Woman On The Run Full Movies
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Short filmTranscript
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00:02:43 - Hey, what happened?
00:03:03 What's going on down there?
00:03:04 Were those shots?
00:03:05 - We better call the police.
00:03:07 It's been a murder.
00:03:08 (siren wailing)
00:03:13 - Evening, Inspector.
00:03:25 - Hi. - Hi, boys.
00:03:27 - Always happens in the middle of the night.
00:03:29 - Yeah.
00:03:30 - Is Joe Gordon all right?
00:03:33 - Yeah, he won't be doing much testifying now.
00:03:36 - Convenient for Smiley Freeman.
00:03:39 - Yeah.
00:03:39 - Peddling over there with a dog says he saw it.
00:03:42 - Yeah?
00:03:43 Mr. Knock over here yet?
00:03:46 - Not yet, Inspector.
00:03:47 - What's this guy's name?
00:03:48 - Frank Johnson.
00:03:49 Lives around here.
00:03:50 Claimed he was out walking his dog.
00:03:52 - Hi, Mr. Johnson.
00:03:55 Inspector Farris.
00:03:56 Homicide detail.
00:03:58 Understand you had a front seat.
00:03:59 - I sure did.
00:04:00 - Get a good look at the killer?
00:04:01 - Too good.
00:04:02 That streetlight was right on his face
00:04:04 when he got out of his car and shot at it.
00:04:05 - Shot at you?
00:04:06 - Twice.
00:04:07 - You're lucky he missed.
00:04:09 Think you'd recognize him if you saw him again?
00:04:12 - That's not a face I'm likely to forget.
00:04:15 - Pick him out of a lineup?
00:04:16 - I think so, yeah.
00:04:18 Say, what's this all about anyway?
00:04:20 - The dead man, Joe Gordon,
00:04:22 was going to testify before the grand jury next week.
00:04:25 - That's tough.
00:04:26 - Not too.
00:04:26 He had a bad record.
00:04:28 He knew too much about Smiley Freeman.
00:04:29 You know who Smiley Freeman is?
00:04:31 - The gangster?
00:04:31 - That's right.
00:04:32 Gordon was our witness.
00:04:34 Now, you're it.
00:04:35 - Me?
00:04:36 - Yeah.
00:04:37 All you have to do is identify the killer.
00:04:39 We'll do the rest.
00:04:40 Married?
00:04:43 - In a way.
00:04:44 - What do you mean, in a way?
00:04:47 Are you or aren't you?
00:04:48 - Yeah, I am.
00:04:50 - Where do you live?
00:04:51 - Right over there.
00:04:52 136 Alta Linda, apartment 4D.
00:04:54 - Pick up Mrs. Johnson.
00:04:55 Bring her over here.
00:04:56 - Okay.
00:04:57 Hey, don't wake her up.
00:04:59 She's not gonna like it.
00:05:00 - She'll want to know where you are, won't she?
00:05:03 We're taking you down to headquarters.
00:05:05 - Headquarters?
00:05:06 What for?
00:05:07 - Protective custody.
00:05:10 - I see what you mean.
00:05:12 - Now, where were you standing when he shot at you?
00:05:14 - Oh, right down there.
00:05:15 - Show me.
00:05:16 - Well, I was right down there with the dog
00:05:20 when the car drove up.
00:05:21 I didn't pay much attention to it.
00:05:23 Little bit later, I heard a shot.
00:05:24 I looked up just in time to see this fellow,
00:05:26 what's his name, fall out of the car.
00:05:28 Then the killer pumped another shot right into him.
00:05:31 My dog barked, he got out of the car,
00:05:34 started to shoot at me.
00:05:36 I ducked, and he drove away.
00:05:37 - What kind of a car?
00:05:38 - I don't know, a light coupe.
00:05:39 They all look alike to me.
00:05:41 - Well, his aim was all right.
00:05:44 He was just shooting at the wrong target.
00:05:46 He thought your shadow was you.
00:05:48 - Will you go call Reardon?
00:05:55 Maybe he won't miss next time.
00:05:57 - There won't be any next time.
00:05:58 - Yeah, but suppose you don't get a conviction, then what?
00:06:01 Do I have to spend the rest of my life
00:06:02 with police protection?
00:06:03 Or wind up on a sidewalk like him?
00:06:05 - What are you worried about?
00:06:06 He missed, didn't he?
00:06:08 Stay here a minute.
00:06:09 We'll get the rest of the story downtown.
00:06:11 - I hate to get mixed up in this.
00:06:15 - Yeah, it's getting so a man has to be careful
00:06:18 where he's looking these days.
00:06:19 - Think of it.
00:06:20 - Keep out of here, will you?
00:06:22 - Say, I think I dropped my pipe somewhere around here.
00:06:24 Is that okay if I look for it?
00:06:25 - Remember where you had it last?
00:06:27 - No, it was right over here somewhere.
00:06:28 - What's the matter, buzzard?
00:06:30 I'm giving you a compliment.
00:06:31 - Come on, get out of here, will you?
00:06:34 - Pick up Smiley Freeman and everybody connect with him.
00:06:42 Put him in a lineup, see if Johnson can identify anybody.
00:06:46 I want everybody.
00:06:47 No excuses, no lawyers, I want everybody.
00:06:50 See if he can pick up anything on that car.
00:06:52 Somebody may have seen it.
00:06:53 (door opens)
00:06:56 - Mrs. Johnson, that's not your husband.
00:07:03 Man was killed, he saw it happen.
00:07:05 He's right over here.
00:07:07 Sorry I had to get you out of bed, Mrs. Johnson.
00:07:10 After all, we had to make sure that he had a wife.
00:07:13 - Where is he?
00:07:17 - He took a powder.
00:07:18 Sergeant, pick up Johnson.
00:07:20 The idiot will get himself killed.
00:07:21 - Get down there and cover the park.
00:07:22 - Just like him, always running away.
00:07:23 - What do you mean, always running away?
00:07:25 Running away from what?
00:07:26 - From everything.
00:07:27 - Broadcast the description.
00:07:29 White male, American.
00:07:30 Was it French coat, soft brown hat?
00:07:32 - A very ordinary looking fellow, I'm afraid.
00:07:35 - Yeah.
00:07:36 Well, how would you describe your husband, Mrs. Johnson?
00:07:38 - I couldn't.
00:07:39 I haven't been able to for a long time.
00:07:42 May I go now?
00:07:43 Come on, you might.
00:07:44 - Nice dish, huh?
00:07:47 - Nice looking dish.
00:07:48 I want everything shut off.
00:07:50 Bridge controls, roadblocks, everything.
00:07:52 I'll stick with her.
00:07:53 - Right.
00:07:54 - Did you hear the shots fired?
00:07:57 - How could I?
00:07:57 I was in bed, sound asleep.
00:07:59 - Find any pictures of him?
00:08:00 - No, but plenty of her.
00:08:02 Just some tired snaps.
00:08:03 - They won't do anybody any good.
00:08:06 But keep them.
00:08:07 It's books on psychology.
00:08:12 I wonder why.
00:08:14 Has he got a problem?
00:08:15 - I wouldn't know.
00:08:16 - Maybe he's confused.
00:08:20 Aren't we all?
00:08:20 Pipe smoker.
00:08:23 - What does that mean?
00:08:26 - Nothing.
00:08:27 Oh, he's got two suits.
00:08:34 One of which he's wearing.
00:08:35 Well, what does he care what he looks like?
00:08:37 Nobody pays any attention to him anyway.
00:08:39 Not even his wife.
00:08:40 - You're really wasting your time.
00:08:42 There must be at least 20,000 men in San Francisco
00:08:44 who answer that description.
00:08:46 How are you going to find him?
00:08:47 It'd have to be something different about him.
00:08:49 Different anyway from other people.
00:08:51 - There is something different about him.
00:08:52 There's something different about everybody.
00:08:54 And we're gonna dig till we find out what it is.
00:08:56 Now you see our problem, Mrs. Johnson.
00:08:58 Why won't you help us?
00:08:59 - I'm helping.
00:09:00 What do you want me to do?
00:09:01 - I want you to answer a few questions.
00:09:02 - Go ahead, ask.
00:09:03 - Where does he generally go when he's not at home?
00:09:05 - I haven't the faintest idea.
00:09:06 - Has he any relatives in this area?
00:09:08 - No.
00:09:09 - Who are his friends?
00:09:10 - I don't know his friends.
00:09:10 The dog is our only mutual friend.
00:09:12 - You always go to sleep when he walks the dog?
00:09:14 - No, sometimes he goes to sleep and I walk the dog.
00:09:19 - Say, Inspector, here are a couple of more.
00:09:21 - Oh, I'm terribly sorry.
00:09:24 There's been a mistake.
00:09:25 Release these men at once.
00:09:26 Keep digging.
00:09:28 - Okay.
00:09:29 - Every man between the ages of 35 and 40
00:09:31 who is out tonight is wearing a trench coat
00:09:32 and a snap brim felt.
00:09:34 All of them five foot 11, weighing 170,
00:09:37 and all of them scared to answer questions.
00:09:39 - The domestic situation in this town must be terrible.
00:09:41 - Yeah.
00:09:42 Kitchen?
00:09:43 - Well, it's got a stove in it.
00:09:45 (door opens)
00:09:47 (dog barks)
00:09:55 - Don't you eat anything but dog food?
00:10:02 - He's not particular and I'm lazy, so we eat out.
00:10:05 - Where?
00:10:06 - Well, let's see, the corner drug store,
00:10:08 the lobster grill at the wharf
00:10:10 when we're in that neighborhood,
00:10:11 and when we get real fancy,
00:10:12 Manlo's Oriental Roof Garden.
00:10:14 - Those usually.
00:10:15 We're creatures of habit, I'm afraid.
00:10:17 - Check the Oriental Roof Garden.
00:10:18 They'll still be open.
00:10:19 - Yes, sir.
00:10:20 - Two o'clock in the morning.
00:10:21 How am I gonna explain this at home?
00:10:22 What's going on here?
00:10:23 - I'm sorry, there's been a mistake.
00:10:25 - He's sorry.
00:10:25 What am I gonna tell my wife?
00:10:27 - Come on.
00:10:27 - What did you and your husband
00:10:31 quarrel about tonight, Mrs. Townsend?
00:10:33 - We don't have to have a reason anymore.
00:10:34 - Don't you have a decent picture of your husband?
00:10:37 - No, he doesn't like to have his picture taken.
00:10:39 - I don't want any photographs of him
00:10:41 floating around that might get in the papers.
00:10:42 The killer doesn't know what he looks like.
00:10:44 - Didn't he see him?
00:10:45 - No, he shot at his shadow.
00:10:47 - Shot?
00:10:48 He shot at Frank?
00:10:48 - Twice.
00:10:49 Nobody knows that except the killer,
00:10:50 your husband, and now you.
00:10:51 So let's keep it that way.
00:10:52 It's important.
00:10:53 - He's really in danger, then.
00:10:57 - Worried?
00:10:58 I thought you were beyond worrying about him.
00:11:00 - I didn't say that.
00:11:01 - If he doesn't give himself up,
00:11:03 you're really gonna have something to worry about.
00:11:05 We've got to protect him.
00:11:07 - Like you did the other witness?
00:11:08 - Joe Gordon would be alive right now
00:11:10 if he hadn't had his lawyer spring him.
00:11:11 - Hey, Mark.
00:11:13 Here's a prescription for Frank Johnson.
00:11:15 Husband ill?
00:11:16 - No, he just likes to take medicine.
00:11:17 - What are these for?
00:11:18 - I don't know.
00:11:19 He just likes to take vitamin pills,
00:11:21 cold shots, anything.
00:11:22 - What's up here?
00:11:27 - Studio.
00:11:28 My husband's an artist.
00:11:29 - Oh, I thought you said he worked at Hart & Winston.
00:11:32 - He does.
00:11:32 He's in charge of displays down there.
00:11:34 - Oh, window trimmer, huh?
00:11:36 - Rembrandt, get down.
00:11:38 You know you're not allowed up there.
00:11:40 - Rembrandt?
00:11:43 It's the nearest we could ever get to owning one.
00:11:45 Frank's little joke.
00:11:46 He found them sitting on the street corner one night,
00:11:48 waiting for someone to adopt him.
00:11:50 They recognized each other right away.
00:11:52 - Is this supposed to be you?
00:12:00 - Yes.
00:12:01 It was a lovely autumn day.
00:12:03 The wind was blowing through my hair.
00:12:05 It was all very charming, but that was four years ago.
00:12:09 That was Frank's Cyprus period.
00:12:10 He had four important periods in his painting career.
00:12:13 - Say, how did you two ever happen to get together
00:12:17 in the first place?
00:12:18 - I met him at a friend's house in Carmel.
00:12:20 He wanted to paint, and I was all for it.
00:12:22 I had $5,000, and he had $2,000 in talent.
00:12:25 So we got married.
00:12:27 After Carmel, he became restless,
00:12:29 so we went to Taos, New Mexico, where he painted Indians.
00:12:32 That's an Indian.
00:12:34 - Yeah.
00:12:34 - Then he got tired of Indians,
00:12:36 so we went to Bucks County, Pennsylvania,
00:12:38 where he painted old Dutch barns with hex signs on them.
00:12:41 - Say, did he ever do a self-portrait?
00:12:42 - He didn't like himself that much.
00:12:44 - Oh.
00:12:45 He do these in Pennsylvania?
00:12:49 - No, he got restless again, so we came to San Francisco.
00:12:53 Here he started sketching crummy old characters
00:12:55 that hung around wharves, missions, and gin mills.
00:12:58 That was his social protest period.
00:13:00 Then our money ran out, and he had to take a job.
00:13:02 - Couldn't sell the stuff, huh?
00:13:04 - He wouldn't try to sell it.
00:13:05 Didn't think it was good enough.
00:13:06 These sketchbooks are filled with great ideas.
00:13:08 He never got around to painting.
00:13:10 - Didn't you try to get a job?
00:13:11 - Why should I?
00:13:12 That's his responsibility, not mine.
00:13:14 - Friend to your husband?
00:13:18 - No, that's his burlesque period.
00:13:19 - Now that I like.
00:13:21 It's pretty good.
00:13:22 - Yes, but it takes more talent to have a career.
00:13:24 You have to have staying power.
00:13:26 Frank's a drifter, so when the money ran out,
00:13:28 we just drifted.
00:13:29 - Who's this?
00:13:31 - Oh, some dance team over in Chinatown.
00:13:33 - Oh.
00:13:35 - Know him?
00:13:36 - Oh, he's a retired ferry boat captain
00:13:38 who does sand sculptures at the beach.
00:13:40 - Oh, I know who that is.
00:13:42 That's Rembrandt.
00:13:43 - Why does all this got to do with finding Frank?
00:13:47 - You just answer the questions.
00:13:48 That is, if it doesn't hurt.
00:13:50 - Why should it hurt me?
00:13:51 It's all past and done with.
00:13:53 If you want to snoop into the remains of our marriage,
00:13:55 that's up to you.
00:13:56 (phone ringing)
00:13:58 - Don't touch that telephone!
00:14:00 If that's your husband, find out where he is.
00:14:02 - I'm not going to.
00:14:03 - If that's your husband, find out where he is.
00:14:05 But keep on talking.
00:14:06 (phone ringing)
00:14:11 - Hello?
00:14:24 Oh, hello, Frank.
00:14:25 - Trace that call.
00:14:26 - I'm sorry to interrupt, but if I were you, I'd hang up.
00:14:31 The police are tracing your call.
00:14:33 - Hello?
00:14:34 - Hello?
00:14:35 - He hung up.
00:14:37 Seems to me I heard music.
00:14:39 Wasn't that music?
00:14:40 - You didn't do your husband a favor, Mrs. Johnson.
00:14:44 It's bad enough to be alone in a big city
00:14:46 with no place to go.
00:14:47 But as soon as the newspapers hit the streets
00:14:49 and the killer finds out he didn't get your husband,
00:14:51 there'll be guys looking for him with guns.
00:14:53 If I had a husband I wanted to get rid of,
00:14:55 I'd do exactly what you did.
00:14:57 - If he wants to run away, that's his business.
00:14:59 - And your business too, Mrs. Johnson.
00:15:01 I'll be seeing you.
00:15:02 No wonder the world's full of bachelors.
00:15:10 A little more needling's all she needs.
00:15:15 Give her plenty of rope to keep her tailed.
00:15:17 - She wants to get rid of him.
00:15:18 - Women are curious.
00:15:19 Even that dame will go after him.
00:15:21 - Oh, come on, be a good fellow and let us up.
00:15:22 - Who's handling the case?
00:15:23 - Inspector Burris.
00:15:24 - Oh, he's a friend of mine.
00:15:25 - Is that right, Inspector?
00:15:26 - Sure, we know him well.
00:15:27 - Hi, Burris, where's the dope?
00:15:28 - No story.
00:15:29 - How about that job?
00:15:30 - She's not looking.
00:15:31 - What about the witness?
00:15:33 - What witness?
00:15:34 - Oh, cut it out, cut it out.
00:15:35 It's already gone to press.
00:15:36 Did you get a look at the murderer?
00:15:37 - No.
00:15:38 - What's his wife like, any filth?
00:15:40 - Lay off the tabloid sex stuff, Leggett.
00:15:43 I'll give it to all of you in the morning.
00:15:45 Hiya, Homer.
00:15:46 - No favorites.
00:15:47 (suspenseful music)
00:15:50 (suspenseful music)
00:15:53 (suspenseful music)
00:15:56 (suspenseful music)
00:15:59 (suspenseful music)
00:16:02 (suspenseful music)
00:16:06 (suspenseful music)
00:16:09 (suspenseful music)
00:16:28 (suspenseful music)
00:16:31 - Don't shoot.
00:16:57 - You coming out or going in?
00:16:58 - Are you the police?
00:16:59 - Smile when you say that.
00:17:00 I'm a reporter.
00:17:01 - Oh, a newspaper man.
00:17:03 - Well, you don't have to say it like that.
00:17:05 - Let go of me, go away.
00:17:07 (woman screams)
00:17:10 - Are you just going to leave me dangling here?
00:17:13 - Well, you just said let go.
00:17:14 - I don't care what I said.
00:17:15 Help me get out of here.
00:17:16 - It's a pleasure, Mrs. J.
00:17:17 You are Mrs. Johnson, aren't you?
00:17:19 - No, I'm the maid taking my night out.
00:17:22 - Oh, what magic I possess.
00:17:26 A moment ago, total strangers.
00:17:27 Now you're in my arms.
00:17:28 - So it's love at first sight.
00:17:30 Now show me how you got up here
00:17:31 without the police seeing you.
00:17:33 - Do I get the story?
00:17:34 - After I get out of here.
00:17:35 - Follow me, then.
00:17:37 Looks like half the police force is down there.
00:17:51 (footsteps)
00:17:56 - Must I?
00:17:57 - Just look straight ahead
00:17:58 like you did when you got married.
00:18:01 Incidentally, my name's Leggett.
00:18:02 Leggett of the graphic.
00:18:03 We've got a dandy little sheet
00:18:04 all full of goo and gore and everything.
00:18:07 Hey!
00:18:08 - Bye.
00:18:13 (upbeat music)
00:18:18 (upbeat music)
00:18:23 (upbeat music)
00:18:28 (upbeat music)
00:18:33 (upbeat music)
00:18:38 (upbeat music)
00:18:43 (upbeat music)
00:18:48 - You wish something?
00:18:49 - Jennifer Rocks.
00:18:50 - Rocks?
00:18:51 Is this chair taken, madam?
00:18:52 - Why, thank you, Mrs. Johnson.
00:18:53 I'd love to join you.
00:18:54 - Well, you didn't think you were gonna get rid of me
00:18:55 as easy as you ducked the police, did you?
00:18:57 I'll have you know, Mrs. J,
00:18:58 I'm an old fire escape man from way back.
00:19:00 - Why don't you get lost?
00:19:03 (applause)
00:19:07 (upbeat music)
00:19:08 - Now then, how about the story?
00:19:10 - You'll get the story from my husband
00:19:11 when he's safe and sound in jail.
00:19:13 - Oh, but he won't be safe and sound.
00:19:15 Have you forgotten the fella by the name of Joe Gordon?
00:19:17 - Do you wish something?
00:19:18 - Yeah, let me have a bourbon old-fashioned.
00:19:21 - Why did you come here tonight, Mrs. Johnson?
00:19:23 Or shouldn't I ask?
00:19:24 - Because I like it here.
00:19:25 - You didn't by any chance come here to meet, say,
00:19:27 your husband, did you?
00:19:28 Or is that a far-fetched supposition?
00:19:30 Supposition?
00:19:31 I better stop using those four-syllable words.
00:19:32 I won't be working for the graphic anymore.
00:19:34 Where's your husband, Mrs. Johnson?
00:19:35 - I don't know.
00:19:36 - Did he see the killer? - I don't know.
00:19:37 - Should we dance? - Why don't you drop dead?
00:19:39 (speaking in foreign language)
00:19:42 - Hold that.
00:19:44 - Why don't you be nice to me, Mrs. Johnson?
00:19:46 Who knows, I might even be able to help you.
00:19:48 I'm not a bad guy when you get to know me.
00:19:50 A little obnoxious, perhaps, but pleasant.
00:19:52 Now then, answer yes or no.
00:19:54 Your husband saw the murder and took it on the lam, right?
00:19:56 - Right.
00:19:57 - And you're meeting him here?
00:19:59 - I haven't the slightest idea.
00:20:00 I came here on a hunch.
00:20:01 When he phoned tonight, I heard music.
00:20:03 They could only have come from this joint.
00:20:05 - Something to eat? - No, thanks, no food.
00:20:07 - Well, go ahead, try something.
00:20:08 - No, really, nothing.
00:20:09 - Oh, I've got a deal for you.
00:20:15 You find your husband with my help,
00:20:17 give me an exclusive for 24 hours,
00:20:19 and I'll get my paper to pay you for it.
00:20:20 - Trying to buy me so soon?
00:20:22 - First, I'm gonna try and buy you.
00:20:23 And if I can't, I'm gonna try to win you.
00:20:25 - Isn't that the reverse of the usual procedure?
00:20:27 - I'm a perverse fellow.
00:20:29 On second thought, Mrs. J, I find you very attractive.
00:20:32 I may try and win you right off.
00:20:33 - No, thanks, I'd rather be bought.
00:20:35 - Very mercenary.
00:20:36 All to the good, though, I like mercenary women.
00:20:39 (speaking in foreign language)
00:20:43 - Money? - Sure.
00:20:47 - How much?
00:20:48 - Oh, I don't know, a grand, maybe.
00:20:49 - Is it worth that much?
00:20:50 - Will be by the time I get through building it up.
00:20:53 - Frank will need it if he wants to get away.
00:20:55 - I'll bring it with me, just tell me where and when.
00:20:57 - And you won't print anything until I give the word.
00:20:59 - Scouts honor.
00:21:00 - It's a deal.
00:21:01 - Shall we drink to it?
00:21:02 To the speedy conclusion of all our troubles,
00:21:06 yours, your husband's, and mine.
00:21:08 - You've got trouble if you don't look.
00:21:10 - None that I can't solve now that we're partnered.
00:21:13 - Hiya, Mrs. Johnson.
00:21:16 - Hi, sir, Mr. Arn.
00:21:17 - Hi, Sammy, sit down.
00:21:18 Meet Mr. Leggett at the graphic.
00:21:20 - Oh, a newspaper man.
00:21:21 - Sammy.
00:21:22 - You should have caught the show.
00:21:23 Suzy and I are breaking in a new act,
00:21:25 Chung and Oquito, it's terrific.
00:21:27 That's spelled C-H-U-N-G, anybody can spell Oquito.
00:21:30 Of course, we're only breaking in the show here,
00:21:32 but a little plug would help.
00:21:34 - Well, I'll see what I can do.
00:21:36 - Thanks, next time you come catch the midnight show,
00:21:38 the place is really jumping then.
00:21:39 I'll be seeing you.
00:21:40 - Bye, Sammy. - Bye.
00:21:41 - Well, I think I'll go home.
00:21:43 Frank won't show tonight.
00:21:44 - How do you know?
00:21:45 - I just know, that's all.
00:21:46 - What are you gonna tell your husband when you see him?
00:21:48 - To give himself up.
00:21:49 Maybe I'll give up too.
00:21:51 - Leave your flag down.
00:22:16 - Hey, you wanna go in over the roof?
00:22:18 - No, I'll go in the front door
00:22:19 and give them something to think about.
00:22:20 - No, in that case, I'll disappear.
00:22:22 Let's not give them too much to think about.
00:22:24 - Well, if I need you, I'll get in touch with you.
00:22:26 - Oh, you won't have to get in touch with me,
00:22:27 Mr. Johnson, just look around, I'll be there.
00:22:29 - Good night, Mr. Leggett.
00:22:31 - What are you doing here?
00:22:41 - That was nice going, Mrs. Johnson,
00:22:43 but the next time you try to get out,
00:22:44 you'll have more trouble.
00:22:46 I've got news for you.
00:22:49 I've just seen your husband's doctor.
00:22:52 - Why, aren't you feeling well?
00:22:54 - Your husband isn't a hypochondriac.
00:22:58 He's a very sick man, he's got a bad heart.
00:23:01 - I don't believe it.
00:23:06 - Ask Dr. Hohler.
00:23:09 (dramatic music)
00:23:12 - Frank never said anything to me about it.
00:23:15 - Maybe he figured you wouldn't be interested.
00:23:18 - Well, he can walk into any drugstore
00:23:19 and buy some medicine.
00:23:20 - Not without a prescription, he can't,
00:23:22 and I've given orders to every drugstore in town
00:23:24 that none of this medicine is to be dispensed
00:23:25 without an order from me.
00:23:27 If he should have an attack and not have that with him,
00:23:29 you know what that means.
00:23:31 - You can't do that.
00:23:32 - If it's the only way I can get him to come in
00:23:33 and testify, I mean to use it.
00:23:35 - But Frank's done nothing wrong.
00:23:37 - Oh, yes he has, he was in the wrong place
00:23:38 at the wrong time.
00:23:40 - I thought the police were supposed to protect people,
00:23:42 not put them in danger.
00:23:43 - All it says in my book, sister,
00:23:44 is that the good of the majority's got to be upheld,
00:23:46 and for the good of the majority,
00:23:48 Frank Johnson's got to testify.
00:23:50 If he gives himself up, we'll give him a supply of medicine,
00:23:52 we'll protect him.
00:23:53 - And if he doesn't?
00:23:54 - He'll die of a heart attack or a bullet
00:23:56 from one of Smiley Freeman's men.
00:23:58 - I don't believe a word you're saying.
00:23:59 You're only trying to frighten me,
00:24:01 and I'm getting pretty sick of you,
00:24:02 now get out of here.
00:24:03 - Of course, if you want to try to find it,
00:24:04 I won't try to stop you.
00:24:06 - I don't think you can find it.
00:24:09 - I don't think he's running away from us.
00:24:11 I think he's running away from you.
00:24:13 - I said get out.
00:24:15 (door slams)
00:24:17 (dramatic music)
00:24:20 (dramatic music)
00:24:28 (metal clanging)
00:24:31 - I am violating my instructions from the police
00:24:56 by giving you this additional supply,
00:24:58 but rest assured it gives me no feeling of guilt.
00:25:00 - Thank you, doctor.
00:25:01 - After the excitement of last night,
00:25:03 your husband undoubtedly used the empty
00:25:05 which he carried with him.
00:25:06 So you see my action is not prompted by kindness
00:25:09 so much as reluctance to gamble with a man's life.
00:25:12 - Is his heart really that bad, doctor?
00:25:15 - Frank's condition isn't any worse than thousands of men
00:25:18 that strain their hearts running in track meet.
00:25:20 The misguided believe that they were building up their bodies.
00:25:23 If it were only his heart, we could control it.
00:25:26 - What do you mean?
00:25:27 - Well, for the past year, your husband has had hypertension.
00:25:30 That complicates matters.
00:25:32 - Hypertension?
00:25:33 What causes that?
00:25:34 - I'm not sure.
00:25:35 My guess is overwork, unhappiness, anxiety.
00:25:38 But you know more about it than I do.
00:25:40 - Why should I?
00:25:41 - But naturally you must know about his troubles.
00:25:43 I'm only his doctor, you're his wife.
00:25:45 - Oh yes, I'm that bitter, selfish, vicious wife.
00:25:48 The cause of his unhappiness, the cause of his failure.
00:25:50 Is that what he told you?
00:25:51 Is that what he tells everyone?
00:25:52 - Frank didn't discuss his private life with me
00:25:54 nor do I care to hear it from you.
00:25:56 I shall explain to you his condition and that's all.
00:25:59 He has a cardiac condition.
00:26:01 Let's call that X.
00:26:03 Now X alone is not serious.
00:26:05 He also has hypertension.
00:26:06 Let's call that Y.
00:26:08 X plus Y is dangerous.
00:26:10 - I'm Y, I suppose.
00:26:11 - I'm not a psychiatrist, Mrs. Johnson.
00:26:13 I deal only with facts.
00:26:15 X plus Y equals steady deterioration.
00:26:18 X minus Y is an improvement.
00:26:20 What you and your husband do about it,
00:26:22 that's your personal concern.
00:26:24 - My only personal concern right now
00:26:26 is to get these ampules to him.
00:26:27 - If you see him, tell him he should give himself up.
00:26:30 It's imperative to take the strain off himself.
00:26:32 - I'll give him the facts, he can draw his own conclusions.
00:26:35 (dramatic music)
00:26:40 (dramatic music)
00:26:43 (dramatic music)
00:26:47 (dramatic music)
00:26:50 (dramatic music)
00:26:53 (dramatic music)
00:26:56 - Oh Frank darling, I thought I'd never find you.
00:27:23 Now stay right here, I'll be back inside
00:27:24 and explain everything.
00:27:26 - All right Mr. Johnson, come along.
00:27:31 - My name isn't Johnson.
00:27:33 - Yeah, and I suppose that isn't your wife either.
00:27:35 - No, but I wish it were.
00:27:36 - Do you have any identification?
00:27:38 - Yes I have, my name is Stephen Carothers, optometrist.
00:27:41 While we're on the subject,
00:27:42 I think you better have your eyes examined.
00:27:44 (dramatic music)
00:27:46 - So Frank is a fugitive from the law.
00:28:05 - Well that's just like him, he's so adventurous.
00:28:08 - Adventurous, Frank?
00:28:10 - Oh yes indeed.
00:28:12 Sit down Mrs. Johnson, I guess you've never visited
00:28:14 our workshop before.
00:28:15 - What makes you think he's adventurous?
00:28:18 - Oh but he is.
00:28:19 All the places he's gone
00:28:20 and all the things he's done.
00:28:22 You know my life has been pretty uneventful.
00:28:25 Straight from high school to this job.
00:28:27 From my rooming house to the street car
00:28:30 and then down here to work.
00:28:31 In the evening back to my rooming house again.
00:28:33 But since he's been here, it's different.
00:28:36 He makes my life kind of exciting.
00:28:38 I never get tired of listening to the stories
00:28:40 he tells about his trip down to Mexico.
00:28:42 When he was wandering around with all those bull fighters.
00:28:45 And when he shipped off to Tahiti in that old freighter
00:28:48 and then jumped ship.
00:28:50 Oh I'm sorry, I suppose you've heard these stories
00:28:53 many times Mrs. Johnson.
00:28:55 - I never heard them, he never told me.
00:28:57 - He didn't?
00:28:58 Well maybe he didn't want his wife to know.
00:29:01 Oh I'm sorry if I talked out of turn.
00:29:03 - Of course you haven't.
00:29:05 Shouldn't the mail be here?
00:29:06 - Why yes, yes it should, why?
00:29:08 - Frank sent me a letter in care of you.
00:29:10 - Oh he did?
00:29:12 I don't know what Mr. Anderson is going to say.
00:29:14 When he finds out Frank isn't coming in today.
00:29:17 You know he's got a terrible disposition.
00:29:19 He doesn't exercise enough.
00:29:21 Of course I don't either but then.
00:29:23 Well I'm gonna protect Frank.
00:29:25 He saved my job once.
00:29:26 You know Mr. Anderson was gonna fire me.
00:29:29 But Frank said if Mr. Mabus goes you can pay me off too.
00:29:32 Oh they had a terrible argument.
00:29:34 They even took it upstairs to Mr. Winston.
00:29:36 Well we're still here.
00:29:38 Frank was too valuable.
00:29:40 - Look Mr. Mabus, don't tell anyone
00:29:44 about that letter that's coming.
00:29:46 - Oh no, no, no, you can trust me.
00:29:48 - Not even the police?
00:29:50 - The police?
00:29:51 Are they coming here?
00:29:52 - They're very apt to.
00:29:54 But just don't mention the letter
00:29:55 or anything about my being here at all, huh?
00:29:57 - Well I don't know how good I am at deceiving people
00:30:00 but if it's for Frank I'll try.
00:30:02 - Hey Mabus, you better get the lead out and get upstairs.
00:30:05 Anderson's blowing his top.
00:30:06 - Okay I'll be right up.
00:30:07 Is the mail in yet?
00:30:08 - How should I know?
00:30:10 - Nice people.
00:30:12 Sometimes I think it'd be better for Frank
00:30:14 if he got himself fired.
00:30:15 - Well he doesn't belong around here.
00:30:17 Look at all the time he puts in these mannequins.
00:30:20 Say I just noticed something.
00:30:23 This looks like you.
00:30:25 - Very flattering.
00:30:26 Is that the way he sees me?
00:30:27 - Well it may be a little severe
00:30:28 but it shows he was thinking about you anyway.
00:30:31 - Yes, and what he was thinking.
00:30:32 - Mail!
00:30:33 You've only got two today Mr. Mabus.
00:30:36 Wasn't Frank here?
00:30:38 - No, no he's late.
00:30:39 Was there a letter for him?
00:30:40 - No, I just had a new song I wanted him to hear.
00:30:43 Frank's the only one who listens to me sing.
00:30:45 Oh brother, if I got a crush on that man.
00:30:47 Mm-mm.
00:30:48 - No letter.
00:30:51 - Oh but there's got to be one.
00:30:52 - Well maybe it'll be here
00:30:53 on the afternoon mail at three o'clock.
00:30:55 - If one comes, hold it for me.
00:30:57 And let's just keep it our secret, shall we?
00:31:08 - Good morning Mrs. Johnson.
00:31:09 He didn't show up for work this morning, did he?
00:31:11 Where's your new pal Leggett?
00:31:12 - I haven't the vaguest idea.
00:31:14 - I wouldn't get too cozy with that guy if I were you.
00:31:17 He'd crucify his grandmother for a story.
00:31:19 - I haven't found him as objectionable as you are.
00:31:21 - What right have you prying into my personal life,
00:31:23 having me followed as if I were a criminal?
00:31:25 I'm sick of it.
00:31:27 I'm sick of you and I want it stopped.
00:31:28 - Mrs. Johnson, didn't your husband ever beat you?
00:31:30 - Are you going to have these men stop following me?
00:31:32 - The man who killed Joe Gordon isn't stupid.
00:31:34 If I'm smart enough to use you as a bird dog
00:31:36 and lead us to your husband, so is he.
00:31:39 You may be very happy to have a copper arm
00:31:41 before this thing's over.
00:31:42 - That I doubt.
00:31:43 - Stick with it.
00:31:46 - How could I lose a redhead like that?
00:31:48 (train rumbling) (bells jangling)
00:31:53 (bells jangling)
00:31:55 (train rumbling)
00:32:10 (train horn honking)
00:32:21 (train rumbling)
00:32:24 - Oh, don't be so grumpy this morning.
00:32:26 All I'm trying to do is help you.
00:32:28 Do you know that you've got a little shadow?
00:32:30 Huh?
00:32:32 There she is.
00:32:33 Well, it's a nice morning for a ride.
00:32:35 Oh, uh, by the way, here's your letter.
00:32:39 - Well, I was-- - Surprise, don't be.
00:32:41 $10 and an underpaid storage clerk can get you anything.
00:32:44 Don't you worry about it.
00:32:45 I'll put it on my expense account.
00:32:46 - How did you know about it?
00:32:47 - The menu.
00:32:48 You shouldn't have left it.
00:32:49 It was very careless of me.
00:32:50 I have acquisitive eyes.
00:32:51 - Do you always open other people's mail?
00:32:54 - Mm-hmm, every chance I get.
00:32:56 Say, did you get a load of the female impersonator
00:32:58 they've got following you?
00:32:59 - No.
00:33:00 - Well, let's duck her and get down to business.
00:33:03 Hey, Mac, turn left on the next street,
00:33:05 then right up the alley.
00:33:06 - Okay.
00:33:07 (train rumbling)
00:33:11 (train whistling)
00:33:16 (train whistling)
00:33:19 - Mean anything to you?
00:33:22 - Oh, a lot of things.
00:33:24 - Something to go on?
00:33:25 - I'm not sure.
00:33:26 - What does he mean in there about the doctor and the ampules?
00:33:29 - It's medicine he needs.
00:33:30 He has a bad heart.
00:33:31 - How bad?
00:33:32 - Bad enough.
00:33:33 I just found out.
00:33:35 He's got to have these pills,
00:33:36 and he can't get them anywhere.
00:33:37 The police have seen to that.
00:33:38 - Ah, squeeze play.
00:33:40 At first, he's smart.
00:33:41 Will he die?
00:33:44 - I don't know.
00:33:45 I spoke to his doctor.
00:33:46 It isn't serious, only under certain conditions.
00:33:49 - Explain.
00:33:52 The police will probably read this note,
00:33:55 so I can't tell you where I'll be.
00:33:57 But if you think back, you'll know where to find me.
00:34:00 - What am I, a mind reader?
00:34:02 - Gives you a clue in this next line.
00:34:04 I'll be out in the open under the sun
00:34:06 in a place like the one where I first lost you.
00:34:08 - There is no first in things like these.
00:34:11 - This is kind of obscure.
00:34:12 Does he always talk to you like this?
00:34:13 - No, it's our first murder.
00:34:15 - You know, Mrs. J,
00:34:18 your husband's a pretty clever guy at that.
00:34:19 - No, you don't think so, but he is.
00:34:21 He's testing you.
00:34:23 He's asking you to admit that your marriage is a failure
00:34:25 and that it's your fault.
00:34:27 He's saying that he understands you,
00:34:28 but that you don't understand him.
00:34:30 - Now listen, Mr. Leggett of the graphic.
00:34:32 I've had just about enough of the old wise male.
00:34:35 In the past 10 hours, I've met three men.
00:34:37 Three men who all put together haven't known Frank
00:34:40 for one fraction of the length of time I have,
00:34:42 but they all know him better than I do.
00:34:45 Well, along the way, I found out a few things myself.
00:34:48 I found out how Frank Johnson really feels about me.
00:34:51 That at the first chance, his first excuse,
00:34:53 he took off, ran.
00:34:55 And he didn't even think enough of me
00:34:56 to confide in me that he was ill.
00:34:58 Then at the store, in the faces of those mannequins,
00:35:00 I saw what he really sees in me.
00:35:02 All right, it's okay if that's the way he feels about it,
00:35:05 but if he wants his ampoules,
00:35:06 he'll have to come out of hiding and get them.
00:35:08 - What did you have for breakfast?
00:35:12 Cigarette and coffee?
00:35:13 - Cigarette.
00:35:14 - I thought so.
00:35:15 Take us over to Lancey's on Powell.
00:35:17 - Lancey's?
00:35:18 Okay.
00:35:19 - This place has the best waffles in town.
00:35:20 Butter in every little square.
00:35:22 View's always better on a full tummy.
00:35:24 How about another one?
00:35:27 - Oh, no thanks.
00:35:28 - Now that I've got you softened up, Mrs. J,
00:35:31 there's something I have to tell you.
00:35:34 You have to find your husband.
00:35:35 No, not for the money, I promise.
00:35:37 You are my story, but for yourself.
00:35:39 He's challenged you.
00:35:41 You've got to accept that he's right.
00:35:43 - I really would like to find him.
00:35:44 If only I could decide for the riddle in this letter.
00:35:47 - Together we can do it.
00:35:48 That letter's like drawing a graph.
00:35:50 One line is to trace his movements from last night.
00:35:52 The other leads back into the past,
00:35:54 which you have to remember.
00:35:55 Where they cross, that's where your husband is.
00:35:58 - You need a manicure.
00:36:00 - So I do.
00:36:02 You know, this is the first time in my life
00:36:04 I ever insisted on helping a woman find her husband.
00:36:06 - That I believe.
00:36:08 By the way, what do people call you
00:36:10 besides Leggett of the graphic?
00:36:12 - Oh, people that like me call me Danny Boy.
00:36:15 - Okay, Danny Boy.
00:36:20 Fisherman's Wharf.
00:36:25 Frank used to come here a lot.
00:36:27 I remember once he did a watercolor of a boat.
00:36:30 A fisherman admired it, so Frank just gave it to him.
00:36:34 Not to be outdone,
00:36:35 the fisherman gave Frank a big swordfish.
00:36:38 I made a remark about the joys of living
00:36:40 by the barter system and we had a bitter quarrel.
00:36:43 But it certainly wasn't the first one.
00:36:45 - Do you think Frank was referring to a quarrel
00:36:47 when he said where I first lost you?
00:36:48 - What else?
00:36:49 Another one started up here on Telegraph Hill.
00:36:53 Frank did a canvas of the harbor from here
00:36:55 that I thought was wonderful.
00:36:57 When I told him so,
00:36:58 he insinuated that my taste in art ran to calendars.
00:37:01 I said my taste was my own and I wanted the painting,
00:37:04 so he gave it to me.
00:37:06 But he signed it to Eleanor's husband.
00:37:08 Without telling him, I entered it in a contest
00:37:11 they were having here at the art gallery.
00:37:13 The oil by Eleanor's husband won first prize, $500.
00:37:18 But do you think Frank was pleased when he found out?
00:37:21 Oh, no.
00:37:22 He refused the money and withdrew the painting.
00:37:25 Said he wasn't ready yet.
00:37:27 - Sounds pretty stubborn.
00:37:28 - Stupidly stubborn.
00:37:30 I wonder if he ever really wanted to be successful.
00:37:33 Soon after that, he took the job at Horton Winston's.
00:37:36 - You know, the only thing we know for sure
00:37:37 is that Frank was at the Oriental Gardens last night.
00:37:40 Now we're in the neighborhood, let's drop in.
00:37:42 - Yeah, he sat around the missing room
00:37:43 until we came down to do the one o'clock show.
00:37:45 Then he said he was gonna make a phone call.
00:37:47 - Then Frank wrote the letter.
00:37:49 - He said to get in touch with you,
00:37:50 that he was gonna send the letter to a store,
00:37:51 care of Mr. Mavis.
00:37:53 - Haven't I seen you someplace before?
00:37:55 - Shouldn't be surprised, I've been there.
00:37:56 - But didn't he say what he was going to do
00:37:58 or where he might go?
00:37:59 - I didn't wanna pump him.
00:38:00 Say, why don't you try Sullivan?
00:38:02 - Who's Sullivan?
00:38:03 - He's a grandmick, runs a bar across the street.
00:38:05 Come on, I'll show you, you can go down the back stairs.
00:38:07 - Now I know where I've seen you before.
00:38:09 Last night.
00:38:10 - Sure, I was in with Mrs. Johnson.
00:38:12 - No, I mean the pictures that Frank drew.
00:38:14 - Picture?
00:38:15 What picture, of me?
00:38:18 - Well, it looked something like you.
00:38:19 You know how Frank's always drawing pictures.
00:38:22 - Did he say who this man was?
00:38:24 - No, no he didn't.
00:38:25 I wonder if I should have told the cops about it.
00:38:27 Oh well, they'll be back, the man that was in said so.
00:38:30 - Susie, quit yagging.
00:38:31 - Do you still have the picture?
00:38:34 - Maybe I could run it in the paper.
00:38:35 - Yeah, it's upstairs in my dressing room.
00:38:37 I better keep it, though.
00:38:38 - Hey, Leggett, are you sure you wanna help find Frank?
00:38:41 - Say, don't forget that plug in the paper about us.
00:38:45 We can sure use it.
00:38:46 Okay, take it from the top.
00:38:50 I've got to go see our agent.
00:38:52 (train rumbling)
00:38:55 - I've heard about this place for years.
00:39:12 Never been here before.
00:39:21 - What'll you have, folks?
00:39:22 You hungry?
00:39:23 Specialty today, corned beef and cabbage.
00:39:25 Original for you.
00:39:26 - No food.
00:39:27 - Dinner will rock for the lady in old fashioned for me.
00:39:30 I think I'll call the paper and see if anything's broken.
00:39:32 You can get more out of him alone anyway.
00:39:33 - Say, why don't you wear a hat?
00:39:36 - I look funny in hats.
00:39:38 - You know, you're right.
00:39:39 - What is it?
00:39:42 No, I didn't drop a nickel.
00:39:51 (dramatic music)
00:39:54 - Yes, Mrs. Johnson.
00:40:08 Frank wasn't here last night, just before closing time.
00:40:10 - Did he say where he was going?
00:40:11 - No, he didn't.
00:40:12 Just borrowed 10 bucks is all.
00:40:14 Maybe I should tell you.
00:40:15 There was a couple of fellas in here this morning
00:40:17 asking about Frank.
00:40:18 Fellas that you couldn't very well say,
00:40:20 "Mind your own business," to.
00:40:22 Is he in some sort of trouble, Mrs. Johnson?
00:40:24 - Some.
00:40:25 He didn't come home last night.
00:40:26 - They're all alike.
00:40:27 I've been looking for mine for three years.
00:40:30 - I'm glad I finally met you, ma'am.
00:40:33 I often wondered what kind of a woman Frank was married to.
00:40:36 Not that I imagined he was too easy to live with,
00:40:38 being so quiet and moody in strange times.
00:40:41 For instance, now look at this picture.
00:40:44 Look at the date he put on it.
00:40:45 Frank painted this for me about six months ago.
00:40:47 It was on St. Patrick's Day.
00:40:49 Look at the date on it.
00:40:50 March 17, 1947.
00:40:53 Well, I suppose it's an artist's privilege.
00:40:55 - March 17th, that's Frank's birthday.
00:40:58 1947.
00:40:59 We spent the day on the beach at Cypress Point.
00:41:04 Then we suddenly decided we had to see the sunset
00:41:06 from the top of the mark, so we drove to San Francisco.
00:41:09 We had a car then.
00:41:11 We had champagne cocktails
00:41:12 and watched the sunset over the Golden Gate.
00:41:15 After all, it was Frank's birthday and St. Patrick's.
00:41:18 We had a beautiful dinner at Andre's
00:41:19 and Cafe de Auloid Amigos.
00:41:22 Then we drove back to Carmel
00:41:23 in the softest moonlight I've ever known.
00:41:25 - Ah, there's nothing like being young and in love.
00:41:27 And daft.
00:41:29 - Taboot.
00:41:29 - What?
00:41:30 - Daft, taboot.
00:41:32 - Well, I guess people are entitled
00:41:33 to do crazy things on their birthday.
00:41:35 - This year we didn't.
00:41:37 I went to a movie.
00:41:38 Frank came down here and painted that picture.
00:41:41 - Now I know what Frank meant when he said
00:41:43 someone should have been in that picture with him.
00:41:45 (dramatic music)
00:41:48 - I have a notion if your husband could have seen your face
00:42:08 when you were telling him about that birthday party in 1947,
00:42:11 he'd have painted you right smack in the middle
00:42:13 of that picture with his arms around you.
00:42:15 - Ah, sorry, Ursula.
00:42:17 - Oh, Mr. Leggett of the graphic, Mr. Sullivan.
00:42:18 He's helping me look for Frank.
00:42:21 - Hi.
00:42:21 Freshen up a little, will you?
00:42:23 Now hold the garbage.
00:42:24 You?
00:42:24 - No, I'm fine.
00:42:25 - Get something?
00:42:28 - Something I hadn't counted on.
00:42:29 - What?
00:42:30 - Frank still loves me.
00:42:32 - That's a big help.
00:42:33 - I think so.
00:42:34 - If it'll help any,
00:42:35 Frank asked me how early the Army and Navy store
00:42:37 is open, the one that's down on the Embarcadero.
00:42:40 - Oh, he's getting smart.
00:42:41 He's changed his clothes.
00:42:43 What do you say we cover it?
00:42:44 - Oh, I, uh...
00:42:45 I'm sorry I was so rude a moment ago,
00:42:48 but it's always discouraging to hear a wife say
00:42:50 that her husband loves her.
00:42:51 - What do you write?
00:42:52 Comic strips?
00:42:53 - Never more serious in my life.
00:42:54 What's the damages?
00:42:56 - Oh, it's on the house.
00:42:57 I hope you find him, Mr. Johnson.
00:42:58 - Thanks.
00:43:00 - It's no use looking, honey.
00:43:01 Once they're gone, they're gone.
00:43:06 (dramatic music)
00:43:12 (car horn honking)
00:43:15 - How'd it happen?
00:43:26 - I was walking along and she almost hit me.
00:43:28 She must have fell from the Oriental roof garden up there.
00:43:31 - Who is she?
00:43:34 - She's one of the dancers from the show.
00:43:40 - Maybe a drink, Sammy?
00:43:42 It helps sometimes.
00:43:44 - No, thanks.
00:43:45 - Hi, Sammy.
00:43:47 - Let him alone, can't you?
00:43:48 - I just heard about it.
00:43:50 I'm sorry.
00:43:51 - I can't understand it, Inspector.
00:43:53 Suzy was happy.
00:43:55 We were doing great.
00:43:56 There was no reason for it.
00:43:57 - Sometimes we don't know what makes people tick,
00:44:00 even the ones closest to us.
00:44:02 - I just can't believe she killed herself.
00:44:04 - Well, maybe she didn't.
00:44:06 - Inspector, how else?
00:44:07 - Well, it could have been robbery.
00:44:09 She might have surprised somebody in the dressing room.
00:44:11 Did you check her stuff, see if anything was missing?
00:44:14 - No.
00:44:14 - Well, do it now.
00:44:15 - We've been through almost all of these places
00:44:24 and we still haven't found a lead on Frank.
00:44:27 (dramatic music)
00:44:30,
00:44:32 - Mind if I look at this coat?
00:44:59 - It's a man's coat.
00:45:00 - Mind if I look at it?
00:45:01 - It's $8.
00:45:02 - That's Frank's coat.
00:45:05 Where did you get it?
00:45:05 - None of your business.
00:45:06 - But that's my husband's coat.
00:45:07 - No, it ain't.
00:45:08 It's mine.
00:45:09 A fella came in here and traded that coat for $4
00:45:11 for a pea jacket and a cap.
00:45:13 - When?
00:45:14 - When I opened up this morning.
00:45:14 - Where'd he go?
00:45:15 - How do I know?
00:45:16 I just sell stuff.
00:45:17 I don't watch people.
00:45:18 Shut the door as you go out.
00:45:19 (dramatic music)
00:45:28 (horse neighing)
00:45:31 (dramatic music)
00:45:34 (dramatic music)
00:45:37 (dramatic music)
00:45:39 - Well, wouldn't you know?
00:46:06 There he is, just like nothing had happened.
00:46:09 - Huh.
00:46:10 - Frank.
00:46:19 - I beg pardon?
00:46:22 - Oh, I'm sorry.
00:46:36 - I never knew there were so many
00:46:37 land-going sailors in the world,
00:46:39 all of them wearing pea jackets and seamen's caps.
00:46:41 - Beat, huh?
00:46:48 - Mm-hmm.
00:46:48 I might as well admit it.
00:46:51 I can't remember.
00:46:52 No, thanks.
00:46:53 - There's not much sun left to find him under.
00:46:56 - If you think back, he said in his letter,
00:47:00 you'll know where to find me.
00:47:06 - Danny, maybe if I'm alone, I can figure this out.
00:47:09 I've got to go home anyway and feed the dog.
00:47:11 He's been locked up all day.
00:47:13 - Sure, sure.
00:47:14 I could meet you later someplace.
00:47:16 How about picking me up at the corner
00:47:17 of Montgomery and Union Streets when you're ready?
00:47:19 It's not much out of your way.
00:47:20 - All right.
00:47:22 I'll meet you there in an hour.
00:47:23 - Uh-oh.
00:47:27 Looks like your shadow's finally caught up with you.
00:47:31 (train whistling)
00:47:34 - Are you as tired as I am?
00:47:44 - I beg your pardon.
00:47:46 - Come on, there's no need
00:47:47 for spending two cab fares.
00:47:48 We might as well go together.
00:47:49 - But, well--
00:47:50 - Oh, come on.
00:47:51 At least we'll have someone to talk to.
00:47:52 (door creaking)
00:47:57 (train whistling)
00:48:00 - At the taxpayer, I thank you.
00:48:12 (train whistling)
00:48:17 - Hello, Rembrandt.
00:48:27 I'll be with you in a minute.
00:48:28 - Hi.
00:48:29 - What, you again?
00:48:32 Who let you in?
00:48:33 - Landlord.
00:48:34 Do you mind?
00:48:35 - Oh, no.
00:48:36 Make yourself at home.
00:48:37 I love having cops move in on me.
00:48:39 - Where's the letter?
00:48:40 Don't pretend you don't know what I'm talking about.
00:48:41 I mean the letter your pal picked up
00:48:43 at Hart and Winston's this morning.
00:48:44 I want it.
00:48:45 - He's all knows all except where Frank is
00:48:47 and who the killer is.
00:48:48 Why don't you go back to jail or wherever it is you live
00:48:51 and leave me alone?
00:48:52 - Oh, no.
00:48:53 The merry-go-round's over.
00:48:54 This case is going cold on me
00:48:56 and you're the only live thing in it.
00:48:57 So from now on, I'm sticking with you.
00:48:59 - That's just peachy.
00:49:01 Oh, I'm bushed.
00:49:03 - You ought to be.
00:49:05 You covered a lot of territory today.
00:49:06 My men are bushed too.
00:49:07 You should be more considerate.
00:49:09 Can you make anything out of this letter?
00:49:12 It's pretty cryptic.
00:49:13 - Not yet.
00:49:14 But I'm working on it.
00:49:15 - Sounds like a guy in love.
00:49:17 - You think so?
00:49:19 - Yeah.
00:49:20 "I'll be out in the open, under the sun,
00:49:24 "in a place like the one where I first lost you."
00:49:27 That kind of lays it right in your lap.
00:49:30 Doesn't it mean anything to you?
00:49:31 - I wish it did.
00:49:33 - I'm glad you're not bringing me my medicine.
00:49:35 - Oh, don't worry.
00:49:36 I'll find it.
00:49:38 - And I'll be right there with you when you do.
00:49:40 Where you go, I go.
00:49:43 (dog barking)
00:49:45 - Would you insist upon going with me if I walked the dog?
00:49:49 - I walked him.
00:49:50 Anyway, there's a man out front,
00:49:52 one in back and one on the roof.
00:49:54 - Fine, I'm staying right here then.
00:49:55 - So am I.
00:49:56 We'll just wait till your husband comes to you
00:49:58 or you can't stand the strain any longer and go to him.
00:50:00 - Look, Mr. Ferris,
00:50:03 maybe you were right in some of the things you said.
00:50:06 Today I discovered a lot about Frank I never knew before.
00:50:08 - In one day, what you couldn't find out in four years.
00:50:12 - I guess I was the one that was next to him.
00:50:14 A lot of it's my fault anyway.
00:50:17 I haven't been much of a wife.
00:50:18 - Well, that's quite an admission from you, Mrs. Johnson.
00:50:21 - Please, you've got to give me a chance
00:50:23 to see Frank alone and give him his medicine.
00:50:26 Then if he wants to come in and testify, that's up to him.
00:50:28 But it's got to be his choice.
00:50:30 I won't try to influence him one way or the other.
00:50:32 Whatever he does is all right with me.
00:50:34 But you've got to let me see him alone first.
00:50:36 - I believe you and I'd like to help you, but I'm a cop.
00:50:40 If Frank keeps on running,
00:50:41 I'll have no witness to say nothing of a job.
00:50:44 (dog barking)
00:50:46 - He's hungry.
00:50:50 Couldn't you have fed him too?
00:50:51 - He couldn't figure out how to work the can opener.
00:50:53 - Can I use your phone?
00:50:54 (dog barking)
00:50:56 Hello, Ferris.
00:51:03 Anything to me?
00:51:04 Keep it going until we get results.
00:51:07 I think we're getting warm.
00:51:09 Shaw there?
00:51:10 Put him on.
00:51:12 (doorbell rings)
00:51:16 (suspenseful music)
00:51:19 (dog barking)
00:51:33 (suspenseful music)
00:51:36 (dog barking)
00:51:39 (dog barking)
00:51:41 (suspenseful music)
00:52:11 - I'm sorry, Rembrandt.
00:52:12 It's the only thing I can think of.
00:52:14 (dog barking)
00:52:16 - Mr. Ferris.
00:52:26 - Yeah?
00:52:27 - I'm worried about Rembrandt.
00:52:31 He was so hungry and now he won't touch his food.
00:52:33 - That's funny.
00:52:34 - When his nose is so hot,
00:52:38 maybe I'd better take him to the vet.
00:52:40 - I'll take him.
00:52:41 I like dogs.
00:52:42 - Oh, thank you.
00:52:43 - Get your shoes.
00:52:44 - His temperature is normal.
00:52:49 In fact, he seems to be in perfect health.
00:52:51 - But I'm worried about him, doctor.
00:52:52 He won't eat.
00:52:53 - Maybe he isn't hungry.
00:52:54 - Perhaps he should stay here
00:52:55 for a few days for observation.
00:52:58 May I take a look at your exercise yard?
00:52:59 - Oh yes, right out that door across the hall.
00:53:02 - And doctor, see if you can't coax him to eat something.
00:53:05 (dogs barking)
00:53:08 - Doctor, I wish you'd look at Emelyn.
00:53:12 - I'm not the doctor.
00:53:14 I'm here for treatment myself.
00:53:16 - I beg your pardon?
00:53:17 - Your wife thinks you ought to leave the dog
00:53:18 for observation.
00:53:19 - That woman's not my wife.
00:53:34 - Varys was there when I got back.
00:53:35 He knew about Frank's letter.
00:53:37 - Well, that doesn't surprise me anyway.
00:53:38 Check that.
00:53:39 - Danny, I've been thinking.
00:53:41 Why did Frank send it to Hart and Winston's?
00:53:43 - Well, he didn't want it intercepted.
00:53:44 - Why not leave it with Sammy Chung then?
00:53:46 Or give it to anybody he knew who'd bring it to me?
00:53:48 Why Mabus at the store?
00:53:50 - You mean you think there's a reason, something he missed?
00:53:52 - Yes, something I didn't see.
00:53:54 Something I overlooked.
00:53:55 - Driver, take us to Hart and Winston.
00:53:58 - Okay.
00:54:00 (dramatic music)
00:54:02 - Weary, bitter, cynical.
00:54:15 Fresh, eager, and hopeful.
00:54:23 The two Elinores.
00:54:24 - Now I remember.
00:54:28 One day on the beach at Carmel, just after we were married,
00:54:30 Frank made a mermaid out of sand.
00:54:32 It was supposed to be me.
00:54:33 And a big wave came up and washed it away.
00:54:35 And he said, "Well, I've lost you."
00:54:37 And I said, "You'll never lose me, Frank.
00:54:38 "I won't let you."
00:54:39 That's what he meant in the letter.
00:54:40 He wasn't a quarrel.
00:54:41 - This means something to you.
00:54:43 You know where he is?
00:54:43 - I'll take you there.
00:54:44 - Inspector Parris wants to see you.
00:54:46 - Why?
00:54:47 - Look, he wants to see you.
00:54:48 - Where?
00:54:49 - Later.
00:54:50 (dramatic music)
00:54:52 (dramatic music)
00:54:55 (train horn blaring)
00:54:58 (dramatic music)
00:55:01 (train rumbling)
00:55:04 (dramatic music)
00:55:19 - I'm sorry to have to ask you to do this, Mrs. Johnson.
00:55:28 This man was found in an alley
00:55:30 behind a gin mill on the Embarcadero.
00:55:33 He's been brutally beaten to death.
00:55:35 He wasn't wearing a trench coat,
00:55:36 but he was wearing a seaman's cap and jacket.
00:55:39 From what I remember of your husband, it could be him.
00:55:43 I'm not sure.
00:55:44 So I'll have to ask you to make positive identification.
00:55:48 (dramatic music)
00:55:58 (dramatic music)
00:56:01 - Let her alone.
00:56:20 There goes the Freeman case.
00:56:24 Two witnesses, two dead men.
00:56:28 That's the way it goes sometimes.
00:56:29 I don't know, anything that I could say would just be words.
00:56:39 - Danny, that wasn't frank.
00:56:47 For a quick moment, I thought it was,
00:56:50 and I felt things I didn't know I could feel.
00:56:52 What was I holding out for?
00:56:54 Why didn't I learn to understand?
00:56:56 Why don't we give freely of ourselves when we can?
00:57:00 If only I had another chance, I thought.
00:57:04 Then I saw it wasn't frank and I fainted.
00:57:06 - Congratulations on your performance.
00:57:09 - But it wasn't an act, I really did faint.
00:57:13 - Where is he?
00:57:16 - At the amusement park at the beach.
00:57:18 (car engine rumbling)
00:57:22 - You were there when it happened.
00:57:34 Why can't you talk?
00:57:36 - That Johnson dames a smart cookie.
00:57:39 - Yeah.
00:57:41 - I wonder where she got the idea of passing
00:57:41 that stiff off as her husband.
00:57:43 - Somebody had to pass him off.
00:57:45 - Sure, the guy she identified
00:57:47 was the second mate off the tanker,
00:57:49 just been paid off.
00:57:49 Somebody rolled him for his dough.
00:57:51 - Why wasn't I told?
00:57:52 - The fingerprint report just came.
00:57:54 - Kick me for a knucklehead.
00:57:57 Get down to the taxi stand,
00:57:58 check and find out where they took her.
00:58:00 (dramatic music)
00:58:05 - Now, wait.
00:58:10 (dramatic music)
00:58:13 - Hey, Mac, watch my cat.
00:58:19 We're gonna get a hamburger.
00:58:20 - Okay, bud.
00:58:20 (dogs barking)
00:58:25 - Put this on right away.
00:58:40 - All units in the Bay Area,
00:58:41 be on the lookout for one yellow cab number 323.
00:58:44 License number in the seven column.
00:58:46 49 Frank 762.
00:58:48 Left Hall of Justice approximately 6.30 p.m. this day.
00:58:50 (dramatic music)
00:58:53 - Right down there beyond that railing at the sand club.
00:59:03 (dramatic music)
00:59:07 - He's been waiting for me all day,
00:59:09 thinking I wouldn't remember.
00:59:11 I almost didn't.
00:59:12 - I know.
00:59:13 - What is it?
00:59:14 - Well, I couldn't talk to him there.
00:59:16 There's too many people around.
00:59:17 Couldn't get the kind of story I want.
00:59:19 I know where I can meet him, but nobody will bother.
00:59:22 - Oh, look at the sand sculpture.
00:59:30 I had an uncle that used to make statues.
00:59:32 Only he made them out of ice.
00:59:34 - Small donation for the artist will be appreciated.
00:59:36 - Here you are.
00:59:38 - Thank you.
00:59:40 (dogs barking)
00:59:45 (dramatic music)
00:59:51 (horn honking)
01:00:04 (dogs barking)
01:00:07 - Yeah?
01:00:15 This thing's beginning to boil.
01:00:21 We'll be right down.
01:00:22 We're going to the beach.
01:00:23 - Come on, Rembrandt.
01:00:25 What my eyes miss, your nose will smell.
01:00:28 Come on.
01:00:29 (dramatic music)
01:00:57 - I don't like this place.
01:00:59 - It's a good spot.
01:01:02 I used to come here with my girl when I was a kid.
01:01:04 - It's more frightening than romantic.
01:01:07 - That's the way love is when you're young.
01:01:09 Life is when you're older.
01:01:11 - I'll tell Frank where you are.
01:01:13 - You sure you want to start over again with your husband?
01:01:18 - I'm sure I want to try.
01:01:19 I'm not sure what he wants.
01:01:21 - Supposing he doesn't want to.
01:01:22 - Then I'll let him go.
01:01:23 He'll never know how I feel about him.
01:01:27 - You think people can turn back and you're gonna try.
01:01:30 I know better.
01:01:32 - You're too cynical.
01:01:33 It's your profession.
01:01:35 - It's too late now to change my profession.
01:01:37 Okay.
01:01:39 Go ahead, send him here.
01:01:41 - I'll bring him.
01:01:42 - No.
01:01:43 - What's the matter with you?
01:01:45 Don't you still want the story?
01:01:47 - I guess I gotta have the story, but my way.
01:01:52 You send him back.
01:01:54 I want to see him alone first.
01:01:56 - If you don't want the money, I talk to him alone.
01:01:59 - All right, if that's the way you want it, I'll send him.
01:02:01 (engine rumbling)
01:02:04 (tires screeching)
01:02:19 (engine rumbling)
01:02:22 - Fellas, get over there and cover the pier side.
01:02:32 - Yes, sir.
01:02:33 - You get up there.
01:02:34 Make like a gate, if Johnson tries to come through,
01:02:36 arrest him.
01:02:37 - What charge?
01:02:38 - For failing to curb his dog in a public park.
01:02:39 I'm calling in from the other end of the pier.
01:02:41 - Hey!
01:02:49 How we doing?
01:02:50 - 7.71.
01:02:51 - Huh?
01:02:52 That's better than I do on some Sundays.
01:02:55 Thanks for taking care of things.
01:02:57 Not the first day I've had off in years.
01:02:59 Know what I've been doing all day?
01:03:01 Riding back and forth, back and forth
01:03:03 between here and Sausalito on my old ferry boat.
01:03:06 - Look, I can't stick around here anymore.
01:03:07 I've got to get out of here.
01:03:09 Hey, Cap, I hate to ask you, but...
01:03:11 - Won't take you very far.
01:03:16 Here's the keys to my car and the ticket.
01:03:20 Find it over in the parkway.
01:03:21 Tank's full.
01:03:22 - Thanks, Cap.
01:03:23 I'll get it back to you.
01:03:24 - You better.
01:03:25 (train clacking)
01:03:30 (train rumbling)
01:03:33 (train clacking)
01:03:36 - Frank!
01:03:54 - Beg your pardon, lady?
01:03:57 - Where's Frank?
01:03:58 What happened to him?
01:03:59 - Who?
01:04:00 - Frank Johnson.
01:04:02 - Never heard of him.
01:04:03 (train clacking)
01:04:06 - Sorry, Mrs. Johnson, but I had to be careful.
01:04:22 Frank waited all day and said he couldn't wait any longer.
01:04:24 So I loaned him my car about five minutes ago.
01:04:26 - Where'd he go?
01:04:27 - Over at the parking lot at the other end of the midway.
01:04:29 - Thank you.
01:04:31 (train clacking)
01:04:34 - I lost a bet with myself.
01:04:40 - Did you want to win?
01:04:42 As ordered, delivered.
01:04:47 Late as usual, but delivered.
01:04:50 - Let's get out of the light.
01:04:54 - Keep an eye out for us, will you, Cap?
01:04:59 (train clacking)
01:05:02 - Why didn't you tell me about your heart?
01:05:12 - Oh, you know doctors.
01:05:13 They make a big deal of everything.
01:05:15 Guess it was a silly thing to do,
01:05:17 writing that corny note.
01:05:19 - It sounded like you'd had a couple of drinks.
01:05:22 - I had.
01:05:23 By the time I finished the drinks and the letter,
01:05:25 I was a pretty sad character.
01:05:28 - Well, I can't hide out here forever.
01:05:31 - Would you want to?
01:05:33 - I can get a job in another town.
01:05:35 Pretty fair window trimmer.
01:05:37 - Pretty good artist, too.
01:05:38 We've got to pull out of this.
01:05:40 - We?
01:05:43 - Yes.
01:05:44 If this excitement hasn't killed you, I'm sure I can't.
01:05:47 We'll get out of town where you'll be safe.
01:05:49 - Can't go very far.
01:05:51 I bet $7.71.
01:05:53 Far as that from the captain.
01:05:54 - There's a fellow named Leggett,
01:05:56 a reporter from the graphic.
01:05:57 He helped me find you.
01:05:58 He's promised to give you $1,000 for an exclusive.
01:06:01 - That's a lot of money for the little I can tell.
01:06:03 - Well, his paper must think it's worth it,
01:06:04 so buy Luke a gift horse in the mountains.
01:06:06 - Where is he?
01:06:08 - Over by the roller coaster.
01:06:08 Come on, I'll show you.
01:06:09 - Hey, you, turn around.
01:06:11 You know an artist named Frank Johnson?
01:06:13 - Who?
01:06:13 - Frank Johnson.
01:06:14 - An artist?
01:06:16 Did a sketch of you.
01:06:18 I saw it.
01:06:19 - Could be, but I don't remember.
01:06:21 Oh, see, I just work here.
01:06:23 Used to be a ferryboat captain, though.
01:06:26 (screaming)
01:06:28 - Now where do I go?
01:06:44 - Over there, under the roller coaster.
01:06:45 Go all the way at the end of the walk
01:06:46 and duck in under the scaffolding.
01:06:48 - Okay.
01:06:49 Here's the ticket.
01:06:49 Keys for the captain's car.
01:06:50 It's parked down at that end of the main road.
01:06:52 - Yes, I know.
01:06:53 - Well, I'll meet you there.
01:06:53 - No, I'd better bring it here.
01:06:55 You've got to stay out of sight.
01:06:57 I can't let anything happen to you now.
01:06:59 - Nothing can happen to me now.
01:07:05 - Remember that man shot at you?
01:07:08 - How did you know that wasn't in the paper?
01:07:11 - Ferris told me.
01:07:12 Nobody else knows.
01:07:14 - Nobody?
01:07:15 The guy that fired the shots?
01:07:16 (suspenseful music)
01:07:19 - You'd better go now.
01:07:27 - I'll be back as soon as I can.
01:07:29 Hey, Mark.
01:07:36 The prowl car out at the end has just got word
01:07:37 for you to call in.
01:07:39 Johnson hasn't passed me yet.
01:07:45 (engine rumbling)
01:07:48 - Oh, I haven't got time to talk to him now.
01:07:56 That's McDonald and Murray's case.
01:07:58 - But he says he has some information he wanted.
01:08:00 Hold on.
01:08:01 - Hello, Inspector.
01:08:04 Remember, you asked me to check all of Susie's things
01:08:06 to see if anything was missing.
01:08:07 - Sammy, I'm busy.
01:08:08 I'll see you tomorrow.
01:08:09 - I just wanted to tell you
01:08:10 that nothing was missing,
01:08:12 except that sketch that Frank drew on the back of a menu.
01:08:14 - Sketch of who?
01:08:15 - I don't know, but Susie said it looked like
01:08:17 that newspaper man that was in the club this afternoon
01:08:19 with Mrs. Johnson.
01:08:21 That good notice he was gonna give us
01:08:22 won't do Susie any good now.
01:08:24 (dogs barking)
01:08:28 - What happened?
01:08:33 Where's Frank?
01:08:34 - He's on his way to meet you,
01:08:35 but Ferris is here with the dog.
01:08:35 - Ferris.
01:08:36 Bet that stiff in the morgue was a plant.
01:08:39 He's a pretty sharp fellow.
01:08:41 Let's get off the midway.
01:08:42 (dogs barking)
01:08:45 - Come on, now, let's look for us in here.
01:08:59 - But these things make me sick.
01:09:01 - Lady, you see, folks,
01:09:03 the second ride is half-clamped.
01:09:06 - Oh, I'll never ride this thing again.
01:09:09 - Ride up, lady.
01:09:10 (dramatic music)
01:09:13 - All right, Eddie, take it away.
01:09:20 Don't stand up on your feet, folks.
01:09:22 This is the greatest thrill of your lifetime.
01:09:24 (engines rumbling)
01:09:27 - The ride only takes a couple of minutes.
01:09:38 Besides, when we get to the top,
01:09:39 we can see if Frank's there.
01:09:40 - Oh, he must be there by now.
01:09:42 (woman screaming)
01:09:47 I don't see him.
01:09:49 (woman screaming)
01:09:54 - Where is he?
01:10:07 - I don't know.
01:10:08 (woman screaming)
01:10:11 (woman screaming)
01:10:40 - Hey, buddy, where do you think you're going?
01:10:44 (woman screaming)
01:11:08 (woman screaming)
01:11:11 - The second ride is only half-clamped.
01:11:23 - You wanna go again, baby?
01:11:24 - I was going there for the ambulance.
01:11:27 - You stay on for another ride.
01:11:28 I'll go see what's happened to Frank.
01:11:30 - I wanna go with you.
01:11:30 - No, with Ferris outside,
01:11:32 together we'd be too conspicuous.
01:11:33 - But, Danny.
01:11:34 - Ferris traced you here.
01:11:35 If he found you, someone else could follow you, too.
01:11:37 - Second ride, half-clamped.
01:11:39 - Maybe he'll go again.
01:11:41 - Okay, Eddie, take it away.
01:11:42 - Don't forget, someone shot at him last night.
01:11:46 They tried to kill him once, they'll do it again.
01:11:48 Don't forget, someone shot at him last night.
01:11:53 They tried to kill him once, they'll do it again.
01:11:55 Nobody knows that except your husband, the killer.
01:11:57 Now you.
01:11:58 Nobody knows that except your husband, the killer.
01:12:00 Now you.
01:12:01 (dramatic music)
01:12:05 (whistling)
01:12:07 - Frank, go away!
01:12:16 (whistling)
01:12:20 Frank, go away!
01:12:22 (whistling)
01:12:25 Oh, Frank!
01:12:28 Frank, leave me alone!
01:12:30 (whistling)
01:12:32 Frank, Frank, leave me alone!
01:12:40 (whistling)
01:12:42 (screaming)
01:12:48 (dramatic music)
01:12:51 (whistling)
01:13:05 Frank, Frank, go away!
01:13:12 (whistling)
01:13:17 - Frank, Frank Johnson.
01:13:19 - Yeah, is that you, Mr. Leggett?
01:13:22 Be careful, there's a loose plank over here.
01:13:24 - I know.
01:13:27 - Why don't you get it over with?
01:13:46 - I don't have to, Frank.
01:13:49 You got a bad heart.
01:13:53 You can't stand tension.
01:13:57 You're gonna kill yourself.
01:14:02 (screaming)
01:14:09 (dramatic music)
01:14:12 (screaming)
01:14:29 (dramatic music)
01:14:32 - The second ride is half-half, folks.
01:14:48 Take advantage of the second ride.
01:14:50 It's only half-half.
01:14:52 (dramatic music)
01:14:54 (whistling)
01:14:57 - Watch your hurry, Mrs. Johnson.
01:15:04 (gun firing)
01:15:06 (dramatic music)
01:15:09 (dramatic music)
01:15:12 (dramatic music)
01:15:14 (dramatic music)
01:15:17 (dramatic music)
01:15:20 (dramatic music)
01:15:23 - I had to do it, Mrs. Johnson.
01:15:48 - It's Leggett down there. Your husband's safe.
01:15:50 - Where's Frank?
01:15:51 - Out there on the midway.
01:15:53 (dramatic music)
01:15:56 (chickens clucking)
01:15:59 (screaming)
01:16:17 (dramatic music)
01:16:20 (chickens clucking)
01:16:23 (dramatic music)
01:16:35 (dramatic music)
01:16:38 (dramatic music)
01:16:40 (dramatic music)
01:16:43 (upbeat music)
01:16:46 (upbeat music)