• il y a 7 mois

Category

😹
Amusant
Transcription
00:00 [Musique]
00:13 Hey guys, how are you ? I was driving by, saw the lights on, so I figured I'd stop in.
00:18 Brendan, how are you ? Not bad, how are you ? Good practice today. Thank you. Good coaching.
00:24 Thank you. Paula, I'm just starting to visit the kids at night now more. Hey coach, you parked on the lawn, did you realize that ?
00:31 I thought that was a driveway. No, that's the lawn. Oh. Actually, the real reason I came, Paula, was I gotta ask you a favor. Uh-huh ?
00:38 My sister is coming to town, right ? Friday night ? Uh-huh. It's just a layover, she's at the airport.
00:44 So, I would appreciate it if you come to the airport with me to say hi to her while she's waiting for her connecting flight.
00:51 I don't think I know your sister, John. Well, that doesn't matter, Paula, you don't have to know her to say hi to her.
00:55 But why would I go with you to the airport and say hi to your sister who I've never known ?
01:00 Well, all the other moms said no, you know, so this is kind of a last ditch effort before I have to hire an escort.
01:06 You need an escort ? I wanted you to pretend you're my fiancé so she wouldn't worry.
01:09 You know, John, I would, if we weren't going to the movies, I would, uh... No, we're not going to the movies.
01:14 Yeah. Well, here's the thing, Paula, my sister is a lot different than me, alright ? I'm freewheeling, you know, I'm in for a good time.
01:20 My sister is a little more conservative, she's very religious. Uh-huh.
01:24 So she worries about me a lot because I don't live like her. Uh-huh. I live a little loose, you know what I mean ? Yeah.
01:29 And that's good for me 'cause I like loose, alright ? Yeah.
01:33 We go around once, Paula. Okay. On this crazy planet. Well, I'm sorry I can't help you out, John.
01:38 Paula, listen, it's only two hours, alright ? Uh-huh. We'll go out to the airport. Uh-huh.
01:42 I'll introduce you to my sister. I'll say, "Donna" -- that's my sister's name -- Uh-huh.
01:46 I'll say, "Donna, this is my, uh, fiancé, Paula." What, what ? Your what ?
01:50 My fiancé. That's what I was thinking, you would be my fiancé. You want to introduce me as your fiancé ?
01:55 Yeah, yeah. Then my sister will be very proud of me, I met somebody. So this is a ruse.
02:00 It's a what ? A ruse. What's a ruse ? It's a ruse. Oh, it's a ruse. It's a ruse.
02:05 What's wrong with you ? What's a ruse ? Even I know that. She meant ruse.
02:09 Brendan knew it. You know, it's late, John. Paula, Paula. I'm not taking part in your charade, okay ?
02:14 Oh, come on, Mom, look. You can -- Brendan was a man. Wait a minute. No. Wait a minute, Paula.
02:17 Am I smarter than you ? I knew -- No, you've just -- I knew that word. I'm sleep-deprived now, alright ? I'm sleep-deprived.
02:23 I'm just saying, this has never happened to me before. This is the first time he's been smart.
02:27 Paula, 'cause Brendan is smart. He is smart, yeah. It's just weird how it happens. Sometimes dumb people have smart kids.
02:32 I'll just -- Paula, come with me to the airport. You know -- You can bring Brendan.
02:37 We're dating, and I'm like his father, and he loves me. Yeah. This is getting out of hand.
02:41 Paula, this is good. Yeah. Brendan, hop on. Alright. Look at this, Paula. Huh ? Paula, get over here. Let me put my arm around you.
02:48 Now look in the mirror. No. Somebody take a picture. 'Cause this is the happiest family I've ever seen.
02:54 We got some nasty weather heading our way. You might want to exercise a little caution over the next couple of days.
02:59 Man, I hate that guy. This is your goo-goo-goo-goofy weather, man.
03:04 I like that part, though. Hey, coach, while I'm up here, let's do the "you're the dummy" thing. Alright. Ready ? Yeah.
03:12 You're the dummy. No, you're the dummy. No, you're the dummy. You're the dummy. You're the dummy. I said you're the dummy. You're the dummy.
03:17 No, you're actually the dummy. No, you really, really, really are the dummy. Alright, I'm the -- Wait a minute. Good night.
03:23 Good night.
03:25 Mr. Peeleburger, is it true that this movie is the first installment of what will be a six-part trilogy ?
03:31 Yes. Yes, it is. Huh. Mr. Peeleburger, did you know you were going to make movie history ?
03:36 You know, that's a good question. Nobody really ever knows if they're going to make movie history, but I wanted to make sure that I did.
03:43 So that's why I changed the name of this movie, which was originally entitled "Planet Battles", to "Movie History".
03:50 So when anybody asked me what I was working on, I would say, "I'm making movie history."
03:54 And you did. And I did.
03:56 You made a film called "Movie History".
03:58 Well, let's just say I made movie history. Say it. Say it.
04:03 You're making movie history. I'm making movie history.
04:06 So Stan, what was it like working on movie history with an all-star cast and an all-star director ?
04:12 It was actually an amazing experience, one that I will never forget and always remember.
04:17 What was it like to work with Julie Bob ?
04:20 It was great. Which one is she again ? I'm kidding.
04:24 Anything going on between you two that we should know about ?
04:29 We're having sex.
04:30 That's terrific. Are you signing on to do the prequel ?
04:32 You're doing a prequel ?
04:33 Brendan, this is stupid.
04:35 Cut.
04:36 Sorry. Cut.
04:37 Brendan ?
04:38 Yeah ?
04:39 This is stupid.
04:40 No, it's not.
04:41 I think it is.
04:42 I'm doing a good job.
04:43 It's not that you're not doing a good job.
04:45 I just think the concept is stupid.
04:47 Who cares about the concept when I'm doing a good job ?
04:50 Melissa, don't--
04:51 I guess if it's not about you, Melissa, then it's not--
04:53 That's not true. I'm thinking about the whole movie.
04:55 All right, well, why don't we do this ?
04:56 Jason, you take five. Melissa, we'll do your scene.
04:58 Okay.
04:59 Hi, Mr. Fieldsmore. It's Paula Small. How are you ?
05:04 My secretary said this was an emergency.
05:06 Oh, it is, Marty. It is.
05:07 See, I've been working on a book for about eight years now, and--
05:09 You're a slow reader.
05:10 That's funny.
05:11 Thank you.
05:12 I should clarify and say I've been reading for a long time.
05:14 I should clarify and say I've been writing a book for eight years,
05:16 and I think it's ready.
05:17 I'd love for you to read it.
05:18 I mean, you haven't read anything of mine in, what, probably ten years ?
05:21 Who is this ?
05:22 Paula Small.
05:23 I know that, but who the hell is Paula Small ?
05:25 You represented me when I wrote a couple of articles for Out of Ink magazine.
05:29 Anyway, after that, I got married, and I had a couple kids,
05:34 and taught creative writing,
05:36 and in all that time, I have never stopped working on my novel.
05:39 Well, I admire your perseverance, Paula, but that's about it.
05:42 And just for the record, I have never talked to you before in my life.
05:45 What ?
05:46 You dealt with my father.
05:47 Oh, I didn't know he had a son.
05:48 Yeah, he didn't tell a lot of people.
05:50 Oh, well, can I speak with your father, then ?
05:52 Not right now. He's dead.
05:54 Julie, your career has taken quite a turn.
05:58 Oh my gosh, yeah, lots of turns, and curves, too.
06:01 You now command the highest fee of any actress in the history of actresses,
06:04 and to what do you attribute your success ?
06:06 They're called boobs, Pat.
06:10 But you weren't Simon Peelberger's first choice for the role of Lucy.
06:14 No, I wasn't.
06:15 Were you ?
06:16 I wasn't. You've done your research.
06:17 Yes, I have. They're all in these little blue cards.
06:19 Brenda, Brenda, this is stupid.
06:23 Oh, now that I'm doing it, it's stupid ?
06:25 When you did it, it wasn't stupid, but now it's stupid.
06:27 Well, no, the difference is I was doing a decent job.
06:29 According to you.
06:30 Well, you're also playing a fairly stereotypical character.
06:33 Jason, stop looking at my fake boobs.
06:35 I can't, I can't, I can't move my eyes.
06:39 So that's basically it.
06:40 It's a story of sex, murder, extortion, revenge, blackmail, and sex.
06:45 What do you think ?
06:46 Send me your draft and I'll read it.
06:48 Oh, great. This is great. But let me just touch it up a bit.
06:51 Paula, I'm going on vacation for four weeks, so I'll read it when I come back.
06:55 Oh, no, no, no, no, no, no, no. I avoided so long.
06:57 Please take it with you on vacation and read it, please.
07:00 Okay, but I'm leaving tomorrow night at six o'clock.
07:02 I'll get it to you. I just want to punch it up a little bit.
07:04 Okay, okay. Just get it over here by six o'clock, okay ?
07:07 Don't worry. I'll drop it off myself.
07:09 I'm not worried, Paula. It doesn't make any difference to me one way or another.
07:12 Paula ?
07:13 Yeah ?
07:14 I'm hanging up.
07:15 Okay, well, I'll bring it-- Oh. Bye.
07:18 Brendan ?
07:23 What's wrong with your mom ? Why would she pose as my girlfriend ?
07:26 She's not really into going out.
07:28 Who wants to sign our petition ?
07:29 Yeah, who wants to sign our petition ?
07:31 What's it for ?
07:32 Because they're cutting down the old Elm tree in town center.
07:34 And we want to save it.
07:36 Hey, save it ! Save it !
07:38 That tree is an eyesore. Good. Good riddance. Get rid of trees.
07:42 Isn't it, like, old and dying ?
07:43 Yeah.
07:44 Why do you guys want to save it, anyway ?
07:45 Because that tree has been there a long time,
07:49 And we want future generations to enjoy it, too.
07:54 Also.
07:55 And, everybody, we peed on it one time.
07:58 Harry ! Don't tell them that.
08:00 I mean, we never pee on it.
08:02 No, we didn't pee on it.
08:03 All we need is 10,000 signatures by today at 6 o'clock,
08:07 And they won't cut the tree down.
08:09 Yay !
08:10 10,000 ? That's a lot.
08:12 How many signatures do you guys have ?
08:14 We have, um, 870.
08:18 But, you guys, all those names are yours.
08:20 Yeah.
08:21 You're supposed to get other people to sign it.
08:23 No, you're not.
08:24 You can't just have 400 Walters and 400 Perrys.
08:27 Yes, as long as they're signatures.
08:29 Yeah, they're signatures.
08:30 I don't think that's how it works.
08:31 Yes, you're right. That's what they said.
08:33 You guys are supposed to be different people.
08:34 Why don't you guys just finish signing them, then ?
08:37 Why do you need us to sign them ?
08:38 Because my hand hurts.
08:41 Mine does, too.
08:43 Hey, coach, it looks like we got some time here.
08:47 Do you want to be in my mockumentary ?
08:48 No.
08:49 It's like a fake documentary.
08:51 I know what a mockumentary is, Brendan,
08:52 And I want to be in it.
08:53 All right ?
08:54 All right. Can I give you a script ?
08:56 No.
08:57 Well, let's give him a script.
08:58 All right, here's the script, coach.
08:59 You're playing an actor who gets killed
09:00 In the first minute of the movie.
09:01 Hey, Brendan, I said I wasn't doing it.
09:03 Just do it.
09:04 Tell him what the name of the movie is.
09:05 It's called "Movie History."
09:06 So what's it about ?
09:07 The history of movies or something ?
09:09 No, that's a joke title.
09:10 The idea is that the director changed the name
09:12 From "Planet Battles" to "Movie History"
09:14 So he can say he's making "Movie History."
09:16 Oh. Well, I don't like joke titles.
09:18 Yeah, me neither.
09:19 So I'm interviewing you,
09:20 And your name is Brad Bateman, okay ?
09:22 No, I said "Roll it."
09:23 Brendan, I'm not doing it.
09:24 Action.
09:25 So, Brad, you get killed
09:26 40 minutes--
09:27 Camera off.
09:28 Should I turn the camera off ?
09:29 Turn the camera off.
09:30 So, Brad, you get killed
09:31 40 seconds into the movie.
09:32 Did that bother you ?
09:33 Coach, you're Brad.
09:36 Yeah, you're Brad.
09:37 How long are you gonna do this, Brad ?
09:38 It's a real short scene.
09:40 Start with "no."
09:41 Just start with "no."
09:42 Well, I mean, everybody.
09:43 And action.
09:44 So, Brad, you get killed
09:45 40 seconds into the movie.
09:46 Did that bother you ?
09:47 Brendan, tell me why should I do this.
09:48 Because you look good on it.
09:49 You look good.
09:50 What's in it for me ?
09:51 Copy. Copy for your demo reel.
09:53 Helping out kids ?
09:54 Helping out kids.
09:55 What if, Brendan, you get your mom
09:57 to come with me on Friday night
09:59 to meet my sister,
10:00 and then I'll do your movie part ?
10:01 Okay, how about this, coach ?
10:02 Yeah, what ?
10:03 I will try as hard as I can
10:04 to talk to my mother
10:05 to get her to go with you
10:06 to the airport.
10:07 If I do this part ?
10:08 If you do the part.
10:09 All right.
10:10 So, Brad, you get killed
10:11 40 seconds into the movie.
10:12 Did that bother--
10:13 Wait, so who am I here ?
10:14 Brad.
10:15 Which one is that ?
10:16 Brad badman.
10:17 All right, now, what am I doing ?
10:18 Why--
10:19 There are words underneath
10:20 each time it says "Brad."
10:21 All right.
10:22 Just read those words.
10:23 Let's change my name.
10:24 We can't really do that
10:25 'cause we make references to it.
10:26 So what ?
10:27 Just change it.
10:28 I'll just say my name's Jeff.
10:29 But tell him the last name,
10:30 Brendan.
10:31 It's Brad badman.
10:32 No, it's gonna make--
10:33 It's Jeff Schwartz.
10:34 Okay.
10:35 So, Jeff, you get killed
10:36 40 seconds into the movie.
10:37 Did that bother you ?
10:38 It's on the script.
10:42 Where ?
10:43 We're on page 17.
10:44 It's where it says "Brad."
10:45 Oh, right, right, right.
10:46 Well, let's change it to "Jeff"
10:48 so I know what I'm reading here.
10:49 All right, I'll mark it off.
10:51 Melissa, give me a pen.
10:52 Here.
10:53 Can you get the man a pen, please ?
10:54 Here.
10:55 All right, mark it up.
10:56 All right, good.
10:57 All right.
10:58 So go ahead.
10:59 All right.
11:00 And action.
11:01 So, Brad.
11:02 Jeff.
11:03 Can I see the pen ?
11:04 Here.
11:05 Thank you.
11:06 Take two.
11:07 So, Jeff, you get killed
11:08 40 seconds into the movie.
11:09 Did that bother you ?
11:10 No.
11:11 Well, I mean,
11:12 everybody wants to be in a movie
11:14 for more than 40 seconds,
11:15 but when you think about
11:17 with the shortest tension spans,
11:20 today 40 seconds is, um...
11:22 a long time.
11:24 Brad, did you--
11:25 Melissa, give me the pen.
11:26 I forgot to change one.
11:27 Brad.
11:28 You know what ?
11:29 It's starting to rain.
11:30 Why don't we just cut ?
11:31 That's a wrap.
11:32 I'm not done yet.
11:33 I still got a couple more lines.
11:34 I think we're all set.
11:35 (doorbell rings)
11:36 Yeah, what do you want ?
11:38 Perry ?
11:39 She's hideous.
11:40 What are you mumbling about ?
11:41 Nothing.
11:42 Nothing.
11:43 Well, what do you want ?
11:44 Tell her what to--
11:45 Speak up.
11:46 Let's both tell her.
11:47 Okay.
11:48 Miss, would you like to--
11:50 Miss, would you like to sign a petition
11:53 to keep the big elm tree ?
11:55 No.
11:56 Rude.
11:57 Paula, here's a compromise, all right ?
12:00 I take a few pictures,
12:02 I'll show my sister,
12:03 she'll smile, everybody's happy,
12:05 no harm done,
12:06 you don't leave your house.
12:07 Look, I gotta get this done, all right ?
12:09 I'm trying to concentrate.
12:10 Look, Paula, just say yes,
12:11 and I'll stop bothering you about it.
12:12 I'm kind of busy here.
12:13 Brendan, tell your mom
12:14 what I did for you today.
12:15 You bought me a cup of coffee.
12:16 Good.
12:17 No, no, I'm talking about
12:18 the movie thing, Brendan.
12:19 Oh, yeah, yeah, yeah.
12:20 Mom, coach helped me
12:21 with the movie today.
12:22 Yeah, see, I helped your son.
12:23 He helped me out, okay, mom ?
12:24 Okay, fine, fine, you win,
12:25 I'll do it, all right ?
12:26 All right, great, that's all I need.
12:27 This is great.
12:28 All right, okay, how about this ?
12:29 Coach, go over by my mom.
12:31 All right.
12:32 Just lean in a little bit.
12:33 Oh, do you mind ?
12:34 Yeah, okay, just take it.
12:35 Okay, now smile.
12:36 You guys look so stiff,
12:37 you look like a couple of hot dogs.
12:39 All right, I'll put my arm around you
12:40 if you don't mind.
12:41 Okay, how's that ?
12:42 Okay, a little bit closer.
12:43 I'm sorry, this looks terrible.
12:44 I thought this was going to take
12:45 a lot less time than it's taking.
12:46 Okay, just, just, just, okay,
12:47 just you want one natural picture.
12:48 Okay, here, that natural, mom.
12:49 Just take it, Brendan.
12:50 Okay, ready ?
12:51 And there we go.
12:53 Now be goofy with each other, all right ?
12:55 Be like, you know,
12:56 we have a lot of fun.
12:57 Yeah, that's a good idea, Brendan,
12:58 like pretend like we're happy.
12:59 Act like you just told a joke
13:00 and something's really funny.
13:01 Yeah, or you know what's--
13:02 Okay.
13:03 I wasn't laughing, Brendan.
13:05 Okay, that was good.
13:06 Actually, that one was not fair.
13:07 Look at this.
13:08 Well, 'cause that one looks like
13:09 she's laughing at me.
13:10 Okay, how about this ?
13:11 Mom, I hate to do this to you.
13:12 You're sitting on Coach's lap.
13:14 That's not a bad idea.
13:15 Yeah, just, just sit on like,
13:16 you know, like, here we are.
13:18 Yeah, so hop up here, Paula.
13:19 Here we are.
13:20 Just real quick ?
13:21 Uh-huh.
13:22 Really natural ?
13:23 Yeah.
13:24 Got it.
13:25 Let me see.
13:26 All right, Paula, so you'll be back
13:27 in time for me to go to the airport, right ?
13:29 Yeah, yeah, I'm just going to be
13:30 like an hour.
13:31 Because that's a necessity.
13:32 Right, no, I know.
13:33 Because I've got to get there.
13:34 Brendan, be good.
13:35 Oh, mother.
13:36 Jason and Melissa,
13:37 do what Coach McGurk tells you to do.
13:38 Yes, Mrs. Small.
13:39 Bye, my precious.
13:41 Bye, my precious.
13:43 The storm looks pretty bad.
13:44 Everyone better be prepared.
13:45 The storm looks like it's going to hit us hard.
13:48 Brendan.
13:50 What ?
13:51 Hold on to your sister, will you ?
13:52 No way, I don't take care of that.
13:53 What do you mean, no way ?
13:54 It's not my bag.
13:55 I can't, I don't know how to hold a baby.
13:56 Neither do I.
13:57 Well, we got trouble, then.
13:59 Well, it's not my job.
14:00 You're the one that said
14:01 that you would do this, not me.
14:02 She have a pen or something ?
14:03 She's got a little cage, I think.
14:04 You know what ?
14:05 I got an idea.
14:06 What ?
14:07 Get me some rope.
14:08 All right.
14:09 Let's do it, Coach.
14:10 Oh, jeez.
14:30 Oh, jeez.
14:31 Oh, cracker.
14:34 Directing a movie isn't just about yelling "action" or "cut".
14:38 It's about saying "good morning" or "good night"
14:40 depending on the time of day.
14:41 Next question.
14:42 Nah.
14:43 What ?
14:44 No.
14:45 No, but...
14:46 Brendan, Melissa and I were talking.
14:47 Okay.
14:48 Yeah, we think this mockumentary is a crockumentary.
14:52 I gave her that one.
14:54 We want to do something else.
14:55 Um, cut.
14:57 What are you guys talking about ?
14:58 We'd rather be making the movie we're mocking
15:00 in the mockumentary movie.
15:01 We just think that the actual movie we're doing now
15:04 about the mockumentary isn't as good as the movie we're mocking.
15:08 Do you know what I mean ?
15:09 I think what she's saying is we'd rather be making the movie
15:12 that we're making with the mockumentary movie
15:14 instead of the movie we're making.
15:17 Exactly.
15:18 You guys would be rather mocking the movie that we're making
15:20 in the mockumentary than mocking the movie that we're making right now
15:22 which is the mockumentary movie.
15:23 Exactly.
15:24 Or would you be rather mocking the mockumentary movie
15:27 in making that movie
15:28 or making the inside mockumentary movie of the mockumentary ?
15:31 No, we'd rather not be mocking in a mockumentary movie.
15:33 We don't want to be mocking in a mockumentary.
15:34 But make the movie that we're mocking in the mockumentary.
15:36 So you'd rather make the movie you're mocking in the mockumentary
15:38 rather than the movie that you're making that is a mockumentary.
15:40 No, we'd rather make the making of the mocking the mockumentary movie.
15:43 I'm getting two stories from you guys.
15:45 He's saying he wants to make a mockumentary of the making of the mockumentary movie
15:48 that is about the other... what ?
15:49 No, that's not what he means.
15:50 I'm saying I want to make the making of...
15:52 No, Jason, that's not what we talked about.
15:54 That's what I want to do.
15:55 Well, I pitched that.
15:56 You guys nixed that a long time ago.
15:58 The making of a mockumentary of a mockumentary movie
16:00 that has a movie inside of it, right ?
16:01 Which is essentially a mockumentary.
16:04 A mockumentary of a mockumentary.
16:05 All I'm saying is I want to make movie history.
16:08 Boring.
16:10 How did this happen ?
16:12 Oh, Josie, don't be afraid of the thunder.
16:15 Don't... please, don't cry.
16:18 There's nothing bad about thunder, it's just a noise.
16:21 Lightning is what kills you.
16:22 Like thousands of people every year die from getting hit by lightning.
16:27 Ou... qu'est-ce qui peut vous tuer ?
16:31 Parfois, la nourriture peut vous tuer.
16:34 Le poisson ras.
16:35 Attention, c'est une vraie emergency.
16:37 Une alerte de tornado est en effet en ce moment.
16:39 C'est une alerte de tornado.
16:41 Retournez immédiatement à un château ou à un bâtiment.
16:43 Oh, mon Dieu.
16:45 Oh, mon Dieu, qu'est-ce qu'on fait ?
16:46 Brendan ? Melissa ? Jason ?
16:48 Oui ?
16:49 C'est son nom ?
16:50 Oui.
16:51 Un tornado arrive.
16:52 Coach, tu pleures ?
16:53 Je ne pleure pas.
16:54 Attends, Coach, un tornado arrive ?
16:56 Oui, c'est ce que le radio a dit. Un tornado arrive.
16:59 Je vais rester ici avec le bébé. Vous allez à l'étage et vous jouerez.
17:02 Ne devrions-nous pas rester ici avec vous ?
17:03 Non, ce n'est pas sûr que tout le monde soit dans le même endroit pendant un tornado, Melissa.
17:07 Mais je pensais que vous deviez aller...
17:09 Non, la règle est que vous vous séparez, Melissa.
17:12 Est-ce sûr ?
17:13 Oui. Vous vous enlevez dans le tunnel et tout le monde se sépare.
17:16 C'est comme un voyage amusant.
17:18 Mais si vous êtes tous en groupe, dans une clustre, vous vous battez les uns avec les autres,
17:21 et vos têtes collent et vous mourez.
17:23 Wow.
17:24 Oh mon Dieu, je dois vérifier mon vol de soeur.
17:27 Qu'est-ce qui se passe, Coach ?
17:29 Le vol a été rerouté. Je ne vais pas le voir après tout.
17:32 Désolé.
17:33 Désolé.
17:34 Tout ce travail, toutes ces photos, et un tornado arrive et le détruit.
17:37 Désolée, Coach.
17:38 Eh bien, que vas-tu faire ? C'était probablement mieux de toute façon.
17:41 Tu dois avoir un désir de mort de conduire dans ce temps.
17:43 Je veux dire, c'est un tornado, c'est comme un suicide.
17:45 Coach ?
17:46 Hein ?
17:47 Oh, mon dieu. Brendan.
17:49 Oui.
17:50 Je suis désolé pour ta mère.
17:51 Non.
17:52 Je suis sûr qu'elle va bien. Elle a pris le vol de sa mère, n'est-ce pas ?
17:54 Mais qui suis-je ?
17:56 Je vais bien. Je vais bien.
18:05 Ok, prends un bref.
18:06 Oh mon Dieu.
18:07 Oh mon Dieu, d'accord, détend-toi, détend-toi, détend-toi.
18:09 Oh mon Dieu, quelle heure est-il ?
18:10 Non, oh !
18:12 Je pense que tu es vraiment en train de te faire tirer, Coach.
18:15 Tu l'as pris en personne, Brendan.
18:16 Non, je ne l'ai pas fait.
18:17 Ce n'est rien contre toi, Brendan.
18:18 Je sais.
18:19 Je veux juste dire, si on doit commencer à manger l'un l'autre, je vais aller chercher Jason d'abord.
18:23 D'accord.
18:24 Puis toi.
18:25 D'accord.
18:26 Puis Melissa.
18:27 D'accord.
18:28 Puis le bébé.
18:29 Enfin.
18:30 Tiens, t'attends une minute.
18:31 Qu'est-ce que c'était tout ça, Jason ? Tu étais sur le téléphone pendant 20 minutes.
18:33 Je me suis dit que ma mère était chez toi, Brendan, et elle m'a dit "Brendan, qui ?"
18:36 Donc, je lui ai dit qui tu étais, que nous étions des meilleurs amis, que nous faisions des films.
18:40 Et puis elle m'a demandé ce genre de films.
18:43 Et je lui ai dit, je ne sais pas, des films amusants.
18:46 Des films réels, mais plus courts.
18:48 Et puis elle m'a dit "comme quoi ?"
18:50 Et puis j'ai expliqué quelques films qu'on a faits, et puis je lui ai dit ce qu'on fait maintenant, le documentaire.
18:57 Et puis elle m'a dit "ah, j'aime les documentaires, comme Spinal Tap."
19:01 Et je lui ai dit "je ne sais pas ce que c'est."
19:03 Jason, tu ne lui as jamais dit ce que c'était ?
19:04 Non.
19:05 Et moi ?
19:06 Non.
19:07 Oh, viens, quelqu'un !
19:10 Un tornado peut conduire un couteau de 3 poches dans un arbre, d'accord ?
19:15 Donc ça bat un couteau dans un arbre, c'est un grand délire.
19:18 C'est un grand délire.
19:19 Je ne vois pas pourquoi c'est un grand délire.
19:21 Est-ce que tu peux battre un couteau dans un arbre en le faisant exploser ?
19:25 Non.
19:26 C'est ce que fait un tornado.
19:27 Il explose sur un couteau, et le couteau va dans l'arbre.
19:31 Je ne pense pas que c'est un grand délire.
19:33 Pourquoi ?
19:34 Qu'est-ce que tu veux dire pourquoi ?
19:35 Pourquoi...
19:36 Pourquoi mettre des couteaux dans des arbres ?
19:37 Ouais.
19:38 Qu'est-ce qui te fait peur ?
19:39 Pour marquer les arbres.
19:40 Tu veux dire que ça peut y avoir un petit signe ?
19:43 Merci Dieu.
19:44 Tu voudrais signer un petit signe pour sauver le grand arbre ?
19:47 Walter, Perry, qu'est-ce que vous faites dans ce temps ?
19:50 Rentrez ici.
19:51 Non, parce que nous avons besoin de 4 signes pour sauver le grand arbre.
19:56 Rentrez dans le voiture.
19:57 Mais nous devons sauver l'arbre.
19:59 Tu vas bien ?
20:01 Ouais.
20:02 C'était le grand arbre ?
20:03 Ouais.
20:04 Hmm.
20:05 Ok, donc qui est en faveur de lâcher le documentaire ?
20:08 Ok.
20:09 Qui est en faveur de faire le documentaire ?
20:11 Ok, bien.
20:12 On va y arriver.
20:13 Tu vois, je prends tout ce qu'il y a à propos du meurtre et du sexe et je le fais dans un livre pour enfants.
20:17 Ok.
20:18 C'est un livre sur un loup et un cochon qui se perdent pendant une tempête et qui finissent par faire cette aventure folle ensemble.
20:23 Ça a l'air bien.
20:24 Ça a l'air comme si ça avait été fait avant.
20:26 Ouais.
20:27 Je ne pense pas.
20:28 C'est dégueulasse.
20:29 Ouais, double dégueulasse.
20:30 C'est dégueulasse.
20:31 Double dégueulasse, donc.
20:32 Envoyons-le à la fiche.
20:34 La tempête est passée, je répète, la tempête est terminée, c'est sûr de sortir de vos chômeurs.
20:40 Ouais !
20:42 Attendez, ça pourrait être un truc.
20:44 Paula, tu devrais écrire une histoire sur quand moi et Perry ont grandi.
20:47 Et qu'on était des hommes.
20:49 Des hommes.
20:50 Je pense à ça.
20:51 Et qu'on avait du plaisir avec Walter et Perry.
20:53 Ouais, c'est une bonne idée.
20:56 Je pense que je vais me mettre avec le loup et le cochon.
20:58 Non, non, écris-le sur Perry et moi.
21:00 Ouais, non, peut-être que je vais l'écrire dans mon prochain livre.
21:03 Non, non, écris un livre sur Walter et Perry.
21:06 Ok, ok, je vais écrire un petit livre sur...
21:07 Écris un livre sur Perry et moi.
21:09 Non, non, fais-le !
21:11 Oh mon Dieu, je suis contente de te voir.
21:13 Les policiers sont là, les gars, les policiers sont là.
21:16 Je suis tellement contente de ne jamais arriver au bureau de Mr. Fieldsmoor.
21:21 Vous pouvez dire que cette tempête a sauvé ma vie, ma vie littéraire.
21:25 Wow.
21:26 John, merci d'être là avec les enfants.
21:28 Ils auraient dû être tellement contents que tu sois là.
21:30 Tu vas bien ?
21:32 Ouais, qu'est-ce qu'on fait ?
21:35 Alors, quand Movie History a ouvert avec le plus grand bureau de boxe dessiné dans Movie History,
21:39 on savait que nous avions fait Movie History avec Movie History.
21:42 Et maintenant, je voudrais dire quelque chose à tous les jeunes directeurs qui sont là.
21:45 Si vous voulez faire Movie History, assurez-vous que vous avez la caméra.
21:49 Cotton, coton, print, parfait.
21:52 Merci.
21:53 Tu devrais faire un film sur Perry et moi.
21:55 Ouais.
21:56 Fais un film sur Perry et moi.
21:58 Ouais.
21:59 Fais-le.
22:00 Fais un film sur Perry et moi.
22:02 C'est l'arbre ! C'est l'arbre !
22:04 [Musique]
22:31 [Bruit de la carte]
22:33 [SILENCE]

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