Sueños de Libertad - Capítulo 101
Category
📺
TVTranscript
00:00What you've done is your fault, and only yours.
00:10And with that, what do you mean?
00:12You've destroyed our marriage.
00:14Well, we were both on our way out of the winery.
00:19Claudia, what's wrong?
00:20Oh, I don't know. Something's not right.
00:22Mom, I have to think.
00:25It's outrageous to think that this isn't a love letter.
00:29No, Joaquin, no.
00:30No, the father wasn't one of those men.
00:32He was married, he had three children, he loved us madly.
00:35It's not about resting just today.
00:38Today and tomorrow.
00:40Until we prove that things are as they should be,
00:43it can be three days or three weeks.
00:47How are you?
00:50Well, look, with a feeling of terrible guilt.
00:53Because my mother is at the sanatorium again.
00:55Alone.
00:56You see, Tasio, I can't publicly acknowledge you as my son,
00:59but I'd like you to give me a chance to treat you as such.
01:03I'm glad you didn't go to the sanatorium,
01:05that you didn't listen to me.
01:07What's the point of going to the sanatorium
01:10if what I want most is here?
01:26I love you.
01:27I love you.
01:28I love you.
01:29I love you.
01:30I love you.
01:31I love you.
01:32I love you.
01:33I love you.
01:34I love you.
01:35I love you.
01:36I love you.
01:37I love you.
01:38I love you.
01:39I love you.
01:40I love you.
01:41I love you.
01:42I love you.
01:43I love you.
01:44I love you.
01:45I love you.
01:46I love you.
01:47I love you.
01:48I love you.
01:49I love you.
01:50I love you.
01:51I love you.
01:52I love you.
01:53I love you.
01:54I love you.
01:55I love you.
01:56I love you.
01:57I love you.
01:58I love you.
01:59I love you.
02:00I love you.
02:01I love you.
02:02I love you.
02:03I love you.
02:04I love you.
02:05I love you.
02:06I love you.
02:07I love you.
02:08I love you.
02:09I love you.
02:10I love you.
02:11I love you.
02:12I love you.
02:13I love you.
02:14I love you.
02:15I love you.
02:16I love you.
02:17I love you.
02:18I love you.
02:19I love you.
02:20I love you.
02:21I love you.
02:22I love you.
02:23I love you.
02:24I love you.
02:25I love you.
02:26I love you.
02:27I love you.
02:28I love you.
02:29I love you.
02:30I love you.
02:31I love you.
02:32I love you.
02:33I love you.
02:34I love you.
02:35I love you.
02:36I love you.
02:37I love you.
02:38I love you.
02:39I love you.
02:40I love you.
02:41I love you.
02:42I love you.
02:43I love you.
02:44I love you.
02:45I love you.
02:46I love you.
02:47I love you.
02:48I love you.
02:49I love you.
02:50I love you.
02:51I love you.
02:52I love you.
02:53I love you.
02:54I love you.
02:55I love you.
02:56I love you.
02:57I love you.
02:58I love you.
02:59I love you.
03:00I love you.
03:01I love you.
03:02I love you.
03:03I love you.
03:04I love you.
03:05I love you.
03:06I love you.
03:07I love you.
03:08I love you.
03:09I love you.
03:10I love you.
03:11I love you.
03:12I love you.
03:13I love you.
03:14I love you.
03:15I love you.
03:16I love you.
03:17I love you.
03:18I love you.
03:19I love you.
03:20I love you.
03:21I love you.
03:22I love you.
03:52I can't even give her that.
03:54Then go see her more often.
03:56I can't, I'll have to wait.
03:58Her doctor has told us that visits are currently canceled.
04:00Really? But how is that possible?
04:02Well, because she says she has to adapt to the rhythm of the sanatorium.
04:05But she won't understand.
04:07I feel like I've failed her.
04:09It's like the fish that bites the tail.
04:12Look, that's why I think it's going to be very good for me to be here.
04:15To think about something else.
04:17I agree.
04:19Your decision makes me very happy.
04:21But little by little, what has happened to you is very serious.
04:23Take your rest.
04:25We need that wound to heal well.
04:28I'll take it into account, doctor.
04:30I mean it.
04:32You know how things work here.
04:34Today we haven't had much tracking, but at any time four patients come and we can't take it anymore.
04:38That's true.
04:40By the way, what a good idea.
04:44Look.
04:47This arrived the other day.
04:49What is it?
04:50It's an invitation for a nursing congress in Madrid.
04:53If we want you to leave that house,
04:55it's better that you're sitting in an auditorium listening,
04:58instead of going from there to here to see patients.
05:01And will there still be room?
05:03Of course.
05:04You will be with colleagues, you will share experiences,
05:07you will learn new techniques.
05:09It will be very good for you to think about something other than your mother or your family.
05:14What do you say?
05:16I think it's a very good idea.
05:18Like all you have.
05:20I'm going to make a call.
05:33Well, this is on point.
05:36Yes.
05:39Man, you're on time.
05:42It's nothing.
05:43But with the tricks Sara has taught me, I think I cook better.
05:49What's wrong?
05:51Something I don't know?
05:53Did you check the pipes?
05:55No, no, no. Yes, yes. Everything is fine at home, yes.
05:58Then why do you make that face?
06:03And Gemma is insisting that you don't go.
06:05Has there been another breakdown?
06:07No, no, no.
06:09There is no other breakdown.
06:11Then why do you look like a soul in pain, son?
06:13Well, mother, because I have other problems.
06:16Come on, cheer up.
06:18You have reasons to be happy.
06:20Do you want lemonade?
06:22Your wife made it, it's delicious.
06:26Son, what do you have to complain about?
06:30Life makes you smile.
06:32Yes, a lot.
06:33You can't complain.
06:35Look how Isidro or Mrs. Mercedes are.
06:38Mother, I'm not on the brink of death, but I have other problems too.
06:42Let's see, son.
06:44When life seems to go wrong, and everything is going to go wrong,
06:48and things get better,
06:50it's a lesson for us to trust in it.
06:53Yes, but not always in life everything goes well.
06:56If you scratch a little, there is always something good.
06:59Look, for example, the flood of the house
07:02has helped Gemma and you live together alone for a while,
07:05and it was necessary.
07:07And for me, living here has made me remember your aunt.
07:11And they are very beautiful memories.
07:13And isn't it a bit naive to see only the good side of things?
07:16It may be, but it helps to be better.
07:19I have also thought of you.
07:21How are you?
07:23It is true that your brother has not found a woman
07:25to form a family yet,
07:27but look at him,
07:29executive of a company.
07:31What he was looking for and what he deserved.
07:33And you, you work a lot, a lot, it's true.
07:36And your wife too.
07:38Son, but you are a married couple.
07:40Let's see when you give me a grandchild.
07:42Oh, mother, please.
07:44You argue a lot, it's true.
07:46But the loyalty you feel for each other
07:48is very difficult to find.
07:50No, mother, it's not like that.
07:52Digna, today we are on set.
07:54Almost no one has come to eat.
07:56Do you want me to serve the first course?
07:58No, no, no, I'll go.
08:00So, I'll tell you how I seasoned the stew.
08:03Alex Tiroza.
08:05Don't move it, it has to rest.
08:13Were you going to tell your mother everything?
08:15Of course.
08:17So that she is warned when she returns home.
08:20No?
08:21Or do you think she will think when she sees
08:23that we are not sleeping together?
08:25We can solve it, Joaquín.
08:26Please, let's talk, you and me,
08:28and we will find a way to ...
08:29No, Gemma, no, no, no.
08:31I'm tired of lies.
08:33And don't even think about warming my mother's head
08:35so that she stays here longer.
08:37I know you.
08:39No, please, Joaquín, listen to me, I beg you.
08:41No, Gemma, for me,
08:42the sooner people know what you've done, the better.
08:55Come in.
08:57May I?
08:58Yes.
09:01How are you? How do you feel?
09:03Better, much better.
09:06Carmen told me you had a heart attack.
09:08Yes, I hope it stays that way.
09:11But ...
09:12Do you feel bad? Does it hurt?
09:15No, no, no.
09:16Dr. Borrell has reassured me, she told me that ...
09:19Well, it's normal to bleed in the first months of pregnancy.
09:22Yeah.
09:23But hey, sit down.
09:24Yes.
09:32Mateo, if I tell you the truth,
09:34I'm scared to death.
09:36I'm terrified.
09:37Well, but Carmen told me you're not in danger.
09:40No, I'm not.
09:42But the baby is unknown.
09:45Look, Mateo, if something happens to him, I'll go after him.
09:48No, no, no, but don't think about that.
09:51Have faith.
09:53Yeah.
09:55This baby, the most important thing I have, you know.
09:59And I want this to go well.
10:02In all my prayers,
10:04I ask for your health and that of the child.
10:06Thank you very much, Mateo.
10:08I don't hate Rosa either.
10:09But come on, apart from my prayers,
10:12that you know you have me here for whatever you need.
10:17Thank you, Mateo.
10:19It's true that since you've been here,
10:21I feel a lot of peace.
10:24I feel the same way.
10:27I don't know, since I met you,
10:29I feel the need to protect you.
10:39Much more now, right?
10:41You're a priest.
10:42Of course.
10:44Do you know if you can stay in La Colonia?
10:47Yes, I can practice with Don Agustín.
10:50Really?
10:51I'm convinced.
10:53And what did you tell him?
10:55And what did you tell him?
10:57Because coming from you, I'm sure it's nothing bad about Don Agustín.
11:00No, I just told him that I felt very close to the parishioners of La Colonia
11:05and that I thought I could do a very nice job.
11:08Well, and you haven't fooled them, girl.
11:10Because we really need you here, Mateo.
11:16May I?
11:17Come in.
11:18How are you, Claudita?
11:20Much better.
11:22I'm glad.
11:23Take this, it will make you feel very good.
11:24Carmen, do you mind if I leave it on the table, please?
11:26Of course.
11:27Thank you very much.
11:29How are you, Carmen?
11:30How's it going with Tassio?
11:32Well, worried, he has me.
11:34And why?
11:36Because I went to look for him in the warehouse to tell him what happened.
11:39Carmen!
11:41Claudia, my daughter, who is the father of the creature,
11:43I say that he will have to know.
11:45I see.
11:46But I don't say it for that, I say it because I don't want him to be worried.
11:50Well, one thing.
11:52I went to look for him and he wasn't there.
11:54Paco was there, the skinny one.
11:56And he told me that he took the afternoon off.
11:59Do you think it's normal for him to take the afternoon off
12:02to go out without telling me or Pío?
12:04But please, Carmen, he didn't go out either.
12:07Don't think like that either.
12:09I'm telling you, he didn't take the afternoon off to go pray for his sins.
12:15What a aim you have, huh?
12:17No one would say it's your first time.
12:19I'm sure you're not fooling me.
12:21You've been shooting with a shotgun since you were a kid.
12:24Well, the truth is that at some fair I have taken a rifle to throw cans.
12:28And some bottle of anise does beat me, Mr. Damián.
12:30But not as much as this.
12:32So it's just me.
12:34Do you think the aim is inherited?
12:36At first glance it is, you have not only shot a bird, you have a hunter's race.
12:39Of course, you still have a lot to learn.
12:42Well, that's life, right?
12:44You always learn new things.
12:46Yes, you're right.
12:47Although sometimes we forget.
12:48In your case, I've taken a little more caution on your part.
12:51You're in a hurry.
12:52Yes, I've been in a hurry since I was born, basically.
12:55Well, going hunting with me is going to be good for you.
12:59You have to know how to wait, observe.
13:02To be able to anticipate the movements of your prey.
13:04And then hit the target.
13:07I understand that I will not learn all this overnight.
13:10Of course not.
13:12But hey, I'll teach you.
13:15So that means that you will let me accompany you to the field more times?
13:20Would you like that?
13:21Of course.
13:23Well, I'll be delighted to repeat.
13:25I've enjoyed it a lot, I assure you.
13:27Of course, the rules are the rules.
13:29And you're going to have to pay the tribute of the novice hunter.
13:33You stay with the birds, right?
13:35That too.
13:36But no, you're going to clean my gun.
13:38I'll leave it to you as new.
13:40You'd better.
13:41Otherwise there is no deal.
13:43No more lessons, no more time together.
13:46I'll manage.
13:48As soon as we get home, take these beauties to the kitchen.
13:51So that Teresa and Gemma clean them and leave them fresh.
13:55And I'm going to change.
13:57To go to the factory.
13:58Okay.
13:59Thank you very much, Don Damián.
14:01No, thanks to you, son.
14:04For this time.
14:05This is also pending.
14:09How has Mergiles been?
14:11Well, with her doctors she will be much better attended.
14:20I couldn't stand another scare like the one she gave us.
14:23It was a disgust, I know.
14:25Well, changing the subject.
14:27Do we already have a secretary?
14:30I have already called the best secretariat academy in Toledo and another one in Iescas.
14:34And they are going to make a preselection with the best students who have passed through there.
14:37You could also have made a selection in person, right?
14:40You could have done it too.
14:41Whenever you want.
14:42No, no, no, we know your criteria.
14:44What are you insinuating?
14:45Nothing, that at the end of the day I assure you that you will have someone there in the secretariat sitting.
14:49Let's see if it's true.
14:50But have experience, please.
14:52And make possible references.
14:54We can't waste time choosing them.
14:56Easy.
14:59Hey, Marta.
15:00And this, this from here, from the newspaper España Hoy?
15:04So with double underline, what is it?
15:06Yes, what he has pointed out to you is that they have called because they want to make a report to the company.
15:10With photographs, interviews and those things.
15:14I see.
15:15But that's press at the national level, right?
15:17And when would it be?
15:19Well, we haven't specified dates.
15:22In fact, I have been quite dodgy.
15:23I told them that I would call them when I clarify to see if we decide.
15:27And why did you do that?
15:29Because lately our family has been through a lot.
15:32And I don't think it's wise to get a journalist to ask questions that may create bad publicity for us.
15:37But what are you saying, Marta?
15:38Are we going to take advantage of free advertising for all of Spain?
15:42Jesus, they are not only interested in the company.
15:45So what?
15:46They want to make a report about us.
15:48The ones of the queen.
15:50You know, a report that is pure gossip to open a section of social echoes.
15:55Oh.
16:03Hello, Tassio.
16:04Hello, Mrs. Lina.
16:06What are you doing with those shotguns?
16:08Well, cleaning them.
16:09You will see that I went hunting with Don Damián.
16:11Ah?
16:12And how is it?
16:14How did you spend it?
16:16Well, look.
16:19I bring him two beautiful perdices and a faysan.
16:21The faysan is a work of Don Damián.
16:22I don't see what aim he spends.
16:24And how is it that Damián has taken you hunting with him?
16:27Well, I don't know.
16:29I suppose he needed someone to take him the rifles and ammunition.
16:32And as you are his driver, I'm sure he would take it easy.
16:35Well, I think you're going to go out with him more often.
16:38Well, I haven't been bad at all, I tell you the truth.
16:41And have you had a good time?
16:44Very good.
16:46I'm glad for you and for him.
16:48I hadn't seen him so relaxed in a long time.
16:51You think?
16:52Yes.
16:53He has been very worried for a while.
16:55First, Isidro's illness and then his mother-in-law's.
16:58Tomorrow I saw him especially happy and smiling.
17:02It must be that your company does him good.
17:05So do merits, because he likes to be with you.
17:08Thank you very much, Mrs. Dina.
17:10The truth is that your words are knowing me to glory.
17:13You're still very, very, very, very exaggerated, Tassio.
17:16I'd better know about those perdices.
17:18But I'm sure I'm not going to catch that one.
17:22They would interview us.
17:24Photographs of us, the house, the alcoves.
17:28But we can control a little what is said and what is not.
17:32I guess.
17:34But it seems to me that this exposure is too much, Jesus.
17:37But don't you see, Marta?
17:39As you have said, our family has gone through a lot.
17:42And the few times we have been in the press as a family
17:45have been for events that have been about to destroy our lives.
17:48But with this?
17:50With this, now we can show ourselves as what we are.
17:53As a large family of united businessmen, despite everything we have lived.
17:57I don't know.
17:59Although maybe it's a way to open a new chapter.
18:02But...
18:03Record it with fire, sister.
18:05We are a united family and that is what we are going to give them.
18:08Well, I laugh about the united family.
18:10Yes, it is true that maybe it would be a way to make good advertising
18:16and gain ground for competition.
18:19For competition. Floral has never done anything like that.
18:22We will be the first and those who come after us will laugh.
18:26Let's go.
18:30Let's do it. Yes, you have convinced me.
18:32That's it. What's your name? What's the journalist's name?
18:34I don't remember. It's written here.
18:40Rodolfo...
18:43Rodolfo Ramírez?
18:45Do you know him?
18:49This is bingo.
18:51We met once in Madrid, at the casino, at an event.
18:54Well, let's leave it there.
18:55Oh my God.
18:56Well, beyond the casino, do you think he's a professional journalist?
19:00Well, yes.
19:02But more than anything, I think he's a guy we can bring to our turf
19:05and get a report that will put us on a pedestal.
19:08You take care of calling him and I'll take care of the secretary.
19:10At your service.
19:12That sounds good.
19:18Your coffee, Luis.
19:19Yes.
19:20It was a coffee, wasn't it?
19:21Yes, yes, a coffee. Thank you, Gaspar.
19:22It's just that I have my head upside down.
19:24Tonight, everyone is coming to hear the game between Real Madrid and BNR.
19:29And I'm not cooking enough, really.
19:31The truth is that I'm not following the cup.
19:33Are you serious?
19:34Didn't you hear about the three goals they scored against the Turks?
19:37Well, goals, goals.
19:38Now, the referee has eaten a penalty.
19:40Excuse me, Gaspar.
19:41The person you were expecting is arriving.
19:44Who told you to stop me, man?
19:46Hello.
19:47Mr. Garcés, thank you for coming here.
19:50Don't worry.
19:51Fermín, right?
19:52Yes, that's me.
19:53Yes, well, luckily Toledo was on my roadmap.
19:56This week I attend a topography seminar in the city.
20:03Is something wrong?
20:04No, it's just that...
20:06It reminds me a lot of a person I met a long time ago.
20:11I think it would be better not to keep hiding it.
20:15I lied to you about my name.
20:17I'm...
20:19I'm Luis Merino.
20:21Gervasio Merino's little son.
20:23And why did you give me a fake name?
20:26Because I was afraid that if I told you who I was,
20:30you wouldn't accept this meeting I wanted to have with you.
20:33Please, sit down.
20:35Look, if it's not about business,
20:38I'd appreciate it if we left it here.
20:40It's...
20:41Mr. Garcés, it's just that...
20:44I want to know things about my father.
20:45And I know you two were good friends.
20:47Please, sit down.
20:48No, it's been many years.
20:50I barely saw you a couple of times.
20:53The person I met the most was your brother, Joaquín.
20:58Although it's undeniable that you look a lot like your father.
21:02They usually tell me.
21:04It's only going to be a few minutes.
21:06Really.
21:08Good.
21:10Thank you.
21:15Tell me.
21:16What do you want?
21:17Well, I already told you that I just want to get to know my father better.
21:21He left too soon.
21:23How have you been with me?
21:25I haven't stepped foot in this factory for at least 20 years.
21:28Well, it's been because of some works we've done at home.
21:31An old archive of my father appeared and...
21:35It turns out that it had a double bottom.
21:38And there I found some letters...
21:41Some private letters from you.
21:44Letters?
21:45Yes, but I haven't read them.
21:47I assure you.
21:49But I was hoping you could clarify...
21:51Well, as you understand, I don't remember what I put in those letters.
21:57Are you going to give them back?
21:59Is that why you made me come here?
22:00I've already told you I haven't read them.
22:02But I have been able to see a little bit of the header and...
22:05Look.
22:06I'm sorry, but I'm a very reputable professional.
22:09And a married man.
22:11And a married man.
22:13With children and grandchildren.
22:15And the same could be said of my father.
22:18That doesn't mean that, in spite of everything,
22:20you had a special friendship.
22:25What are you insinuating?
22:27How dare you?
22:29I don't want to offend you or reproach you for anything.
22:31This is not easy for me, Mr. Garcés.
22:34But I need to know certain things about my father's true personality.
22:38All this is absurd.
22:41I don't remember at all having written any letter to Gervasio Mérida.
22:46I dealt with professional matters with Don Damián de la Reina.
22:50I have those letters.
22:52Signed with his fist and letter.
22:54You've read them, haven't you? Stop lying to me.
22:59Here's one of them.
23:11Here's his signature.
23:13I recognized it.
23:16This isn't...
23:20I didn't write this.
23:22And I won't allow you to accuse me of anything.
23:26Nothing further from my intention.
23:28I just want to know the truth, Mr. Garcés.
23:31My father was a reference for me.
23:33An example to follow.
23:36And I need to know certain things.
23:39To clarify them.
23:41Please.
23:43Only you can help me understand.
23:45Leave me alone.
23:48You're going crazy.
23:50What a waste of time.
23:56Good afternoon, ma'am.
23:58How can I help you?
24:00Vera, I...
24:02Mm-hmm.
24:05I like the perfume you're wearing.
24:07Do you sell it here?
24:09Everything I like can be found in this store.
24:12Perfumes, soaps, makeup and everything else.
24:15Whatever I want.
24:17How do I know I can trust you?
24:19Oh, ma'am, you can trust me.
24:22I have very good taste.
24:26Are you alone?
24:28Carmen is in the warehouse.
24:30And Claudia? Is she better?
24:32Well...
24:36I've read the doctor's report.
24:38It says extreme exhaustion.
24:40I didn't even know it was a disease.
24:42Much less that she couldn't ask for a leave.
24:44Well, if Dr. Borrell says so.
24:49This Claudia, when one thing doesn't happen, another happens.
24:51A woman who is really sick.
24:53But a while ago I went to her room and she told me she was a little better.
24:56Will she come tomorrow?
24:58No, no.
25:00The doctor said she has to rest for a few more days.
25:04And you're going to have to take care of her?
25:06Well, Carmen and I have to split up.
25:08To bring her food, to see if she needs anything.
25:11Why do you say that?
25:13Because I want an escape with you.
25:16To Madrid.
25:17Wherever.
25:18I can.
25:20And I want.
25:21When?
25:22Well, we're going to have to wait a few more days.
25:24Let's see if she recovers little by little.
25:26Not one more, for God's sake.
25:31Hello.
25:32But weren't you in the warehouse?
25:35Yes, but I went to the dock for a moment to see if I could see Tassio.
25:39And nothing.
25:40He didn't come by while I wasn't there, did he?
25:42No.
25:43Well, no one has seen him.
25:45He took the afternoon off without telling me or Pío.
25:47No.
25:54Perfumerías de la Reina?
25:57Mrs. Romero?
25:58I'm Marta de la Reina, I don't know if you remember me.
26:02No, Claudia is not in the store because she is sick.
26:09No, no, it's nothing serious.
26:11It's just that the doctor at La Colonia recommended that she rest for a few days.
26:14Thank you.
26:15No, no, nothing serious.
26:17I'll tell him to call you as soon as he can.
26:20Thank you.
26:23Claudia's mother, who didn't know she was sick.
26:45Reina.
26:47The torture is finally over.
26:49What's going on?
26:51I've finished with the period.
26:53I could go back to my job, not even looking for the baby.
26:56Well, yes, you can get it this month.
27:00Because a baby of three and a half kilos, a seven-month-old ...
27:03If you don't sell it to San Ramón ...
27:05No, Nato, let's go.
27:07Not to mention that you can't go to Grité for a month.
27:11Shut up, shut up.
27:13You don't know how bad I had it with Jaime.
27:16He's a better doctor than I thought.
27:18He caught the flight that was pretending to be the flu.
27:21Did Andrés tell you anything?
27:23No, no, no.
27:25I told him the Chinese story that I was afraid that intimate relationships would affect the baby.
27:29Come on, I take it for a joke.
27:31My mother, you have resources for everything.
27:34I wish I were the same.
27:37What's wrong with you?
27:39Ernesto fulfilled his threat.
27:43What?
27:44That I call and tell Joaquín everything.
27:47And I have a story at home that I don't even tell you.
27:50My God.
27:51And how did he react?
27:53Bad, very bad.
27:54I've never seen him so hurt.
27:59Excuse me if I interrupt you.
28:00Have you seen my mother? She's not in the kitchen.
28:02Do you know where she could be?
28:03Yes, she's in the service room.
28:05She's been out for a while.
28:06Is she sick?
28:07No, no, no.
28:08The dream of after eating that doesn't forgive.
28:12You know what? I'm going to take a break too.
28:19I'll make you something.
28:20Let's go to the kitchen and I'll do something.
28:23No need, I've already chopped something in the canteen.
28:26Wait, wait.
28:28What do you want, Gemma?
28:30I need to talk to you about Joaquín.
28:33Please.
28:34Please.
28:36Is Mrs. López Casas' package ready?
28:38Yes, let's see.
28:40Yes, it's this box.
28:41He asked for four boxes of women's rings for his daughters and daughters-in-law.
28:44Is the package for Mrs. Vera Martínez from Valladolid important?
28:47Yes, the one with the baby-suit cases.
28:49I think he must have had triplets because he asked for a lot.
28:53So the package is not closed yet?
28:55No, I was going to close it right now.
28:57Okay, we're going to add some lavender soaps as a gift.
28:59She's an excellent and very loyal client.
29:02And what do you think if instead of that we put a couple of lipsticks?
29:05So that she continues to feel beautiful after the pregnancy.
29:08Like an indirect.
29:10I love that indirect.
29:11Yes?
29:13Well, I can also be very direct if I propose to her.
29:17Really?
29:25Oh, Marta.
29:27I'm dying to kiss you.
29:31On the neck.
29:33On the cheeks.
29:36On the lips.
29:38Well, I would still be more direct.
29:41Because if a sailor drives me crazy in your mouth.
29:47I need an escape from Madrid now.
29:56Good morning.
29:57Good morning.
29:58Mrs. Marta, has your eyelash come out?
30:00Yes.
30:01Thank you for blowing me.
30:03It's done?
30:06What a bad time I've had.
30:08Hello, Tassio.
30:09Hello, good morning.
30:10I got the message that Carmen is looking for me and I don't know if they know where she can be.
30:13Ah, well, she may have taken the opportunity to go see Claudia or she may be having a coffee in the canteen.
30:17Okay, thank you.
30:18Well, I'll keep looking for her.
30:24This is what it can't be.
30:26We can't lower the guard.
30:27My heart is almost coming out.
30:28He's well used to us for trusting us.
30:31Marta, you're right, but I look at you and I can't continue.
30:35This is what we have to avoid.
30:37We only have one day, this is going to be impossible.
30:39I know, Marta, we'll be careful, I promise you.
30:42No.
30:45Marta, what's going on?
30:47This is not a game.
30:48I know, I know it perfectly better than anyone.
30:50And even if the person who comes in and discovers us is a relative or an acquaintance, it could be our end.
30:55But look at my father, he is the closest example and he reconsiders.
31:00Not only because he changes his opinion about us, but for a much more real consequence, such as going to a women's prison.
31:07Marta, please don't think about that now.
31:09But how am I not going to think about it? It's inevitable.
31:12We live in the country we live in.
31:14We can't change that right now.
31:17Marta, I promise you that nothing bad is going to happen to us.
31:21I promise you.
31:22I promise you that no one is going to separate us.
31:27Do you promise me?
31:29I swear.
31:32But we'll have to be more careful not to have to use a tab as an excuse.
31:39Even if it's a martyrdom.
31:42For us.
31:44And for Jaime, who has been very generous.
31:47We'll get rid of those layers.
31:50That's it.
31:52Go on.
32:03How could you deceive your husband?
32:04I didn't deceive him, I swear.
32:06I swear nothing has happened to that man.
32:08Please, you have to believe me.
32:09It's okay, Gemma, it's okay.
32:10You don't have to swear anything to me.
32:11I promise you I was wrong.
32:13I was wrong and I feel terrible about it.
32:15But I haven't disrespected my husband, much less been unfaithful to him.
32:19I swear.
32:20It's your business and I don't want to get involved.
32:22You don't have to help me, Luis.
32:24Please, listen to me.
32:25You have to talk to him.
32:26You have to tell him that I love him.
32:28You have to tell him that I love him as if it were the first day.
32:30Tell him, please.
32:31I beg you.
32:32Help me, Luis, please.
32:35No, Gemma, no.
32:36No, getting involved would be counterproductive.
32:38Luis.
32:39Don't put me in that bind.
32:40I can't.
32:42I'm sorry.
32:44Really.
33:02I'll give you the garment.
33:03Thank you.
33:05What?
33:06Did you bring a lot to the store?
33:08No, the store.
33:09No, the store is fine.
33:11Estasio, have you been here?
33:13What's up?
33:14Have you argued?
33:15Look, I'm talking about the king of Rome.
33:17Finally.
33:18Well, I'm doing mutis for the forum.
33:20Don't splash me.
33:21Besides, I have a huge mess with the game tonight.
33:23How are you, man?
33:24Nothing, man, nothing.
33:26How are you, Carmen?
33:28What's up?
33:29Paco told me you were looking for me.
33:31But where were you?
33:33What is that about taking a free afternoon like this?
33:35Without entrusting yourself to God or the devil?
33:37Well, I hadn't thought about it, woman.
33:39Look, I went to work today and I realized that I wasn't going to give up.
33:43Well, you can't know why you weren't going to give up.
33:47Well, because I haven't slept all night.
33:49And well, I saw Joaquin and I asked him to please go to rest.
33:51And I'll get the hours back another day.
33:54Estasio, I'm going to ask you one more time.
33:57Where have you been?
34:00I went to the field.
34:01It's beautiful, by the way.
34:03And well, since I was there, I went hunting.
34:07Hunting you?
34:09Alone?
34:12Well, it must be with a Chinese guy.
34:13Because as far as I know, you don't have a shotgun.
34:16The guy who took it has an arsenal of weapons, he has a gun and I didn't find out.
34:19It's just that the shotgun was lent to me by a partner.
34:22A partner? What partner?
34:24A new one that you don't know.
34:26Introduce it to me.
34:27One of these days I'll introduce it to you, yes.
34:30Well, to what I was going to say.
34:32Claudia had a loss.
34:35And what does that mean?
34:36Well, she's been bleeding this morning.
34:40What are you saying, Carmen?
34:41And how is the child? How is Claudia?
34:43According to the doctor, it doesn't have to mean bad.
34:45Neither for the baby nor for Claudia.
34:47Carmen, but it won't be good either.
34:50And is Claudia feeling very bad or what?
34:52Well, she's scared.
34:53As it will be.
34:55Now she has to rest for a few days.
34:58Wow.
35:00It must be avoided that it is repeated because it could mean that the baby is not well implanted.
35:05But what is that?
35:07What does it mean? That I could lose it or what?
35:09I don't know.
35:11It's just that the doctor has been as mysterious as you.
35:14Would you like it to be a little clearer?
35:16Or tell me the story.
35:19And pay me this.
35:20Give it to me, Clau.
35:34Jesus, what a mystery.
35:35Son, tell us that news already. You don't have any more.
35:38No.
35:39Let's wait for Marta to come in, she had a call.
35:41And I don't like to repeat things 20 times.
35:45Excuse me. It was Jaime.
35:46He will arrive later. He had to stay in the pantry taking care of an emergency at the last minute.
35:50Wow.
35:51I'll tell him.
35:53Well, are we all here?
35:54Yes.
35:55Don't leave us a minute more with the intrigue.
35:57Okay.
36:01Well, it turns out that the newspaper España Hoy contacted Marta, right?
36:05And this afternoon I spoke with them to close a topic.
36:09Are we going to be in the newspaper?
36:11What do they want exactly?
36:13You or me?
36:14Please.
36:15Thank you, sister.
36:16Well, it seems that they are very interested in making an intimate portrait of the queen's family.
36:22And what does that mean?
36:23Well, it means interviews with all of us.
36:26Photos also with all of us.
36:28Photos of the house, photos of the company.
36:30Come on, the idea is to transmit an image of a solid and united family.
36:36That is an example for society.
36:38But we are going to leave and not the echoes of society.
36:41The truth is that it would give us some visibility for all of Spain.
36:45But as long as it is something serious and nothing frivolous.
36:48Darling, these things have to be frivolous, it's the grace.
36:51People from AP will love to see how we live.
36:54At first I had my reservations.
36:56But it can be a great publicity for the company.
37:01And if the article is made with good taste, even the brand of the queen can acquire some prestige.
37:07Those reports are only made to real families.
37:10It's because of the queen, then.
37:12I admit that you have been funny, brother.
37:14Let's see, they have the idea of opening a new section with us.
37:18And from there they will take out the most influential families in this country every week.
37:23Are you sure about this, son?
37:25Of course, it's a great opportunity for the family.
37:28And you, father, what do you think?
37:30I don't know, advertising, but ...
37:33Listen to me, father.
37:35It is an opportunity to show ourselves as a great exemplary family in front of all these people.
37:39Like a great exemplary family in front of all Spain.
37:42Let's go.
37:48Okay, we'll do it.
37:50But be very careful.
37:53This type of journalist takes out dirty rags even under the stones.
37:58Go ahead with the report.
38:00Yes, they will come tomorrow to do an inspection, but they have not confirmed if tomorrow they will also do the interviews and the photos.
38:06But hey, be prepared for whatever.
38:07Tomorrow already? How nervous.
38:11Marina, wait.
38:14Do you think the report is good or not?
38:17Yes, it is good for the company.
38:19Good for the company and for you, that you are going to be the star.
38:22Don't worry, I'll tell them not to tire you too much.
38:25I wanted to tell you something.
38:27Tell me.
38:29I signed up for a nursing congress and it starts tomorrow in Madrid.
38:33Tomorrow?
38:34Yes.
38:35But tomorrow is when the reporters come, haven't you heard me?
38:38Don't worry, it's in the morning.
38:40In the afternoon I can be back and take the photos without a problem.
38:43They can start with the rest and then leave me for the last one.
38:45But I don't know if they will be here all day either.
38:49Do you really want to go to that congress so much?
38:52Haven't you had enough of going to the dispensary today?
38:54Well, actually, I just have to sit down and take notes.
38:57At the dispensary I get much more tired.
39:00You're right.
39:01And besides, it will be good for me to get rid of this feeling of guilt that I have with my mother.
39:05Begoña, you are not to blame for anything.
39:08But I understand you.
39:10The problem is who is going to take you to the congress, I mean,
39:13because I will have to be here for the report.
39:15Don't worry, I've talked to a nurse from Toledo who is also going.
39:18She picks me up and then brings me back right away.
39:21Perfect, then.
39:23All I want is for you to be happy.
39:27Thank you.
39:28You're welcome.
39:31Bye.
39:41Luz, I'm sorry.
39:43I hope I didn't bother you.
39:46Yes, I intended not to see you, but as I knew Begoña would be there, I gave up.
39:51No, I have no news.
39:54But I keep thinking about it.
39:57Do you think it's good that we meet tomorrow?
40:01I appreciate it.
40:04You are the only person I can talk about it with.
40:08Okay, see you tomorrow.
40:14Who were you talking to at this time?
40:16With Joaquín.
40:18He called me to ask me about some reports that I have to send first thing tomorrow.
40:21Wow, he's your cousin.
40:23Look who's calling at bedtime.
40:25Hey, we have the report tomorrow.
40:28We have to be radiant.
40:29And I need to sleep my eight hours.
40:32You're always radiant.
40:34And since you're pregnant, even more.
40:37You don't know how important that report is for the company and for the family.
40:42You're overestimating all those readers.
40:45And on top of that, in a national newspaper.
40:48They're going to see us everywhere.
40:50Can you imagine what they're going to say in Huesca when they see me?
40:53It's going to be wonderful.
40:55I've called the hairdresser who did my hair for the wedding.
40:57And Carmen, so she can do my makeup.
40:59I want to shine.
41:01Andrés, I want to attract everyone's attention.
41:04I want to be a real lady of the kingdom.
41:07Don't look at me like that.
41:09You're starting to be an open book for me.
41:12I'm getting goosebumps.
41:14I understand that you'll have a justification for the gesture of fear you had with the article.
41:20She worries too much, Father.
41:22Naturally.
41:24Especially considering the recent events.
41:27I don't know what you're thinking.
41:29I don't want my father to meet the journalist and say whatever I want him to say.
41:33He doesn't see it.
41:35It's our opportunity to clean up the past.
41:37So they forget about all that tragedy that marked our family six years ago.
41:42Trust me.
41:44From now on, they'll see us as a united family.
41:49Digna.
41:50Sorry.
41:51What are you doing here? It's too late.
41:53I came to tell you that I'm staying to sleep.
41:56If the press comes, I'd rather be here.
41:57Very good.
41:58I'm so glad.
41:59Jesus, the house will be perfect tomorrow.
42:01Don't worry.
42:03Well, I'll leave you.
42:04I don't bother you.
42:05No, no.
42:06My son and I had already talked about everything we had to talk about.
42:09Right, Jesus?
42:10Yes, of course.
42:13Good night to both of you.
42:15Good night.
42:21Turn off the light.
42:22Wait.
42:23Do you know what makes me sad?
42:24That they don't make the report when our son was born.
42:27It would be the best presentation in the world.
42:30And a very special memory for life.
42:33Yes, I guess.
42:34Did you know that Gracia de Monaco presented her daughter Carolina like that last year?
42:37No, I didn't know.
42:38Turn off the light.
42:40No.
42:42I'd rather look at you.
42:43So, are you tired tomorrow?
42:45Your kisses make me feel better than anything else.
42:57Well...
43:00Are you feeling well?
43:01Perfectly.
43:03And I've given you a lot of medicine.
43:05I'm sure you'll be fine.
43:07Thank you.
43:09I'm going to bed.
43:11Good night.
43:13See you in a few days.
43:27You were a bit upset when you saw Jesus, weren't you?
43:30A bit, yes.
43:32I came to tell you that I wanted to stay today and a few more days, if you don't mind.
43:37Until the paint dries.
43:39My son Luis says that paint has lead.
43:41And I tell him that lead is him.
43:43Well, bravo for Luis.
43:45And bravo for lead.
43:48You're so beautiful when you smile.
43:49Oh, no, please.
43:50It's the truth.
43:51It's the truth.
43:53You're very beautiful when you smile.
43:56You're beautiful when you're sad.
43:58Even when you're angry, you're beautiful.
44:02I'm going to stop behaving like a teenager.
44:06I confess that I'm staying here...
44:08I'm staying here...
44:10...also because I'm becoming a fan of our night chats.
44:14Even if we go out for a drink sometime.
44:17That sounds like you've forgiven me.
44:19I like the way you're behaving with Tassio.
44:22I spoke to him this morning in the kitchen.
44:25We had a great time.
44:27Well, I'm starting to look a bit more like the Damien you so much appreciated.
44:33A bit, yes.
44:35You don't know how it comforts me to hear that.
44:38You said before that you were behaving like a teenager.
44:42Well, there are two of us now.
44:44Two? Why?
44:46Because neither of us wants to openly admit what we feel.
44:51Well, to be fair, it's me more than you.
44:54I have insinuated, well, sometimes more than insinuated...
44:59...what I feel for you.
45:01What I like about you.
45:03How much I like what you say.
45:05What you think.
45:06How you advise me.
45:09How happy I feel when I'm with you.
45:18I think...
45:20...it would be better if I leave.
45:23Why? Are you afraid?
45:25Yes.
45:27I'm afraid, yes.
45:29Afraid to admit what you feel for me?
45:31This is crazy.
45:32This is crazy.
45:35I don't know what's happening to me.
45:38This is not right, it's not right.
45:40No, don't go.
45:42Let's talk. Let's clarify what we feel for each other.
45:45You know I've loved you for a long time.
45:49Damien.
45:51Our families are far apart.
45:54There's a lot of resentment.
45:56Your son can't stand mine, and neither can I.
46:00It's not about what we feel for each other.
46:05It can't be.
46:07Yes, it can be.
46:09Of course it can be.
46:11If it's what you and I want.
46:13I spoke to the journalist from Spain today.
46:16He wants to finish the photos and the interviews tomorrow.
46:19Tomorrow?
46:21But that's too soon.
46:23He'll give you time.
46:25Yes, I don't know. He says they want to postpone the publication.
46:28Apparently, there's a lot of interest among the press.
46:31Well, I don't know.
46:33I don't know.
46:35I don't know.
46:37I don't know.
46:39I don't know.
46:40He said this is the door to the newspaper's dome.
46:43In fact, he says they want to finish it tomorrow, if possible.
46:46I just don't know.
46:48Tomorrow?
46:49Yes.
46:50Then I won't be able to be here.
46:54But honey, you are essential to the family.
46:58How can you talk about you without being there with me?
47:01Jesus, you know that that conference is very important to me.
47:04Much more than the echos of society, where are they going to stop them?
47:06I understand that. Don't think I don't.
47:07But this report is so important
47:10And the three of you are the important ones, the brothers.
47:15I see.
47:18Look, you know what?
47:20It doesn't matter, it doesn't matter.
47:22I'll call them and tell them that no,
47:24that if it has to be tomorrow, there's no report.
47:26For me personally, it was important because, well...
47:28Yeah, yeah, yeah.
47:29Because of the promotion of the company, you said it before.
47:31No, Begoña.
47:32Because Julia, you and I are going to show ourselves
47:34as the family we are rebuilding.
47:38Yes.
47:39Julia is very excited.
47:41I've talked to her before.
47:44But of course, if you're not there,
47:45I don't even know what I'm going to tell her.
47:47It doesn't matter, we won't do it and that's it.
47:50Look, I don't want the girl, because of me,
47:52to stay in the report now.
47:53It's not your fault.
47:54It's not your fault.
47:55You go to that congress.
47:56It's okay.
47:58Besides, I know you're still jealous of me and...
48:00I understand that...
48:02It's good that you take advantage of this occasion to punish me.
48:04I deserve it, yes.
48:06Jesus, I'm not punishing you.
48:08If I had agreed to do the report,
48:10it's bad luck that it coincided with the congress and that's it.
48:12Let's not turn it around, really.
48:14That's it.
48:15It bothers me that you think that,
48:17because I'm not punishing you.
48:18Well, I'm sorry.
48:19I'm sorry, I don't know why I said that.
48:21It wasn't fair.
48:22Sometimes I'm better off quiet, yes.
48:31Okay.
48:32I won't go to the congress.
48:34I'll do the report.
48:37No, please.
48:38I don't want to...
48:39No, no, no.
48:40That's it.
48:41You don't need to tell Julia or cancel anything.
48:51Thank you, love.
48:53Thank you.
48:55You are...
48:57really...
48:58I'm going to make an infusion.
49:00Very well.
49:07Thank you.
49:33Rodolfo.
49:34I'm Jesus de la Reina.
49:35Excuse me for being late.
49:36I know you told me that it would have to be tomorrow.
49:39But no.
49:40It has to be tomorrow.
49:44Organize yourself as best you can.
49:46It's either tomorrow or there's no deal.
49:48Understood?
49:50Good night.
49:57Let's get together a little bit and...
49:59big smile.
50:00Yes?
50:02Very good.
50:03Mom, what are you doing here?
50:04But you had to be calm at home.
50:06But how can I be calm?
50:07You have me without knowing anything about you.
50:09And thanks to you, I called.
50:10And Mrs. Marta told me what was going on.
50:11For weeks now, your letters with a drop account, daughter.
50:14How am I not going to be worried?
50:16And I'm not leaving on Tuesday.
50:17I'm not going to ask you for anything in return.
50:19But for you, I've done things that take away my sleep at night.
50:22So don't get confused.
50:24You have no right to question my relationship with Digna.
50:27We don't hurt anyone.
50:29And he's able to do everything with a splendid appearance
50:32and an enviable style.
50:34It's not always like that.
50:35If I had come a couple of weeks ago,
50:36I would have found myself here with Valeciente,
50:38dedicated to...
50:39dedicated to...
50:41to an unwilling family man.
50:44Ah, but has something happened?
50:46Look, since we read the letters,
50:49the questions are piling up.
50:51Was he happy with us?
50:53Or his suicide?
50:56Did he have anything to do with that double life he had?