NOSOTROS | Spanish Movie English Subtitles
NOSOTROS Trailer - Spanish Movie English Subtitles
"Nosotros" captures the pivotal weekend of the Spanish presidential election in December 2015, a landmark moment in Spain's recent history marked by the collapse of traditional institutions and the meteoric rise of new political parties aiming to overhaul the political landscape. The story centers around five friends in their 30s—Maria, Suko, Sarah, Seda, and Felipe—who embody a generation grappling with unprecedented economic challenges. This is the first generation in decades to face living conditions worse than their parents, confronting broken promises and the necessity to reinvent themselves to survive.
Each character stands at a critical juncture: Suko navigates the complexities of new fatherhood; Sarah grapples with the personal toll of intense political activism; Seda questions the viability of his commitment to art as his sole livelihood; Maria searches for her place in life; and Felipe copes with the uncertainties of living abroad. As Spain faces a transformative election, each friend must make life-altering decisions that will redefine their futures amidst a backdrop of societal upheaval and personal dilemmas.
"Nosotros" captures the pivotal weekend of the Spanish presidential election in December 2015, a landmark moment in Spain's recent history marked by the collapse of traditional institutions and the meteoric rise of new political parties aiming to overhaul the political landscape. The story centers around five friends in their 30s—Maria, Suko, Sarah, Seda, and Felipe—who embody a generation grappling with unprecedented economic challenges. This is the first generation in decades to face living conditions worse than their parents, confronting broken promises and the necessity to reinvent themselves to survive.
Each character stands at a critical juncture: Suko navigates the complexities of new fatherhood; Sarah grapples with the personal toll of intense political activism; Seda questions the viability of his commitment to art as his sole livelihood; Maria searches for her place in life; and Felipe copes with the uncertainties of living abroad. As Spain faces a transformative election, each friend must make life-altering decisions that will redefine their futures amidst a backdrop of societal upheaval and personal dilemmas.
Category
🎥
Short filmTranscript
00:00:00In the history of Spanish democracy, there have been two moments in which a great pulse of change has been experienced by the citizenry.
00:00:29It was in 1982, when the Spaniards broke the party scheme that came out of the immediate constitutional process of 1978, and just now, in 2015.
00:00:45We should thank the contribution of the new parties to revitalize a society that here already had a policy that lived in a state of almost apolitical.
00:00:55Until 2015, there came that line of refreshment to stir up the structures, to stir up the mentalities, and to contribute to clean up the squares that were full of dust.
00:01:07How deep is that pulse of change, and in what direction will it crystallize? It is impossible to predict it with a 41% of indecisiveness, according to the latest CIS survey.
00:01:19But it gives the impression that the messages that are emitted during the campaign can lead many citizens to decide for one or the other.
00:01:27With the appearance of these two new actors at stake, Podemos and Ciudadanos, who anticipate a much more distributed parliament than the one we had until now.
00:01:36This has been an exciting campaign, and we should thank it especially for the appearance of two new political forces that have given a good shake to this country, no matter what happens on Sunday night.
00:01:46We only have one day of campaign left. On Monday, the second part of the life of our democracy begins.
00:01:53The first part of the life of our democracy
00:02:04I have spoken to her many times. Before, yes, I convinced her to go out on the street, I sent her a CV, she moved. It is true that things are very difficult, it is true that there are no options, but at least she tried.
00:02:16I saw her intention, but she stays at home. She doesn't want to go out anymore, she has been broken.
00:02:25Very good, José Luis. Look, since next Thursday is the 24th, I'll tell you on Wednesday at half past six. And so you don't get overwhelmed, do you think?
00:02:34Overwhelmed, I'm going to measure you anyway. You already know me. But thank you very much, huh?
00:02:39You're welcome, José Luis.
00:02:42Have a good weekend, José Luis.
00:02:45You two have a great time.
00:02:47And you.
00:02:48Until next week.
00:02:49Goodbye.
00:02:50Hey, Esperanza, tell me if someone is coming now, please.
00:02:54No. Are you going home to eat?
00:02:57No, I'm going to stay in the office reading some things.
00:03:00Okay, I'm going down for a coffee. Do you want me to bring you something?
00:03:03No, I've brought something to eat.
00:03:06I'll be a little late, okay?
00:03:07Okay.
00:03:08Bye.
00:03:14Bye.
00:03:33Yes?
00:03:38Hi, Sara.
00:03:39Hi.
00:03:40How are you?
00:03:42I won't be able to go to the press conference this afternoon.
00:03:45It's impossible, I mean, I'm already up there.
00:03:47Well, don't worry.
00:03:48Excuse me in front of Lula, and if anyone asks you anything, I don't know, let them call me or whatever.
00:03:52No problem.
00:03:53And then I'm going to take advantage of it, I'll tell you something else.
00:03:55It would be nice to meet Sara Mourinho for next week and close this interview.
00:03:58My car, my God.
00:03:59Okay.
00:04:00We're getting closer to the 31st and we have to go.
00:04:02You have to go.
00:04:03Yes.
00:04:04Okay, we'll schedule it.
00:04:12Good morning.
00:04:13Hey.
00:04:14How are you?
00:04:15Good.
00:04:16How's it going?
00:04:17Here we go.
00:04:18Here we go.
00:04:19Have you spent the night around here?
00:04:20There, next to the albergue.
00:04:22Hey, I'm doing a series of portraits there, I'm going to take some pictures of you.
00:04:43Hey, I'm doing a series of portraits.
00:04:48I wanted to take a picture of you.
00:04:51Uh, come on.
00:05:13It's going to turn out well.
00:05:28I'm sure it will.
00:05:38Corbi!
00:05:40Come here, baby.
00:05:42How are you?
00:05:44Good, right?
00:05:45Bye.
00:05:46What did you do with mom?
00:05:47We made her some very good wholegrain muffins.
00:05:50Wholegrain muffins?
00:05:52What are wholegrain muffins?
00:05:54I don't know.
00:05:55What a hippie!
00:05:56Wholegrain muffins!
00:05:59My love, thank you very much.
00:06:02Let's go!
00:06:04Come here, baby.
00:06:06Let's go!
00:06:08Bye, bye!
00:06:10Bye!
00:06:12Have fun, baby.
00:06:14Okay.
00:06:15Bye.
00:06:16Bye.
00:06:26What are you doing?
00:06:28More?
00:06:29A little more.
00:06:30Okay.
00:06:33What do we put in the pizza?
00:06:35Oregano?
00:06:36Yes.
00:06:37Let's see.
00:06:44Do you want a tomato?
00:06:45Yes.
00:06:46Okay.
00:06:52What happened to me?
00:06:54To me?
00:07:02You're eating it.
00:07:04I eat it too.
00:07:17Hello, dear.
00:07:19Hey.
00:07:21What's up, mom?
00:07:26Hi, honey.
00:07:28Javier.
00:07:31How was the trip?
00:07:32Good, long.
00:07:34A little tired.
00:07:35Too short, right?
00:07:36Yes, I went to the hairdresser's before coming.
00:07:38I like it long.
00:07:39But if I didn't cut it for you, poor thing, how do you tell me this?
00:07:49Did you already go to the embassy?
00:07:51Yes, I went straight from the airport.
00:07:53And well, they say they can have the passport for Monday morning.
00:07:57And why don't you stay a few more days until after Christmas?
00:08:00Well, I would love to, father.
00:08:01What happens is that I have to be there on Wednesday the 23rd for the meeting with these agents.
00:08:06Okay.
00:08:07Well.
00:08:08What are you going to do?
00:08:10Hey, are you here at that meeting, son?
00:08:13Yes, let's see.
00:08:16Hey, at the end of the good night, what are you doing?
00:08:18Well, the case of the aunt with the cousins and the nephews.
00:08:21On Saturday we eat with them.
00:08:23Ah, very good.
00:08:24So you can see them.
00:08:25Do you remember?
00:08:26Yes, yes, yes.
00:08:30How are you, father?
00:08:32Fine, fine.
00:08:33Now better, because I don't have classes, but this year I have had a bad year.
00:08:39Bad.
00:08:40Very bad.
00:08:41A disaster.
00:08:42They are not interested in anything.
00:08:47Hey, how's mom?
00:08:51Well, you see her, as always.
00:08:55Happy with you here.
00:08:57Come on, let's go with her.
00:08:58Come on.
00:09:02She's there like a queen, huh?
00:09:09Do you like ham?
00:09:11Well, yes.
00:09:12What I don't understand is why you don't send me packages to New York, like the mothers who love their children.
00:09:17I'm afraid of the worker.
00:09:24I really don't understand how you can see this, huh?
00:09:27Don't look at me, for me it's like background music.
00:09:31I see.
00:09:32Hey, didn't you have dance classes on Thursdays?
00:09:36Yes, but they started to make us heavy.
00:09:41What a shame, with what you liked to dance, pure.
00:09:44I'm old.
00:09:46We are old.
00:09:48Yeah.
00:10:12What's up?
00:10:14I don't know, you tell me.
00:10:16The thing is that we are on the 17th of the month.
00:10:18I already told you that I'm in it, Ramiro.
00:10:20No, I don't care if you're in it or not, Diego.
00:10:23You've been in it in November and nothing.
00:10:25You're in it in December and nothing.
00:10:27The thing is that no one pays you here.
00:10:29Either you're laughing at my face or you're a fucking incompetent.
00:10:32No, no, don't go there, man.
00:10:33I already made it clear to you.
00:10:34I told you that this weekend was not going to happen.
00:10:36Come on, yes, yes.
00:10:39Diego, don't touch my balls, huh?
00:10:41Okay, yes, Ramiro, don't worry.
00:10:44Okay.
00:11:14Okay.
00:11:44Just like at the beginning, three days before the elections,
00:11:46the possible factors are still monopolizing the campaign.
00:11:49Today, according to sources from the PGR,
00:11:51the door is open...
00:11:52Hi.
00:11:53Fuck, with the city councilors of the change, right?
00:11:56Look, I'm devastated and I'm starving.
00:11:59I left you chicken and rice in the small pot.
00:12:02Oh, thank you.
00:12:03I'm sorry.
00:12:13Deal with it here and we'll see the news, right?
00:12:15You don't do more than your own.
00:12:18In exchange, I send a couple of emails during dinner and I'm going, okay?
00:12:23Okay.
00:12:26And nothing, I don't know...
00:12:27How high is New York?
00:12:29You don't know?
00:12:31They caught you with your head.
00:12:33Mario is 600.
00:12:35It hasn't even sunk or is on top.
00:12:37I don't know how to answer your question.
00:12:39That's what you've learned.
00:12:41Because it's going to look like a question...
00:12:43Let's go!
00:12:44The couple.
00:12:45Oh, brother, how nice.
00:12:47Come back now.
00:12:49I'm here.
00:12:50Don't forget when I leave, Adelon.
00:12:52What's up, man?
00:12:53You look beautiful.
00:12:54Very good.
00:12:55Let's go inside.
00:12:56Very good.
00:12:57How are you?
00:12:58How are you, handsome?
00:12:59Good.
00:13:00Very good.
00:13:01How exciting.
00:13:02Stick, stick.
00:13:03Stick, stick.
00:13:19I'm going to have to leave on Monday because I have a meeting in Los Angeles on Wednesday
00:13:27with some agents who have seen the previous job and...
00:13:32I don't know.
00:13:33Hey, and you?
00:13:35Hollywood?
00:13:36To the Oscars?
00:13:37No?
00:13:38Come on, come on, come on.
00:13:39Come on, come on.
00:13:40I'm coming.
00:13:41I'm coming.
00:13:44Who are you taking to the Oscars?
00:13:46Oh, do I have to choose a person to go to the Oscars?
00:13:50Okay.
00:13:51Well, I have to tell you that today I'm a little sad because he's an artist.
00:14:00One who speaks English and who is your wingman for when you need someone.
00:14:05Sasuko, for example, I'll delete him.
00:14:07Sasuko is worse.
00:14:08But you know that the Italian...
00:14:10The Italian, yes.
00:14:11Yes or no?
00:14:12Yes, yes.
00:14:13The second language in the United States is Italian.
00:14:19I'm very tempted to take Lola too.
00:14:21Hey, Lola.
00:14:22Lolita can go.
00:14:23Lola.
00:14:24Lola.
00:14:25Are you coming with me to the Oscars?
00:14:30She's the only one who doesn't want to go.
00:14:32What a painter, huh?
00:14:33Are you preparing these copies?
00:14:35Hey, Suko.
00:14:36How are things with Elena?
00:14:38Fine.
00:14:39We are putting a lot of effort on both sides, but in the end you end up organizing cool.
00:14:45Lolita, do you notice anything? Say something, man.
00:14:52She notices.
00:14:53She notices that her parents don't sleep together, they don't live in the same house,
00:14:58but I think she feels that love, that affection, that touch with which we take care of each other.
00:15:03So I think she's doing pretty well.
00:15:05That's good.
00:15:06Because it's cool that it's so easy for her.
00:15:08I don't have any complaints about Elena.
00:15:10The truth is that she's full of women.
00:15:12She's full of women.
00:15:13Hey, Taibu.
00:15:14Are you ready?
00:15:15Come on.
00:15:16Yes, let's go.
00:15:19By the way, I've talked to my boss.
00:15:21He needs people to work until Christmas.
00:15:23Yes.
00:15:24150 paid a night.
00:15:26A lot of stages, you know.
00:15:28Yeah.
00:15:29It's a lot of days.
00:15:30Last year we had all the Christmases, minus 24 and 31.
00:15:35And it seems to me that we also end up working on the 24th.
00:15:38Yeah.
00:15:40I don't know, man.
00:15:41I'm busy now with a series of portraits and that.
00:15:44The beggars?
00:15:45Uh-huh.
00:15:47This is money, you know.
00:15:49Yeah.
00:15:51Besides, there will be bad times later.
00:15:54And you have to eat, you're getting fat.
00:15:57Come on, let's go there.
00:15:59I'm looking at it.
00:16:03Congratulations to all our winners again with this number 31.
00:16:07So, well, we are seeing quite a few winners.
00:16:09With each month we always have many winners.
00:16:12So, until the end of the night, until four o'clock, we are here.
00:16:15We hope to see even more.
00:16:17We continue in our great...
00:16:37Thank you.
00:17:07Thank you.
00:17:37Thank you.
00:18:07Good night.
00:18:08Good night.
00:18:09Good night.
00:18:36Good night.
00:18:37Is that my favorite sauna?
00:18:39Welcome home, Mr. Director.
00:18:41I can see that you are taking advantage of my jet lag.
00:18:44Changing the time zone does not free you from my calls.
00:18:47Hey, I'm sorry I didn't go to dinner tonight.
00:18:51Well, don't worry.
00:18:52See you on Saturday.
00:18:54Let's see, what is our favorite neighbor doing?
00:18:57Oh, he's stuck.
00:19:00Oh yeah?
00:19:01Yes.
00:19:02I don't know how paralyzed.
00:19:05He's been very late lately.
00:19:09I don't know.
00:19:11If he has doubts about how to solve the story.
00:19:15Has he started drinking and everything?
00:19:17Well, if he's a damn writer, we don't have to worry.
00:19:20Of course, if he's a biochemist finishing his thesis,
00:19:22maybe there is a little problem there.
00:19:25No, no, no.
00:19:26He's writing a novel, for sure.
00:19:28What's the title?
00:19:30Of the novel?
00:19:33When I find out, I'll tell you.
00:19:36Good night, sweetheart.
00:19:38I'm very glad you're here.
00:19:40I'm glad too, Maria.
00:19:42Try to rest a little, come on.
00:19:53The election campaign is coming to an end.
00:19:55There is only one day left and the candidates take full advantage of these last hours
00:19:58to convince voters that Sunday they put their ballot in the ballot box.
00:20:02The election campaign is over.
00:20:04There are only a few hours left.
00:20:06The messages have been sent.
00:20:08The votes have been cast.
00:20:32The election campaign is over.
00:20:54Mmm.
00:20:57Mmm.
00:21:00Mmm, I'm hungry.
00:21:04Ay, ay, I'm going to throw up.
00:21:09And do we have the paints?
00:21:10Yes.
00:21:11Mmm, all of them?
00:21:12Yes.
00:21:13Well, take them. You take them.
00:21:15And take Lola's backpack.
00:21:17It's there. Lola's backpack.
00:21:20Okay, seven.
00:21:22You take the paints, my boy.
00:21:24And this one.
00:21:28And this one.
00:21:30Very good.
00:21:31And this one.
00:21:34And that one.
00:21:35And we take them?
00:21:36Yes.
00:21:37You close them?
00:21:38Yes.
00:21:39That's it.
00:21:40Very good, my boy.
00:21:42Here?
00:21:43Yes.
00:21:44Thank you.
00:21:45I take them?
00:21:46Yes.
00:21:47And what do we put in here?
00:21:48I don't know.
00:21:49That one.
00:21:50Ay.
00:21:51Ay.
00:21:52Ay.
00:21:53Ay.
00:21:54Ay.
00:21:55He's giving me a test.
00:21:56Here, here.
00:21:57Let's see.
00:21:58Here.
00:21:59Here.
00:22:00Here.
00:22:01Here.
00:22:02Here.
00:22:05Hi.
00:22:06Hi.
00:22:07Oh, you're here.
00:22:09Oh, oh, oh.
00:22:10How much do you weigh?
00:22:11I don't know how much you eat.
00:22:12Four.
00:22:13Thank you.
00:22:14How are you?
00:22:15How was your day?
00:22:16Good.
00:22:17I really enjoyed it.
00:22:18Well, we'll meet on Monday, okay?
00:22:19Are you in a hurry now?
00:22:21No.
00:22:22Do you mind coming in for a while?
00:22:23I wanted to talk.
00:22:24Okay.
00:22:25Go ahead.
00:22:26Okay.
00:22:30Hi.
00:22:31How are you?
00:22:32Fine.
00:22:42Well, look, I wanted to tell you something I've been thinking about.
00:22:47And...
00:22:49Thank you.
00:22:50Because I think I've made a decision.
00:22:58I've been in Spain for six years.
00:23:00And I've been doing very well.
00:23:03But I think my time here is over.
00:23:07Before it was very difficult because Lola was a baby.
00:23:12But I don't want to be here anymore.
00:23:14Zuko.
00:23:16It's a long time away from Italy and I want to be with my family.
00:23:21At home and with my friends.
00:23:26And I want Lola to come with me.
00:23:35I can understand why you're like this.
00:23:38I mean, I understand.
00:23:40I think it's normal if you need it.
00:23:44But we have a daughter together.
00:23:46It's not that easy.
00:23:48No, no, no.
00:23:49I'm not saying it's easy.
00:23:51It's very difficult for me too.
00:23:53Very difficult.
00:23:55But we can travel a lot.
00:23:57And we can come to Spain a lot.
00:23:59And you can come to Italy whenever you want.
00:24:02But Zuko, really.
00:24:04It's something I've decided.
00:24:06What I'm telling you is that you can't make that decision without me.
00:24:09I mean, it's a decision that affects the whole family.
00:24:12Let's see, Zukito. I know perfectly well that...
00:24:14Neither Zuko nor Poyas. I'm serious.
00:24:16I mean, you can't make a decision like that.
00:24:18We're talking about the fact that we're both his parents.
00:24:21You can't do whatever the hell you want.
00:24:24I mean, you're telling me that I have to stay here for the rest of my life, right?
00:24:29That I can't have the life that I want to have and that I have to ask you for permission.
00:24:35Or that I have to live by your side for the rest of my life and we're separated, Zuko.
00:24:39I know we're separated, Ellen. You don't have to remind me.
00:24:42All I'm telling you is that you can't be so selfish.
00:24:45Lola was born here. She has her life here.
00:24:47And she can have it in Italy too.
00:24:49I don't give a shit what you think.
00:24:51Lola is the daughter of both of us and you're not going to take her.
00:24:54And I'll tell you something else.
00:24:56I'm ashamed to be with my daughter.
00:24:58I do everything I can to be with her.
00:25:01I think it's very selfish of you...
00:25:03Do you want me to give you a round of applause?
00:25:05I don't need your applause.
00:25:07You do everything any father does, okay?
00:25:11I'm telling you I'm going to take her.
00:25:13If you want to talk to her calmly, we'll talk calmly.
00:25:15Ellen, you're not taking the girl.
00:25:17I'm telling you I'm going to take her, okay?
00:25:19And if you can't talk to her today, if you can't calm down, we'll talk another day.
00:25:22Ellen, you're not taking the girl.
00:25:24Don't raise your voice.
00:25:25But how am I not going to raise my voice?
00:25:26Are you telling me you're taking the girl?
00:25:28If you can't, you come back another day and we'll talk calmly.
00:25:31Look, Ellen, get out of my head.
00:25:32Go away, Zuko.
00:25:33Ellen, get out of my head.
00:25:34You're not taking Lola.
00:25:36I'm telling you, you're not taking the girl.
00:25:38Go away.
00:26:00Yes.
00:26:01Father.
00:26:02How are you?
00:26:04Fine, fine.
00:26:06Everything is fine.
00:26:08Yes.
00:26:09What was I going to tell you?
00:26:11Do you remember Solo Zabal?
00:26:13The man from the gallery.
00:26:16Yes.
00:26:18Yes.
00:26:19I was thinking of calling him.
00:26:24Yes.
00:26:33Okay.
00:26:34Yes.
00:26:35Yes.
00:26:36Can you send me his number?
00:26:38This fat one.
00:26:39Does it ring a bell?
00:26:40No.
00:26:41Let's see.
00:26:42This one.
00:26:43The red one.
00:26:44No.
00:26:45The sweets.
00:26:46Yeah, well, the sweets.
00:26:47But I don't know what these pills taste like.
00:26:49Let's see.
00:26:50This one.
00:26:51The Chondrosurf.
00:26:52The sweets.
00:26:53Yeah, but I'm not going to try them to know if they're the sweets or not.
00:26:56I mean, this is not the art duo.
00:26:59No.
00:27:00Let's see.
00:27:01Well, hey, I'm looking for them.
00:27:04Give me a second, Mario.
00:27:06This one.
00:27:07What's up?
00:27:08Well, I don't know what pill it is because the blister is empty and we're a little nervous.
00:27:13No, give it to me.
00:27:14Give it to me.
00:27:15Those down there.
00:27:16Which ones?
00:27:17Those.
00:27:18These?
00:27:19Yes.
00:27:20In the morning you take the diabetes pill.
00:27:21This one.
00:27:25The sweets.
00:27:26The sweets.
00:27:31It's cold.
00:27:32It's a little cold.
00:27:33I've run out of the pill.
00:27:35Don't worry about it at all.
00:27:38These are the portraits you told me about.
00:27:41Yes.
00:27:43Are they real models?
00:27:45Yes, they are real models.
00:27:47They are people from the street.
00:27:49I take a picture of them.
00:27:51Do you bring them here or what?
00:27:52No, no.
00:27:53I take the picture and then, well, with a drawing process and such,
00:27:56I bring it to the color of what I print.
00:28:02Very good.
00:28:06Very good.
00:28:21Very good.
00:28:27This is big, isn't it?
00:28:29Yes.
00:28:30One of the biggest I've ever done.
00:28:32Do you have more like this or what?
00:28:34No, no, no.
00:28:35This is a special case, come on.
00:28:37I had it at an exhibition recently.
00:28:45I won it and, well, it was like the main piece.
00:28:51The main piece?
00:28:52Uh-huh.
00:28:56Let's see.
00:28:58Very good.
00:29:00Do you mind if I keep this?
00:29:01No, no, keep it.
00:29:03Very good.
00:29:06Very good, Diego.
00:29:07Well...
00:29:09Great.
00:29:10Well...
00:29:11Are you coming to the gallery this afternoon?
00:29:13Yes, perfect.
00:29:15Well, fantastic.
00:29:16Thank you very much for coming.
00:29:17You're welcome.
00:29:18How is your father?
00:29:19Fine.
00:29:20There, in the fight, as always, you know.
00:29:21Yes.
00:29:22Give him my regards.
00:29:23I'll tell him.
00:29:24Wait, I'll open it for you.
00:29:25Thank you.
00:29:26You're welcome.
00:29:27Have a good day.
00:29:28Bye.
00:29:29See you later.
00:29:32I wish it would end, really.
00:29:35It's been a mess.
00:29:37In the morning in the town hall,
00:29:40at night taking time to do something in the campaign.
00:29:43Besides, this always happens.
00:29:45There are always gaps, things you hadn't planned,
00:29:47that change, everything about the march.
00:29:49Look, today, for example, when I get out of here,
00:29:51I'm going to Valencia, to the end of the campaign.
00:29:54And I don't have time.
00:29:56I don't even know why I'm here, really.
00:30:00I mean, understand me, yes, I come because I want to,
00:30:03and I feel very good.
00:30:06But, well, right now I have my head somewhere else.
00:30:10Sara, calm down.
00:30:12If you want, we can talk about that.
00:30:14We can talk about whatever you want.
00:30:16Whatever suits you, let's talk about it.
00:30:18I don't know what I want or what suits me, really.
00:30:25About your relationship as a couple, for example.
00:30:29Antonio.
00:30:31Well, Antonio, fine, with his punishments, his things, fine.
00:30:37Have you talked about the fertility treatment again?
00:30:41No.
00:30:42No, it hasn't come up again.
00:30:46And do you think it's important that you talk about it?
00:30:50Well, it's just that now...
00:30:52Well, it's just that now...
00:30:55It's impossible.
00:30:58Imagine, it would be...
00:31:00No, it's impossible.
00:31:02And, well, talking about it, if...
00:31:05If there's no room, well, I don't know.
00:31:07It's confusing, right?
00:31:09I don't know, right now I think it's not the time.
00:31:14Uh-huh.
00:31:19Two friends meet on the street.
00:31:21They haven't seen each other in a while.
00:31:23And one says to the other,
00:31:25Hey, how are you? You look so happy.
00:31:28What are you drinking?
00:31:30And the other one answers,
00:31:31Decisions.
00:31:34And that's not a recipe, is it?
00:31:38I don't know.
00:31:44Two before going to bed.
00:31:46Two before going to bed.
00:32:13Diego.
00:32:14Come here.
00:32:21Sorry, we're leaving on Wednesday.
00:32:23I'm so fucking busy.
00:32:25Don't worry about it.
00:32:26Sit down, please.
00:32:28We're going to Asia for six weeks.
00:32:31To Beijing, Hong Kong, Seoul, Taipei, Shanghai,
00:32:36and I don't know where else.
00:32:38Valladera.
00:32:41I'm going to take a young collection of Spanish art.
00:32:45I know what there is for the Spanish art.
00:32:48And there's money to finance it.
00:32:50Interesting.
00:32:57I'm going to be honest with you.
00:33:01I want to help you.
00:33:03Because I've known your father for 25 years.
00:33:06But I would never help you if I wasn't interested in your work.
00:33:10Thank you.
00:33:15Why do you think they chose this image for the cover of the brochure?
00:33:21It's an important fragment of the work.
00:33:25No, no, no.
00:33:26I mean, why do you think they chose the face and not the rest of the painting?
00:33:33I don't know. You tell me.
00:33:36Because the rest of the painting is not up to the power of that look.
00:33:42I'm going to Asia and I'm going to take portraits.
00:33:44I can't take a big work because it's crazy.
00:33:47The transport, the insurance.
00:33:49And what I offer you is to take that look.
00:33:53Because I like it a lot.
00:33:55And because I'm going to sell it.
00:33:57Man, I have the series of portraits of the subjects of the reason you saw this morning.
00:34:01I think that's interesting too.
00:34:04But that series of portraits is not up to this job.
00:34:08This is your best job. You know that.
00:34:14Are you asking me to cut the painting?
00:34:19I'm asking you to trust me.
00:34:33Sara!
00:34:35Felipe!
00:34:36Nice to meet you.
00:34:37How handsome you are.
00:34:38Do you like it?
00:34:39Yes.
00:34:40Beautiful.
00:34:41Handsome.
00:34:42And listen to me.
00:34:43I don't know what you're doing coming to this.
00:34:47Don't talk to me.
00:34:48Look, he's convinced.
00:34:49Look how handsome he is.
00:34:50He's a politician, isn't he?
00:34:52Yes, but I'm going from the station to the board.
00:34:54I see you.
00:34:55Come on.
00:35:03Yes we can!
00:35:14Women's struggles in my country to defend their rights.
00:35:19Proud of that working class that through strikes and social struggles
00:35:24managed to have social rights in this country.
00:35:28Proud of the social reforms of Mr. Largo Caballero.
00:35:33Proud of the military reforms.
00:35:58Proud of the people.
00:36:00Proud of the people.
00:36:01Proud of the people.
00:36:02Proud of the people.
00:36:03Proud of the people.
00:36:04Proud of the people.
00:36:05Proud of the people.
00:36:06Proud of the people.
00:36:07Proud of the people.
00:36:08Proud of the people.
00:36:09Proud of the people.
00:36:10Proud of the people.
00:36:11Proud of the people.
00:36:12Proud of the people.
00:36:13Proud of the people.
00:36:14Proud of the people.
00:36:15Proud of the people.
00:36:16Proud of the people.
00:36:17Proud of the people.
00:36:18Proud of the people.
00:36:19Proud of the people.
00:36:20Proud of the people.
00:36:21Proud of the people.
00:36:22Proud of the people.
00:36:23Proud of the people.
00:36:24Proud of the people.
00:36:25Proud of the people.
00:36:26Proud of the people.
00:36:27Proud of the people.
00:36:28Proud of the people.
00:36:29Proud of the people.
00:36:30Proud of the people.
00:36:31Proud of the people.
00:36:32Proud of the people.
00:36:33Proud of the people.
00:36:34Proud of the people.
00:36:35Proud of the people.
00:36:36Proud of the people.
00:36:37Proud of the people.
00:36:38Proud of the people.
00:36:39Proud of the people.
00:36:40Proud of the people.
00:36:41Proud of the people.
00:36:42Proud of the people.
00:36:43Proud of the people.
00:36:44Proud of the people.
00:36:45Proud of the people.
00:36:46Proud of the people.
00:36:47Proud of the people.
00:36:48Proud of the people.
00:36:49Proud of the people.
00:36:50Proud of the people.
00:36:51Proud of the people.
00:36:52Proud of the people.
00:36:53Proud of the people.
00:36:54Proud of the people.
00:36:55Proud of the people.
00:36:56Proud of the people.
00:36:57Proud of the people.
00:36:58Proud of the people.
00:36:59Proud of the people.
00:37:00Proud of the people.
00:37:01Proud of the people.
00:37:02Proud of the people.
00:37:03Proud of the people.
00:37:04Proud of the people.
00:37:05Proud of the people.
00:37:06Proud of the people.
00:37:07Proud of the people.
00:37:08Proud of the people.
00:37:09Proud of the people.
00:37:10Proud of the people.
00:37:11Proud of the people.
00:37:12Proud of the people.
00:37:13Proud of the people.
00:37:14Proud of the people.
00:37:15Proud of the people.
00:37:16Proud of the people.
00:37:17Proud of the people.
00:37:18Proud of the people.
00:37:19Proud of the people.
00:37:20Come out, Pura.
00:37:21Come on.
00:37:22Come out carefully.
00:37:23Carefully.
00:37:24Carefully.
00:37:25All right, all right, wait, wait.
00:37:26All right, I've got it, Mother.
00:37:27That's it.
00:37:28Relax, relax, I know you're out.
00:37:29That's it.
00:37:31It's done.
00:37:32Thank you.
00:37:33I've been trying to get you out of your body for a while.
00:37:48I was trying to take him out of the bed and he shot me in the back.
00:37:53The three of us have already taken a shower.
00:37:55I'm going to put the towel.
00:37:59Good.
00:38:00Wet.
00:38:08What are you doing?
00:38:09Good morning.
00:38:10Hi.
00:38:11Hi, right?
00:38:12I wanted to take her to the casting on Monday, but she was missing a button.
00:38:19Good morning.
00:38:23Put the news on, come on.
00:38:25What if I get a little crazy?
00:38:27Please.
00:38:48He has had breakfast with the journalists who accompanied him,
00:38:51while Albert Rivera has done it with his team.
00:38:55Just like the candidate for UPyD.
00:38:58What is it about?
00:38:59What?
00:39:00The casting.
00:39:01About the transition and that.
00:39:03About the cops.
00:39:05Today is the day of reflection. The candidates take the opportunity to rest after two intense weeks of campaigning.
00:39:14When do we have to be at the cousins' house?
00:39:16At two.
00:39:19We are not going to stay.
00:39:21Come on, don't tell me.
00:39:23Yes, my back still hurts.
00:39:25So let's see if we rest a little and get back on track this morning.
00:39:32You go.
00:39:33Your cousins want to see you.
00:39:35No, I'm going to go. I really want to see them.
00:39:38But I'm angry that you don't come.
00:39:48Good. Running a lot.
00:39:51Preparing for San Silvestre.
00:39:53Good. I'm strong.
00:39:58And nothing.
00:40:00Spying a little on the writer.
00:40:02Are you watching a lot?
00:40:06No, not much.
00:40:07While I have dinner and that.
00:40:13And how are the dinners?
00:40:15Good.
00:40:16Good?
00:40:17Good. I'm eating better.
00:40:21I'm hungrier. Good.
00:40:26Yesterday I went out to dinner with a guy.
00:40:30Really?
00:40:31Yes.
00:40:33With this friend of mine, with whom I'm preparing for the race.
00:40:40And where did you go, Maria?
00:40:43To a Japanese bar there.
00:40:48And to the cinema.
00:40:52And what did you see?
00:40:54What did we see?
00:40:56Yes, what movie did you see?
00:40:58Do you want cultural recommendations for the weekend?
00:41:03I wanted to go to a therapy session.
00:41:06But it seems to me that it is costing a little, right?
00:41:13Day 2
00:41:25Zucco. Zucco. Zucco.
00:41:28The first hit we hit after the bass, is it a cookie or a tone?
00:41:31Yes, a cookie. A cookie and then two tones.
00:41:36Ah, okay.
00:41:37One, two, three and...
00:41:42That's it.
00:42:10Zucco.
00:42:11Tell me, man.
00:42:12Don't you miss the work, man?
00:42:15Well, the pasta, really.
00:42:18I'm really enjoying it.
00:42:23Look, do you see that area over there?
00:42:26I want to put a small fridge there.
00:42:29A gas stove.
00:42:31Are you going to put a bed too?
00:42:34This would be the whole structure.
00:42:36Underneath, let's see if I can get some more drawers.
00:42:39It looks really good, man.
00:42:42I really want to go with Lola, with the cows.
00:42:45You'll enjoy it, right?
00:42:47I want to take her to the north.
00:42:49A little bit of Asturias, a little bit of Llanes.
00:42:52A little bit of Europe.
00:42:55I really want to, bro.
00:43:01I'm in the hallway.
00:43:06I'm entering the room.
00:43:09Is there someone here?
00:43:12Hello?
00:43:16Well, it looks like there's no one here.
00:43:18Hurry up!
00:43:19No, no, no!
00:43:22Tickle!
00:43:23Resistance!
00:43:24Tickle resistance!
00:43:2620% of unemployment.
00:43:28I don't know what it is.
00:43:30In Catalonia, well, yes, but...
00:43:3220% of unemployment, I don't know.
00:43:34Well, of course, but...
00:43:36The real problem, I don't know if it's...
00:43:38In the end, I think the guy, what he's given is an image...
00:43:41I mean, it's an image of too much...
00:43:43A nervous young man, eager to...
00:43:45Like saying, you're missing...
00:43:47I've had it for four years and I didn't like anything.
00:43:50Let's see, Pedro Sánchez...
00:43:52You'll admit that it didn't excite you.
00:43:54Yes, a little bit.
00:43:55It did excite me.
00:43:56And who excites you?
00:43:58Me, man.
00:43:59My shoemaker.
00:44:01Or Felipe González.
00:44:03Felipe González.
00:44:04Pablo, you have to...
00:44:06Pablo.
00:44:07This is very planned.
00:44:09Now, clear the positions of each one.
00:44:11Let's have a drink to see who wins in the elections.
00:44:14I say that it's a double draw of PPPSOE in 28.
00:44:18One more vote, Father Pablo.
00:44:20Ciudadanos, 19.
00:44:22Ciudadanos, 19.
00:44:23And Podemos, 16.
00:44:2516.
00:44:26Come on.
00:44:27I mean, me, first, PSOE.
00:44:29How much?
00:44:3027.
00:44:31PP26.
00:44:32PP26.
00:44:33Ciudadanos, 22.
00:44:3622.
00:44:37And Podemos, 18.
00:44:39Felipe.
00:44:40You can hear the comeback.
00:44:44You can hear...
00:44:45You can hear the rumour.
00:44:47From the papers to the ballot boxes.
00:44:51Podemos, 24.
00:44:56We didn't vote for it.
00:44:57We didn't vote for it.
00:44:59We didn't vote for it.
00:45:10Would you like a tea?
00:45:11No, thanks.
00:45:28I won't even wait for the elections, they're too close.
00:45:31I think you're insulting the people who voted for you in Barcelona with the authority.
00:45:35Why insult?
00:45:36If the people are stupid enough to vote for a communist who will end your rights, I don't know.
00:45:40But, in any case, what a long story.
00:45:42Spain is doing really well, if I don't vote for you, I'll end up in the EU.
00:45:46I'm not saying I want to vote for you.
00:45:48I'm not saying I want to vote for you.
00:45:50Maybe in the last years...
00:45:51Maybe in the last years I'll catch you.
00:45:53But we have to remember that we are a country that has a strike which is a good moment,
00:45:57and if that doesn't explain why the Popular Party only votes for people who vote for political issues...
00:46:02Shall we go for a walk and get some fresh air?
00:46:05I'm not in the mood.
00:46:13Sara...
00:46:15No, Antonio, not today, please.
00:46:17...demands that political parties explain their policy of agreement before the elections...
00:46:23I'm going to make tea.
00:46:26...because parties will currently depend on the correlation of parliamentary processes...
00:46:31...and that they leave the streets on Sunday.
00:46:33It seems to me a common sense, I repeat,
00:46:35but it is not the same to guarantee their position.
00:46:46Antonio?
00:46:51People have the right to vote for whatever they want.
00:46:57People have the right to vote for whatever they want.
00:47:00The right to vote is not a border, it is a free expression.
00:47:03The right to vote is not a border, it is a free expression.
00:47:08How beautiful!
00:47:10Hey, man!
00:47:12Stop it, stop it!
00:47:13I'm so proud of you, baby.
00:47:14I'm so proud of you.
00:47:16I'm so proud of you, baby.
00:47:17I'm so proud of you.
00:47:19I'm so proud of you.
00:47:20I'm so proud of you, baby.
00:47:22I'm so proud of you.
00:47:24I'm so proud of you.
00:47:26I'm so proud of you.
00:47:28I'm so proud of you.
00:47:30I'm so proud of you.
00:47:33I'm so proud of you.
00:47:35🎵
00:47:59🎵
00:48:26🎵
00:48:45What's up, man?
00:48:47What's up, man?
00:48:49What's up, man?
00:48:51What's up, man?
00:48:53What's up, man?
00:48:55What's up, man?
00:48:57What's up, man?
00:48:59What's up, man?
00:49:01What's up, man?
00:49:03What's up, man?
00:49:05What's up, man?
00:49:07What's up, man?
00:49:09What's up, man?
00:49:11What's up, man?
00:49:13Man, you look good, already!
00:49:15Very nice!
00:49:21capacit.
00:49:29Thanks!
00:49:31Thanks!
00:49:33Don't worry.
00:49:35Don't worry.
00:49:37🎵
00:49:39🎵
00:49:41🎵
00:49:43I'm a classic from the stadium and your big bro
00:49:46I'm the history of the city's streets
00:49:48I'm the one who put the people in the middle of the street
00:49:51I'm the son of a bitch, I'm the one who's in the radio
00:49:54I'm the one who's in the street and on the back
00:50:05I love painting
00:50:06Oh yeah?
00:50:07Yeah, I love it. My favorite painting is The Kiss by Klim
00:50:10Do you know it?
00:50:11Yeah, of course
00:50:12I have it in my kitchen
00:50:14How? The original?
00:50:15No, not the original
00:50:17No, no, no, this is very serious
00:50:19You can't have that painting just like that
00:50:21It has to be the original
00:50:24I think I'm going to have to take a shower without the seat
00:50:26Oh yeah?
00:50:31Family!
00:50:32Tomorrow is the decisive day, the day of change
00:50:34The day of...
00:50:36The day when all our struggle has meaning
00:50:39So tomorrow, everyone
00:50:42Put your hands up in the air
00:50:44Let's make this place shine
00:51:12I'm the one who put the people in the middle of the street
00:51:14I'm the one who's in the radio
00:51:16I'm the one who's in the street and on the back
00:51:18I'm the one who's in the street and on the back
00:51:20I'm the one who's in the street and on the back
00:51:22I'm the one who's in the street and on the back
00:51:24I'm the one who's in the street and on the back
00:51:26I'm the one who's in the street and on the back
00:51:28I'm the one who's in the street and on the back
00:51:30I'm the one who's in the street and on the back
00:51:32I'm the one who's in the street and on the back
00:51:34I'm the one who's in the street and on the back
00:51:36I'm the one who's in the street and on the back
00:51:38I'm the one who's in the street and on the back
00:51:40I'm the one who's in the street and on the back
00:51:42I'm the one who's in the street and on the back
00:51:44I'm the one who's in the street and on the back
00:51:46I'm the one who's in the street and on the back
00:51:48I'm the one who's in the street and on the back
00:51:50I'm the one who's in the street and on the back
00:51:52I'm the one who's in the street and on the back
00:51:54I'm the one who's in the street and on the back
00:51:56I'm the one who's in the street and on the back
00:51:58I'm the one who's in the street and on the back
00:52:00I'm the one who's in the street and on the back
00:52:02I'm the one who's in the street and on the back
00:52:04I'm the one who's in the street and on the back
00:52:06I'm the one who's in the street and on the back
00:52:08I'm the one who's in the street and on the back
00:52:10I'm the one who's in the street and on the back
00:52:12I'm the one who's in the street and on the back
00:52:14I'm the one who's in the street and on the back
00:52:16I'm the one who's in the street and on the back
00:52:18I'm the one who's in the street and on the back
00:52:20I'm the one who's in the street and on the back
00:52:22I'm the one who's in the street and on the back
00:52:24I'm the one who's in the street and on the back
00:52:26I'm the one who's in the street and on the back
00:52:28I'm the one who's in the street and on the back
00:52:30I'm the one who's in the street and on the back
00:52:32I'm the one who's in the street and on the back
00:52:34I'm the one who's in the street and on the back
00:52:36Hey!
00:52:38What?
00:52:40How am I a good father?
00:52:42Hey, Felipe, I swear, yes or no, Lola could have a better father?
00:52:44It would be impossible
00:52:46I'm telling you, it's just that I don't...
00:52:48Do I look bad because of her or not?
00:52:50Or what do you think?
00:52:52Do I look bad?
00:52:54Do I look bad because of her?
00:52:56Hey, it's just that it's not very clear, guys
00:52:58What?
00:53:00What's wrong? It's not very clear that I'm the best father Lola could have?
00:53:02What's wrong?
00:53:04Hey, but fuck!
00:53:06You can't take my daughter like that
00:53:14But let's make it clear, this son of a bitch is not going to...
00:53:16Relax a little, Tronco, you're talking about your daughter's mother
00:53:18Relax a little, Tronco, you're talking about your daughter's mother
00:53:20Softer, Tronco
00:53:22Hey!
00:53:24Hey!
00:53:26Hey!
00:53:28Hey!
00:53:30Hey!
00:53:32Okay, okay, okay
00:53:34All good, suck?
00:53:36Suck
00:54:32Good morning. It is impossible to know how many Spaniards from the 41% of indecisive that gave the last FIS survey, have decided their vote in these 15 days of campaign.
00:54:44How much have the debates determined?
00:55:02Hey Javier, did my census card arrive? The one that comes to you at the table, the ballot, everything.
00:55:14Yes, the green folder that is next to me.
00:55:19There you are.
00:55:21Hey Pura, I see you very excited. These elections are not won alone, huh?
00:55:25Your mother got up today with a headache.
00:55:28Come on, don't tell me. Have you taken anything?
00:55:32A pill.
00:55:34Come on, put on your coat and give us a little air, huh? You're going to be fine.
00:55:37We are going to stay at home for the moment, right Pura? Let's not get cold now.
00:55:42It's cold.
00:55:44Fuck, but it's cold in Norway too. I say they go out to vote. Come on, lazy.
00:55:48Yes, well, maybe we go later.
00:55:50But Javier, the electoral college is around the corner. We put on some coats, we vote and if you want we go straight home.
00:55:55Felipe, I'm telling you that we will go in the afternoon.
00:55:59No. What you are telling me is that you don't want to go to vote because it's cold.
00:56:04Just as you don't want to go dancing because you get tired.
00:56:07Just as you don't want to go to the guys because you have to take the car.
00:56:10But do you think you can come here and organize our lives?
00:56:14Come on Javier, whatever you want. Let's go to vote, mother, leave it to me.
00:56:17Pura, no.
00:56:18Do you want to let her manage her life?
00:56:20She is not well, leave her.
00:56:21She is perfectly fine.
00:56:22You are hurting her.
00:56:23It's not crystal, dammit.
00:56:24Stop it.
00:56:27Do you realize what you are doing?
00:56:29I'm doing what you should be doing, Javier.
00:56:32Come on, let's go to vote.
00:56:33No, no, no, we are not going to go out, Pura, we are not going out.
00:56:36Felipe is leaving right now.
00:56:53And I think, I'm convinced that it will be like this.
00:57:24I love this one.
00:57:27His look is of dignity.
00:57:31If I knew the battle he is giving me.
00:57:33Does it give you problems or what?
00:57:37You don't know.
00:57:39That warrior women are not easy.
00:57:41Oh, no?
00:57:45No, no, no.
00:57:46I love that.
00:57:49Javier, at the end ...
00:57:50But what are you doing?
00:57:51The pipe in the bathroom is broken and they have called me from the next building.
00:57:53Do you think you can come in here like that, as if nothing?
00:57:55No, I can't.
00:57:56No.
00:57:57No, look, as long as you don't pay me the rent, I'll come in and out of here when I get out of bed.
00:57:59No, don't get confused.
00:58:00And this is a place, not a cheap pizzeria.
00:58:01Are you an asshole or what?
00:58:03Look, she's kicking you out of here.
00:58:05No, you don't talk to me like that in your fucking life.
00:58:07Neither does she.
00:58:08Look, I'm not kicking you out of here, man.
00:58:14I remind you, you have a weekend off tomorrow night.
00:58:21Fuck.
00:58:52Fuck.
00:59:11Are you calmer so we can talk?
00:59:14I have nothing to talk about.
00:59:16Come get Lola to spend the day with her.
00:59:18Yeah, but you don't have to this weekend, you know that.
00:59:21Yeah, but I don't think there's that much of a problem, right?
00:59:26It's the deal we have.
00:59:30I'm not the only one who breaks the deal.
00:59:38Wait.
00:59:49Let's go, baby.
01:00:06Now, we're done.
01:00:10Did you take everything out of the oven?
01:00:11Yes.
01:00:12Did you take everything out of the oven?
01:00:13Yes.
01:00:15That's it. Thank you.
01:00:18Thank you very much.
01:00:20Thank you. See you later.
01:00:37Hi.
01:00:38Hi, how are you?
01:00:39Hi.
01:00:40Hi, how are you?
01:01:10MEGAN
01:01:14From one of the most important national elections of recent years.
01:01:18I ask the Spaniards to vote in public.
01:01:20I ask to participate and make a historic record in participation.
01:01:22I also ask for a democratic day for normality.
01:01:25And of course, thank all those who have taken over and intervened in this...
01:01:29...all the people who make it possible to have a strong democracy...
01:01:32In Africa there are 66 carnivorous species.
01:01:36Many, like the striped lobster, of modest dimensions.
01:01:42The big carnivores are the exception.
01:01:45And even the parrot hyena, which is among the largest,
01:01:48only weighs about 40 kilos.
01:01:51Its cousin, the spotted hyena, is more voluminous
01:01:54and much more powerful.
01:01:57Are you going to show Naya the backpack?
01:01:59Yes.
01:02:00Come on, ring the bell, Gordi.
01:02:02That's it.
01:02:07Hello.
01:02:09Lolita wanted to meet Naya.
01:02:15Hello, Lolita. How are you?
01:02:18Do you want to meet my little girl?
01:02:20Yes.
01:02:21Come inside. You'll see how pretty she is.
01:02:24Let's see Naya.
01:02:28Look at Naya, Gordi.
01:02:30Hey, Lolita.
01:02:32How are you?
01:02:34Do you want to meet Naya?
01:02:36Have you seen how little she is?
01:02:38She's sleeping.
01:02:39You were like that recently.
01:02:41Is this baby sleeping or what?
01:02:49And when is Elena leaving for Italy?
01:02:53At the end of January, uncle.
01:02:57Well, I'm sorry, uncle, but that's how things are.
01:03:05Elena and you are tied to life, like it or not.
01:03:10And you have to decide now
01:03:12if each one throws in the direction of the rope
01:03:15or both throw in the same direction.
01:03:17It's not that easy, Tayo.
01:03:19It's not that easy.
01:03:21It's not that easy.
01:03:24It's not that easy, Tayo.
01:03:26I could tell her the same thing she's telling me.
01:03:29I think she's being a little selfish.
01:03:31That's how it is.
01:03:33That's how it is, uncle.
01:03:36Elena has already started to pull the rope in one direction.
01:03:39You have to decide now
01:03:40if you throw in the same direction as her or yours.
01:03:43That's how I see it.
01:03:54We have data available for participation at six in the afternoon.
01:03:58As you know, they are points above the last general elections.
01:04:03And we have, in any case, the perspectives
01:04:06that the first polls are throwing at us.
01:04:11In a short time, the correlations of forces are changing a lot
01:04:14and we believe that after tonight
01:04:16there will be time for everyone to sit down and reflect
01:04:20on what the new political map of this country is.
01:04:23PSOE doesn't want it, but Esquerra also demands it,
01:04:25only in Catalonia.
01:04:26How can we make this possible?
01:04:28Regardless of the government's conformations,
01:04:31we will defend what we defend in Madrid.
01:04:33We are in Barcelona.
01:04:34We believe that the territorial issue has to be solved with UNRWA.
01:04:37And we believe that it is the best way to guarantee the unity of the State.
01:04:40And that happens because we want to be free of the Catalans
01:04:42and because it is your will to want to stay.
01:04:44Because with the blockade,
01:04:46the only thing it will do is to instigate a situation that...
01:04:49Fuck.
01:05:04María?
01:05:08María?
01:05:10I'm Vicente.
01:05:11Vicente.
01:05:12How are you?
01:05:13How are you?
01:05:14Wait.
01:05:15All good, all good.
01:05:16What a joy to see you.
01:05:17I saw you pass by before and I said,
01:05:18is it her or is it not her?
01:05:19Well, I didn't realize.
01:05:20Sorry.
01:05:21Hey, are you still in Juan Bravo or what?
01:05:23No, I'm in Tirso de Molina now.
01:05:25In Tirso?
01:05:26Fuck, next door.
01:05:27Yes, close.
01:05:28Do you live here in the neighborhood or what?
01:05:29Close, yes.
01:05:30Fuck, that's good, that's good.
01:05:31What a joy to see you.
01:05:32Yes.
01:05:33Hey, are you busy?
01:05:34Do you have to do something now?
01:05:35Well, I went down to buy.
01:05:36I was...
01:05:37I'll buy you a beer or a coffee, whatever you want.
01:05:40I was working a little at home and preparing things.
01:05:45Come on, come on, a quick one.
01:05:48It's going to be quick, eh?
01:05:49Pim, pam, pum, bocadillo de atún.
01:05:51Yes or what?
01:05:54Well, a 9-inch computer with a 19 or 21-inch screen.
01:05:58Well, I don't really handle an inch.
01:06:00But hey, I find the new keyboard, I swear.
01:06:03New, new, new.
01:06:04The mouse is in his bag with the cable wrapped around it.
01:06:07You can't even imagine the things people throw on the street.
01:06:10Look, this chupaca I'm wearing is Nike.
01:06:12And I found it in the trash.
01:06:13I mean, as I always say, the more work, the less.
01:06:16And you're looking for a job.
01:06:17What?
01:06:18A job?
01:06:19What are you saying?
01:06:20But yes, I do have a job.
01:06:22Of course.
01:06:24Thank you very much, huh?
01:06:26Of course.
01:06:27I'm working...
01:06:29I'm working as a security guard, I swear.
01:06:31There, in a mall.
01:06:32In the...
01:06:33In La Rosa.
01:06:34I don't carry a gun, of course.
01:06:35But I have some wives and I have my whore and everything.
01:06:39I do this to get some extra money, you know?
01:06:42I go down the street.
01:06:43The things I find, I take them home.
01:06:45I repair them and then I sell them online.
01:06:46And so I get some extra money to give to my ex, my mother, my daughters.
01:06:50How are they?
01:06:51The girls?
01:06:54The males, the ones from the neighborhood.
01:06:57They're beautiful, you know?
01:06:58That's good.
01:07:00That's good.
01:07:03I have to thank you.
01:07:06Why?
01:07:07I don't know, I don't know why.
01:07:13Look.
01:07:14If today I can still see my girls.
01:07:19Partly.
01:07:20Well, partly.
01:07:21It's thanks to you.
01:07:26I don't know what's wrong with me, Maria.
01:07:28I lost my mind.
01:07:29I don't know if I was going crazy because everything was shit,
01:07:32or if everything was shit because I was going crazy.
01:07:35Like the egg and the hen, you know?
01:07:37What was the egg before, the hen?
01:07:39The hen or the egg?
01:07:41And you've been looking for the answer for so long,
01:07:43that you forget what you've even asked yourself.
01:07:47Do you understand me?
01:07:48What's the point?
01:07:49The hen lays eggs, eggs lay hens, and that's it.
01:07:51You don't have to ask so many questions.
01:07:53You know?
01:07:54Fuck.
01:07:56I'm sorry I'm here again in therapy mode.
01:07:59It's nothing.
01:08:00The habit.
01:08:03And how are you?
01:08:04Tell me.
01:08:05I really want you to tell me something.
01:08:06How are you?
01:08:07Tell me.
01:08:08Fine.
01:08:09Fine.
01:08:10I'm not feeling well.
01:08:11More wrinkles.
01:08:12Some canna, but everything's fine.
01:08:23Paralyzed.
01:08:25Looking for the answer to the question.
01:08:28What question?
01:08:30The question, damn it.
01:08:31I don't care about the question.
01:08:33You've been looking for the answer to the question for so long,
01:08:36that you've probably forgotten it.
01:08:38I've learned to see that in people, Maria.
01:08:40And I see it.
01:08:41I see it in you, just like you saw it in me, you know?
01:08:53The egg.
01:08:55What egg?
01:08:58The egg goes before the hen.
01:09:02Really?
01:09:05A bird that wasn't a hen
01:09:08must have laid an egg that would then
01:09:10suffer a genetic mutation or something like that,
01:09:14giving birth to the first hen.
01:09:18But the egg was first.
01:09:28And a piece of shit.
01:09:38And a piece of shit.
01:09:57She went to bed.
01:09:59She had a bad day.
01:10:09I remember,
01:10:11I remember
01:10:13a year and a half ago,
01:10:15just a year and a half ago,
01:10:17in this very square,
01:10:19after the European elections,
01:10:21there were many who told us
01:10:23that they had to congratulate us
01:10:25that 5 Euro-deputies,
01:10:271 million votes,
01:10:28it was very good,
01:10:30that we had to celebrate it.
01:10:32We appeared here saying,
01:10:34a new political time has opened,
01:10:36a new political time has opened,
01:10:38we are still celebrating
01:10:40because we are going to continue taking steps.
01:10:42Then we met in Cristaleno
01:10:44and decided to give a political tool
01:10:47that would make these next elections
01:10:49open a time for the people of Spain.
01:11:07A film by
01:11:11A film by
01:11:16A film by
01:11:21A film by
01:11:26A film by
01:11:31A film by
01:11:35A film by
01:11:40A film by
01:11:45A film by
01:11:50A film by
01:11:55A film by
01:12:00A film by
01:12:05A film by
01:12:10A film by
01:12:15A film by
01:12:20A film by
01:12:25A film by
01:12:30A film by
01:12:35A film by
01:12:40A film by
01:12:45A film by
01:12:50A film by
01:12:55A film by
01:13:00A film by
01:13:05A film by
01:13:10A film by
01:13:15A film by
01:13:20A film by
01:13:25A film by
01:13:30A film by
01:13:35A film by
01:13:40A film by
01:13:45A film by
01:13:50A film by
01:13:55A film by
01:14:00A film by
01:14:05A film by
01:14:10A film by
01:14:15A film by
01:14:20A film by
01:14:25A film by
01:14:30A film by
01:14:35A film by
01:14:40A film by
01:14:45A film by
01:14:50A film by
01:14:55A film by
01:15:00A film by
01:15:05A film by
01:15:10A film by
01:15:15A film by
01:15:20A film by
01:15:25A film by
01:15:30A film by
01:15:35A film by
01:15:40A film by
01:15:45A film by
01:15:50A film by
01:15:55A film by
01:16:00A film by
01:16:05A film by
01:16:10A film by
01:16:15A film by
01:16:20A film by
01:16:25A film by
01:16:30A film by
01:16:35A film by
01:16:40A film by
01:16:45A film by
01:16:50A film by
01:16:55A film by
01:17:00A film by
01:17:05A film by
01:17:10A film by
01:17:15A film by
01:17:20A film by
01:17:25A film by
01:17:30A film by
01:17:35A film by
01:17:40A film by
01:17:45A film by
01:17:50A film by
01:17:55A film by
01:18:00A film by
01:18:05A film by
01:18:10A film by
01:18:15A film by
01:18:20A film by
01:18:25A film by
01:18:30A film by
01:18:35A film by
01:18:40A film by
01:18:45A film by
01:18:50A film by
01:18:55A film by
01:19:00A film by
01:19:05A film by
01:19:10A film by
01:19:15A film by
01:19:20A film by
01:19:25A film by
01:19:30A film by
01:19:35A film by
01:19:40A film by
01:19:45A film by
01:19:50A film by
01:19:55A film by
01:20:00A film by
01:20:05A film by
01:20:10A film by
01:20:15A film by
01:20:20A film by
01:20:25A film by
01:20:30A film by
01:20:35A film by
01:20:40A film by
01:20:45A film by
01:20:50A film by
01:20:55A film by
01:21:00A film by
01:21:05A film by
01:21:10A film by
01:21:15A film by
01:21:20A film by
01:21:25A film by
01:21:30A film by
01:21:35A film by
01:21:40A film by
01:21:45A film by
01:21:50A film by
01:21:55A film by
01:22:00A film by
01:22:05A film by
01:22:10A film by
01:22:15A film by
01:22:20A film by
01:22:25A film by
01:22:30A film by
01:22:35A film by
01:22:40A film by
01:22:45A film by
01:22:50A film by
01:22:55A film by
01:23:00A film by
01:23:05A film by
01:23:10A film by
01:23:15A film by
01:23:20A film by
01:23:25A film by
01:23:30A film by
01:23:35A film by
01:23:40A film by
01:23:45A film by
01:23:50A film by
01:23:55A film by
01:24:00A film by
01:24:05A film by
01:24:10A film by
01:24:15A film by
01:24:20A film by
01:24:25A film by
01:24:30A film by
01:24:35A film by
01:24:40A film by
01:24:45A film by
01:24:50A film by
01:24:55A film by
01:25:00A film by
01:25:05A film by
01:25:10A film by
01:25:15A film by
01:25:20A film by
01:25:25A film by
01:25:30A film by
01:25:35A film by
01:25:40A film by
01:25:45A film by
01:25:50A film by
01:25:55A film by
01:26:00A film by
01:26:05A film by
01:26:10A film by
01:26:15A film by
01:26:20A film by
01:26:25A film by
01:26:30A film by
01:26:35A film by
01:26:40A film by
01:26:45A film by
01:26:50A film by
01:26:55A film by
01:27:00A film by
01:27:05A film by
01:27:10A film by
01:27:15A film by
01:27:20A film by
01:27:25A film by
01:27:30A film by
01:27:35A film by
01:27:40A film by
01:27:45A film by
01:27:50A film by
01:27:55A film by
01:28:00A film by
01:28:05A film by
01:28:10A film by
01:28:15A film by
01:28:20A film by
01:28:25A film by
01:28:30A film by
01:28:35A film by
01:28:40A film by
01:28:45A film by
01:28:50A film by
01:28:55A film by
01:29:00A film by
01:29:05A film by
01:29:10A film by
01:29:15A film by
01:29:20A film by
01:29:25A film by
01:29:30A film by
01:29:35A film by
01:29:40A film by
01:29:45A film by
01:29:50A film by
01:29:55A film by
01:30:00A film by
01:30:05A film by
01:30:10A film by
01:30:15A film by
01:30:20A film by
01:30:25A film by
01:30:30A film by
01:30:35A film by
01:30:40A film by
01:30:45A film by
01:30:50A film by
01:30:55A film by
01:31:00A film by
01:31:05A film by
01:31:10A film by
01:31:15A film by
01:31:20A film by
01:31:25A film by
01:31:30A film by
01:31:35A film by
01:31:40A film by
01:31:45A film by
01:31:50A film by
01:31:55A film by
01:32:00A film by
01:32:05A film by
01:32:10A film by
01:32:15A film by
01:32:20A film by
01:32:25A film by
01:32:30A film by
01:32:35A film by
01:32:40A film by
01:32:45A film by