• 4 months ago
Transcript
00:00♪♪
00:30If I hadn't done it, what chances did I have
00:33of writing to a woman who, curiously,
00:36was also a friend of Mrs. Margarita's?
00:38You disappeared.
00:40Out of the house, without leaving a trace,
00:43without any explanation, without any farewell.
00:46We even thought you were dead.
00:48But I'm fine now.
00:51I'm even happier than ever, you know?
00:55It's best if you forget about me.
00:57And that suit?
00:59It's from the Sundays. It's the best I have.
01:02Yeah.
01:06Maybe it's not a good idea for me to go to dinner.
01:08No. Nonsense.
01:10It makes me happy that you come with me.
01:13Do you know what hurts me the most?
01:15Your behavior.
01:16It's as if you wanted to ruin all your love encounters with Cruz.
01:20As if you wanted to make it clear where your heart is and everything else.
01:23I'm glad you finally understand.
01:26And I regret that I can be so mean.
01:28Anuel, I'm going to that asylum.
01:31I have to prove with my own eyes that Martina is okay.
01:34So what you're proposing is to take care of the action while I cover your back, is that it?
01:38Inventing good excuses to justify my absence.
01:44Yeah.
01:47Don't say anything. Don't smile and continue as you were.
01:51I know everything.
01:53I don't care about the threats I have about you.
01:55We'll see what we do.
01:57But get out of here.
01:59If there's no explanation, there's no point in blaming yourself.
02:04It was all by chance.
02:06Yes, it was all by chance.
02:08But you said you thought your son had no responsibility.
02:12I'm not thinking about my son.
02:14I'm thinking about Petra Arcos.
02:16I repeat that I have not sent any invitation to that lady
02:19and I have not contacted her in any other way.
02:22Of course not. You always deny your participation in everything.
02:24But then it turns out that time ends up pointing it out.
02:28I've been very bad to you. I've made you suffer.
02:31You've also made me very happy.
02:33Don't ever leave again, please.
02:35You don't know how much I've missed you.
02:43I'm sure we're all going to get all that money.
02:46But, Lupe, that money is useless if I don't have a place to live with my son.
02:52I've got an idea.
02:54For the money or for the child's accommodation?
02:58For both.
03:00Doña Pia?
03:02Doña Pia?
03:04Ana, she's not responding.
03:06She's fainted or something.
03:07Doña Pia, wake up.
03:08Doña Pia, please wake up.
03:09Doña Pia!
03:10Doña Pia.
03:11Doña Pia!
03:12Are Catarina and Curro also late?
03:13Curro is not coming to dinner.
03:15They are not very well.
03:17And then?
03:18For whom is that other blanket?
03:19For my companion.
03:22Let me introduce you to Adriano García Pardo,
03:24one of the lenders of the promise.
03:30Sit down, please.
03:39Adriano, welcome.
03:43It's always a pleasure to have a new guest at this table.
03:49Thank you, Don Manuel.
03:51Yes, it will be a pleasure for you to have dinner with us.
03:54A pleasure for me too, Mr. Marqués.
03:56Thank you.
03:58Wine, sir?
04:00Yes, please.
04:02Yes, now I'll bring you some water, but I'll serve you the wine.
04:07Yes.
04:08The truth is that there is a glass for wine and another for water,
04:11I think it makes no sense.
04:12Because the only thing that causes them are mistakes, right?
04:16It's not that there is a lot of room for error, precisely.
04:20Well, it's been a long time since we all sat around the table.
04:26Well, we're not all here, Lorenzo.
04:29I don't know if you've noticed that neither your son Curro nor my daughter Martina are here.
04:33I think this dinner was to celebrate their return.
04:36Yes.
04:41I suppose that after such a long confinement, Catalina,
04:45this will seem like a crowd to you, right?
04:49Don't you find it uncomfortable to have to alternate with so many people at the same time?
04:53I like to be alone, but I know how to live in society.
04:56There is nothing wrong with wanting to live in solitude, sister-in-law.
04:59There are people who are loyal and faithful like dogs
05:03and there are others who are independent and grumpy like cats.
05:08So you see me as a cat?
05:11Well, it suits you, Catalina, it suits you.
05:14Cats don't want anyone to get close to them, much less to be caressed on the back.
05:19In any case, don't think I've missed these evenings.
05:22It's better to be silent than to hear certain things.
05:25Yes, I completely agree with you.
05:28Sometimes, in apparently civilized conversations, there are cruel and unfair acts.
05:34It seems to me that you don't point without a purpose and you are referring to a specific act.
05:38Well, yes. I am referring to the injustice that has been committed against my cousin Martina,
05:43locking her in that sanatorium, against her will.
05:48What's so unfair about trying to heal someone who is sick?
05:51My cousin is not sick.
05:53It seems to me that perhaps with your coming and going from the hangar you have lost some information.
05:58No, no. I have all the information and I am clear that my cousin is innocent
06:03and that she would never end anyone's life.
06:06This dinner was to celebrate Manuel and Curro's return
06:10and it is becoming a conversation full of cross-references.
06:14Well, I think your daughter had a lot of accumulated conversations.
06:19Well, I want to propose a toast to Manuel and Curro.
06:24Although he is not at his disposal.
06:30We are all delighted that you are back, safe and sound.
06:37To Manuel and Curro.
06:42I'm sorry.
06:43Don't worry, I'll pick it up.
06:46Don't worry, don't worry.
06:48I'll bring you a new set of blankets right now.
06:51It won't be necessary. A knife and fork will be enough.
06:54I say this to make the task easier.
06:57I don't think your guest knows how to use the rest of the blankets.
07:00Bring him the complete set, Salvador.
07:04The complete set.
07:06Yes, sir.
07:15To Manuel and Curro.
07:45To Manuel and Curro.
07:46To Manuel and Curro.
07:47To Manuel and Curro.
07:48To Manuel and Curro.
07:49To Manuel and Curro.
07:50To Manuel and Curro.
07:51To Manuel and Curro.
07:52To Manuel and Curro.
07:53To Manuel and Curro.
07:54To Manuel and Curro.
07:55To Manuel and Curro.
07:56To Manuel and Curro.
07:57To Manuel and Curro.
07:58To Manuel and Curro.
07:59To Manuel and Curro.
08:00To Manuel and Curro.
08:01To Manuel and Curro.
08:02To Manuel and Curro.
08:03To Manuel and Curro.
08:04To Manuel and Curro.
08:05To Manuel and Curro.
08:06To Manuel and Curro.
08:07To Manuel and Curro.
08:08To Manuel and Curro.
08:09To Manuel and Curro.
08:10To Manuel and Curro.
08:11To Manuel and Curro.
08:12To Manuel and Curro.
08:13To Manuel and Curro.
08:14To Manuel and Curro.
08:15To Manuel and Curro.
08:16To Manuel and Curro.
08:17To Manuel and Curro.
08:18To Manuel and Curro.
08:19To Manuel and Curro.
08:20To Manuel and Curro.
08:21To Manuel and Curro.
08:22To Manuel and Curro.
08:23To Manuel and Curro.
08:24To Manuel and Curro.
08:25To Manuel and Curro.
08:26To Manuel and Curro.
08:27To Manuel and Curro.
08:28To Manuel and Curro.
08:29To Manuel and Curro.
08:30To Manuel and Curro.
08:31To Manuel and Curro.
08:32To Manuel and Curro.
08:33To Manuel and Curro.
08:34To Manuel and Curro.
08:35To Manuel and Curro.
08:36To Manuel and Curro.
08:37To Manuel and Curro.
08:38To Manuel and Curro.
08:39To Manuel and Curro.
09:07He's still making a profit,
09:09but at the cost of increasing the working hours
09:12of the women of the village and lowering their pay.
09:14That man has the soul of a blacksmith.
09:16It is believed that instead of a maid, he has a nail.
09:18I'm sick of him.
09:19What hurts me the most is that we no longer make
09:21original and different jams.
09:23And where did the grace go?
09:24I tried them and they were delicious.
09:27What sense does it make to make jams of the lot?
09:29Worse than those of the lot, Lope.
09:31The captain uses the worst fruit there is
09:33and is also about to pass out.
09:35Instead of throwing them to the pigs,
09:38he takes them for the jams.
09:39It is impossible to make a good product
09:41no matter how hard we try.
09:43Much less a product as special as the one we offered before.
09:47With the illusion that I had put it,
09:49the young lady has ended up in prison.
09:51That business was very well thought out
09:53and it also gave very good benefits.
09:55That's why I tell you that instead of wasting time in lamentations,
09:58let's get down to work,
10:00make the jams we made before.
10:04Erase and make a new account.
10:06Well, an old account in this case.
10:08What we have to do is go back to the previous one.
10:10But that's not so easy, Simona.
10:12It's not easy or difficult, Candela.
10:13It's all about getting started.
10:15I'm sure that if we sell the jams,
10:17we'll get the happy 550 pesetas
10:19that Virtudes needs in a Santiamén.
10:22And maybe we'll even get more money
10:24for the child's accommodation.
10:26One thing is true.
10:27Those jams were out of our hands.
10:29Of course.
10:30It's a big business.
10:31We were going to make that money and more.
10:32I'm sure of it.
10:34What do you say, Candelilla?
10:35What can I tell you?
10:36I'm with you until the end of the world.
10:38And if Lope and Virtudes come,
10:40you'll be happy that we're going to the end of the world.
10:42The first thing we have to do is,
10:44with the money we've raised,
10:45get it to start with all this.
10:47With the first sales,
10:48we're going to get plenty of money for Virtudes and her child.
10:50You're all so good.
10:52The jams are good.
10:53They're top-notch.
10:55I'm already looking forward to getting down to work.
10:57Well, before we get down to work,
10:59we have to consult with the rest.
11:01What do you think?
11:02We're going to need a lot of help.
11:03We don't think so.
11:04We don't think so, Mrs. Simona.
11:05But we have to start now.
11:06I'm already excited.
11:07I'm eager to start.
11:08I'm eager to start.
11:30Do you personally work the land
11:32or do you supervise the day laborers?
11:36Well,
11:37the truth is that I'm not a landowner.
11:39I'm just a simple landlord
11:41of Mr. Marqué's land.
11:44And thanks to the landlords,
11:45the crops on the farm are sustained.
11:49But the fact is
11:50that I don't have any day laborer on my shift.
11:53So,
11:54do you take care of everything by yourself?
11:57Well, during the harvest season,
11:58a man from the village comes to help us.
12:03So that he can collect, of course.
12:05No.
12:07Both.
12:12So, do you work the land with your own hands?
12:15It's obvious that he works with his own hands.
12:17There's nothing else to do but look at them.
12:23There's nothing wrong with working the land with your own hands
12:25or winning the day with the sweat on your forehead.
12:29Catalina, don't talk about sweat on the table.
12:31I beg you.
12:32It's disgusting.
12:34From what I understand,
12:35Catalina is helping you manage your lands.
12:38That's right.
12:40I'm surprised.
12:42I didn't understand that you wanted to put aside
12:44that kind of activities.
12:46No.
12:47I'm trying to advise him with my experience.
12:49Congratulations, young man.
12:51I congratulate you.
12:52I don't know what kind of spell
12:54you've cast on my niece
12:55to overturn her will.
12:58Sorry, spell.
12:59Don't listen to him, Adriano.
13:01Sometimes my uncle
13:02uses
13:04a bit of
13:05barracks humor.
13:07It's a great honor.
13:09In the army, you learn to laugh at everything.
13:11Even death.
13:19I guess a slacker like you
13:21doesn't have many opportunities
13:23to sit at a table like this one.
13:27I admit that
13:29I've never seen so many glasses and blankets.
13:31Can you tell?
13:33Save this experience in your memory
13:34in case you don't have a chance to repeat it.
13:36That's enough!
13:38I'm not saying it in a bad way, Catalina.
13:40I'm sure it's much more comfortable
13:42to sit at a more modest table
13:44and not have to be aware
13:45of the label and the wardrobe.
13:48It's obvious that your friend
13:49isn't comfortable with that suit.
13:52No matter how well he feels about it.
13:55By the way,
13:56isn't that coat
13:57from your old fiancé?
14:01Yes.
14:04You know it perfectly well,
14:05but it's obvious that he had to
14:06bring up Pelayo's name at this table.
14:09I'm sorry.
14:11I didn't mean to bother you.
14:32Don't look at me like that, girls.
14:35No, Mrs. Pia,
14:36it's just that we're scared to death.
14:37What can I say?
14:39And I thought
14:40Hanna was going to be able
14:41to make you react.
14:42Come on!
14:43We'd die of fright.
14:46Don't be so dramatic,
14:47María Fernández.
14:48I'm not being dramatic,
14:49Mrs. Pia.
14:50Look at you,
14:51still shaking.
14:53Shaking.
14:55Are you sure you're feeling better?
14:57Yes, I'm much better.
14:59I don't even know
15:00what happened to me.
15:02Yeah, but it happens to you
15:03several times, right?
15:05I'm fine.
15:06Hanna, I'm fine.
15:09Tell us the truth, Mrs. Pia.
15:12It's no use lying to me.
15:14And besides,
15:15I think that being in confinement
15:16is killing me.
15:19That's exactly it.
15:21I mean, all the hours
15:22we thought I was sleeping,
15:23I was actually
15:25in a kind of
15:26unconsciousness.
15:27There's something about that.
15:28I'm...
15:30I'm bored,
15:31I'm...
15:32I'm sad,
15:34and the tension too,
15:35I guess.
15:36I don't know.
15:37Maybe something's wrong
15:38with her body.
15:39Don't scare me, Hanna,
15:40please.
15:41I'm not trying to scare you,
15:42Mrs. Pia,
15:43but if you told me
15:44what she's feeling,
15:45maybe I could find out
15:46what's wrong with her.
15:47Tell Hanna
15:48that she's trustworthy.
15:49But I already told her,
15:50María.
15:51I'm really fine.
15:52It's just that I'm bored,
15:53worried,
15:54and...
15:55and sad.
16:02And on top of that,
16:03I feel like I have less strength
16:04every day than the day before.
16:06Because if I had energy,
16:07I could move
16:10or dance,
16:11like you,
16:12but just thinking about it
16:14exhausts me.
16:19What are you doing, Hanna?
16:22I'm going to bed.
16:23What are you doing, Hanna?
16:25What do you mean, what are you doing?
16:26Continuing with the planned plan,
16:28please.
16:29It took us a lot of effort
16:30to get here, didn't it?
16:35I think we should start
16:36rationing the food
16:37so that when we leave,
16:38we have enough.
16:40You're right.
16:41Besides, it's very difficult
16:42to get here.
16:44We have to make sure
16:45it's okay
16:46when we leave.
16:47But wait a minute,
16:48when are you leaving?
16:49Not yet.
16:51But at some point,
16:52we'll have to leave
16:53if you're sure
16:54to get her out of here.
16:56We're running out of time
16:57that Mr. Baeza gave us.
17:00And we should ration
17:01the food
17:02so that when we leave,
17:03she can last
17:04as many days as possible,
17:05just in case.
17:10She has to be strong.
17:12And for that,
17:13she has to eat well.
17:17What's wrong?
17:19I'm shaking.
17:21Just thinking that
17:24I'm alone again.
17:49Ugh.
18:12Virtudes,
18:13you're still here.
18:14Why are you here?
18:17I was finishing
18:18the bottle of ammonia
18:19that ran out.
18:22That's why
18:23you have glassy eyes.
18:24Because of the ammonia.
18:30Virtudes, are you okay?
18:31Did something happen?
18:33No.
18:35Come on, tell me.
18:36You're making me anxious.
18:37No, it's nothing bad.
18:41Well, good that you're hiding it
18:42because your face
18:43is so red.
18:47It's for my son.
18:50My mother had an idea
18:52to get the money
18:54and get my son back.
18:56Well, tell me.
19:00It's about selling jam,
19:02like they did
19:03for Miss Catalina.
19:05I've tried them
19:06and they're exquisite.
19:07They're the best of originals.
19:09My mother is convinced
19:10that the sale of jam
19:11will bring good returns.
19:13I think so too.
19:14It seems like an excellent idea.
19:16Yes.
19:19Then I still don't understand
19:20why you're like this.
19:23It's pure emotion, Vera.
19:25Even if it's not frequent,
19:26she also cries with joy.
19:29And when that happens,
19:30it's beautiful.
19:34I had never received
19:35the love of so many people.
19:38All of you
19:39have been
19:41very generous.
19:44You offered me your help
19:46without asking for anything in return.
19:48And what's wrong
19:49with helping others?
19:52Nothing.
19:54But one gets used
19:55to being shown so much love.
19:59Don't worry.
20:02You
20:06have opened your arms
20:07to me
20:11and your hearts.
20:15Come on, give me a hug.
20:38Salvador.
20:40Excuse me, sir.
20:41What are you doing here?
20:43I'm sorry.
20:44I didn't mean to scare you.
20:45No, it's just that you came
20:46in such a stealthy
20:47and stealthy way that...
20:48Yes, you're right.
20:49But it's because I don't want
20:50anyone to discover me.
20:51Salvador, I have to ask you
20:52a very important favor.
20:54But you have to refrain
20:55from asking any questions about it.
20:58Don't worry.
20:59Curiosity killed the cat
21:00and the street too.
21:02Good.
21:04You see,
21:05I've come to you
21:06because you're the one
21:07I trust the most
21:09and also because of my cousin Curro.
21:11Curro?
21:12He's feeling worse,
21:13Mr. Curro.
21:15No questions.
21:16No questions.
21:17I'm sorry.
21:19Salvador, you have to say
21:20that you're in charge of him.
21:21You have to be the only one
21:22who brings him food
21:23to his room.
21:25And in the morning,
21:26you'll untie his bed
21:27and disorganize his room
21:28for when the maids
21:29come to clean.
21:30I don't understand.
21:31He's already in charge
21:32of doing that.
21:33I'm sorry
21:34if it sounds like
21:35a question.
21:36I'll shut up.
21:37No.
21:38I understand your strangeness.
21:41You see,
21:42I can only tell you
21:43that Curro can't do it
21:45because he doesn't
21:46keep his promise.
21:48So he's asking me
21:49to cover up
21:50the little man's absence.
21:53Exactly.
21:55Salvador must seem
21:56to be still here.
21:57No one must notice
21:58that he's gone.
22:00And where do I say
22:01that he's gone?
22:02When someone comes
22:03to clean the room
22:04or when he has a visit.
22:07In that case,
22:08say he's taking a bath.
22:11Or that he's getting some fresh air
22:12by riding a horse.
22:14It's of vital importance.
22:17No one must find out
22:18about this, Salvador.
22:19Don't worry, sir.
22:20No one will.
22:22Good.
22:26Here.
22:27No, no, no.
22:28Please, no.
22:30Salvador is a gratification.
22:31I understand
22:32that what I'm asking you
22:33is out of your reach.
22:34It's...
22:36It's not necessary,
22:37really, sir.
22:38For me,
22:39it's a great honor
22:40that you trust me.
22:41Whatever happens
22:42to Mr. Curro,
22:44I'll follow your orders.
22:46I'll leave the bed
22:47as if he were still sleeping there
22:49and I'll cover him
22:50when someone comes
22:51to his bedroom.
22:56I want to tell you
22:57that what you're doing
22:58is for a good cause.
22:59I have no doubt, sir.
23:01You'll have your reasons,
23:02but I'm sure
23:03they're totally justified.
23:06Thank you, Salvador.
23:07I'll sleep better tonight.
23:09I'm glad
23:10to help you rest.
23:32A perfect brushing.
23:33You can put it on
23:34Captain de la Bata.
23:43Good morning, Ricardo.
23:45Good morning, Romulo.
23:47I see you're more serious
23:48than yesterday.
23:49It's always good
23:50to check the problems
23:51with the pillow
23:52before making
23:53hasty decisions.
23:54I'm sorry.
23:55I was very angry.
23:56What? Very?
23:57Didn't you throw foam
23:58around the bed?
23:59No, I didn't.
24:00You didn't throw foam
24:01around your mouth,
24:02but almost.
24:03It's just that Mrs. Arcos
24:04makes me suffer.
24:05She makes the worst of me.
24:06And of everyone.
24:07You have to learn
24:08not to get yourself
24:09out of your box.
24:10Yes, I guess so.
24:11After all,
24:12I was very worried yesterday
24:13because you even
24:14talked about
24:15abandoning the promise.
24:17Well,
24:18it's what I really thought.
24:20I see.
24:21I hope you've reconsidered.
24:24Don't you realize
24:25that if you don't,
24:26she'll leave with hers?
24:27I guess that's it.
24:28I'm grateful.
24:29Don't talk like that.
24:30Don't let Mrs. Arcos
24:31push you
24:32to throw everything
24:33around the door.
24:34I can't with her.
24:35I have served
24:36for many years at home
24:37and I have never
24:38met someone
24:39so harmful.
24:41Take it as a challenge.
24:43Ignoring her sarcasm
24:44and her ignominy
24:46will not only make you
24:47a better mayor,
24:48but also a better person.
24:49Yes, I suppose
24:50that if you are able
24:51to maintain serenity
24:52when that
24:53lurking snake
24:54is by your side,
24:55you become
24:56a little less
24:57than an altar saint.
24:58Man,
24:59look at me.
25:00I'm about
25:01to canonize.
25:04Okay, okay.
25:06I won't go, Romulo.
25:07That's what I wanted to hear.
25:08But even so,
25:09it's just that
25:10the injustices
25:11annoy me.
25:12I'm still convinced
25:13that Petra
25:14was the one
25:15who sent the invitation
25:16for Mrs. Margarita's snack.
25:17I can't assure you
25:18but I wouldn't be surprised either.
25:19That woman
25:20is capable of that
25:21and much more.
25:22But she
25:23never does anything
25:24if it's not on purpose.
25:25What can she gain
25:26acting this way?
25:28I already told you.
25:29Leaving me in the wrong place.
25:30Isn't that enough?
25:31That the Duchess of Carlisle
25:32presented herself
25:33to a snack
25:34that she wasn't invited to,
25:35that only shows
25:36a fragrant lack
25:37of organization.
25:38And who was she supposed to
25:39send those invitations to?
25:40To you.
25:41Ah, there you have it.
25:42That woman is willing
25:43to destroy me.
25:44Yes,
25:45and from what I see,
25:46she can get it.
25:47Don't let yourself
25:48be dragged down by her.
25:49Don't do anything
25:50that you might
25:51regret later.
25:55I finally find you,
25:56Mr. Baeza.
25:57How can I help you?
25:58Ms. Margarita
25:59wants to talk to you
26:00as soon as possible.
26:01She just finished breakfast
26:02and is waiting for you
26:03in the living room.
26:04What do you want to talk about?
26:05About the invitations
26:06to the happy snack.
26:07I'm coming with you.
26:08You?
26:09Yes, yes.
26:10It's also my responsibility.
26:11No, it's better if you don't come
26:12if it's not strictly necessary.
26:13But, Romulo,
26:14if you don't want me,
26:15if you've claimed me alone,
26:16then I'll go alone.
26:17Besides, don't worry.
26:18I'm used to
26:19this kind of talk.
26:20I'm the head of the office.
26:28You can cut the tension
26:29with a knife.
26:30Besides, you know
26:31how men are.
26:32They get naked,
26:33but they never
26:34lose their shape.
26:35What about the food?
26:36It was delicious,
26:37but they almost
26:38didn't even try it.
26:39They were too busy
26:40reproaching each other.
26:41But the dinner was
26:42for Mr. Manuel
26:43and Mr. Curro
26:44on his return.
26:45Yes, well,
26:46they were able
26:47to come back from the war,
26:48but what happened yesterday
26:49was a war.
26:50It was a war
26:51between men
26:52and women.
26:53It was a war
26:54between men
26:55and women.
26:56I mean,
26:57it was a war.
26:58A verbal war,
26:59but without blood.
27:00It's not little.
27:01But how could
27:02everything be so annoying?
27:04Well, it was the presence
27:05of a friend
27:06of Miss Catalina
27:07that changed everything.
27:08Adriano?
27:09Could it be?
27:10Yes, I know him.
27:11He's a boy,
27:12a farm worker.
27:13He's a bricklayer.
27:15A bricklayer and a gambler.
27:17I don't know
27:18who came up with
27:19the eccentricity
27:20of inviting someone like him
27:21to a tag dinner.
27:23But he's Miss Catalina's friend.
27:25That woman has completely
27:26lost her mind.
27:28The retreat,
27:29instead of training her,
27:30has made her wilder,
27:31even more so,
27:32if I may say so.
27:33I remind you that you are
27:34the key master of this house
27:36and that this is not
27:37the proper way
27:38to talk about the young lady.
27:43It's true that the one
27:44who was most lost
27:45was this Adriano.
27:47He didn't know
27:48how to use the blankets.
27:49He also didn't know
27:50how to distinguish
27:51a glass of wine
27:52from a glass of water.
27:53Like a little fish
27:54in a pond.
27:55That's right.
27:56But thank goodness
27:57Miss Catalina
27:58was giving her directions
27:59discreetly all the time.
28:00I don't want to give
28:01Mrs. Petra
28:02the reason,
28:04but with a workman
28:05she shares
28:06table and butter
28:07with the gentlemen.
28:09It's not usual,
28:10but he was Miss Catalina's
28:11guest,
28:12and he also had
28:13Mr. Manuel's benefit,
28:14which was the tribute,
28:15so...
28:17What a way to ruin
28:18a dinner
28:19that should have been
28:20unique and emotional.
28:21I understand Miss Marquesa
28:22more and more
28:23when she gets angry
28:24with Miss Catalina's
28:25behavior.
28:27Everyone has to know
28:28what position
28:29they occupy
28:30in this society.
28:31Don't exaggerate,
28:32Mrs. Petra.
28:33I'm not exaggerating,
28:34Salvador.
28:35Miss Catalina
28:36doesn't realize
28:37that with all those
28:38libertarian ideas of hers
28:39she would lose
28:40everything she had.
28:41So much suffragette literature
28:43has made her
28:44lose her mind.
28:46Those books
28:47should all be burned
28:48in a pyre.
28:50Books should never be burned,
28:51Mrs. Arcos.
28:52If Miss Catalina
28:53invited that boy
28:54to dinner,
28:55she would have her reasons.
28:57I agree with Simona.
28:59If she considers him
29:00her friend,
29:01she must have seen him.
29:02He's a good man
29:03and noble.
29:04I didn't know him,
29:06I didn't know anything about him,
29:07and suddenly I saw him
29:08dressed as a frac
29:09who looked like a glove
29:10and I said,
29:11this guy can't be Labriego.
29:13I see.
29:14A frac
29:16that belonged to Don Pelayo.
29:18By the way,
29:19I was informed
29:20that Miss Catalina
29:21sent you to look for him.
29:23Yes,
29:24Mrs. Marquesa
29:25made it clear
29:26in front of everyone
29:27that the suit
29:28belonged to
29:29the old fiancé
29:30of Miss Catalina.
29:31She said that?
29:32Really?
29:33Yes, yes.
29:34It was a rather
29:35unfortunate comment.
29:36He has a bad taste
29:37and a bad mouth.
29:38Let's not get ahead of ourselves.
29:39How outrageous.
29:41The street is judging
29:42the hand that feeds them
29:44and Labriego
29:45sitting at the table
29:46as if he were
29:47someone else.
29:48If this is not the end of the world,
29:49may God come and see him.
29:51Let's go.
29:57What I don't understand
29:58is how such a blatant mislead
29:59could have happened.
30:00Couldn't it be
30:01a little more specific, ma'am?
30:02Well, I thought
30:03it was common knowledge
30:04that the Duchess of Carril
30:05showed up unannounced
30:06at the meal
30:07I had organized.
30:08Well, I had no idea.
30:09Well, that's how it was.
30:10That's how it was.
30:11And I can assure you
30:12that she wasn't on my guest list.
30:13So how could she come?
30:14Well, there lies the mystery.
30:16I'm sure
30:17I invited four of my friends.
30:18Imagine
30:19I was stunned
30:20and confused
30:21when I suddenly ran into
30:22the Duchess of Carril
30:23as if she were out of nowhere.
30:25I understand.
30:26And I also know
30:27that she received an invitation
30:28from me.
30:29Well, that's weird.
30:31I don't know.
30:32I want to find out
30:33who sent that invitation
30:34without my consent.
30:35But who could be interested
30:36in the fact that
30:37the Duchess of Carril
30:38was at your meal?
30:39Well, that's what
30:40I want to find out.
30:41It's a matter
30:42of extreme seriousness.
30:43It's true that this time
30:44nothing happened,
30:45but imagine
30:46that someone
30:47ungrateful to the family
30:48suddenly shows up.
30:49It's a very serious matter, ma'am.
30:50Unfortunately,
30:51I can't help you
30:52clarify it.
30:53I didn't take care
30:54of organizing the meal
30:55or the invitations directly.
30:58But you're the one
30:59who oversees everything,
31:00aren't you?
31:01Yes,
31:02but I've delegated
31:03certain tasks
31:04to focus on others
31:05directly related
31:06to the palace's attendance.
31:08I see.
31:09I'll take care of it.
31:10Anyway,
31:11I'd like you to talk
31:12to whoever you have to talk to
31:13to solve this enigma.
31:14I'll investigate
31:15to find out
31:16what happened.
31:17And if it was a mistake,
31:18I'll find out
31:19who's responsible
31:20for this negligence.
31:21I'll do that, ma'am.
31:22For now,
31:23I just want to apologize
31:25and regret
31:26that your meal
31:27got spoiled.
31:28Don't worry.
31:29As I said,
31:30nothing happened,
31:31but we have to prevent
31:32these mistakes
31:33so that they don't happen again
31:34in the future
31:35with much more serious consequences.
31:36Excuse me, ma'am.
31:38Thank you.
31:39Sure.
31:49Adriano.
31:50Come in, please.
31:52I came to give you back
31:53the coat you lent me
31:54for last night's dinner.
31:57You didn't have to
31:58do it so hastily.
32:00If it were up to me,
32:01I would have given it back
32:02to you after the same dinner.
32:04I must admit
32:05that Pelayo had
32:06an exquisite taste for clothing.
32:08I'm sorry,
32:09but I have to go.
32:10I have to go.
32:11Goodbye.
32:12Goodbye.
32:13Goodbye.
32:14Goodbye.
32:15Goodbye.
32:16Goodbye.
32:17You have an exquisite taste
32:18for clothing.
32:20I'm sorry for my stepmother's comments.
32:23They were unfortunate
32:24and very unpleasant.
32:27Caterina,
32:28could you have told me
32:29that the coat belonged
32:30to your ex-fiancé?
32:32You're right.
32:34I'm sorry.
32:36In any case,
32:37don't listen to my stepmother
32:38because she only
32:39wants to bother me
32:40and she did it through you.
32:42I killed two birds with one stone.
32:44I've never had
32:45a bad drink like this before.
32:47I'm sorry.
32:49I didn't want to put you
32:50in such an awkward situation
32:51and I didn't want you
32:52to feel bad.
32:53I don't understand.
32:54What did you want?
32:55Nothing.
32:57If I lent you that coat,
32:58it was because I didn't have
32:59another one of your size.
33:01In that case,
33:02you would have preferred
33:03to wear my own clothes.
33:04I wanted you to be elegant.
33:06I mean,
33:07those dinners
33:08have a label.
33:10I would also have preferred
33:11not to attend those dinners.
33:12Are you going to dinner?
33:16I'm sorry, Adriano.
33:19Don't be mad at me, please.
33:23I didn't do it on purpose.
33:26For me,
33:27what we have is special.
33:31Catalina, I'm in love with you.
33:34I already told you.
33:37But I don't want to become
33:38your toy.
33:40I understand that you have
33:41enough reasons to be at war
33:42with your stepmother,
33:44but I don't want you
33:45to use me against her.
33:48I'm not a pill.
34:12Don't worry.
34:14I just came to drop these off.
34:17I'll leave you alone
34:18in your office right away.
34:21Now that we're alone,
34:22we have the opportunity
34:23to clarify things.
34:27And what exactly
34:28do we need to clarify?
34:30Let's leave a conversation
34:31in the middle.
34:33Well,
34:34since you're not more specific,
34:36I'll leave you alone
34:37in your office.
34:38Well,
34:39since you're not more specific,
34:41what do you want to talk about?
34:43About what happened between us.
34:46No.
34:47Did something happen?
34:48It's obvious.
34:49But I think there was a confusion
34:51and unfortunately
34:52you misinterpreted things.
34:55Do you think those two kisses
34:56are unfortunate?
34:57They were involuntary on my part.
34:58You took the initiative
34:59and not the other way around,
35:00as you said.
35:01Of course.
35:02Poor thing.
35:03You couldn't keep your lips sealed.
35:04You felt obliged.
35:05Isn't that it?
35:06My intention was not to kiss you.
35:07Well, you did.
35:10Because you didn't let me escape.
35:11How many times do I have to repeat it?
35:12No matter how many times you do it,
35:13you won't get it to be true.
35:14That's enough, Maria Antonia.
35:16Don't blame me.
35:18Of course,
35:19now you're a poor victim, aren't you?
35:20A happily married man
35:21who has suffered
35:22the attack of a harpy.
35:24Don't say things
35:25I haven't said.
35:27I'm not stupid, Alonso.
35:28Your strategy is stupid
35:29with all that sudden passion
35:30that has awakened you
35:31towards Cruz.
35:33My relationship with my wife
35:34is not your fault.
35:35It is.
35:36When what you do with her
35:37is to make me jealous.
35:38Please, what are you saying?
35:41Or maybe your reasons
35:42are even more twisted.
35:45Maybe those unfortunate kisses
35:46we gave each other
35:47have a meaning
35:48and you had to crush
35:49your passion for someone.
35:50You're delirious.
35:52How can you distort
35:53things like that?
35:55If someone hides or manipulates,
35:56it's you.
35:58Because if you had nothing
35:59to hide,
36:00you would have already told your wife
36:01so as not to give way
36:02to misunderstandings.
36:03I don't want to put Cruz
36:04against his best friend.
36:05Of course, that's why
36:06you want me to leave, right?
36:08To separate from her
36:09and not talk to her.
36:12I don't think you care
36:13about what happened.
36:16So let's leave it be.
36:18Because it's clear
36:19we're not going anywhere.
36:36I've met you again
36:37and I've also invited you
36:38to discuss the issue
36:39of the mysterious invitation
36:40to the dinner
36:41organized by Ms. Margarita.
36:43An unforgivable negligence.
36:45Let me lead this conversation,
36:46Mr. Arcos.
36:50Ms. Margarita
36:51has insisted this morning
36:52that she wants to get
36:53to the bottom of the matter.
36:55I agree.
36:56So do I.
36:57And I claim
36:58that you are satisfied
36:59to see if we can
37:00throw something
37:01at her.
37:02I am responsible
37:03for the entire service
37:04and I have to be aware
37:05of any irregularities
37:07to avoid
37:08the complaints of the gentlemen.
37:10I already made it very clear
37:11that I did not make any mistakes.
37:13I allowed Vera
37:14to be included
37:15in the service of the snack
37:16and to supervise
37:17that what was served
37:18was the right thing.
37:19And nothing else.
37:21The invitations were things
37:22of Mr. Pellicer.
37:23Which is great for you
37:24to get rid of
37:25all the things
37:26that you don't like.
37:28I don't know
37:29what you're talking about.
37:30Which is great for you
37:31to get rid of
37:32all suspicion.
37:35And I also limited myself
37:36only to fulfill
37:37my functions.
37:39Well, of course
37:40he didn't do it right.
37:41Don't interrupt,
37:42Ms. Narcos.
37:44We have all been very clear
37:45about your opinion.
37:47In case there was any doubt,
37:48Mr. Baeza.
37:50Can we do a reconstruction
37:51of the facts,
37:52please?
37:54I think Mr. Pellicer
37:55should start
37:56since he was
37:57in charge
37:58of notifying the guests.
38:00Yes, that's true.
38:01Yes.
38:02But that task
38:03was taken care of by Santos.
38:04I was in charge
38:05and he offered to help me.
38:06On top of the fact
38:07that the task
38:08was taken care of
38:09by a lackey,
38:10he accuses me
38:11of the entanglement
38:12that was formed
38:13with the snack.
38:14You have no shame,
38:15Mr. Pellicer.
38:16Ms. Narcos,
38:17let's talk.
38:20That's right.
38:21My father was overwhelmed
38:22and the snack
38:23had to be prepared
38:24overnight.
38:25So we both agreed
38:26that it was best
38:27for me to write
38:28and send those invitations.
38:30I know.
38:31What I do know
38:32is that there were
38:33five names
38:34on that list
38:35and not four,
38:36as Ms. Margarita assures.
38:38I simply limited myself
38:39to writing the name
38:40on each letter
38:41and nothing else.
38:43Well,
38:44it's your word
38:45against that of a lady.
38:46It's more than obvious
38:47the one that would weigh
38:48more on a scale.
38:49Having more weight
38:50doesn't mean
38:51you're right.
38:52We all know
38:53that Ms. Margarita
38:54has her head
38:55elsewhere
38:56since her daughter
38:57was admitted to the sanatorium.
38:58Well,
38:59the only evidence
39:00that could make us doubt
39:01is having that paper
39:02with the list.
39:03Impossible.
39:04The paper was thrown away
39:05and it's more than lost.
39:07Anyway,
39:09what sense would it make
39:10if Santos lied
39:11about this?
39:12Why would he include
39:13another name?
39:14Well, look at you.
39:15That's where I agree.
39:18The boy has no reason
39:19to do
39:20such stupidity.
39:22But that doesn't mean
39:23that you gave him
39:24a task on his shoulders
39:25that didn't
39:26correspond to him.
39:27Ms. Arcos,
39:29I've already told you
39:30that we know
39:31what your opinion is.
39:33Well, let's see
39:34if we start acting
39:35accordingly.
39:37Since we're not going
39:38to find out
39:39the truth
39:40of what happened,
39:41I'll manage
39:42this matter
39:43with Ms. Margarita
39:44in the best way possible.
39:45And what are you going to tell her?
39:47I'll tell Chayega
39:48to make a bid
39:49and
39:50admit the mistake,
39:51promising him
39:52that nothing like this
39:53will happen again.
39:54But that's assuming
39:55that he did make a mistake.
39:56Well, the best thing
39:57to do
39:58is to assume the blame
39:59and settle the matter
40:00as soon as possible.
40:01Besides, if Ms. Margarita
40:02claims that she gave him
40:03four names,
40:04there's no way
40:05to convince her otherwise.
40:06I see.
40:08Leave the matter
40:09in my hands.
40:10By the way,
40:11please be more careful
40:12in the future.
40:13We will.
40:15I'll do it.
40:28I'll do it.
40:58I'll do it.
41:16Where are you, Gana?
41:23Where are you?
41:29Where are you?
41:37He's waiting for me.
41:41It's time for lunch, sir.
41:43I'll be right down.
41:58© BF-WATCH TV 2021
42:28© BF-WATCH TV 2021
42:32So,
42:33back to the original jams.
42:34The new and different flavors.
42:36That's it.
42:37And with that jam mix,
42:38sell them.
42:39And the profits,
42:40allocate them to the fund
42:41to get back Adolfito
42:42and give him a home
42:43while Virtudes
42:44finds another job.
42:46It's so exciting
42:47that you're doing this for me.
42:48Virtudes,
42:49we do it for you,
42:50for Mrs. Simona
42:51and for everyone.
42:52That's it.
42:53We're not here to stay
42:54arm-in-arm
42:55when we have a problem.
42:56That's right.
42:57I don't know how to make the jams,
42:58but first I need
43:00sugar and fruit.
43:02We can buy it
43:03with the initial collection.
43:05That's what we thought.
43:06Besides, I'm convinced
43:07that we'll get the money
43:08back in a jiffy.
43:09Of course.
43:10You can count on my help
43:11in case you had any doubts.
43:13We didn't have any.
43:16Thank you.
43:18Don't mention it, Virtudes.
43:19Anything to help you
43:20so you can
43:21bring your creature back
43:22is welcome.
43:24And count on me too.
43:26Yes, I don't have to make
43:27the jams, of course.
43:29I'll take care of that.
43:30We'll find you a job
43:31so you can
43:32do your job.
43:35Can you count on the help
43:36of the women of the village?
43:39I wish we could,
43:40but they're under the yoke
43:41of Captain de la Mata
43:42and his business.
43:43And you?
43:46We haven't supervised
43:47the jams in a long time.
43:49So we have time.
43:50I've heard that the captain
43:51pays a lot.
43:53Yes, that's right.
43:54It's a shame
43:55not to have money
43:56to pay those women
43:57as they deserve.
43:59Let's see if all this
44:01is going to be a conflict
44:02with Don Lorenzo.
44:04For nothing in the world
44:05would he want to stand
44:06against you.
44:08Virtudes, it's a risk.
44:10After all,
44:11we're going to compete
44:12in the sale of jams.
44:13That's why we have to be discreet
44:15and prevent this from happening.
44:16In any case,
44:17I also tell you
44:18that no matter how much
44:19we sell jams,
44:20ours is a totally
44:21different product.
44:22That's right.
44:23His jams are intended
44:24to be sold
44:25to the Spanish army.
44:26And ours,
44:27we want them
44:28to be more humble,
44:29something on a small scale.
44:31And you think
44:32that will stop him?
44:33You know how gentlemen are.
44:35Envious and arrogant.
44:37Virtudes,
44:38it's not going to be funny
44:39if we start our own business.
44:40Especially because
44:41we're vulgar
44:42members of the service.
44:44We're inferior beings.
44:46But it's a risk
44:47that we have to take.
44:49I'm willing to take it.
44:51But
44:52we have to make it clear
44:53to everyone
44:54who enters the company
44:55everything that is played.
44:58I don't want anyone
44:59to play it for me, Salvador.
45:02Please,
45:04leave all this
45:05jam business.
45:06It seems
45:07pointless to me
45:08and
45:09I don't want anyone
45:10to do anything.
45:22A Year Ago
45:41Good afternoon.
45:42Good afternoon.
45:44You're so lonely and thoughtful, aren't you?
45:46Me?
45:47Yes.
45:49You haven't even had the time.
45:50Yes, you're right.
45:54And that's one of the best I've found.
45:56What's got you so drunk?
46:00Well, the truth is that right now I was thinking about Maria Antonia.
46:03Yes, I was thinking if the time had come for her to continue her life outside the promise.
46:08Oh, come on, Alonso.
46:10Maybe a few weeks ago I rushed.
46:12But now that Manuel and Curro have returned, I think their stay here is too much.
46:17I'm sorry, but I still don't understand why you insist that my friend leave.
46:21She's done so much for us.
46:23You're more encouraged. We're all more encouraged.
46:26And she's behaved brilliantly.
46:28So? Why? Does she bother you so much?
46:32No, she doesn't bother me.
46:34On the contrary, she's a very nice woman and a great talker.
46:38And a loyal friend.
46:40Yes.
46:42She's been by your side in these difficult times, with Manuel at the forefront, fighting for her life.
46:47Well, I understand less and less.
46:49Cruz, I think she deserves to be left free and to continue her life outside of here.
46:54Alonso, she herself told us that she has no commitment outside the promise.
46:59And you know as well as I do that she also needs me.
47:03Yes.
47:05But I'm afraid that now that we're all in the palace, she has the feeling that we're putting her aside.
47:12It's a matter of time before she feels out of place.
47:15And I don't want that to happen.
47:17After everything she's done for us, I don't want things to end badly.
47:23Cruz, everything has a beginning and an end.
47:27And prolonging things more than is convenient always brings problems.
47:33Why don't you talk to her and explain it to her?
47:36I'm sure you have more tact than I do.
47:39¿Está bien? ¿Está bien?
48:10Hello.
48:13How are you?
48:16I'm fine.
48:17Why do you ask?
48:20I noticed that you were a little upset when you stopped serving the snack that Mrs. Margarita had prepared for her friends.
48:29Vera, you can trust me.
48:31I know something is happening to you.
48:33We may not be dating anymore, but I know you very well.
48:39One of Mrs. Margarita's guests was my mother, the Duchess of Carré.
48:46I was stunned when I saw her face to face.
48:50I thought she was going to kill me.
48:54I was stunned when I saw her face to face.
48:59I guess so.
49:02I had no idea she was Mrs. Margarita's friend.
49:07And how did your mother react when she saw you?
49:10She was as surprised as I was. Even more.
49:14Imagine if your daughter had disappeared after so long and dressed as a maid.
49:19That must have been what shocked her the most.
49:23My mother couldn't get out of her astonishment when she saw that she was part of the service of the Marquise.
49:29But Mrs. Cruz has less rank than I do.
49:33Now I understand your disembodied face.
49:38I still can't get over that impression.
49:42It's not for less.
49:45And what are you going to do?
49:48Now that my family has located me, I'm in a complicated situation.
49:55Maybe your mother is understanding with you.
49:58No.
50:00The meeting was a bit violent. She even slapped me.
50:05Really?
50:08I didn't know it was that bad.
50:12Good manners are always so complicated in my family.
50:20If you need anything, I'm at your disposal.
50:28Pera, you can trust me. Really.
50:32I know I've been very bad to you, but I promised to keep your secret.
50:36And I haven't revealed it to anyone.
50:38All I want is to support you, unconditionally.
50:43Thank you, but there's nothing you can do.
50:48Santos, I prefer to be honest with you.
50:50I'm in love with Lope and this won't change my feelings.
50:56I know.
50:59I'm sorry if it's a bit sudden, but I don't want you to get your hopes up.
51:04I understand. Don't worry.
51:08Bye.
51:23An invisible airplane?
51:25Yes.
51:26The fabric of these planes has been replaced with a transparent material, almost invisible.
51:31A mixture of cellulose and acetic acid.
51:33But it's not a very fragile material.
51:35No, on the contrary.
51:37It has the resistance of an elastic band.
51:40It's very foldable and can't be burned.
51:42And this plane has been tested? Or is it just a project?
51:46Two years ago, the first tests were made.
51:49In the summer of 1913.
51:51Sister, at a height of 1,000 meters, an airplane with this material is invisible.
51:57Don't you think it's incredible?
51:58A lot.
51:59If you don't tell me, I won't give you credit.
52:02But does this have to do with the prototype you're working on?
52:07No.
52:08No, mine has more to do with the aerodynamic design of a new aircraft.
52:12That's why I'm studying the new models in depth, to be able to improve them.
52:17I'd love to see it when you have it more or less, Pergeña.
52:22I will.
52:26Thank you for the visit.
52:28In addition to pleasant, it has been very instructive.
52:33I know I get very heavy when I talk about planes, sister.
52:36Not at all.
52:37I love to see the passion with which you speak of me.
52:43It was from you that I got the passion to do things.
52:50And I'm sorry I gave you up.
52:54It seems to me that you have not come to talk to me about the advances of aviation.
53:01I know.
53:03I don't know, last night's dinner was a complete disaster.
53:10I wouldn't be the one to take away your reason.
53:13Although the worst that happened was your guest.
53:17It was my fault.
53:19I shouldn't have invited Adriano.
53:21I put him in a very violent situation.
53:23Didn't you suspect that my mother would explode when you saw yourself appearing with him?
53:27Well, yes, maybe.
53:29But I didn't think it would be that bad.
53:33I thought he would show himself in front of everyone.
53:35I don't know.
53:37I was naive.
53:43You see, something tells me that ...
53:47if you insisted on taking Adriano to that family dinner, it was ...
53:53because for you that man is something more than just a tenant.
53:58Am I wrong?
54:03No.
54:05Okay, I'll tell you another way.
54:10Is Adriano your boyfriend?
54:17Well, I praise the effort of that boy for trying to behave at the table.
54:22An effort that turned out to be improvised.
54:24You can't learn good manners in two minutes.
54:26That boy? He would have needed a century to learn to behave.
54:30Nobody is born taught.
54:33But there are people who learn faster than others.
54:35And we already know what kind of person Adriano was.
54:39Yes, the kind of person who should not sit at our table.
54:42Although Catalina seems not to understand something so simple.
54:46She has always gotten along well with the workers.
54:48She has nothing wrong.
54:49Well, yes, she does.
54:51We each have our place, Alonso.
54:53If she wants to relate to those people, I think it's very good.
54:56But don't force us.
54:57It's very unpleasant.
54:58She has a good relationship with him and I just wanted us to meet him.
55:02Despite everything, for me, the evening was the most entertaining.
55:06Well, that's why I prefer to go to the circus.
55:08Not that the circus comes to my house.
55:11It will take me centuries to recover from such a mess.
55:16I'll take it.
55:18I'm waiting for a friend's call.
55:25Yes.
55:29So?
55:32Good.
55:33I understand.
55:36Good afternoon.
55:48It was from Martina's sanatorium.
55:52What happened?
55:55Bad news.
55:58What bad news?
56:14I hope this will serve as an excuse for Mrs. Margarita and Conde Dayala.
56:18What a nice solution to lock up the poor girl being innocent.
56:21Mrs. García, I remember that you are talking about the gentlemen.
56:24Am I telling a lie?
56:26We must give part to the Civil Guard.
56:28And give it.
56:29But what insistence with the Civil Guard?
56:31Can you think of a better way to face the situation?
56:34I still think that Mrs. Arcos is behind all this in one way or another.
56:37Yes, it is possible.
56:38But as long as we don't have proof, everything has to stay that way.
56:41That list with the names of the guests is the answer to everything.
56:46So you'll have to find it.
56:48How?
56:49It's over in the trash.
56:51Well, we'll have to look elsewhere.
56:54It couldn't have been a simple misunderstanding.
56:56I don't want to go to bed yet.
56:58Lately, it's been a bit difficult for me to reconcile sleep.
57:01At your disposal in Mrs. Margarita's snack bar.
57:06Has something happened at that snack bar?
57:08I met my mother.
57:11And Curro doesn't know anything either?
57:12What does Curro have to do with all this?
57:14It's obvious, isn't it?
57:16Curro was perhaps the person who had a closer relationship with Martina before going to war.
57:21And I haven't seen him since his welcome dinner.
57:24To which, by the way, he did not attend.
57:26He is very clear that he loves me.
57:29Has he told you?
57:31Yes.
57:32A beautiful statement.
57:35And I just have to spoil everything.
57:37I invited him because he's my friend.
57:38I know, daughter.
57:41What I don't know is if there was any other intention on your part.
57:45Like what?
57:46You wanted to bother Cruz.
57:48The time has come for us to talk.
57:51And that's not exactly what we're doing.
57:54Your generosity to me has been infinite.
57:57You abandoned all your obligations to take care of my help when I needed you.
58:01And that's an effort that ...
58:04I can't keep asking you anymore.
58:09Are you throwing me out of the promise?
58:11I want you to tell me where Curro is.
58:13Come on, Ignacio.
58:15That boy is just sick.
58:17And you shouldn't bother him.
58:19Curro is not here. And you know it as well as I do.