Dick Tracy vs. Cueball - Full Movie
Transcript
00:00:00© BF-WATCH TV 2021
00:00:30© BF-WATCH TV 2021
00:01:00© BF-WATCH TV 2021
00:01:30© BF-WATCH TV 2021
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00:02:48Who is it?
00:02:49Berkner, Mr. Abbott.
00:02:51♪
00:02:53Just a minute, please.
00:02:55♪
00:03:02Give me that diamond.
00:03:03What, I...
00:03:04Give me it.
00:03:06Hurry up.
00:03:07♪
00:03:12Try anything like that again and I'll have to hurt you.
00:03:15I didn't come here to do that.
00:03:17All I want is the diamonds. Give them to me.
00:03:20Help!
00:03:30Police headquarters.
00:03:32Yeah?
00:03:34Mm-hmm.
00:03:36Where?
00:03:40No, Dick Tracy isn't here, but stay on the wire. I'll call his home.
00:03:43What's so important?
00:03:45Harbor detail reporting murder.
00:03:49Say, what goes on?
00:03:50You certainly are busy, Junior.
00:03:52I got things to do.
00:03:54Holy smoke!
00:03:55What's the matter?
00:03:56Somebody left the receiver off the hook.
00:03:58I detect Tessa's fine hand in that little maneuver.
00:04:01Probably wanted to make sure that you wouldn't be called out tonight.
00:04:03Yeah, that's about it.
00:04:05Welcome to Beville.
00:04:08Hello?
00:04:10Yeah, it's Tracy speaking.
00:04:13What's the matter?
00:04:15Hello?
00:04:17Yeah, it's Tracy speaking.
00:04:20What?
00:04:22Yes.
00:04:23Yes, Pier 30.
00:04:25Got it. We'll be right there.
00:04:27What is it, Dick?
00:04:28They've just reported a murder on the SS Palomar.
00:04:30She docked about an hour ago.
00:04:32Get your hat, Pat.
00:04:33What?
00:04:34Oh, Chief, please explain to Tess.
00:04:36Tell her I'll see her later.
00:04:37Okay, Dick.
00:04:39A most effective entrance, my dear.
00:04:41I congratulate you on your sense of the dramatic.
00:04:44Friends, if I may have your attention...
00:04:46Skip it, Mr. Flinthart.
00:04:48Dick's gone.
00:04:49Gone?
00:04:50But that's impossible.
00:04:52I haven't...
00:04:53It was a homicide case, Tess.
00:04:54Junior found the receiver off the hook.
00:04:56Oh, Junior.
00:05:03How about it, Mr. Tracy? Anything you want to tell us?
00:05:05Later, boys.
00:05:08Hey, Dick, Mr. Tracy.
00:05:09Thank you.
00:05:15Is this the way everything was when you entered?
00:05:17Yes, sir.
00:05:21Well, it's quite obviously death by strangulation.
00:05:24Strangulation, huh?
00:05:26What about this?
00:05:28Probably the victims.
00:05:30Have a check the fingerprints.
00:05:32He was undoubtedly trying to defend himself.
00:05:35Did Mr. Abbott ever seem worried or afraid of anything?
00:05:38Why, no.
00:05:40He was always in a good mood.
00:05:42I believe he represented a custom jeweler.
00:05:45So I see from these papers.
00:05:49Captain Mason.
00:05:50You mentioned Mr. Abbott's telling about his search for rare jewels.
00:05:53Yes.
00:05:54Did he ever happen to mention any that he was bringing with him on this trip?
00:05:57Why, no.
00:05:58Excuse me, sir.
00:05:59But Mr. Abbott did have a package checked in the safe.
00:06:01I gave it to him shortly before we docked.
00:06:03Pat, get Jules Bartle's home address and meet me at the car.
00:06:06Okay.
00:06:13Get yourself a few pictures now, boys.
00:06:15Thank you very much, sir.
00:06:21I called Sparkle's house.
00:06:23All I wanted was his address.
00:06:24I wanted to surprise him.
00:06:25But Tracy, the dame who answered the phone, I think it was Mrs. Sparkle,
00:06:28said he was at his office in the Colburn building.
00:06:30Did you say who you were?
00:06:31No. You think I'm dumb?
00:06:32Well, we won't go into that.
00:06:35Come on, let's get going.
00:06:37I'll be back in a minute.
00:06:40Come on, let's get going.
00:06:56Well, I...
00:06:57Oh, I was expecting someone else.
00:06:59Are you Jules Sparkle?
00:07:01Yes.
00:07:02I'm Dick Tracy, Homicide Squad.
00:07:04Homicide Squad?
00:07:05Uh-huh.
00:07:07My secretary, Miss Clyde.
00:07:08How do you do?
00:07:09Mr. Patton.
00:07:10Hello, Miss Clyde.
00:07:11How do you do?
00:07:12Mr. Sparkle, I've just come from the SS Palomar.
00:07:15Your representative, Lester Abbott, was found in his stateroom and murdered.
00:07:18Abbott murdered?
00:07:19Uh-huh.
00:07:20I can't believe it.
00:07:22It seems so impossible.
00:07:24Abbott was not only a loyal employee, he was an old friend.
00:07:28How long had he worked for you?
00:07:29About 15 years.
00:07:31But I'd known him long before that.
00:07:34Oh, so sorry.
00:07:35I didn't mean to intrude.
00:07:36I heard voices.
00:07:38I thought Mr. Abbott was here.
00:07:40Another one of your employers?
00:07:42Yes.
00:07:43Our lapidary, Simon Little.
00:07:45Lapidary?
00:07:46A lapidary is a diamond cutter.
00:07:48Sure.
00:07:49What else could he be?
00:07:50You and your staff keep running unusual hours.
00:07:52Well, tonight it was quite necessary.
00:07:54We were all interested in the arrival of some diamonds.
00:07:57And I thought it would be more expedient to meet Mr. Abbott here,
00:08:00rather than at the boat.
00:08:02I see.
00:08:03What was the value of the diamonds he was bringing back?
00:08:05The collection was insured for $300,000.
00:08:10I'd like a complete list of your employees.
00:08:12But, Mr. Tracy, all of my people have been with me for years.
00:08:15I trust them implicitly.
00:08:17I realize that.
00:08:18But whoever killed Abbott knew about the diamonds,
00:08:20knew the boat he was on, knew his cabin number.
00:08:23Therefore, it is quite possible that someone in your firm
00:08:26may have supplied the necessary information.
00:08:28Very well.
00:08:29Mona, will you prepare a list, please?
00:08:31Certainly.
00:08:32I'll have it ready for you tomorrow, Mr. Tracy.
00:08:34I want it tonight.
00:08:35Well, it'll take quite a while.
00:08:37I can wait.
00:08:38Very well.
00:08:39Mr. Little, you may leave now, if you like.
00:08:42Thank you.
00:08:43Pardon me.
00:08:45Would you rather I stay, Mr. Sparkle?
00:08:47It won't be necessary.
00:08:49I can tell Mr. Tracy anything else he might want to know
00:08:51about Mr. Abbott and the diamonds.
00:08:53Yes, sir.
00:08:57Pat.
00:08:58Yeah?
00:08:59Would you mind running down to the count for those papers?
00:09:01Papers?
00:09:02Yeah, you know, those sketches I made of Abbott's statement.
00:09:05Oh, those papers.
00:09:06Sure, I'll get them for you right away.
00:09:08Good night, Mr. Sparkle.
00:09:10Good night, Simon.
00:09:11Oh, thank you.
00:09:24Good night.
00:09:25Good night.
00:09:29Good night.
00:10:00Good evening, sir.
00:10:02Good evening, Rudolph.
00:10:04You're very late, Mr. Little.
00:10:06Yes, much later than I expected.
00:10:08Is Mr. Priceless here?
00:10:10No.
00:10:11He telephoned to say that he was unavoidably detained
00:10:13and couldn't come tonight.
00:10:15Detained.
00:10:16Purposely detained.
00:10:17Leaving me to take the call?
00:10:19Yes, sir.
00:10:20I'm afraid so.
00:10:21I'm afraid so.
00:10:22I'm afraid so.
00:10:23I'm afraid so.
00:10:24I'm afraid so.
00:10:25I'm afraid so.
00:10:26I'm afraid so.
00:10:27I'm afraid so.
00:10:28Leaving me to take the consequences.
00:10:30Mr. Little,
00:10:32cue ball is here.
00:10:34Here?
00:10:36Where is he?
00:10:37Downstairs, sir.
00:10:40Oh, I see.
00:10:42Very well, Rudolph.
00:10:43I'll have some more work for you next week.
00:10:45Thank you, sir.
00:10:47Good night.
00:10:48Good night, sir.
00:10:59Cue ball.
00:11:03Cue ball.
00:11:04Hello, Simon.
00:11:05Why, you...
00:11:07You fool.
00:11:08You big, stupid, blundering fool.
00:11:10Shut up.
00:11:11You killed him.
00:11:12You murdered Abbott.
00:11:13Why did you kill him?
00:11:14Why?
00:11:15Why?
00:11:16Because he was going to plug me.
00:11:17Now, look.
00:11:18You and Priceless told me to meet you here
00:11:20to collect my ten grand.
00:11:22Okay.
00:11:23Now, listen to me.
00:11:25I'm going to meet you here to collect my ten grand.
00:11:28Okay.
00:11:29I got the diamonds.
00:11:30Where's my dough?
00:11:31Keep the diamonds.
00:11:32Go to the chair with them.
00:11:33I won't touch them.
00:11:34Oh, yes, you will.
00:11:35There's blood on those stones.
00:11:36Nobody but you and me knows how it got there.
00:11:41Why did I have to get mixed up in a thing like this?
00:11:44Police can't blame me.
00:11:45Priceless came to me.
00:11:46I didn't go to him.
00:11:47He needed me.
00:11:48He needed me to recut the stones
00:11:49so they wouldn't be recognized.
00:11:51That's it.
00:11:52It was just a business deal.
00:11:53I didn't know they'd be stolen diamonds
00:11:54or that they'd be a murder.
00:11:56You rat.
00:11:59You're in this up to your ears just as much as I am?
00:12:01No, I...
00:12:02There must be something I can do.
00:12:04There's something you're going to do.
00:12:06That's pay me off.
00:12:07I'm staying right here till I get my dough.
00:12:10Yeah.
00:12:11Come to think of it,
00:12:12this joint would make a nice little hideout.
00:12:15Oh, no, you can't stay here.
00:12:16Who's going to stop me?
00:12:17Oh, please, Cubo.
00:12:18The police.
00:12:19Dick Tracy.
00:12:20Dick Tracy?
00:12:21What about Tracy?
00:12:22He might be every one of Mr. Sparco's employees.
00:12:24He might even come here.
00:12:26Yeah.
00:12:28Maybe you're right.
00:12:30Okay, I'll blow.
00:12:32But I'll get in touch with you or Priceless tomorrow
00:12:34for my 10 grand.
00:12:35Now get me out of here.
00:12:36Oh, yes, gladly.
00:12:37Anything only.
00:12:38Just get out.
00:12:40Careful.
00:12:41This way.
00:12:43This leads to the storage room,
00:12:45to the street.
00:12:46Don't forget, pal,
00:12:47you better get the dough.
00:12:48Because one more killing
00:12:49ain't going to make much difference.
00:12:52Come on.
00:12:53Come on.
00:13:21Don't bother.
00:13:24Thanks for bringing me home, Mr. Tracy.
00:13:26Good night.
00:13:27Good night, Miss Clyde.
00:13:53Good night.
00:14:14Good night.
00:14:15Good night.
00:14:17Keep these paper here.
00:14:20Get your ladies over here.
00:14:21Right here.
00:14:23Evening, paper.
00:14:29Evening, paper.
00:14:30Late at noon.
00:14:33Paper here.
00:14:37Evening, paper.
00:14:38Get the ladies here.
00:14:40Paper here.
00:14:46Evening, paper.
00:14:47Late at noon.
00:14:48Paper here.
00:14:50Evening, paper.
00:14:51Late at noon.
00:14:52Paper here.
00:14:55Paper here.
00:15:01Paper.
00:15:02Paper, sir.
00:15:03Late at noon.
00:15:04Paper here.
00:15:05Paper.
00:15:07Paper here.
00:15:08Late at noon.
00:15:12Evening, paper.
00:15:13Late at noon.
00:15:18Paper, late noon.
00:15:19Late news, sir. Late news.
00:15:25Sorry, the shop's closed.
00:15:27I don't want to see the shop. I want to take a look at that note you picked up.
00:15:30Note?
00:15:31Time from police headquarters.
00:15:33Oh, yes. Come in.
00:15:39I'm, uh, Percival Priceless, dealer in...
00:15:41A note of it, please.
00:15:43Oh, yes, the note. I, uh, haven't read it myself yet.
00:15:46I'll read it to you.
00:15:49Sorry I wasn't able to keep appointment.
00:15:51We'll drop by tomorrow, M.C.
00:15:53I'm afraid it's not as romantic as it sounds.
00:15:56One of my customers, uh, Miss Mona Clyde,
00:15:58asked me to be on the lookout for some, uh, some candlesticks.
00:16:02I located some this morning and called her.
00:16:04She said she'd be in this evening.
00:16:07Uh, these are the ones. Excuse me.
00:16:09Beautiful, aren't they?
00:16:11At least 100 years old.
00:16:13If, uh, if you were expecting Miss Clyde, why didn't you let her in?
00:16:17Well, she should have been here at least two hours ago. I'd given her up.
00:16:20But you were still here.
00:16:21Yes, in my office, going over some accounts.
00:16:24I, uh, I thought I heard a noise out here and came out to investigate.
00:16:27That's when I saw the paper under the door.
00:16:29She must have thought it was too late.
00:16:31Oh, I see.
00:16:35Mind if I go in here?
00:16:37No, not at all. Please do.
00:16:47Thank you.
00:17:05Thank you very much, Mr. Priceless.
00:17:07Not at all.
00:17:08Uh, if you don't mind, I'd rather like to know
00:17:10why my place has suddenly become of such interest to the police.
00:17:13Oh, it's just a routine checkup.
00:17:17Good night.
00:17:18Good night.
00:17:47Waiter! Waiter! Give me another drink!
00:17:49All right, you'll get it.
00:17:51Hey, buddy.
00:17:52Yeah, what'll it be?
00:17:54Filthy Flora still on this joint?
00:17:56Yeah.
00:17:57I want to see her.
00:18:07Stop pressing that buzzer. I heard you the first time.
00:18:10I ain't deaf.
00:18:13Oh.
00:18:15Can't even count my money in peace.
00:18:17Ladies have no privacy in this joint.
00:18:20Oh, I'm coming.
00:18:22I'm coming. Take your time. I'm coming.
00:18:36Shut up, you. You've been playing that same song for an hour.
00:18:39He wants me to.
00:18:40I don't care what he wants.
00:18:41Play it again. Play it again.
00:18:44Play it again?
00:18:46Oh, of course he'll play it again.
00:18:48Lovely number, ain't it, dearie?
00:18:51Well, play it.
00:18:54Hello, Kathy.
00:18:55Hiya, Flora.
00:18:57Why, Cubo.
00:18:59Hiya, Flora.
00:19:00Fine. Give me a drink, Max.
00:19:02Okay.
00:19:04I thought they put you away for ten years.
00:19:07They did.
00:19:08Ten years. Time sure flies, don't it?
00:19:10Not where I was, it don't.
00:19:14That'll cost you.
00:19:16Same old Flora.
00:19:18What do you want of me?
00:19:20I want a place to live.
00:19:22You ain't the only one, dearie.
00:19:23Things have changed since you went away.
00:19:25Why, I've got a waiting list for everything in the joint, even the closets.
00:19:28I gotta have a place, Flora.
00:19:30I gotta have a place.
00:19:32I thought you just got out of jail.
00:19:34How'd you get in trouble so soon?
00:19:36I didn't get in trouble.
00:19:38I just need a place where I can meet somebody.
00:19:41Well, there's a room I reserve for special customers.
00:19:45I'll pay you for it.
00:19:46Pay you good?
00:19:47You're darn right you'll pay me good.
00:19:49Come on.
00:19:52Drink up, girls. Drink up.
00:19:55Go on in, Cubo.
00:20:08Come on in.
00:20:24Get that chair out of the way.
00:20:27Lift it up.
00:20:33Where does that lead to?
00:20:34To a little room.
00:20:35I kept Fangface Martin hidden for weeks,
00:20:37and the cops are looking for him.
00:20:39Thanks, Flora.
00:20:40It looks perfect.
00:20:42And since we're such good friends, dearie,
00:20:44I'm gonna make you a special rate for this room.
00:20:46500 bucks a night.
00:20:48500 bucks? Well, you dirty old bag of...
00:20:50Never mind the compliments.
00:20:51Payable in advance.
00:20:53Flora, you know I can't pay that kind of dough.
00:20:56Not now.
00:20:57I just got out.
00:20:58Yeah, you just got out.
00:21:00You just got off a boat, too, didn't you, dearie?
00:21:03300 grand.
00:21:05What a dirty, cheap double-crosser.
00:21:07I thought you had something to do with it.
00:21:09Yeah, I thought you could afford 500 bucks.
00:21:12You'll get your dough, Flora.
00:21:14So will I.
00:21:16They ain't gonna collect 300 grand
00:21:18and pay me off with peanuts.
00:21:30Hi, Doc.
00:21:31Hello, Dick.
00:21:32Happened?
00:21:33Mm-hmm.
00:21:35Find anything that will help us, Doc?
00:21:37Not yet.
00:21:41Ooh, what happened to you?
00:21:43I, um, I don't know.
00:21:45You don't know?
00:21:47Well, you see, I was standing in front of Simon Little's place,
00:21:50and boom, something hit me.
00:21:52And the next thing I know, I'm lying there on the street
00:21:54with a cop standing over me,
00:21:56trying to arrest me for vagrancy.
00:21:57Vagrancy?
00:21:58Yeah, and I argued with the guy for 20 minutes.
00:22:00You sure it wasn't Simon Little who hit you?
00:22:02Oh, no.
00:22:03Not unless he dropped a basket of bricks,
00:22:05and that's what it felt like.
00:22:06Say, Dick, let's take a look at this.
00:22:10It might be important to us.
00:22:11I hope so.
00:22:13I, um, found it embedded in Abbott's neck.
00:22:18Right over the parotid gland.
00:22:22Here you are.
00:22:26Looks like a piece of leather.
00:22:28That's right.
00:22:29I'd say that Abbott was strangled with a leather belt
00:22:31or a strap of some kind.
00:22:33I think you're right, Doc.
00:22:35At least now we've got something to work on.
00:22:37Yeah.
00:22:38Say, do you need me anymore tonight?
00:22:40No, that's all.
00:22:41Thanks.
00:22:42Good.
00:22:43Now I can go home and get to bed early for a change.
00:22:45And, uh, you can put the silent one to bed early, too.
00:22:51Pat?
00:22:52Yeah?
00:22:53Do you know an antique dealer by the name of Persico Priceless?
00:22:56No.
00:22:57Has he something to do with this case?
00:22:58Yes, I think so.
00:23:00Do you know anything about antiques?
00:23:02Well, a little.
00:23:03I know an old gal singer.
00:23:04She works up at Spider's Web.
00:23:05She's about, uh, about five foot six.
00:23:07No, no, no.
00:23:08That's not what I mean.
00:23:09Oh.
00:23:11Well, that's all we can do tonight.
00:23:13Yeah, I guess so.
00:23:14See you in the morning.
00:23:15Right.
00:23:17Say, I wonder if Vitamin Flinthart knows anything about antiques.
00:23:21Well, he ought to.
00:23:22He's old enough.
00:23:24Have him come in and see me tomorrow.
00:23:25I'll have a little job for him.
00:23:26OK.
00:23:27Good night, Doc.
00:23:28Good night.
00:23:29Night, Pat.
00:23:30Night.
00:23:33Higbee, bring that Victorian vase, please.
00:23:38Do you mean this one, sir?
00:23:40Yes.
00:23:41Oh, very good.
00:23:42This is a very rare piece.
00:23:44I believe Mr. Priceless found it in an old New England farmhouse.
00:23:48Perhaps this is the one you had in mind, sir.
00:23:50No, no, no.
00:23:52I'm afraid not.
00:23:54Not only is its authenticity questionable,
00:23:56but it lacks that purity of line which is so essential to my requirements.
00:24:00Just precisely what are your requirements, sir?
00:24:03I've shown you several examples.
00:24:05I am furnishing my mausoleum.
00:24:08It is essential that every line be in the purest Grecian harmony.
00:24:12I could not enjoy my perennial solitude
00:24:15in the knowledge that there was something imperfect in my surroundings.
00:24:18Excuse me.
00:24:21Ah, good afternoon, Miss Clyde.
00:24:23Good afternoon.
00:24:25We have your candlesticks in the office.
00:24:27Will you step this way, please?
00:24:29Surely.
00:24:31Higbee, take care of the gentleman, will you, please?
00:24:33Oh, yes, Mr. Priceless.
00:24:34Now that...
00:24:37Perhaps we have something else you'll find...
00:24:43You were saying?
00:24:44Perhaps we have something else you'll find appealing.
00:24:47Oh, yes, yes.
00:24:49Oh, by George!
00:24:51Now, now, that's interesting.
00:24:53What is?
00:24:54That vase up there.
00:24:56Unless my eyes are playing me tricks,
00:24:58it's a rare and beautiful example of early Grecian workmanship.
00:25:02I say, that's a good-looking suit you have.
00:25:05Who's your tailor?
00:25:06My tailor?
00:25:08He has a little shop that's just around the corner.
00:25:10It's little, but it's often...
00:25:12Who has?
00:25:13My tailor.
00:25:14That has nothing to do with antiques, has it?
00:25:17No.
00:25:18Your mind wanders.
00:25:20Here, fetch down the vase, man.
00:25:22Fetch it down.
00:25:23There's only one other like it in existence.
00:25:26It belongs to my old friend Lady Casserole.
00:25:29Upper Norton on Tynewoods, Les Hollow Oakfield by sea
00:25:32in southeastern Nottinghamshire in merry old England.
00:25:37Fetch it down, fella.
00:25:38Fetch it down.
00:25:39Yes, sir.
00:25:40Yes, sir.
00:25:41You don't seem very pleased to see me.
00:25:43Oh, of course I am.
00:25:44But why?
00:25:45Why did you have to come here last night?
00:25:47Dick Tracy was at Sparkle's office, and I wanted to warn you.
00:25:50Fine warning you gave me.
00:25:51You let Tracy right to my door.
00:25:53He came here?
00:25:55Yes, he followed you.
00:25:56You should have known he would.
00:25:57Did he find out anything?
00:26:00I'm not sure.
00:26:01I don't think so.
00:26:02Well, then stop worrying.
00:26:03We've got other troubles.
00:26:04Cuball won't give up the diamonds until he gets his 10,000.
00:26:08And Simon Little wants to pull out of the deal.
00:26:11Simon wants to pull out?
00:26:12Excellent.
00:26:13Excellent.
00:26:14Well, that's hardly something to worry about, my dear.
00:26:16We've spread only two ways now.
00:26:18But who'll cover stones for us?
00:26:21Why have other contacts?
00:26:23How life continually disappoints us.
00:26:25This is not the invaluable object I presumed, but a mediocre copy.
00:26:29Are you sure, sir?
00:26:30Quite positive.
00:26:31A return to the obscurity it deserved.
00:26:34Yes.
00:26:35I am a recognized antiquary, fully capable of differentiating
00:26:39between the inspired original and a clumsy part of it.
00:26:44Good afternoon, Miss Clyde.
00:26:45Good afternoon.
00:26:46And I'll have the candlesticks delivered.
00:26:48Oh, thank you very much.
00:26:53And suddenly a very, very exciting thing happened.
00:26:56Just as I was trying to overhear what they were saying in there,
00:26:59the door opened and Miss Clyde came out.
00:27:02With the candlesticks?
00:27:03No.
00:27:04No, Priceless said he would send them to her.
00:27:06And then the wench left.
00:27:08Hmm.
00:27:10Yes, sir?
00:27:11Steve, get hold of Patton and tell him I want to see him right away.
00:27:13Right, Chief.
00:27:15Thanks, Spider-Man.
00:27:16You've been a big help.
00:27:17Oh, it was nothing, old boy.
00:27:18Nothing.
00:27:19Ah, I made a little purchase while there.
00:27:22A garter.
00:27:23A garter?
00:27:24Mm-hmm.
00:27:25It has quite a history, old boy.
00:27:27Quite a history.
00:27:31Oh, what a pity.
00:27:34Why do the young have all the youth?
00:27:44Shoelaces.
00:27:45Pencil.
00:27:46Chewing gum.
00:27:47Shoelaces.
00:27:48Pencil.
00:27:49Chewing gum.
00:27:50Shoelaces, mister?
00:27:51No, thank you.
00:27:52But listen, I got to.
00:27:53I told you I don't want anything.
00:27:54Will you please get out of my way?
00:27:55But I got razor blades, too.
00:27:56Needles.
00:27:57Cue ball.
00:27:58Chewing gum.
00:27:59What did you say?
00:28:00Cue ball.
00:28:01He'll be waiting for you tonight at the Roofing Dagger.
00:28:03What time, when?
00:28:04Now.
00:28:05Now.
00:28:06Now.
00:28:07Now.
00:28:08Now.
00:28:09Now.
00:28:10Now.
00:28:11Now.
00:28:12Take your purse and go back to work.
00:28:13No, right away, in Flora's private office.
00:28:16Bless you, sir.
00:28:19A dollar.
00:28:27Come on, Pat, let's go.
00:28:29I'm going in, Pat.
00:28:55You cover the back way.
00:28:56Stop anyone who tries to get out.
00:29:58All right, quit stalling.
00:29:59Let's have the dough.
00:30:00Well, you see, Q-Ball, we...
00:30:01Don't try to hold out on me.
00:30:02The price has gone up.
00:30:03But, Q-Ball, we...
00:30:04It's double.
00:30:05I want 20 grand.
00:30:06It's little enough for getting 300,000 bucks worth of ice.
00:30:07I got you dirty chiselers where I want you.
00:30:08Now you're gonna pay.
00:30:09Hello, Flora.
00:30:10Hi, Mr. Tracy.
00:30:11I see you've been looking for me.
00:30:12How are you?
00:30:13I'm fine.
00:30:14How are you?
00:30:15I'm fine.
00:30:16And you?
00:30:17I'm fine.
00:30:18And you?
00:30:19I'm fine.
00:30:20And you?
00:30:21I'm fine.
00:30:22And you?
00:30:23I'm fine.
00:30:24And you?
00:30:25I'm fine.
00:30:26I ain't seen you for a long time.
00:30:27That's because you've been such a good girl.
00:30:28Sit down, Flora.
00:30:29I ain't done nothing wrong, Gary.
00:30:30Honest, I ain't.
00:30:31Relax.
00:30:32This is purely your social call.
00:30:33Oh, that's nice.
00:30:34Yes, yes, I know you've asked for more money,
00:30:35but all I could raise was $5,000.
00:30:36Before I give it to you, I want to see the diamonds.
00:30:37You're not getting those stones.
00:30:38Not for a measly five grand you ain't...
00:30:39I'm sorry.
00:30:40I'm sorry.
00:30:41I'm sorry.
00:30:42I'm sorry.
00:30:43I'm sorry.
00:30:44I'm sorry.
00:30:45I'm sorry.
00:30:46I'm sorry.
00:30:47I'm sorry.
00:30:48I'm sorry.
00:30:49I'm sorry.
00:30:50I'm sorry.
00:30:51I'm sorry.
00:30:52I'm sorry.
00:31:13Who's out there?
00:31:15Shut up.
00:31:16So, you dirty stew, you called the cops, huh?
00:31:17No, what do you mean?
00:31:18Don't play dumb.
00:31:19You know Tracy's here.
00:31:20Tracy?
00:31:21I didn't call the detectives.
00:31:22We ain't gonna help you.
00:31:25Now, wait a minute, Cubo.
00:31:26Cubo, I'll give you the money.
00:31:28Cubo, here, I'll give you the money.
00:31:31Take the money.
00:31:31Cubo!
00:31:32Ah!
00:31:41Open up in there.
00:31:52You all right, Pat?
00:31:53Yeah.
00:31:54It's a lucky thing for me.
00:31:55I got hit on the head.
00:31:56Come on, let's go.
00:32:00What are you trying to do?
00:32:22Keep it up, Pat.
00:32:23You'll gain it.
00:32:33It's a good thing those socks on the head
00:32:34don't make you dizzy.
00:32:35Well, I can see just as well.
00:32:37Cut him down.
00:32:42You all right?
00:32:43Certainly.
00:32:44Just another bump on the head.
00:32:46No use chasing him now.
00:32:48I'd better put in a general alarm.
00:32:50That's fine.
00:32:50Radio's broken.
00:32:51Stay here.
00:32:52I'll have the phone headquarters.
00:32:53OK.
00:32:54All right, stand aside.
00:32:55Stand aside.
00:32:56Let me in.
00:32:57Are you hurt?
00:32:58No, no.
00:32:59Oh, you're new on the force, aren't you?
00:33:01Yeah.
00:33:02You sure you're all right?
00:33:03Just a little dizzy.
00:33:04Dizzy, eh?
00:33:05So that's it.
00:33:06You're drunk.
00:33:07Drunk?
00:33:08No, I'm not drunk.
00:33:09And stealing a police car, too.
00:33:10No, no, you don't understand.
00:33:12Hey, you got your driver's license.
00:33:13No, I don't have a driver's license.
00:33:14No driver's license.
00:33:15No, no driver's license.
00:33:16You, you.
00:33:17Oh, I'm getting tough with an old man.
00:33:19Oh, I'm getting tough with an officer, too.
00:33:21No, look, this is Dick Tracy's car.
00:33:22Oh, it is, is it?
00:33:23And I suppose you're going to tell me you're Pat Patton.
00:33:25No, of course not.
00:33:26Then who are you?
00:33:27Pat Patton.
00:33:29Get out of the car.
00:33:30No.
00:33:31Are you going to get out of the car, or do I have to you?
00:33:33Oh, no, no, not again.
00:33:37So you haven't seen Pat Patton, have you?
00:33:38He was supposed to.
00:33:40Never mind.
00:33:40He just came in.
00:33:41Bye.
00:33:43Where have you been?
00:33:44If I told you, you wouldn't believe me.
00:33:46Then don't tell me.
00:33:47I'll tell you anyhow.
00:33:48I was over at the...
00:33:49Tracy?
00:33:50Yes?
00:33:51I've got that report from the coroner.
00:33:52The markings on Priceless' throat are identical
00:33:54with those found on Abbott.
00:33:55Same markings, eh?
00:33:56Yes.
00:33:56Good, thanks.
00:33:57That's the best lead we've had so far.
00:33:59You mean the same guy's responsible for both murders?
00:34:01Mm-hmm.
00:34:03Priceless had $2,000 in his clothes when we found him.
00:34:06He was probably at the dripping deck,
00:34:08a-dickering for those diamonds.
00:34:09Sure adds up.
00:34:11Most likely, filthy Prawer was hiding
00:34:12a mystery man since the Abbott killing.
00:34:14Which means she ought to know a thing or two.
00:34:16Come on, we're going to have a little talk
00:34:18with filthy Prawer at the dripping decker.
00:34:19Oh, every time I get near that joint,
00:34:21I feel like I need a bottle of DDT.
00:34:25They're not down there.
00:34:27They've got to be up here someplace.
00:34:31If I find those diamonds,
00:34:32I'll have to tear this place apart.
00:34:47You must be crazy.
00:34:48Just go.
00:34:49It's here.
00:34:50It's here.
00:34:51It's here.
00:34:52Oh.
00:34:58Oh.
00:35:17Oh.
00:35:18Hello, Flora.
00:35:19Oh, hello.
00:35:20I-I didn't expect you back so soon.
00:35:22No, I guess you didn't.
00:35:24Did you figure on going out, Flora?
00:35:26Yeah.
00:35:27Just going out for a walk.
00:35:28I-I wanted a breath of fresh air.
00:35:31Maybe you better put off that walk until a little bit later.
00:35:33I'll be back.
00:35:34I'll be back.
00:35:35I'll be back.
00:35:36I'll be back.
00:35:37I'll be back.
00:35:38I'll be back.
00:35:39I'll be back.
00:35:40I'll be back.
00:35:41I'll be back.
00:35:42I'll be back.
00:35:43I'll be back.
00:35:44I'll be back.
00:35:45I'll be back.
00:35:47A little later.
00:35:48I got something I want to talk over with you.
00:35:50You mean about the rent, Cubell?
00:35:52Oh, that can wait till next week.
00:35:54No.
00:35:55It ain't the rent.
00:35:56Oh.
00:35:57Just a social call, eh?
00:35:58Paying your old sidekick, Flora, a friendly visit.
00:36:01Sure.
00:36:02Sure.
00:36:03That's it.
00:36:04Just a friendly visit.
00:36:05Well, that's nice of you, dearie.
00:36:07Uh, let's sit down and have a drink for old times sake.
00:36:10This one will be on the house.
00:36:12OK, Flora.
00:36:16Looks like you were trying to find something here.
00:36:18Yeah, yeah, I couldn't find my scarf.
00:36:21I wonder where it went out for a walk.
00:36:23You didn't happen to look under the wash basin for it,
00:36:25did you?
00:36:27Wash basin?
00:36:29Why, what would my scarf be doing under there?
00:36:32I ain't talking about your scarf.
00:36:34I'm talking about my diamonds.
00:36:36They were under there until you got your hooks on them
00:36:37to hand them over.
00:36:39I haven't got your diamonds, cue ball.
00:36:42Honest, I ain't.
00:36:42Oh, you lying old fang.
00:36:45Now, you going to give me them diamonds
00:36:46or do I have to take them?
00:36:50Just try and take them.
00:36:51Just try and take them.
00:36:53Now, wait a minute, Flora.
00:36:54Maybe we could talk this over.
00:36:56There's enough there for both of us.
00:36:58We could split 50-50.
00:37:00No!
00:37:01No!
00:37:02No!
00:37:03No!
00:37:04No!
00:37:06No!
00:37:08No!
00:37:10No!
00:37:15You must be around.
00:37:17She lives here.
00:37:18I'll go around to the back.
00:37:20You wait here.
00:37:21Right.
00:37:45Percival Price's antique dealer found murdered, and then, as night fell, the killer struck
00:38:10again, leaving filthy Flora's body, cold and lifeless, in the office of her waterfront
00:38:15cafe, known as the Tripping Dagger.
00:38:18According to Dick Tracy, head of the Homicide Squad, the markings on the throat of each
00:38:22of the victims indi- indi-
00:38:25Indicates?
00:38:26Thanks.
00:38:27You're welcome.
00:38:28Indicates that the- that the same criminal is responsible for each of the murders.
00:38:36Aw gee, just when it's getting good.
00:38:40Yeah.
00:38:41See who it is.
00:38:42Okay.
00:38:43But don't read any more till I get back.
00:38:45Right.
00:38:46Oh, good morning, Butch.
00:38:49Morning, Miss Trueheart.
00:38:52Are you ready to go to the Rodale?
00:38:54Remember, we have to leave early if we want to get good seats.
00:38:57I remember all right.
00:38:58I'll go home and get ready and be right back.
00:39:01That's a good boy.
00:39:02Hello, Junior.
00:39:03Hiya, Tess.
00:39:04Boy, what a story they got on Filthy Flora's murder.
00:39:10Having Mr. Tracy in the business is enough crime for one family without you reading about
00:39:13it in newspapers.
00:39:14Aw gee, Tess.
00:39:15Well, good morning, Tess.
00:39:16How are you?
00:39:17Fine, thank you, darling.
00:39:18I was just having a little discussion with Junior over his reading matter.
00:39:24It was about the murders, Dick.
00:39:25I see what you mean.
00:39:26Better have this before you leave for the Rodale.
00:39:28But I gotta keep up with what's going on.
00:39:30You'd do a lot better to keep up with your schoolwork.
00:39:33Aw.
00:39:34Tess is right, Junior.
00:39:35Say, how would you like a lifetime job showing Junior what to read?
00:39:39Why, Dick Tracy proposing so early in the morning.
00:39:41Why don't you marry him so he can stop proposing?
00:39:44Just a minute, young fella.
00:39:46I can speak for myself.
00:39:47Bang!
00:39:48Bang!
00:39:49Bang!
00:39:50Bang!
00:39:51Bang!
00:39:52All right, everybody.
00:39:53Reach for the ceiling.
00:39:54Put him up.
00:39:55What?
00:39:56You heard what the man said.
00:39:57Put him up.
00:39:58Nobody move.
00:39:59Don't try any of your tricks.
00:40:00What is this?
00:40:01Oh, he thinks he's Jesse James.
00:40:03No, sir.
00:40:04Today I'm Buffalo Bill.
00:40:06You don't have to put your hands up, Junior,
00:40:08because you're drinking a glass of milk.
00:40:10Thanks.
00:40:11You're welcome.
00:40:12And now I'm gonna shoot you, Dick Tracy,
00:40:15because you're an Indian.
00:40:19Butch, let me see that hat.
00:40:21Save your breath, partner.
00:40:23You can't talk your way out of this one.
00:40:25Butch.
00:40:26Don't move, redskin, or you'll bite the dust.
00:40:29Butch, will you please let me see that hat?
00:40:31You just want me to take off my hat so you can scalp me.
00:40:33Butch, will you please?
00:40:35Kids will use men.
00:40:37The barbots are gonna attack.
00:40:39Bang, bang.
00:40:40Bang, bang, bang.
00:40:42Bang, bang.
00:40:43Bang, bang, bang.
00:40:45Butch, I'm not an Indian.
00:40:47For goodness sakes, Dick.
00:40:48Why is Butch's hat so important all of a sudden?
00:40:50I don't want the hat.
00:40:51It's that hat band I've got to see.
00:40:53Hat band?
00:40:54Why didn't you say so?
00:40:55A lot of the kids got those bands.
00:40:56They have.
00:40:57Where'd they get them?
00:40:58Send away for them.
00:40:59Here, I'll show you.
00:41:01It's advertising this magazine someplace.
00:41:04Here it is.
00:41:05There.
00:41:15Desert City operator to Dick Tracy.
00:41:22Box 520, Desert City.
00:41:28His post office address, Rocky Mountain Penitentiary.
00:41:38Rocky Mountain Prison.
00:41:39Know anybody up there, Chief?
00:41:41Why, the warden is an old friend of mine.
00:41:43Take a wire.
00:41:44Yes, sir.
00:41:47Listen to this.
00:41:48Prisoner you referred to was released six weeks ago after serving ten years.
00:41:52He is Harry Lake, alias Bernie Burns, alias Frisco Joe, alias Q-Ball.
00:41:56Description is as follows.
00:41:58Hey, I didn't read the description.
00:41:59I'll take care of the description.
00:42:01Broadcast room.
00:42:02You look him up in the files.
00:42:03Right.
00:42:05Tracy speaking.
00:42:06The killer in the diamond case has just been identified.
00:42:09Broadcast this description immediately.
00:42:22What are you so happy about?
00:42:43Why not?
00:42:44I think it's very funny.
00:42:45You should be able to take it, Chief.
00:42:46We've been kidded by the press before.
00:42:48But they're giving the public the impression that Q-Ball is in plain sight
00:42:51and we can't even see him.
00:42:52Why don't they draw a picture showing how we scour the city?
00:42:55How we took the dripping dagger apart board by board?
00:42:58How we kept a constant watch on that antique shop?
00:43:00And Mona Clyde's apartment?
00:43:02No, we don't want that publicized.
00:43:04Well, I can't say that I enjoy this kind of publicity.
00:43:07Why haven't you picked up Mona Clyde?
00:43:08Because I believe she'll lead us to the diamonds
00:43:10and the diamonds will lead us to Q-Ball.
00:43:12Dick, I don't care what you do or how you do it.
00:43:14Look, we've got to get some action.
00:43:15I've got a plan that may work, if I can find the right policewoman.
00:43:18Okay, find her.
00:43:19But let's have some action.
00:43:20Right, Chief.
00:43:22Yes, sir.
00:43:23You can send in those ladies now.
00:43:25Okay, girls, you may go in now.
00:43:26Thanks.
00:43:34It appears that the great Tracy is about to become inundated
00:43:37by an avalanche of feminine poultry to you.
00:43:39Oh, I'd hardly say they were his type.
00:43:41It's official business, I'm sure.
00:43:43Miss Roberts, you've been with the police force for six months, right?
00:43:45Yes, sir.
00:43:46Well, this job calls for a veteran.
00:43:49Miss Leeds, will you stay?
00:43:51You other ladies may leave.
00:43:52And thanks very much for your trouble.
00:43:54No trouble at all, Mr. Tracy.
00:44:03Four went in, three came out.
00:44:06It is a situation which I am compelled to remark
00:44:09is replete with the most devastating possibilities
00:44:12and open to the most provocative of interpretations.
00:44:15Now, don't let your imagination run away with you, Vitamin.
00:44:18I still say I can always trust Dick.
00:44:20Most fortunate of creatures.
00:44:22The hand that made you fair hath made you good.
00:44:27If we're to be successful,
00:44:29you must give the impression of being a real blueblood.
00:44:32High society.
00:44:33Think you could handle it?
00:44:35I doubt it.
00:44:36Miss Brooklyn, the accent of mine'd be a tip-off.
00:44:38Don't you think you could disguise it?
00:44:40I don't think so.
00:44:42That sort of puts me in a spot.
00:44:44I don't wish to stir the green-eyed monster
00:44:46of devouring jealousy,
00:44:48but don't you think it sounds suspiciously quiet in there?
00:44:52Oh, you!
00:45:00Thank you, Miss Leeds.
00:45:01It was a pleasure.
00:45:02Hello, you two.
00:45:03Have you been waiting long?
00:45:04Quite.
00:45:05May we go in now?
00:45:06By all means.
00:45:07Thank you.
00:45:08I can see that police work might be very interesting.
00:45:12Now, Tess, those were policewomen.
00:45:14Policewomen?
00:45:15A man is confronted by jeopardy on all sides.
00:45:18I was looking for one capable of impersonating a society girl.
00:45:21Did you find her?
00:45:22Well, no.
00:45:23She's got to be just right or my whole plan will blow sky-high.
00:45:26You're not being very flattering, Mr. Tracy.
00:45:28Huh?
00:45:29A gentleman would at least say that I look the part.
00:45:31Of course you do.
00:45:33You're not getting any ideas, are you?
00:45:35Oh, but I'm sure that I could play the part for you, Dick.
00:45:38No, absolutely no.
00:45:39It's too dangerous.
00:45:41Pardon the intrusion, old fellow,
00:45:43but I must say that Miss Trueheart embodies
00:45:45the quintessence of social grace.
00:45:47Oh, Dick, you've got to let me do it.
00:45:49But I'm afraid the whole thing...
00:45:50Tut.
00:45:51Tut.
00:45:52I will school the little lady in social deportment.
00:45:55First, the correct form.
00:46:01But of all the vital graces,
00:46:03that of making a good first impression is the most important.
00:46:08Ah, how do you do?
00:46:10How do you do?
00:46:11I am so happy to see you.
00:46:12Oh, happy to see you, too.
00:46:13I've heard so much about you.
00:46:15Oh, you have?
00:46:16I'm sure you're one of the most charming and scintillating men I've ever met.
00:46:19Oh, that's nice.
00:46:20I wish I could say the same.
00:46:21Say, is Vitaman going to play your society gal?
00:46:25None of your ribaldry, sir.
00:46:27You are speaking of the man I love.
00:46:29No, Pat, Vitaman isn't.
00:46:31I am.
00:46:32Right, Dick?
00:46:33Right.
00:46:35Now, these pieces are rather unusual.
00:46:37No, I'm...
00:46:38I'm sorry, Mr. Sparkle.
00:46:40I'm afraid these won't do either.
00:46:42I hope you haven't found me too hard to please,
00:46:44but I do want something individual.
00:46:46I flew in from Bermuda to have this necklace made up,
00:46:49and, well, I want it for a special occasion.
00:46:52Oh, I see.
00:46:53Perhaps this is what you have in mind.
00:46:56No, I'm afraid not.
00:46:58Well, Miss Beaumont, you can't find diamonds such as you want overnight.
00:47:01And even if I could locate them, they would be very expensive.
00:47:05Well, what good is Father's money if I can't spend it?
00:47:08Very well, Miss Beaumont.
00:47:09We'll try to help you spend it.
00:47:11I'll contact the other dealers immediately.
00:47:13Possibly they may have something you like.
00:47:15I'd appreciate it very much, Mr. Sparkle.
00:47:17Glad to do it.
00:47:18Would you mind giving your address to Miss Clyde
00:47:20so that I can get in touch with you later?
00:47:22Of course not.
00:47:23Suite 412, Carlton Arms.
00:47:26Thank you, Miss Beaumont.
00:47:28You'll hear from me.
00:47:29You've been very kind, Mr. Sparkle.
00:47:31Oh, and you too, Miss Clyde.
00:47:33Thanks so very much, both of you.
00:47:35Goodbye.
00:47:36Good day.
00:47:37Choosy, isn't she?
00:47:38She can afford to be.
00:47:40I think I'll run upstairs and see what Emil Camber has in his private collection.
00:47:44And you might ask Simon Little if he has any ideas.
00:47:48Yes, sir.
00:48:03About time you two got here.
00:48:05Did you bring the dough?
00:48:06Cue ball.
00:48:07Let me handle this.
00:48:08Simon tells me you expect $20,000 now.
00:48:10He told you right.
00:48:12$20,000.
00:48:13You haven't got a brain in your head, you big ox.
00:48:15I don't like that kind of talk.
00:48:17Don't make him angry.
00:48:18Oh, he'll listen and like it.
00:48:20If you wanted the $20,000 so much,
00:48:23why did you kill Priceless?
00:48:25He was the only one who could pay it to you.
00:48:27I had to kill him.
00:48:29I'd kill anybody that gets in my way.
00:48:31You get in your own way.
00:48:33Now every cop in the country is looking for you.
00:48:35You've not only messed up everything for yourself, but for us too.
00:48:39I told you I don't like that kind of talk.
00:48:41Oh, shut up.
00:48:42Go ahead.
00:48:43Kill me.
00:48:44Kill Simon.
00:48:45Then you won't get a dime.
00:48:46Nothing.
00:48:47Nothing but the chair, perhaps.
00:48:48Don't talk like that or else...
00:48:49Oh, getting scared, huh?
00:48:50The police are closing in and you're getting scared.
00:48:52I won't catch me.
00:48:53I'll get away.
00:48:54They ain't caught me yet, have they?
00:48:56I'll take that $20,000 and blow...
00:48:58Get it through your skull.
00:48:59There is no $20,000.
00:49:01Nothing like it.
00:49:02There isn't even $10,000 now.
00:49:04Nothing but what Simon and I can dig up for you.
00:49:06I've got $1,700 in the bank.
00:49:08And I've got $2,400.
00:49:10That's $4,100 you can have for the diamonds, Cubo.
00:49:13$4,100.
00:49:14That's all.
00:49:15$4,100 for these rocks?
00:49:17Yes.
00:49:18I've got a chance to get them off our hands for about $7,000.
00:49:21Then we'll all be clear.
00:49:22There'll be no evidence.
00:49:23There's a rich heiress.
00:49:24She'll buy them.
00:49:25But she knows they're stolen and that's all she'll pay.
00:49:27Nobody else will touch them.
00:49:28If you two are double-crossing me...
00:49:30Double-crossing you after you killed Priceless?
00:49:33Keep your diamonds.
00:49:34You can go to your grave with them.
00:49:36Come on.
00:49:37Let's get out of here.
00:49:38I've heard enough.
00:49:39Now, wait a minute.
00:49:40I ain't going to be left holding the bag.
00:49:42Give me the dough.
00:49:43Give me the $4,100.
00:49:44Well, you have got some brains after all.
00:49:46Come on, it cracks.
00:49:47Give me the dough.
00:49:48You'll get it tonight.
00:49:49Later.
00:49:50Well, you ain't getting these rocks until I do.
00:49:53OK.
00:49:54Wait here.
00:49:55I'll wait.
00:49:57Come on.
00:50:00I never thought you'd get away with it.
00:50:02I didn't either.
00:50:03But that's what makes life interesting, Simon.
00:50:05Taking chances.
00:50:14Hello.
00:50:15Carlton Arms.
00:50:16I'd like to talk to Miss Belmont, please.
00:50:23Miss Belmont.
00:50:24Yes.
00:50:25Yes.
00:50:26Yes.
00:50:27Yes.
00:50:28Yes.
00:50:29If that's Mona Test, don't be nervous.
00:50:32Who's nervous?
00:50:35Hello.
00:50:36This is Blythe Belmont speaking.
00:50:39This is Mona Clyde.
00:50:41I've come across some very unusual diamonds, Miss Belmont.
00:50:46The owner is a very prominent man who is financially embarrassed.
00:50:50He insists the sale be as secretive as possible, so I...
00:50:53I took the liberty of making an appointment with him at my apartment tonight.
00:50:58In an hour.
00:51:00In an hour?
00:51:01Very well.
00:51:02What's the address, please?
00:51:05Second floor, apartment 12.
00:51:08I've got it.
00:51:09Yes.
00:51:10I'll see you in an hour.
00:51:12Come on, Pat.
00:51:13We'll go right over there.
00:51:15Hey, wait a minute.
00:51:16Don't you want to know where you're going?
00:51:18That's Mona's address.
00:51:19We know it by heart.
00:51:20Oh, you do.
00:51:21Don't leave until the last minute, Test, just in case she calls again.
00:51:24If there are any changes in plans, call headquarters immediately.
00:51:26Right.
00:51:27See you in an hour.
00:51:28Yes, dear.
00:51:29This is one date I know that you'll keep.
00:51:32But I tell you, Miss Clyde, I don't like it.
00:51:34What if something should go wrong?
00:51:36What can go wrong?
00:51:37Now go ahead.
00:51:38Get your $1,700.
00:51:39Here's my $2,400.
00:51:40Yes, but that $1,700 is all the money I have in the world.
00:51:43You're the weakest, most sniveling excuse for a human being I've ever seen.
00:51:46You've no right...
00:51:47You're right.
00:51:48We pay $4,100 for diamonds we can sell for over $100,000.
00:51:51And you say I've no right.
00:51:52Now get your money and stop crying.
00:51:54All right.
00:51:57But I've always been so careful of my money.
00:52:03I didn't even trust the banks.
00:52:06And now...
00:52:07And now you're going to be a rich man.
00:52:09I hope you're right.
00:52:13I'll go over to my apartment and meet the Belmont woman.
00:52:16Here.
00:52:17Take the money downstairs and get the diamonds from Kubold.
00:52:19Now don't forget, you're the financially embarrassed gentleman who owns the diamonds.
00:52:23Try to act like one when you get up to my place.
00:52:27Come on.
00:52:42Kubold.
00:52:48Kubold.
00:52:57Kubold.
00:53:03Good evening.
00:53:04Would you get me a cab, please?
00:53:05Yes, Miss Stonewell.
00:53:06Taxi.
00:53:11Where to?
00:53:12319 East 4th Street.
00:53:15319 East 4th Street, driver.
00:53:27Come in.
00:53:38But how could I have the diamonds when I got to my workshop?
00:53:41Kubold wasn't there.
00:53:42He's gone.
00:53:43You're lying.
00:53:44I'm not.
00:53:45I looked everywhere.
00:53:46I waited.
00:53:47I waited.
00:53:48I waited.
00:53:49I waited.
00:53:50I waited.
00:53:51I waited.
00:53:52I waited.
00:53:53I waited.
00:53:54I waited.
00:53:55I waited.
00:53:56I waited.
00:53:57Sir, I waited.
00:53:58And what about Miss Belmont, where's she?
00:54:00She isn't here yet.
00:54:02Oh, you're the one who's lying.
00:54:04There never was such a person.
00:54:06You've tried to trick me so you'd get the diamonds for yourself.
00:54:09You're insane.
00:54:10What about my quarter, Miss Belmont?
00:54:12How do I really know who you were talking to?
00:54:14Oh, no, you can't fool me.
00:54:17I'm going.
00:54:18Mr. Tracy.
00:54:20Hello, Mr. Little.
00:54:23Well, where's Miss Belmont?
00:54:25I don't know who you're talking about.
00:54:26Miss Clyde, I was at Miss Belmont's suite this afternoon.
00:54:28You made the appointment with her.
00:54:30Now, where is she?
00:54:32I don't know.
00:54:33She left her hotel more than 10 minutes ago.
00:54:35Did you give her instructions to meet you somewhere else?
00:54:37No, I didn't.
00:54:38I haven't spoken to her since this afternoon.
00:54:42Pat.
00:54:43Yeah?
00:54:44Check with headquarters and see if they've heard from Tess.
00:54:45Right.
00:54:56This isn't where I told you to take me.
00:55:05You want the diamonds, don't you?
00:55:06Where's Mona Clyde?
00:55:07Plans have been changed.
00:55:08She's meeting you here.
00:55:09Come on.
00:55:10Upstairs.
00:55:12Come on.
00:55:21Upstairs.
00:55:42But you know what the instructions were.
00:55:44Miss Belmont was supposed to meet us here.
00:55:47Just a minute.
00:55:49Do you have an extension?
00:55:50Why, yes, in the bedroom.
00:55:52All right.
00:55:53Answer that.
00:55:54Play it straight.
00:55:55No tricks.
00:55:59Hello?
00:56:00Yes.
00:56:01Simon Little?
00:56:03Just a moment.
00:56:06Hello?
00:56:07Mr. Little?
00:56:08Oh, yes, Rudolph.
00:56:09What?
00:56:10He has a girl with him.
00:56:11He's back there.
00:56:12There seems to be something going on.
00:56:14Now let's keep going.
00:56:15We've got Tess.
00:56:16Come on.
00:56:17Right.
00:56:18Thank you.
00:56:19Get those two down to headquarters.
00:56:20Right, Mr. Tracy.
00:56:22All right.
00:56:23Get your coat on, lady.
00:56:24I tell you, I refuse to discuss the diamonds
00:56:26unless Miss Clyde is here.
00:56:27That's too bad, sister.
00:56:28Double-crossing Clyde damn ain't gonna be here.
00:56:31Then I'm leaving.
00:56:32What's the matter?
00:56:33Ain't I good enough for you to do that?
00:56:37I got the diamonds.
00:56:38Mona Clyde hasn't.
00:56:39Now give me the dough.
00:56:40Don't be silly.
00:56:41I wouldn't carry that much money around with me.
00:56:43Stop stalling.
00:56:44You want the diamonds, don't you?
00:56:45Well, here they are.
00:56:46Oh, I told you I haven't.
00:56:47Don't give me that.
00:56:48You was ready to give Mona Clyde cash.
00:56:50No, I was just going to look at the diamonds.
00:56:52You're lying.
00:56:53You got the dough right here in your purse.
00:56:55No, you're wrong.
00:56:56I tell you.
00:57:00Dick Tracy.
00:57:02So that's it.
00:57:04So that's it.
00:57:07This is a plant.
00:57:20Why, you...
00:57:34Pat, take care of Tess.
00:57:35Okay.
00:58:34Dick.
00:58:35Dick.
00:58:36Dick.
00:58:37Dick.
00:58:38Dick.
00:58:39Dick.
00:58:40Dick.
00:58:41Dick.
00:58:42Dick.
00:58:43Dick.
00:58:44Dick.
00:58:45Dick.
00:58:46Dick.
00:58:47Dick.
00:58:48Dick.
00:58:49Dick.
00:58:50Dick.
00:58:51Dick.
00:58:52Dick.
00:58:53Dick.
00:58:54Dick.
00:58:55Dick.
00:58:56Dick.
00:58:57Dick.
00:58:58Dick.
00:58:59Dick.
00:59:00Dick.
00:59:01Dick.
00:59:03Dick.
00:59:04Dick.
00:59:05Dick.
00:59:06Dick.
00:59:07Dick.
00:59:08Dick.
00:59:09Dick.
00:59:10Dick.
00:59:11Dick.
00:59:12Dick.
00:59:13Dick.
00:59:14Dick.
00:59:15Dick.
00:59:16Dick.
00:59:17Dick.
00:59:18Dick.
00:59:19Dick.
00:59:20Dick.
00:59:21Dick.
00:59:22Dick.
00:59:23Dick.
00:59:24Dick.
00:59:25Dick.
00:59:26Dick.
00:59:27Dick.
00:59:28Dick.
00:59:29Dick.
00:59:30Dick.
00:59:31Dick.
00:59:32Dick.
00:59:33Dick.
00:59:34Dick.
00:59:35Dick.
00:59:36Dick.
00:59:37Dick.
00:59:38Dick.
00:59:39Dick.
00:59:40Dick.
00:59:41Dick.
00:59:42Dick.
00:59:43Dick.
00:59:44Dick.
00:59:45Dick.
00:59:46Dick.
00:59:47Dick.
00:59:48Dick.
00:59:49Dick.
00:59:50Dick.
00:59:51Dick.
00:59:52Dick.
00:59:53Dick.
00:59:54Dick.
00:59:55Dick.
00:59:56Dick.
00:59:57Dick.
00:59:58Dick.
00:59:59Dick.
01:00:00Dick.
01:00:01Dick.
01:00:02Dick.
01:00:03Dick.
01:00:04Dick.
01:00:05Dick.
01:00:06Dick.
01:00:07Dick.
01:00:08Dick.
01:00:09Dick.
01:00:10Dick.
01:00:11Dick.
01:00:12Dick.
01:00:13Dick.
01:00:14Dick.
01:00:15Dick.
01:00:16Dick.
01:00:17Dick.
01:00:18Dick.
01:00:19Dick.
01:00:20Dick.
01:00:21Dick.
01:00:22Dick.
01:00:23Dick.
01:00:24Dick.
01:00:25Dick.
01:00:26Dick.
01:00:27Dick.
01:00:28Dick.
01:00:29Dick.
01:00:30Dick.
01:00:31Dick.
01:00:32Dick.
01:00:33Dick.
01:00:34Dick.
01:00:35Dick.
01:00:36Dick.
01:00:37Dick.
01:00:38Dick.
01:00:39Dick.
01:00:40Dick.
01:00:41Dick.
01:00:42Dick.
01:00:43Dick.
01:00:44Dick.
01:00:45Dick.
01:00:46Dick.
01:00:47Dick.
01:00:48Dick.
01:00:49Dick.
01:00:50Dick.
01:00:51Dick.
01:00:52Dick.
01:00:53Dick.
01:00:54Dick.
01:00:55Dick.
01:00:56Dick.
01:00:57Dick.
01:00:58Dick.
01:00:59Dick.
01:01:00Dick.
01:01:01Dick.
01:01:02Dick.
01:01:03Dick.
01:01:04Dick.
01:01:05Dick.
01:01:06Dick.
01:01:07Dick.
01:01:08Dick.
01:01:09Dick.
01:01:10Dick.
01:01:11Dick.
01:01:12Dick.
01:01:13Dick.
01:01:14Dick.
01:01:15Dick.
01:01:16Dick.
01:01:17Dick.
01:01:18Dick.
01:01:19Dick.
01:01:20Dick.
01:01:21Dick.
01:01:22Dick.
01:01:23Dick.
01:01:24Dick.
01:01:25Dick.
01:01:26Dick.
01:01:27Dick.
01:01:28Dick.
01:01:29Dick.
01:01:30Dick.
01:01:31Dick.
01:01:32Dick.
01:01:33Dick.
01:01:34Dick.
01:01:35Dick.
01:01:36Dick.
01:01:37Dick.
01:01:38Dick.
01:01:39Dick.
01:01:40Dick.
01:01:41Dick.
01:01:42Dick.
01:01:43Dick.
01:01:44Dick.
01:01:45Dick.
01:01:46Dick.
01:01:47Dick.
01:01:48Dick.
01:01:49Dick.
01:01:50Dick.
01:01:51Dick.
01:01:52Dick.
01:01:53Dick.
01:01:54Dick.
01:01:55Dick.
01:01:56Oh, no, not again.