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Transcript
00:00TREVANOVIC'S WIFE
00:06Well, Vala, I have to admit, I'm satisfied with your work today.
00:11You're a great worker.
00:13Eh, great, Milan.
00:15You were great, and...
00:17And what?
00:18You worked hard.
00:19I worked hard, I see, I see.
00:21Eh, my Trevanovic, everyone works hard, but only women succeed.
00:26Yes.
00:28Okay.
00:30Eh, Mido.
00:31Hm?
00:33Eh, we can say that's it, right?
00:35What's that?
00:36Well, I cut down half a tree, like a forest, I feel like I threw it away.
00:41So, that's it.
00:42Trevanovic, come on, I don't want to cut down the whole forest,
00:46I cut down half a tree, it would rot.
00:48And look, what if it doesn't rain?
00:50What?
00:51Who's going to take it?
00:52It has to go to the roaster.
00:55Don't worry about anything.
00:57But...
00:58You did that, and you won.
01:00Don't worry.
01:01Don't worry about me.
01:05Yes, Mido.
01:06What is it?
01:07I'm begging you.
01:08What do you mean?
01:09I'm begging you, just give me some water.
01:11I'll pour you some water.
01:12Get out of here.
01:13Get out of here.
01:14There's a fountain over there, drink there, come on.
01:16Get out of here.
01:17God, help me.
01:19I've never seen a man cut down half a tree like that.
01:23I thought he was taking you to the king.
01:27Me?
01:28What?
01:29To the king?
01:30What do you mean, to the king?
01:32Who's going to bring those pigs?
01:34They have to be brought by freight.
01:36Love, love must be earned.
01:38Work, respect for work.
01:40And where are we going to get him a drum?
01:43He's your boss, after all.
01:45Go to hell.
01:48I'm begging you.
01:50No, no, no.
01:51You're right, you're right.
01:53It's all right.
01:54I'm going, I'm going.
01:55Just give me some water.
01:57You're going to die here, man.
01:59No, I'm not going to die.
02:01You know what we're going to do?
02:03You go to Belgrade and stay there for two days.
02:06Thank you.
02:07In two days, I'll get a truckload of wood,
02:10which needs to be cut down, cut up, put together,
02:14and ready for the kiln.
02:16Is that clear?
02:17Clear, clear.
02:18So I can go?
02:19You can.
02:20I love you so much.
02:22Thank you so much.
02:24All right.
02:25See you in two days.
02:27I have to go.
02:28I'm going to get a gun and some leaves.
02:30That's it.
02:31Wait a minute.
02:32Where's your gun?
02:33It's over there, next to the wood.
02:35Where?
02:36Next to the wood.
02:37Why are you holding a gun?
02:38It's normal.
02:39Don't worry about it.
02:40She knows where my gun is.
02:41Really?
02:42It's all right.
02:43All right, all right.
02:44See you.
02:45All right.
02:51Why are you looking at me like that?
02:55My love,
02:56all my life,
02:58I've been advising you,
03:00helping you,
03:02feeding you,
03:04and there's nothing to regret.
03:07Why are you scaring me now?
03:10I'm begging you now.
03:12Never, never,
03:14never be a bitch.
03:17What do you mean?
03:19If you don't plan to go to the end with Kaja,
03:22don't drag her into a long relationship.
03:26What do you mean?
03:29Kaja is a good girl.
03:36Yes?
03:37You can come in.
03:39Dad, I didn't expect you.
03:42I hope I'm welcome.
03:44Always.
03:46Where's Trivanović?
03:48He had to go to Belgrade.
03:50He'll be back soon.
03:52When are we going to Belgrade?
03:54Don't worry.
03:55It won't take long.
03:56Just a few more weeks,
03:57and we'll be there.
03:59I'm so glad we're going to Belgrade.
04:01Me too.
04:02I thought we'd have a great time there.
04:04Of course.
04:06And now I have a boyfriend.
04:09Tell me, what was he like?
04:10Did he do everything you told him to?
04:12Him?
04:14Of course not.
04:16Don't worry about him.
04:18He's nothing to you.
04:20He's like a synthetic to you.
04:23You can't do anything to him.
04:26But you know what?
04:28He showed himself well.
04:31You know, strong.
04:33He showed his true nature.
04:37Wait, what are you going to do with the money?
04:40You don't have the money.
04:42What are you going to do with me?
04:44My daughter-in-law?
04:46She's smart.
04:48She put the money around you.
04:50Who's smart enough to hide the money around you?
04:53Look at her.
05:04Did you hear what he said?
05:07I think there's some reliable information
05:09about Milena.
05:11For sure.
05:12I don't know where she's coming from
05:14and where we're going.
05:16What do you mean?
05:17Do you know who's bringing her?
05:18Boba.
05:19Yes.
05:20It's not a coincidence.
05:21She chose him.
05:22Be quiet.
05:23They've known each other for a long time.
05:24Who knows what Boba told her?
05:25They know each other in private.
05:27Yes, yes.
05:28Who knows what she told her?
05:29It's true.
05:30Why don't you know Boba?
05:31How?
05:32She'll be surprised when she finds out
05:34how much I know her.
05:35When all her plans go down the drain.
05:37I don't doubt that.
05:39She's gone too far.
05:40Why do you think Andrija is defending her?
05:42Who cares about Andrija?
05:43I think we should go back.
05:45I think we should go to a Brazilian cafe.
05:47Let's go.
05:48Wait.
05:49Let's go.
06:07What's so urgent?
06:08Who did you call, Ivana?
06:10I'm sorry?
06:11I didn't know I needed your permission.
06:13Besna called me.
06:15She said you threatened her.
06:16What? I'm Besna.
06:17We're all Besna.
06:18Please, don't do that.
06:19You've made the situation worse.
06:21Don't do that again.
06:22Okay, I'm sorry.
06:23Maybe I went too far.
06:25But the situation was bad anyway.
06:27Yes, maybe you should've been smarter.
06:28That's it.
06:29Don't blame this on me.
06:31The woman is trying to destroy my job.
06:33Let it all go to me.
06:34Let it all go to me.
06:35Please, don't.
06:39Don't make decisions like that again.
06:43Okay?
06:45There's a chance you'll make the situation worse,
06:47just like you did now.
06:48Don't do that again.
06:50Okay.
06:51And don't meddle in my private life.
06:55I'm probably your private life too.
06:58Okay.
06:59I'm going to see you in Bosnia.
07:01And don't forget we have a meeting in the studio tonight.
07:08Okay.
07:23I don't understand why Mom wanted to steal the money from you.
07:27You don't understand?
07:28Let me tell you.
07:29She thinks if she stole the money,
07:32she'd tie me up and I wouldn't go anywhere.
07:35That's why.
07:36And that's not all.
07:38She was trying to get that poor Mrvica to work for her.
07:42You know, poor man.
07:44What would his life be like with her?
07:47What would his future be like?
07:49Poor Mrvica.
07:51I don't think he'll ever get a doctor's degree.
07:54What doctor?
07:56He won't even have a nurse.
07:59I guess that's how it's written in the stars.
08:01All he can do is look at them
08:03and count them in front of him.
08:05There you go.
08:06I'm going to meet him.
08:07Bye.
08:08Bye.
08:15Where did you go?
08:16Where did you go?
08:31I can't believe this is happening for no reason.
08:34It's like you don't know Jovana.
08:36She's going to ruin everything.
08:38She's shameless.
08:39What if she accuses me of working for her through her husband?
08:43I can't say that about her, but I'd better keep my mouth shut.
08:46I've been working for Star PR for so many years.
08:48Before that, while Khan Holding was here, I was also working for them.
08:51Una, please don't pay attention to her.
08:53She's going to try everything, and if she succeeds, she succeeds.
08:56I know, I know.
08:57It's just that I can't stay immune to her provocations.
09:01Please don't take it personally.
09:03Jovana doesn't like anyone.
09:06You're right.
09:08Please, I'm just going to the bathroom.
09:11Wait for me.
09:12I'll be back.
09:13Hurry up.
09:23Hello?
09:25Andri, you can't believe how chaotic this is.
09:28Where did you get the idea that I can't?
09:30Talk to me.
09:31She's making accusations all over again.
09:33Not a single grain of grain she can't believe.
09:35Well, you wanted to hang out.
09:37Next time.
09:38Mind what you do.
09:41Thank you, Andri.
09:43See you, bye.
09:49Here.
09:51We're going to...
09:52We have to hold out until the end.
09:55Let's go.
10:05What?
10:12I'm asking you.
10:13I heard you, Ljeposava.
10:15I heard you, you weirdo.
10:17What do you care? I'm leaving.
10:19What do you want?
10:20Where did you get the money?
10:22Where did I get the money?
10:24I earned it, Ljeposava.
10:26With the workers' hands.
10:28From the bakers, from the guests.
10:30What do you think?
10:31That I'm laundering the money?
10:33If it's from the bakers and the guests,
10:35then it's my money.
10:36Give me my money.
10:37My money.
10:38Give me my hands,
10:39or I'll dry them.
10:41That's money.
10:42Isn't that what's nice about this?
10:44If you didn't know, we're divorced.
10:46We're divorced, Ljeposava.
10:49I'll spend it,
10:50and I'll throw it at you, too.
10:52But, for the record,
10:54this money is mine.
10:56And only mine.
10:57Is that clear?
10:58What are you talking about?
10:59What you heard.
11:00I'm telling the truth.
11:02Ljeposava.
11:04If it's yours,
11:06why did you try to steal it from yourself?
11:09Tell me.
11:10Tell me.
11:33Good.
11:35Now,
11:38bake, Mido.
11:40Bake.
11:41When you have no one to bake for you,
11:44then you have to do it.
11:46Everything has to be on the edge.
11:48That's right.
11:50That's right, Fido.
11:52You're an expert, Mido.
11:55No one knows that.
11:57Look at this, Mido.
11:59Look at this.
12:00Mido, what are you doing?
12:02Where did you go?
12:03No, I didn't try,
12:04but I started to wash up.
12:06You know what happened?
12:07This is an emergency.
12:08Just a little, just a little.
12:09Calm down.
12:10Come on, tell me.
12:11What happened?
12:12I don't have a gun.
12:14What are you talking about?
12:15I lost my gun.
12:16Idiot, how can you not have a gun?
12:18Do you know how serious this is?
12:19I know, that's why I'm telling you.
12:21I don't know what happened.
12:22I went to the bathroom,
12:23and I kissed...
12:24I mean, I thought of something, and...
12:26What's going on?
12:27What's going on?
12:28I don't have a gun.
12:30I'm an inspector.
12:32I found a gun on the street.
12:34What do you mean, you don't have a gun?
12:35Where's your gun?
12:37I don't know, honey, I don't know.
12:38I don't know.
12:39If I knew, I'd say I knew,
12:40but I don't know.
12:41You don't know, do you?
12:42What are we going to do now?
12:44People, this is a very serious matter.
12:46I searched everywhere.
12:48There's no gun anywhere.
12:50People, you're not normal.
12:52I can't believe what's going on,
12:54and it's all here, in my apartment, right?
12:56And what are we going to...
12:57You know what?
12:58Buy some plastic.
12:59I don't care.
13:00What are we going to do now?
13:01I don't know what to do now.
13:02I just...
13:03I don't know, I don't know.
13:04I just have to find it.
13:06Do you realize that someone stole your gun?
13:10Oh...
13:16Oh...
13:24Allora, signori,
13:25the situation is very serious,
13:27and we're not even close to a solution.
13:30The lawyer says we have ten days to think.
13:33And that's against all legal rules
13:36and the tradition of normal business.
13:40We have to find a solution as soon as possible.
13:42This has gone too far.
13:44I've already called some people
13:46and some agencies
13:48and informed them that we are currently
13:50looking for business space.
13:52And God or the devil?
13:53No.
13:54But it will be difficult to find something
13:57while the Milan Fashion Week is going on.
14:00Everything is...
14:01overbooked.
14:03Well, no one normally looks for space
14:05for a long time.
14:06That's the problem.
14:07Well, no one normally,
14:08you put it nicely.
14:09Okay, there's no need to be jealous.
14:11We won't achieve anything like that.
14:14Okay.
14:16I hope I'm the best at saying anything else.
14:19Yes.
14:20Thank you for understanding
14:22and I want to apologize for
14:25all this chaos and mixing private and business.
14:28It's all right.
14:29It's not easy for you or us.
14:31We have to stick to it.
14:33There's no other way.
14:34Okay?
14:35Okay, I agree.
14:37Okay, guys, what can I say?
14:39I'm sorry.
14:40I'm really sorry.
14:42Especially since I feel
14:45directly responsible for all this.
14:48What I can promise you is
14:50that I will do my best
14:52to fix the situation as best I can.
15:05I hope you've survived the meeting
15:07with the women of Cancapital.
15:10I will survive.
15:11There's no problem.
15:12Far from it,
15:13this is the hardest job in my life.
15:15I see.
15:16I see.
15:18What about them?
15:21I'm not sure.
15:22There's no good atmosphere here.
15:25Yeah, there's no good atmosphere.
15:27I'm not sure.
15:28I'm not sure.
15:29I'm not sure.
15:30I'm not sure.
15:31I'm not sure.
15:33I can find my own conclusion to that.
15:37You can.
15:39Do you know that the military camps are being conducted?
15:42Do you know that?
15:45Not exactly.
15:46I mean, I don't know the details.
15:48I mean, I don't know the details.
15:49Aha.
15:50It's hard to say that the camps are detailed.
15:53On one hand, Joven and Vanya.
15:55A second hand, Una, Boba, Senka...
15:59shadows.
16:03Interesting.
16:05Yes.
16:07And it will be.
16:11And what caused
16:13the creation of those
16:15parties?
16:17I mean, it's better for you to tell me than
16:19for me to conclude.
16:23Well, maybe you could guess it yourself.
16:29The arrival of Una at work.
16:35Well, I don't think Una is to blame for everything.
16:37Didn't I say that Una is to blame for everything?
16:39No, no, no.
16:41You are to blame.
16:45By bringing Una, you established nepotism
16:47and clan divisions at work.
16:55Well, I didn't really have
16:57any other choice.
16:59Then you had to be aware of it.
17:05Is there a chance
17:07that the situation
17:09is escalating
17:11in the wrong direction?
17:13That it's getting worse and worse?
17:15Always.
17:17But the atmosphere is already alarming enough.
17:19Mhm.
17:25Okay.
17:29So,
17:31I'm to blame, right?
17:35I mean, it's not just Una's presence
17:37that is to blame for all the conflicts.
17:41Well, okay.
17:43There's everything and everything.
17:45But you used your example
17:47to point out
17:49that the business codex
17:51doesn't count.
17:53Right?
17:55Interesting.
17:59Tell me,
18:01do you have a solution?
18:03What do you suggest?
18:15I really don't know
18:17how the gun could have disappeared
18:19just like that.
18:21What you don't know
18:23and don't understand
18:25doesn't mean it couldn't have happened.
18:27I know, people,
18:29but the water could have
18:31surrounded us by now,
18:33at the end of the summer.
18:35Three days before the end of the summer,
18:37instead of bathing in the pool,
18:39we are waiting for the police
18:41because the codex disappeared.
18:43But in our city,
18:45when the codex disappears,
18:47the gun is a big problem.
18:49Okay, people,
18:51but Trivanović and Seljanović are already here,
18:53so we're not waiting for anyone.
18:55That's what I said.
18:57Enough talking.
18:59Now, everyone,
19:01move your rooms.
19:03What does that mean?
19:05You could have found a giraffe
19:07in the pool by now.
19:09Now we have to go.
19:11We have to go before the end of the summer.
19:13Shut up, we're talking.
19:15It'll be over soon.
19:17I don't want to go to the police.
19:19Come on, I'll wait for you.
19:21Let's go.
19:23Everyone to their rooms.
19:25He's coming for us.
19:27Come on.
19:29Man.
19:41He won't be able
19:43to solve everything all at once.
19:45You know that.
19:47I know that.
19:53Is there a chance
19:55that you will help us
19:57in all this?
20:01First of all,
20:03they will have to help themselves.
20:05I won't always be there.
20:11What's that?
20:13I have to apologize.
20:19Hello?
20:21Hello, this is Laura Djordjevic
20:23from Milan.
20:41What is this?
20:43There's nothing here.
20:45What?
20:51What is this?
20:53Why do you care?
20:55What is this?
20:57What kind of will is this?
21:03What kind of will is this?
21:05I'm asking you.
21:07Why do you care?
21:09Why do I care?
21:11You know how to steal guns.
21:29It's you.
21:31You didn't write to me.
21:39Laura Djordjevic.
21:41I assume we know each other,
21:43but my name doesn't mean anything.
21:45I was at your place
21:47ten years ago
21:49for a job interview.
21:51At Cannes Capital?
21:53I don't remember.
21:55Yes, yes,
21:57at your and your ex-wife's place.
21:59I apologize,
22:01but ten years is a long time.
22:03We've had a lot of job interviews
22:05since then.
22:07A lot of job interviews.
22:11I assume so.
22:15What's your number?
22:17It's from a mutual friend
22:19from Milan, Stojanovic.
22:21You know him.
22:23Good.
22:25How can I help you?
22:27I work in the fashion industry.
22:29I'm currently working
22:31with Luka Kanački
22:33and Aleksandar Žeković.
22:35Thank you.
22:45What do you mean,
22:47steal guns?
22:49I've never seen a gun
22:51but I've never touched a gun.
22:53Step back.
22:55Don't interfere
22:57with my duties.
22:59I won't do it again.
23:01Wait, wait.
23:03Did you hear this is your aunt's
23:05testament from Australia?
23:07A little bit more, man.
23:09What?
23:11He says
23:13you'll inherit
23:15500,000 Australian dollars
23:17if you get married
23:19in six months.
23:21But you shouldn't have seen that.
23:23If you can,
23:25I'm begging you
23:27to shut up.
23:29Seven percent
23:31and I'll shut up.
23:33Seven?
23:35Seven percent.
23:37If I can,
23:39I'll give you one percent.
23:41Six.
23:45Three.
23:47Five.
23:49Or a dollar less.
23:51Five percent.
23:53You know how much it is?
23:55One.
23:57Five percent.
23:59Five.
24:01Wait, man.
24:03I gave you five percent.
24:05Wait, man.
24:07How are you going to find a wife
24:09in this time?
24:11What about Kaya?
24:13Why don't you marry her?
24:15I want to, but I can't.
24:17I don't have the courage
24:19to ask her for money.
24:21I understand.
24:23Look.
24:25I'll find you a woman.
24:27Really?
24:29I'll find you a woman
24:31so you can marry her
24:33and not lose the money.
24:35But then
24:37twenty percent is mine.
24:39Okay.
24:41Five percent.
24:43I just want to see something.
24:45I'm holding on,
24:47Kaya.
24:49I'm holding on to this five percent.
24:51You can just
24:53give me this envelope.
24:55That's it.
24:57That's it.
24:59That's it.
25:09Do you understand?
25:11I understand.
25:13I understand everything.
25:15I won't tell anyone anything.
25:17Just put the gun down.
25:19Why did you take it?
25:21You ask too many questions.
25:23I know, but everyone is asking for the gun.
25:25The police could come and arrest you.
25:27Don't make me cry.
25:29Besides,
25:31if they find out the gun is here,
25:33you have to tell them you took it.
25:35Me?
25:37I understand.
25:39I just don't understand
25:41what's going to happen with the gun.
25:43I don't understand anything.
25:45What do you mean you don't understand?
25:47I can't let them take my money
25:49and my daughter from Belgrade.
25:53Sorry.
25:59Tell me, what is going on?
26:01We have a little problem.
26:03Your ex-wife has given Luka
26:05the fashion studio.
26:07Now she refused.
26:09I know. I talked to Luka and Aleks.
26:11You are in trouble.
26:13I was hoping for new information.
26:15This should have been solved by now.
26:17The question is
26:19what is expected from me now.
26:21I don't want to be a part of it.
26:23Okay, and?
26:25It's against all business rules.
26:27Well, I'm doing everything to make it work.
26:32The rest is not my business, it's my ex-wife's.
26:36You're obviously not doing enough.
26:38If you don't finish it in the shortest possible time,
26:40and you don't allow me to use the studio,
26:43What's going to happen?
26:45I'm going to tell everyone in Milan
26:47that they shouldn't work with either Jovan or you.
26:50Now this is turning into a price.
26:54Don't leave me a choice.
26:56You have two days.
27:01I see you're in big trouble, Andrija.
27:06Well, let God help me.
27:09How far have you come?
27:11Yes.
27:15I'm going to get married.
27:17You're right.
27:19Anyway, thank you for all the information
27:22that you shared with me.
27:27I have to go.
27:47Hey, boss.
27:49Trivanović here, yes.
27:51I know who I was calling.
27:53Are you still in Kosmojevac?
27:55Yes, I am.
27:57You were in love with Seljanović.
28:01Is that clear?
28:02Trust me, boss.
28:04I wanted to leave today.
28:06I was literally about to leave.
28:09But I had a little problem.
28:12I don't know how to tell you.
28:17I don't know if I should ask you
28:19how it was at the team building.
28:23Better not.
28:26Jovan provoked me with Vera.
28:29Unbelievable.
28:31Again?
28:33And not just me.
28:35All the women.
28:37But I really tried to stay away
28:39and I sent her.
28:41I sent her?
28:43Yes.
28:45She stopped me and sent me.
28:49Unbelievable.
29:03Who took my gun?
29:05I'll kill you.
29:07Instead of talking about that gun,
29:10I think we could talk about something nice.
29:13About our future.
29:15About our plans.
29:21What's wrong?
29:23Ljubinka, honey.
29:25How can we think of a plan?
29:38I really don't know.
29:41How could a fool steal a police gun?
29:47I don't know.
29:49It's not clear to me how crazy
29:51and stupid you have to be
29:53to not understand the seriousness of the situation.
29:56How serious it is.
30:11Hello.
30:17Tell me,
30:19why didn't you do what I asked you to do?
30:22Good day, Andrija.
30:24You just entered my workplace
30:26without saying hello.
30:28I asked you something.
30:30I forgot again.
30:32Don't play dumb.
30:42Friend,
30:44is it clear to you
30:46that stealing a gun
30:48is a serious crime?
30:50Right?
30:52It seriously violates
30:54the reputation of the police
30:56and this apartment, son.
30:58Okay.
31:00And?
31:02Okay, and?
31:12I have to be here.
31:14Why?
31:16I have to be here
31:18because of the investigation
31:20about the missing gun.
31:22That's the procedure.
31:24Why do I need a gun?
31:26Everyone is guilty
31:28until proven guilty.
31:30Okay, I think you were wrong.
31:32Tell me what you have
31:34or go.
31:41You have no idea
31:43who you're dealing with.
31:45What do you mean?
31:47I had to get to know him.
31:49He's from Bosnia.
31:51I know who I'm dealing with.
31:53I was thinking about you.
32:11Mom.
32:13Honey.
32:15Have you ever thought
32:17about leaving?
32:19Please.
32:41You