Salon De Te La Moderna - Cap 205
Salon De Te La Moderna - Cap 205
Transcript
00:00:00You
00:00:13Some muchacha tina los nervios destrozados
00:00:15Y no voy a parar hasta que la vea internada en un manicomio lo paso bien anoche es doña la cera
00:00:22si
00:00:23he de decir en una sola palabra que fue una velada
00:00:28Unica todavía no me entra en la cabeza que el librero y tu país se casa bueno hija es que cuando el amor llega
00:00:34llega a mí me da que tú conoces al librero
00:00:37más de lo que estás diciendo o no yo no tengo intención de ir por ahí aireando nada
00:00:42nunca se sabe
00:00:44ahora que todo el mundo nos ha visto por la noche en el teatro
00:00:48a lo mejor le entran ganas de cotillear no serán que esas prisas que vienen para casarse
00:00:53Son por otro motivo no pues qué motivo va a ser el motivo de que estamos enamorados y queremos disfrutar de nuestro amor
00:01:01disfruta antes de tiempo cuando dos personas se comprometen tan rápido es por lo que es y te digo yo que cuando nazca este bebé
00:01:08todo el mundo se va a poner a hacer cuentas pero pues si organizamos la boda rapidito
00:01:13podemos decir que nos salió 7 mesillo de verdad que no puedo aceptar el papel
00:01:17tiene que buscar otra cantante y montar la obra es una verdadera pena la verdad
00:01:23y no solamente por mi función sino por la canción española
00:01:28de verdad creo que se pierde una gran promesa
00:01:30imagínate que te gusta un chico y a una amiga tuya también le gusta ese chico con el que pasa
00:01:36pasa que tu amiga te pide que hagas de celestina con ese chico
00:01:39tú que harías con el chico que me gusta si me hablar que se olvide
00:01:44si no quieres venir a trabajar a la moderna pero inés que pero que pasa con tus actuaciones
00:01:49yo ya he tomado una decisión y
00:01:52Y no voy a volver a actuar hay que desenmascarar a doña lazaro antes de que sea demasiado tarde
00:01:58teresa y que tener mucho cuidado esta mujer tiene la sartén por el mango si está claro que hay que actuar con cabeza
00:02:06pero tenemos que actuar
00:02:08eso lo tengo clarísimo
00:02:10estás conmigo yo contigo siempre a muerte ahí está la nubila
00:02:22Y
00:02:25Necesito que me compre un pasaje para sacar a mi hija cuanto antes de españa y piense que tendrá que ayudarme a sacarle a la puerta
00:02:32Donde va esa esta boda no se puede celebrar
00:02:37Quien es esta mujer y otra pensaba que estabas muerta y lucia
00:02:43Mi esposa
00:02:51Y
00:02:53Lucia se tú
00:02:57Que te resiste esto es un abrumado
00:03:02No no lo es mira resulta que no somos los únicos que quieren casarse y estando ya casados
00:03:14Nuestro fíjate en carlos águez y viva
00:03:21Si
00:03:33La moderna escribió nuestro poema de amor
00:03:42Hay sitios que nunca se olvidan el mío está en tu corazón
00:03:50Como en un ajedrez tú y yo sin saber nos vamos jugando el amor
00:03:58Hay sueños que son de por vida
00:04:02y siempre son un borrador
00:04:10Lo nuestro es un viaje hacia el sol
00:04:15Por siempre
00:04:20Soñando
00:04:31Por siempre
00:04:49La moderna escribió nuestro poema de amor
00:04:53Oh
00:05:16Pobre antonia la verdad pero viendo a pie cariño que te ocurra
00:05:23Nada es
00:05:25Solo que
00:05:29Quieres que entre y mire si están las cosas tal y como la dejaste a mi favor
00:05:36Ah
00:05:49Cariño está todo en su sitio tal y como lo dejaste
00:06:07Es en su sitio verdad
00:06:18Cariño te pasa algo
00:06:26Es su perfume
00:06:28Es su perfume de verdad no lo hueles como que su perfume mi amor
00:06:33Es el perfume de carla es que no lo hueles es su olor está impregnado en todos lados
00:06:42Mi amor si huelo algo pero no es el perfume de carla
00:06:45qué quieres decir pues que a lo mejor
00:06:48el olor a perfume lo hemos traído nosotros
00:06:52Nosotros
00:06:54sí porque
00:06:55puede ser que
00:06:57Al estar con las invitadas en la iglesia pues se nos ha pegado el olor es que no es eso
00:07:03es que no es eso
00:07:05El olor ya estaba aquí alguien ha entrado mientras estábamos fuera está bien escúchame escúchame mi amor escúchame
00:07:14Voy a ver si hay alguien más en casa
00:07:27Oh
00:07:58Y mi amor
00:08:01Escúchame
00:08:04No hay nadie en casa
00:08:07Estamos solos
00:08:09No me mires así
00:08:12No me mires así
00:08:15Ya sé que carla no ha entrado en casa ya sé que carla está muerta
00:08:22Pero alguien ha entrado en casa y ha querido que yo lo sepa y esa persona llevaba el perfume de carla
00:08:27por favor
00:08:34Ay no lo se
00:08:37No lo se a lo mejor son imaginaciones mías alucinaciones es que no lo se ya nada tiene sentido
00:08:45Tranquila mi amor
00:08:49Es que ya no se lo que es real
00:08:51lo que es mentira
00:08:54El otro día estuve a punto de clavarte un cuchillo porque estaba convencida de que había visto a carla
00:09:01Qué me pasa
00:09:05Qué me está pasando
00:09:17Quiere que vaya a buscarle no
00:09:23Habrá ido a acompañar a esa mujer
00:09:42Tenga cuidado
00:09:54De donde ha salido esa mujer Marta
00:09:59Porque viene precisamente el día de nuestra boda
00:10:06Yo habla Antonio
00:10:18Hola Petro
00:10:23Hola
00:10:33Como estas?
00:10:35Figurate
00:10:37Ha comido usted algo?
00:10:39Tendrá hambre
00:10:41No
00:10:43Ni he comido ni traigo hambre
00:10:45Gracias
00:10:51Bueno yo les dejo solos
00:10:54Ok
00:11:08Se ha recuperado
00:11:11A medias
00:11:13Sigue ahí en el dispensario
00:11:16Le están dando líquidos porque estaba como se dice en español
00:11:20Deshydrated.
00:11:22Exactly.
00:11:24Have you left her alone?
00:11:26Yes.
00:11:28I'm going to see her later.
00:11:36Now I needed to talk to you.
00:11:42Antonio, I'm sorry you had to go through all this.
00:11:44I didn't know Luchi was alive.
00:11:54She disappeared 15 years ago.
00:11:58I swear.
00:12:00I didn't know.
00:12:04You have to believe me, please.
00:12:06I believe you.
00:12:08I believe you.
00:12:14How have you not given any signs all this time?
00:12:20It's incomprehensible.
00:12:24You haven't even told me if Giancarlo knows anything about her.
00:12:34Oh, my God.
00:12:36I believe you.
00:12:38Life has to be made up.
00:12:40Nothing.
00:12:42Everything comes down in a moment.
00:12:48Antona, all I'm asking is that you don't think, please.
00:12:50Because this is not going to change anything.
00:12:54How is it not going to change anything, Pietro?
00:12:56She's the mother of your child.
00:12:58You're legally married to her.
00:13:02If that woman wants you, you sleep with her tonight.
00:13:04Pietro, for God's sake.
00:13:06How is it not going to change anything?
00:13:08It's not going to change anything.
00:13:14Antonia.
00:13:16Look at me, please.
00:13:20Antonia.
00:13:26I love you.
00:13:34I want to be with you.
00:13:38I swear to you, for God's sake,
00:13:40that's not going to change anything.
00:13:42Let's not swear, Pietro.
00:13:44It's better if we don't swear.
00:13:46Because an hour ago
00:13:48we were going to swear eternal love
00:13:50and look at us.
00:13:52How we are.
00:13:58It would be better if you go to the pantry
00:14:00and see how she is.
00:14:02I don't want to leave you here alone.
00:14:04It's okay.
00:14:06Talking to her has a lot to explain to you.
00:14:08Go.
00:14:10Go.
00:14:12It's okay.
00:14:26I don't know what to say.
00:14:32Me neither.
00:14:36Me neither.
00:15:00We're almost there.
00:15:02I'm sorry, we had to take a taxi.
00:15:04It's okay, Pietro.
00:15:06I don't want to create another problem, please.
00:15:08Lucia, please.
00:15:10We spoke in Spanish.
00:15:12Now my life is here.
00:15:14I thought it would be better
00:15:16to find you a pension here,
00:15:18near and during work.
00:15:20I hope they don't get me in trouble.
00:15:22No, don't worry.
00:15:24I paid three days in advance.
00:15:26No, I don't mean that.
00:15:28I mean that, I don't know,
00:15:30being a single woman,
00:15:32and I'm going to write to you.
00:15:34No problem.
00:15:36And during the break,
00:15:38if you need me, I'll come to the pension.
00:15:42Well, I don't know if
00:15:44explaining the situation is a good idea.
00:15:46Yes, of course.
00:15:48It would be very complicated to explain it, right?
00:15:50I don't even know what happened.
00:15:52But you haven't explained it to me yet.
00:15:54And I'll tell you everything, Pietro.
00:15:56When we have time to talk.
00:15:58I've had a very bad night.
00:16:00Yes, I understand.
00:16:02Sleeping in a dispensary truck
00:16:04must be a pleasure.
00:16:06You're angry with me, aren't you?
00:16:08Angry?
00:16:12That's not the right word.
00:16:14But we have to clarify a lot of things.
00:16:18That woman, Antonia,
00:16:20she's still angry with me.
00:16:22You love her a lot.
00:16:24You love her a lot.
00:16:26Not at the moment, Lucia.
00:16:28Just tell me how you met her.
00:16:30She's an attendant at the salon.
00:16:32I understand.
00:16:34Since when have you been together?
00:16:36Enough, Lucia.
00:16:38Too many questions.
00:16:40Do you think it's normal
00:16:42that you come here
00:16:44asking me about my girlfriend
00:16:46while our son Giancarlo
00:16:48is terrified thinking you're dead?
00:16:50Don't you think it's normal, Lucia?
00:16:52Don't you think it's normal, Lucia?
00:16:54Tell me.
00:16:56Tell me, do you think it's normal?
00:17:00I've made a lot of mistakes, haven't I?
00:17:04Forgive me.
00:17:08I forgive you, Lucia.
00:17:12But I want to understand
00:17:14where you've been all this time.
00:17:16Where?
00:17:18And why didn't you write me a letter?
00:17:20Not one.
00:17:22I've been to jail, Pietro.
00:17:30Daughter.
00:17:34Carla.
00:17:36You're out again?
00:17:38I know you'd rather
00:17:40I rot in this hole,
00:17:42but that's not part of my plans.
00:17:46I'm going out
00:17:48whenever I feel like it.
00:17:50So don't try to dissuade me.
00:17:52Do you really think
00:17:54I want you locked up?
00:17:56I asked you to hide here
00:17:58because I couldn't find another alternative.
00:18:00Unless you wanted to end up in jail.
00:18:04I don't see much difference
00:18:06between this and jail.
00:18:08Right, Carla Seta?
00:18:14I understand
00:18:16why you want to get out of this basement.
00:18:18Let's do one thing.
00:18:20I'll give you two days off.
00:18:24Then you'll have the whole house to yourself.
00:18:38Is that what you want?
00:18:40Give me two days off
00:18:42so I can walk around my own house?
00:18:46I don't understand you, daughter.
00:18:48I promise I don't.
00:18:50You don't have to swear.
00:18:52Don't you realize I'm doing all this to protect you?
00:18:54Don't you realize
00:18:56I haven't asked you for anything?
00:18:58Look, Carla, I don't want to argue.
00:19:04I've come to talk about the company.
00:19:06Things are very complicated.
00:19:08Fabio won't get away with it.
00:19:10He says he's in no way
00:19:12willing to bribe the minister.
00:19:14It must be very hard, right?
00:19:16With the level of conviction
00:19:18you had,
00:19:20and now you're not able
00:19:22to bribe your client.
00:19:24Stop being so impertinent, daughter.
00:19:28I'm telling you,
00:19:30that law can't be changed.
00:19:32And without that,
00:19:34those hotels can't be built.
00:19:36Do you know what that means, Mother?
00:19:38The end of the Morkwende Company.
00:19:40I won't let you lose your fortune.
00:19:44If we can't change those laws,
00:19:46I don't know what we're going to do.
00:19:48liquidate the company.
00:19:52I don't care.
00:19:54I don't care.
00:19:56Liquidate the company.
00:19:58As if you want to give the money to the nuns.
00:20:00You're running out of my patience, Carla.
00:20:02I don't care either.
00:20:04You talk to me about patience
00:20:06when I'm the one who's locked up here day and night.
00:20:08You're insufferable sometimes.
00:20:14May I know
00:20:16where you've been this time?
00:20:20To Íñigo's house.
00:20:22I've found a way
00:20:24to get from the top of the farm to his terrace.
00:20:26Have you gone mad?
00:20:28No, Mother.
00:20:30You've lost your mind, daughter.
00:20:32She's the one who's lost her mind.
00:20:34Right now, she'll think she's seeing ghosts.
00:20:36And she probably can't sleep anymore.
00:20:38And just to make Matilde nervous,
00:20:40are you willing to end up in jail?
00:20:44Before that, she'll end up locked up in a asylum.
00:20:46And nothing
00:20:48will make me happier.
00:20:56In jail?
00:20:58And why?
00:21:00When I got to New York,
00:21:02they stole everything I had on me.
00:21:04In Ellis Island.
00:21:06Ellis Island?
00:21:08Yes. It's where you land
00:21:10when you get to New York.
00:21:12That's where they check your papers,
00:21:14if you have leprosy,
00:21:16tuberculosis, those things.
00:21:18And at some point,
00:21:20I lost my mind and my suitcase disappeared.
00:21:22And I got to the city
00:21:24without any money.
00:21:26And you didn't go to the Italian Consulate?
00:21:28I did, but it was closed.
00:21:30The next day, I wanted to come back,
00:21:32but I hadn't eaten for two days.
00:21:34I was very weak.
00:21:36And...
00:21:38I don't know.
00:21:40I tried to steal some fruit
00:21:42at a street stall.
00:21:44And they found you.
00:21:46The vendor saw me.
00:21:48He grabbed me.
00:21:50I tried to take him off,
00:21:52but he was a small,
00:21:54old man, and...
00:21:56Well,
00:21:58I pushed him
00:22:00and he fell badly.
00:22:02Don't tell me you killed him.
00:22:04No, but he hit himself
00:22:06and bled a lot
00:22:08and he lost consciousness.
00:22:10I tried to help him,
00:22:12but the police came
00:22:14and they accused me of trying to kill him.
00:22:16And they put me in jail.
00:22:18And they locked you up?
00:22:22Three years.
00:22:24Three years for stealing a little fruit?
00:22:26More than once,
00:22:28they thought they would end everything.
00:22:34The first months were terrible.
00:22:36They treated me like an animal.
00:22:38I wanted to write them a letter,
00:22:40but they didn't let me.
00:22:42They didn't let you write a letter?
00:22:44No.
00:22:46Because everything costs money there.
00:22:48The paper, the stamp, the ink.
00:22:50And I had nothing.
00:22:52And if you don't have money,
00:22:54you're nothing.
00:22:56A worse animal.
00:22:58Animals still feed them.
00:23:00When I found a job in jail
00:23:02and I made some money,
00:23:04I was ashamed to write them.
00:23:08I had gone to have a better life
00:23:12and now I was just going to be a burden to you.
00:23:16Shame.
00:23:20If you only knew how bad it was
00:23:22for our son Giancarlo.
00:23:24He was so little.
00:23:28I have to go to work.
00:23:30I should have been inside a while ago.
00:23:34I'm sorry.
00:23:36I'm causing you trouble again.
00:23:38It's the only thing I do.
00:23:40I cause trouble to everyone.
00:23:42Go to rest.
00:23:44The pension is there.
00:23:46I'll pick you up later.
00:23:48Will you really come?
00:23:50Yes.
00:23:52Can I give you a hug?
00:23:56Okay.
00:24:00Do you know how many times
00:24:02I dream of seeing you again?
00:24:04Of hugging you again?
00:24:10I'll see you later.
00:24:12The suitcase.
00:24:14Bye.
00:24:22What I feel the most
00:24:24is that I didn't dance yesterday.
00:24:26Because I felt like it.
00:24:28That's what you feel the most.
00:24:30Try to understand me, Miguel.
00:24:32I'm sorry about what happened
00:24:34to Antonio and Pietro.
00:24:36But you're married.
00:24:38I'm not saying I'm looking for you.
00:24:40You're not saying it, but you've already said it.
00:24:42I don't know, Miguel.
00:24:44All I wish for everyone is the best.
00:24:46But yesterday I had the dance
00:24:48on my feet.
00:24:50I was exhausted and without dance.
00:24:52Don't complain.
00:24:54I was preparing all the details.
00:24:56I couldn't even dance with Don Fermin.
00:24:58What the hell did everyone think
00:25:00about dancing?
00:25:02Who can think about dancing
00:25:04when they see how exhausted they are?
00:25:06They had their lives planned.
00:25:08I'm sorry for Antonio.
00:25:10But the other one,
00:25:12no matter how much he swears
00:25:14that his wife was dead,
00:25:16he didn't bury her.
00:25:18I don't doubt Pietro's integrity.
00:25:20There must be a good reason for all this.
00:25:22I don't think so either.
00:25:24Life can sometimes be very complicated
00:25:26and there are things that have
00:25:28a difficult explanation.
00:25:30I haven't gone to the worker yet.
00:25:32Well, neither has Pietro.
00:25:34We don't have money for coffee
00:25:36and three clients have already complained to me.
00:25:38Don't talk so much.
00:25:40I'm coming with the money.
00:25:42Good luck, green sleeves.
00:25:44Do you want me to take them back to the worker?
00:25:46No, they're for me.
00:25:48What a face the widower had.
00:25:50Esperanza, please,
00:25:52a little bit of sensitivity.
00:25:54What do you want me to tell you, daughter?
00:25:56This man has me happy.
00:25:58You know that at first he didn't want me to go to Madrid
00:26:00and in the end he spoils the wedding.
00:26:02I don't know what's going on in La Moderna,
00:26:04but all the weddings end in tragedy.
00:26:06Don't say that,
00:26:08and Trini and I are already in the chapel.
00:26:10Well, you can entrust
00:26:12all the virgins and all the saints
00:26:14of Santorà.
00:26:18You didn't think I talked a lot?
00:26:20Well, let's see what Esperanza has.
00:26:30What do you think?
00:26:32Esperanza is right.
00:26:34We're going to need a miracle
00:26:36to be able to set up a wedding.
00:26:38And if we don't manage to set it up,
00:26:40not even a miracle will keep our job.
00:26:46You have shown
00:26:48a tremendous presence of spirit,
00:26:50Mr. Fermin.
00:26:52Well, I don't know, Mrs. Lázara.
00:26:54What I do know is that I'm exhausted.
00:26:56It's natural to have to take
00:26:58Pietro and that stranger to the dispensary
00:27:00while Antonia leaves
00:27:02her heart broken in the church.
00:27:04Excuse me.
00:27:06Yes.
00:27:08You should have seen Pietro's face.
00:27:10It was as white as paper.
00:27:12And poor Antonia, my God,
00:27:14had to go home with her heart in her fist.
00:27:16You're so understanding.
00:27:18Anyone else would have put Pietro
00:27:20on the street because of Bigamo.
00:27:22Woman, Bigamo...
00:27:24Bigamo didn't make it.
00:27:26Thank God.
00:27:28Although it was close.
00:27:30Anyway, the circumstances are very strange
00:27:32and I don't think it's Pietro's fault.
00:27:34What I say.
00:27:36You're the boss that all employees
00:27:38would dream of having.
00:27:40I say it from the bottom of my heart.
00:27:42We're very lucky to have you.
00:27:44Yes?
00:27:46I didn't know you were meeting.
00:27:48No, honey, come in.
00:27:50But if I bother you, I'll leave.
00:27:52I told you, Inés, don't bother me.
00:27:54Do you know Mrs. Lázara?
00:27:56Yes, the manager.
00:27:58We've met before.
00:28:00Yes, but we haven't had the chance
00:28:02to talk so much.
00:28:04Anyway.
00:28:06All right, honey?
00:28:08All right.
00:28:10I know I start next week,
00:28:12very well.
00:28:14Of course, Mrs. Lázara,
00:28:16I haven't told you anything, sorry.
00:28:18We talked about it yesterday afternoon.
00:28:20From now on, my niece Inés
00:28:22will be my personal secretary.
00:28:24Secretary?
00:28:26Yes.
00:28:28But, of course,
00:28:30Mr. Fermín, how hadn't we thought
00:28:32before that I needed a secretary?
00:28:34I suppose because we wouldn't have
00:28:36considered it necessary.
00:28:38In this way, you are free from my schedule,
00:28:40and I'll be able to work with suppliers,
00:28:42with clients, all that.
00:28:44Welcome to La Moderna.
00:28:46I'm sure you'll do a great job.
00:28:48Thank you, I'm very excited.
00:28:50That's very good.
00:28:52So, from now on, let Mrs. Lázara take you.
00:28:54She knows the details of the business
00:28:56and has a general vision
00:28:58of how the salon works.
00:29:00If it weren't for her,
00:29:02this boat would sink.
00:29:04Well, I thought that was you, Mr. Fermín.
00:29:06If you want, I can show you around
00:29:08and if you have any questions, just ask me.
00:29:10Of course, I'd love to.
00:29:12Well, if you'll follow me.
00:29:22Your uncle told me that you're a singer.
00:29:24That you had a throat injury,
00:29:26could it be?
00:29:28Yes, but I don't know if I'll be able to sing again.
00:29:30I'm very sorry.
00:29:32It reminds me of my cousin Manolita.
00:29:34She also wanted to be a singer,
00:29:36but she had to quit because of that case.
00:29:38Anyway...
00:29:40Yes, come with me, please.
00:29:44Antonia,
00:29:46let me serve the coffee.
00:29:48Sit down and rest.
00:29:50Many nights you'll have had to go through.
00:29:52Well, Toledana, the truth.
00:29:54But look,
00:29:56I don't want to go crying around the corners.
00:29:58It's been a great disappointment,
00:30:00I won't deny it, but...
00:30:02It hasn't been an irreparable misfortune either.
00:30:06You see?
00:30:14It's a problem, I won't deny it.
00:30:16Marriage is for life.
00:30:18In a way or another,
00:30:20Pietro is tied to that woman.
00:30:22You know his intentions.
00:30:24But the only thing I want to think about
00:30:26is that
00:30:28I know how I feel about Pietro.
00:30:32And I trust him.
00:30:34It's important.
00:30:36Besides, it doesn't make sense
00:30:38for that woman to come back
00:30:40and get back with Pietro.
00:30:42No, right?
00:30:44But she'll want something, right?
00:30:46To show up at the wedding and stop her
00:30:48from disappearing after so long.
00:30:50What I'm sure of is that
00:30:52Pietro loves you.
00:30:54We'll see how it all works out.
00:30:56I imagine she wants to go back home.
00:30:58No, that's something else.
00:31:00I can't go back
00:31:02until she comes back.
00:31:04Anyway.
00:31:06How are you?
00:31:08How are your nerves?
00:31:10Antonia, I can still feel her presence.
00:31:12Mrs. Carla's?
00:31:16The other night
00:31:18it was very dark and it was just for a moment.
00:31:20But I saw her.
00:31:22It was her.
00:31:24I swear, you have to believe me.
00:31:26Nerves are a mystery, darling.
00:31:28And you've been
00:31:30under a lot of pressure
00:31:32this season.
00:31:34It's normal for nerves to go away.
00:31:36Yes, that too, but there are things
00:31:38that can't be explained with nerves.
00:31:40Look, Antonia, the other day
00:31:42an identical pendant appeared in the house
00:31:44that Mrs. Carla was wearing.
00:31:46But how? It just appeared?
00:31:48Yes. We don't know how it got there.
00:31:50But Íñigo also saw it.
00:31:52Other things, no.
00:31:54I'm the only one who can sense
00:31:56the perfume.
00:31:58What about the perfume?
00:32:00Last night,
00:32:02when I came back from the wedding,
00:32:04I smelled Mrs. Carla's perfume all over the house.
00:32:06But darling, how is that possible?
00:32:08I know. I know it's crazy, Antonia.
00:32:10But someone is coming into my house
00:32:12and that person
00:32:14either wants to drive me crazy
00:32:16or I'm going crazy.
00:32:18No.
00:32:26Good morning.
00:32:28Hello.
00:32:30I'm sorry to introduce myself like this.
00:32:32I thought if I called before, you wouldn't want to see me.
00:32:34Well, you're right.
00:32:36I don't want to see you.
00:32:38I don't want to see anyone.
00:32:40I have a lot of problems
00:32:42and no one to help me with them.
00:32:44I'm really sorry
00:32:46that I can't help you.
00:32:48Matisse, darling,
00:32:50help me if you can.
00:32:52The thing is, you don't want to.
00:32:54Hasn't he supported you in everything so far?
00:32:56Yes.
00:32:58He's been a real support
00:33:00in a lot of insignificant situations.
00:33:02But when I really needed you,
00:33:04you broke down.
00:33:08But let's not discuss that again.
00:33:10I've crossed the line.
00:33:12I've decided
00:33:14that we're going to liquidate
00:33:16the Morkwende Company.
00:33:20Liquidate the company?
00:33:22Yes.
00:33:24As I see it,
00:33:26the business world is like a casino.
00:33:28There are times to risk
00:33:30and times to reap the profits.
00:33:32The Morkwende Company
00:33:34has made a lot of winning moves.
00:33:36It's time to charge.
00:33:38I don't want to be impertinent,
00:33:40but the analogy with a casino
00:33:42is not very accurate.
00:33:44Everyone says
00:33:46that this government plans to raise taxes.
00:33:48If the Morkwende Company
00:33:50is still loaded with properties,
00:33:52tied to loans and contracts,
00:33:54this gang of politicians
00:33:56could reduce their value
00:33:58by half in a matter of days.
00:34:00I don't want my daughter's legacy
00:34:02to fade away overnight.
00:34:04I can understand
00:34:06that you want to get rid of
00:34:08the most risky projects
00:34:10or that you give up long-term projects
00:34:12but sell everything.
00:34:14Why not?
00:34:16Is it also illegal?
00:34:18Don't your sacred principles
00:34:20allow you to sell a company?
00:34:22No, of course not.
00:34:24But when you entrusted me
00:34:26with managing the company,
00:34:28you didn't say anything about selling.
00:34:30Because I still had some confidence
00:34:32in getting the hotel business going.
00:34:34Are you going to help me or not?
00:34:36But I don't think it's the right move.
00:34:38Well, limit yourself to studying the operation
00:34:40and putting a price on everything that can be sold.
00:34:42All right.
00:34:44I'll get to it this afternoon.
00:34:46Before that,
00:34:48how about we have lunch together?
00:34:50I don't think you'll have time.
00:34:52I've realized how complex
00:34:54this operation is.
00:34:56You'll want to get to it as soon as possible.
00:35:06Hello.
00:35:22Hello.
00:35:24Hello.
00:35:26Are you the deceased woman?
00:35:28Well,
00:35:30the one who was your wife before,
00:35:32although she's still your wife,
00:35:34but she's no longer deceased.
00:35:36Well, she was never deceased,
00:35:38of course.
00:35:40What's your name?
00:35:42Lucia.
00:35:44I'm Esperanza, the godmother.
00:35:46Nice to meet you.
00:35:48I'm looking for Pietro.
00:35:50Do you know where he is?
00:35:52Yes, he's working,
00:35:54but he doesn't like to be interrupted.
00:35:56He has a very important
00:35:58and very delicate job.
00:36:00He works in the lab, doesn't he?
00:36:02I've managed to hear
00:36:04the heart of the modern woman.
00:36:06And I'm telling you,
00:36:08he doesn't like to be distracted.
00:36:10Anyway, it's only two minutes.
00:36:12Two minutes?
00:36:14With a minute that goes out of the oven,
00:36:16twenty people can be left without a snack.
00:36:18Lucia.
00:36:20Pietro.
00:36:24But no,
00:36:26I don't want to bother you too much.
00:36:28What's wrong? Do you need something?
00:36:30No.
00:36:32Esperanza,
00:36:34do you mind if I leave you alone for a moment?
00:36:36Sure?
00:36:38Sure, sure, thank you.
00:36:40Sorry,
00:36:42this woman has already told me
00:36:44that I can't steal you for two minutes,
00:36:46but I wanted to give you back...
00:36:48And what is this?
00:36:50What you paid for the pension in advance.
00:36:52Explain yourself well.
00:36:54Do you have money?
00:36:56Can you arrange it for yourself?
00:36:58Well, the truth is that I don't know.
00:37:00Then keep this, please.
00:37:02Come with me.
00:37:04But is there time?
00:37:06No, but sit down for a moment.
00:37:12Can I know if you have debts?
00:37:14No, no, no debts.
00:37:16But I don't have money either.
00:37:18It's just that
00:37:20when I got out of jail, I didn't have a penny
00:37:22and I didn't know where to go.
00:37:24And going back to Italy was unthinkable.
00:37:26And how did you do it?
00:37:28How did you manage?
00:37:30In jail,
00:37:32I made friends with a woman from Puerto Rico.
00:37:34She taught me to speak Spanish
00:37:36and when I got out of jail,
00:37:38I found a job
00:37:40in her brother's business,
00:37:42Spanish Airline.
00:37:44What is it?
00:37:46A neighborhood in New York.
00:37:48Many Puerto Ricans live there.
00:37:50And thanks to this job,
00:37:52I managed to save a little more
00:37:54and little by little
00:37:56I was moving forward,
00:37:58although I couldn't stop
00:38:00thinking about you.
00:38:04Excuse me, Pietro.
00:38:06Could I have a glass of water?
00:38:08Yes, wait a moment.
00:38:10Wait.
00:38:20This morning I sold a German gramophone
00:38:22and now I have to prepare an order
00:38:24for a man who has ordered some jazz records.
00:38:26That's great. Well, if you want, I'll help you.
00:38:30Why don't you check the cultural programming
00:38:32that we have to deliver to your uncle?
00:38:34And remember that today we close earlier
00:38:36that we have the talk with those from high school.
00:38:38I'm so nervous.
00:38:40Do you think they're going to tell us something?
00:38:42Sometimes political issues raise many blisters.
00:38:44I already know that universal suffrage
00:38:46is not a matter of politics, but of fundamental rights.
00:38:48But sometimes people pretend not to see.
00:38:50Well, you know what?
00:38:52What's worse for them?
00:38:54Because we have won this fight.
00:38:56Now that constitutional courts have been formed,
00:38:58there is no excuse not to reform the law.
00:39:00You're absolutely right.
00:39:02Well, I'm going to prepare the order.
00:39:12Good afternoon.
00:39:14Good afternoon.
00:39:16Do you need anything?
00:39:18What a nice store you have.
00:39:20The business is going well, right?
00:39:24Yes, we can't complain.
00:39:26Have you come looking for something?
00:39:30Yes, I've come to buy
00:39:32a gramophone.
00:39:34I've been told that
00:39:36German models are very good, right?
00:39:38Yes, they're the best we have.
00:39:40Do you want me to show them to you?
00:39:42Please.
00:39:44Okay.
00:39:46Look.
00:39:48This one is made in Berlin
00:39:50and has a lifetime warranty.
00:39:52In the end, it looked like
00:39:54we were getting out of a funeral rather than a wedding.
00:39:58Hey,
00:40:00do you know that your father is proud of you?
00:40:02My father?
00:40:04What are you saying?
00:40:06Yes, yes, yes. He was impressed to see how well you had done
00:40:08and you had left the bookshop like gold.
00:40:10One thing is to impress him and another very different
00:40:12is that he feels proud.
00:40:14Let's do one thing.
00:40:16These days, we're going to try to keep
00:40:18the bookstore in the open.
00:40:20When your father comes, he'll see that you've given it your all
00:40:22to see if he'll start to see you differently.
00:40:24Do you think that will work?
00:40:26We'll have to try.
00:40:28I'm going to get the news. You follow me.
00:40:40Hi, Marta.
00:40:42Hi, Marta. How are you?
00:40:44Fine,
00:40:46but I have to go.
00:40:48Can I keep you company?
00:40:50But you're working, aren't you?
00:40:52Besides, I was just going to the drugstore
00:40:54for some bleach and ammonia.
00:40:56Well, Miguel told me
00:40:58what happened at the church.
00:41:00I'm very sorry. I'm sure it must have been very hard.
00:41:02So,
00:41:04if you need anything,
00:41:06you know where I am.
00:41:08Thank you.
00:41:10It was a bad drink, yes,
00:41:12but, well,
00:41:14I appreciate it.
00:41:16I have to go now.
00:41:18Good luck.
00:41:20Thank you.
00:41:26Come on, help me.
00:41:30I think you're right.
00:41:32I'm going to work hard
00:41:34these days.
00:41:36I'm going to make my father
00:41:38a good worker.
00:41:40I'm glad to hear it.
00:41:42Hey,
00:41:44why did they call you
00:41:46Explosive Bones in the military?
00:41:50I don't want to know.
00:41:56And then we have this one,
00:41:58which is made nationally.
00:42:00In this case, it's not made of noble wood,
00:42:02so it's cheaper.
00:42:04But in a gramophone,
00:42:06the important thing is not the exterior,
00:42:08but the mechanics, and it's very reliable and durable.
00:42:10Reliable and durable.
00:42:12Like a good marriage.
00:42:14Hey, you didn't come to buy a gramophone, did you?
00:42:16But don't get mad.
00:42:18Your company is so nice.
00:42:20Thank you very much for the compliment,
00:42:22but I should be ashamed to waste my time like this.
00:42:24I'm sorry, really,
00:42:26but if you ever agreed to have a snack with me,
00:42:28I wouldn't have to resort to these tricks.
00:42:30Look, I'm having a snack at home,
00:42:32with my family. Thank you very much.
00:42:34We could also simply
00:42:36take a walk around the Retiro.
00:42:38I'm very busy, so if you're not going to buy anything,
00:42:40please, there's the door.
00:42:42Well, you know what? I am going to buy you something.
00:42:44A gramophone.
00:42:46So maybe you'll forgive me
00:42:48for trusting you so much.
00:42:50Okay.
00:42:52Which one do you want? Because I've shown you four.
00:42:54I liked the German one a lot,
00:42:56but I don't remember. Could you show it to me again?
00:42:58Hey, please.
00:43:00It's a joke. Don't get mad.
00:43:02It's reliable and durable.
00:43:04Very good. I'm going to prepare your gramophone.
00:43:08Thank you.
00:43:16In the end,
00:43:18you've got me in your network.
00:43:20I'm going to buy you a gramophone.
00:43:22Very good.
00:43:24In a modern house, you can't miss a good gramophone.
00:43:26And a good radio set.
00:43:28I need your help, please.
00:43:30Laurita doesn't even want to have a snack with me.
00:43:32Give me a hand, woman.
00:43:34Look, if you break the gramophone,
00:43:36let me know and I'll help you.
00:43:38I have to think about the rest.
00:43:40But I can't be buying a gramophone every day
00:43:42to break the ice. I'm going to ruin myself.
00:43:44I'm glad you're telling me.
00:43:52Oh, how nice.
00:43:54Hello, honey.
00:43:56Say hello to the next manager
00:43:58of the bookshops,
00:44:00La Goleta de las Letras.
00:44:02So soon? Have you become a manager?
00:44:04Well, no, no.
00:44:06Not yet, but soon.
00:44:08Don Salvador told me that if he
00:44:10had his son straightened,
00:44:12he would appoint me manager.
00:44:14Well, I have Salvita almost straightened.
00:44:16I had my hopes up.
00:44:18I thought there would be good news in this house.
00:44:20Cheer up. There are good prospects.
00:44:22Yes.
00:44:24I'm not going to cheer up
00:44:26Ah, for that I also have a solution.
00:44:28It is clear that to pretend a wedding
00:44:30we need a priest and a church.
00:44:32Yeah, but it's hard
00:44:34for a priest to lend himself to that.
00:44:36Not a priest, but a sacristan, yes.
00:44:38My friend Aureliano
00:44:40is a sacristan in Camporreal.
00:44:42I don't know how he hadn't fallen before.
00:44:44It's not a church, it's more like a hermitage,
00:44:46but for the case it doesn't matter.
00:44:48I'll write to him and you'll see how he helps us organize it.
00:44:50Aureliano, the one who had been a monk?
00:44:52Yes, that one.
00:44:54I've known him since I was little.
00:44:56Aureliano, the lightbulb.
00:44:58Well, don't call him that.
00:45:00No, I don't call him that, you call him that
00:45:02because he doesn't have many lights.
00:45:04Yes, well, it's not Monica Hall, but ...
00:45:06Love, we invited him to our wedding
00:45:08and he didn't come because he was wrong about the church.
00:45:10He was wrong. He came to San Marcos, as we told him.
00:45:12Yes, of course, because our wedding was in San Marcos,
00:45:14in Madrid, but he went to San Marcos in Segovia.
00:45:16Do you really want to entrust
00:45:18this matter to that man?
00:45:20No, no, no, forget it.
00:45:22Nothing with the lightbulb.
00:45:24Go preparing the table.
00:45:26I'm going, I'm going.
00:45:32Teresa, do me a favor to check with the dependents
00:45:34the boxes and the gift wrapping paper
00:45:36to be able to make the order.
00:45:38Very good, right now.
00:45:40Phenomenal.
00:45:42Daniel Azra, can I have a moment, please?
00:45:44Naturally, yes.
00:45:46Look, I wanted to thank you for the welcome
00:45:48that you have given to my niece.
00:45:50There is nothing to thank, Mr. Fermin.
00:45:52Your niece is a very valid
00:45:54and very willing girl.
00:45:56You see, she starts next week
00:45:58to work and today she has shown up
00:46:00in my office to organize my agenda.
00:46:02And what is it that surprises her so much?
00:46:04That she is so hardworking?
00:46:06Because she is going to excuse me,
00:46:08but she is good at it.
00:46:10And her other niece, the same.
00:46:12They are little ants, it seems that they want to emulate her uncle.
00:46:14Yes, the truth is that they are two gems.
00:46:16They have had their setbacks,
00:46:18but they have overcome them.
00:46:20And you have to see with what zeal
00:46:22they are determined to get ahead.
00:46:24Yes.
00:46:26Look,
00:46:28look how he gets up.
00:46:32Do you think he gets up a lot?
00:46:34Man, but he's practically hugging her.
00:46:36I don't know, I don't get that feeling.
00:46:38And don't look at him so closely
00:46:40that they will notice.
00:46:42What if I find out?
00:46:44Whatever you say.
00:46:46But Teresa, please,
00:46:48you have to be careful.
00:46:50Do you know what I'm telling you?
00:46:52That I'm going to investigate that woman.
00:46:54Investigate? What do you mean by investigate?
00:46:56Well, we don't know anything about her.
00:46:58I thought I could try
00:47:00to get her address.
00:47:02Her address?
00:47:04But what do you intend?
00:47:06Are you going to sneak into her house as if you were a detective?
00:47:08Well, no, what I intend is to locate her,
00:47:10have some more information about her
00:47:12and no, I'm not going to enter her house.
00:47:14What I'm going to do is just watch her.
00:47:16Ah, just watch her.
00:47:18Thank goodness,
00:47:20because I was worried.
00:47:22How are you going to get her address?
00:47:24Well, it will be on her
00:47:26employee card or on the contract.
00:47:28I just have to go to Don Fermin's office,
00:47:30look at it and that's it.
00:47:32Well.
00:47:34Here, the return of the message.
00:47:36Yes, I'm convinced.
00:47:38Yes, of course.
00:47:50I'm beating the eggs.
00:47:52No, let's wait for Pietro.
00:47:54Better.
00:47:58Well, yes, yes.
00:48:00Go beating it because maybe he won't come to dinner.
00:48:02He will have dinner with the other one in his house.
00:48:04Don't say that.
00:48:06The other one is me.
00:48:08She is his legitimate wife.
00:48:10I am the one who is left over here.
00:48:12Antonia, that's not the case.
00:48:14Pietro is not like that.
00:48:16No, Pietro is not like that.
00:48:18But we don't know what she is like.
00:48:20If that woman gets the spank, she claims what is hers
00:48:22and you tell me if I'm left over or not.
00:48:24Let's see if she doesn't want to take him to Italy.
00:48:26But there is no divorce in Italy.
00:48:28What are you going to see?
00:48:30Those are the Protestants.
00:48:32In Italy they are Catholic like us
00:48:34I don't know.
00:48:36I heard that with the Republic
00:48:38the divorce was going to happen.
00:48:40Here, maybe. Not in Italy.
00:48:42That will happen.
00:49:00Hello.
00:49:02Come in.
00:49:04Come in.
00:49:08Pietro.
00:49:10Hi, Marta.
00:49:12I was preparing dinner.
00:49:14Potato omelette.
00:49:16Hi, Antonia.
00:49:18I'm going to pick up the clothes.
00:49:20Excuse me.
00:49:22Come in.
00:49:30How are you?
00:49:32Fine.
00:49:34Have you been able to talk?
00:49:36Yes.
00:49:38I've put her in a boarding house.
00:49:42I thought it would be
00:49:44the most appropriate.
00:49:48The woman doesn't know Madrid, Antonia.
00:49:50She is with one hand in front
00:49:52and the other behind.
00:49:54I didn't know what to do.
00:49:58I hope you don't mind.
00:50:04All I want to know is
00:50:06what will happen to us, Pietro.
00:50:08What intentions does that woman have?
00:50:20You're making a mess.
00:50:22Hold on.
00:50:24Let's see how you've done it.
00:50:26It's very easy.
00:50:44I've been watching you to find
00:50:46the best moment to approach you.
00:50:48You were always with me.
00:50:50In any case, I've hurt you too much.
00:50:52I didn't want to leave
00:50:54without telling you that I love you.
00:51:08Agustin, what are you doing here?
00:51:10Can I come in?
00:51:12Yes, come in.
00:51:18Would you like something to drink?
00:51:20No, don't bother.
00:51:22I don't think I'll be here long
00:51:24because I suspect I'll end up
00:51:26in jail.
00:51:28Why do you say that?
00:51:30Because I've been told
00:51:32that I don't count on you
00:51:34for the court of the pharaoh.
00:51:36If I don't try for the last time,
00:51:38I won't forgive myself.
00:51:40Why don't you come for a couple of rehearsals?
00:51:42If you don't feel up to it,
00:51:44I promise I won't insist.
00:51:46I don't want to rehearse if I have to quit later.
00:51:48I'd rather skip the page as soon as possible.
00:51:58What are you doing here?
00:52:00Hi. I was trying
00:52:02to convince your sister...
00:52:04Look, I've told you I'm not going
00:52:06to have lunch with you.
00:52:08Do you mind if I show up at my house and insist?
00:52:10Look, I'm sorry
00:52:12to have bothered you,
00:52:14but I didn't come to insist.
00:52:16No, of course not. It was a coincidence.
00:52:18Laurita, Agustín has come to convince me
00:52:20to sing at the court of the pharaoh.
00:52:22How many times have you told him not to?
00:52:24One thing is for him to come to the store
00:52:26and say he wants a gramophone to play
00:52:28and the other is for him to bother my sister.
00:52:30Look, I deeply regret that you think that of me,
00:52:32but since I see that it will be impossible
00:52:34to convince you of my true motivations,
00:52:36I'd better leave.
00:52:38No, it would have been better if he hadn't come.
00:52:40Laurita, please.
00:52:42I'm leaving. Good afternoon.
00:52:44Good afternoon.
00:52:48Agustín, I'm really sorry.
00:52:50I'm very sorry.
00:52:52No, really, don't worry about me.
00:52:54I promise you, I give you my word
00:52:56that my offer was sincere.
00:52:58Good afternoon, Inés.
00:53:04Lucia got out of jail
00:53:06and got a job at the Spanish Harlem,
00:53:08which is where the Puerto Ricans
00:53:10live in New York.
00:53:12And after getting a job,
00:53:14didn't she think of sending a letter
00:53:16to her mother and her son?
00:53:18She said she didn't want to give signs of life
00:53:20until she had saved some money
00:53:22because she didn't want to be
00:53:24another burden for me.
00:53:26How considerate.
00:53:28And after a lot of work
00:53:30and a lot of savings,
00:53:32she bought a ticket back to Italy.
00:53:34She was in Italy?
00:53:36Yes.
00:53:38She said
00:53:40she found the house empty.
00:53:42That Giancarlo had already left
00:53:44with his girlfriend to the village.
00:53:46And she didn't think of going to the village
00:53:48to look for Giancarlo
00:53:50after having been in Italy?
00:53:52I don't get it.
00:53:54It seems she didn't dare.
00:53:56So she shows up here
00:53:58without warning,
00:54:00without sending a letter, without calling,
00:54:02on the day of our wedding.
00:54:04Well, look,
00:54:06the gift of opportunity
00:54:08does have it.
00:54:14I'm sorry.
00:54:16Forgive me.
00:54:22I've been
00:54:24without a husband and without a home
00:54:26on the same day.
00:54:28Forgive me too, Antonia.
00:54:30Forgive me a lot.
00:54:36I'm sorry for what you're going through.
00:54:44The only thing
00:54:46I care about is you.
00:54:52But she's
00:54:54Giancarlo's mother.
00:54:56I can't...
00:54:58Pietro, I understand.
00:55:00Really,
00:55:02I understand you have a responsibility
00:55:04to Giancarlo.
00:55:08But what about us?
00:55:10Look at me.
00:55:14What will become of us?
00:55:18And what does that woman want from you?
00:55:22I don't know.
00:55:28I'm sorry, Antonia,
00:55:30but I don't know.
00:55:32I swear I don't know.
00:56:02I don't know.
00:56:20Honey, it's me.
00:56:22Don't worry,
00:56:24I only went to the restaurant for dinner.
00:56:26Did you think I was going to come back?
00:56:28Let me put this on the table.
00:56:32Can you help me?
00:56:34I don't know what's wrong with me.
00:56:36What don't you know?
00:56:38Let me.
00:56:40Come in, please.
00:56:48Honey,
00:56:50what's wrong?
00:56:52I heard her.
00:56:56I heard Carla.
00:56:58It's as if she were in this house.
00:57:00Did you hear her, honey?
00:57:02Right now?
00:57:04Yes, she was whispering to me.
00:57:06She was very close.
00:57:08Honey, I can't take it anymore.
00:57:10I can't take it anymore.
00:57:12I can't take it anymore.
00:57:14Don't worry.
00:57:16Don't worry.
00:57:20Don't worry.
00:57:26I need your help.
00:57:28I'll do everything I can.
00:57:30Tell me.
00:57:32The situation has worsened.
00:57:34Maybe it's time to ask for an expert's opinion.
00:57:36Here's Dr. Mendoza's phone number and address.
00:57:40He's an eminent psychiatrist.
00:57:42I think he's the right person to treat Matilde.
00:57:44He showed up here yesterday.
00:57:46That's where he sat.
00:57:48That Lucia.
00:57:50What a face she has.
00:57:52She hasn't had enough to show up at the wedding,
00:57:54but she comes here to talk to Pietro.
00:57:56Maybe it's time to shut up.
00:57:58I'm trying to write the newspaper ad
00:58:00your father gave me.
00:58:02The bulletin says,
00:58:04look for a new cleaner.
00:58:06Do we have a cleaner?
00:58:08Why have I been cleaning all this time?
00:58:10It's part of the learning process.
00:58:12Two men making a decision for me
00:58:14and with Mr. Fermin in the middle.
00:58:16It's incredible.
00:58:18No one wants to make a decision for you.
00:58:20You're the one who decides.
00:58:22Dr. Mendoza won't come to this house
00:58:24unless you tell me.
00:58:26Do you want to know what's going on with a specialist?
00:58:28You can save that ad, Miguel.
00:58:30I'll find the new cleaner.
00:58:34Don't worry.
00:58:36That woman didn't come to take Pietro away.
00:58:38Then why did she come?
00:58:40To get something out of him.
00:58:42I've seen her take advantage of him.
00:58:44I need you to open an account in Switzerland
00:58:46and send all the funds you can.
00:58:48Anyone who has the codes can access it
00:58:50without having to do anything else,
00:58:52not a man or anything.
00:58:54I know the risks involved.
00:58:56And I still want to do it.
00:58:58Actually, that woman never left Pietro.
00:59:00When she went to America,
00:59:02she did it in accordance with him.
00:59:04Apparently, they loved each other very much.
00:59:06I have a feeling you're hiding something from me.
00:59:08This is the truth, isn't it?
00:59:10How's it going with Inés?
00:59:12Good.
00:59:14Very good. She's lovely.
00:59:16Don't you think you're wrong about her?
00:59:18If all my colleagues
00:59:20think the same way,
00:59:22it must be because of something.
00:59:24I think it's unfair.
00:59:26She hasn't done anything to me,
00:59:28and she hasn't done anything to you.
00:59:30And we should give her a chance.
00:59:32Why us?
00:59:34Because he trusts her a lot
00:59:36and he gets along very well.
00:59:38And you know he wouldn't look at anyone.
00:59:40So stop calling her a vampire.
00:59:42Don't make me have to call her aunt one day.
00:59:44Look, in the bookshop,
00:59:46we need a cleaner per hour,
00:59:48so I've been looking for her
00:59:50and I thought maybe you
00:59:52might be interested.
00:59:54Pietro?
00:59:56He's not here.
00:59:58What's going on?
01:00:00We had a lot of time, didn't we?
01:00:02Yes, I hope you don't mind.
01:00:04I just wanted to see where you lived.
01:00:06If there's something that makes me really happy
01:00:08right now, it's going crazy with Matilde.
01:00:10You're always with that girl in your mouth,
01:00:12my dear.
01:00:14I'm waiting for the night to come
01:00:16Trust me, there's no danger.
01:00:18There's no danger, you say?
01:00:20Teresa, I don't recognize you.
01:00:22They're firing us.
01:00:24Look,
01:00:26here are the workers' contracts.
01:00:28I look for Mrs. Lanzara's,
01:00:30I look at the information we're looking for,
01:00:32I leave it again, and nothing happens here.