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00:00Sous-titres par PVCH Sous-titrage
00:30La semaine prochaine sur Pampered Women, nous visiterons les rues de Milan et partager avec des supermodels.
00:34Oh, cette offre de câbles extérieures est tellement dégueulasse.
00:37Ouh, toujours des projets de programmes qui vous rendent inutiles.
00:40Je sais. Tu devrais bien l'éteindre.
00:43Ce soir sur « Quand des choses horribles se passent aux gens beaux ».
00:45Attends, ça a l'air intéressant.
00:47Nous verrons pourquoi le waxing de bikini est le meilleur choix pour les professionnels.
00:52Oh, génial. N'est-ce pas que c'est toujours comme ça ?
00:54Quelque chose de bon finit par arriver et...
00:57Oui ?
00:58Salut, je suis avec un film de câbles de la semaine.
01:01Oh, mon Dieu. Vous savez, vous ne vous arrêtez jamais.
01:03Quoi ?
01:04Nous ne sommes pas intéressés par votre package extérieur avec tous ces extra-canaux.
01:08Je vais commencer à nouveau.
01:10Salut, je suis avec « A Cure for my Husband », un film de câbles de la semaine,
01:13qui s'écrit par TJ Plum et Julie Huban.
01:15Nous allons filmer sur votre rue pour les prochains jours
01:17et suggérer que vous déplacez votre voiture à l'extérieur de la voie,
01:19car elle sera bloquée par nos trucs.
01:21Désolée pour l'inconvénience.
01:23Oh, pas de problème.
01:25Non, pas de problème. Oui, merci de me le dire.
01:31Bon, c'est vraiment inconvénient.
01:36Oh !
01:38Oh, Bob.
01:39Tu ne devrais pas te déchirer sur des gens comme ça.
01:41Tu vas te faire tirer.
01:43Je ne me déchirais pas, mais je dois déplacer mon voiture pour ce film.
01:45Moi aussi. Combien tu as ?
01:48Qu'est-ce que tu veux dire ?
01:48Pour l'inconvénience de déplacer ton voiture.
01:50Ah, oui. Bien, euh...
01:53Rien.
01:54Tu ne demandes pas ce que tu n'obtiens pas, Bob.
02:12C'est une maison.
02:20Bob, je peux te voir.
02:25Je suis là.
02:27Dernière fois que je viens ici,
02:29j'ai partie avec un mouvement.
02:31J'avais un syndrome de zen avec des frations
02:34et j'ai décidé d'actuer à plein temps.
02:36Voyons si nous pouvons réagir
02:37à l'une des résidents locaux.
02:41Oh, mon Dieu, ils viennent ici.
02:43Oh, je ne peux pas.
02:54William !
02:54Chut !
02:55Sois silencieux !
02:56Chut ! Chut !
02:56Non, arrête !
03:05Uh..
03:06Hum...
03:09Hum...
03:10Oh...
03:17Oh mon dieu !
03:24Tout le monde, s'il vous plaît.
03:26Ok, chérie, dans cette scène, vous devez donner le sérum à votre mari avant que son organe ne s'arrête.
03:31Est-ce que je serais en colère ?
03:33Non, arrête ça. Tu es en hasse.
03:35Peut-être que je devrais... courir.
03:39Ecoute, tu es une nature, chérie. Ne laisse jamais personne te dire autrement.
03:55Tu es prête, chérie ?
03:59Est-ce que je devrais courir pendant que je cours ?
04:02Tu n'as pas d'espoir, alors fais ce qui te semble naturel, d'accord ?
04:05Et... Action !
04:094 ans plus tard
04:23Cut !
04:24Pourriez-vous enlever la dame en rouge du film, svp ?
04:27Pourriez-vous enlever la dame en rouge du film, svp ?
04:34On enlève encore, Julie. Tu es prête, chérie ?
04:38A-ha.
04:39And... action!
04:43Cut!
04:44Deal with this.
04:45Suzy!
04:53Hum, it would be really great if you could like, stay inside your house until the director calls. Cut?
04:58Cut? Oh, right. Oh, oh, sorry.
05:02Alright everybody, let's get it this time. And... action!
05:09Oh! Oh! Oh!
05:11Oh!
05:12Cut!
05:14My feet! My feet!
05:18I can't act!
05:19I know, sweetheart, you don't have to. Just be.
05:21No, I mean in these shoes! In this pain!
05:25Oh!
05:27Excuse me, let me through please, I'm a doctor.
05:29Well, not actually a full doctor, I'm a podiatrist.
05:32But I have a diploma.
05:35Oh! Oh!
05:40What you have is Hagelin's deformity.
05:43Oh God, help me, not another disease!
05:46I can't handle anymore.
05:48Well, it's not actually a disease per se, it's more of a condition.
05:51Here you go, put these in your shoes and you should feel much better.
05:55Hum, note to self, M.O.W. idea.
05:58She's got Hagelin's deformity, he's dyslexic and they're closing down the local factory, where they both work.
06:04Oh yes, that is better, much better. You're an angel.
06:10What's your name, honey?
06:11Margaret, Margaret Fish.
06:15Margaret Fish, everybody.
06:22At last count, she had 37 different diseases, syndromes and conditions.
06:27Oh, she seemed really nice to me, not at all phony.
06:31What's she got to be phony about?
06:33Plus, she's in the book of records for surviving the most natural disasters.
06:36Well, she's had such a hard life.
06:38She certainly cashed in on it.
06:40Oh, that's just the media.
06:41Joining her fan club.
06:43If you met her, you'd see what I mean.
06:45I wonder if they ever caught the marching band that was stalking her.
06:48She's coming over tonight for a treatment. I want to make sure the environment is very relaxed and soothing.
06:53Do you have any suggestions?
06:55Tell Bob to go out for dinner.
07:03Hey Bob, guess what I just heard.
07:06They're going to be shooting a scene on your neighbor's front porch.
07:09And they're going to pay 2500 Somalis for the privilege.
07:13That's beautiful.
07:14Well, that's a lot of money, considering they still haven't paid me for my car.
07:18Where are you going?
07:20To the corner for something to eat.
07:22Margaret's giving a special foot treatment to Julie Huban and...
07:25Julie Huban is in your house.
07:27Now, introduce me to her.
07:29I don't think that would be a good idea, Trev.
07:31Now, if you don't mind, I'm going to see if I can get one of those hot dogs from the vendor.
07:35Bob, let me take you to dinner.
07:37Well, I...
07:43Hi Trev, how you doing?
07:45Great, Sylvia, great.
07:47Oh, this is a great crowd, Bob.
07:49And they're all making a fortune.
07:51Our film companies are loaded with money.
07:53Really?
07:54Yep, and we have to help them spend it.
07:56They like that. Makes them feel good about themselves.
07:58You see, Bob, we look like them, we talk like them, but we have a different sense of money.
08:0350 bucks to us is like $1.85 to them.
08:06That's why they make their movies here.
08:09We're just like them, only cheaper.
08:11Now, let's get in line. You don't want to miss those steaks.
08:13Oh, I don't think so, Trev.
08:15I'm sure they must count how many pieces they have.
08:18Believe me, they're happier when they don't have to count.
08:21If anyone asks, just say you're an extra.
08:37Come right in, Miss Hughbarn.
08:39Please, Mary, call me Julie.
08:41It's Margaret.
08:43Oh, I'm sorry. I'm just so preoccupied with this foot thing.
08:47Do you think it might set off my narcolepsy?
08:49Well, I hope not.
08:50Oh, I love your home.
08:52It's so simple and warm and cozy and... simple.
08:59Well, thank you. My husband and I...
09:01I love the way you say that.
09:03You sound just like the Queen.
09:07My husband and I...
09:11Thank you for seeing me.
09:13I've been under so much stress lately, and it all comes out in my feet.
09:16Try as we may. We can't hide things from our feet.
09:19Well, make yourself comfortable here, Julie.
09:21Elizabeth, William, get out of there.
09:26I'm going to start with a soothing mayon paste made from ground cocoa leaf.
09:32Oh, that feels wonderful.
09:35My feet feel all tangly.
09:38Oh, and a little numb.
09:40Oh, I've never felt so good in all my life.
09:51Julie, what's the matter?
09:53I'm not an actress. I can't play this part.
09:58Of course you can.
09:59No, I can't.
10:02Look, a lot of people have faith in you.
10:04What do you mean?
10:06Well, they have faith in you, and they're very smart people.
10:09Sometimes when I'm unsure of myself,
10:11I find it helps to rely on the faith that others have in me.
10:14Have faith in them, and have faith in their faith in you.
10:18Have faith in your faith, not their faith.
10:22Wait, whose faith?
10:25You have faith in their faith, and have faith in their faith...
10:30I'll have some of that mince pie and those potatoes, please.
10:33Oh, and maybe just a piece of the salmon.
10:36Yeah, a smallish piece.
10:38Oh, maybe a little bigger than that.
10:40Listen, Georgie, I need another paramedic
10:42for the scene where we bring the husband out on the stretcher.
10:45I want someone bland, nondescript,
10:47someone who won't distract from the lesions.
10:52That guy. He'd be perfect.
10:54Hey, you! You with all the food!
10:56I'm an extra.
10:57Well, big guy, you've been upgraded.
10:59You'll be playing paramedic number two.
11:04I suppose I should have told him I wasn't an actor,
11:06but after he spotted me as a medical man, well...
11:09I think it's very exciting.
11:11What kind of doctor are you going to play?
11:13More of a paramedic, really. Second in command.
11:15Trevor said it would pay quite well.
11:17Of course, it's not the money.
11:19Julie told me she's made millions of dollars from her commercials,
11:22though I don't know that it's made her very happy.
11:24She's so insecure.
11:25Yeah, well, you can see it, really.
11:27Being an actor, revealing your innermost self
11:29in front of millions of people.
11:31Takes a very special kind of person.
11:34Oh, you've certainly changed your tune.
11:36Anyway, I think we had a breakthrough here tonight.
11:38Julie really is a very sensitive person.
11:41Oh, anyway, Jules and I are in the scene.
11:43Who's Jules?
11:45Oh, that's what we call Julie on the set.
11:47Like I was saying, I have a line with her.
11:49I have to cue her reaction.
11:51She never mentioned anything about Jules.
11:57Hello?
11:58Hello, this is Ted's Cable Company.
12:00If your extended cable package
12:02and its world of programming
12:04is satisfying your viewing needs...
12:08I'm just a paramedic, ma'am.
12:10I'm just a paramedic, ma'am.
12:12Did I mention when I came in
12:14that I won't be here tomorrow?
12:16No, I don't recall.
12:18Maybe that was when I was in a spaceship.
12:20Right.
12:21Well, I'm booking off tomorrow.
12:23I have to shoot.
12:24Shoot Bob?
12:25What exactly are you shooting?
12:27Smack? Moose? The Rapids?
12:29No, no.
12:30I'm shooting a scene in a movie.
12:32I'm doing a little acting.
12:33I'm playing a paramedic in the movie
12:35they're making on our street.
12:36Well, that's something.
12:37So William Shatner was busy?
12:39Oh, Dr. Patel,
12:40Bob here is going to star in a movie.
12:42Well, not star.
12:44I have a small role in this film that's shooting.
12:46Goodness gracious, Bob.
12:47This is so exciting.
12:48How often I dreamed as a young boy
12:50that one day, like Sashi Kapoor,
12:52I would sing and dance in a world of film.
12:54Is it a musical?
12:55Oh, no.
12:56It's just a small role as a paramedic.
12:59Bob, there are no small roles.
13:01Just small actors.
13:05Margaret, I wish you hadn't invited your whole office
13:07to watch the scene tomorrow.
13:08I'll be nervous enough as it is.
13:10Well, they don't want to see you.
13:11I've been telling Robin about Julie
13:13and she wants to see for herself.
13:14They want to meet Julie.
13:16Oh.
13:17Well then,
13:18I suppose I don't have anything to worry about.
13:20Will you help me work on my lines?
13:22Uh, line.
13:24We're having a problem.
13:25Miss Euban won't come on set
13:26until she talks to a Margaret Fish.
13:28Oh, that's me.
13:29Oh, dear.
13:30I'll be back as soon as I can.
13:33Oh, I wish Robin could see this.
13:36I'm just a paramedic, ma'am.
13:38I'm just a paramedic, ma'am.
13:41I'm just a paramedic, ma'am.
13:43Enough with the pie, honey.
13:45Okay?
13:46No more pie.
13:47Put the pie down.
13:48Here she is.
13:49Margaret,
13:50do you know what it is
13:51that I love about you?
13:53What?
13:54Your ordinariness.
13:56You are just so...
13:59I'm thinking of the word...
14:01ordinary.
14:02Oh, thank you.
14:03If I could be that ordinary
14:04for just five minutes...
14:06Five minutes is all it takes, honey.
14:08Let's get back to the set.
14:13Okay, this is a very straightforward scene.
14:15I'm sure we all know what it is.
14:17Okay, this is a very straightforward scene.
14:19I'm sure we can get it done in a few takes.
14:20Let's run through the lines.
14:21Ready?
14:22And action.
14:23We'll do what we can.
14:24We're taking him to the general hospital.
14:26Is there no cure for my husband?
14:30I'm just a paramedic, ma'am.
14:33Great, let's do it.
14:36Have they started?
14:37Not yet.
14:39So where's the big movie star?
14:41She's just taking a moment.
14:43I meant Bob.
14:45Have we missed the debut of our Hollywood dentist?
14:47No, they haven't started yet.
14:49I'm overwhelmed by the number of trucks
14:51and people and equipment out there.
14:53This is a huge production that your husband is in.
14:55They're starting!
14:57And action.
14:59Excuse me.
15:00I'd like to see Bob if I could.
15:02Excuse me.
15:03We'll do what we can.
15:04We're taking him to the general hospital.
15:08Cut.
15:09Sir, can we have your attention over here, please?
15:12Sorry.
15:15Can we lose the peanut gallery?
15:17Can we lose the peanut gallery, please?
15:20Okay, folks, we'll take it again.
15:22Ready?
15:23Action.
15:24We'll do what we can.
15:25We're taking him to the general hospital.
15:27Is there no cure for my husband?
15:32Right, sweetheart.
15:33Let's take it down a bit, okay?
15:35Down, down.
15:36Less is more, okay?
15:37Remember that.
15:38Down a bit.
15:39Sure.
15:40Georgie, do something about the disco ball.
15:42Make-up!
15:44I can't see anything now.
15:46Hey, I can get you closer.
15:48There he is.
15:49He looks so realistic in that uniform.
15:51If I didn't know him, I'd swear he was a paramedic.
15:54What's Bob doing now?
15:56He stopped.
15:57He's waiting.
15:58Now he's picking up the stretcher.
15:59He's taking a step.
16:01He stopped.
16:03He said something.
16:05He's putting the stretcher down.
16:07Okay, it's my turn.
16:09What's happening?
16:10They're putting powder on him.
16:12He's waiting.
16:13Now he's picking up the stretcher.
16:15He's taking a step.
16:16He stopped.
16:17He said something.
16:19He's putting the stretcher down.
16:22It's not you, sweetheart.
16:23You're brilliant.
16:24But the scene...
16:26It just isn't working.
16:27Yeah, I think this whole thing might be triggering some repressed memories of abuse.
16:31Oh, boy.
16:37Okay, everybody.
16:38Take 32.
16:39Let's get it this time.
16:43Make up!
16:45We'll do what we can.
16:47We're taking him to the general hospital.
16:49Is there no care for my husband?
16:51I'm just a paramedic, ma'am.
16:53Wait, cut.
16:55Could you say your line again?
16:57I'm just a paramedic, ma'am.
16:59That's it.
17:00That's the problem.
17:01Me?
17:02What is this, Masterpiece Theater?
17:03We need someone who speaks American.
17:07I want him.
17:09Thank you very much, sir.
17:10You're wrapped.
17:11Wait, I still get paid, don't I?
17:16Good job, Trevor.
17:17Thanks a lot.
17:18There's Julie.
17:19Come on, I'll introduce you.
17:22Hi, Julie.
17:23Hi.
17:24How are you?
17:26It's Margaret.
17:28I wanted to introduce you to my friends, Robin and Guinevere.
17:32Oh, thank you for saying that.
17:34Fan support is so important to me.
17:37Let me share something with you.
17:39I've always relied on faith in other...
17:41No.
17:42In the faith that others have in me.
17:45Here you are.
17:46Miss Euban, can we have you over here?
17:49Ah, always something.
17:50Here, let me sign that.
17:52To Marjorie.
17:54All the best.
17:56Thank you.
17:59Oh, I had to scrub and scrub to get all that muck off my face.
18:02You know, I think if you were acting full-time, you'd just leave the makeup on.
18:06Oh, I think if you were a full-time actor,
18:08you'd probably go to some spa and have someone give you a pampering facial to remove it.
18:11And then you pay them with a pre-signed photo.
18:14Oh, come on now, Margaret.
18:15Bob, I think you were right.
18:17I was impressed by a celebrity.
18:19I feel so stupid.
18:20Oh, don't be silly.
18:21You're a generous, open person who tries to help someone in need.
18:25You know, just because that person's a flake, it's not your fault.
18:28You're a good person, Margaret.
18:30If everyone had your generosity of spirit, the world would be a better place.
18:36Hello?
18:37Hello, this is Ted's Cable Company.
18:39If your extended cable package and its world of programming is satisfying your viewing needs...
18:44Oh, sod off!
19:35Sous-titrage Société Radio-Canada