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Short filmTranscript
00:00Subtitulado por Cristina Pérez Cerezo
00:30I saw myself in the need to complement the salary of the bookshop with an additional income.
00:36Selling scrapbooks in my bookshop.
00:38I will not sell scrapbooks again, I promise.
00:40Is there anything I could do to forgive him and forget this unpleasant incident?
00:47I need him to domesticate my son.
00:49Don't tell me he hasn't realized he's a retarded vagabond.
00:52I would like to have a peaceful conversation with you.
00:54Yes, well, I don't know how it's going to be possible because I don't feel like it.
00:57At least you could tell me what your name is.
00:59Let me help you.
01:00You told the inspector yourself that those buttons are very common and that half of the men in Madrid have them.
01:06But it's not true. I lied.
01:09How did you lie? My love, you're scaring me.
01:12None of those buttons were the same as those in your jacket.
01:14I myself went to a nursery to buy some buttons so that they were identical to those in your jacket.
01:18You lied to the police to cover me.
01:21I have thought of wearing the same suit with which I married Lucia, may she rest in peace.
01:26It's just that a new one seems too much money to me, doesn't it?
01:29If you don't mind.
01:30No, no, no, no, no, no, no, no.
01:32On the contrary, I didn't know how to tell you this.
01:34But I had also thought of marrying the dress with which I married Ramón.
01:39It will be beautiful.
01:40You know that Mr. Fermin has broken the rule that married women cannot work in the modern world, right?
01:45Well, we have decided that Miguel and I are not going to tell him that we are married.
01:49We are going to pretend that we are in love, that we are falling in love.
01:52And well, we need your help.
01:57What I just saw.
01:58What did you see, Esperanza? What did you see?
01:59Your friend.
02:00Putting his hand on the glass, he will find out.
02:03What I least expected you to doubt me.
02:05Because I have helped you.
02:06I have helped you.
02:07They could have accused me of conspiring or covering up a crime.
02:11Or an accomplice.
02:13Do you really believe it?
02:14I know you're not.
02:16But there are things that don't fit me.
02:18Tell me if you think I'm a murderer.
02:20I didn't say that.
02:21Well, you haven't denied it at any time.
02:23I'm sorry to interrupt, but let me introduce you to Ernest Hemingway.
02:27The writer I told you about.
02:29My goodness.
02:30Iris.
02:32My pleasure.
02:33Miss Garment.
02:34It's an honor to have you here in Madrid, Cabaret.
02:36But how was I going to fail you on your night?
02:38I plan to endure whatever is necessary until I can execute my revenge.
02:42But are you really going to ruin your life just because you have ...
02:44Just to do justice?
02:45Matilde, you are ...
02:47Regretful.
02:48I'm very sorry.
02:49No, you don't have to apologize for anything.
02:51If it weren't for you, I wouldn't be free.
02:53And I'm really sorry for everything you've been through.
02:57But ...
02:58My love, I would like us to look ahead.
03:02The two of us, as always.
03:15Did you notice how I looked at you?
03:16Between the two of us.
03:19Well, yes.
03:20It was very funny.
03:22It was very funny.
03:27It has been one of those evenings that will have to be talked about.
03:29And no local will be able to overcome them.
03:32It's bad that I say it, but they're going to stay on the road.
03:35Today's party in Madrid, Cabaret, has been a party of height.
03:40And the best thing is that everyone was having a great time.
03:43I would put my hand on the fire, that many will continue to have fun until the sun comes out.
03:47And that you say it.
03:50You have to be very proud, love.
03:52The reopening of Madrid Cabaret has been an absolute success.
03:58But it would have been an absolute failure if you hadn't come.
04:02It's no use to me that the place goes well if ...
04:06If you're not by my side.
04:12And you to mine.
04:15You know what the priest said.
04:16In the good and in the bad.
04:19So that's why you came.
04:20For a moral commitment.
04:22Of course.
04:25I don't like the environment or the place.
04:27Only the owner.
04:36Well, the truth is that ...
04:38I had a terrible time.
04:40Before you came.
04:41Yes, it's true, well ...
04:43I was surrounded by people, but I felt alone because ...
04:47I couldn't stop thinking about the argument we had.
04:51I also felt very guilty.
04:55Well, I didn't want to reopen the wound.
04:58Tonight has been a wonderful night and I want it to continue to be like this.
05:01Because all I care about is ...
05:04Having you in my arms.
05:11But ...
05:13My love, I want you to know that I would never hide anything from you.
05:16And I really don't know how that button from my jacket got to the riverbank.
05:21It's just that ...
05:22I have no answer for that.
05:26We'll find it.
05:29We'll solve it together.
05:32I know.
05:35But my love, until then there are two things that ...
05:39I don't want you to doubt them.
05:42The first is that I ...
05:44I didn't kill Carla.
05:47And the second is that I love you with all my soul.
05:50I've never doubted that.
06:03My lady.
06:16My love.
06:46My love.
07:16We are brave.
07:18If you don't understand it.
07:20In the modern world there is a better world.
07:25The modern one wrote ...
07:27Our love poem.
07:40Well, lately they are selling very well.
07:42You don't know how successful they are.
07:44Yes, I've noticed.
07:46I'll talk to Pietro to make sure he's aware.
07:48And today we don't miss him.
07:50Good morning.
07:51Good morning.
07:53It's nice to see you so concentrated working.
07:56In fact, in the accounts you can already see the change of attitude.
07:59In part, you are responsible.
08:00Trinidad.
08:03Me?
08:04Yes.
08:05You and the rest of your colleagues.
08:07They are looking at each other a lot, as I told you.
08:09So congratulations for the part you get.
08:12Thank you very much.
08:13Well, I was just commenting to Mrs. Teresa
08:15that they are selling very well.
08:16The puff pastry and the almonds.
08:18Yes, I was about to talk to Pietro to ask him to double the production.
08:23What were you going to do?
08:26I remind you that this is the manager's competence.
08:29I am the one who has to ask the worker for an increase in production.
08:33Well, Mrs. Teresa was just trying to do the best for the salon.
08:37Yes, yes, yes, I think it's very good.
08:39As long as it does not exceed its obligations.
08:41Which are limited to supervising the good operation of the salon.
08:47And that's it.
08:48Well, but I think we're out of gender.
08:50Trinidad.
08:51Don't worry.
08:53You're right.
08:55It won't happen again.
08:57I hope so.
08:59And speaking of obligations,
09:00I want to tell you that I have already contacted the surveillance company.
09:04And tonight they will send some extra guards.
09:08I'll be informed.
09:09Very well.
09:11Well, now.
09:12Arrange the displays that we have to open now.
09:22Good morning.
09:23Teresa, please come in.
09:24Good morning, enjoy.
09:26Good morning, Matilde.
09:27Good morning.
09:28How are you?
09:30I didn't know photographers got up so early.
09:33Well, the news is great.
09:34And sometimes we have to go to bed very late and get up very early.
09:38But today...
09:39Today I come as a distributor.
09:49Oh my God.
09:51The report made by the Iberian correspondent.
09:54Two whole pages covering the reopening of the Madrid-Cabaret.
09:57Well, and the rest of the newspapers are not far behind.
09:59All of them.
10:00They have all echoed the event.
10:03Look what it says here.
10:05The North American writer Hemingway and the BD Celia Gámez
10:08in the opening of the Madrid-Cabaret.
10:10The presence of both was a success.
10:13But they don't just talk about celebrities.
10:18Look.
10:19The owner of the Madrid-Cabaret, Íñigo Peña Albert,
10:22after being unjustly pointed out as guilty of murder
10:26and having suffered a shooting in his place,
10:28has been able to cover up the time.
10:30With a firm hand, he has once again taken control
10:33of the most emblematic place of the Madrid night.
10:37You did it, my love.
10:39You have managed to clean up the image of the Madrid-Cabaret
10:41as your own.
10:43Well, but not all the credit has been mine.
10:46These photographs, Celia, are incredible.
10:49In line with how wonderful the night was.
10:52Thank you very much.
10:53Well, I'll let you have breakfast.
10:55Thank you very much for everything, Celia.
10:57Congratulations.
11:00Thank you.
11:06I'm very proud of you.
11:09Someone else in your place would have hidden his head
11:11and you have shown your face.
11:13And you have organized a dazzling re-opening.
11:16You have taught them a lesson.
11:18Sometimes there is no choice but to endure and trust
11:20that the storm will not stop.
11:22As long as he keeps quiet about what he thinks about the vampire,
11:25he will end up with a hole in his stomach.
11:28Look, Trini, I know you don't have to speak ill of your superiors,
11:30but with this woman,
11:32with this woman, I'm going to get an ulcer.
11:34And with me, you don't need to contain yourself.
11:36If you already know that I feel the same price you feel for her.
11:39Come on, none.
11:40Always trying to miss everyone.
11:43And it seems that he is going for me.
11:45That he wants to keep me away from all my obligations and my commitments.
11:48I really don't know what he wants.
11:50You don't know what he wants?
11:51Well, I'll tell you.
11:52What he wants is for you to feel like a zero on the left
11:55so that he does give up his position.
11:58Does he make it clear to you?
11:59Now, whatever his intentions are,
12:01I can't do anything, because now he's going to have a fight with Mr. Fermin.
12:05I don't understand how Mr. Fermin is letting you seduce this lady.
12:12Let's pretend I didn't say anything, please.
12:14Well, you did say it, Trini.
12:16Hey, I'm really telling you to shut up, don't say anything to anyone,
12:18and go and tell him right away.
12:21Don't go too far.
12:23No, no, no, no, no.
12:24I wouldn't be able to say anything under torture.
12:27Well, under torture he does want to do something, I guess.
12:30And besides, all this is my interpretation, I have no proof.
12:35Well, I'll tell you one thing,
12:36open your eyes wide, because this woman is not going to stop.
12:57Huh?
13:02Yes, yes, I deserve this welcome, or even worse.
13:05Because I've gone all the way to Correjón.
13:07I'm sorry, Miguel.
13:08Really, but hey, don't tell me that Elías Tejadas is a coward, huh?
13:12Because I've come here to confess my fault.
13:14The fact that a waiter asked Don Salvador to take notes
13:17of one of the orders from La Fajete?
13:19Well, and what took him so long to come with the story,
13:21and with all the luxury of details?
13:22We'll see.
13:23Well, Elías, taking into account that we were using
13:26the warehouse of his store for our business ...
13:28Well, but the truth is that I am very happy to see you here,
13:31because that means that he has not fired you.
13:33Luckily, I have managed to save my skin and my job,
13:36at least for the moment.
13:39It's just that my job is on the loose
13:41because of a scoundrel like this.
13:43But of course, if he doesn't even come to work,
13:45how does Narices want him to deserve it?
13:47What do you mean, Miguel?
13:49Here it is.
13:50Good morning, Miguel.
13:54What a mess in my stomach, huh?
13:57There is no day that his time passes, huh?
13:59It's bad luck.
14:00Leave it, I don't care.
14:02Go to the warehouse, take out boxes and start ordering books
14:04in the bookshops, we're already late.
14:06I thought the job of a bookseller was to sell books.
14:09Man, he's got a point.
14:11Kid.
14:13Good morning, Mrs. Julia. I'll be right with you.
14:16Don't worry, Miguel, I'm just curious around here.
14:19Let's see, Salvita.
14:21I say that to sell books,
14:23at least you have to keep an eye on them, right?
14:25And it wouldn't be bad if you knew what books we have,
14:28which ones we can order,
14:30what titles are romantic comedy, which ones are history...
14:32Well, that's going to be much more complicated
14:34because I understand a lot about selling,
14:36but books...
14:38That's my father's thing.
14:40Well, yes, we're screwed.
14:42Don't worry, man.
14:44I already told you to sell for a while.
14:46Look and learn, Miguel.
14:51Good morning, Mrs. Julia, right?
14:54Indeed, Julia is my name.
14:56Mrs. Julia, I know what you're looking for.
14:58Only then can I help you.
15:00Well, look.
15:02In a few days it's my nephews' birthday
15:04and I don't know what to give them.
15:06I went through the gallery and I thought
15:08that a children's book would be a good option.
15:10I agree with you. You've come to the right place.
15:12Here we have the best stories you can imagine.
15:17Oh, a lovely greeting to the educated pair.
15:21Close, but without losing shape.
15:25I am a great observer of human behavior
15:27and of the relationship with clients.
15:29I know how to appreciate a good reception
15:31when I have it in front of me.
15:33If that's enough,
15:35it's going to sink as soon as the client asks for a recommendation.
15:38I agree with you not to take it to the shelves of the encyclopedias.
15:43My nephews are twins.
15:45Oh, then...
15:47Instead of recommending you a book,
15:49I'm going to recommend you two.
15:51So that you don't get into a fight.
15:53You don't know how jealous I am
15:55to have such a beautiful aunt like you
15:57and on top of that I'm giving you books.
15:59Who would have thought?
16:01What are you saying?
16:03But what's this kid's name?
16:05Jeta and wood seller.
16:07How can you not take care of two or three books?
16:09You can't panic, Miguel.
16:11If it doesn't work, you have to quit.
16:13Well...
16:15It's fine.
16:17And...
16:18Are you new here?
16:20Yes, I'm new, but...
16:22I think I have a future as a bookseller.
16:24Yes, yes, I'm telling you.
16:26Yes, these three will be options.
16:28Perfect.
16:44I want us to start from scratch.
16:46I want us to fulfill the dream we always had.
16:48To have a jazz club in New York,
16:50or in California, or wherever.
16:52I don't care.
16:54I'd do anything to make you the happiest woman in the world.
17:00I don't need any of that, César.
17:03I only need you.
17:05But...
17:07I'm sorry.
17:09I'm sorry.
17:11But...
17:13I know it's complicated.
17:15You have a life in Madrid,
17:17and you can't be away from your uncle and your sister.
17:19I'm sorry I can't give you more days.
17:21I only have two.
17:23That lieutenant is looking for me.
17:36Good morning.
17:38Good morning.
17:41Do you know what time I got home last night?
17:44Well...
17:46I think it was dawn already.
17:48So, did you have a good time?
17:50Better than good.
17:52Celia Gamed and Ernesto had us up all night.
17:55We even went to a flamenco table because Ernesto insisted.
17:59What confidence.
18:01They'll call Mr. Hemingway by his name.
18:05I hope it's not Celia who's coming to throw me out of bed.
18:12Wait.
18:14What are you doing here?
18:16I could ask you that.
18:18I live here.
18:20But you live here.
18:22I thought this was Inés Balbuena's house.
18:25Come in.
18:26What do you have to do with my sister?
18:31Your sister?
18:33I didn't know Inés had a sister,
18:36unless...
18:39it was you.
18:41Right.
18:42Another dog with that bone.
18:44You were already laughing at me about the cinematographer
18:47and you've come to keep showing off.
18:49Miss, I'm being completely honest.
18:51I came to look for Inés and I ran into you.
18:53There are no bad intentions on my part.
18:55Right.
18:58Agustín, what a surprise.
19:01What do you mean, Agustín?
19:03Do you also know the owner of the Guerrero Cinema?
19:07No, I didn't know it was yours.
19:09Laurita, he's Agustín Comas,
19:11the theatre producer who asked me to appear in La Corte de Faraón.
19:15Wow.
19:16We're both a box of surprises.
19:18You're a fan of the cinematographer,
19:20niece of my good friend Don Fermín,
19:22and sister of my leading actress.
19:25Well, your former leading actress.
19:29Look, that's a lot of information in a very short time,
19:32and I don't...
19:34I don't have my head.
19:35We'll talk another time.
19:39Don't take it to heart.
19:40He doesn't have a very good awakening.
19:48May I come in, Don Fermín?
19:50Of course.
19:52I was just reading
19:54the success of the reopening of the Madrid-Cabaret.
19:57Yes.
20:00Well, but you and I have another conversation pending, right?
20:04To be precise, you owe me an answer.
20:06That's true, I owe you an answer, and I'll give it to you.
20:09Sit down, please.
20:11Matilde, your project seems like a great idea to me.
20:17But I still have some reservations.
20:20Tell me, what exactly worries you?
20:23I don't doubt your ability to organize all those events
20:26that you propose in the hall,
20:28but I can't ignore
20:30that you are a young woman
20:33with little experience in these fields.
20:36I'm worried that I don't know how to deal with businessmen and businesswomen.
20:41As always, you take them on board, Matilde.
20:45Honestly, Don Fermín,
20:47I'm also very nervous,
20:49but at the same time I see myself capable of dealing with those men,
20:52and I think that my work will consist of offering them a place
20:55where they can meet, get to know each other,
20:57get in touch and exchange ideas.
21:00They will be the ones who separate each other.
21:03Yes, yes, but...
21:05a woman alone, among so many men...
21:09You know better than anyone
21:11that contributing to change the established order
21:13has always motivated me to give my best.
21:15You don't have to swear it.
21:17I have suffered in my own skin your desires to see the world change.
21:22Look, Don Fermín,
21:24I can't promise you that this will go well in the first round,
21:27or that there won't be any problems,
21:29but I can tell you that I'm going to work very hard
21:32to get the best out of it.
21:34And I'm aware that I still have a lot to learn,
21:37but I'm willing to do it.
21:40I can't tell you anything else.
21:58Daughter, what are you doing there doing nothing?
22:00With all the documentation I gave you from the company,
22:02you have work for hours.
22:04I have already reviewed everything and I have nothing to object to.
22:07Besides, you were the one who told me that you would talk to Fabio.
22:10That's right.
22:12I have talked to him and he has not put any pressure on me
22:15to raise the rents in Seville.
22:17I knew you would get it.
22:19And tell me, how is the issue of the hotels in Bilbao and Barcelona going?
22:23Well, with respect,
22:25everything is going to be slower than any blind bullet issue.
22:29I have no doubt that you will get it.
22:32You have Fabio eating out of your hand.
22:35Yeah.
22:37But your honesty is going to be a difficult choice to save.
22:41Honestly, I don't see you using your influences
22:44to make a law benefit you.
22:46You have to do it.
22:48I trust you, don't let me down.
22:50I never let you down.
22:52I hope so.
22:54As you told me, business has to go well
22:56so that I can finish my revenge.
22:59I need you to have a clear mind
23:01so that our plans go right.
23:05I have been thinking about everything
23:08and I have come to a conclusion.
23:13Which one?
23:16That I don't need anyone.
23:19That I don't need anyone.
23:22Not even Ñigo.
23:24I am enough and I have enough to get what I want.
23:29You don't know how happy I am to hear you say that, daughter.
23:33Forgetting that bastard is a big step.
23:36I said I don't need him.
23:39Not that I'm going to forget him.
23:41And much less to forgive.
23:50I suppose this is the beginning of a beautiful and fruitful alliance.
23:55I hope so.
23:57Life makes me smile, Mr. Fermin.
23:59And I'm going to make an effort to keep it that way.
24:01Very well.
24:06I'm sorry, I didn't know you were here.
24:08You are excused, Mrs. Lazara.
24:10Please, stay.
24:12Since you are here,
24:14I inform you that from now on,
24:16you will be in charge of organizing business events in the upper room.
24:21Well, I think it's a great initiative.
24:24And I am very pleased to have Matilde under my command.
24:28Such a smart and responsible girl.
24:30Her fame precedes her.
24:31I thank you.
24:32But she won't have to worry about having more employees in her position.
24:35Mr. Fermin and I have agreed that I will not be part of the squad.
24:39Ah, yes, yes, that's right.
24:41Matilde will not be part of the organigram of La Moderna.
24:44She will simply be a foreign collaborator who will only have to respond to me.
24:48I think it's best for everyone.
24:51That's it.
24:52Well, Fermin, thank you very much.
24:55I'm glad to see you, Mrs. Lazara.
24:58I agree.
25:05And that's what the doctors say.
25:07But they don't assure me that I can sing again.
25:10You know, sometimes
25:12doctors' perceptions don't coincide with patients'.
25:17Agustín, I'm just not in a condition to sing and I don't know if I'll be back.
25:22My extensive experience has shown me that regaining your voice is very difficult,
25:28but not impossible.
25:30You just need time.
25:33Agustín, I...
25:34Don't close yourself in madness, Inés, please.
25:36I want to move forward with the pharaoh's court.
25:39I've been doing tests, I've seen like a hundred girls,
25:43some bad or less good,
25:46but none of them have what you do.
25:48Don't be silly, Agustín.
25:50There are millions of wonderful girls out there waiting for your opportunity.
25:53But I want one that embellishes me with her voice exactly like you did.
25:58And that is impossible.
26:02I'm willing to wait for whatever it takes.
26:04But I don't want you to waste your time waiting for me.
26:08I should look for your new lead.
26:10You are my lead actress.
26:12I don't want to find anyone else.
26:15But you don't have to answer me now.
26:17Look, I've brought you a copy of the script so you can take a look.
26:24Okay?
26:28Okay.
26:33Don't bother, okay?
26:34Sorry, I'm not here anymore.
26:36I'm leaving.
26:37Inés, take the time you need.
26:41I'm willing to wait for her.
26:52Inés, why did she say she's willing to wait for you?
26:55What does she want?
26:56Because I don't accept her as your lead.
26:59No, that's not the point.
27:00Laurita, she wants to wait for me to get my voice back to set up the pharaoh's court.
27:05Well, let her wait then.
27:07Because you can't make this effort now, much less because of a loser like him.
27:11The only thing he's done is make fun of your sister.
27:13Maybe he was fooling around with you.
27:17Inés, don't joke because it's not funny.
27:21Look, I'm glad he wants to count on you to be his lead actress at any price.
27:30Aren't you glad?
27:32Yes, yes, I'm glad, but I need to think about it.
27:35And maybe some fresh air will help me.
27:37Of course.
27:38No, no, no, no.
27:39No, Laurita, I'd rather go alone if you don't mind.
27:42See you later.
27:43Bye.
27:55I'm getting used to the company's affairs.
27:57It's not easy, but let's say I'm making good progress.
28:03Don't you miss those political affairs you loved so much?
28:07Sometimes I do.
28:09But I think I've made the right decision.
28:13And since it's been my experience with political parties, I don't see much room for me.
28:18Besides, I can't even imagine having to deal with your daughter's company while facing other challenges.
28:26I really appreciate the commitment you're showing to the company.
28:29I know.
28:30But I feel responsible for disrupting your political career.
28:34Wouldn't there be a way to combine the two?
28:38I've already told you, darling.
28:40Neither one nor the other allows you to go half-baked.
28:43And I don't want to do anything half-baked.
28:46I'm afraid you're going to need your friends to boost the business.
28:53I don't know what you mean.
28:56And I'm not sure I want to know.
28:58You said you were getting an idea of the company's situation.
29:02Then you must have seen how important it is to build hotels in Bilbao and Barcelona.
29:09Yes, yes.
29:10It would be a big boost.
29:14But that's not feasible at the moment.
29:16Because there's a law on the ground that prevents it, darling.
29:19I see, I see, darling.
29:21And that law couldn't be changed.
29:24I guess so.
29:25But it's very difficult.
29:27Well, that depends on the key you touch.
29:30And you, on your contacts.
29:32Bárbara, my ability to influence doesn't reach those levels.
29:36A law can't be modified overnight.
29:39That requires a very long process.
29:42And a lot of consensus, and a lot of parts.
29:47Building those hotels was my daughter's last wish.
29:51I'd like to make her dream come true.
29:54And I don't want to have to go beyond the law to do it.
29:57Then don't do it.
29:59I'm just looking for a way to make Carla's last dream come true.
30:05But don't worry.
30:07I'm not going to force you to do something you don't want to.
30:10Yes, everything is perfectly within everyone's limits.
30:19She gives us an idea of the celebrities there.
30:21And me, among all of them.
30:23My God, she's so brave.
30:25She must be very hard-pressed to be in front of singers, actors...
30:29It's me, and I leave without Celia Gámez's autograph.
30:32Don't get me wrong, Antonia.
30:34If I did it, it was because Laurita pushed me.
30:37I almost threw a soda can at her.
30:40Good thing you didn't.
30:42I would have died of shame.
30:45Actually, I was in a hurry.
30:47Laurita went to talk to that American writer and left me there.
30:51Well, it's good that it ends well.
30:54Although I also tell you that it could have ended a little earlier.
30:57You almost arrive when the rooster is singing.
30:59Look how much he likes to exaggerate.
31:01I'm not a child anymore, Antonia.
31:03Yes, I know, I know, darling.
31:04But there is no age to arrive at a prudent time.
31:08Okay?
31:09Okay.
31:11Hey, aren't you going back to the salon today?
31:14I hope so.
31:15If I have the last shift, I'll close.
31:17I trusted to take advantage of this moment so that Pietro would tell me
31:21how he had gone with Mr. Braulio's children.
31:25I hope the news is that we can go to the Garcés' house when you get married.
31:30I hope, I hope.
31:35I'll open, Antonia.
31:42Pietro, come in.
31:43Hi, Marta.
31:45Hi, Antonia.
31:47Oh, what a bad face you have, you've gone so badly.
31:51They have closed the deal.
31:52They don't want to negotiate.
31:55They demand three months in advance,
31:57one as a fiancée and...
31:59and in addition to the increase in the rent.
32:01But...
32:02But how is that going to be?
32:04Those are abusive conditions.
32:06Who can face that?
32:08Well, maybe you can look for something smaller and more affordable.
32:12I already told you that I can look for a...
32:13No, we already told you that that was not going to happen.
32:15Marta, the three of us are going to live here together.
32:17And even if we are, we'll squeeze in.
32:20But...
32:21But neither but nor but.
32:22Come on, take these to the room.
32:25Well, okay.
32:33Pietro, it's better that we don't talk about these things in front of the girl
32:36because then she'll get mad and she'll give us a headache.
32:39And...
32:40And speaking of headaches, Pietro,
32:42I think we should talk about the godparents.
32:45About the godmother, I think, right?
32:47You know what I think.
32:48And couldn't you reconsider it?
32:51She is very excited to take you to the altar and I don't...
32:54I don't think I'm capable of saying no.
32:56No, Antonia, I'm sorry.
32:58I can't change my mind.
32:59And if you want, I can talk to Esperanza.
33:01No, no, no, no.
33:03No, I know you and in the end you'll end up in trouble.
33:05No.
33:07Okay, I'll talk to her later.
33:09Think about it.
33:10Soon, please.
33:11The more illusions you make, the worse.
33:14Okay?
33:15Okay.
33:25Besar, thank God you showed up.
33:27I thought something had happened to you.
33:29I'm very sorry for the bad mood.
33:30But there was police in the place where I'm sleeping
33:32and I had to wait for them to leave.
33:34But what if they're following you?
33:35Or if there's a patrol around here?
33:37Well, they'd stop us.
33:38But don't worry, that's not going to happen.
33:40I've taken precautions.
33:41I don't know, Cesar.
33:42I don't think you should take any risks.
33:44Because of you, I'm willing to take all the risks in the world.
33:49Listen to me.
33:51I don't have much time.
33:53One thing is to take risks
33:54and another is to put a bullet in my back.
33:56I need you to tell me if you've made a decision.
33:59Cesar, it's just...
34:00Leaving Spain like this, so hastily, well...
34:05Look,
34:06I've had some horrible days
34:09thinking that you were dead
34:10and that I'd never see you again.
34:14But now life has given me the opportunity
34:17to be with you again.
34:21And I'm not going to waste it.
34:27And what does that mean?
34:29That I'm going with you.
34:31That I'm going with you to America,
34:33to China or wherever.
34:40Listen,
34:41you're not going to regret it.
34:45But Cesar,
34:47I want you to leave behind the life you had in Marseille.
34:50Your past stays here.
34:51Please.
34:54Do you promise me?
34:55I'm going to do everything in my power
34:57to make you the happiest woman in the world.
35:00I promise you.
35:02I want to start from scratch with the woman I love the most.
35:10I want to start from scratch with the woman I love the most.
35:23I'm going to have a coffee.
35:25Since when do the waitresses serve drinks?
35:28Since the health of the husbands can go to the gallows.
35:30Besides, look how your hand is shaking.
35:32To have another coffee now?
35:34No, what do you want?
35:35I remind you that my job is on the wire
35:38because of Salvita's mess.
35:40If I don't fix it, I'll end up on the street.
35:43Well, that's why I brought you a manzanilla,
35:45so you can calm down,
35:46to clear your mind,
35:47to see if you can think of a plan
35:49to get this boy in trouble.
35:51If that will help,
35:52you know the success our plans have.
35:54None.
35:55Yes, you're right.
35:56None of them go right.
35:58Starting with Salvita
35:59and ending with our plan to fall in love.
36:02So Esperanza hasn't noticed, right?
36:05She hasn't noticed anything.
36:07She always pretends
36:08to know all the gossip,
36:10to know everything,
36:11and when you serve her a plate of silver,
36:13she doesn't even see it.
36:14Maybe that's the mistake.
36:16Because Esperanza is unique,
36:18detecting gossip.
36:20But ours,
36:21after so long of marriage,
36:22even if she doesn't know it,
36:23has lost the essence of gossip.
36:25It's not a pure gossip.
36:26What is gossip?
36:28What are you saying, man?
36:29Hello.
36:31Sorry if I interrupt something,
36:32but I have something important to tell you.
36:35You just used me as bait for your plots.
36:39With everything we've done for you,
36:41shut up.
36:42I know, Trini, I know.
36:44And it hurts my soul.
36:45But I can't do everything.
36:47The vampire has put me to measure the time
36:49that each waiter spends serving the tables.
36:51And she wants a detailed report.
36:52And what for?
36:54I guess to annoy me.
36:56But besides watching the waiters,
36:58I have to be aware of suffocating Teresa's anger.
37:01And I can't do it.
37:02Friends, I can't do it.
37:03Well, when bad times come,
37:04they all come at once.
37:05But we have to do something
37:06to straighten this mess, I say.
37:08Well, you'll tell me how.
37:10We have to be more aggressive,
37:11much more aggressive,
37:12with our strategy
37:13so that Esperanza catches us.
37:16Of course, if we do it right,
37:17no one will doubt that you and I
37:18are crazy about each other.
37:26Your wife is starting to scare me, Miguel.
37:28And me, Cañete.
37:29And me.
37:33And me.
37:48So you're going to invite me to a coffee?
37:50Just like that?
37:52Oh, daughter, I don't know what you're surprised about.
37:54I like to have details with my colleagues.
37:57If you say so.
37:59Well, and so I also take the opportunity to read you
38:02what I wrote for Antonia's wedding.
38:04I was already saying that so much kindness
38:06couldn't be for nothing.
38:08And why do you have to give some words
38:10at Antonia's wedding?
38:11Because I'm the godmother, Leñe.
38:13Oh, my God.
38:15I'm going to start with Erfina,
38:16who is the most sensitive.
38:18You are the godmother, you command.
38:21And even if you don't have to eat perdiz,
38:24I know you're going to be very happy.
38:27Especially you, Pietro,
38:29who wears a jewel of a woman
38:32and of a person to Antonia.
38:35I love her like the sister I've never had.
38:40So, no, so,
38:42so for the bill you bring her,
38:45it's better that you respect her as you make her suffer.
38:49Even if it's mine,
38:51I take the roller that she has in the closet
38:57and I bite it.
39:01What's wrong? Are you cold?
39:05Antonia, I didn't know you were coming.
39:09What a surprise.
39:10If I hadn't, I would have made you a coffee too.
39:12Surprise? Are you still surprised
39:14that you're doing my shift?
39:16Well, woman, you know how Esperanza is.
39:19You don't have to listen to her.
39:20Well, without fail.
39:21On top of that, I gave her a slap.
39:23Well, don't fight
39:25because I know perfectly well what you were reading.
39:29What a godmother I am.
39:31I can't even keep a surprise.
39:33Oh, my God.
39:34Well, on the day of the wedding,
39:35you pretend you didn't hear the speech.
39:39That's exactly what I wanted to talk to you about.
39:45Well, I'm going to have this coffee.
39:48Me, quietly, in the living room.
39:55I'll be right back.
40:02Laurita, I thought you were working.
40:06Inés, have you lost your mind?
40:08When were you going to tell me that César is alive
40:10and that you're still seeing him?
40:12Are you following me now or what?
40:14Yes, and luckily I have.
40:16Inés, do you realize that you can end up in jail
40:18as an accomplice to a criminal?
40:21I'm sure it's Lieutenant Lorenzo.
40:25Inés.
40:31Inés, it's him.
40:32He saw you with César and that's it.
40:34It's all over.
40:35But it can't be, it can't be.
40:36He was very careful.
40:38Yes, yes, you were very careful.
40:39So much so that your sister, who is not a professional,
40:41could follow you and you didn't realize it.
40:44No, no, no, wait, wait.
40:45Give me a minute, a minute.
40:56Good afternoon, Lieutenant.
40:58Good afternoon, miss.
41:00I hope I haven't arrived at a bad time.
41:02Have you taken your time to open me?
41:04No, no, come in.
41:14Any problems?
41:16No, no, Lieutenant Lorenzo, none.
41:18He caught us in the middle of a game
41:20and he doesn't know how competitive we are.
41:23Then I won't go around.
41:25You still don't know anything about César?
41:27Nothing, nothing.
41:29And I hope he continues to be like this for a long time.
41:31What I hope is that he is not lying to me.
41:34His friend is very dangerous
41:36and could put his life at risk.
41:39Lieutenant, César is not a criminal.
41:41He has made mistakes, yes, but he wanted to correct them.
41:44Although he didn't have the opportunity to do so.
41:48Opportunities, miss, are earned through effort.
41:52Not by shooting a person.
41:55You can't start from scratch with a corpse behind you.
41:59The dead end up dying.
42:03Anything else to add?
42:05No, nothing else.
42:08So I don't steal your time anymore.
42:11Although I hope you will give me some advice.
42:14Your friend is a criminal
42:17and as such he will commit crimes again.
42:19Sooner rather than later.
42:22So if he appears again in your lives,
42:27it is better that you leave as soon as possible.
42:45Inés, head.
42:47You know how lucky you are to be safe and sound.
42:50César's problems almost cost you your life.
42:52But what do you mean by seeing him again?
42:54Laurita, really, you have to trust me.
42:56I'll be fine.
42:58All this is about to end, I promise you.
43:05Don't tell me anymore. I can see it in your face.
43:08You don't like the speech.
43:10Of course, I have put in something funny.
43:12But come on, if you want, I can change it and take away the knee.
43:15No, no, it's perfect. It's a beautiful speech.
43:24I don't know how to tell you this, really.
43:28Well, to the brave and sincere, as you and I have always spoken.
43:33Very well.
43:37Well, the first thing I want to tell you is that
43:40you are also a sister to me.
43:45We've been through a lot, you and me.
43:51Good woman, let it out. It won't be so bad.
43:58I'm sorry to tell you, Esperanza, that you can't be the godmother of the wedding.
44:10And why is that?
44:12Pietro and I have decided that
44:17you are one of the witnesses.
44:22Witness?
44:23Yes.
44:26Nana is from China.
44:29I don't go where I'm not loved.
44:34And tell the Italian that he can save my blanket.
44:43Ah.
45:08Ouch.
45:13You know that I don't trust you at all.
45:16So next time, please, don't expect anything from me.
45:19There's a lot I don't know.
45:20I came on purpose from your house.
45:22I could wait until tomorrow, Mr. Femi.
45:23Well, if you can't wait until tomorrow, you'll have to...
45:28Mrs. Lázara?
45:29Yes.
45:30I thought you had already left.
45:32No, I was just checking that everything was in order.
45:35Then every day before I left.
45:37It's a good habit, but please, as soon as it's over,
45:40go home, it's late.
45:42Of course, Mr. Femi. Good night.
45:44Good night.
45:48Let's see, Pietro.
45:49What is so important that you can't wait until tomorrow?
45:54The money, Mr. Femi.
45:56Always the money.
45:58Don't tell me you're in a hurry.
46:00No, but...
46:02It's just that with my salary, I can't move in with Antonia.
46:05Well, well.
46:06Mrs. Lázara told me about an increase and...
46:09And you want me to make cash, of course.
46:12Please.
46:14You know very well that if you don't count them, they won't come out.
46:17If they don't come out, they won't come out, no.
46:19Give me some time to think about it.
46:20I'll check the finances, but make sure it's possible.
46:24I am very happy that you have stayed with us,
46:27so I plan to help you in everything I can in this new stage of yours,
46:31alongside Antonia.
46:32Thank you, Mr. Femi.
46:33That's what I want, and...
46:35Life goes by so fast that sometimes we forget
46:38what is truly important, right?
46:42And according to you, what is truly important?
46:45Affection, Mr. Femi.
46:47Affection?
46:48Affection, yes.
46:50Excuse me, I think I left my bag inside.
46:53Do you mind if...
46:55Are you going to look for it?
46:57Yes, yes, yes, of course.
46:59Excuse me.
47:02I'm leaving, Mr. Femi.
47:03Thank you very much for everything.
47:06Let me help you, Mrs. Lazara.
47:08Four eyes see more than two.
47:10Thank you very much.
47:11Let's see.
47:16Well, here it is.
47:17Yes?
47:18Yes, I have it in my head.
47:20It's all there.
47:21Well, I guess the day has passed me by and I'm tired.
47:25I'm going home now, it's time.
47:27Yes, yes, it's time.
47:29Of course.
47:30Excuse me, Mrs. Lazara.
47:31Thank you.
47:34This door, I don't know why it doesn't open.
47:38I can't believe it.
47:40Well, I just closed the sliding door from the outside.
47:45It can't be.
47:46Yes.
47:48No, but...
47:50Then...
47:59Maybe Pietro hasn't left yet.
48:02Pietro, are you still there?
48:04Pietro, are you still there?
48:10For the success of Madrid Cabaret.
48:12And for the success of La Moderna.
48:14May it continue to be a prosperous business,
48:16since my wife goes back to work there.
48:18I'm afraid then the toast is incomplete.
48:21Because you didn't include yourself.
48:23And if I go back to work with Mr. Fermin,
48:25it's because you encouraged me to talk to him.
48:27No, no, nothing of that, my love.
48:29The credit is all yours.
48:31This idea is very good.
48:32And Mr. Fermin would have realized it sooner or later.
48:34Thank goodness it was soon.
48:36Because I don't like to be hand in hand.
48:39Let's see how it goes.
48:41Do you doubt your project?
48:43No, it's not that.
48:45It's just that...
48:47Well, it gives me respect to enter a world
48:50dominated entirely by men.
48:53Do you think it will give me respect?
48:56If there is someone who can put those businessmen firmly,
49:00it will be you.
49:05Well, thank you for always supporting me
49:08and trusting me when I have doubts.
49:12Of course, my love.
49:14What kind of husband would you be
49:16if you weren't by my wife's side?
49:20Give me a kiss.
49:25I had a nightmare.
49:29My love, come here.
49:31Come here.
49:33It's okay.
49:34That's it.
49:35That's it.
49:37Come here, come.
49:38Sit here.
49:40Little one, dreams are just dreams.
49:43And you don't have to give them importance
49:45because they are not real.
49:47I see.
49:48But now I can't sleep.
49:50I'm afraid.
49:51Oh, my little one.
49:53Tell us what you were dreaming about.
49:57I don't remember.
49:58But I was very afraid.
50:01It happens to me too.
50:04I don't remember what I dreamed,
50:05whether it was good or bad.
50:08But maybe we could take the opportunity
50:10that Clarita is awake
50:11and talk about some things that worry us.
50:16I'm not worried about anything.
50:19Well, I am.
50:21Your studies.
50:23I think it's time for you to go back to school.
50:25Don't you think?
50:27My son will no longer be in the newspapers
50:29and no one will mess with you.
50:32What you want is to get rid of me.
50:34That's why you want me to go to school.
50:36To get rid of me.
50:38Hey, Clarita, what I want is the best for you.
50:41And the best thing is that you study.
50:43Don't forget what Mother and Father said.
50:46I'm not going to go to school.
50:48I'm going to stay at home.
50:50Clarita, we haven't...
50:56Well, we're done.
51:00I don't know what's wrong with her.
51:02I don't know what to do.
51:05But don't worry, my love.
51:08We'll give her time.
51:09We don't solve problems.
51:11Okay.
51:12I'll give her time.
51:14But tomorrow I'm going to school,
51:15no matter what.
51:21Nothing.
51:23There's no way.
51:24Are you sure?
51:25Very sure.
51:26I would have to disassemble the frame or the lock,
51:28but I don't have tools here.
51:31Well, since we can't open it,
51:34I see that we stay here all night.
51:36Well...
51:38Well, I'm afraid we have no choice.
51:42If someone was worried about my delay,
51:45I could come and see what happens and get us out of here,
51:48but that's not the case.
51:50Well, I don't care.
51:56Well, let's not think about the worst, Mr. Fermin.
51:59At least neither of us have a family
52:01that is mourning our absence, right?
52:04Yes.
52:06It would be better to think it that way.
52:08Of course, yes.
52:10Well...
52:14Because you don't have more family than your nieces, right?
52:17No.
52:19No, no.
52:20I'm not a widower, if that's what you're asking.
52:23Excuse me, I didn't mean to be indiscreet.
52:25No.
52:26It's just that it strikes me that someone like you
52:28hasn't been through the altar.
52:30Well, maybe I've found the woman who can stand me.
52:34Please, Mr. Fermin.
52:36What things do you have?
52:38Even here locked up,
52:40you manage to find time for your mood.
52:43The truth, Mrs. Lázara, is that...
52:45I think love is as random as the game,
52:48and I haven't been given good cards.
52:50Well, maybe what happens is that you're very demanding.
52:53No, I don't think that's it.
52:55No.
52:57I think, rather, that...
52:59I'm a loner.
53:01There are those who say
53:03that falling in love is...
53:06getting tired of being alone.
53:09Getting tired of being alone.
53:12And you haven't gotten tired yet?
53:17I'm very much into my...
53:19my lonely life.
53:21I'm a man of customs.
53:23Well, but everyone can change,
53:25including you.
53:27You know what I think?
53:32That you're afraid of being touched in the heart.
53:35Am I wrong?
53:38I'm sorry.
53:40No, you shouldn't say that.
53:42Don't worry, it's nothing.
53:45Don't worry.
53:52Even so, we agreed that...
53:55we were going to...
53:57keep the forms.
53:59And that our work relationship was going to be aseptic.
54:02And yet...
54:04Here we are talking about intimacy
54:06after I told you what my feelings were.
54:09Excuse me.
54:10Well, here we are out of our work schedule.
54:14Besides...
54:19We have a...
54:21a conversation pending, right?
54:23No, no, no, no.
54:25No, I already said everything I had to say.
54:27Even more.
54:29Unless you have something to tell me.
54:35I...
54:37I can only tell you that I have great esteem for you
54:40as a professional, as a person...
54:45and...
54:47as a woman.
54:54I thank you very much for your words, Mr. Fermin.
54:58And I also thank you for...
55:00for having the courage to share your feelings with me.
55:06And well...
55:08I think the best thing is for us to get comfortable
55:11because it's going to be a very long night.
55:21The correspondence that you are still receiving even though you are dead.
55:25I suppose that the news of my death has not yet reached the whole world.
55:29And those newspapers? Any news you want to tell me?
55:33Oh, I don't know. I haven't had time to look at them.
55:36I brought them to you so you know what's going on in the world.
55:39Life goes on, daughter.
55:42And you are a living example of this.
55:44Little mourning has kept me.
55:46If you have so many commitments to not even be able to read the press.
55:50Well, the truth is that I've had a very busy afternoon.
55:52Fabio insists on getting up to date in your business at a dizzying pace.
55:58I can't believe it.
56:01I'm rotting here in this hole and while she's making a big deal out of it.
56:05Don't tell her.
56:07I say I'm not the only one who has to be up to date with the news.
56:10Calm down, daughter.
56:11Is this how you intend to take revenge on them?
56:13This has only been a setback.
56:15I promise I will avenge all the harm they have done to you.
56:18I'm fed up with their promises.
56:21They are more than words. Nothing is going well.
56:24It's not like that. Everything is going as planned.
56:27If we continue with the plan ...
56:28The plan? What plan? To hell with the plan!
56:32What's the plan?
56:33Give them a free pass so they can be happy?
56:37Calm down, daughter. Something's going to happen to you.
56:38I'm not going to calm down.
56:39I'm not going to calm down.
56:41I want solutions and I want them now.
56:43And if you are not able to carry them out, I will.
56:47And I swear my pulse will not tremble.
56:54It has been a special night.
57:00Very special, yes.
57:04Good morning.
57:05Good morning.
57:06What are you thinking, daughter?
57:07You will not commit any barbarity.
57:08Don't talk to me as if I were crazy.
57:10I'm going to show you what it's like to suffer.
57:13But hey, you don't see what happened here.
57:14Do you think there was a tomato here tonight?
57:17You really are very naive, Cañete.
57:18Do you think he's capable of hooking him?
57:20I'm just telling you, Trini, that loneliness is very bad.
57:23And Don Fermín is more alone than ever.
57:25Yes, that's true.
57:26We would talk about how we could get women to vote.
57:29I don't know if that kind of event is suitable for Madrid Cabaret.
57:36And why not?
57:37Is it against the female vote?
57:41God!
57:45What a surprise!
57:46Damn, damn.
57:47With the happy couple.
57:50Are you going for a walk?
57:51Are you going for a walk?
57:52Yes.
57:53To the Retiro Park.
57:55You don't know how long the tram took.
57:57Apparently, it had an electrical failure or something like that.
58:01And I had to come walking.
58:02Twenty minutes.
58:04Your father has asked me to teach you how to work and straighten you up.
58:07And since my name is Miguel Ruiz, I'm going to straighten you up.
58:10And do me the favor of crossing your pants.
58:12For me, love ...
58:13Bah!
58:14Neither goes nor comes to me.
58:16Does it hurt you because I told him that you were not going to our wedding in Madrid, Pietro?
58:19For God's sake.
58:20What can I help you with, Brenda?
58:21Don't take that confidence from me.
58:23I know you're the owner's son and that they're not going to fire you, but I don't have to put up with your nonsense.
58:27What a character.
58:28I was just trying to be nice.
58:30Well, you lack practice.
58:31The godfather is missing.
58:34Don Fermín.
58:35I have known that he is coming to Mrs. Carla's office.
58:38And that means that Mrs. Barbara has asked for help to manage the company.
58:42And what?
58:43This morning, Inigo Peñalver has appeared in the office.
58:47Inés, are you sure you're okay?
58:48Yes, yes, I'm fine, I'm fine.
58:49Really, I'm fine.
58:51You are the best sister that anyone can have.
58:54But my heart belongs to César.
58:57I must be by his side.
58:59Even if that separates me from you and Uncle Fermín.
59:02Maybe forever.
59:04Take good care of yourself.
59:06And take care of Uncle Fermín.
59:08As much as you have taken care of me.
59:12Forever.
59:13You have to come running home, Antonia.
59:15They're going to evict us.
59:16What do you mean they're not going to evict us?
59:20Mrs. Valbuena.
59:26Stop her.
59:28Don't touch me.
59:36You are a gentleman.
59:49© BF-WATCH TV 2021