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00:00It can't be! It can't be!
00:02Help! Help!
00:06Matilde, let's go inside.
00:08I'll make you some food.
00:10I'm sure it will ease your nerves.
00:12I saw Mrs. Carla.
00:14She had stayed with Cesar to go with us.
00:16She was a few meters away from me
00:18when I realized that Lieutenant Lorenzo
00:20and other police officers were following me.
00:22And I had to run away.
00:24I didn't know what to do.
00:26I didn't know what to do.
00:28They were following me for days.
00:30And I had to make a decision.
00:32I turned away so that...
00:36so that he could escape.
00:38I'm not going to say anything.
00:40But I'm not doing it for you. I'm doing it for Mr. Fermin.
00:42Sounds good.
00:46To be honest,
00:48it's not the first time I've seen her.
00:50Carla?
00:52A few days ago, I thought I saw her
00:54in the clearing of the staircase.
00:56We have to be happy.
00:58Because Cupid's plan works.
01:00And I want to continue.
01:02Well, it's true that it's working,
01:04but we could also take it more calmly.
01:06Not at all. No, no, no.
01:08We have to continue until the end.
01:10Now I'm living a life without lies,
01:12without falsehoods.
01:14Do you think you can do everything?
01:16Because here, apart from a partner,
01:18you have someone you can always count on.
01:20You know that, don't you?
01:22I can't imagine
01:24having a better friend than you.
01:28What are you up to with Sarbita?
01:32I've seen you talking to him
01:34once or twice, or more than twice.
01:36No, no, nothing.
01:38We talk from time to time
01:40to pass the time
01:42and because he works next door, but that's it.
01:44Nothing more.
01:46And these tickets?
01:48They're to see a movie.
01:50Sometimes an apology isn't enough.
01:52I'm grateful, but
01:54I have a business to open
01:56and sometimes an apology isn't enough.
01:58How did it start? The bookshop and you?
02:00I didn't know about that.
02:02Neither did I.
02:04But we were talking about the wedding gift
02:06from Antonia and Pietro.
02:08Yes, yes, but the wedding is on Augusto Trini,
02:10so start telling us. Get out, please.
02:12What were you doing yesterday?
02:14Where were you going
02:16with a suitcase?
02:18Lieutenant, I don't know anything.
02:20Well, Miss Inés,
02:22we have the border police on alert.
02:24It's a matter of time before we see him.
02:26I can't get my head out
02:28of yesterday's farewell.
02:32I'm very sorry.
02:34It won't happen again.
02:36If I didn't like the farewell, I would have told you.
02:38It was very pleasant for me.
02:40Stop treating me with condescension.
02:42I know what I saw, and I saw Carla.
02:44But where are you going at this hour?
02:46I'm going for a walk.
02:48Why can't I take it anymore?
03:02Reviewing your business list?
03:04Yes.
03:06I'm organizing my agenda
03:08to meet with them.
03:10I don't want my work to accumulate.
03:12Yes, sometimes it's hard to concentrate.
03:18I have my head in another matter.
03:22And I see you're tired.
03:24Didn't you sleep well last night?
03:28Everything you can sleep in these circumstances.
03:34My love,
03:36allow me.
03:42I can't be like this with you.
03:44Really, everything I told you
03:46was to clear the air.
03:48I'm sorry.
03:50I didn't want to bother you.
03:52I know.
03:54I should also apologize.
03:58My reaction was a bit exaggerated
04:00and the slap I gave was more.
04:06With regard to what
04:08you said.
04:12It's impossible, my love.
04:14Carla's body has been identified.
04:16And I believe you.
04:18I know you saw something,
04:20but there has to be
04:22a logical explanation for all this.
04:24Carla can't be.
04:26Don't talk to me like that.
04:28And don't treat me like a child.
04:32And tell me I didn't see something
04:34when I'm sure I did.
04:36My vision hasn't played a trick on me.
04:38Carla was there.
04:40My love, I believe you.
04:42And there has to be a logical explanation
04:44for all this.
04:48I'm late for school. I don't have time for breakfast.
04:50No, no, no.
04:52You can't leave with an empty stomach.
04:54I'm not hungry.
04:56Well, I'd like some milk.
05:02Matilde?
05:04Yes?
05:06No, nothing.
05:08Clarita,
05:10I know you and I know you want to ask me something.
05:12Come on, ask me.
05:14Since when
05:16does a garcés turn his back
05:18to ask for something?
05:20Do you remember the letter
05:22we received from Pablo and Aunt Concha?
05:24Yes.
05:26And it was very nice.
05:28Pablo and Aunt
05:32say they really want to see us.
05:36And the two of us?
05:38Matilde
05:40would like to go to Jerez.
05:44She misses us a lot.
05:50That's what I wanted to tell you.
06:00To Jerez?
06:02To spend a few days
06:04with Pablo and Aunt Concha.
06:08But...
06:12But you're going to miss class again
06:14and it's a very long trip
06:16to do it alone.
06:18Please.
06:20But aren't you okay with us?
06:22It's not that.
06:24I miss you a lot.
06:26I miss you a lot.
06:36Very well.
06:38Very well.
06:40I'll prepare the trip.
06:42I'll talk to Aunt, okay?
06:46Thank you.
06:50Come on, finish your milk.
06:52We're going to school.
06:56Come on.
07:00I'll go with you.
07:08Honey.
07:10I'll take your things.
07:12No, I don't need them today.
07:14I'll work at La Moderna.
07:26I love you.
07:56You and I are more
07:58We want to fly
08:00What's ours is a trip
08:02to the sun
08:06Forever you and I
08:10Dreaming in a room
08:14We are seagulls
08:16That stop us
08:18In La Moderna
08:20Love is possible
08:22Forever you and I
08:26A single heart
08:30We are brave
08:32If you don't understand
08:34In La Moderna
08:36There is a better world
08:38La Moderna wrote
08:40Our love poem
08:56Sleep well
08:58You slept well in your new bed
09:00Yes
09:02I'm not surprised that the seagulls
09:04were always so beautiful
09:06How comfortable the mattresses are
09:08Yes
09:10And to have the seat so close
09:12You don't have to go down the stairs at night
09:14And they have so many windows
09:16that it looks like we were in a hotel
09:18It's true
09:20It's true
09:22It's true
09:24It's true
09:26We've never been in a hotel
09:28Well, but we won't get used to it
09:30This is only as long as the works last
09:32Well, but tell the workers
09:34That they don't have to be in a hurry
09:36We have to tell them
09:38if we need something from home
09:40So they will bring it
09:42I think I haven't left anything
09:44That's the good thing about not having many things
09:46You get everything in one hand
09:48And all these telegrams, Antonia?
09:50Do you think it's all this mail?
09:52They are from my relatives and they tell me which train they are going to arrive on,
09:56or which hotel they are going to stay in.
10:02How excited are you to meet them?
10:04Well, yes, the truth is that I'm a little nervous.
10:06I haven't seen them in a long time.
10:08Do they all come here?
10:10Well, I don't know if all of them, because there are some who have not responded to me.
10:14The one of people who are going to come to the wedding.
10:16The one of people who are going to come to the wedding, Antonia.
10:18Relatives, all the staff of La Moderna.
10:22Well, not all of them.
10:24I haven't invited Mrs. Alajara and Teresa either.
10:26They haven't invited Teresa?
10:28No, no.
10:30It's not that we have anything against her, neither Pietro nor I,
10:32but we agreed that they were going to be the closest and she is not.
10:38Good morning.
10:40Good morning, what are you doing here? Shouldn't you be at the office?
10:42I don't have good news.
10:44Pietro, what happened?
10:46It's the snack, Antonia.
10:48The one we booked a few days ago?
10:50Yes, it seems that they didn't take a good note of the date.
10:52But, but I saw perfectly how you wrote it down.
10:56I know, I know.
10:58It's just that this morning I went around to confirm a matter of the cake,
11:02of how they would come to pick it up,
11:04and it turns out that they noticed it wrong.
11:08Well, what a relief that he realized in time, Pietro.
11:12No, Marta.
11:14The problem is that the snack is occupied every hour on the day of the wedding.
11:18It has no space for us.
11:20But then where are we going to celebrate the wedding?
11:22I don't know, Antonia, I don't know.
11:24We have to find another place.
11:26And that it's not so expensive,
11:28because we can't pay for a banquet hall.
11:30Where are we going to find a place now, three days before we get married?
11:34If it is that I am more and more clear that a fool has not looked at us,
11:38but he has looked at us and looked back.
11:42Well, and here you have your canvas, Miguel.
11:46Double, as you asked me.
11:48Now, if it's not an indiscretion ...
11:50Elia, if I had to forgive you all your indiscretions, it would not be enough.
11:54Yeah, but you're always coffee, you're not canvas.
11:56And now you ask me twice.
11:58If you can know what makes you so nervous.
12:00It's ... it's the love I feel for Trini.
12:02I, with my feelings, I'm like that, I can't control them.
12:06I'm so in love with Trini that ...
12:08that even tachycardias give me.
12:10Wow, I didn't know you were so passionate, Miguel.
12:12Sure, this must be so much time hidden there in the priesthood,
12:16accumulating, accumulating, accumulating, and suddenly there is a day that, boom, explodes.
12:20Yes, it does, yes.
12:21Acholón, but acholón.
12:23And well, what do you tell me about Cañete, this virtue that he has as Celestino?
12:26Because you have to be careful when you see that yours with Trini ...
12:30Yes, you should have noticed it all, Elia.
12:33It's just that mine with Trini seems a bit sudden, but my feelings come from afar.
12:38Well, I must have guessed something, but I haven't really noticed.
12:41Sometimes I say no.
12:42And look, I have a good eye for these things.
12:44Very good, yes.
12:45Yes, yes.
12:46Well, thank goodness Cañete noticed and saw him coming, huh?
12:49You have to see what a heart of gold.
12:50If it is that ... what an honor to have him as a friend.
12:57Mr. Ruiz, Elias.
12:59Mr. Peñal, can I help you with something?
13:02Yes, I was looking for Matilde, I don't know if you've seen her.
13:06No, I haven't seen Mrs. Peñal in all day.
13:09Are you sure?
13:11Because he told me that he was going to come here to work at La Moderna to finalize his last details of the project.
13:16Well, he hasn't arrived yet, I can assure you that.
13:20Well, I must have misunderstood.
13:23Well, since I'm here, I'd like to be able to talk to Pietro
13:26to find out how many guests are going to be exactly for the celebration of his farewell at Madrid Cabaret.
13:31Ah, well, if that's the reason, we don't have to bother Mr. Pietro.
13:34I, as in charge of the celebrations of the marriage link between Pietro and Antonia,
13:39I am able to solve the guest list and to receive and give any information that is necessary.
13:58Excuse me, Mr. Fermin.
14:00Can I ask you what is it that interests you so much?
14:03Because since he arrived, he hasn't taken his eye off the newspaper.
14:06It's, well, the news in general.
14:09It's just that everything that's happening is so exciting that ...
14:14Do they say anything about the elections?
14:17It's just that this morning I came very quickly, I wanted to finish the accounts.
14:20The truth is that I couldn't even read the headlines.
14:22Yes, yes, yes, here it is, here it is.
14:24The results of the elections to constituent courts.
14:30Let's see.
14:31It seems that there have been no big surprises.
14:38No, there haven't been, no.
14:40And well, everyone says they have won.
14:43Or they feel that they have won.
14:46Well, these are things of politicians.
14:50In the end, everyone interprets it in their own way.
14:52In cases that no one will ever accept that they have lost.
14:55Yes, the important thing is that the people have spoken with their votes.
14:58Notice, there is a 90% coincidence between the results of the elections and the provisional government that we had.
15:06And well, despite everything that is happening in the country, there is a certain excitement for the new times that are coming.
15:14Well, you never know when something that excites you is going to happen.
15:17Right?
15:21Good morning.
15:23If you allow me.
15:29And well?
15:31Can you tell me why you have come? Because I don't remember calling you.
15:36Yes, I wanted to talk about how the wedding of Pietro and Antonia affects the quadrant of the shifts.
15:43Because there are many employees who do not ...
15:45I'll leave that to you, Teresa.
15:47I am convinced that you are going to take the best solution for everyone.
15:51As you order.
15:53One moment.
15:55One moment.
15:57Well, since you are here, we are going to talk about more urgent issues.
16:01How is the refrigerator that I asked you to inaugurate for the gramophone store?
16:06There are only a few hours left and I would not like them to be delayed because of us.
16:11Everything is on point, there will be no delay.
16:14I hope so.
16:15And is there anything else you want to tell us?
16:18I don't know, the last time I spoke to you, I had the feeling that you wanted to tell us something, Mr. Fermin.
16:23What is it that you wanted to tell us, Teresa?
16:28Nothing, nothing, you can wait.
16:30I'm going to take care of the refrigerator for the inauguration.
16:33I don't want any problems.
16:34Very well.
16:43Look, Mrs. Lázara, there is also a review in the newspaper of the last premiere of the circus.
16:50Well, I've heard that this woman is a prodigy.
16:52Yes.
16:54And I was thinking of going to one of the performances of these days.
16:57Oh yeah?
17:00And well, if you feel like it and want to accompany me.
17:07Really?
17:10Well, I would love to be able to see Margarita Sirgui much more in her company.
17:13Well then.
17:15But no, no, it won't be possible, Mr. Fermin.
17:19Mr. Fermin, I have to reject the invitation.
17:22Excuse me.
17:23Wow.
17:24And that?
17:26Why?
17:27Well, for many reasons.
17:31You have to take care of La Moderna.
17:33The inauguration of your niece's store is taking place.
17:36And I have to remind you that you are Pietro's wedding godfather.
17:39No, no, no, no.
17:40Well, I'm sure if I get organized, I'll find a gap in the agenda.
17:44So ...
17:45Yes, yes, yes, Mrs. Lázara, I insist.
17:47If you want, Sirgui will wait for you.
17:53Well, fine, I accept.
17:55But on one condition.
17:57I'll take care of the tickets.
17:59I don't want to waste any more time.
18:01Perfect.
18:02As you prefer.
18:17There it goes, I can't believe it.
18:19I forgot one of the most important.
18:22Oh, yes, I'm a nail and flesh.
18:24Mr. Fermin.
18:25What?
18:26Mr. Fermin.
18:27Besides being my boss, he is the godfather of the wedding.
18:30I forgot to tell him I was invited.
18:32Well, gentlemen, I'll leave you.
18:35Elias, please, if you see Matilde, tell her to call me.
18:38Yes, of course, I'll tell her.
18:40By the way, how is she?
18:42Because after what happened yesterday in the gallery ...
18:45Well.
18:46She is very well.
18:48Well.
18:50Well.
18:51No, it's just that I also know something about these things.
18:54Because my grandfather, Jeremías III,
18:56the whole town laughed at him,
18:58that everyone accused him of being crazy.
19:00Because whenever he crossed a bridge, he saw a ghost.
19:02And a lady.
19:03Yes, until it was proven to be true.
19:06Was it proven that there was a ghost?
19:08No, Miguel, it was proven that my grandfather was a little crazy.
19:12Good morning, gentlemen.
19:15Elias, how many things do you have to learn from Don Fermín
19:17to be quiet, for example?
19:39Tomorrow my friends have organized a mass for you.
19:44For my soul?
19:46How kind.
19:48Since they have had the detail, I cannot miss it.
19:51I must leave the house at six.
19:54And the service?
19:57I will order them to accompany me.
20:00And if there is time, I will give them the afternoon off.
20:04Therefore, you have the house empty for you.
20:09I will destroy you.
20:13This has only just begun.
20:27But hey, Uncle Fermín.
20:30Thank you very much for all the refrigerator you have prepared.
20:34Well, thank you very much for all the refrigerator you have prepared.
20:38The truth is that everything looks great.
20:41It is the luck of having the owner of La Moderna as a partner.
20:45So let's toast to the new business, which we hope will give us a lot of joy.
20:52Well, it has already given us the first joy, because this call has been a success.
20:57By the way, Don Fermín, I'm curious.
21:00What is your opinion on the result of the elections?
21:03Well...
21:04Yes, tell us, because I already know Celia's.
21:06Well, I'm very happy, because I think this result can bring us universal suffrage.
21:10It seems to me that you are going a little fast, Miss Celia.
21:14I have to tell you that I am very happy that the situation has calmed down.
21:18Many hoped that the world was going to collapse with the change of regime.
21:23And it's not like that.
21:25But you know what? You can't be afraid of change.
21:28Because that means turning your back on the future.
21:31And the future is already here.
21:33I'm here too.
21:35Inés, you came.
21:37I couldn't miss it.
21:39I love the party.
21:41You can see the dedication you have put.
21:43Well, our dedication, but also the help of Uncle Fermín.
21:46Without him it would not be possible.
21:51Wow, it seems that someone has been self-invited.
21:54Congratulations, ladies.
21:56I'm sorry to contradict you, but I was invited.
21:59Your business made me come to an invitation.
22:02Thank you, Mr. Fermín.
22:04And now, if you allow me, I would like to toast with you for your new business,
22:08to which I wish you a great future.
22:10Thank you.
22:13I already apologized to you, but I don't mind apologizing every time I need to.
22:17I behaved ...
22:19What I did was a little girl.
22:21Yes, it was.
22:22But don't turn around.
22:23It seems that the one who is behaving like a little girl is you.
22:27Excuse me.
22:33Take the report.
22:35Don't pay much attention to me.
22:37You already know that I speak from ignorance.
22:40But I have written down a couple of suggestions.
22:43They will seem ridiculous to you.
22:45You already know that my knowledge about finance is little.
22:48Not to tell you nothing.
22:50I'm sure all your suggestions will be very sensible.
22:53You master these subjects better and better.
22:56I have good teachers.
22:58And from what I see, a great mind for finance.
23:01You just had to activate it.
23:03Well, you haven't told me anything about the elections yet.
23:08What do you think?
23:09Me?
23:10That we must accept the democratic game.
23:13And therefore the result, whatever it is.
23:16I trust that this will help achieve stability and prosperity for our country.
23:22I see you very optimistic, Fabio.
23:24Although I don't know if so much as to consider going back to politics.
23:28No, no, no.
23:29I am clear that no.
23:32Although, going back to diplomacy, look, there I already have my doubts.
23:38And why do you tell me that?
23:41I haven't had time to tell you, but they have contacted me to...
23:46to test me with a diplomatic position.
23:49And the destination is tempting.
23:51London.
23:53And are you going to think about the proposal?
23:57Well, with the smile I see on your face, I see that you have already done it.
24:02And once again, dear Barbara, this is the truth.
24:05Yes, yes, I have thought about it.
24:07London is a destination that I have always aspired to.
24:10You know it.
24:11Imagine it.
24:12London.
24:24You have to be optimistic, Inés.
24:27Everything is going to be fine.
24:28But being optimistic would be a way to deceive myself.
24:31No, no, no.
24:32It's not that.
24:33I was consulting with an expert and he has confirmed to me that with discipline and sacrifice,
24:37miracles can be achieved.
24:39Well, then I see it complicated.
24:41Because I understand singing, but I don't know how to pray.
24:44Don't worry, Inés.
24:45There are solutions.
24:46I thought that my sister's optimism was inexhaustible, but hers doesn't run out.
24:52If you excuse me, I'm going to get a drink.
24:57You have a special power.
24:59You get me to talk to my sister and get me in a good mood.
25:02So you get the opposite effect?
25:05Why does Vermeer get angry?
25:08Before, when I saw her, I thought I was going to throw the glass in her face.
25:12Don't think about it.
25:13I've thought about it.
25:14But then I thought it might be better to kick her ass.
25:18Laura, your glass.
25:19Thank you.
25:22Gentlemen, I ask you for a moment of silence.
25:26First of all, thank you for attending the inauguration of this new gallery store.
25:32I have said store, in singular, I would still have to have used the plural,
25:36because it will not only be a gramophone store, as it has been so far,
25:40but also a photographic studio and sometimes an advertising agency.
25:46As you can see, a multidisciplinary business,
25:49as are the two new partners with whom I have the good fortune to count.
25:55My niece, Laurita Balbuena, and the illustrious photographer Celia Silva.
26:01So please, I would like us to welcome these two new and young businesswomen
26:06with a round of applause.
26:12Excuse me, I'm going to get a drink.
26:17Look.
26:19Here it is.
26:21Yes?
26:22And now, if you come with me, I can tell you where they give them at a good price.
26:28Here it is.
26:35No, I didn't expect it.
26:37Really.
26:38I didn't know that my name was among those who were fighting for the embassy in London.
26:44Have you already given an answer?
26:47No, not yet.
26:49What do you advise me?
26:50Well, if you are so excited to be an ambassador in London, then take the job.
26:57Although, if I tell you like that, I would be lying to you.
27:02I'm not lying.
27:04I'm not lying.
27:06I'm not lying.
27:08I'm not lying.
27:10I'm not lying.
27:12I'm not lying.
27:14I'm not lying.
27:16I'm not lying.
27:18I'm not lying.
27:20I'm not lying.
27:21Yes, I'm lying.
27:23Because, actually, I would like you not to accept it.
27:29Because if you do, you're going to break my heart.
27:32I no longer understand my life if it's not with you by my side.
27:37Every morning I wake up with you.
27:46The one who was lying was me.
27:48I would never accept that position.
27:51Because, for nothing in the world, I would like to separate from you.
27:54Fabio, you don't have to make that sacrifice for me.
27:57No, no, I wouldn't leave you alone.
27:59Especially not at this moment.
28:01With Carla's loss and in charge of the company Morcuende.
28:05You don't know how grateful I am.
28:07I love you.
28:14Well, now that we have solved this matter,
28:18it would be best if we left.
28:20The mass in honor of Carla is about to begin.
28:23Yes, let's go.
28:26I know what I've said now may seem frivolous,
28:29but after the mass we're going to have dinner at a restaurant.
28:32The reservation is already made.
28:34I will not accept a no in response.
28:35A dinner?
28:37But if I'm in severe mourning.
28:40So what?
28:42Even so, you will be the most beautiful woman in the whole restaurant.
28:47Let's go.
29:05Let's go.
29:36Esperanza, Antonia has already told me
29:39that maybe you have solved the task she has done with the snack.
29:43Oh, that's what I'm on now.
29:46It's just that this self-madridism is very tiring.
29:49It never ends.
29:51With the snack.
29:53I haven't been able to buy Antonia a gift yet.
29:56And I haven't even been able to talk to Mr. Fermin,
29:58that we have to agree on many things.
30:00Well, calm down, because there are three days left.
30:02Oh, don't make me nervous.
30:03Think of something else.
30:05But how am I going to think of something else
30:07if you just ask me about the wedding?
30:09And why do you want me to ask you?
30:11Because the result of the elections ...
30:13Oh no, not that.
30:15Because we can't even vote.
30:17Besides, we, being poor,
30:19what else does it give us?
30:21That they send one or that they send another.
30:23Live to work and work to live.
30:26Well, to survive.
30:28You have raised more vinegar than the crystals.
30:30Good afternoon.
30:32You tell me.
30:34I came to have a coffee,
30:36but seeing that you are the ones responsible for such labor,
30:38I didn't want to miss the opportunity to approach you
30:40and thank you.
30:42What was missing?
30:44And what does that come from giving us thanks?
30:46That gives me that you have the same funny thing
30:48as Tunante.
30:50Well, Tunante I don't hear an insult.
30:52Because you belong to the Tuna, right?
30:54Yes, that's right.
30:56Then that, Tunante.
30:57What do you come to thank us for?
30:59For having the cleanest crystals in the gallery.
31:02That even hurts the eyes to look at them.
31:05Ah, well.
31:07Well, since you haven't told us how you see the crystals,
31:09I'm going to tell you how I see you.
31:12You are a smartass
31:14who wants to take advantage of Marta, of course.
31:16It's just that all the Tuna are the same.
31:19I'm sorry, but I think you are wrong about me.
31:21No, no, the one who doesn't find out is you,
31:23that you have become deaf
31:24from playing so much with the bandurria.
31:26Let's see, that here with the girls
31:28you don't have anything to do, right, Marta?
31:30Nothing.
31:32Well, you already have a lesson learned today.
31:34In a sea that is not yours,
31:36you can't fish.
31:38As far as I know, the sea has no owner.
31:40And I don't like fishing,
31:42but if I had to do it,
31:44I would fish a beautiful mermaid.
31:46A jellyfish is what you are going to fish.
31:48But I would set it free
31:50because the mermaids must swim free
31:51so that we can all hear her voice
31:53and enjoy her beauty.
31:56Vinegar.
31:59What did you say?
32:01That if what you want is to clean the windows of the bookshop,
32:03you use vinegar.
32:05And now, please, if you excuse us,
32:07we would like to continue cleaning.
32:09Here some of us are not the daughters of the owner
32:11and if we don't work, they fire us.
32:15She has thrown the anzuelo in the sea.
32:17I don't care.
32:19She has thrown the anzuelo elsewhere.
32:21I'll go.
32:36Hello.
32:38Here is the latest edition of the newspaper Vespertinos.
32:40It comes out as Teresa asked me.
32:42Well, thank goodness,
32:44because the clients are killing each other
32:46for the newspapers with this election.
32:48So the more,
32:50the better for us.
32:52Yes, and a little more
32:54and we would be on today's cover.
32:56A couple who has been lying for a long time
32:58finally caught in their ambush.
33:00As if we had no experience in this.
33:02Lucky that Cañete is able to sell any slut.
33:04Saved at the last moment.
33:06Well, let's look at the good side.
33:08Now everyone has found out about our relationship
33:11and they have believed it.
33:13Well, yes.
33:15And with the good sight of Esperanza and Elias,
33:16my goodness,
33:18the news runs faster on the radio.
33:20Well,
33:22phase one of the Cupid plan
33:24successfully completed.
33:26Don Fermin,
33:28just now I was commenting
33:30with trinity
33:32the success that the inauguration of the new store has had.
33:34Congratulations for the part that touches you.
33:36Exclusive merit of my niece and her friend Celia.
33:38But yes, yes, it has been a success.
33:40Now we just have to wait for the business to be.
33:42Well, here is the new edition of the newspaper
33:44in case you are interested.
33:46Yes, yes, I'm interested.
33:48Although I don't think the news
33:50that I would like to confirm comes to the newspapers.
33:52I don't know if I'm explaining myself.
34:01Let's toast
34:03to the success of the inauguration.
34:08It has gone very well, hasn't it?
34:11Well, yes, the truth is that
34:13more people have come than we expected.
34:14That store is going to be a success, girls.
34:16I assure you.
34:18Well, on the first day we have already sold two radios
34:20and several records.
34:22And I haven't stopped taking pictures in the studio
34:24all morning.
34:26Of course, we have been so busy
34:28that I have not been able to go through the printing
34:30to see the brochures of La Moderna
34:32and I have to give them to the guy tomorrow.
34:34Well, you'll see, everything was fine.
34:36Yes, I know,
34:38but I would have liked to check at least one.
34:40It's not like working blind,
34:42as if you took pictures without looking through the visor.
34:44It's because he doesn't like
34:46how a brochure has turned out.
34:48Well, I hope so,
34:50because I need my job as an advertiser.
34:52The salary is good for us to invest in promotion
34:54or in store items.
34:56Laura, we have already talked about it.
34:58If at some point you are very overwhelmed
35:00to have to combine your work in La Moderna
35:02with the day-to-day of the store ...
35:04No, don't worry, that's not going to happen.
35:06Yes, but if it happens, let me know and period.
35:08The important thing is you,
35:10not the money we're going to make or stop making.
35:12Thank you, Celia.
35:14And we're also going to toast
35:16because I finally wanted to go out.
35:18That?
35:20Yes, well, thank you very much for the effort.
35:22I couldn't miss the inauguration.
35:25And in passing, I give a little work to my spies.
35:33No, I don't think he's explaining it to me.
35:36Anyway, a certain rumor has reached my ears,
35:39and since I'm not at all a friend of gossip,
35:42I'm going to face it directly.
35:44Is there anything you want to tell me, Trinidad?
35:49Well, I would have to be a little more specific
35:52with this rumor,
35:54because you know that gossip is very treacherous
35:56and there are people who have a lot of imagination.
36:00Well, it has reached my ears that you two are a couple.
36:03Is that true?
36:05Oh yes, yes, yes, yes, yes, yes.
36:07We are a couple.
36:09Yes, sudden.
36:11Recent.
36:12I am grateful, I am grateful, Mr. Fermin,
36:15for having put in front of me the most beautiful of all women.
36:18You didn't know it,
36:20but when I gave Trinidad the job in this room,
36:23I made a decision that changed my destiny.
36:27It will be less, Mr. Ruiz.
36:29It will be less.
36:31Anyway, since I'm not a friend of gossip,
36:33I just wanted to confirm the news,
36:35congratulate them and hope they are happy.
36:38We are happy.
36:39Trinidad is an excellent worker and a better person.
36:43And I can only say positive things about you.
36:46Now, I'm going to dare to give you just one piece of advice.
36:49Go slowly, please.
36:51No rush.
36:53Little by little.
36:55Well, little by little.
36:57Or fast, right?
36:59Because it's also fine, right?
37:01In other words, each relationship is a world
37:03and each world has its own speeds.
37:05In the case of feelings,
37:07I don't know if rushes are good advice,
37:09but they are sensible and will act in the most convenient way.
37:16Well, I'm going, I'm going, I'm going, I'm going to the lab.
37:19I'll be back later.
37:21And I'm going back to the library.
37:23Good afternoon.
37:25Mr. Ruiz, please stay a moment,
37:27because now that we are alone,
37:29I would like to talk seriously with you.
37:33Well, what do you have to tell me, alone?
37:36You are not a kind of Don Juan, are you?
37:39One of those who seduces women as entertainment.
37:43Me? I am a man of a single woman.
37:46My heart has been occupied by Trini for a long time.
37:49Well, not for so long,
37:51because I still remember that not long ago I was courting Teresa.
37:54Ah, that.
37:56Well, but that was something temporary.
37:58Temporary? I don't think my client would consider it temporary.
38:01I assure you that nothing serious happened.
38:03He barely got into a relationship.
38:06He was a magician.
38:08She can confirm it herself.
38:10We were not made to be a couple.
38:12And how do you know that you and Trini are?
38:17Because she is the woman of my life.
38:19That a man does not know.
38:21Trinidad is the person I want to spend the rest of my life with.
38:27And you are a good person, you can see it in your face.
38:30Well, I'm just going to tell you something that I already warned you when Teresa ...
38:33I appreciate my workers a lot.
38:36So I hope Trini is happy and that she takes care of her.
38:39If so, she will have a friend in me, but if not, yes.
38:43Let's hope I never have to be angry, Mr. Ruiz.
38:49Let's hope, Mr. Fermin. Let's hope.
38:58What do you mean by giving work to your spies?
39:02It's just that going to the galleries, I felt that several people were following me.
39:08Inés, what are you saying? Have they done anything to you?
39:11No, no, just follow me. But I know very well who gave them the order.
39:15Lieutenant Lorenzo.
39:17Oh my God, that man doesn't give up.
39:19No, and I don't know how to make him understand that I have no idea where César is right now.
39:24But let's see, are you okay? Are you afraid?
39:26Well, of course I'm afraid.
39:28I don't know, I understand that feeling spied on is not a very pleasant feeling, the truth.
39:33No, it's not. It's not, but I'll have to hold on until all this passes.
39:37Or not. Maybe we can, I don't know, talk to Uncle Fermin.
39:42But what would we gain from that?
39:44I don't know, maybe he can intervene and stand up to him.
39:47No, look, I prefer to keep him out of it because it would be less of a concern for him and for me.
39:52Are you sure, Inés?
39:54Yes, sure. Right now.
39:55Besides, I'm already quite nervous and waiting for the results of the throat tests.
40:00I'm going to make something to eat.
40:16You're very quiet today, Salvita.
40:18Not to mention that that plumber has a great ally in you.
40:21He's never going to get dirty because he doesn't even touch the dust from the shelves.
40:23The dust from the shelves?
40:25Yes, yes, the plumber.
40:28Can you think of something, Salvita?
40:30Yes, the plumber, I'll pass.
40:32No, the plumber who sees you from afar, you.
40:35What do you mean? That I don't like to work?
40:38No, you don't need to say that.
40:40But there is one thing that you really like.
40:42The modern one.
40:44You've been using it a lot lately.
40:47It has very good coffee.
40:49And besides, you always tell me that I don't fall asleep at work, right?
40:51Well, I'll have to do something.
40:53Something tells me that it's not precisely because of the coffee,
40:56because of how much you go to that tea room.
40:59Rather, I would say that it is ...
41:01because of Marta.
41:03I didn't know that hobby of yours, gossip, Miguel.
41:07Look at the ability to observe.
41:09From this same glassware, I have been able to see how you looked for it yesterday and how you have looked for it today.
41:14Does that mean that yesterday I left the glasses very clean?
41:18And more, that I am going to leave them from today because before they gave me an advice to do it.
41:22With vinegar.
41:24I give you another advice.
41:26I don't think you have much future with Marta.
41:29Doesn't it seem that the girl is very happy when she sees you?
41:32At least this is what I perceive from here.
41:34You don't give Marta's for lost.
41:36That if something good has to be in this bookshop, it is that the girl makes me happy in the mornings.
41:40Well, let's see if you take note of her, who is very hardworking.
41:43Let's see if by looking at her so much, something stays with you.
41:45Or does it stay with you?
41:54The account of the 6, Teresa.
41:58Any news with Mrs. Lázara?
42:01Why do you ask me that? Have you seen anything?
42:03What I have seen is that you are still going back to the matter.
42:06Do you still believe that it was she who planned everything to stay locked up all night with Don Fermín?
42:11Man, I have it clear as water, come on.
42:13And she doesn't try too hard not to cut it either.
42:16What I have seen this morning, come on,
42:18I have realized that she is able to use all her charms to seduce Don Fermín.
42:23But have you caught them in a committed situation?
42:27Well, not committed.
42:29But everything will work out, you'll see.
42:32How deceived that woman had us.
42:34Well, I've had her locked up for a long time.
42:37And that's why she wants to kill you with me.
42:38Well, she doesn't go and tell me, well, she puts me in front of her.
42:41To deceive me, Mario.
42:44But, Santo, what did she say that about?
42:46What were you talking about?
42:48Why would she say something like that?
42:50Our things.
42:52Well, I'm going to turn you around.
42:57Well, in that of Mario, he was right.
43:01Because, come on, how stupid I was.
43:03Now they don't catch me in another one, huh?
43:04In matters of love, it's already fleshed out, but fine.
43:07Take it.
43:10Well, I'm still counting on you, right?
43:14Are you counting on me?
43:16Well, let's see, I need an accomplice.
43:18Someone who is an eyewitness in all this matter of Mrs. Lázaro and Don Fermín.
43:22Ah, that. Yes, yes, of course.
43:35Ah, by the way.
43:37Is it true that rumor that goes around among colleagues
43:40that you have made of Celestino between Trini and Miguel?
43:43Ah, well, yes.
43:45It is seen that ...
43:47Well, the thing goes with me, I didn't even realize it.
43:50But when it comes to seeing love between two other people,
43:53I catch it at first.
43:55You're out of your mind.
43:57Do me a favor and help me.
43:59But hey, what voices are these?
44:01What's wrong with him?
44:02It is that I need to talk to Don Fermín as soon as possible.
44:05Since they have closed in their office, there is no one to enter there.
44:08Well, if it's a work matter,
44:10you know you have to tell me first.
44:12No, it's not about work.
44:14It's about Antonio and Pietro's wedding.
44:16Look, what day are we and we still don't have a place to celebrate the invitation.
44:19Uff, that's a lot of work.
44:21You see.
44:23And of course you will understand that being the godmother,
44:25I have to talk directly with the godfather, who is Don Fermín.
44:28Come on, that even in the Vatican they give auditions.
44:30With the Pope more easily.
44:32Well, being Doña Lázara in the way,
44:34I don't know how I can help you.
44:36And when do you think I can catch Don Fermín
44:39without the vampire in the way?
44:42Well, daughter, I don't know, I don't know.
44:44Well, there I am.
44:46Oh, Cañete, now that I'm looking at you,
44:48I had to tell you something.
44:50Oh, what was it?
44:52Oh, wait, I look at it in my godmother's notebook,
44:54that I have it all written down here.
44:56Oh, yes.
44:57Accommodate assistants in the church.
44:59You told me you were going to help me, right?
45:01Do I still trust you?
45:03Yes, I already told you yes, Esperanza.
45:05You don't have to ask me again.
45:07Man, I ask you, of course I ask you.
45:09Because you are a man and those things are easily forgotten.
45:12So, accommodate Cañete's assistants.
45:15I'll put the cross on you.
45:17Are you okay at 8?
45:19At 8 for what?
45:21Man, to think between the two of us where we sit people.
45:24Of course.
45:25It is a matter of great responsibility.
45:27Because it is not the same to sit friends,
45:29than to work colleagues,
45:31than to family.
45:33Or, for example,
45:35where do you sit the godmother?
45:41Don Salvador, good afternoon.
45:43How are you around here?
45:45Good afternoon.
45:47I'm on my way.
45:49I'm not going to entertain you much.
45:51I wanted to take advantage of the fact that I was around
45:53to ask you about the progress of my son Salvita.
45:57Great progress, Don Salvador.
46:00Salvita is making great progress.
46:04He is a perfectionist, tenacious,
46:07he is an inexhaustible boy.
46:09With telling him that I had to take this pen out of his hands
46:12so that he could rest a little,
46:14just now he was telling me
46:16that he wants to clean the crystals with vinegar.
46:18Vinegar?
46:20Are you kidding me, Miguel?
46:22It seems that vinegar is the best for ...
46:24That's not it!
46:26Are you telling me that in the few days
46:28that I was with you,
46:30Salvita has become like this,
46:32overnight,
46:34in a formal and hard-working boy?
46:36Incredible, right?
46:38It's just that he's a boy who puts a lot of effort into it.
46:40Well, what I was missing to hear,
46:42to take me for a fool.
46:44Salvita, it is clear that I have to take you to another bookshop
46:46where the manager does not have to lie to me
46:48in order to get rid of you.
46:50Well, Don Salvador,
46:52I have not chosen the best words.
46:54You know that hyperboles are my favorite literary figures.
46:57Well, look, Miguel, I'm leaving.
46:59One thing is clear to me,
47:01I have to make a decision.
47:06Did you have to exaggerate so much?
47:08Because I don't want to go to another bookshop.
47:10I have to stay in this one,
47:12near the modern one, near the ...
47:14Look, I'm going to look for my father
47:16to see if I can fix what you were spoiling.
47:22If you always open your mouth, Miguel.
47:29And will you bring me some souvenirs?
47:32Of course.
47:34Pablo and Aunt Conchita have told me
47:36that they will take me to the beach of La Caleta, in Cádiz.
47:39I'll bring you all the shells I find.
47:41Great.
47:43Hi, Clarita.
47:45Hi, Susana.
47:47Hi, Marta.
47:49Marta, you don't know what.
47:50You're going to Jerez?
47:52And how do you know you're going to Jerez?
47:54Pablo is going to teach me how to ride a motorcycle.
47:56He told me.
47:58Well, he'll be there to teach you how to ride a motorcycle,
48:00having a leg like he still has.
48:02Let's go see the works.
48:04Come on.
48:12Is that true?
48:14You're going to Jerez?
48:16Yes. Clarita misses Pablo and Aunt Conchita a lot.
48:18So she's going to spend a few days there.
48:21I'm not.
48:23Because I wouldn't miss her wedding for anything in the world.
48:26Well, I can see they're set up.
48:28I really like seeing this house alive again.
48:31Well, it's a temporary thing.
48:33It's a detail of Don Braulio's children.
48:35And what are you doing around here?
48:38Well, it's for Petra, the neighbor.
48:41The woman from Seveno?
48:43Yes. She told me that today she was leaving for Puerto Real in Cádiz.
48:46And it's the same train that passes through Jerez.
48:48So I asked her if it would be okay for Clarita to go with her.
48:52It's very sudden, and I don't know.
48:54But it's for the best.
48:56Well, it's fine, because the girl isn't going alone.
48:58It's a very long trip.
49:00If it weren't for Petra, I'd take her.
49:02Now she's staying with her, and then Iño comes
49:04and picks her up to take her to the station.
49:06Well, will Aunt Conchita be notified?
49:08Yes, she'll be waiting for her there.
49:10Matilde, I'm going to Jerez for ten days.
49:12Because Marta says she doesn't believe it.
49:14Of course, you're going for ten days.
49:15You see? Ten days.
49:17I'll get to know Andalusia again, and everything.
49:21Ten days?
49:23She's not going to miss a lot of school days.
49:25I know, but Clarita needed it, and...
49:29Besides...
49:31Besides what?
49:33Well, I couldn't deny it, Antonia.
49:35Can't you see how happy she is?
49:37Yes, and now I'm very happy to see her so happy.
49:39What's wrong?
49:41You can tell me whatever you want, you know that, right?
49:45Here you go.
49:47I think this obsession you have with the fabric
49:50is not good, I'm telling you.
49:52It's double.
49:54Honey, I think you should look at the medical books
49:56you have in the bookshop
49:58to see if so much fabric is good.
50:00And that would be the last book I would look at in that bookshop.
50:03Because I see myself in the street, Trini.
50:05Honey, don't be so dramatic.
50:07With the time you've been working there
50:09and the consideration Don Salvador has for you...
50:11Honey, I had never seen Don Salvador
50:13with that bite of a dog.
50:15And between this and the stripes,
50:17well, I'm going to the street.
50:19No, honey, no, you'll see it's not like that.
50:21You'll see how, at the moment,
50:23we've sorted out all the problems
50:25life has put in front of us.
50:27I haven't sorted Salvita out much, let's say.
50:29Rather, I've collided with him face to face.
50:31You'll see, honey, it won't be like that.
50:33You know why? Because we're together.
50:35And you and I get along.
50:37And there's no one who can beat us.
50:39Yes, yes, you and I are together in love.
50:41And in lies.
50:43And my nerves will end with my health.
50:45I wish Antonia and Pietro
50:47had the marriage you and I have.
50:49Because, look, you know what?
50:51I'm more in love than the first day.
50:53I'm also more in love.
50:55Nervous, but very in love.
50:57A kick?
50:59No, how can it be a kick?
51:01They're gases, Miguel.
51:03Come on, come here.
51:05Come here, you're dumber.
51:09What's wrong?
51:11I've lost the button.
51:13The what?
51:15Nothing, the button.
51:17It fell.
51:19The button.
51:21The two buttons.
51:23Is it because of what they say happened at the gallery
51:26that you saw...
51:28Mrs. Carla.
51:30Yes. Do you think I'm out of my mind?
51:32What do you mean? Don't be silly.
51:34Antonia, I know it's impossible,
51:36but I swear, it was so real.
51:39A guitar and a flamenco suit.
51:41I'll bring you all that.
51:43No, Clarita, I'm fine with some chestnuts.
51:45Besides, you're not taking such a big suitcase
51:47to bring so many things back.
51:49But I don't want to bore her with my things.
51:54I haven't seen her so happy in a long time.
51:58I don't know.
52:00It breaks my heart. I owed it to her.
52:02I don't know, I think I failed Clarita.
52:04What are you saying? How can you fail your sister?
52:06You fell for her.
52:08Yes, but I feel like I haven't helped her
52:10get used to this new situation.
52:11And I feel guilty, I can't help it.
52:13Guilty? But she did everything she could.
52:16And in your situation, with everything you've been through,
52:18I wouldn't have done it better.
52:20If you had done it better,
52:22Clarita would have been more affectionate with me.
52:26I don't know, I have to go.
52:28Thank you for everything.
52:30See you.
52:32Bye.
52:35Hey, Clarita.
52:41I have to go.
52:43Go to Petra's house. Do you remember where it is?
52:45Yes, it's that one up there.
52:47Iñigo will pick you both up later.
52:49I'm going to Moderna to do some things,
52:51but I'll do everything I can to get to the station on time.
52:54Okay?
52:56But if it's not possible,
52:59I want to tell you that I'm going to miss you a lot.
53:05Will you give me a kiss?
53:12No.
53:18I'm going to miss you a lot too.
53:32Thank goodness I got to the station.
53:35I didn't want that train to leave without saying goodbye to Clarita.
53:38And look, you've already said goodbye.
53:39Or at least that's what Clarita told me
53:41when I went to pick up the corral.
53:43Yeah, but it's not the same.
53:45Besides, I promised her I would do everything I could
53:47to get to the station to say goodbye to her.
53:49Look, it's hard here at home with you,
53:51but I'm sure she would have liked to see you there saying goodbye.
53:54You know, being at that age,
53:56sometimes a woman and sometimes a girl.
53:59Well, I'm sure that just by putting a foot on the train,
54:03she would have missed you a lot.
54:05Half as much as I miss her, really.
54:08What's wrong?
54:10Look, you're dramatic in the Garcés family, really.
54:13Don't worry.
54:15She's not going to be alone.
54:17She's going to be with her aunt, her brother.
54:19I'm not going to be alone either.
54:21I'm going to be with you.
54:28Do you hear that?
54:30What?
54:32The silence.
54:34I don't know if you know, Mrs. de Peñalver,
54:37but we're alone at home.
54:41I don't know what you're thinking, sir,
54:43but I remind you that I'm a married woman.
54:46Well, if it's not a problem for you,
54:48it won't be for me either.
54:51Wait for me.
54:53I have a surprise for you.
55:03What?
55:27Come on, I'll go with you.
55:33Honey, don't you take your things?
55:36No, I don't need them today.
55:39I'm going to work at La Moderna.
55:47Matilde?
56:00Honey, is something wrong?
56:04I was calling you.
56:07It's Carla.
56:09Carla has been here.
56:17Fabio already knows what he has to do,
56:19but I can't insist anymore.
56:21And what about me, mother?
56:23Maybe you're being too soft with him.
56:25I'm sorry to disappoint you,
56:27but I've come as far as I can.
56:29From now on,
56:30we'll have to take less correct paths.
56:33Everyone has a price.
56:35Carla has moved my notebook
56:37and left it on the terrace.
56:39Maybe she was your sister.
56:41Inigo, if you don't want to believe me, don't.
56:43Carla is dead.
56:45I can't stop thinking what will happen
56:47if they tell her she can't sing again.
56:49Tomorrow I have the test results.
56:51I'm sure they'll be favorable.
56:53Yes, we all are.
56:55Yes, I think it's great that you're so convinced,
56:57but I don't think anyone understands
56:58what you're thinking.
57:00Oh, my God.
57:02No one can stop you, Antonia.
57:04You're going to be my wife.
57:06I'm going to make you happy.
57:08Look, I'd like to participate in the wedding gift,
57:10but if you're not invited,
57:12you don't have any obligation.
57:14Well, what's the big deal?
57:16They're lifelong companions and I really appreciate them.
57:18So I insist on participating.
57:20How much is it?
57:22If a miracle doesn't happen,
57:24we're out of guests.
57:26And what am I going to tell the people
57:28about the baby, at least?
57:30For once, I ask you
57:32not to see me as your cleaning lady,
57:34but as a maid.
57:36Because I'm here
57:38to tell you about Godmother, Godfather.
57:40Amave.
57:42Three days before the wedding,
57:44Antonia and Pietro have nowhere to celebrate her.
57:46But that's terrible.
57:48That's why I thought of you.
57:50Today is Antonia and Pietro's farewell,
57:52and what are we going to do?
57:54Scream their protagonism?
57:56Well, it's true, I don't know, you're right.
57:58Are you sure?
58:00Yes, yes.
58:02By the way, I've already bought the tickets
58:04to see Margarita Sirgoza.
58:06Here, here's yours.
58:08I can't wait to see how it works.
58:10The clinic says it's brilliant.
58:12Why don't you keep them?
58:14Because they're in separate locations.
58:16You're in the kiosk,
58:18it's the best ticket I could get.
58:20I'm in the kitchen.
58:22In the kitchen?
58:24I thought we were supposed to go together.
58:26If I didn't know you'd just been dating,
58:28I'd think you were married.
58:30And how have you been looking at each other?
58:32I don't know.
58:35What's wrong?
58:37Why are you so nervous?
58:39How did you know
58:42Antonia was something more
58:44than a co-worker?
58:46I mean, how...
58:48How did you know
58:50what I felt for her
58:52was...
58:54was love, Tom Fermin?
58:56I don't know.
58:58It's like someone wants to drive me crazy.
59:00Who, darling?
59:02Mrs. Carla.
59:04Or rather, her ghost.