Final Fitting: Kim Kardashian

Vogue

Final Fitting: Kim Kardashian Director: Gabrielle Reich Director of Photography: Josh Herzog Editor: Lika Kumoi Producer: Gab Marie Safa Producer, On Set: Michelle Bruno         Associate Producer: Lea Donenberg         Assistant Camera: Claire Halloran Audio: Brianna Simmons         Production Assistant: Quincy Primus         Assistant Editor: Ben Harowitz Post Production Coordinator: Ian Bryant Supervising Editor: Erica DeLeo Post Production Supervisor: Alexa Deutsch Production Coordinators: Ava Kashar, Bailey Lica Production Manager: Natasha Soto-Albors Line Producer: Romeeka Powell Senior Director, Production Management: Jessica Schier Entertainment Director, Vogue: Sergio Kletnoy Supervising Producer: Felicia Kelley Director of Content, Production: Rahel Gebreyes Senior Director, Programming, Vogue: Linda Gittleson VP, Digital Video English: Thespena Guatieri Filmed on Location: The Ritz-Carlton New York, Central Park Sketch: By Cecilia Carlstedt, Courtesy of Maison Margiela

Transcript

00:00 [plastic rustling]

00:02 - How's it breathing?

00:05 How's it going?

00:06 - It's an art form, but I got it.

00:10 [upbeat music]

00:13 Hi Vogue, it's Kim.

00:23 We are two days out from the Met

00:26 and we're doing a trial day.

00:27 This is actually the first time I've ever done this,

00:30 where I've tested hair and makeup looks

00:33 before the actual event.

00:35 Isn't that what people do

00:36 when they test their wedding makeup?

00:38 Never done that either.

00:41 This is the world famous Mario Dedivanovic,

00:45 makeup by Mario and Chris Appleton.

00:48 I only have hot guys do my glam.

00:52 - Hot aging guys.

00:54 - Oh, stop.

00:55 - Middle aged men.

00:57 [hair dryer whirring]

00:58 - Hey mom, I didn't even see you there.

01:00 What are you doing?

01:02 - Hi guys.

01:03 [hair dryer whirring]

01:05 - What's going on?

01:06 Of course you'd pop up in my Vogue video.

01:09 - Yeah, well, you know.

01:10 - This year for the Met,

01:12 I am wearing a custom John Galliano Margiela couture gown.

01:17 So many amazing looks from every house

01:21 that John has been with,

01:21 has been on my mood board for years.

01:24 The second Margiela show I had been to,

01:26 I was so inspired by it.

01:29 I mean, I loved that it was corsets and the bodies,

01:33 and it was like the most theatrical, beautiful story.

01:38 This has been a partnership,

01:41 I'd say maybe four or five years in the making.

01:44 To put it lightly,

01:45 that is about four or five years of me stalking him

01:48 to try to see if he would ever design a look for me

01:52 for the Met.

01:53 It finally just connected,

01:55 and it was a dream to get to know him,

01:58 to spend time with him,

02:00 and...

02:01 and...

02:04 - Oh, the minor weights on me.

02:05 I thought we were supposed to do glam.

02:07 - For me, I would even want to do him so much more justice,

02:12 because I just know the human being that he is.

02:22 This year's theme is Sleeping Beauty's Reawakening Fashion.

02:26 The dress code is the Garden of Time,

02:29 and when I heard this theme,

02:31 we kind of just played around

02:34 with what we thought this meant,

02:36 and imagining having the best night of your entire life

02:40 with your most magical person,

02:43 and you just are in a garden,

02:46 you've overslept,

02:47 you wake up after literally the best night of your life,

02:51 and I'm just like running.

02:52 - What's the best night of your life, Minkah?

02:55 - I'm fantasizing in my head.

02:57 Running out, my dress is falling off,

03:00 because it was one of those nights,

03:02 and I just grab my boyfriend's sweater

03:05 to run off to make it to where I have to be.

03:10 It's really the real life me when I go to an event,

03:13 and I have to make it home by 6 a.m. to get to carpool.

03:18 Real life happens,

03:19 and you're just, sometimes I'm in my makeup

03:22 from the night before,

03:23 and it is what it is,

03:24 but it's like that,

03:25 where you just woke up, bedhead.

03:28 I think we need a little more bedhead,

03:29 'cause it's a sleeping beauty.

03:31 Just woke up after the night of my life in this garden,

03:35 in this secret garden.

03:36 This is the 11th Met that I've gone to.

03:41 That's wild.

03:43 Listen, at my first Met, I was lucky to be invited.

03:45 I was a plus one.

03:47 Second one, I was invited,

03:49 and I wore Albert Elbaz for Lanvin.

03:53 I didn't know it was happening that way,

03:54 that I would wear a different designer each Met,

03:58 but I think it's so cool and magical that way.

04:02 I definitely have every Met dress saved,

04:04 except for the Marilyn Monroe dress.

04:07 I actually asked Nora,

04:09 "What's your favorite dress in my closet?

04:10 "If you can take one dress,"

04:12 and she said, "I want the Marilyn dress,"

04:14 and I said, "Of course you do."

04:15 (gentle music)

04:18 All right, we're gonna go try on the look

04:21 for the last time before the Met.

04:23 (gentle music)

04:25 Phase one, corset.

04:36 This takes about 30 minutes.

04:38 I'm just kidding.

04:39 So the part of my garden fantasy is,

04:43 this corset just stayed on the whole time,

04:44 'cause it makes my boobs look so good in my waist,

04:47 so everything else came off.

04:50 I felt so snatched,

04:52 I won't even be able to communicate to you

04:56 how snatched I feel.

04:58 One thing about John is he'll think of every last detail.

05:02 So he'll think of like,

05:04 if you're standing at the top of the stairs,

05:06 but the photographers are at the bottom of the stairs,

05:09 and they're getting a glimpse up,

05:10 and the skirt's made out of metal,

05:12 and there's like little peekaboo holes within that.

05:16 He wanted to make sure that I am fully covered

05:21 in the appropriate places.

05:22 So I do have a custom Margiela thong.

05:25 So we're putting on the dress portion.

05:31 It's really the skirt,

05:33 but you'll see it's like a dress draping off.

05:35 I'll show you in a minute.

05:41 Desabillé is a state of being undressed.

05:45 I learned that from Mr. John Galliano himself.

05:51 - So if that dress was up,

05:53 it would be all the same texture,

05:54 but because it's fallen down,

05:57 we've allowed ourselves to use the reverse of it

06:00 to revoke the inside of the dress.

06:02 - Oh, it's freezing through the forest,

06:07 so I just grabbed my boyfriend's sweater cardigan.

06:11 And, yep, and it's falling off.

06:18 This is my shoe.

06:21 It's clever because if I had a shoe with a heel,

06:24 the heel gets stuck in the metal skirt.

06:28 And so that was our issue of walking.

06:30 So I'm going to have to put these on,

06:32 and to wear these, you're on your tiptoes,

06:35 and you're balancing the whole time,

06:37 flexing your calf muscles.

06:39 So that's what I'm going to have to do,

06:42 is stand on my tippy toes.

06:44 But I think ballerinas do it,

06:46 and they probably have a lot of practice.

06:49 This is our only practice, but we'll do it.

06:52 I think we really need the height on this look,

06:54 so we got to do what we got to do.

06:57 Probably 52.

06:58 We should measure.

07:01 That would be so interesting.

07:02 - I'm 6'3".

07:04 - So what am I, 6'8"?

07:04 - You're 6'4".

07:05 (laughing)

07:07 That's crazy.

07:08 - So then I can't lean back,

07:10 and I'm on my toes from here on out.

07:14 (gentle music)

07:19 Wow.

07:23 (laughing)

07:28 My toes, they bend over, elongate.

07:33 (gentle music)

07:35 So we're going to go take some photos.

07:39 I'm so glad you guys were able to join my final fitting.

07:48 I'll see you on Monday.

07:49 (gentle music)

07:53 (gentle music)

07:56 (gentle music)

07:58 (gentle music)

08:01 (gentle music)

08:04 (gentle music)

08:06 (gentle music)

08:09 (gentle music)

08:11 [BLANK_AUDIO]

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