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TV ve DiziDöküm
00:00Subtitulado por Cristina Pérez Cerezo
00:30I saw myself in the need to complement the salary of the bookshop with an additional income.
00:36Selling scrapbooks in my bookshop.
00:38I will not sell scrapbooks again, I promise.
00:40Is there anything I could do to forgive him and to forget this unpleasant incident?
00:46I need him to domesticate my son.
00:48Don't tell me he hasn't realized he's a retarded vagabond.
00:51I would like to have a conversation with you. Is that possible?
00:54Yes, well, I don't know how it's going to be possible because I don't feel like it.
00:57At least you could tell me what your name is.
01:00You told the inspector yourself that those buttons are very common and that half of the men in Madrid have them.
01:06But it's not true. I lied.
01:08What do you mean you lied? My love, you're scaring me.
01:11I say, none of those buttons were the same as the ones on your jacket.
01:14I myself went to a nursery to buy some buttons so that they were identical to those on your jacket.
01:18You lied to the police to cover me.
01:21I have thought of wearing the same suit with which I married Lucia, may she rest in peace.
01:26I think a new one is too much money, right?
01:29If you don't mind.
01:29No, no, no, no, no, no, no. It's the complete opposite.
01:32I didn't know how to tell you this.
01:33But I had also thought of getting married with the dress with which I married Ramon.
01:39It will be beautiful.
01:40You know that Don Fermín has taken away the rule that married women cannot work in a modern way, right?
01:45Well, we have decided that Miguel and I are not going to tell him that we are married.
01:48We are going to pretend that we are in love, that we are falling in love.
01:52And well, we need your help.
01:56Oh, Cañete. What I just saw.
01:58What did Esperanza see? What did she see?
01:59Your friend. Putting his hand on the glass, he will find out.
02:03The least I expected was that you doubted me.
02:05I told you that I have helped you.
02:07I have helped you. They could have accused me of conspiring or covering up a crime.
02:11Or an accomplice.
02:13Do you really believe it?
02:15I know you're not.
02:17But there are things that don't fit me.
02:18Tell me if you think I'm a murderer.
02:20I didn't say that.
02:21Well, you haven't denied it at any time.
02:23I'm sorry to interrupt, but let me introduce you to Ernest Hemingway.
02:26The writer I told you about.
02:28Oh my God.
02:30Iris.
02:32My pleasure.
02:33Miss Garmet. It's an honor to have you here in El Madrid, Cabaret.
02:36But how was I going to fail you on your night?
02:38I plan to endure whatever it takes until I can execute my revenge.
02:42But are you really going to ruin your life just because you have ...?
02:44Just to do justice?
02:45Matilde, are you ...?
02:47Regretful. I'm very sorry.
02:49No, you don't have to apologize for anything.
02:51If it weren't for you, I wouldn't be free.
02:53And I'm really sorry for everything you've been through.
02:57But, my love, I would like us to look ahead.
03:01The two of us, as always.
03:15Did you notice how they looked at each other?
03:17Well, yes.
03:19It was very funny.
03:21It was very funny.
03:27It has been one of those evenings that will have to be talked about.
03:29And no place will be able to overcome them.
03:31It's bad that I say it, but they're going to stay on the road.
03:35Today's party at El Madrid, Cabaret, has been a party of height.
03:39And the best thing is that everyone was having a great time.
03:43I would put my hand on the fire, that many will continue to have fun until the sun comes out.
03:47And that you say it.
03:49You have to be very proud, love.
03:52The reopening of El Madrid-Cabaret has been an absolute success.
03:58But it would have been an absolute failure if you hadn't come.
04:02It doesn't help me that the place is doing well if ...
04:05if you're not by my side.
04:09And you to mine.
04:11You know what the priest said.
04:13In the good and in the bad.
04:15So that's why you came.
04:17For a moral commitment.
04:19Of course.
04:21I don't like the environment or the place.
04:24Only the owner.
04:33Well, the truth is that ...
04:36Well, the truth is that ...
04:38I had a terrible time.
04:40Before you came.
04:41Yes, it's true, well ...
04:43I was surrounded by people, but I felt alone because ...
04:46I couldn't stop thinking about the discussion we had.
04:51I also felt very guilty.
04:54Well, I didn't want to reopen the wound.
04:57Tonight has been a wonderful night and I want it to continue to be like this.
05:01Because all I care about is ...
05:03having you in my arms.
05:10But ...
05:12My love, I want you to know that I would never hide anything from you.
05:16And I really don't know how that button came from my jacket to the riverbank.
05:20It's just that ...
05:22I don't have an answer for that.
05:26We'll find it.
05:28We'll solve it together.
05:31I know.
05:35But my love, until then, there are two things that ...
05:38I don't want you to doubt them.
05:41The first is that I ...
05:43didn't kill Carla.
05:46And the second is that I love you with all my soul.
05:50I've never doubted that.
06:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
06:03Señora Betencourt.
06:31We are playing love.
06:35There are dreams that are for life.
06:39And they are always an eraser.
06:42You and I are more.
06:45We want to fly.
06:47Our thing is a trip to the sun.
06:52Forever you and me.
06:56Dreaming in a room.
07:00We are seagulls that stop us.
07:04In the modern it is possible love.
07:08Forever you and me.
07:12A single heart.
07:16We are brave if you don't understand it.
07:20In the modern there is a better world.
07:24The modern wrote it.
07:27Our love poem.
07:40Well, lately the ojaldres are selling very well.
07:42You don't know how successful they are.
07:44Yes, I have realized.
07:46I will talk to Pietro to be warned and today we are not missing.
07:49Good morning.
07:51Good morning.
07:52It's nice to see you so concentrated working.
07:55In fact, in the accounts you are already noticing the change of attitude.
07:58In part you are responsible.
08:00Trinidad.
08:02Me?
08:03Yes.
08:04You and the rest of your colleagues.
08:06They are looking at each other a lot, as I told you.
08:09So congratulations for the part that touches you.
08:11Thank you very much.
08:13Well, I was just telling Mrs. Teresa that the ojaldres and the almonds are selling very well.
08:18Yes, I was about to go talk to Pietro to ask him to double the production.
08:23What were you going to do?
08:25I remind you that this is the manager's competence.
08:28I am the one who has to ask for an increase in production to the worker.
08:32Well, Mrs. Teresa was just trying to do the best for the room.
08:37Yes, yes, I think it's very good.
08:39As long as it does not exceed its obligations, which are limited to supervising the good operation of the room.
08:46I see.
08:47Well, but I think that being genderless is not something ...
08:49Trinidad, don't worry.
08:52You are right.
08:54It won't happen again.
08:56I hope so.
08:58And speaking of obligations, I want to tell you that I have already contacted the surveillance company.
09:03And tonight they will send some additional guards.
09:07I'll be informed.
09:09Very well.
09:10Well, now, have the samples that we have to apply.
09:14Thank you.
09:22Good morning.
09:23Teresa, please come in.
09:24Good morning, enjoy.
09:26Good morning, Matilde.
09:27Good morning.
09:28How are you?
09:30I didn't know photographers got up so early.
09:33Well, the news is great.
09:34And sometimes we have to go to bed very late and get up very early.
09:38But today, today I come as a distributor.
09:44I have to go.
09:50Oh my God!
09:51The report made by the Iberian correspondent.
09:54Two whole pages covering the reopening of the Madrid-Cabaret.
09:57Well, and the rest of the newspapers didn't fall behind.
10:00All of them.
10:01They all echoed the event.
10:03Look what it says here.
10:05The American writer Hemingway and the BDS Celia Gamez in the reopening of the Madrid-Cabaret.
10:11The presence of both was a success.
10:13But they don't just talk about celebrities.
10:17Look.
10:19The owner of the Madrid-Cabaret, Íñigo Peña Albert,
10:22after being unjustly pointed out as guilty of murder and having suffered a shooting in his place,
10:28has been able to cover up the time.
10:30With a firm hand, he has once again taken control of the most emblematic place of the Madrid night.
10:37You did it, my love.
10:39You have managed to clean up the image of the Madrid-Cabaret as your own.
10:43Well, but not all the credit has been mine.
10:46These photographs, Celia, are incredible.
10:49In line with how wonderful the night was.
10:52Thank you very much.
10:53Well, I'll let you have breakfast.
10:55Thank you very much for everything, Celia.
10:57Congratulations.
11:05I'm very proud of you.
11:08Another one in your place would have hidden his head and you have shown your face.
11:12And you have organized a dazzling reopening.
11:15You have taught them a lesson.
11:17Sometimes there is no choice but to endure and trust that the storm will stop.
11:22As long as he keeps quiet about what he thinks about the vampire,
11:24a hole will end up coming out of his stomach.
11:27Look, Trini, I know we shouldn't speak ill of the superiors,
11:30but with this woman, with this woman, I'm going to get an ulcer.
11:33And with me, there is no need for it to be contained.
11:35Yes, you know that I feel the same price you feel for her.
11:38Come on, none.
11:39Always trying to miss everyone.
11:41Mother of mine.
11:42And it seems that he is going for me.
11:44That he wants to keep me away from all my obligations and my commitments.
11:47The truth is that I don't know what he intends.
11:49You don't know what he intends?
11:50Well, I'll tell you.
11:51What he intends is for you to feel like a zero on the left
11:54so that he does give up his position.
11:57Yes, well, he makes it clear.
11:59Now, whatever your intentions are,
12:01I can't do anything,
12:02because now he is going to split a pinecone with a nurse.
12:04I don't understand how Mr. Fermin
12:06is letting himself be seduced by this lady.
12:12Let's say I haven't said anything, please.
12:14Well, you have said it, Trini.
12:16Hey, I'm really telling Cállate not to say anything to anyone
12:18and he's going to tell you right away.
12:21Don't go too far.
12:22No, no, no, no, no.
12:23I wouldn't be able to say anything under torture.
12:27Well, under torture I would say something, I guess.
12:30And besides, all this is my interpretation.
12:33I have no proof.
12:34Well, I'll tell you one thing,
12:36open your eyes wide because this woman is not going to stop.
12:39Yes.
13:02Yes, yes, I deserve this welcome,
13:04one or worse,
13:05because I've got my foot in the grave.
13:07I'm sorry, Miguel.
13:08Really, but hey,
13:09don't tell me Elías Tejadas is a coward.
13:11Because I've come here to confess my fault.
13:14That a waiter asked Don Salvador
13:16to take note of one of the orders from La Fajete.
13:18Well, and what took you so long to leave with the story
13:20and with all the luxury of details?
13:21We'll see.
13:22Man, Elías,
13:23considering that we were using
13:25the warehouse of his store for our business ...
13:27Well, but the truth is that I am very happy to see you here
13:30because that means that he has not fired you.
13:33Luckily, I have managed to save my skin and my job.
13:36At least for now.
13:38It is that my work is on the loose
13:40because of a tramp like this.
13:42But of course,
13:43if he doesn't even come to work,
13:44how does Narices want him to deserve it?
13:47What do you mean, Miguel?
13:48Here it is.
13:50Good morning, Miguel.
13:55What a mess Beltran sends, huh?
13:57There is no day that his time passes, huh?
13:59It's already bad luck.
14:00Leave it.
14:01I'm not interested.
14:02Go to the warehouse, take out boxes
14:03and start ordering books in the shelves,
14:05we're going late.
14:06I thought the job of a bookseller
14:08consisted of selling books.
14:09Man, he has some reason.
14:11Kid.
14:13Very good, Mrs. Julia.
14:15I'm with you right away.
14:16Don't worry, Miguel.
14:17I'm just curious around here.
14:19Let's see, Salvita.
14:21I say that to sell books,
14:23at least you have to keep an eye on us, right?
14:25And it wouldn't be bad if you knew
14:27what books we have,
14:28which ones we can order,
14:29what titles are romantic comedy,
14:31which ones are history ...
14:32Well, that's going to be much more complicated
14:34because I understand a lot about selling,
14:36but books ...
14:37That's my father's thing.
14:39Well, we're screwed.
14:41Don't worry, he's a man ...
14:44I tell him to sell for a while.
14:46Look and learn, Miguel.
14:51Good morning, Mrs. Julia, right?
14:54Indeed, Julia is my name.
14:56Mrs. Julia, I have what you are looking for.
14:58Only then can I help you.
15:00Well, look.
15:01In a few days it is the birthday of my nephews
15:04and I don't know what to give them.
15:05I've been through the gallery
15:07and I thought that a children's book would be a good option.
15:09I agree with you.
15:10You have come to the right place.
15:12Here we have the best stories you can imagine.
15:16Oh, a lovely greeting to the educated pair.
15:21Close, but without losing shape.
15:24I, who am a great observer of human behavior
15:27and the relationship with customers,
15:28appreciate a good reception when I have it in front of me.
15:32If that were enough,
15:34it will sink as soon as the client asks for a recommendation.
15:37I am content that you do not take it to the shelves of the encyclopedias.
15:42My nephews are twins.
15:44Ah, well then ...
15:46Instead of recommending a book,
15:48I'm going to recommend two,
15:50so that they don't get in between.
15:51You don't know how envious I am
15:53to have such a beautiful aunt like you
15:55and that on top of that I give you books.
15:57Who would have that luck?
15:59What are you talking about?
16:01What an attitude this kid has.
16:03Attitude and salesmanship.
16:05How he neglects it in two or three books.
16:07You can't panic, Miguel.
16:09If it doesn't work, I'll take it off.
16:11Well, goodbye.
16:17Is this new?
16:19Yes, I'm new, but ...
16:21I think I have a future as a bookseller.
16:23Yes, yes, I'll tell him yes.
16:25These three will be the options.
16:27Perfect.
16:50I want us to start from scratch.
16:52I want us to fulfill the dream we always had.
16:54Have a jazz club in New York.
16:56Or in California.
16:57Or wherever, I don't care.
16:59I would do anything to make you the happiest woman in the world.
17:05I don't need any of that, Cesar.
17:08I only need you.
17:10But it's just that ...
17:12I know it's very complicated.
17:14You have a comfortable life in Madrid
17:16and you can't be far from your uncle and your sister.
17:18I'm sorry I can't see you for more days.
17:20I only have two.
17:23That lieutenant is looking for me.
17:36Good morning.
17:38Good morning.
17:41Do you know what time I arrived last night?
17:44Well, I think it was dawn already.
17:48But then, did you have a good time?
17:50Better than good.
17:52Celia Gamedi and Ernesto had a great time all night.
17:55We even went to a flamenco table because Ernesto insisted.
17:59What confidants.
18:01They called Mr. Hemingway by his name.
18:05I hope it's not Celia who comes to pull my ears to the studio.
18:14What are you doing here?
18:16That's what I could ask you.
18:18I live here.
18:20But you live here.
18:22I thought this was Inés Balbuena's house.
18:25Come in.
18:26May I know what you have to do with my sister?
18:31With your sister?
18:33Well, I didn't know Inés had a sister,
18:36unless ...
18:39it was you.
18:41Yeah.
18:42To another dog with that bone.
18:44You were already laughing at me about the cinematographer
18:46and you've come to keep making a fool of yourself.
18:48Miss, I'm being completely honest.
18:50I've come to look for Inés and I've come across you.
18:52There are no bad intentions on my part.
18:54Yeah, sure.
18:58Agustín, what a surprise.
19:01What do you mean, Agustín?
19:02Do you also know the owner of Cine Guerrero?
19:06No, I didn't know it was his.
19:08Laurita is Agustín Comas, the theater producer
19:11who asked me to appear in The Court of Pharaoh.
19:14Wow.
19:15We're both a box of surprises.
19:17You, a fan of the cinematographer,
19:19niece of my good friend Don Fermín
19:21and sister of my leading actress.
19:24Well, your former leading actress.
19:28Look, that's a lot of information in a very short time
19:31and I don't ... I don't have my head.
19:34We'll talk at another time.
19:38Don't take it to heart.
19:39He doesn't have a very good awakening.
19:43I don't know.
19:49Do you allow me, Don Fermín?
19:50Would it be necessary?
19:52I was just reading
19:54the success of the reopening of the Madrid-Cabaret.
19:58Yes.
20:00Well, but you and I have another conversation pending, right?
20:04To be precise, you are the one who owes me an answer.
20:07That's true.
20:08I owe you an answer and I'm going to give it to you.
20:10Sit down, please.
20:11Matilde,
20:13your project seems like a great idea to me,
20:17but I still have some reservations.
20:20Tell me, what exactly worries you?
20:23I don't doubt your ability to organize all those events
20:26that you propose in the hall,
20:28but I can't ignore
20:30that you are a young woman
20:33with little experience in these lines.
20:36You're worried that I don't know how to handle
20:38businessmen and businessmen.
20:41As always, you take them on board, Matilde.
20:45Sincerely, Don Fermín,
20:47I also feel a lot of vertigo,
20:49but at the same time I see myself able to deal with those men
20:51and I think that my job will consist of offering them a place
20:54where they can meet, get to know each other,
20:57get in touch and exchange ideas.
20:59They will be the ones who separate each other.
21:03Yeah, but a woman alone among so many men...
21:09You know better than anyone
21:11that helping to change the established order
21:13has always motivated me to give my best.
21:15You don't have to swear it.
21:16I have suffered in my own skin
21:18your desire to see the world change.
21:22Look, Don Fermín,
21:24I can't promise you that this will go well in the first round,
21:27or that there won't be any problems,
21:29but I can tell you that I will work very hard
21:32to make it as good as possible.
21:34And I am aware that I still have a lot to learn,
21:37but I am willing to do it.
21:40I can't tell you anything else.
22:00Daughter, what are you doing there doing nothing?
22:03With all the documentation I gave you from the company
22:05you have work for hours.
22:07I have already reviewed everything and I have nothing to object.
22:10Besides, you were the one who told me that you would talk to Fabio.
22:13That's right.
22:15I have talked to him
22:16and he has not put me in any trouble
22:18to raise the rents in Seville.
22:20I knew you would get it.
22:22And tell me, how is the issue of hotels in Bilbao and Barcelona going?
22:26Well, regarding that matter,
22:28everything is going to be slower than any issue for the blind.
22:32I have no doubt that you will get it.
22:35Do you have Fabio eating out of your hand?
22:38Yes.
22:40But his honesty is going to be a difficult choice to save.
22:44Honestly, I don't see him using his influences
22:47to make a law benefit him.
22:49He has to do it.
22:51I trust you, don't disappoint me.
22:54I never disappoint you, daughter.
22:56I hope so.
22:57As you told me, business has to go well
22:59so that I can culminate my revenge.
23:02I need you to have a clear mind
23:05so that our plans go right.
23:09I have been thinking about everything
23:12and I have come to a conclusion.
23:17Which one?
23:19That I don't need anyone.
23:21Not even Iñigo.
23:24I am enough and I have enough to get what I want.
23:28You don't know how happy I am to hear you say that, daughter.
23:33Forgetting that bastard is a big step.
23:36I have said that I don't need him.
23:38Not that I am going to forget him.
23:40And much less to forgive.
23:51I present that this is the beginning of a beautiful and fruitful alliance.
23:55I hope so.
23:56Life makes me smile, Mr. Fermin.
23:59And I am going to make an effort so that it continues to be so.
24:01Very well.
24:06Oh, sorry. I didn't know you were here.
24:08You are excused, Mrs. Lazara.
24:10Please, stay.
24:12Since you are here,
24:13I inform you that from now on,
24:15Matilde will be in charge of organizing business events
24:18in the upper room.
24:21Well, I think it's a great initiative.
24:24And I am very pleased to have Matilde under my command.
24:27Such a smart and responsible girl.
24:29Her fame precedes her.
24:30I thank you.
24:32But she won't have to worry about having more employees in her position.
24:35Mr. Fermin and I have agreed that I will not be part of the team.
24:39Yes, yes, that's right.
24:40Matilde will not be part of the organigram of La Moderna.
24:44She will simply be a foreign collaborator
24:45who will only have to respond to Anthony.
24:48I think it's best for everyone.
24:50That's right.
24:51Well, Fermin, thank you very much.
24:55I'm glad to see you, Mrs. Lazara.
24:57I agree.
25:04And that's what the doctors say.
25:06But they don't assure me that I can sing again.
25:10You know, sometimes the doctors' perceptions
25:13don't coincide with the patients'.
25:17Agustín, I'm not in a condition to sing
25:20and I don't know if I'll be singing again.
25:22My extensive experience has shown me that
25:25regaining your voice is very difficult,
25:28but not impossible.
25:30You just need time.
25:33Agustín, I...
25:34Don't get carried away, Inés, please.
25:36I want to move forward with the pharaoh's court.
25:39I've been doing tests,
25:40I've seen like a hundred girls,
25:43some more or less good,
25:45but none of them have what you have.
25:48Don't be silly, Agustín.
25:50There are millions of wonderful girls out there
25:52waiting for your opportunity.
25:54But I want one that embellishes me with her voice
25:56exactly like you did.
25:58And that's impossible.
26:02I'm willing to wait for whatever it takes.
26:04But I don't want you to waste your time waiting for me.
26:08You should find your new protagonist.
26:10You are my leading actress.
26:12I don't want to find anyone else.
26:15But you don't have to answer me now.
26:17Look, I've brought you a copy of the script
26:21so you can take a look at it.
26:24Okay?
26:28Okay.
26:32Don't get upset, okay?
26:34Sorry, I'm not here anymore.
26:35I've already left.
26:37Inés, take the time you need.
26:41I'm willing to wait for you.
26:47Inés.
26:49Why did he say he's willing to wait for you?
26:51What does he want?
26:52Because I don't accept him as your suitor.
26:55No, that's not the point.
26:56Laurita, he wants to wait for me to get my voice back
26:59so he can set up the court of the pharaoh.
27:01Well, let him wait sitting down.
27:03Because you can't make this effort now,
27:05much less because of a scoundrel like him.
27:07The only thing he's done is laugh at your sister.
27:10Maybe he was just messing with you.
27:12Inés, don't joke because it's not funny.
27:16Look, I'm glad he wants to count on you
27:19so you can be his leading actress at any price.
27:25Aren't you glad?
27:27Yes, yes, I'm glad, but I need to think about it
27:30and maybe some fresh air will help me clarify it.
27:33No, no, no, no.
27:34No, Laurita, I'd rather go alone if you don't mind.
27:38No, no, no, no.
27:39No, Laurita, I'd rather go alone if you don't mind.
27:42I'll see you later. Bye.
27:54I'm starting to get used to the company's affairs.
27:57It's not easy, but let's say I'm making good progress.
28:02Don't you miss those political parties you liked so much?
28:07Sometimes I do.
28:08But I think I've made the right decision.
28:12And since it's been my experience with political parties,
28:15I don't see much room for me.
28:18Besides, I can't even imagine dealing with your daughter's company
28:22while I face other challenges.
28:25I appreciate the commitment you're showing to the company,
28:28but I feel responsible for disrupting your political career.
28:32Wouldn't there be a way to combine the two?
28:37I've already told you, darling.
28:38Neither one nor the other allows you to go half-baked,
28:41and I don't want to do anything half-baked.
28:45I'm afraid you'll need your friends to boost the business.
28:52I don't know what you mean.
28:54And I'm not sure I want to know.
28:56Well, you've told me you're getting an idea of the company's situation.
29:00So you must have seen how important it is
29:04to build hotels in Bilbao and Barcelona.
29:07Yes, yes. It would be an important push.
29:12But that's not feasible at the moment,
29:14because there's a law on the ground that prevents it, darling.
29:17Yes, yes, darling.
29:20And that law couldn't be changed.
29:22I suppose so, but it's very difficult.
29:25Well, that depends on the key you touch.
29:28And you, on your contacts.
29:30Barbara, my ability to influence doesn't reach those levels.
29:33A law can't be changed overnight.
29:37That requires a very long process,
29:40and a lot of consensus, and many parts.
29:45Building those hotels was my daughter's last wish.
29:49I'd like to make her dream come true.
29:52And I don't want to have to go beyond the law to do it.
29:55Then don't do it.
29:57I'm just looking for a way to make Carla's last wish come true.
30:03But don't worry, I won't force you to do something you don't want to do.
30:08Yes, everyone's limits are perfectly clear.
30:16She gives us an idea of the celebrities there.
30:19And I, among all of them.
30:21My God, how brave she is.
30:23She must be very impressed to be in front of a singer, a bullfighter.
30:27It's me, and I leave without Celia Gámez's autograph, I tell you.
30:31Well, Antonia, don't think I'm that brave.
30:33If I did it, it was because Laurita pushed me.
30:36I almost threw soda on her.
30:38Well, thank God you didn't.
30:40I would have died of shame.
30:43Well, I was really in a hurry,
30:45because Laurita went to talk to the writer.
30:48And she left me there.
30:50Well, it's good that it ends well.
30:53Although I also tell you that it could have ended a little earlier,
30:56that you almost arrive when the rooster crows.
30:58Look, you like to exaggerate, huh?
31:00I'm not a girl anymore, Antonia.
31:02Yes, I know, I know, darling.
31:03But there is no age to arrive at a prudent time.
31:07Okay?
31:08Okay.
31:10Hey, aren't you going back to the room today?
31:13Oh, I wish.
31:14I have the last shift and it closes.
31:16But I trusted to take advantage of this moment
31:19so that Pietra would tell me
31:21how she had gone with Don Braulio's children.
31:25I hope the news is that we can go to the Garcés' house
31:28when you get married.
31:30I wish, I wish.
31:35I'll open, Antonia.
31:42Pietra, come in.
31:43Hi, Marta.
31:44Hi, Antonia.
31:46Oh, what a bad face you have, you've gone so badly.
31:50They have closed the deal.
31:52They don't want to negotiate.
31:54They demand three months in advance,
31:56one as a fiancée,
31:58and in addition to the increase in the rent.
32:01But how is that going to be?
32:03Those are abusive conditions.
32:05Who can face that?
32:07Well, maybe you can look for something smaller and more affordable.
32:11I already told you that I can look for a ...
32:12No, we already told you that that was not going to happen.
32:15Marta, the three of us are going to live together.
32:17And even if we are, we will squeeze.
32:20But ...
32:21But neither but nor but.
32:22Come on, take this to the room.
32:25Well, okay.
32:33Pietro, it is better that we do not talk about these things in front of the girl
32:36because then she gives her head and she is going to give us a disgust.
32:39And speaking of disgust, Pietro,
32:42I think we should solve the godparents thing.
32:45And the godmother, I think, right?
32:47You know what I think.
32:48And couldn't you reconsider it?
32:51She is very excited to take you to the altar
32:53and I don't see myself able to say no.
32:56No, Antonia, I'm sorry.
32:58I can't change my mind.
33:00And if you want, I can talk to Esperanza.
33:02No, no, no, no.
33:03No, I know you and in the end you end up in trouble.
33:07Okay, I'll talk to her later.
33:09In the living room.
33:10Soon, please.
33:11The more illusions are made, the worse.
33:14We are?
33:15We are.
33:26My God, thank God you have appeared.
33:28I thought something had happened to you.
33:29I'm very sorry for the bad drink.
33:31But there was police in the place where I am sleeping
33:33and I had to wait for them to leave.
33:34And what happens if they are following you?
33:35Or if there is a patrol around here?
33:37Well, they would stop us.
33:38But don't worry, that won't happen.
33:40I have taken precautions.
33:41Oh, I don't know, Cesar.
33:42I think you shouldn't take risks at all.
33:44For you, I am willing to take all the risks in the world.
33:49Listen to me.
33:51I don't have much time.
33:53One thing is to take risks
33:54and another thing is to put a liana on my back.
33:56I need you to tell me if you have made a decision.
33:59Cesar, leaving Spain like this, so hastily,
34:02well...
34:04Look,
34:06I have had some horrible days
34:08thinking that you were dead
34:10and that I would never see you again.
34:14But now life has given me the opportunity
34:17to be with you again.
34:20And I'm not going to waste it.
34:27And what does that mean?
34:29That I'm going with you.
34:30That I'm going with you to America,
34:32to China or wherever.
34:40Listen, you're not going to regret it.
34:44But Cesar,
34:46I want you to leave behind the life you had in Marseille.
34:49Your past stays here.
34:51Please.
34:53Do you promise me?
34:55I'm going to do everything in my power
34:56to make you the happiest woman in the world.
34:58I promise you.
35:00I want to start from scratch with the woman I love the most.
35:22I had ordered a coffee.
35:24Since when do waiters serve drinks?
35:26Well, since husbands' health can go to hell.
35:28Besides, look how your hand is shaking.
35:30Like to have another coffee now.
35:32Well, what do you want?
35:33I remind you that my job is on the wire
35:36because of Salvita's tarampana.
35:38If I don't manage to straighten it,
35:40I'll end up on the street, Trini.
35:41Well, that's why I brought you a manzanilla,
35:43to make you tremble,
35:44to clear your mind,
35:45to see if you can think of a plan
35:47to get this boy on the road.
35:49If that would help,
35:51you know how successful our plans are.
35:53None.
35:54Yes, you have everything.
35:55Yes, you're right.
35:56None of them work.
35:57Starting with Salvita
35:59and ending with our plan to fall in love.
36:02So Esperanza hasn't noticed, has she?
36:05She hasn't noticed anything.
36:06She always pretends
36:07to know all the gossip,
36:09to know everything,
36:10and when you serve her a silver platter,
36:12she doesn't even see it.
36:13Maybe that's the mistake.
36:15Because Esperanza is unique,
36:17detecting gossip.
36:19But our thing,
36:20after so long of marriage,
36:21even if she doesn't know it,
36:22has lost the essence of gossip.
36:24It's not pure gossip.
36:25You have to get rid of it.
36:27What are you saying?
36:28Hello.
36:30Sorry if I'm interrupting,
36:31but I have something important to tell you.
36:35They just used me
36:36as bait for your problems.
36:39With everything we've done for you,
36:41shut up.
36:42I know, Trini, I know.
36:43And it hurts my soul,
36:44but I can't do it all.
36:47The vampire has put me to measure
36:48the time every waiter spends
36:49serving the tables,
36:50and she wants a detailed report.
36:52And what for?
36:53To annoy me, I guess.
36:55But besides watching the waiters,
36:57I have to keep an eye
36:58on Teresa's infatuated ones.
37:00And I just can't do it.
37:02I just can't.
37:03When bad things come,
37:04they all come at once.
37:05But we have to do something
37:06to straighten this mess.
37:08You'll tell me how.
37:10We have to be more aggressive.
37:11Much more aggressive
37:12with our strategy
37:13so Esperanza can catch us.
37:15Of course, if we do it right,
37:17no one will doubt
37:18that you and I are crazy
37:19about each other.
37:24Your wife
37:25is starting to scare me, Miguel.
37:27And me, Cañete.
37:28And me.
37:46So you're going to invite me
37:48to a coffee?
37:49Just like that?
37:50I don't know,
37:51what are you surprised about?
37:52I like to have details
37:53with my partners.
37:55If you say so.
37:56Well,
37:57I'll also take the opportunity
37:58to read you
38:00what I wrote
38:01for Antonia's wedding.
38:02I told you
38:03that so much kindness
38:04couldn't be for nothing.
38:07And why do you have to
38:08say a few words
38:09at Antonia's wedding?
38:10Because I'm the godmother, Leñe.
38:12Oh, my God.
38:14I'll start with the end,
38:15which is the most sensitive part.
38:16No, you're the godmother,
38:17you're in charge.
38:19And although I don't have
38:20to eat perdiz,
38:21I know you're going
38:22to be very happy.
38:23Especially you, Pietro,
38:24who wears a jewel
38:25of a woman
38:26and of a person
38:27like Antonia.
38:28I love you
38:29like the sister
38:30I've never had.
38:31So,
38:32no,
38:33so,
38:34so,
38:35so,
38:36so,
38:37so,
38:38so,
38:39so,
38:40so,
38:41so,
38:42so,
38:43so,
38:44so,
38:45so,
38:46so,
38:47so,
38:48so,
38:49so,
38:51so,
38:52so,
38:53That one you have in the obrador and I'm going to bite him.
39:00What's wrong? Are you cold?
39:04Antonio, I didn't know you were coming. What a surprise.
39:09If I hadn't, I would have made you a coffee too.
39:12Surprise? Are you still surprised that I fulfilled my duty?
39:15Well, woman, you know how Esperanza is, you don't have to listen to her.
39:19Well, without fail.
39:21Besides, I hit him in the head.
39:23Well, don't fight, because I know exactly what you were reading.
39:29What a godmother I am, I can't even keep a surprise.
39:34Well, on the day of the wedding, you pretend you didn't hear the speech.
39:39That's exactly what I wanted to talk to you about.
39:45Well, I'm going to have this coffee, me, quietly, in the living room.
39:51See you later.
40:02Laurita, but I thought you were working.
40:05Inés, have you lost your mind?
40:08When were you going to tell me that César is alive and that you are still seeing each other?
40:11Are you dedicated to following me now or what?
40:13Yes, and luckily I have.
40:15Inés, do you realize that you can end up in jail as an accomplice to a criminal?
40:21I'm sure it's the lieutenant, Laurita.
40:31Inés, it's him, he's the one who saw you with César and that's it.
40:34Everything is over here.
40:35But it can't be, it can't be, I was very careful.
40:38Yes, yes, you were very careful, so much so that your sister, who is not a professional,
40:41could follow you and you didn't realize it.
40:44No, no, no, wait a minute, wait a minute.
40:52There, there.
40:58Good afternoon, lieutenant.
41:00Good afternoon, miss. I hope I haven't arrived at the wrong time.
41:03Have you taken your time to open?
41:05No, no, come in.
41:16Any problems?
41:17No, no, lieutenant Lorenzo, none.
41:19He caught us in the middle of a game and he doesn't know how competitive we are.
41:23Then I won't go around.
41:25You still don't know anything about César?
41:27Nothing, nothing, and I hope he continues to be like this for a long time.
41:31What I hope is that he is not lying to me.
41:34Your friend is very dangerous and could put his life at risk.
41:39Lieutenant, César is not a criminal.
41:41He has made mistakes, yes, but I wanted to correct them.
41:44Although I haven't had the opportunity to do so.
41:48Opportunities, miss, are won based on effort, not by shooting a person.
41:55One cannot start from scratch with a corpse behind them.
42:00The dead end up dying.
42:03Anything else to add?
42:05No, nothing else.
42:09So I don't steal your time anymore.
42:11Although I hope you will give me some advice.
42:14Your friend is a criminal.
42:17And as such, he will commit a crime again.
42:19Sooner rather than later.
42:22So if he appears again in your lives,
42:27it is better that you leave as soon as possible.
42:45Inés, head.
42:47You know how lucky you are to be healthy and safe,
42:49that César's entanglements almost cost you your life.
42:52But what do you mean by seeing him again?
42:54Laurita, really, you have to trust me.
42:56I'll be fine.
42:58All this is about to end, I promise you.
43:05Don't tell me anymore. I can see it in your face.
43:08Don't you like the speech?
43:10Of course, I have put in something funny.
43:12But if you want, I can change it.
43:14And take away the knee thing.
43:15No, no, it's perfect.
43:17It's a beautiful speech.
43:24I don't know how to tell you this, really.
43:29Well, bravely and sincerely,
43:31as you and I have always spoken.
43:34Very well.
43:37Well, the first thing I want to tell you is that
43:40you are also a sister to me.
43:45We've been through a lot, you and me.
43:50Good woman, let go.
43:52It won't be so bad.
43:58I'm sorry to tell you, Esperanza, that you can't be the godmother.
44:09And why is that?
44:11Because Pietro and I have decided that
44:17you are one of the witnesses.
44:22Witness?
44:23Yes.
44:25Nana is from China.
44:28I don't go where I'm not loved.
44:34And tell the Italian that he can save my blanket.
44:39Yes.
45:10Good morning.
45:15You know I didn't trust you at all.
45:17Next time, please, don't expect anything.
45:19And don't come from your house on purpose.
45:22I could wait until tomorrow, doctor.
45:23Well, if you can't wait until tomorrow, you'll have to...
45:28Mrs. Lazara?
45:29Yes.
45:30I thought you had already left.
45:32No, I was just checking that everything was in order.
45:35Then every day before I left.
45:37It's a good habit, but please, as soon as it's over, go home, it's late.
45:42Of course, don Fermin. Good night.
45:44Good night.
45:48Let's see, Pietro.
45:49What is so important that you can't wait until tomorrow?
45:54The money, don Fermin.
45:56Always the money.
45:58Don't tell me you're in a hurry.
46:00No, but...
46:02It's just that with my salary, I can't move in with Antonia.
46:06Mrs. Lazara told me about an increase and...
46:08And you want me to make cash, of course.
46:11Please.
46:13You know very well that if the accounts don't go out, they don't go out.
46:16If they don't go out, they don't go out, no.
46:18Give me some time to think about it.
46:19I'll check the finances, but make sure it's possible.
46:24I am very happy that you have stayed with us,
46:27so I plan to help you in everything I can in this new stage of yours next to Antonia.
46:31Thank you, don Fermin.
46:33It's what I want and...
46:35Life goes by so fast that sometimes we forget
46:38what is truly important, right?
46:42And according to you, what is truly important?
46:45Affection, don Fermin.
46:46Affection?
46:47Affection, yes.
46:50Excuse me, I think I left my bag inside.
46:53Do you mind if...
46:55Are you going to look for it?
46:57Yes, yes, yes, of course.
46:59Excuse me.
47:01I'm leaving, don Fermin.
47:03Thank you very much for everything.
47:04You're welcome.
47:06Let me help you, Mrs. Lazaro.
47:08Four eyes see more than two.
47:10Thank you very much.
47:11Let's see.
47:15Well, here it is.
47:16Yes?
47:17Yes.
47:18I have it in my head.
47:20It's all there.
47:21Well, I guess the day has passed me by and I'm tired.
47:24I'm going to go home now.
47:26It's time.
47:27Yes, yes, of course it's time.
47:28It's time, of course.
47:29Excuse me.
47:30Thank you.
47:34This door, I don't know why it doesn't open.
47:38I can't believe it.
47:40Well, I just closed the sliding door from the outside.
47:45It can't be.
47:46Yes.
47:47No, no, but...
47:49Then...
47:59Maybe Pietro hasn't left yet.
48:01Pietro, are you still there?
48:04Pietro, are you still there?
48:10For the success of Madrid Cabaret.
48:12And for the success of La Moderna.
48:14May it continue to be a prosperous business,
48:16since my wife goes back to work there.
48:18I'm afraid then the toast is incomplete.
48:21Because you didn't include yourself.
48:23And if I go back to work with Don Fermin,
48:25it's because you encouraged me to talk to him.
48:27Not at all, my love.
48:29The credit is all yours.
48:30The idea is very good,
48:31and Don Fermin would have realized it sooner or later.
48:34Thank God it was soon.
48:36Because I don't like to be hand in hand.
48:39Let's see how it goes.
48:41Do you doubt your project?
48:43No.
48:44It's not that.
48:45It's just that...
48:47Well, it gives me respect to enter a world
48:49dominated entirely by men.
48:53Do you think it will give me respect?
48:58If there is someone who can put those businessmen firmly,
49:02it's you.
49:06Well, thank you for always supporting me
49:09and trusting me when I have doubts.
49:14Of course, my love.
49:16What kind of husband would you be
49:17if you weren't by my wife's side?
49:21Give me a kiss. Come on.
49:25I've had a nightmare.
49:28Come here, my love.
49:31Come here.
49:33It's okay.
49:34That's it.
49:36Come here.
49:37Come. Sit here.
49:40Sweetie, dreams are just dreams.
49:43And you don't have to give them importance
49:44because they are not real.
49:47I see.
49:48But now I can't sleep.
49:50I'm afraid.
49:51Oh, my little one.
49:53Tell us what you were dreaming about.
49:56I don't remember.
49:58But I was very afraid.
50:01It happens to me too.
50:03I don't remember what I dreamed,
50:04whether it was good or bad.
50:07But well, maybe we could take this opportunity
50:09since Clarita is awake
50:11and talk about some things that worry us.
50:16I'm not worried about anything.
50:19Well, I am.
50:21Your studies.
50:22I think it's time for you to go back to school.
50:24Don't you think?
50:26Inigo will no longer be in the newspapers
50:28and no one will mess with you.
50:31What you want is to get rid of me.
50:33That's why you want me to go to school.
50:35To get rid of me.
50:36Hey, Clarita, what I want is the best for you.
50:40And the best thing is that you study.
50:42Don't forget what Mother and Father said.
50:45I'm not going to school.
50:47I'm going to stay at home.
50:48Hey, Clarita, we haven't...
50:50Well, we're done.
50:54I don't know what's wrong with her.
50:56I don't know what to do.
50:59But don't worry, my love.
51:01We'll give her time.
51:02Let's not overwhelm her.
51:04Okay.
51:05I'll give her time.
51:07But tomorrow I'm going to school,
51:08no matter what.
51:13I'm going to bed.
51:15I'm going to bed.
51:17I'm going to bed.
51:20Nothing.
51:22Nothing, there's no way.
51:24Are you sure?
51:25Very sure.
51:26I would have to dismantle the frame or the lock,
51:28but I don't have tools here.
51:31Well, since we can't open it,
51:33I see that we stay here all night.
51:36Well,
51:38well, I'm afraid that
51:40we have no choice.
51:42If someone was worried about my delay,
51:44I could come and see what happens
51:46and get us out of here, but
51:48it's not the case.
51:50Well, I'm fine.
51:56Well, let's not think about the worst, Mr. Fermin.
51:59At least neither of us have a family
52:01that is mourning our absence, right?
52:04Yes.
52:06It would be better to think so, of course.
52:10Well.
52:13Because you don't have more family than your nieces, right?
52:16No.
52:19No, no.
52:20I'm not a widower, if that's what you're asking.
52:23Excuse me, I didn't mean to be indiscreet.
52:25It's just that it strikes me
52:27that someone like you hasn't been to the altar.
52:29Well, maybe I haven't found
52:31a woman who can stand me.
52:34Please, Mr. Fermin.
52:35What things do you have.
52:37Even here, locked up,
52:39you manage to find time for your soul.
52:41Yes.
52:45The truth, Mrs. Lázara, is that
52:48I think that love is as hazardous as the game
52:50and I haven't been given good cards.
52:53Well, maybe what happens is that you are very demanding.
52:56No, I don't think that's it, no.
52:59I think, rather, that
53:02I'm a loner.
53:04There are those who say
53:06that falling in love is
53:09getting tired of being alone.
53:12And you haven't gotten tired yet.
53:17I'm very committed to my...
53:19to my lonely life.
53:20I'm a man of customs.
53:22Well, but everyone can change,
53:24including you.
53:27You know what I think?
53:32That you're afraid of being touched in the heart.
53:34Am I wrong?
53:38Excuse me.
53:39I shouldn't have said that.
53:40No, no.
53:42Don't worry, nothing will happen.
53:45Don't worry.
53:52Even so, we agreed that
53:55we were going to
53:56keep the forms
53:58and that our
53:59work relationship was going to be
54:00aseptic.
54:02And yet,
54:04here we are talking about intimacy
54:05after I told you
54:07what my feelings were.
54:08I'm sorry.
54:09Well, here
54:10we're out of our
54:11working hours.
54:13Besides,
54:18we have a
54:20conversation
54:21pending.
54:22No?
54:23No, no, no.
54:24No, I already said everything
54:25I had to say.
54:26Even more.
54:29Unless you
54:30have something to tell me.
54:36I...
54:37I can only tell you
54:38that I have it
54:39in very high esteem
54:40as a professional,
54:41as a person
54:45and
54:47as a woman.
54:54I thank you very much
54:55for your words, Mr. Fermin.
54:58And I also thank you
55:00for having the courage
55:02to share your feelings
55:03with me.
55:05And well,
55:08I think it's best
55:09that we get comfortable
55:10because it's going to be
55:11a very long night.
55:21The correspondence
55:22you're still receiving
55:23even though you're dead.
55:25I guess that the news
55:26of my death
55:27hasn't reached
55:28everyone yet.
55:29And those newspapers?
55:30Any news
55:31you want to tell me?
55:32I don't know.
55:33I haven't had time
55:34to look at them.
55:35I've brought them to you
55:36so you know
55:37what's going on in the world.
55:38Life goes on,
55:39daughter.
55:41And you're a living example
55:42of that.
55:43You've saved me
55:44little mourning
55:45if you have so many commitments
55:46as to not even be able
55:47to read the press.
55:49Well, the truth is
55:50that I've had
55:51a very busy afternoon.
55:52Fabio insists
55:53on getting up to date
55:54in your business
55:55at a dizzying pace.
55:57I can't believe it.
56:00I've been rotting
56:01in this hole
56:02while they've been
56:03making it worse.
56:04Don't tell her.
56:06I'm not the only one
56:07who has to be up to date
56:08with the news.
56:09Calm down.
56:10Is this how you intend
56:11to take revenge on them?
56:12This has only been
56:13a setback.
56:14I promise I'll take revenge
56:15on all the harm
56:16they've done to you.
56:17I'm fed up with their promises.
56:20They're just words.
56:21Nothing's going well.
56:23That's enough.
56:24It's not like that.
56:25Everything is going
56:26as planned.
56:27If we continue with the plan...
56:28The plan?
56:29What plan?
56:30What's the plan?
56:32What's the plan?
56:33To give them a free pass
56:34so they can be happy?
56:37Calm down, dear.
56:38You'll get hurt.
56:39I'm not going to calm down.
56:40I'm not going to calm down.
56:41I want solutions
56:42and I want them now.
56:43And if you're not able
56:44to carry them out,
56:45I'll do it.
56:47And I swear
56:48my heart won't beat.
56:54It's been
56:55a special night.
57:00Very special, yes.
57:04Good morning.
57:05Good morning.
57:06What are you thinking, dear?
57:07You shouldn't have committed
57:08any barbarity.
57:09Don't talk to me
57:10as if I were crazy.
57:11I'm going to show you
57:12what it's like to suffer.
57:13But you don't see
57:14what happened here.
57:15Do you think
57:16there was a fight here tonight?
57:17You're really naïve, Cañete.
57:18Do you think
57:19he's capable of hooking her?
57:20That's what I'm saying, Trini.
57:21Solitude is very bad.
57:23And Mrs. Fermin
57:24is more alone than ever.
57:25Yes, that's true.
57:26We'd talk about
57:27how we could get
57:28women to vote.
57:29I don't know if
57:30that kind of event
57:32is appropriate
57:33for Madrid Cabaret.
57:36And why not?
57:37It's against
57:38the women's vote.
57:45What a surprise.
57:46Wow, wow.
57:47With the happy couple.
57:50Are you going for a walk?
57:51Yes.
57:52To the park in Retiro.
57:54You don't know
57:55how long it took the tram.
57:57Apparently,
57:58the tram had
57:59an electrical failure
58:00or something like that.
58:01And I had to walk.
58:02Twenty minutes.
58:03Your father
58:04asked me to teach you
58:05how to work
58:06and straighten you up.
58:07And since my name is
58:08Miguel Ruiz,
58:09I'm going to straighten you up.
58:10And do me a favor
58:11and close the window.
58:12Love
58:13doesn't
58:14come or go.
58:16Are you upset
58:17because I told you
58:18you're not going to be
58:19the godmother
58:20of our wedding, Pietro?
58:21Well, well, well.
58:22What can I do for you?
58:23Don't take
58:24such confidence in me.
58:25I know you're the owner's son
58:26and they won't fire you,
58:27but don't talk nonsense.
58:28What a character.
58:29I was just trying to be nice.
58:30Well, you need practice.
58:32You need the godfather.
58:34Don Fermín.
58:35I heard that
58:36you're coming to
58:37Mrs. Carla's office
58:38and that means
58:39that Mrs. Barbara
58:40asked for help
58:41to manage
58:42the company.
58:43So what?
58:44This morning,
58:45Inigo Peñalver
58:46came to the office.
58:47Inés,
58:48are you sure you're okay?
58:49Yes, yes, I'm fine.
58:50I'm fine, really.
58:51I'm fine.
58:52You're the best sister
58:53anyone can have.
58:55But my heart
58:56belongs to César.
58:57I have to be by his side,
58:59even if that means
59:00I have to leave you
59:01and Uncle Fermín.
59:03Maybe forever.
59:05Take care of yourself
59:06and Uncle Fermín.
59:09As much as you've taken care of me.
59:12Forever.
59:14I have to run home, Antonia.
59:15They're going to evict us.
59:16What do you mean,
59:17they're going to evict us?
59:22Miss Balbuena.
59:27Stop her.
59:30Don't touch me.
59:38You're a real gentleman.