Igra sudbine, Epizoda 1134,Igra sudbine 1134 ,Igra sudbine 1135,Igra sudbine Epizoda 1134, Igra sudbine Epizoda 1135,Epizoda 1134 Igra sudbine ,Epizoda 1135 Igra sudbine
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00:00I don't understand, what's so funny?
00:10I didn't expect this kind of treatment from you.
00:13Do you enjoy this?
00:16Honestly, I liked you more before.
00:18You liked me more before?
00:20So you enjoy hurting people, is that it?
00:22Well, it also depends on who deserved it.
00:25Ok, I deserved it, but I'm interested in how I deserved it.
00:28Honestly, I expected worse.
00:31Jovana, please, stop.
00:33You're not a child.
00:35You know when something is done,
00:37because this is done.
00:39It's done when I say it.
00:41That's why it's done.
00:43That's why it's done.
00:44Because it's done when you say it, that's why it's done.
00:46Do you really think it's possible?
00:48You pick yourself up and go whenever you want,
00:50when it suits you.
00:51I don't have the strength.
00:52I can't do anything.
00:53Nothing by force.
00:54You can't get anything by force.
00:56Yes.
00:57Ok, you can do that.
00:58What can I do?
01:00You just chose a harder way,
01:02and you will pay for it.
01:05And what will I pay you?
01:0830,000 euros.
01:10I will pay you 30...
01:15Wait a minute.
01:20You are the owner of the business space.
01:24I will pay you now.
01:27Oh, Luka.
01:30Wait a minute.
01:54How could you do this to me?
01:57I don't want to talk to you.
01:59Don't let me teach you how to be smart like when you were a kid.
02:02I'm not a kid anymore, mom.
02:04And you can't do anything to me.
02:05Just look at me.
02:07I love him.
02:08I love Trivanović.
02:10And what will we do?
02:11You can't stop me.
02:13All my life I wanted to make you a lady,
02:15and you stuck to the first fool who gave you a little attention.
02:18I think that's why I have a lot of attention.
02:22I think that's why I have a lot of attention.
02:25Don't talk to me like that.
02:28I will run away from home.
02:29And what will you do?
02:31I will catch you and tie you up in front of the apartment.
02:34Lepošala, come out.
02:36Leave me alone with the kid.
02:38I don't want to argue.
02:39Really?
02:40Okay.
02:41Then we will all stand and be quiet until you get tired and leave.
02:47You two are the same.
02:50And I really wonder how you will solve this problem.
03:03Boss.
03:04Yes.
03:05Thank you for being here all my life.
03:07I'm just going to...
03:08And that's it.
03:09Did I tell you that I don't want to see that nonsense about you anymore?
03:12Did I tell you that?
03:14I agree, boss.
03:15Everything you say.
03:16If you can just...
03:17Here.
03:18Listen.
03:19I'm just going to...
03:20And when I get back, tell me everything.
03:22Did I tell you that if I see you with Ljubinka again,
03:27or even close to her...
03:28Boss, I will kill you.
03:29Listen to me carefully.
03:30Or even close to Kostmaj,
03:32even if I drag you down,
03:34I will personally lock you up
03:36and throw the key into the Danube.
03:38Boss.
03:39Is that clear?
03:40It's clear.
03:41I just have to...
03:42I have to go.
03:43If you understand me.
03:44Come on.
03:45Thank you.
03:46Just...
03:47Can I have a kiss?
03:49No, you can't.
03:51I'm giving you both my hands.
03:53Thank you.
03:54Right?
04:01I have to go, boss.
04:02Get out.
04:03I can't wait.
04:04Get out.
04:05I'm going.
04:13And don't knock on my door.
04:17Not there.
04:20Right there.
04:21Thank you.
04:27How could you do that?
04:29And why did you do it?
04:30Come on.
04:31What did I do, dad?
04:33Come on, please.
04:34Don't be crazy.
04:35Come on.
04:36I'm fine and normal
04:37when you keep me locked up here in Selendri.
04:39To live alone,
04:40without a single friend in the world.
04:43Come on, tell me, is that life?
04:45Easy, easy.
04:46I'm begging you.
04:47You know very well
04:48how much I've tried.
04:49You and mom understand
04:51that I love Trivanović,
04:52that he's the only person in the world
04:54who cares for me.
04:55He's a good person.
04:57Daughter,
04:58I'm just saying
04:59that you need some experience.
05:00You don't have any experience.
05:01Why do you think I'm crazy?
05:03I would never say that.
05:06Let me just tell you
05:08that Trivanović often comes to my room
05:10and you don't know that.
05:15He follows me around.
05:18What are you talking about?
05:20He comes...
05:21You know what I mean.
05:24Don't...
05:25Do you think I'm stupid?
05:27Well, I'm not.
05:28I'll tell you.
05:29I'm not, dad.
05:30I'm stupid because I'm not a kid
05:31so that I give myself to a man
05:33for whom I don't even know
05:34what his intentions are.
05:35Now it's easier for me.
05:36I knew I could trust you.
05:38Come on, calm down.
05:39Come on, please.
05:40I'm sorry.
05:41Come on, please.
05:42I'm proud of you.
05:44I'm begging you.
05:45Come on, I love you.
05:46Come on, I'm sorry.
05:48I'm proud of you.
06:05Hi, friend.
06:06Hey.
06:07Hey.
06:14What's up?
06:15I have to talk to you.
06:16Did you have a problem again?
06:18No, I didn't.
06:19You didn't go to work, did you?
06:20No, I didn't.
06:21Okay, what is it?
06:22Tell me.
06:23You know who came here?
06:25Who?
06:26Andrija came?
06:27Andrija came.
06:28There's no way.
06:29It's Andrija.
06:30Okay, come on.
06:31I can't play with you.
06:32Tell me what it is.
06:33Tell me.
06:34It's him.
06:36What does she want?
06:38She wants you to evaluate me.
06:40What the hell are you talking about?
06:42Who?
06:43Jovana.
06:44Send her to her own space.
06:47You know Andrija doesn't want to tell you who it is.
06:49I'm telling you.
06:50Jovana sent her.
06:51And what does she want in the end?
06:55She's evaluating me.
06:56I'm telling you.
06:58She wants 30,000 euros.
06:5930,000 euros?
07:00Don't panic.
07:01We'll figure it out.
07:02We'll figure it out.
07:03We'll figure it out.
07:05What happened between you two?
07:07Why is she acting like that?
07:08Nothing.
07:10What happened?
07:18Why are you looking at me?
07:19Why?
07:23Ljubinka.
07:26I thought of something.
07:28What?
07:29Are you going to punish me?
07:30No.
07:33We're going to Belgrade.
07:36Are you kidding me?
07:37I'm not kidding.
07:39What are we going to do there?
07:41Look.
07:43They'll open that bakery for you.
07:45That place near Pancete.
07:47A great cafe.
07:48We made a deal.
07:49We'll get rid of the job.
07:51But, I'm begging you.
07:53You can't say anything about this.
07:56Not even a word.
07:57Do you promise?
07:58I promise.
07:59But I wanted to ask you something.
08:04What about Privanović?
08:13Look.
08:16I'll let you see her.
08:19Because I can see that you're thinking like an adult woman.
08:34I'm sorry.
08:42Alex, is everything okay?
08:44It's not. That's why I'm calling you.
08:46Just be brief.
08:47Yes, I'm sorry for the inconvenience.
08:50How can I help you?
08:52We found out that Jovana is behind all this.
08:56How?
08:57It doesn't matter now.
08:59What can I do?
09:00I don't know.
09:01I just know that she won't raise the price.
09:04The only thing I can do is to let Andrija know.
09:07Yes, of course.
09:08That would be great.
09:10I'm sorry for the inconvenience.
09:12Thank you very much.
09:22It's okay.
09:31I'm sorry for the inconvenience.
09:36When are you going to stop with your nonsense?
09:42Do you hear me, you two?
09:45Why two, boss?
09:47Well, I see you two a lot.
09:50Yes, boss, but there's only one for nonsense.
09:54Bravo, bravo, sir.
09:55That's right.
09:56You can be proud of me.
09:57That's it.
09:58I'm just a collateral damage to you.
10:01That's right.
10:03I'll leave you to talk to each other like two sad old ladies.
10:06Come on, talk to each other.
10:07It's not a joke.
10:10What is it, Seljanović?
10:11I would like to know, boss, why did you call me to be responsible?
10:14Because I'm not guilty at all.
10:17How are you not guilty?
10:18I'm not guilty.
10:19How are you not guilty, Seljanović?
10:20Half of my ideas come from you.
10:22They're yours.
10:23What ideas?
10:24My idea was, boss, to make him fall in love with that piano prima donna.
10:28You should be ashamed.
10:29First, the girl is not a prima donna.
10:31You should be ashamed.
10:32She's a concert maestro.
10:34What do you mean, maestro?
10:35She's not fixing the piano, she's playing it.
10:38She's fixing it.
10:39Okay, enough.
10:40Here's what we'll do.
10:41Seljanović, you get an assignment, a very serious one,
10:44to take care of this colleague of yours.
10:47Because it's evidently unaccountable.
10:50Unaccountable, boss.
10:51I say the same thing.
10:52With all due respect to the colleague,
10:54I've noticed that a long time ago.
10:57Great.
10:59Vuk Branković is in his room.
11:02Are you still doing that?
11:04Come on, take it easy,
11:06go back to the kitchen,
11:08and do it.
11:09Okay?
11:12Why me, boss?
11:15Why you?
11:16Why me?
11:17Well, here you are.
11:19It's obvious that I can't be alone with this madman,
11:22not even in prison.
11:23Sorry.
11:24Come on, take it easy.
11:25Let's go.
11:27Let's go.
11:28Let's go.
11:49Laura.
11:51Yes?
11:53We need to talk.
11:57Okay.
12:01What happened last night, that was...
12:04That was a mistake.
12:05That was a mistake, yes.
12:09I know where I'm taking this.
12:11Yes.
12:12And I wouldn't dare to repeat it.
12:15Yes, yes.
12:16And I wouldn't dare to repeat it.
12:20This is all a game for you, right?
12:22No, I'm saying this because this is not a game for me.
12:25This is a project of my life.
12:27And I can't...
12:29Yes, but you have to play a little, right?
12:31No, I can't.
12:32I don't have the luxury to play.
12:34I can't.
12:38You're so predictable.
12:45I'm sorry.
13:04Is that you, Ljot?
13:07And where is it coming from?
13:10I don't know.
13:11Let's just pretend we hear it all the time.
13:16Is it because of Senka?
13:19Una.
13:20Yes?
13:22You're new to the company.
13:25You give yourself too much space.
13:28Andrija, I was right.
13:31The acquisition should have been done a long time ago.
13:34It's not about that at all, whether you're right or not.
13:36It is.
13:37It's a job.
13:38And why should I promote a PR ad if the job is not done?
13:42Well, if you put it that way, yes, you're right.
13:48But Senka is an experienced financial director.
13:54It was a little inappropriate, you know?
13:58But I don't understand why.
14:00I just asked her nicely to do her job.
14:02Why are you defending her so much?
14:03You didn't ask her.
14:06Listen.
14:08If I behaved that way towards the employees,
14:13they would all leave a long time ago.
14:18Can we argue because of Senka?
14:21If it's so easy for you.
14:24What do you want to say?
14:25It's clear to you what I want to say.
14:27We're constantly avoiding the right topic.
14:29It's not clear to me.
14:30Tell me what's going on.
14:34You're looking for reasons to argue.
14:37So as not to lead love.
14:40Here it is.
14:46Breathe.
14:47Ahem.
15:06One martini, please.
15:08And for the lady, the same.
15:10Oh, thank you.
15:14Your Honor.
15:16Wait, were you at Andrija and my place to look for a job?
15:19Yes.
15:22Okay, so what are you doing here?
15:24I work here.
15:26And how is the world, baby?
15:28I can't believe we're meeting here.
15:30Unbelievable. So what do you do?
15:33There was no job in Belgrade, so I came here to try.
15:36Here, it's going well.
15:39There's a place for everything here.
15:41There is, yes, but the competition is much bigger.
15:43Do you work as an expert or something else?
15:46Now I'm working on the production of fashion collections.
15:49Look, it's not a promising job in Belgrade.
15:52And Milan is an ideal place for that.
15:56It's a pity it's not ideal for love.
15:59You know you're absolutely right.
16:01What? You have love bites too?
16:03Yes.
16:05Well, let's cheer for our love bites.
16:09Cheers.
16:10Cheers.
16:14So, what's your problem?
16:17I fell in love.
16:19And, of course, it's complicated.
16:22Yes.
16:24Why?
16:26I work with them.
16:27So I'm at the start of a thin ice.
16:30Some Italian?
16:33He didn't imagine.
16:34It's a domestic collection.
16:36Really?
16:43No.
16:51Beautiful owl.
16:53You won't believe what I found out.
16:56No, Djoko, don't tell me.
16:58I saw Mido's tattoo.
17:00I know when he was in the army.
17:02At least one good news today.
17:05Come on, give me a kiss.
17:06Come on.
17:13Here.
17:25Here it is.
17:2812th.
17:3012th of 1986.
17:32That must be the number.
17:34Come on, Mido is older than the old Greeks.
17:37It's no wonder he uses the bank instead of the safe.
17:40That suits us.
17:41Are you philosophizing again?
17:43No, no, no, please.
17:45Don't send me any negative energy.
17:47We have to send positive energy into space.
17:50So we can, of course, save Mido.
17:53You're right. Let's go.
17:56I hope that's it.
17:58What do you hope for?
18:00He must have served the army twice.
18:02Okay.
18:04One, two.
18:06One, two.
18:08One, nine, seven.
18:12No, no, seven, eight, nine.
18:15Come on, concentrate.
18:17Let's do it again.
18:19You're distracting me.
18:20You're distracting me.
18:40Hey, Mido, what's up?
18:42Listen, friend.
18:44You can let Trivanović come to my lover's place.
18:47He's a good guy.
18:50He's a good guy.
19:01Hey.
19:03Hello.
19:05Are you okay?
19:07Yeah, I'm coming in a minute.
19:15Wait a minute.
19:17Are you feeling better?
19:18Come on, sit down.
19:21Sit down, sit down.
19:31Should we call a doctor?
19:33What do you think?
19:35Maybe it's a virus or something.
19:38Wait a minute.
19:40Did you eat something bad?
19:42I didn't eat anything, Alex.
19:45It's not a virus.
19:46I don't know what it is.
19:48We need to see what it is.
19:50I'm tired.
20:02And...
20:04Click.
20:06Bravo! We did it!
20:17And?
20:19Who's that guy you fell in love with?
20:22He's a great guy.
20:24But he won't do it.
20:26He's really bad.
20:28What's his name?
20:30Luka.
20:41Wait, wait, wait.
20:43Are you sure?
20:44Yes, I'm sure.
20:46I heard him well.
20:48Trivanović is a good guy.
20:50Yes, yes, you heard me well.
20:52I made a mistake with him.
20:54But you wanted to kill him yesterday.
20:56If necessary, I will kill him again.
20:59But for now, I won't.
21:01Okay, and where did that come from?
21:04Let the young love each other.
21:07Well, it's a pity you didn't call me a little earlier.
21:10Why?
21:12What happened?
21:14What happened to him and his Seljanović?
21:17They're fighting a lot.
21:19No, no, no.
21:21Please, let him go right now.
21:23Well, since I locked him up because of you,
21:25I'll easily let him go because of you.
21:27Thank you, Nebojša.
21:29You can't go against love.
21:31Love?
21:33You're very romantic.
21:36I'm not.
21:38I'm just walking on my love.
21:40I have her.
21:42So you're going to give her to Trivanović?
21:44He'll prove himself.
21:46Let him go now, please.
21:49Okay, Mido.
21:51It's a deal.
21:53Good luck.
21:55Thank you, Nebojša.
21:57You owe me, Mido.
22:00You'll need it.
22:15Do you want to say something?
22:18How are you, Trudna?
22:21How am I, Trudna?
22:23What?
22:25It's not clear.
22:27I'll show you how I am, Trudna.
22:29You can't even call me.
22:31This is how I am.
22:33This is how I am.
22:35Let's do some more tests.
22:37I've already done three tests.
22:39That's it. I'm Trudna.
22:40That's it.
22:43Okay.
22:45What are we going to do now?
22:47What are we going to do now?
22:49Doesn't this suit you?
22:51No, I didn't say that.
22:53Lenka, I didn't say that.
22:55I'm in shock, Lenka.
22:57Please, calm down.
22:59Okay, stop talking.
23:01Stop talking.
23:03Okay, but we have to...
23:05We have to think about everything
23:07and see what we're going to do.
23:10Okay.
23:18How is it possible that the car is empty?
23:21I knew it.
23:23Damn it!
23:36He just serves to cover his eyes.
23:38He's smart, he's smart.
23:40Yes, and what are we, stupid?
23:42What did we do except spend time?
23:45And there's no money, do you understand?
23:49Because...
23:51Because if he...
23:53If he sees that there's no safe, he'll suspect us.
23:56But nothing, we have to get him back to sleep.
23:58And you'll do that?
24:00I'll do that.
24:02Mrvica will do that.
24:04Mrvica will do all the dirty work.
24:06I'll do that.
24:07Because that's your responsibility.
24:09You gave me the wrong information.
24:11So be strong now.
24:12How can I be strong?
24:14Mrvica can do it, you can do it, Mrvica can do it.
24:27I'm beautiful, aren't I?
24:32I'm beautiful, aren't I?
24:34I'm beautiful, aren't I?
24:38I'm beautiful, aren't I?
24:43So, you're in love with a loser.
24:46Yeah, do you know anyone?
24:48A lot of people from Serbia call themselves that.
24:50What's your name?
24:52Krajina.
24:56Really?
24:58Tell me, when did that happen?
25:00This was a few days ago.
25:03And?
25:05And everything started all over again.
25:08Yes, that's how it is with him.
25:11Everything starts all over again.
25:15Wait, I don't understand. You know him?
25:19Seriously?
25:22Tell me something about him.
25:25The only thing I can tell you is that you need to be careful.
25:28Why?
25:31Because he's the worst type of man.
25:34It didn't seem like that to me at all.
25:37Well, at first it didn't seem like that at all.
25:40He seems very sensitive and naive.
25:43And deep down, he's a deviant.
25:46Well, I like that the most.
25:58Thank you.
26:04Thank you.
26:10Trivanović, you're free.
26:16What are you thinking about?
26:20Well, boss, I'm not thinking about anything.
26:24I don't know, maybe some lock.
26:26Lock? What don't you know?
26:29You're free, like a bird in a cage.
26:32Go, take care of Ljubinka.
26:37Is this a joke?
26:40No, no, it's not a joke. What don't you know?
26:43Well, she's a bit like a prostitute because of this Ljubinka,
26:48and then she's like a lover.
26:51Look, we got married for some unknown reason.
26:56I fell in love with you, and I said I'd let you go,
26:59and that you and his daughter Ljubinka should continue to love each other.
27:03That's all.
27:05Mido! Mido!
27:08Yes, Mido.
27:10He felt sorry for me, and he fell in love with me.
27:13But that doesn't surprise me.
27:16Love has a price.
27:19You have to respect it.
27:22Love is a great obligation.
27:24I don't look at it that way, boss.
27:27You'll see, you'll see. Take it easy.
27:30It's a great obligation.
27:33You have to have feelings, sacrifices.
27:36Love is not just something.
27:39Well, I know that. I have to give it a little.
27:42What don't you know?
27:45Let's go.
27:47They're waiting for you to dedicate Ljubinka to God.
27:51You have to do everything right.
27:54You're crazy, Trivanović.
27:57But listen, Mido is my friend.
28:00And I expect respect from him and his daughter Ljubinka.
28:03Is that clear?
28:05It has to be.
28:07Let's go now, tomorrow.
28:10To Kosmaj.
28:12What about me, boss?
28:14What about you?
28:16No, you're not going to Kosmaj.
28:18You're going to Kosmaj, Ljubinka, you love each other.
28:21And you're free to go to the cinema.
28:24I'm free, boss.
28:26That's right.
28:28Let's go.
28:30Thank you, boss.
28:32All the best.
28:34You'll need luck.
28:36Let's go, let's go.
28:39You're free.
28:41Fly, falcons.
28:43Let's go.
28:49Here's my wife.
28:51Go to another one.
28:55How do you think we're going to figure this out?
28:58Hard work is not a small thing.
29:00What do you mean, hard work is not a small thing?
29:02What are you talking about?
29:04We can't just...
29:06You want me to get an abortion?
29:08No, I didn't.
29:10Yes, you wanted to say that.
29:12No, I didn't.
29:14I just wanted to say that we need to find a doctor.
29:17I can't believe you're avoiding responsibility in a situation like this.
29:20No, that's not true.
29:21You're rational and calm.
29:23Of course I'm not calm, I'm stressed.
29:25Take it easy.
29:37Why didn't you leave him?
29:39If he sees him, we're in big trouble.
29:41I forgot that Mido and Vrata are locked up.
29:45Of course they're locked up, when she has a boss.
29:48I know, but I couldn't get in.
29:51Don't be a genius.
29:53How could you forget that you have Ljubinka's key?
29:56I know.
29:58I'm so lucky that I got Ljubinka's key back.
30:14I don't know why you acted like a crow.
30:17Now I'm a crow.
30:18You're a crow.
30:20No, I didn't say that you're a crow, I said that you're like a crow.
30:23You want to fight?
30:25Listen to me.
30:27Answer me nicely when I ask you.
30:29Why did you stop reciting poetry,
30:31like a woman, about me,
30:33nicely when you started talking,
30:35and then when Gala came in?
30:37What is it?
30:39What is it?
30:41Holding someone's head is not good for anyone.
30:48What is it?
30:53Bravo!
30:55Hey, I see you're in a good mood this morning.
30:58In a good mood.
31:00Hey, I made you tea.
31:02I'll take some of your coffee.
31:04I'm excited and I'm nervous.
31:07Tell me that you're nervous.
31:10I started building today.
31:19Tell me.
31:21What?
31:23Tell me what.
31:25Aren't you glad that you don't need anything from me?
31:28Me?
31:30I'm always polite, always nice.
31:32You know me.
31:34Come on, tell me what you need.
31:36I thought you'd give me the key to Mido's room.
31:39Again?
31:48There is no more village,
31:50there is no more my love from Setna,
31:53there is no more.
31:55Come on, don't philosophize,
31:57don't talk, come on.
31:59What?
32:01What if I lead to the abyss of love?
32:04Why are you philosophizing?
32:06Come on.
32:08What if I lead to the abyss of love?
32:11What if I lead to the abyss of love?
32:14What if I lead to the abyss of love?
32:16What if I lead to the abyss of love?
32:33Where are you?
32:35Please tell me that there is no problem again.
32:37I don't know if I should call you that.
32:40Why?
32:42It seems difficult.
32:46Why?
32:59I don't know if I should give it to him or not.
33:01No.
33:03Don't give it to him without thinking.
33:05Listen to me slowly.
33:07Go to my room,
33:09unlock the door
33:11and leave it a little open.
33:16All right.
33:28Well, girls, the time is up.
33:31Let's hear who wrote what.
33:34That's up to me,
33:36there is no going back now.
33:38Let's say you, Bobo, first.
33:46You