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00:00I
00:07See terribles
00:08tener un tiempo
00:09solos tuyo
00:11pues que quizá era esto lo que necesitaba escuchar de usted desde un primer momento
00:15y la engaño y tuvo un hijo con otra mujer
00:18el se lo contó y ella decidió perdonarlo las fórmulas de padres estaban escritas en
00:22muchas facturas y en recibos y resulta que muchos de ellos tienen el nombre de mario garza
00:27Pero que está claro es que necesitaba es contentar a begoña para que te perdonara y por eso sacaste mercedes sanatorio y ahora que has conseguido su
00:33compasión
00:35la mandas de nuevo a los cerros
00:37si no te he contado antes lo de jaime es porque ni siquiera pude imaginarme contigo
00:45Solo ha sido un beso
00:50El beso me lo dio él te lo juro
00:53el tumor ha crecido
00:55No se puede operar
00:56Dices que vuelva al sanatorio ahí sabrán cuidar que eres una mentirosa porque me prometiste que no me dejaría sola
01:14Los de libertad
01:16vivir de otra manera
01:18alas para volar
01:20a donde el alma quiera
01:22sueños de libertad
01:24el corazón no espera
01:26está pidiendo otra oportunidad
01:28sueños de libertad
01:30aunque el pasado duela
01:32volver a comenzar
01:34amar a quien yo quiera
01:36gritarle es mi verdad
01:38vivir sin miedo y sin mirar atrás
01:54Sueños de libertad
02:20Debes de tener el cuello como un alcalate si has dormido aquí
02:24Do you want me to make you a cup of coffee?
02:27I toast some bread.
02:30Do you want me to cut you some sausage or is that enough?
02:32No, no, no, no, no.
02:34Breakfast in the canteen. I have to go to the factory today.
02:38Besides, all this is going to be full of painters in a moment.
02:43I see you have no intention of us talking.
02:47What do you want to talk about?
02:50Have you forgotten something to tell me?
02:53I have told you everything that happened with Ernesto.
02:57Is that enough, Gemma?
02:59Joaquín, I understand your disappointment.
03:01It's huge.
03:02But I swear to you that what happened didn't mean anything to me. It was nonsense.
03:06Not to you.
03:08But to me it did. It meant a lot to know that you were seeing another man, Gemma.
03:15And that you had crossed some lines that cannot be crossed.
03:18For God's sake, it was just a kiss.
03:19The one you laughed at me with, Gemma.
03:21At me and our marriage.
03:25You and your airs of grandeur.
03:27I'm sorry. Joaquín, tell me what I have to do for you to forgive me.
03:30I'm sick of it, Gemma. I'm sick of it.
03:32I'm sick of you thinking that everything can be fixed with an apology.
03:37The first thing you have to do is not offend.
03:39Well, not that you would never have made any mistake.
03:42I'm sorry. No, no, no, no, no. Not there.
03:45I have never, ever made a mistake like that.
03:48Never.
03:49I would never think of being with another woman.
03:52Because I respect you.
03:54I respect you and what we have.
03:57You are absolutely right, because you are an honest person and you are an untouchable person.
04:01I don't have your strength, but at least you could think about why this happened.
04:05I'm sorry.
04:07Well, maybe a woman is looking for attention outside the house that she doesn't have.
04:10But how can you be so cynical?
04:12What are you reproaching me for now?
04:14My lack of attention towards you?
04:16Yes, if you are the one who is always sharp and sharp with me.
04:19But now I'm not. I'm just trying to get closer to you.
04:22I try to be reconciling, I try to solve this.
04:24Yeah, yeah, because it's good for you, Gemma.
04:27It's good for you so that later I forgive you.
04:28But in a few days you will be the same again.
04:31And I ask you, please, not to go down that path.
04:33What you have done is your fault.
04:35And only yours.
04:37And with that, what do you mean?
04:40I think it's pretty clear, right?
04:42You have destroyed our marriage.
05:13Is everything ready?
05:15It seems so.
05:18You don't know how sorry I am for Mercedes.
05:20What a miserable life.
05:22And now that she had a little hope, she has to go back to that place.
05:26It's a shame, yes.
05:27But what other option do we have?
05:29She is a sick woman and needs special care.
05:32And that sanatorium is a good place.
05:34But it's a place where her daughter is not going to be.
05:37A place she is not going to be.
05:39A place where her daughter is not going to be.
05:41A place she has not chosen.
05:44Right now I realize how lucky we are.
05:48We still keep our heads above our shoulders.
05:50And we have the will to choose what to eat or how to dress.
05:53Others cannot say the same, right?
05:58Jesus, take good care of your wife.
06:03Begoña right now needs all the possible help to get through this bad time.
06:07That's why I'm going to accompany her to the sanatorium.
06:09I'll be back at the factory in the middle of the morning.
06:11What do you mean you're not coming back?
06:12Now you have to be where you need to be the most.
06:15No, don't look at me like that.
06:18There are no big responsibilities today at the factory.
06:21The most prominent thing is that Rosa is leaving.
06:23And we have to look for a replacement.
06:25Again?
06:26We knew it was something provisional.
06:29Well, let's see if this time it doesn't last longer.
06:31Let's see, finding a new secretary is not an easy task, but ...
06:35But leave it in my hands.
06:36Okay, don't hire anyone until I give you a good look, okay?
06:40Don't worry.
06:45We're ready.
06:52Mercedes.
06:55It has been a pleasure to meet you.
06:58Take care.
07:02Thank you.
07:03Pretty.
07:07We are not so much.
07:17Come on, Mercedes, I'll help you get on.
07:18No!
07:26Mom.
07:27Come, mom.
07:29Mom.
07:33It's not easy for me to leave you either.
07:37I also need you by my side and ...
07:40I want to make up for lost time.
07:41So?
07:44One thing is what one wants.
07:47And another is what it has to be.
07:50I don't understand you.
07:54Mom, you need some care that I can't give you, no matter how much I want.
07:58But that doesn't mean I'm going to get rid of you.
08:01On the contrary, I'm going to call you every day.
08:03And I'm going to see you at least once or twice a week.
08:06But you're coming alone.
08:08I don't want to see him.
08:10Don't worry.
08:12I'll go alone.
08:14And we're going to ask your doctor for permission to let us out of the enclosure.
08:18We can go to that stream that can be seen from your window, yes?
08:23Get my feet wet.
08:25I've always wanted to get my feet wet.
08:27Get my feet wet.
08:29Let's get our feet wet and we're going to pick a lot of flowers to decorate your room.
08:35Let's go.
08:43Be careful.
08:57Be careful.
09:28Good morning. Come in.
09:30It's upstairs. It's the two rooms that are without furniture.
09:33I'll go with you right now.
09:39Yes?
09:43Ernesto, you've crossed a line that I'll never forgive you.
09:47Don't you dare call this house ever again.
09:50What do you mean?
09:52Because this afternoon I'm going to report you for theft.
09:54So pay attention to the consequences.
09:57I'll never forgive you.
10:06Here you have them.
10:08Have they already left?
10:10Yes, a moment ago.
10:13Poor Begoña was desolate.
10:17Poor woman Mercedes, right?
10:20What a miserable life.
10:21They take away her daughter, they take her to that remote place of theirs
10:26and with lost reason and so alone.
10:30And we, who have everything, including the will intact,
10:36we complain about a simple broken pipe.
10:42By the way, how is the repair of your house going?
10:46Only the painters are left.
10:47It seems that they are on their way.
10:49And I think that this morning they can paint everything.
10:53Well, it seems that things have gone fast.
10:55Thank goodness.
10:57Works are known when they begin, but never when they end.
11:00I really want to go back to my house.
11:05So uncomfortable? Have you been here?
11:08No.
11:10You know I haven't.
11:12I don't know, but I already know that the house of one,
11:14I don't know, but I already know that the house of one,
11:17is the house of one.
11:19Tonight I'm going to sleep in my bed and with my pillow.
11:22I miss that.
11:24What do you mean tonight?
11:26Shouldn't you wait?
11:28What am I going to wait for?
11:30Woman, I think it's too soon to sleep in a newly painted room.
11:35It's not healthy to breathe those smells.
11:39Yes, that's true.
11:42When the painters finish, I'm going to open the windows
11:45to ventilate before nightfall.
11:47Do you want more coffee?
11:49Yes, please.
12:06How did you wake up today?
12:08How did I wake up?
12:09At seven in the morning I wanted to go for a walk in the garden of the lords.
12:12My God, but your father's heart has been fixed
12:15or has it been put in a bag?
12:17Oh, friend, what a joy to see you laugh like that, really.
12:20With how bad you've had it.
12:22But as they say, God squeezes but doesn't drown.
12:25Yes.
12:27In the end, everything has been fixed.
12:29And when I say everything,
12:32it's...
12:34everything.
12:36Miss, do you have something to tell me?
12:48Don't tell me you fixed it with Marta.
12:50Yes.
12:51But when?
12:52Yesterday.
12:55Oh, Carmen, please, I'm so embarrassed.
12:58No, no, I just remembered Dr. Berenguer.
13:00Oh, no, no, no, Dr. Berenguer is no longer a problem.
13:02He and Mrs. Marta have reached an agreement
13:05so that each one can make their own life.
13:07Ah.
13:09How modern, right?
13:11Well, practical, rather.
13:13Since they have to live in front of the gallery,
13:16well, what less than doing it in the most honest way possible,
13:19without cheating.
13:21Man, that without cheating,
13:23they are cheating everyone, come on.
13:25But not themselves, that is the fundamental thing.
13:27I see.
13:29Man, it takes me a little bit of work to understand everything.
13:32It's such a modern thing.
13:34But it's me, huh? I don't have that many eyes.
13:36Excuse me,
13:38I remind you that your husband and your friend are going to have a child together.
13:41And you take it as if it were the most normal thing in the world.
13:44You too, right?
13:46I guess it's easier to understand what happens to one, right?
13:49Than what happens to others.
13:51Of course.
13:52Why don't we have no choice?
13:53Well, yes.
13:55Why don't you delay your departure a bit?
13:57So you make sure that they get out in conditions and it's not dangerous.
14:00I don't want to abuse your kindness.
14:02But you are my family, this is your home.
14:04Yes, the family can be loved a lot and also be a burden.
14:08It's not the case, Digna.
14:11I'm going to miss you a lot.
14:15I'm working here all day.
14:17Yes, I know, but I had already gotten used to our talks until late,
14:20trying to fix the world.
14:22Well, now you will have to get used to sleeping at night like any neighbor's son.
14:28Wait, Digna.
14:33Give me a couple more days.
14:36I know you've forgiven me about Catalina, but you've got your head in the clouds.
14:40I know you.
14:41Yes, my head is in the clouds.
14:43Let me show you that I'm still the same Damián as always.
14:46The one you trusted when you needed him.
14:51We all have the right to learn from our mistakes.
14:55And I guarantee you that nothing remains of the man who deceived his wife.
14:59Nothing.
15:03I thank you in my soul for your offer, but I think I have to go home with my children.
15:10Of course.
15:24I'm going to close the story quickly.
15:30Perfumery of the Queen?
15:32Claudia is talking to the store. How can I help you?
15:35Claudia? Yes, she's here.
15:37From whom?
15:39Right now, just a moment.
15:42Claudia, someone's calling you.
15:44Who?
15:45Your mother.
15:51Mom!
15:53What a surprise!
15:55I told you I couldn't go.
15:58Why not, Mom?
15:59Well, Mom, because Sundays are very busy and I've been the last one to arrive.
16:06Well, Mom, yes, I'll talk to them.
16:08But come on, I already told you that they are going to send me to Friar Sparrow.
16:13Yes.
16:15Okay, yes, I'll ask him.
16:18Come on, then I'll tell you whatever.
16:21Goodbye, goodbye.
16:24What a pity, poor thing.
16:25The one who gave her the happy communion and I already told her that I'm not going there.
16:28And she, R, R, R.
16:30Do you have a communion?
16:31Yes, my cousin's, Ceri.
16:33The little one of my mother's sister.
16:35Woman, the illusion of seeing you after so long.
16:38Well, that's the problem, Carmen, that she can't see me because she's still ...
16:41Come on, don't be exaggerated.
16:43But she's still like a stick.
16:45Yes, but mothers realize these things very quickly.
16:47No, no, she'll be less.
16:49No, really, I'm telling you, my mother has a gift to know what's going through my head without me saying anything.
16:53Come on, go.
16:55I swear, really.
16:57Look, I'm remembering one day that my neighbor Teo convinced me to go buy a bottle of wine.
17:03And this story promises to be you.
17:05Well, we were both on our way to the winery.
17:09And what?
17:11Claudia, what's wrong?
17:13Oh, I don't know, something's wrong with me, girl.
17:15Let's go to the pantry.
17:17Come on, let's go, quickly.
17:19Baeza is a city with immeasurable views.
17:22But very cold.
17:24Especially when you're alone.
17:26I look at the couples walking through the Plaza de Santa María, holding hands,
17:31sheltering each other in the arms of the other.
17:33And I can't stop thinking how happy it would be if you were here with me.
17:37If I could put my hands in your pockets, if I could feel the warmth of your company.
17:45A package has arrived for you.
17:47A package has arrived for you.
17:49Ah, good, good.
17:51Is it what I was expecting?
17:54All good?
17:56Yes, all good.
17:58Yes? What is that you just hid?
18:00What?
18:02What you just hid under the book.
18:04Ah, this, nothing, nothing, it's a letter from my father, nothing.
18:08A letter from your father?
18:10Yes.
18:11Let me read it.
18:12No, nonsense, it doesn't matter.
18:14I don't care, I want to read a letter from my father, let me.
18:16Give it to me.
18:21Mario Garces, that's why you asked me about him yesterday, right?
18:26One moment, Joaquín.
18:28Maybe it's better if you don't read it.
18:31What are you saying?
18:41So, you confirm that you haven't suffered any blows?
18:44No, no, doctor, I haven't suffered any blows.
18:47And have you maintained sexual relations?
18:49But how can you think that?
18:51No, no, no, that was a specific thing and I haven't done it again.
18:55Claudia, calm down.
18:57The doctor is not asking you to judge yourself.
18:59On the contrary.
19:01I'm just trying to know why you're bleeding.
19:03Is it serious, doctor?
19:05It's not abundant.
19:07You can bleed a bit in the first months of pregnancy.
19:10It appears when there is an infection.
19:11An infection?
19:13I try to be very clean, doctor.
19:15But it has nothing to do with it, woman.
19:18The other option is that there is a small trauma in the uterus.
19:22And then?
19:24You have to be vigilant to rule out that there is no problem.
19:27You're going to have to rest.
19:30My God, with the heat in the store today, you're going to get very thin.
19:33Of course, that's why you don't worry.
19:35Today, in addition, there is the request for the urinal.
19:38That's a lot of fabric, huh?
19:39Well, if you need it, we can ask Elvira or Chusa for help.
19:42Well, I'll reincorporate tomorrow and start the day.
19:45Girls, I think you didn't understand me.
19:49It's not about resting just today.
19:53Today and tomorrow.
19:55Until we prove that things are as they should be,
19:58it can be three days or three weeks.
20:04The father's file had a double bottom.
20:06It was there that I found that letter along with ...
20:13these that I have here.
20:15Holy God.
20:18It can be seen that Mario missed his father's company.
20:23It is clear that they were good friends.
20:25Luis.
20:28Do you think this is the kind of thing you write to a friend?
20:33Are you insinuating something?
20:34Are you insinuating something?
20:38You know enough.
20:40No, Joaquín.
20:43What you're suggesting is outrageous.
20:45Outrageous is to think that this is not a love letter.
20:50The only thing that proves that letter
20:52is that Mario was dazzled by the father's personality, not the other way around.
20:55Luis, please come to your senses.
20:58Would you keep a letter in the double bottom of a file that was not important to you?
21:04No, Joaquín, no.
21:06No, the father was not one of those men.
21:08He was married, he had three children, he loved us madly.
21:11And what? One thing does not take away the other.
21:13Let's see.
21:16I don't know, it could be a slip.
21:18Yes, yes, a moment of confusion, a nonsense without importance.
21:24Do you remember seeing something strange between them?
21:28Because I barely treated Mario a couple of times
21:30when I returned from the hospital for the holidays.
21:31I don't know, Luis, I don't remember.
21:33I don't know.
21:35And after these letters.
21:37Lie to your wife.
21:39Tell her you have another business meeting and come back.
21:42I just need the air you give me in two days
21:45to be able to breathe the rest of the year.
21:48Do you think this is something that doesn't matter?
21:51And even if it were just a slip,
21:53you have to value what it is,
21:55because this implies a lack of honesty
21:57and a deception to someone who does not deserve it.
21:58And I'm sick of it.
22:00I'm sick of people lying to me.
22:04What's wrong with you now?
22:06Gema.
22:08What about Gema?
22:10She's been seeing someone else.
22:12What?
22:14Yes, and I thought this was not going to happen to me.
22:16Luis, please keep these letters where no one finds them
22:18and it would be very unpleasant for someone you know to find them.
22:21Mother.
22:23Mother.
22:29MOTHER
22:37But, I already told him, Doctor,
22:40that I can't be away from the store for so long.
22:42Claudia, that's less important.
22:44But, how's less important, Carmen?
22:46What is it that Mrs. Marta is going to ask if I'm there?
22:48What am I doing?
22:50You haven't told her yet that you are in the States, have you?
22:52When are you going to do it, Claudia, it's about time.
22:54I'm not getting overwhelmed, Doctor.
22:56What is Mrs. Marta going to think of me, Carmen.
22:58Let's do this.
22:59I'm going to write you a report for Mrs. Marta
23:02in which I recommend you to rest for a picture of extreme fatigue.
23:06Okay?
23:08A fatigue? And we're not going to fool her, are we?
23:11Exactly.
23:12That way we won't get anything out of her.
23:15And if she has any problems, tell her to come see me.
23:18Thank you very much, doctor. Really.
23:21Come, I'll go with you.
23:24What's the matter? Why are you standing there like an idiot?
23:27What happens if I keep talking to you?
23:30Well, it doesn't have to happen again.
23:34So now calm down and rest. Don't worry about that.
23:38I'll go see you tomorrow.
23:42Thank you very much, doctor. See you tomorrow.
23:45Have a nice day.
23:47Thank you very much, doctor.
23:53See you tomorrow.
24:01Well, where do we start?
24:03No, son, you don't have to help me.
24:05My children will do it when they come from the factory.
24:07It's not a bother to you. I promised to help and the three of us will take turns.
24:11Well, if you insist.
24:14So, let's get to work.
24:16The idea is to take those boxes and these here and take them to the cashier.
24:20Okay.
24:21I should find something and put it here to protect it, yes.
24:28I don't want it to break. It's about Gervasio and my son Valentín.
24:33They are things that, well, some of them would have to go to the cashier, but ...
24:38I am incapable.
24:40It's normal, aunt.
24:42When I look at these books,
24:45it seems to me to see my son reading in front of the fireplace, out loud.
24:51He was a great reader.
24:52He was.
24:54He loved to read me the chapters that he liked the most.
24:57And he even put voices to the characters that appeared in them.
25:02It's such a valuable thing to have in a drawer.
25:05If you want, I can build you a shelf, so you have them all in sight.
25:09I thank you very much, son.
25:11But I don't know if it will be a good idea.
25:15They would remind me that he is no longer with me.
25:18I can't imagine what you have suffered for everything that happened.
25:22It was very hard.
25:24And it still is.
25:26There is no day that I don't ask myself what responsibility I had in all that.
25:30Why did you do that?
25:32Because a large part of what children do is the result of the education they receive from their parents.
25:38I don't stop asking myself what I did wrong or what I didn't do.
25:41Aunt, you can only take responsibility and love your children madly.
25:45So don't be so unfair to yourself.
25:48And I'm sure that if you could talk to your son, you would tell him the same.
25:53Somehow he told me.
25:56In a letter that he wrote to me from Brazil.
26:00A letter?
26:02Yes.
26:04He wrote to me shortly after I left.
26:08Among other things, he made it clear
26:14that he was responsible for Clotilde's death.
26:18But he also told me that he regretted it a lot.
26:24He regretted it, Andrés.
26:28He regretted it.
26:31And he never tried to go to him?
26:34Many times I was about to call the Rio de Janeiro embassy.
26:39But I never dared to do it.
26:43Out of fear.
26:45Of what?
26:47That they would ask me many questions.
26:50And that I didn't know what to answer.
26:53And that it was finally discovered that he was responsible for Clotilde's death.
26:57And that they knew where he was.
26:59He was protecting you.
27:03Yes.
27:05It may seem like a demon to you.
27:09But at that moment it was what I did, it was what I decided.
27:13He is my son.
27:17And despite everything he did,
27:21I still love him.
27:24You can't imagine how much I wish I could hear his voice again.
27:30I would give anything.
27:34Anything.
27:38Even my own life.
27:49Thank you, son.
27:52Thank you.
27:56Good morning.
27:58Good morning.
28:00I was about to call your house.
28:02As it was late and you weren't coming, I was worried.
28:05I passed by Toledo to pick up the missing glasses.
28:10And how was the night?
28:12Good, very good.
28:15Did you sleep well?
28:17Yes, like a baby.
28:21And I have to believe it.
28:24Of course, why not?
28:26Because I haven't slept all night.
28:29Well, I'm sorry.
28:33Look, if there's something I've learned in all these years wearing this white robe,
28:38it's that it's not worth worrying about things that have no solution.
28:42Jaime, don't start.
28:43No, I'm serious, Luz.
28:45I have a tumor and it can't be operated on.
28:50What's the point? I'll think about it.
28:53Because we are people.
28:55There are things that are hard to fit.
28:57Look, yesterday I already cried everything I had to cry.
29:02I have little time left and I don't want to waste it with regrets.
29:05I want to make the most of it.
29:07What did you want to do?
29:11I don't know.
29:13To be here with you.
29:15That you receive me every morning with that smile.
29:18That's enough for me.
29:19Jaime, I don't know if I'm able to pretend like nothing happened.
29:22Luz, we are doctors.
29:24We know what it's like to look death in the face.
29:26I see.
29:27But when death affects someone you care about, it hurts too much.
29:32Do you know what I'm left with?
29:34With what?
29:35With what you just said.
29:37That I care about you.
29:42Luz, you are the best thing that has happened to me in this last stage of my life.
29:45No, don't say that.
29:48Life is worth it, precisely because it is not eternal.
29:52Let's take advantage of every minute.
29:57If they let us.
30:00I don't understand you.
30:02Well, I'm a little worried that Luis can tell my political family that he saw us spend the night together.
30:07Luis won't.
30:08He won't say anything, he's not a gossip.
30:11No, I'm sure he won't, but you were together for a while, weren't you?
30:16And what does that have to do with it?
30:18I don't know, maybe he feels hurt in his pride and decides to take revenge by telling what he saw.
30:24No, don't worry about that.
30:27I know him well and he knows how to keep a secret.
30:31Great, then.
30:32That's it.
30:33What a mess.
30:35And now to work.
30:37Do you mind taking the glasses to the factory?
30:40Sure.
30:41Thank you.
30:46Thank you.
30:48Thank you.
30:50Thank you.
31:14Well, son.
31:16How's it going?
31:18Fine.
31:19We've taken some things from Uncle Gervasio and Valentín.
31:22Very good, son.
31:25I've been thinking about the conversation we had all the way back.
31:29And what did you talk about?
31:31Come on, sit down and tell me.
31:39Father,
31:41how hard must it be for your son, whom you love madly,
31:45to have made such a terrible mistake?
31:48Yes, it's a shame.
31:50It's such a shame to hear him say that he would do anything to know about him.
31:57I can understand it, because I would also like to know about my son if I didn't have him close to me.
32:03It's a feeling you'll discover when you're a father.
32:07Was he never looked for?
32:09For what?
32:11Do you realize what he did?
32:13Especially after such a wild trip.
32:15Well, we didn't even know where he had gone.
32:19Until he sent a letter to Matasayos in Brazil.
32:21Ah, yes, the letter.
32:23But well, Brazil is a very big country.
32:26There are many ways to look for someone.
32:28And it's easier if he's a foreigner.
32:30Well, we didn't think about it.
32:33We just wanted to let it go and move on with our lives.
32:38It's strange that, knowing my brother, I wanted to let it go.
32:41Your brother had just lost his wife tragically.
32:44Do you think he was looking for anyone?
32:46Well, I can understand that at that moment he couldn't, but when he recovered, what?
32:51I didn't let him.
32:53Every time the opportunity arose to do it, I took that idea out of his head.
32:58Why?
32:59Because I didn't want, under any circumstances,
33:02there to be the slightest chance that your brother would return to the dark.
33:06When Clotilde died, Jesus was left in a coma.
33:09He hardly had the strength to get out of bed, not even to attend to his daughter.
33:13And I seriously thought I could lose the trial.
33:18And now?
33:19Why don't we look for him now?
33:21You haven't heard anything he's told you.
33:24I think it would be good to go with him to close this story.
33:27For Jesus and for the Merinos.
33:29Okay, son, okay.
33:30Let's say we look for him.
33:32That, by chance, we find him.
33:34And we report him for his crime.
33:36Do you know what that would mean for us?
33:38Again with those ...
33:39Again, and all that is needed.
33:43We send an innocent to jail and that is a crime of which we are all accomplices.
33:47You too, you know it and you have shut up.
33:52There are many reasons not to meddle in certain matters.
33:57And let the Most High judge your cousin for what he has done.
34:02Yes.
34:03It is better to appeal to the Most High than to stir up certain things that may not interest you or Jesus.
34:09How good.
34:19Gemma, is the food ready?
34:22Gemma?
34:23Sorry.
34:24What's wrong with you?
34:25You've been turning your head since you got here this morning.
34:28Nothing.
34:29I'm just a little tired.
34:31Sabería told us, he has had us all at the turnstile.
34:34Yes.
34:35The truth is that it is being a real headache.
34:38Especially for you.
34:40That you had to stay at home with everything on your shoulders.
34:43I apologize.
34:44Do you want?
34:45No, thank you.
34:46Apologies?
34:47Why me?
34:48For not staying and having helped you.
34:50But don't worry, I'm going tonight.
34:52Tomorrow, hand in hand, we will order everything.
34:54Is he coming back tonight?
34:55Tomorrow we will have breakfast together.
34:57But woman, if there is no hurry.
34:59Relative.
35:00That in this house I am in debt.
35:02No loan, nothing.
35:03It's his family.
35:04Besides, it doesn't seem prudent to me either.
35:06Because he doesn't know the smell of paint there is at home.
35:09Especially in his bedroom.
35:10Yes, I've been there.
35:11And I've opened the windows for him to ventilate well.
35:13That is not worthy.
35:14That the plague will last a couple of days.
35:16Listen to me.
35:17Why don't you stay a little longer here?
35:19Until you are sure that he returns home so as not to get sick.
35:22Daughter, I don't know.
35:24What happens?
35:25Do you think he's in a hurry to leave?
35:27No, quite the opposite.
35:28Damian has been very kind.
35:30And he has offered me the house as long as I need it.
35:32See, because he also seems a little rushed.
35:34Yes, that's what he told me, yes.
35:36Then pay attention to those of us who care about you.
35:39Take it as a vacation.
35:41What do you think?
35:42There will be time to go back to the usual.
35:47The truth is yes.
35:48It's very good, huh?
35:56Hey.
35:57Cheer up.
35:58You have to be strong, huh?
36:01He has disappointed Jesus again.
36:03Let's see, what fault do you have that the doctors believe that it is convenient to wait at least 15 days to visit her?
36:08I promised him that I would see her every week.
36:10Even a couple of times.
36:12Do you want her well-being?
36:13Please, what question is that? Of course.
36:15Then you have to do what the doctors believe is best for her, don't you think?
36:18No, the best thing for her is to be accompanied.
36:20Of course.
36:21But you already know that your mother is sick.
36:23You have to take somewhat different measures because of her condition.
36:26This is being very hard.
36:28But you are showing an enviable strength, my life.
36:31But what strength, Jesus, if I have barely been able to contain my tears in front of her?
36:34Well, that's normal.
36:36The strange thing would be the opposite.
36:38It is difficult to separate from a mother.
36:41I still remember the day my mother died.
36:45I thought my eyes were going to fall from so much crying.
36:48But there I was, carrying her coffin.
36:54You had never told me about that.
36:57Well, there are things that are hard to talk about.
37:01Cariño is right.
37:02It's been a very difficult day.
37:04And I think it would be good for us to get some air for a while
37:07and see the other side of life, the one that is a little nicer.
37:10What do you think?
37:11If we are going to visit her every week,
37:14the other side of life, the one that is a little nicer.
37:16What do you think?
37:17If we go to the hermitage, that abandoned one, what was it called?
37:21Balterra.
37:22Balterra.
37:23That.
37:24We take some sandwiches and go there to contemplate the views, I don't know.
37:29Without talking, if you want.
37:32Don't you have to go to the factory?
37:34No.
37:35Today I have to be where I am needed.
37:39I'm not going to leave you alone.
37:42I wasn't planning on staying at home.
37:44I wanted to go back to the dispensary.
37:47Ah.
37:48But so soon?
37:49If you're still convalescent.
37:51No, the wound is already healed.
37:53And there is no risk of infection.
37:55A little routine will do me a lot of good.
37:59Well, if you think it will help you.
38:02But I hope you take it easy and go little by little.
38:05And if you see that you can't, don't force it.
38:07Yes, yes, don't worry.
38:08Thanks for everything.
38:11You're welcome.
38:13I'm going to get my suitcase.
38:15Very well.
38:16Are you here?
38:18Yes.
38:19How did you get to Mercedes?
38:21More calm.
38:22I'm glad.
38:23Do you want me to wait for you and I'll bring you to the dispensary, my love?
38:26No.
38:27I'm going for a walk, it's a wonderful day.
38:29Of course.
38:33I have the car and the back door.
38:35If you want, we can go together, we can go together.
38:37It's better not to go out.
38:41Yes.
38:47They gave me Mr. Garcés's phone number at the Topógrafos school.
38:50I call him Perfumes de la Reina.
38:53Yes, yes, yes.
38:54The Essences of the Queen.
38:57Yes, Vera.
38:58We want to do some works in the facilities.
39:01And I know that Mr. Garcés was working here a few years ago.
39:04There are some doubts we have about the land that maybe he can clarify.
39:09Yes.
39:10My name is Fermín González.
39:12Do you have to sign?
39:14My phone number is 258513.
39:19Very well.
39:20Thank you very much, ma'am.
39:27Come in.
39:30I'm handing out glasses and I'm looking for Ricardo Perea.
39:35Well, he just went out to eat at the canteen ten minutes ago.
39:39I'll go get him. Sorry.
39:41Luz.
39:43I'm glad you came because I wanted to talk to you.
39:46With me?
39:48Yes.
39:50Do you have a minute?
39:51Of course.
39:56Please, sit down.
39:58Thank you.
40:06I...
40:08I wanted to apologize for the argument we had the other day.
40:11No, it's okay.
40:13Yes, it is.
40:15Because I shouldn't have acted like I did when I saw you with Jaime.
40:19Yeah.
40:22I was a jerk.
40:24And after all, it's your life and...
40:26You can do whatever you want with it.
40:31I'm glad you see it that way.
40:36And I'm sorry if you saw something that hurt you.
40:38Look, whether it hurt me or not...
40:42You can do whatever you want with your life.
40:45Come on, we're adults. I just have to respect it.
40:49That's exactly what I wanted to talk to you about.
40:52Sure. You know you can talk to me about whatever you want.
40:54This can't go beyond that, Luis.
40:57What?
40:59If someone in the Reina family finds out that Jaime and I have something that goes beyond the pantry...
41:06It would be very complicated.
41:08Of course.
41:10A lot of people could be hurt.
41:14I have no intention of telling anyone, Luz.
41:18But that means that Jaime and you...
41:20I'm not going to lie to you.
41:23I think we're both starting to feel things.
41:27I don't want to seem insensitive to you, but I need to be frank.
41:32And I thank you.
41:34But I also want to be frank with you, Luz.
41:36I don't think leading a clandestine life is the best way to manage life.
41:44I'm very aware of that.
41:47But right now, I don't want to or can't leave you.
41:50I have to be by your side.
41:52In that case...
41:54I just hope things don't get complicated.
41:59I hope so, Luis.
42:02I have to continue with the delivery.
42:04Yes. And I'll go to work.
42:06Yes, tell me.
42:08Yes, yes, I'm Fermín González.
42:13Nice to meet you.
42:15I'm Fernando.
42:17Nice to meet you.
42:19I'm Lorena.
42:21Nice to meet you.
42:22Nice to meet you.
42:24I'm Luis.
42:26I'm Fernando.
42:28What's your name?
42:30I'm Jaime.
42:32Nice to meet you.
42:34Nice to meet you.
42:36It's a pleasure to meet you, Mr. Farnses.
42:43Come in.
42:45With your permission, may I?
42:47Tassio, come in and close the door, please.
42:56By the way, is Rosita leaving? I've seen all her things packed.
43:00Yes, it was temporary. New candidates are coming today.
43:04Well, I called you because I have something to give you.
43:11Me?
43:13Yes, and I hope you're as excited to receive it as I am to give it to you.
43:24This is the first shotgun my father gave me when I was a kid.
43:28And I want you to have it.
43:31And that one day you can give it to your son.
43:42It's beautiful.
43:45Thank you very much, Mr. Damián. I appreciate it.
43:48But...
43:51Don't you like it?
43:52What?
43:56I'm not saying I don't like it.
43:58The only thing is that I don't understand anything.
44:00Are you going to take me hunting and show off to me?
44:03Yes, I'm going to do it.
44:05As long as we're discreet.
44:07You see, Tassio, I can't publicly acknowledge you as my son, but I would like you to give me the opportunity to treat you as such.
44:15I want to get to know you, Tassio.
44:17Get to know your tastes, your hobbies, your worries.
44:23I don't know, could you do it for me? And for you?
44:28Well, the truth is, Mr. Damián, the only thing I've ever hunted has been a frog and pure stone.
44:35Well, that's an easy solution. I can teach you how to shoot it.
44:39In fact, we could go today.
44:41It's a wonderful day to go up to the sea. We could go through the sale of the sack.
44:47Don't you know it?
44:48No.
44:49No?
44:50No.
44:51Well, you're going to love it. It's a waste of time.
44:54What do you think?
44:56Well, it would be wonderful.
44:58But the truth is, I have a lot of work at the factory.
45:01Well, that's not a problem. I'll talk to Joaquín and tell him I need you for another anesthesia.
45:05Well, if that's the case, I have no choice but to say yes, Mr. Damián.
45:07Yes, Mr. Damián.
45:09Perfect. So we meet in half an hour at the factory entrance.
45:14Perfect. I'll get changed and I'll be there.
45:16Son.
45:20Did you call me son?
45:24Don't you leave the shotgun?
45:38Hello.
45:39Hello, son.
45:44Wasn't that the shotgun your grandfather gave you?
45:46Yes.
45:49And you leave it to Tassio's brother to clean it?
45:52He's not going to clean anything. He's going to come hunting with me.
45:56You want me to take it to him?
45:58No, no, no, no, no.
46:00I'm not going to take it to him.
46:02You're not going to take it to him?
46:04No.
46:05I'm not going to take it to him.
46:07Take him hunting.
46:09I don't see any problem. You do.
46:12Man, he will understand that it seems strange to me that he shares his free time with an employee, don't you think?
46:18Tassio is a loyal man and with whom I have many things in common.
46:22And I don't think I have to give you explanations about who I go in with, who I go out with.
46:27And sit down, we have to review these contracts. This one is very poorly written.
46:36Come in.
46:40Hello.
46:42Hello.
46:45Are you alone?
46:47Yes. Jaime has gone out to attend to an emergency in saponification and Luz is distributing glasses among the workers.
46:52Wow. And you? Do you have a lot to do?
46:56The truth is yes.
46:58Well, in that case I'm leaving. I don't want to bother you on your first day at work.
47:01No, no, but don't worry. Jaime and Luz know that I need time to adapt.
47:05How can I help you?
47:07Well, actually I just wanted to see you.
47:10Talk to you.
47:12I imagine how difficult it will be a day like today.
47:17The truth is that it is.
47:19Begoña, I know that lately we have had misunderstandings.
47:23But I want you to know that I am here for what you need.
47:26You don't know how grateful I am to you.
47:28Don't thank me for God's sake.
47:30How are you?
47:33Well, look, with a terrible feeling of guilt.
47:36Because my mother is at the sanatorium again. Alone.
47:39No more objective than waiting for someone to take care of her and pay her a visit from time to time.
47:43Yeah, I know it's hard.
47:45But think about how happy I have been with you these days.
47:48And you with her.
47:50I've been very selfish, Andres.
47:52I've only thought about myself.
47:53And how much I needed to have her close.
47:55I was enjoying her company so much,
47:58her moments of lucidity,
48:00where she told me about my childhood.
48:03I didn't want to see the risk I posed for her.
48:06Don't say that.
48:08It's the truth.
48:10The day she escaped, she could have died.
48:12But it didn't happen. We found her safe and sound.
48:14Well, yes, thank God.
48:16But it would have been a misfortune and my fault.
48:19That's what it is.
48:20It would have been a misfortune and my fault.
48:22You just wanted to enjoy your mother.
48:24That's your sin.
48:27You'll have to pray to a father of ours and to Saint Mary.
48:31Andres, don't laugh at me, please.
48:33I just wanted to make you smile.
48:35It's going to be hard for you today, I assure you.
48:38It seems like a lie that you don't know me.
48:40There's nothing I like more than difficult challenges.
48:45See?
48:47I did it.
48:51You shouldn't stop doing it.
48:54What?
48:56To smile.
49:03How's Maria?
49:05Is she excited about the baby you're expecting?
49:08A lot.
49:10I'm really looking forward to it too.
49:12I've always wanted to be a father.
49:14And a good one, if possible.
49:16You will be.
49:17You will be.
49:19There's nothing else to do with Julia.
49:23I'm glad you didn't go to Olite.
49:25That you didn't listen to me.
49:27What's the point of going to Olite if what I want most is here?
49:47I love you.
49:54You argue a lot, it's true.
49:56But the loyalty you feel for each other is very hard to find.
50:00No, mother, it's not like that.
50:02Does that mean you'll let me go with you to the field more often?
50:04Would you like that?
50:06Of course I would.
50:08I'm scared to death.
50:10Well, Carmen told me you're not in danger.
50:12I'm not, but the baby is unknown.
50:14I swear nothing happened to that man.
50:15Please, you have to believe me.
50:17He wants to make a report about us.
50:19The Reina family.
50:21You know, a report that is pure gossip to open a section of social echoes.
50:25And have you had a good time?
50:27Very good.
50:29I'm glad for you.
50:31And for him. I hadn't seen him so relaxed in a long time.
50:33My father was a reference for me.
50:35And I need to know certain things, clarify them.
50:38Come on, the idea is to transmit an image of a solid and united family.
50:43You know I love you.
50:45It can't be.
50:47Yes, it can be.
50:49Of course it can be.
50:51If that's what we want.