45:35How lonely and thoughtful, right?
45:37Me?
45:39Yes.
45:41You haven't even understood the point.
45:43Yes.
45:45You're right.
45:47And that's one of the best I've found.
45:49What's got you so drunk?
45:52Well, I don't know.
45:54I don't know.
45:56I don't know.
45:58I don't know.
46:00Well, the truth is that right now I was thinking about Maria Antonia.
46:04Yes, I was thinking about whether the time has come for her to continue her life outside the promise.
46:09Don't say that, Alonso.
46:11Maybe a few weeks ago I rushed.
46:13But now that Manuel and Curro have returned, I think their stay here is too much.
46:18I'm sorry, but I still don't understand why you insist that my friend leave.
46:22She has done so much for us.
46:24You are more encouraged. We are all more encouraged.
46:27And she has behaved wonderfully.
46:29So?
46:31Why? Does it bother you so much?
46:33No, it doesn't bother me.
46:35On the contrary, she is a very nice woman and a great talker.
46:39And a loyal friend.
46:41Yes.
46:43She has been by your side in these difficult times, with Manuel at the forefront, fighting for her life.
46:48Well, I understand less and less.
46:50Cruz, I think she deserves to be left free and to continue her life outside of here.
46:54Alonso, she herself told us that she has no commitment outside the promise.
46:59And you know as well as I do that she also needs me.
47:03Yes.
47:05But I'm afraid that now that we are all in the palace, she has the feeling that we are putting her aside.
47:12It is a matter of time before she feels out of place.
47:15And I don't want that to happen.
47:17After everything she has done for us, I would not like things to end badly.
47:21Cruz, everything has a beginning and an end.
47:25And making things longer than necessary always brings problems.
47:31Why don't you talk to her and explain it to her?
47:34I'm sure you have more tact than I do.
47:38Okay.
47:40Okay.
47:51Let's go.
48:15Hello.
48:18How are you?
48:21I'm fine.
48:23Why do you ask that question?
48:25It seemed to me that you were a little upset when you stopped serving the snack that Mrs. Margarita had prepared for her friends.
48:39Vera, you can trust me.
48:41I know something is happening to you.
48:43We may not be dating anymore, but I know you very well.
48:46One of Mrs. Margarita's guests was my mother, the Duchess of Carré.
48:53I was stunned when I met her face to face.
48:58I guess so.
49:00I had no idea she was Mrs. Margarita's friend.
49:06And how did your mother react when she saw you?
49:09She was just as surprised as I was. Even more.
49:12Imagine seeing your daughter disappear after so long, and on top of that, dressed as a maid.
49:17That must have been what shocked her the most.
49:21My mother could not escape her amazement when she saw that she was part of the service of the Marquis.
49:27But Mrs. Cruz has less rank than she herself.
49:31Now I understand your disembodied face.
49:36I still can't get over that impression.
49:38It's not for less.
49:42And what are you going to do?
49:45Well, now that my family has located me, I'm in a bit of a complicated situation.
49:51Maybe your mother is understanding with you.
49:55No.
49:57The meeting was a bit violent. She even slapped me.
50:02Really?
50:03I didn't know it was that bad.
50:07Good manners are always so restricted in my family.
50:14If you need anything, I'm at your disposal.
50:23Pera, you can trust me. Really.
50:26I know I can help you.
50:29Pera, you can trust me. Really.
50:32I know I've been very bad to you, but I promised to keep your secret.
50:36And I haven't revealed it to anyone.
50:39All I want is to support you.
50:41Unconditionally.
50:44Thank you.
50:45But there's nothing you can do.
50:49Santos, I prefer to be honest with you.
50:51I'm in love with Lope and this is not going to change my feelings.
50:56I know.
50:59I'm sorry it's a bit sudden, but I don't want you to get your hopes up.
51:04I understand. Don't worry.
51:06Don't worry.
51:24An invisible airplane?
51:25Yes.
51:27The fabric of these planes has been replaced with a transparent material, almost invisible.
51:32A mixture of cellulose and acetic acid.
51:34But isn't it a very fragile material?
51:35No, on the contrary.
51:38It has the resistance of an elastic band.
51:40It's very foldable and can't be burned.
51:43And this plane has been tested? Or is it just a project?
51:47Two years ago, the first tests were made.
51:49In the summer of 1913.
51:52Sister, at a height of a thousand meters,
51:54an airplane with this material is invisible.
51:57Don't you think it's incredible?
51:58A lot.
51:59If you don't tell me, I won't give you credit.
52:02But does this have to do with the prototype you're working on?
52:07No.
52:08No, mine has more to do with the aerodynamic design of a new aircraft.
52:12That's why I'm studying the new models in depth, so I can improve them.
52:17I'd love to see it when you have it more or less, Pergeña.
52:22I will.
52:26Thank you for the visit.
52:27In addition to being pleasant, it has been instructive.
52:32I know I get very heavy when I talk about planes, sister.
52:35Not at all.
52:37I love to see the passion with which you speak of me.
52:42It was from you that I got the passion to do things.
52:48And I'm sorry I gave you up.
52:53I don't think you've come to talk to me about the advances.
52:55I don't think you've come to talk to me about the advances of aviation.
53:01I know.
53:03I know.
53:04Last night's dinner was a complete disaster.
53:10I wouldn't be the one to take away your reason.
53:13Although it was worse, it was your guest.
53:17It was my fault.
53:19I shouldn't have invited Adriano.
53:21I put him in a very violent situation.
53:23Didn't you suspect that my mother would explode when you saw yourself appearing with him?
53:27Well, yes, maybe.
53:30But I didn't think it would be that bad.
53:33I thought he would coerce himself in front of everyone.
53:35I don't know.
53:38I was naive.
53:43You see, something tells me that...
53:47if you insisted on taking Adriano to that family dinner, it was...
53:54because for you that man is something more than just a tenant.
53:58Am I wrong?
54:05Okay, I'll tell you another way.
54:10Is Adriano your boyfriend?
54:17Well, I praise that boy's effort to try to behave at the table.
54:22An effort that turned out to be impromptu.
54:24You can't learn good manners in two minutes.
54:26That boy would have needed a century to learn to behave.
54:30No one is born taught.
54:33But there are people who learn faster than others.
54:36And we already know what kind of person Adriano was.
54:39Yes, the kind of person who shouldn't sit at our table.
54:42Although Catalina doesn't seem to understand something so simple.
54:46She has always gotten along with the workers.
54:48She has nothing wrong with that.
54:49Well, yes, she does.
54:51We each have our place, Alonso.
54:53If she wants to get along with those people, I think it's fine.
54:56But not to force us.
54:57It's a very bad taste.
54:58She has a good relationship with him and she wanted us to meet him, that's all.
55:02Despite everything, for me, the party was the most entertaining.
55:06Well, I prefer to go to the circus for that.
55:09Not that the circus comes to my house.
55:11It will take me centuries to recover from such a mess.
55:16I'll take it.
55:17I'll take it.
55:18I'm waiting for a friend's call.
55:25Yes.
55:30So?
55:32Good.
55:34I understand.
55:36Good afternoon.
55:48It was from Martina's sanatorium.
55:52What happened?
55:55Bad news.
55:58What bad news?
55:59What bad news?
56:15I hope this from Escalmiento will help Mrs. Margarita and Conde Dayala.
56:19What a nice solution to lock up the poor girl being innocent.
56:22Mrs. García, I remember you were talking about the gentlemen.
56:25Am I telling a lie?
56:26We must give part to the Civil Guard.
56:28And give it.
56:29But what insistence with the Civil Guard?
56:31Can you think of a better way to face the situation?
56:34I still think that Mrs. Arcos is behind all this in one way or another.
56:37Yes, it is possible, but as long as we have no evidence, everything has to stay that way.
56:41That list with the names of the guests is the answer to everything.
56:46So you'll have to find it.
56:48How?
56:49It's over in the trash.
56:51Well, we'll have to look elsewhere.
56:54It couldn't have been a simple misunderstanding.
56:56I don't want to go to bed yet.
56:58Lately, it's been a bit difficult for me to conciliate sleep.
57:01From your indisposition in Mrs. Margarita's snack.
57:06Has something happened in that snack?
57:08I met my mother.
57:11And Curro doesn't know anything either?
57:12What does Curro have to do with all this?
57:14It's obvious, isn't it?
57:16Curro was perhaps the person who had a closer relationship with Martina before going to war.
57:22And I haven't seen him since his welcome dinner.
57:25To which, by the way, he did not attend.
57:27He is very clear that he loves me.
57:30Has he told you?
57:32Yes.
57:33A beautiful statement.
57:35And I just have to spoil everything.
57:37I invited him because he's my friend.
57:39I know, daughter.
57:41What I don't know is if there was any other intention on your part.
57:46Like what?
57:47You wanted to bother Cruz.
57:49The time has come for us to talk.
57:51And that's not exactly what we're doing.
57:54Your generosity to me has been infinite.
57:57You abandoned all your obligations to take care of my help when I needed you.
58:02And that's an effort that ...
58:04I can't keep asking you anymore.
58:09Are you throwing me out of the promise?
58:11I want you to tell me where Curro is.
58:13Come on, Ignacio.
58:15That boy is just sick.
58:17And you shouldn't bother him.
58:19Curro is not here and you know it as well as I do.