It's a love story that seems impossible. But what if it works HD ( Comedy, Drama, Romance )
Category
🎥
Short filmTranscript
00:00:00♪♪
00:00:10♪♪
00:00:20♪♪
00:00:30♪♪
00:00:40♪♪
00:00:50♪♪
00:01:00♪♪
00:01:10♪♪
00:01:20♪♪
00:01:30♪♪
00:01:40♪♪
00:01:50♪♪
00:02:00♪♪
00:02:10♪♪
00:02:20Hey, getting married?
00:02:23♪♪
00:02:30♪♪
00:02:40♪♪
00:02:50♪♪
00:03:00♪♪
00:03:10♪♪
00:03:20As quick as you like.
00:03:22♪♪
00:03:27There is a shower and a sink if you need it.
00:03:30♪♪
00:03:36Well done.
00:03:38♪♪
00:03:53Please don't touch my car with your shoes.
00:03:56I didn't mean to run into your car.
00:04:08Are you all right?
00:04:18♪♪
00:04:29Oh.
00:04:37Over here.
00:04:41On its side.
00:04:43All of them on their side.
00:04:48Excellent.
00:04:49Thank you.
00:04:58♪♪
00:05:08♪♪
00:05:17You can take the car if you want.
00:05:19Mate, you're going to need a tow truck for that.
00:05:21Just roll it in your garage, I'll give you a hand.
00:05:23Oh, I don't have a remote for the garage.
00:05:28♪♪
00:05:38♪♪
00:05:48♪♪
00:05:58♪♪
00:06:08♪♪
00:06:18♪♪
00:06:28♪♪
00:06:38♪♪
00:06:48♪♪
00:06:58Tuesday, 1.33 p.m.
00:07:00Adrian, Stan, I know you're disappointed by the suspension.
00:07:04I'm hoping three months might be enough to get back on track.
00:07:08Premium Motors need you as much as you need us, believe me.
00:07:12Call me or maybe respond to an email.
00:07:16Tuesday, 1.33 p.m.
00:07:18Adrian, just your father.
00:07:20Wondering how the new therapist is going.
00:07:22Call us.
00:07:25Adrian, Stan, again.
00:07:27Remember me, your boss?
00:07:29Are you alive?
00:07:31Any progress?
00:07:32Any plans to call me back?
00:07:39Have you spoken to your parents since you moved?
00:07:42No, no, no, I'm letting them get over the money they wasted on that radical treatment center.
00:07:45See, they paid for two months and I was only there for two hours,
00:07:48but I did email them twice.
00:07:50Two hours?
00:07:51Why did you agree to go at all?
00:07:54Forced mental health leave really brought out my sense of adventure.
00:07:58I mean, ever since Melinda, my only successful relationship has been my research position.
00:08:02Until Premium Motors suspended me because, well, evidently not turning up and missing deadlines,
00:08:06it loses its mystery after a while.
00:08:08I was given three months to improve or lose my position permanently.
00:08:11I agreed to this therapy as a condition of my suspension.
00:08:14You've mentioned Melinda several times.
00:08:16Was the end of that relationship a significant turning point for your obsessive compulsive disorder?
00:08:24Why did it end?
00:08:27There was an incident. I'm not proud of it.
00:08:30Let's talk about that.
00:08:32Well, we'd have to rewind three years now, wouldn't we?
00:08:37Okay, well, Melinda and I are taking a walk,
00:08:41and then I see this huge, slobbering dog.
00:08:44Oh, my God!
00:08:45So I take cover behind her, pushing her accidentally into the bike lane.
00:08:51Then suddenly, she gets hit by an ice cream bike vendor.
00:08:55And I just run away.
00:09:07And then Melinda says something I'll never forget.
00:09:11If this house was on fire, and I was trapped,
00:09:15and you were in the bathroom in one of your rituals,
00:09:20would you be able to break out and save your life?
00:09:26Save my life?
00:09:37And that was it.
00:09:39Melinda wouldn't answer my calls.
00:09:41Anyway, my OCD, it skyrocketed.
00:09:44I can't leave my house very often.
00:09:46I can't finish my work on time.
00:09:48So, well, here I am with two months left to babysit my panic.
00:09:52Was Melinda the last person with whom you engaged in any physical affection?
00:09:58Yes.
00:09:59How does that make you feel?
00:10:01Fine.
00:10:07I'm so sorry.
00:10:12This was put through as urgent.
00:10:14I shouldn't be interrupted unless it's a patient matter.
00:10:18Adrian, I'm terribly sorry, but I have an urgent...
00:10:21Family matters.
00:10:22I'll be right back.
00:10:32I know you're probably surprised to see me here.
00:10:34Yeah, first time.
00:10:36I'm kept locked up because I'm too sexual,
00:10:38and it makes everybody uncomfortable.
00:10:41But I need to get a few things off my chest.
00:10:45I've tried them all.
00:10:46Straight-laced cocky bankers.
00:10:48Married cheaters.
00:10:49Young, horny kids who think they're old enough.
00:10:51Oldies on Viagra who think they're young enough.
00:10:53Party maniacs.
00:10:54Empty shells who just want to please you.
00:10:56Aloof, disconnected assholes who just want to pound you until they pass out.
00:11:01Needy drainers who touch you too much.
00:11:05And secretive egomaniacs who can never touch you enough.
00:11:09But Sledgehammer has taken the cake.
00:11:14Sledgehammer's a person?
00:11:16Supposedly.
00:11:18He says he loves me, but he doesn't even know me.
00:11:21Love is a spontaneous fucking reaction.
00:11:24And he just wants to possess me.
00:11:26Let's make one thing clear.
00:11:28I don't do love.
00:11:30We don't make love.
00:11:32We sleep together.
00:11:33But as soon as I'm not turned on anymore like after an orgasm,
00:11:37I don't want to lie underneath him.
00:11:39Or anyone.
00:11:40I don't want to feel his weight or his sweat or his breath.
00:11:43It's boring.
00:11:44It's worse than boring.
00:11:45It is empty and gross.
00:11:49It's a reoccurring thing for me.
00:11:52Have you ever felt anything like that?
00:11:53Yes.
00:11:54Sweat and breath.
00:11:56It can be awful.
00:11:58Yeah, too right.
00:12:00But you can't suppress your natural urges now, can you?
00:12:04Oh, don't look so perturbed.
00:12:07It's only natural.
00:12:09There is nothing like a bit of spontaneous action in life.
00:12:14And that's me.
00:12:16I'm all about action.
00:12:22You don't know much about spontaneity, do you?
00:12:25Yes, it promotes freedom.
00:12:26It allows you to turn off your analytical mind
00:12:28so that creativity can shine through.
00:12:30Pretty smart for a shrink.
00:12:34But why are you just standing there?
00:12:36You would be so cute if you weren't so rigid.
00:12:41Is it some kind of technique?
00:12:42Because actually it just looks fucking nuts.
00:12:44No, it is nuts.
00:12:46But I'm not...
00:12:47Whatever, stand there if you want to.
00:12:49We need to talk about Sledge.
00:12:51Oh, we do?
00:12:52Okay, here's the situation.
00:12:55After we screw in the cubicle,
00:12:57Sledge gets clingy as usual.
00:13:02Hey, let's paint together.
00:13:03Then he delivers the big news for our collective.
00:13:06He's Skyped with the top online international street art gallery in London.
00:13:10So, I just got this email from Street Art Universe.
00:13:13Street Art fucking you inviting Cognandus to do the collective exhibition.
00:13:17Do you know what this fucking means?
00:13:19We've been waiting for this for ages.
00:13:21Hey, you should do the centerpiece, yeah?
00:13:23Gee, I want you to do the fucking centerpiece.
00:13:26Get the dog out of here.
00:13:28And then he starts on at me about the dog.
00:13:30I just feel sorry for Gunji, you know?
00:13:32Like, playing hard to get is pretty fucking cruel when you extend it to dogs.
00:13:35Grace likes dogs. I don't.
00:13:37Like, look at his face.
00:13:39That face is saying, don't be a bitch to me.
00:13:45Finally, he tries blackmail on for size.
00:13:49You know, as a starting out artist, you know what this is going to do for you, right?
00:13:53Like the fucking centerpiece of my exhibition of my life.
00:13:55I don't even get a piece like the tiniest fucking morsel of what's in your life.
00:13:59Like, if we're going to do this, let's fucking do it, okay?
00:14:01Do you want this fucking centerpiece or not?
00:14:08Okay, now you're just freaking me out.
00:14:11I switched.
00:14:13And now I'm here because Grace doesn't want to know the details, but she should.
00:14:18Okay, so who's Grace?
00:14:20Aren't you the expert on multiple personality disorder?
00:14:24Look, Dr. Descala, is it?
00:14:28Yes.
00:14:30Grace?
00:14:31Who are you?
00:14:33I'm your therapist, Karen Descala.
00:14:36Have you seen me before?
00:14:38Is my voice familiar?
00:14:41I've only ever heard your last name.
00:14:44Evidently.
00:14:49So who's that?
00:14:50Patient.
00:14:54Oops.
00:14:55Okay, I should get going, Karen.
00:14:59Thank you, Adrian.
00:15:00Yes, thank you, Adrian.
00:15:03No, no, no, thank you, Grace.
00:15:06And Karen.
00:15:20Oh, you dropped something.
00:15:44Oh, thank you.
00:15:49Thank you.
00:15:58Did we cross paths earlier at the practice?
00:16:03Yes, yes, I'm also the guy that nearly ran you over.
00:16:05Adrian.
00:16:06Grace.
00:16:07Do you live in Angus Street?
00:16:11Yeah, why?
00:16:12Oh, no, no, I moved in there a few weeks ago.
00:16:14I've seen you with the, um, dogs.
00:16:17Yeah.
00:16:18Art.
00:16:19It doesn't pay often enough.
00:16:21You're not collecting dogs now, are you?
00:16:23Oh, great, excellent.
00:16:24Well, I guess we're going in the same direction, shall we?
00:16:34Didn't you leave Karen's over an hour ago?
00:16:36Yeah, yeah, I guess I was still walking her.
00:16:38I'm not driving anymore.
00:16:40You don't drive, do you, Grace?
00:16:41No.
00:16:42Maybe one day.
00:16:43Oh, I love driving fast.
00:16:44It's just, well, I ruin my car cleaning it.
00:16:48I thought cleaning your car was a good thing.
00:16:50Um, well, my cleaning and your cleaning are probably different.
00:16:54Look, I love walking, it's great.
00:16:56Sometimes I just walk around and around my block.
00:16:59It's your block.
00:17:00Our block, I suppose.
00:17:09Oh, this is mine.
00:17:10I live in my dad's garage space.
00:17:14Cool.
00:17:16Your dad works in there?
00:17:17Oh, no, no, not anymore.
00:17:18He used to store race cars there.
00:17:19But, well, they moved to Queensland to cure his rheumatoid arthritis
00:17:21and my mother's bad temper.
00:17:23You live in that one, right?
00:17:28Well, I suppose there's one more neighbour who might get in.
00:17:30I'm sorry, I can't invite you in.
00:17:31Oh, oh, no, no, no, don't be.
00:17:33I don't have visitors ever, ever.
00:17:35It's like a policy of mine.
00:17:37Please don't take it personally.
00:17:38No, no, no, no, it's fine.
00:17:41Me neither.
00:17:42I never have guys over.
00:17:44Excellent.
00:17:46Sure, sure.
00:17:47I'm sorry.
00:17:48I'm sorry.
00:17:49I'm sorry.
00:17:50I'm sorry.
00:17:51I'm sorry.
00:17:52I'm sorry.
00:17:53I'm sorry.
00:17:54I'm sorry.
00:17:55I'm sorry.
00:17:56I'm sorry.
00:17:57I'm sorry.
00:17:58I'm sorry.
00:17:59I'm sorry.
00:18:00I'm sorry.
00:18:01I'm sorry.
00:18:02I'm sorry.
00:18:03I'm sorry.
00:18:04I'm sorry.
00:18:05I'm sorry.
00:18:06I'm sorry.
00:18:07I'm sorry.
00:18:08I'm sorry.
00:18:09I'm sorry.
00:18:10I'm sorry.
00:18:11I'm sorry.
00:18:12I'm sorry.
00:18:13I'm sorry.
00:18:14I'm sorry.
00:18:15I'm sorry.
00:18:16I'm sorry.
00:18:17I'm sorry.
00:18:18I'm sorry.
00:18:19I'm sorry.
00:18:20I'm sorry.
00:18:21I'm sorry.
00:18:22I'm sorry.
00:18:23I'm sorry.
00:18:24I'm sorry.
00:18:25I'm sorry.
00:18:26I'm sorry.
00:18:27I'm sorry.
00:18:28I'm sorry.
00:18:29I'm sorry.
00:18:30I'm sorry.
00:18:31I'm sorry.
00:18:32I'm sorry.
00:18:33I'm sorry.
00:18:34I'm sorry.
00:18:35I'm sorry.
00:18:36I'm sorry.
00:18:37I'm sorry.
00:18:38I'm sorry.
00:18:39I'm sorry.
00:18:40I'm sorry.
00:18:41I'm sorry.
00:18:42I'm sorry.
00:18:43I'm sorry.
00:18:44I'm sorry.
00:18:45I'm sorry.
00:18:46I'm sorry.
00:18:47I'm sorry.
00:18:48I'm sorry.
00:18:49I'm sorry.
00:18:50I'm sorry.
00:18:51I'm sorry.
00:18:52I'm sorry.
00:18:53I'm sorry.
00:18:54I'm sorry.
00:18:55I'm sorry.
00:18:56I'm sorry.
00:18:57I'm sorry.
00:18:58I'm sorry.
00:18:59I'm sorry.
00:19:00I'm sorry.
00:19:01I'm sorry.
00:19:02I'm sorry.
00:19:03I'm sorry.
00:19:04I'm sorry.
00:19:05I'm sorry.
00:19:06I'm sorry.
00:19:07I'm sorry.
00:19:08I'm sorry.
00:19:09I'm sorry.
00:19:10I'm sorry.
00:19:11I'm sorry.
00:19:12I'm sorry.
00:19:13I'm sorry.
00:19:14Face!
00:19:23Face!
00:19:44So I'm thinking timeline, yeah?
00:20:02For the title and theme of the exhibition.
00:20:04Timeline?
00:20:05Well, like Facebook.
00:20:06No, like Facebook, man.
00:20:07Fuck Facebook.
00:20:08Like, come on.
00:20:09It's a big moment for us, yeah?
00:20:10We should sum that up.
00:20:11We should sum everything up.
00:20:12Like, shit.
00:20:13Like life, birth, death.
00:20:14Sex, innocence, deceit, trust, you know?
00:20:15Let's put every artwork in a bottle.
00:20:16The solitude of the artist.
00:20:17The sexual repression.
00:20:18Yeah, all right, Frida Kahlo.
00:20:19Can we just hold on the false gender dichotomy shit?
00:20:20My intergalactic neon tigers need to fit in here.
00:20:21That's right.
00:20:22Energy!
00:20:23Yeah, go!
00:20:24Oh, regime!
00:20:25Fuck!
00:20:26Circle up.
00:20:27One, two.
00:20:28Recess.
00:20:29Cinebata.
00:20:30Cinebata.
00:20:31Cinebata.
00:20:32Cinebata.
00:20:33Cinebata.
00:20:34Cinebata.
00:20:35Cinebata.
00:20:36Cinebata.
00:20:37Cinebata.
00:20:38Cinebata.
00:20:39Cinebata.
00:20:40Cinebata.
00:20:42Recess.
00:20:43Cinebata.
00:20:44Sat.
00:20:45Santa.
00:20:46Mua.
00:20:47You're here.
00:20:48Kodarian Dance 2 is going to be the basis of my first interactive video art installation.
00:20:52Yes, yes, yes.
00:20:53Installation video is the most common form of video art today.
00:20:55Sweetheart.
00:20:56Yeah.
00:20:57Good.
00:20:58Yeah.
00:20:59Yeah.
00:21:00Yeah.
00:21:01Yeah.
00:21:02Yeah.
00:21:03Yeah.
00:21:04Yeah.
00:21:05Yeah.
00:21:06Yeah.
00:21:07Yeah.
00:21:08Yeah.
00:21:09Yeah.
00:21:10Yeah.
00:21:11Yeah.
00:21:12Yeah.
00:21:13Yeah.
00:21:14Aha, aha.
00:21:15Aha.
00:21:16Stop that...
00:21:17Can I get you something, doc?
00:21:18Yeah, uh, wanna buy some coke?
00:21:19Mm-hmm, because I don't wanna drink.
00:21:20Oh, uh, co... coca-cola.
00:21:21Not... not cocaine, obviously.
00:21:22I mean, I do wanna drink coca-cola, I don't wanna drink alcohol, alcohol, cocaine is absurd.
00:21:28It's bad for your brain and there's brain cells every time you consume it.
00:21:32And neurological damage from narcotics is immense.
00:21:35Damage from narcotics is immense.
00:21:37Never mind the chance of a mini-strike.
00:21:39We are in luck, because we have coke.
00:21:44A cola.
00:22:02Thank you.
00:22:04That'll be a whole four dollars, thanks.
00:22:06Yes.
00:22:10Let's just say...
00:22:12you owe me.
00:22:16Jay?
00:22:18Come sit.
00:22:19It needs to be exciting.
00:22:20The title needs to have guts.
00:22:22Yeah, whatever.
00:22:23I still like my concept, though.
00:22:24Of course you do, right?
00:22:27Building on Sludge's concept,
00:22:29how about Animal Instincts as the theme?
00:22:31But is that original enough?
00:22:33What about Animal Spirits?
00:22:35It was a term chosen by John Maynard Keynes
00:22:37in his 1936 economic book,
00:22:38The General Theory of Employment, Interest and Money,
00:22:40to describe a human emotion
00:22:42that drives a spontaneous urge to action
00:22:44and not inaction.
00:22:45According to Keynes,
00:22:46animal spirits also generate human trust.
00:22:48Wait, what?
00:22:49Animal spirits.
00:22:51Of course, Keynes was applying it
00:22:53to an impulse that compels economic activity,
00:22:55but you can interpret it more...
00:22:58artistically.
00:23:00It's good.
00:23:01We can each interpret a spontaneous urge to action
00:23:04specific to us.
00:23:06You like it, Sludge?
00:23:09Uh, yeah, yeah.
00:23:11I guess the whole Neon Tigers thing fits in, so...
00:23:13See, it was a term chosen
00:23:15to emphasize the importance of gut instinct.
00:23:18Thank you, Mr. Keynes,
00:23:19for your gut instinct
00:23:20on what we're actually trying to do here.
00:23:22A live installation
00:23:23with multiple TV screens and a dance floor,
00:23:25and I want to be part of the exhibit
00:23:27with my 80s dance video hero.
00:23:28And it really would be better
00:23:30if I had a troupe of dancers, but I don't.
00:23:32So, could everybody please learn the dance moves
00:23:34from one minute, 22 seconds,
00:23:35to three minutes, ten seconds.
00:23:37Yes, yes, yes.
00:23:42Oh, my God, it's a dog!
00:23:44Hey, dog!
00:23:45No, no, no, no!
00:23:53Friday, 9.40 a.m.
00:23:55Darling, it's Mom here.
00:23:57They call you awake.
00:24:00I'm wondering how your treatment is going.
00:24:03Dad's wrist is feeling better in the heat.
00:24:05We should get a mobile.
00:24:10Monday, 9.12 a.m.
00:24:12Adrian, Stan,
00:24:14if I wasn't so damn insightful,
00:24:16I think you weren't that frightened
00:24:17of losing your life's research.
00:24:19Maybe the big boss could reduce your suspension
00:24:21if you could just deliver section six.
00:24:24Try for me, will you?
00:24:26Monday, 10 a.m.
00:24:28Adrian, hey.
00:24:30It's me, Melinda.
00:24:34I know it's been a very long time,
00:24:36but I need to see you.
00:24:38I feel, um, ready now.
00:24:42Can you call me?
00:24:44I hope you do.
00:24:47Beep.
00:24:50Beep.
00:24:52Oh.
00:25:16Beep.
00:25:18Beep.
00:25:20Beep.
00:25:22Beep.
00:25:24Beep.
00:25:26Beep.
00:25:28Beep.
00:25:30Beep.
00:25:32Beep.
00:25:34Yes, baby, yes!
00:25:36Ooh-hoo!
00:25:38My heart, my heart
00:25:40My heart, my heart
00:25:42My heart, my heart
00:25:44My heart, my heart
00:25:46My heart, my heart
00:25:48My heart, my heart
00:25:50My heart, my heart
00:25:52My heart, my heart
00:25:54My heart, my heart
00:25:56My heart, my heart
00:25:58My heart, my heart
00:26:00My heart, my heart
00:26:02My heart, my heart
00:26:04My heart, my heart
00:26:06My heart
00:26:08My heart
00:26:10My heart
00:26:12My heart
00:26:14My heart
00:26:16My heart
00:26:18My heart
00:26:22My heart
00:26:24My heart
00:26:30What does J represent, do you think?
00:26:32Badness.
00:26:35Dirty stuff.
00:26:38Sex.
00:26:40I think you keep Gee internally isolated because you might be frightened that if you let her come out she might contaminate all of you.
00:26:50Yeah.
00:26:52She frightens us.
00:26:56Grace, were you surprised that Gee turned up to therapy?
00:26:59Kind of. But I need her for the collective. She's got that toughness.
00:27:07I do get lonely sometimes. And then I imagine myself as a boyfriend.
00:27:13I always stuff it up.
00:27:15I'm not cut out for the whole falling in love thing.
00:27:20As soon as they want physical stuff I'm out of there.
00:27:23I can't.
00:27:24I can't.
00:27:26You know I'd like to think that one day you will be able to trust somebody enough to get close and trust yourself.
00:27:34The idea of me being somebody's girlfriend is pretty ridiculous.
00:27:39That somebody would have to be equally ridiculous to be willing to take on all of us.
00:27:44Our goal is to integrate your parts.
00:27:48But the integration of Gee, that part who manages your innate sexual needs, is going to be most important in enabling you to engage in a healthy, loving and physical relationship.
00:28:04I don't know.
00:28:06What I do know is that since Gee joined the collective she's the only one who paints.
00:28:11It's like I've lost my ability or urge.
00:28:16I want that back.
00:28:18♪♪♪
00:28:38Oi! Homeless man, wait up!
00:28:39Wait up!
00:28:43Grace! Grace! I just gave a homeless man four kilos of almonds!
00:28:49Oh.
00:28:53So Sledge has decided to use your idea, animal spirits.
00:28:58He says pop round any time.
00:29:00But that was Gee at the collective, not you, right?
00:29:03Right.
00:29:04So does that mean your different parts know what each other get up to?
00:29:07Depends.
00:29:09When it comes to work and painting, I seem to remember what Gee does.
00:29:12But when it gets personal or physical, she's mostly blocked.
00:29:18I have walls between my parts.
00:29:21Like concrete walls?
00:29:23Yeah.
00:29:25The kind that would require serious smashing of bricks.
00:29:30How come you know about parts?
00:29:34Well, researching OCD got repetitive.
00:29:37So you know I'm pretty weird?
00:29:39Yes, but in a contest I'd win the weirdness award, believe me.
00:29:44You don't want to be in therapy, do you?
00:29:48My post-doctoral suspension, it didn't give me much choice.
00:29:53Okay.
00:29:55Now you're just showing off.
00:30:00Post-doctoral in what?
00:30:02Quantum mechanics, robotics and the application of artificial intelligence in control engineering.
00:30:05And in English?
00:30:07Oh, I like fast cars and computers.
00:30:11Are you designing a fast car fantasy game or an app or something?
00:30:14I've designed apps, but no.
00:30:16If I was going to work on a fast car app, believe me, it wouldn't be for a game.
00:30:20You mean you could design an app for a real car?
00:30:23Maybe to start a car, I could.
00:30:27But that's not what your fancy postdoc's about?
00:30:30No, no, no, not exactly, no.
00:30:31I was being funded to build software for a car company, but, well, I got too slow.
00:30:36Ever since my breakup with Melinda, time hasn't been my forte.
00:30:39Unless I'm behind the wheel of a car.
00:30:44Did Melinda break your heart?
00:30:50She just froze in time.
00:30:54I was a coward, I hurt her.
00:30:58I still think about her obsessively.
00:31:01Maybe because I know I'll never be in another relationship.
00:31:07How do you know that?
00:31:12Melinda once asked me if I'd be able to break out of my rituals.
00:31:16If her life depended on it.
00:31:19I couldn't answer her.
00:31:21One night, when I was four, I was babysat by a 17-year-old neighbour.
00:31:28Mum and Dad were getting me out of the bath as he arrived.
00:31:32I was in a towel.
00:31:35He called me a tease and, yeah.
00:31:40When we came out of my bedroom, I drew this teapot on the corridor wall.
00:31:45I was too young to understand.
00:31:46I drew this teapot on the corridor wall.
00:31:49I was too young to understand what the word meant.
00:31:56It wasn't your fault.
00:32:02Ever since, every touch holds a request.
00:32:05I can't handle it.
00:32:10Except for dogs.
00:32:12They're cool.
00:32:14You and me both.
00:32:17Minus dogs.
00:32:18Minus dogs.
00:32:20Mm-mm-mm.
00:32:39How does it feel to be Cross Magazine's number one Melbourne street artist?
00:32:46That's the cover right there.
00:32:48The Cognitus crew.
00:32:50I don't know. Guess we'll find out.
00:32:56We have one place left.
00:32:58The spot is in our Fatale section.
00:33:01So far, only acclaimed lady artists.
00:33:04But, gee, is that good.
00:33:06Maybe we should get her involved.
00:33:08Yeah, yeah.
00:33:10She is that good, hey.
00:33:12I appreciate it, Eric, man.
00:33:14It's just, um, I don't want to capsize her canoe, you know.
00:33:16She's, uh, she's pretty green still.
00:33:19Until our collective exhibition is done, I don't want to overwhelm her or anything.
00:33:23Are you serious?
00:33:25Edinburgh would be bigger for her than your collective exhibit.
00:33:28Surely you wouldn't deny her this opportunity.
00:33:31Yeah, I appreciate it, man. I'll chat to her.
00:33:33I'll email through the details in case you change your mind.
00:33:36Yeah, sweet.
00:33:43Oi.
00:33:46Why tease me like this, G?
00:33:47Why tease me like this, G?
00:33:48Hey.
00:34:15Look at you all cute.
00:34:16Holy fuck.
00:34:24Tease.
00:34:38Grace, our bodies have a way of telling us things.
00:34:41You just have to read their language.
00:34:43Your teapot all over their painting was a language.
00:34:46My proctitis was a language that told me I am a lesbian.
00:34:50Your proctitis?
00:34:53The inflammation of the anus.
00:34:56Every time I sleep with a man, I get this damn inflammation.
00:35:00Men will literally paint in my ass.
00:35:02They'll paint in my ass.
00:35:11Thanks, Bill. Did you sign for them?
00:35:28Tease, tease, tease.
00:35:32Tease.
00:35:38G.
00:35:41G.
00:35:45Gunshot.
00:35:48Poor bastard. He doesn't know whether you love him or hate him.
00:35:51Hey.
00:35:52Yeah, so, um, look, I don't know where your head's at
00:35:55with the whole animal spirits thing, but I'm down.
00:35:57You know, I figure we go...
00:36:00You go all out with the centerpiece.
00:36:03Tie it all together through what's in the middle there.
00:36:06Love.
00:36:07No, I figure the centerpiece should be about love.
00:36:10But, uh, like, you do what you want, yeah? You'd be awesome.
00:36:14Love works?
00:36:19I love you, G.
00:36:20Don't tell Adrian.
00:36:23Yeah, right.
00:36:28Here, Bill.
00:36:29Yes.
00:36:30Here.
00:36:31Okay.
00:36:33Circle up.
00:36:34One, two.
00:36:40Do your hair.
00:36:41Do your hair.
00:36:42Very good.
00:36:43Yes.
00:36:46Push behind.
00:36:47Up.
00:36:58Yes.
00:37:06That is what he gets for asking Libido to paint about love.
00:37:13Eighty-four.
00:37:14And done.
00:37:16Eighty-five.
00:37:17And done.
00:37:19Eighty-six.
00:37:20And done.
00:37:21Eighty-seven.
00:37:22And done.
00:37:23Hey, Adrian.
00:37:24Oh, hello, Grace.
00:37:25I didn't mean to disturb you.
00:37:26Just walking.
00:37:27Oh, no, no.
00:37:28It's okay.
00:37:29If you just wait a minute, I'll walk with you.
00:37:31I'm almost done.
00:37:33Eighty-seven.
00:37:34Eighty-eight.
00:37:36Seven.
00:37:37Damn it.
00:37:40One.
00:37:41And done.
00:37:42Two.
00:37:43And done.
00:37:45Three.
00:37:46And done.
00:37:48Four.
00:37:49And done.
00:37:50Five.
00:37:51And done.
00:37:52And nine.
00:37:53And done.
00:37:54And done.
00:37:56A hundred.
00:37:57And done.
00:38:01Okay, Grace.
00:38:07They're on leashes, aren't they?
00:38:09Yeah.
00:38:13It's good to see you.
00:38:15You too.
00:38:17Would it help if I walked on the other side of the road?
00:38:20Okay.
00:38:21Come on, come on.
00:38:25This is nice.
00:38:26Yeah.
00:38:37Are you okay with this?
00:38:48Sorry.
00:38:51How's your planning for the exhibition going?
00:38:53It's all G.
00:38:54I'm still struggling.
00:38:55It's been too long.
00:38:57Do you miss it?
00:38:58Oh, hell yeah.
00:38:59I miss getting lost in a painting.
00:39:01When I see a picture I really like,
00:39:03it gets this light around it and it makes me feel good.
00:39:06That's hard to explain.
00:39:08You sense good energy.
00:39:10I guess.
00:39:11Around people too.
00:39:12The good ones who care about others.
00:39:14They have strong likes.
00:39:15But that's pretty rare.
00:39:17You seem very perceptive.
00:39:19About others, maybe.
00:39:21Hey.
00:39:22Karen said it's important I try painting somewhere different.
00:39:24Around someone new.
00:39:27Do you want to come on an expedition with me tomorrow morning?
00:39:29Maybe even help out?
00:39:31Yeah, I'd love to.
00:39:34You're really beautiful.
00:39:39Yeah, I am.
00:39:43I'm little.
00:39:45The beautiful one.
00:39:47The lovable one.
00:39:51Oopsie daisies!
00:39:53You've got to catch them!
00:39:55Catch them!
00:39:56Get away from me!
00:39:58Cowardice!
00:39:59Well, that may be the fucking definition!
00:40:02Who knew it had gloves but no socks?
00:40:05You dick!
00:40:20I'm sorry.
00:40:51I'm getting married.
00:40:58Congratulations.
00:41:01Yeah, well, I mean...
00:41:03Greg's proposed.
00:41:05I haven't decided yet.
00:41:09I'm ruminating about my body again and...
00:41:14It's just so fucking normal, you know?
00:41:20Yeah.
00:41:30Do you still think about me?
00:41:42You look so hot like that.
00:41:44I promise you're not fucking with me.
00:41:45I promise I'm fucking you.
00:41:51Come on, what did I say?
00:41:54I fucked you, you fucking promised!
00:42:09Mr Keynes?
00:42:11Sledgehammer.
00:42:13I thought I'd come and see the exhibit progress.
00:42:17Sure, why not?
00:42:20Gee, she'll be back soon.
00:42:33She's come through.
00:42:38She's pretty crazy, huh, man?
00:42:41I mean, I guess we're all fucking crazy though, right?
00:42:44I'm fucking crazy.
00:42:46Hey, look, you guys, uh...
00:42:48You haven't had, like, a fling or some shit, have you?
00:42:50No, no, no, no fling, no.
00:42:52See, I convinced myself she was fucking you, man.
00:42:59You know, like, we have great sex, right?
00:43:02Like, the greatest fucking sex, man.
00:43:04Like, I mean, she goes off and flirts with other dudes, but I guess...
00:43:08Like, none of that shit matters when you...
00:43:11When you connect.
00:43:12Like, when you're connected to someone in that way.
00:43:14Because she knows me better than anyone, and I'm the same for her.
00:43:16And when we paint, man, fuck, when we paint together,
00:43:18we disappear into this fucking cloud together, man.
00:43:22Creativity.
00:43:23Creativity, yeah.
00:43:24Yeah, yeah, that's right.
00:43:26And you know, creativity's, like, the most intimate thing you can share, yeah?
00:43:30Like, you've got to be vulnerable to open yourself up to that space,
00:43:32and what's cool, man, what's really fucking cool,
00:43:35is she can do that with me.
00:43:38What?
00:43:39Circle up, one, two.
00:43:42God, just stop passing that shit around.
00:43:45It's too much.
00:44:01Hi, Sledge.
00:44:04Women's exhibit in London.
00:44:06Huge opportunity for G.
00:44:08Hey, Eric.
00:44:10Not the right time for G.
00:44:11She's politely declined the invitation.
00:44:13Remember.
00:44:14What do you mean, you can't remember?
00:44:15G, what are you doing?
00:44:17G, where were you?
00:44:18Are you drunk?
00:44:20Jealousy is an aphrodisiac.
00:44:22You know, I wouldn't just give this centerpiece to a mate, right?
00:44:24I'm not forcing you into anything, I'm just saying it's your fucking choice.
00:44:35Do you know anything about the legendary Kordarian Persian aerobic dance?
00:44:39Should I?
00:44:40Yes, yes, yes, you should.
00:44:41You should research it like I have.
00:44:43Because if you haven't danced, you haven't lived.
00:45:11I'm sorry.
00:45:37You met Little and Spike.
00:45:39I'm sorry about the dogs.
00:45:41Sorry about Spike's mouth.
00:45:42I can't always control my switching.
00:45:44I'm sorry we didn't get to do your painting.
00:45:46Melinda, my ex-girlfriend, she came to see me.
00:45:51Yeah.
00:45:52Thought that was her.
00:45:57How old's Little?
00:45:59She used to be four, but she's grown up to six now.
00:46:02She grows up?
00:46:03Yeah.
00:46:04Because I get better through therapy.
00:46:06Hopefully I'm slowly getting there.
00:46:08No, I've forgotten where there is.
00:46:14So how many are...
00:46:17There's ten of us.
00:46:21If you imagine it like a house, and that there's many rooms inside me.
00:46:26Oh, and you can see the rooms?
00:46:27You know where everyone is?
00:46:29Well, not everyone can see and hear each other, but I can see the house.
00:46:32And I can usually find someone if I try.
00:46:34There's a clock in the shape of a heart above the roof.
00:46:38It's always ticking.
00:46:40Certain rooms only unlock at certain times if I ask them.
00:46:44Trouble is, I can't always see the time.
00:46:47Clouds, they get in the way.
00:46:50It's fascinating.
00:46:53As if.
00:46:55You'd want to put up with ten of us.
00:46:57Well, if a guy didn't have many friends.
00:46:59I don't know.
00:47:00Ten of us.
00:47:02Well, if a guy didn't have many friends.
00:47:04It would make a great package deal.
00:47:09What about you? Since Melinda, there's really been no one.
00:47:12You'd want to put up with a guy who wears gloves instead of socks.
00:47:15Someone might.
00:47:20Usually when guys talk to me for this long, they want something else, but...
00:47:24You don't want to touch me.
00:47:28The funny thing is...
00:47:30I don't want to be touched either.
00:47:33Usually.
00:47:46It's about time we did something to help you out.
00:47:51You must be dying for it.
00:47:55What do you do with all that sexual energy, huh?
00:47:58Fantasize? Touch yourself?
00:48:02Wet dreams, maybe.
00:48:04Oh, I can see it. It's there.
00:48:07What do you do with it, huh?
00:48:09I drive!
00:48:11Am I tormenting you?
00:48:13No, no, no. This is perfectly normal, reasonable behavior.
00:48:16You're not a tease.
00:48:18You never were.
00:48:20I'm responsible.
00:48:21I'm responsible.
00:48:23I could do you right here, on this bench, in public.
00:48:27That'd be hot.
00:48:29Don't fucking touch me!
00:48:31Fuck! Shit!
00:48:33This is going to take me hours now, you stupid, stupid idiot!
00:48:37Dammit, dammit!
00:48:46Grace?
00:48:49I'm sorry.
00:48:51I'm so embarrassed. I saw what you just did.
00:48:54That's great. I mean...
00:48:57Look, every third Wednesday is my going out day.
00:49:00Maybe we could do something on Wednesday?
00:49:02I could take you out for...
00:49:04You could do your painting, or I could take you out for lunch, or both.
00:49:07Let's be spontaneous. How about lunch now?
00:49:09No, no, no.
00:49:11It's got to be Wednesday, okay?
00:49:13And it's not Wednesday.
00:49:15Okay.
00:49:17I've got to go shower.
00:49:19I think you should shower. We should both shower.
00:49:21No, no, no. I've got to go.
00:49:23Bye. Sorry.
00:49:36Remember we discussed the idea of you reducing the number of times you check just one area?
00:49:42The gas, for example?
00:49:44Or halving things?
00:49:46The detergent or the soap bars?
00:49:48Have you made any progress?
00:49:49No. I've been too busy.
00:49:51Busy?
00:49:53Well, it's not long since I've moved in. The house is still filthy.
00:49:55I'm systematically cleaning each room.
00:49:57By the time I shower, watch a bit of TV, it's already very late.
00:50:00That must make contact with friends very difficult.
00:50:03Yeah, well, if you turn up three hours late to a movie, do you expect anyone to wait around for you?
00:50:07I mean, do you keep your husband waiting three hours and expect him to be hanging around for you?
00:50:10Well, take it from me, they give up on you eventually.
00:50:13Well, why do you keep your husband waiting?
00:50:16You should know by now how much I enjoy my work.
00:50:19Oh.
00:50:21Obsessive, huh?
00:50:23Linda used to say, love is not a mathematical equation.
00:50:26She'd say, lose the calculator.
00:50:28She's right.
00:50:30When you stop measuring and calculating and just live, then you can love.
00:50:35To love, you have to be spontaneous.
00:50:38And one simple act of spontaneity, it can change everything.
00:50:41Well, are you spontaneous?
00:50:43With your husband?
00:50:45No.
00:50:47But you'd like to be?
00:50:49See, there I go again.
00:50:51I have not lost my knack for ruining encounters with women.
00:50:54Encounters? Who are these women?
00:50:57Well, they're just figments of my imagination, really.
00:51:03There is one woman.
00:51:05She's very beautiful. I end up showering three times.
00:51:08Oh, you know what, that sounded so perverted.
00:51:11I just meant I wash myself more, that's all.
00:51:13Is this woman someone you could like or trust?
00:51:16We just talk on a park bench. Nothing raunchy.
00:51:20Do you still think about those times?
00:51:22Times when you could accept a hug or a kiss from someone you cared for?
00:51:27Do you?
00:51:29Is it important for you to compare yourself to me?
00:51:31It's important for me to clown around.
00:51:34Look, I know where you're going with this, okay?
00:51:37And it is nice in theory, but...
00:51:41With the idea of exchanging body fluids with someone, it just...
00:51:47It seems impossible.
00:51:49Impossible.
00:51:52Okay, may I?
00:51:53Yes.
00:51:54Okay, thank you.
00:51:56Because you think that they might contaminate you
00:51:59or because you feel that you may contaminate them?
00:52:02Both.
00:52:06Adrian, we've talked about the options.
00:52:10There are no magic solutions.
00:52:12You have to be prepared to work at it.
00:52:14But there is medication.
00:52:17I told you, my brain is important to me, okay?
00:52:20I don't want my thinking to be affected.
00:52:22I've read about the side effects.
00:52:24Dizziness, headaches, the inability to drive.
00:52:27I've got to drive.
00:52:29I've got to drive.
00:52:30What if it works, Adrian?
00:52:40How can I marry him when I can't even walk around?
00:52:44I can't walk around naked.
00:52:46I only have sex in the dark.
00:52:48What is it this time?
00:52:49Because I don't actually have much money.
00:52:52This time, my ears did stick out pathologically
00:52:56and I had no breasts.
00:52:59Who said I wanted money anyway?
00:53:00I mean, this is a very big decision to make on my own
00:53:03and I can't talk to Greg about it.
00:53:14Adrian.
00:53:24I'm serious.
00:53:28Hey there, lovebird fuckers.
00:53:30Who's this?
00:53:31Spike.
00:53:32What, as in Jones?
00:53:33Yeah, something like that.
00:53:34I'm Adrian's neighbour and sometimes confidant
00:53:36and I want to know why the fuck you are fucking with his head.
00:53:39Excuse me?
00:53:40You heard.
00:53:41The old, I'm getting married, are you jealous?
00:53:43Tell me you love me because I'm shitting myself
00:53:45impending boredom of forever with some dude
00:53:47who's going to give me a picket fence and a loose vagina.
00:53:50Oh, shame.
00:53:51I feel for you.
00:53:52Sorry?
00:53:53Am I being too fucking generic?
00:53:55Are you here to prove how fully functioning you are
00:53:58in comparison to your crazy ex-boyfriend
00:54:01who can't even leave the house?
00:54:03Ha ha ha, yeah.
00:54:04Looks like I hit the nail on the head there.
00:54:07Loose vagina.
00:54:08She didn't mean that.
00:54:09I didn't say that.
00:54:10No, of course you didn't.
00:54:11You're too busy drowning your guilt in sobsuds day and night.
00:54:14Guilt, get it?
00:54:16You are a coward and you can't get over it.
00:54:19It, not her.
00:54:21If you care so much, then you'll get those dogs away from here.
00:54:24Ha ha ha.
00:54:26I'm not an enabler.
00:54:28I test boundaries and that's how I show my affection.
00:54:36Hose you?
00:54:37Mmm.
00:54:41Let's do it.
00:55:11Come on, work for me.
00:55:12Come on.
00:55:13Come on.
00:55:14Come on.
00:55:15Come on, work for me.
00:55:19Come on, come on.
00:55:24Come on.
00:55:32Okay.
00:55:33All right.
00:55:34Okay.
00:55:35Okay.
00:55:36Okay.
00:55:37Okay.
00:55:38Okay.
00:55:39Okay.
00:55:40Okay.
00:55:41Okay.
00:55:42Okay.
00:55:43Okay.
00:55:44Okay.
00:55:45Okay.
00:55:46Okay.
00:55:47Okay.
00:55:48Okay.
00:55:49Okay.
00:55:50Okay.
00:55:51Okay.
00:55:52Okay.
00:55:53Okay.
00:55:54Okay.
00:55:55Okay.
00:55:56Okay.
00:55:57Okay.
00:55:58Okay.
00:55:59Okay.
00:56:00Okay.
00:56:01Okay.
00:56:02Okay.
00:56:03Okay.
00:56:04Okay.
00:56:05Okay.
00:56:06Okay.
00:56:07Okay.
00:56:08Okay.
00:56:09Okay.
00:56:10Okay.
00:56:11Okay.
00:56:12Okay.
00:56:13Okay.
00:56:14Okay.
00:56:15Okay.
00:56:16Okay.
00:56:17Okay.
00:56:18Okay.
00:56:19Okay.
00:56:20Okay.
00:56:21Okay.
00:56:22Okay.
00:56:23Okay.
00:56:24Okay.
00:56:25Okay.
00:56:26Okay.
00:56:27Okay.
00:56:28Okay.
00:56:29Okay.
00:56:30Okay.
00:56:31Okay.
00:56:32Okay.
00:56:33Okay.
00:56:34Okay.
00:56:35Okay.
00:56:36Okay.
00:56:37Okay.
00:56:38Okay.
00:56:39Okay.
00:56:40Okay.
00:56:41Okay.
00:56:42Okay.
00:56:43Okay.
00:56:44Okay.
00:56:45Okay.
00:56:46Okay.
00:56:47Okay.
00:56:48Okay.
00:56:49Okay.
00:56:50Okay.
00:56:51Okay.
00:56:52Okay.
00:56:53Okay.
00:56:54Okay.
00:56:55Okay.
00:56:56Okay.
00:56:57Okay.
00:56:58Okay.
00:57:00Okay.
00:57:02Okay.
00:57:03Okay.
00:57:05Okay.
00:57:09Okay.
00:57:10Hm.
00:57:11Okay.
00:57:14Okay.
00:57:15Okay.
00:57:16Okay.
00:57:17Hey, How about a free ride?
00:57:18For us and for you.
00:57:25How about a free ride for us and for you?
00:57:28Oh, heaven, what is this delicious vehicle?
00:57:31Oh, hi, Celeste, but I'm not supposed to be driving this car.
00:57:34My dad's storing it in my garage.
00:57:35He took away the key.
00:57:36He's trying to bribe me to change my, uh...
00:57:38To change your sex life, that's for sure.
00:57:40Honey, come on, get out or let me get in.
00:57:43I'm just a squirrel looking for a nut.
00:57:45Oh, no, no, no, nuts.
00:57:46Sorry, ladies, but I did bring refreshments as promised.
00:57:50Lots of sugar, no alcohol.
00:57:52Be careful and don't scratch the paint.
00:57:54When we said drinks, we meant drinks.
00:57:57Goddamn, we just got a sugar daddy for life now instead.
00:58:00So, um, were you ladies really dancers?
00:58:03Oh, would I lie to you?
00:58:06Queens of an exotic dance troupe.
00:58:08My career didn't end because my moves were too bad.
00:58:11No, because the smack was so good.
00:58:13Oh, I better get going now,
00:58:17but I'll see you next time.
00:58:21Take us with you on a ball.
00:58:23Listen to your father and write something else.
00:58:26Like a woman.
00:58:27Whoo!
00:58:39Wow.
00:58:41I didn't think you'd show up.
00:58:43Shouldn't you be furious with me?
00:58:44Oh, Spike makes me want to toughen up.
00:58:52Do you want to go for burgers?
00:58:53Oh.
00:58:56Okay.
00:59:04So, lunch first and then my painting?
00:59:05Yep.
00:59:06♪ He's pulling on fire with you ♪
00:59:13♪ I'm sure of the moment ♪
00:59:21Mmm.
00:59:23Not that it's a touch.
00:59:26Listen, they're the best.
00:59:36Are you free to do something on Monday night?
00:59:39Okay, um, I don't know.
00:59:41Three a.m.?
00:59:42What did you want to do?
00:59:43Oh, I want to take you out.
00:59:46It's a surprise.
01:00:07Ah.
01:00:27Mmm.
01:00:36Mmm.
01:01:02Stay there.
01:01:04Don't move or this whole thing won't work.
01:01:07Arms down.
01:01:14You said you wanted to toughen up, so promise me.
01:01:18Yeah, okay.
01:01:19I promise you.
01:01:21So what's this new technique?
01:01:23Pigment.
01:01:25Watch.
01:01:29Ready?
01:01:32Uno, dos, tres.
01:01:36♪
01:02:06♪
01:02:36♪
01:02:41♪
01:02:46♪
01:02:51♪
01:02:56♪
01:03:01♪
01:03:06♪
01:03:11♪
01:03:16♪
01:03:21♪
01:03:26♪
01:03:31♪
01:03:36♪
01:03:41♪
01:03:45Being aware of G's sexual behaviour,
01:03:48even for a few moments, is a momentous change.
01:03:51Do you want to tell me what she did?
01:03:54She was just flirting very hard with someone.
01:03:59We don't have to talk about it.
01:04:01Is G sound proof now?
01:04:03Yeah.
01:04:04But she actually, she spoke to me in a dream I had the other night.
01:04:08That's never happened before.
01:04:10That's great.
01:04:12What did she say?
01:04:13She said she wants to work together with me on the centrepiece.
01:04:17And that she wants to come out of the attic.
01:04:19She's tired of it.
01:04:21She asked me if I'd be happy to make some time to sit with her in the lounge room
01:04:25because she's feeling lonely.
01:04:28And then she smiled at me really nicely.
01:04:32And what did you say?
01:04:34I said maybe, because I felt a bit sorry for her.
01:04:38That she would have to promise not to behave badly.
01:04:44She laughed.
01:04:45Said she'd think about it.
01:04:48Actually, I feel a bit different since I spoke to her.
01:04:57One and done.
01:05:00Two and done.
01:05:03Three and done.
01:05:17Four and done.
01:05:47Five and done.
01:06:18You ready?
01:06:22Almost.
01:06:24Do I need to bring anything?
01:06:26Music.
01:06:27Your kind of music.
01:06:28Wait outside my garage.
01:06:48Music.
01:06:59You should get in.
01:07:00We have 127 minutes to go.
01:07:18Woo!
01:07:21Great idea you had with the app.
01:07:33Trust me.
01:07:39Thank God.
01:07:40We were getting thirsty.
01:07:42Daddy's car again.
01:07:44That boy.
01:07:45Adrian!
01:07:46Mama!
01:07:48They know you?
01:07:49Yes, I'm a regular here now.
01:07:51Oh my God!
01:07:52There's a woman in there!
01:07:54Mama mia!
01:07:56Beautiful woman.
01:07:57This is Grace, my...
01:07:58Friend.
01:07:59Hey, I'm Grace.
01:08:01Hand him a drink.
01:08:02Okay, like always, don't scratch the paint.
01:08:05Delicious, divine, and hopefully no hallucination.
01:08:08Hello, Grace.
01:08:09He's finally a man.
01:08:11Marry him.
01:08:13We've got to go.
01:08:14There's only 87 minutes left.
01:08:16I still don't know what we're counting down to.
01:08:18Oh, I hacked into the highway police patrol schedule.
01:08:20How are you?
01:08:21Hold on tight, Adrian, baby.
01:08:23Don't you fall from grace.
01:08:26See you at rehearsal.
01:08:43Maybe I could do some painting on the walls in your garage.
01:08:47It could be cool.
01:08:50Would you let me in?
01:08:53In my garage?
01:08:57Yes.
01:08:59I'd love that.
01:09:00I'm excited.
01:09:02See, I feel pretty honored that you have the time for me and not for Edinburgh.
01:09:06You sure?
01:09:07Sure.
01:09:08What's in Edinburgh?
01:09:10Oh, um, I don't know.
01:09:13I'm mixing things up.
01:09:17Tomorrow afternoon, meet you at the garage.
01:09:24Is something up?
01:09:25Huh?
01:09:26With me?
01:09:27No, no.
01:09:28Uh, tomorrow, well, I can't do it in the afternoon.
01:09:31I promised Melinda I'd be somewhere, but...
01:09:34Can you do the evening?
01:09:36Okay.
01:09:38Okay.
01:09:41What did you promise Melinda?
01:09:43Oh, uh...
01:09:46It's somewhat personal.
01:09:48I shouldn't say.
01:09:57You still want her back?
01:10:07Yeah.
01:10:13I don't know now.
01:10:28This is my favorite song.
01:10:31My mum and I used to dance to it.
01:10:37The bus from the lodge in San Salvador, El Salvador.
01:11:07Oh!
01:11:08Oh!
01:11:09Oh!
01:11:38Oh.
01:11:45Adrian.
01:11:46Yeah?
01:11:47Take it.
01:12:07Take it.
01:12:38You did not just bring me here for some artistic opinion.
01:12:41Yeah, I did.
01:12:43This is Adrian's garage.
01:12:45His blank walls need a touch of me.
01:12:47Yeah?
01:12:48Then why are we alone in the dark, huh?
01:12:51You know, that guy would be scared of a spray can.
01:12:54No.
01:12:55He came painting with me at the deserted factory.
01:12:59Fuck you, G!
01:13:00That's...
01:13:02That's not a spray can.
01:13:04Fuck you, G!
01:13:05That's...
01:13:07You know, you probably do want to fuck him, don't you?
01:13:09I'd like to see that, actually.
01:13:11Bet you the guy's too fucking scared to touch his own dick.
01:13:13Maybe he does it like this, huh?
01:13:15Without his hands.
01:13:17Maybe I just want to close my eyes and pretend that it's him.
01:13:20Maybe that's what I really want.
01:13:27Fuck!
01:13:28Fuck!
01:13:34You guys should leave.
01:13:38Well, I'm going to!
01:13:40We should all leave!
01:13:59Six...
01:14:01And done.
01:14:04Seven...
01:14:05Adrian, it's me!
01:14:09Adrian?
01:14:11Hey, I'm...
01:14:13I'm really sorry.
01:14:17I want to make it up to you.
01:14:20I made sandwiches for lunch.
01:14:24Are you free?
01:14:28Yeah.
01:14:39Forty-nine...
01:14:42And done.
01:14:46And fifty...
01:14:49And done.
01:14:52I...
01:14:54I want to apologise for G showing up instead of me.
01:15:00I...
01:15:02I was disappointed.
01:15:04So G acted out.
01:15:08You can be honest.
01:15:10Do you want to hang out?
01:15:15Adrian?
01:15:17Ah, fuck!
01:15:20Fuck!
01:15:23Fuck!
01:15:30Grace!
01:15:32Are you there?
01:15:34Ninety-eight...
01:15:35And done.
01:15:36Ninety-nine...
01:15:37And done.
01:15:39A hundred...
01:15:40And done.
01:15:47Oh, I...
01:15:49I can't sit. I've got to find someone.
01:15:51Someone? What?
01:15:52Hey, I...
01:15:53So you're just running away as usual, are you?
01:15:56You're my support through this.
01:15:58We've got another appointment.
01:16:00We didn't have sex for three years.
01:16:03A guy who wants sex every night.
01:16:05Shh!
01:16:06I ended up in a neck brace, for fuck's sake!
01:16:08No, nothing has changed.
01:16:09I still can't get out of the bathroom for someone I love.
01:16:12Well, we love each other so much.
01:16:14Okay, I know.
01:16:19This maniac is who we're looking for?
01:16:21Gee, wait.
01:16:22No thanks.
01:16:23I hope you have a very happy life together.
01:16:27Just try and stay out of my face.
01:16:30This is my turf.
01:16:33It's all right for you to have sex in my garage, I suppose.
01:16:35What do you care?
01:16:37Yeah, what do you care?
01:16:38Fuck off!
01:16:40I can take care of myself.
01:16:44That crazy is totally in love with you.
01:16:48You don't...
01:16:49like her, do you?
01:16:54Mel, I'm going to walk you home now.
01:16:56Who says I'm done here?
01:16:57Have you even heard a word that I've been saying?
01:16:59For fuck's sake!
01:17:00I heard you, okay?
01:17:03You are always going to doubt yourself, Mel.
01:17:06And I am always going to be sorry for what I did,
01:17:09but mostly for what I did not do for you.
01:17:13But I'm not always going to be hurt by you not loving me,
01:17:15so please, just let me be sorry and stop trying to hurt me.
01:17:19It's just...
01:17:21Greg's so perfect.
01:17:22I just...
01:17:23That's what's scary.
01:17:25Well, don't worry.
01:17:26He's probably not that great.
01:17:27You're just...
01:17:28You're comparing him to me,
01:17:29and he's killing it on the normality scale.
01:17:32Now, shall we?
01:17:46Adrian, it's Stan.
01:17:48Premium Motors don't want to wait the full three months.
01:17:51They're going to cut your retainer,
01:17:53and your research will become company property.
01:17:55So tell me you've done something, Adrian,
01:17:57because if you haven't, call me.
01:18:00Just please, mate, call me.
01:18:10Grace?
01:18:12Grace?
01:18:17She won't be back for a long, long time.
01:18:21Oh, I see.
01:18:23What happened to your girlfriend?
01:18:25I don't have a girlfriend.
01:18:27I don't care if you do.
01:18:29Do you know much about chemistry?
01:18:31Biochemistry?
01:18:32Sexual chemistry.
01:18:33Oh, no.
01:18:36You like me, I can tell.
01:18:38I do?
01:18:39Yeah.
01:18:40You're a bit scared of me, but you like me,
01:18:42and that's because we have chemistry.
01:18:44You can't ignore it if it's there.
01:18:45You can't grow it if it's not.
01:18:46So if it is there, it's kind of crazy not to act on it.
01:18:50Oh, it's not the first time I've done something crazy.
01:18:52Oh, yeah? How crazy?
01:18:54Oh, not that kind of crazy.
01:18:56I meant the first kind of crazy you mentioned.
01:18:59In a perfect world,
01:19:01what would you like to do to me?
01:19:07I'd like to leave a message with Grace.
01:19:10Actually, if that's how it works.
01:19:13I wanted to meet me at that bench at 4pm on Wednesday
01:19:15to apologize.
01:19:17You want me.
01:19:19No, no, no. I don't want you.
01:19:21You don't want me?
01:19:23No, yes.
01:19:24Do you hate me because I make you uncomfortable?
01:19:27No, no, no. I don't hate you.
01:19:30I mean, it's the opposite.
01:19:32You hate me.
01:19:33You hate me.
01:19:35Go on, admit it.
01:19:36You hate me.
01:19:38No, I love you!
01:19:41I love you.
01:19:43I'll see you later.
01:20:10I love you.
01:20:41I love you.
01:21:00Stay.
01:21:02Adrian.
01:21:10Adrian.
01:21:35You here to keep me company, Keynes?
01:21:36You want to give me a hand with these boxes?
01:21:41So tell me, it's come to my attention
01:21:43that you're inhibiting Gee's progress as an artist.
01:21:45What do you mean?
01:21:46I know you never told her about the opportunity
01:21:48at the Edinburgh Women's Exhibition,
01:21:49and if you don't, I will.
01:21:52Is this blackmail?
01:21:53No, no, no.
01:21:54What you're doing with Gee about the centrepiece,
01:21:56that would be a much more apt example of blackmail.
01:21:58Yeah, well, I didn't tell her about the Edinburgh Invitation
01:22:00because I didn't want to flood her canoe, right?
01:22:03Edinburgh Invitation?
01:22:04Yes, yes, yes.
01:22:05Street Art University invited you to be part of an exhibition
01:22:08in Edinburgh, and he declined on your behalf.
01:22:11What?
01:22:12Wait, you knew and you didn't tell me?
01:22:14I can't trust either of you.
01:22:16You misunderstood what I said, you know,
01:22:18with what you saw with Melinda and I.
01:22:19Oh, look, don't fucking compare me to him, okay?
01:22:21Stop it! Both of you!
01:22:22Sledge, I decide on my RSVP for career-altering exhibitions,
01:22:27not you.
01:22:28Yeah, well, guess what, Gee?
01:22:29This is my fucking collective, okay?
01:22:31I don't want you getting distracted by some other shit
01:22:33and pissing off when we're doing our fucking centrepiece.
01:22:37You can shove the centrepiece up your arse!
01:22:43Fuck, man!
01:23:04I am never coming back!
01:23:06Do you fucking hear me?
01:23:08You can fuck yourself, you fucking dick!
01:23:13Yeah, what are you going to do, come here?
01:23:15Big fucking threat!
01:23:37Hmm?
01:23:54Ah!
01:23:55Oh!
01:23:58You're so annoying!
01:24:07Yeah, did you know?
01:24:13Fuck!
01:24:14Shit!
01:24:15Ah!
01:24:17No!
01:24:20Ah!
01:24:21Fuck!
01:24:22Fuck!
01:24:23Jesus!
01:24:24Fuck!
01:24:29Enough of this hot and cold bullshit, Gee!
01:24:31It's fucking torture!
01:24:32Sledge, I am Grace, not Gee,
01:24:34I don't want this, I don't want this ever again between us.
01:24:36Listen to yourself, you're fucking crazy!
01:24:38I know who you are!
01:24:39No, you don't!
01:24:40No, I need you, Gee, okay?
01:24:42You need me, you need my attention,
01:24:44you need me for the centrepiece,
01:24:45you are not in love with me!
01:24:51You fucking bitch!
01:24:53You treat me like the fucking dog, do you, do you know that?
01:24:56Do you know what that fucking feels like, Gee, huh?
01:24:58Do you know what that fucking feels like?
01:25:00Yes!
01:25:05Yeah, yeah, yeah.
01:25:08Oh!
01:25:34Is there something wrong with the front door?
01:25:40This was easier.
01:25:51Thank you.
01:26:05No.
01:26:09I want you to know that
01:26:12it's me,
01:26:14not Gee.
01:26:17I want to touch you.
01:26:20I'm sorry, I...
01:26:34I...
01:27:05Gee.
01:27:10I'm very, very happy to unveil
01:27:12my very first interactive video installation
01:27:15with the dress rehearsal of
01:27:17the live performance for the opening night!
01:27:19Dude, we told you we can't.
01:27:22Adrian!
01:27:23Gunja!
01:27:25Rajiv, are you ready?
01:27:27Come on.
01:27:28Come on, girls.
01:27:31Oh, hey, girls.
01:27:33Did you know he was doing this?
01:27:34No.
01:27:35Hey!
01:27:36You didn't know it!
01:27:40And for Jay, one, two.
01:27:47You're killing me
01:27:50You're killing me
01:27:53You're killing me
01:27:55You're killing me
01:27:57You're killing me
01:27:58You're killing me
01:27:59You're killing me
01:28:00You're killing me
01:28:01You're killing me
01:28:02You're killing me
01:28:03You're killing me
01:28:04You're killing me
01:28:05You're killing me
01:28:06You're killing me
01:28:07You're killing me
01:28:08You're killing me
01:28:09You're killing me
01:28:10You're killing me
01:28:11You're killing me
01:28:12You're killing me
01:28:13You're killing me
01:28:14You're killing me
01:28:15You're killing me
01:28:16You're killing me
01:28:17You're killing me
01:28:18You're killing me
01:28:19You're killing me
01:28:20You're killing me
01:28:21You're killing me
01:28:22You're killing me
01:28:23You're killing me
01:28:24You're killing me
01:28:25You're killing me
01:28:26You're killing me
01:28:27You're killing me
01:28:28You're killing me
01:28:29You're killing me
01:28:30You're killing me
01:28:31You're killing me
01:28:32You're killing me
01:28:33You're killing me
01:28:34You're killing me
01:28:35You're killing me
01:28:36You're killing me
01:28:37You're killing me
01:28:38You're killing me
01:28:39You're killing me
01:28:40You're killing me
01:28:41You're killing me
01:28:42You're killing me
01:28:43You're killing me
01:28:44You're killing me
01:28:45You're killing me
01:28:46You're killing me
01:28:47You're killing me
01:28:48You're killing me
01:28:49You're killing me
01:28:50You're killing me
01:28:51You're killing me
01:28:52You're killing me
01:28:53You're killing me
01:28:54You're killing me
01:28:55You're killing me
01:28:56You're killing me
01:28:57You're killing me
01:28:58You're killing me
01:28:59You're killing me
01:29:00You're killing me
01:29:01You're killing me
01:29:02You're killing me
01:29:03You're killing me
01:29:04You're killing me
01:29:05You're killing me
01:29:06You're killing me
01:29:07You're killing me
01:29:08You're killing me
01:29:09You're killing me
01:29:10You're killing me
01:29:11You're killing me
01:29:12You're killing me
01:29:13You're killing me
01:29:14You're killing me
01:29:15You're killing me
01:29:16You're killing me
01:29:17You're killing me
01:29:18You're killing me
01:29:19You're killing me
01:29:20You're killing me
01:29:21You're killing me
01:29:22You're killing me
01:29:23You're killing me
01:29:24You're killing me
01:29:25You're killing me
01:29:26You're killing me
01:29:27You're killing me
01:29:28You're killing me
01:29:29You're killing me
01:29:30You're killing me
01:29:31You're killing me
01:29:32You're killing me
01:29:33You're killing me
01:29:34You're killing me
01:29:35You're killing me
01:29:36You're killing me
01:29:37You're killing me
01:29:38You're killing me
01:29:39You're killing me
01:29:40You're killing me
01:29:41You're killing me
01:29:42You're killing me
01:29:43You're killing me
01:29:44You're killing me
01:29:45You're killing me
01:29:46You're killing me
01:29:47You're killing me
01:29:48You're killing me
01:29:49You're killing me
01:29:50You're killing me
01:29:51You're killing me
01:29:52You're killing me