With his glory days as a criminal far behind him, Jess Wade, a rugged horseman and dangerous outlaw Vince Hackett's right-hand man, now wants out. But going straight is easier said than done. After all, no one betrays Hackett. As a result, Vince frames Wade for the theft of the Victory Gun: the powerful gold-and-silver cannon that fired the last shot against Emperor Maximilian I of Mexico. Now, hunted down like prey, Jess is on the run from the Federales, bearing the hideous mark of a thief. And as Hackett threatens to wipe the small town of Rio Seco off the face of the earth, everyone believes that Jess is guilty. Can Charro clear his name and save the town?
Category
🎥
Short filmTranscript
00:00:00 [Music]
00:00:15 [Music]
00:00:28 With eyes that hide the man within,
00:00:33 You see behind the eyes of other men.
00:00:37 You've lived and died and come to life again.
00:00:43 And now you're standing alone at the crossroads of your mind.
00:00:48 You've left your yesterdays behind,
00:00:51 But which road leads you to tomorrow?
00:00:57 Charlo!
00:01:00 [Music]
00:01:11 You turned your back on yesterday,
00:01:16 Betrayed a man who swore he'd make you pay.
00:01:20 For when you left, you took his pride away.
00:01:26 You know he'll never let you break away so easily.
00:01:30 You'll have to fight before you're free.
00:01:34 But how much more time can you borrow?
00:01:40 Charlo!
00:01:45 Now in a single moment your cash goes dim.
00:01:50 One thought goes racing across your mind.
00:01:54 You ride to meet the woman you stole from him.
00:01:58 Oh no!
00:02:00 Charlo don't go!
00:02:02 Charlo don't go!
00:02:07 [Music]
00:02:18 There's something hanging in the wind.
00:02:22 Your past is catching up and closing in.
00:02:27 You've been halfway to hell and back again.
00:02:32 And now you're laughing the devil's face with your last breath.
00:02:37 You're on a race with life and death.
00:02:40 But will you live to see tomorrow?
00:02:46 Charlo!
00:02:54 [Music]
00:03:14 [Music]
00:03:43 [Music]
00:04:02 Buenos dias Charlo. What would you like?
00:04:05 Tequila.
00:04:07 What are you making?
00:04:09 Dos pesos Charlo.
00:04:16 My name's Wade. Just Wade.
00:04:19 Mean anything to you?
00:04:20 No Charlo.
00:04:22 Nobody came in here today asking for me?
00:04:26 No Charlo.
00:04:36 Nobody asked for just Wade?
00:04:39 Not a man asks for nobody.
00:04:41 Not a man. A woman.
00:04:44 Beautiful, no good woman.
00:04:46 About so high.
00:04:49 Maybe beautiful to me, not to you.
00:04:57 I got a message. Taking me a day and a half to write in your meter.
00:05:12 [Music]
00:05:28 I apologize Jess.
00:05:31 If I'd have sent a message that I wanted to see, you wouldn't have showed up.
00:05:35 So I sent a message that Miss Tracy Winters had come down here.
00:05:39 Here you are.
00:05:42 In any case, we're all glad to see you.
00:05:44 Don't move Jess.
00:05:45 Fire.
00:05:56 [Gunshot]
00:05:57 [Music]
00:06:13 [Gunshot]
00:06:21 Alright. I'll let you know what I'm going to do.
00:06:26 What are you going to do Jess? Leave me again?
00:06:30 [Gunshot]
00:06:35 You all know I'm going to try for that door.
00:06:43 Anybody that makes a move, just stop me. One of you never makes another move.
00:06:47 Understand?
00:06:49 Maybe two of you.
00:06:51 Which two?
00:06:53 Take it over.
00:07:00 Just remember the first face I see gets it.
00:07:16 Where are you going?
00:07:19 Mr. Go Straight Away.
00:07:22 Hey Jess.
00:07:28 You should have never left me Jess.
00:07:31 We missed you, couldn't you tell?
00:07:33 I figured.
00:07:36 Alright Billy, see what he's got on him.
00:07:43 I'd say he's got on him boots, pants, some kind of shirt, some kind of hat.
00:07:56 That's what I'd say he's got on him Vince.
00:08:01 Take out his wallet idiot.
00:08:02 What kind of brother are you in front of him?
00:08:04 I'll do what I tell you.
00:08:06 Do your own work Vince, don't send an aider to do it for you.
00:08:09 Look, you've been around us long enough to know that when I bad mouth my brother I don't want to hear an echo.
00:08:15 Now let him go.
00:08:20 Now give me your gun belt.
00:08:26 Alright Billy.
00:08:33 How much?
00:08:35 Six dollars.
00:08:39 Alright Billy.
00:08:41 Tell the man we're sorry we messed up his place.
00:08:47 Gracias, gracias.
00:08:48 Now get on your horse Jess.
00:08:52 Get on your horse!
00:09:17 Alright let's move out.
00:09:20 Let's go.
00:09:22 Let's go.
00:09:24 Let's go.
00:09:26 Let's go.
00:09:28 Let's go.
00:09:30 Let's go.
00:09:32 Let's go.
00:09:34 Let's go.
00:09:36 Let's go.
00:09:38 Let's go.
00:09:40 Let's go.
00:09:42 Let's go.
00:09:44 Let's go.
00:09:46 Let's go.
00:09:48 Let's go.
00:09:50 Let's go.
00:09:52 Let's go.
00:09:54 Let's go.
00:09:56 Let's go.
00:09:58 Let's go.
00:10:00 Let's go.
00:10:02 Let's go.
00:10:04 Let's go.
00:10:06 Let's go.
00:10:08 Let's go.
00:10:10 Let's go.
00:10:12 Let's go.
00:10:13 Let's go.
00:10:14 Let's go.
00:10:16 Let's go.
00:10:17 Let's go.
00:10:19 Let's go.
00:10:21 Let's go.
00:10:23 Let's go.
00:10:25 Let's go.
00:10:27 Let's go.
00:10:29 Let's go.
00:10:31 Let's go.
00:10:33 Let's go.
00:10:35 Let's go.
00:10:37 Let's go.
00:10:39 Let's go.
00:10:41 Let's go.
00:10:44 Let's go.
00:10:45 How do you like the view, Jess?
00:10:49 It's a long way down.
00:10:51 But you're not going to drop me.
00:10:54 What makes you think I won't, old friend?
00:10:56 You could have killed me back in that saloon.
00:10:59 All right, let's keep moving.
00:11:05 [MUSIC PLAYING]
00:11:08 [MUSIC PLAYING]
00:11:11 [MUSIC PLAYING]
00:11:14 [MUSIC PLAYING]
00:11:42 Hey, it's all right. It's fixed.
00:11:44 [MUSIC PLAYING]
00:11:48 [MUSIC PLAYING]
00:11:53 [MUSIC PLAYING]
00:11:59 [MUSIC PLAYING]
00:12:04 [MUSIC PLAYING]
00:12:11 [MUSIC PLAYING]
00:12:14 Six dollars. Six lousy dollars.
00:12:27 Left me for that skinny little vein.
00:12:30 Told you there was no gold in it. It was skinny. I told you it was skinny.
00:12:33 You told me.
00:12:34 Nobody leaves me.
00:12:36 If I live to be a hundred, I'll never get over it.
00:12:40 Somebody left me.
00:12:41 You.
00:12:43 You know what, Jess?
00:12:46 All because of Miss Tracy Winters.
00:12:50 My girl, Jess.
00:12:52 You left me because of my girl.
00:12:54 My girl fell for you and you thought you could turn honest for her.
00:12:58 Well, you and Tracy were crazy, Jess.
00:13:00 Worse than that, you were blind stupid.
00:13:03 You got me here for a reason.
00:13:05 Now, what is it?
00:13:08 [BIRDS CHIRPING]
00:13:11 Worked that vein for a year just to find out how skinny it was.
00:13:16 You left me, Jess.
00:13:18 You could have had that.
00:13:20 Let him take a look.
00:13:22 Let him see what he missed.
00:13:24 Doesn't look like much, does it?
00:13:26 You'd have been rich, Jess.
00:13:28 Richer than you ever dreamed of the rest of your life.
00:13:30 There was never any future with you, Vince.
00:13:34 Vince!
00:13:37 The soldiers just might stumble over the entrance to this ravine.
00:13:40 Now, let's get going.
00:13:42 Don't you try to give my brother orders.
00:13:45 Oh, Hef.
00:13:47 He's a worrier, Billy Roy.
00:13:49 Good to have a worrier along.
00:13:51 Show him.
00:13:53 Show Jess what he missed.
00:13:56 And what we got.
00:13:59 Maybe we ought to make him guess.
00:14:00 All right, Gunner, Mody.
00:14:04 Take the canvas off.
00:14:06 [SOMBER MUSIC PLAYING]
00:14:08 Solid gold over bronze, Jess.
00:14:34 Maybe over $100,000 worth.
00:14:36 More silver than a man's after seeing a lifetime.
00:14:41 And you're gonna melt it down.
00:14:43 Melt it down?
00:14:46 Oh, Jess, boy, you've been away from me too long.
00:14:49 You've forgotten I never think short.
00:14:52 Always long.
00:14:53 What's long this time?
00:14:56 Well, now, this...
00:14:58 This gun isn't just worth the gold and silver, honey.
00:15:02 It's what they call a victory gun, Jess.
00:15:04 Fired the last shot against Maximilian.
00:15:06 All Mexico's free.
00:15:08 It's a shrine, Jess.
00:15:11 Highest bidder.
00:15:13 You see what you gave me up for?
00:15:16 Maybe your share of over $100,000.
00:15:19 How far are the Federales behind you?
00:15:22 Not me, Jess.
00:15:27 You.
00:15:29 They're after you.
00:15:30 I just want to make sure you'd be in the neighborhood.
00:15:32 Don't you want to know why they're after you?
00:15:34 You remember Norm, Jess?
00:15:36 He got shot in the neck while we was getting away.
00:15:38 Norm never made it.
00:15:40 We buried him out there somewhere.
00:15:42 I let it get out that that wasn't Norm at all.
00:15:46 Buddy.
00:15:49 Look at this, Jess.
00:15:53 Look at the posters they got out on both sides of the border.
00:15:58 "Wanted. $10,000 reward. Jess Wade.
00:16:02 American, 6'2", dark hair, fair complexion."
00:16:06 That fits, doesn't it, old friend?
00:16:09 "The Mexican government is prepared to pay $10,000
00:16:13 for the apprehension of Jess Wade,
00:16:16 who is the only identifiable member of the foul perpetrators
00:16:20 who stole the victory gun from the Chapultepec Palace July 1, 1916.
00:16:26 Now listen to this. This is the best part.
00:16:28 Wade sustained a neck wound as a result of the gunfire from the guards on duty.
00:16:33 This man can be identified by the severe wound on his neck."
00:16:39 So that's it.
00:16:42 All right, boys.
00:16:46 All right, boys.
00:16:47 A severe wound across his neck.
00:17:10 See who they're looking for, Jess?
00:17:14 You.
00:17:15 All right, let him up.
00:17:35 This one man is not going to make it to his feet, let alone go anywhere.
00:17:39 All right, bring his saddle.
00:17:41 You.
00:17:42 You.
00:17:44 Come on.
00:17:46 [GUN CLICKS]
00:17:48 [MUSIC PLAYING]
00:17:52 [INAUDIBLE]
00:17:53 [INAUDIBLE]
00:17:55 [INAUDIBLE]
00:17:56 [INAUDIBLE]
00:17:58 [INAUDIBLE]
00:18:00 [INAUDIBLE]
00:18:02 [INAUDIBLE]
00:18:04 [INAUDIBLE]
00:18:06 [INAUDIBLE]
00:18:08 [INAUDIBLE]
00:18:10 [INAUDIBLE]
00:18:12 [INAUDIBLE]
00:18:14 [INAUDIBLE]
00:18:16 [INAUDIBLE]
00:18:18 [INAUDIBLE]
00:18:20 [INAUDIBLE]
00:18:23 [MUSIC PLAYING]
00:18:26 I suppose he did that.
00:18:34 Who says he could keep on managing that?
00:18:37 One thing, Jess.
00:18:42 You haven't lost any of your sand.
00:18:45 [INAUDIBLE]
00:18:47 [GRUNTING]
00:18:49 [GRUNTING]
00:18:52 [MUSIC PLAYING]
00:18:55 All right, that's enough.
00:19:01 Make him comfortable.
00:19:04 [MUSIC PLAYING]
00:19:08 Is that better, Jess?
00:19:17 All right, let's get ready to move out.
00:19:22 James.
00:19:23 Take Jess to horse with you.
00:19:24 [MUSIC PLAYING]
00:19:28 [MUSIC PLAYING]
00:19:45 [HORSE NEIGHING]
00:19:48 [HORSE NEIGHING]
00:19:57 [MUSIC PLAYING]
00:20:02 [MUSIC PLAYING]
00:20:06 [HORN HONKING]
00:20:07 [MUSIC PLAYING]
00:20:11 [GRUNTING]
00:20:25 [MUSIC PLAYING]
00:20:30 [MUSIC PLAYING]
00:20:33 Now, that's a lot more like it.
00:20:46 As good as new, Jess, except for your neck.
00:20:50 Won't be needing my tender care anymore.
00:20:55 You're free to go, Jess.
00:20:58 Anywhere where the Mexican law or the Mexican federales can't find you.
00:21:01 Or any place north where the American law or the American cavalry can't run you down.
00:21:05 You're a famous man, Jess.
00:21:08 Don't ever forget it.
00:21:11 I won't.
00:21:14 [MUSIC PLAYING]
00:21:18 [MUSIC PLAYING]
00:21:21 [MUSIC PLAYING]
00:21:39 [MUSIC PLAYING]
00:21:42 [MUSIC PLAYING]
00:22:02 [MUSIC PLAYING]
00:22:05 [MUSIC PLAYING]
00:22:28 [MUSIC PLAYING]
00:22:31 [HORSE NEIGHING]
00:22:44 [MUSIC PLAYING]
00:22:53 [MUSIC PLAYING]
00:23:21 [MUSIC PLAYING]
00:23:24 [HORSE NEIGHING]
00:23:44 [MUSIC PLAYING]
00:23:47 [HORSE NEIGHING]
00:24:05 [MUSIC PLAYING]
00:24:09 [MUSIC PLAYING]
00:24:12 [MUSIC PLAYING]
00:24:25 [MUSIC PLAYING]
00:24:37 [MUSIC PLAYING]
00:24:40 [MUSIC PLAYING]
00:24:56 [HORSE NEIGHING]
00:25:06 [MUSIC PLAYING]
00:25:09 [MUSIC PLAYING]
00:25:20 [HORSE NEIGHING]
00:25:33 [MUSIC PLAYING]
00:25:36 [HORSE NEIGHING]
00:25:45 [MUSIC PLAYING]
00:25:57 [MUSIC PLAYING]
00:26:00 [MUSIC PLAYING]
00:26:20 [MUSIC PLAYING]
00:26:23 [MUSIC PLAYING]
00:26:29 [MUSIC PLAYING]
00:26:42 [MUSIC PLAYING]
00:26:45 [MUSIC PLAYING]
00:27:04 [MUSIC PLAYING]
00:27:07 [MUSIC PLAYING]
00:27:31 [MUSIC PLAYING]
00:27:34 [MUSIC PLAYING]
00:27:44 [MUSIC PLAYING]
00:27:54 [MUSIC PLAYING]
00:27:57 [MUSIC PLAYING]
00:28:07 [MUSIC PLAYING]
00:28:18 [MUSIC PLAYING]
00:28:21 Lordy, lordy.
00:28:41 Can't say I'm going to miss that.
00:28:44 All right, let's move out.
00:28:46 [MUSIC PLAYING]
00:28:49 [MUSIC PLAYING]
00:29:13 [MUSIC PLAYING]
00:29:17 [MUSIC PLAYING]
00:29:20 [MUSIC PLAYING]
00:29:44 [MUSIC PLAYING]
00:29:47 [HORSE NEIGHING]
00:29:55 [MUSIC PLAYING]
00:29:58 [MUSIC PLAYING]
00:30:09 [MUSIC PLAYING]
00:30:12 Hi, Dan.
00:30:16 Jess.
00:30:18 Jess.
00:30:21 I'm so glad to see you.
00:30:23 Or am I?
00:30:24 I hoped you'd be.
00:30:26 Not if what I've read is true.
00:30:28 What have you read, Dan?
00:30:31 Coffee.
00:30:32 Is it as bad as ever?
00:30:34 It's worse.
00:30:35 Good.
00:30:36 As I remember, one of your punishments
00:30:38 along with your lectures was drinking your coffee.
00:30:40 You're wrong, Dan.
00:30:54 It's not worse.
00:30:56 It only is bad.
00:30:58 So be it.
00:30:59 Sit down.
00:31:00 Sit down.
00:31:01 Do you mind loosening that dust catcher around your neck?
00:31:11 I mind.
00:31:13 Look, do you want to hear what I've read?
00:31:15 You don't have to read it, Dan.
00:31:16 You barreled around when I told you not to.
00:31:22 You rode with Vince Hackett when I told you not to.
00:31:24 You've done everything I told you not to.
00:31:28 But one thing you never did was lie.
00:31:33 Now is this true?
00:31:34 No.
00:31:41 That thing on your neck.
00:31:43 It was put there.
00:31:45 Vince Hackett.
00:31:47 Yeah, so much for that.
00:31:50 You know, I showed one to her.
00:31:53 I didn't quite believe it myself,
00:31:54 but I wanted to see if she believed it.
00:31:56 Did she?
00:31:58 Well, you've run a rough course, Jess.
00:32:00 I think she thinks maybe yes.
00:32:01 Well, the important thing is you didn't believe it.
00:32:06 No, Jess.
00:32:11 The important thing to you isn't me.
00:32:15 Oh.
00:32:16 It's the way it goes, Dan.
00:32:30 [DOOR OPENS]
00:32:31 [MUSIC PLAYING]
00:32:41 [CHEERING]
00:32:48 [MUSIC PLAYING]
00:32:51 [MUSIC PLAYING]
00:32:59 [MUSIC PLAYING]
00:33:15 [MUSIC PLAYING]
00:33:18 [CHEERING]
00:33:21 [MUSIC PLAYING]
00:33:29 [CHEERING]
00:33:43 [MUSIC PLAYING]
00:34:09 I'd appreciate it if you didn't mention I was here.
00:34:12 To anybody.
00:34:13 [FOOTSTEPS]
00:34:16 [GUN CLICKS]
00:34:21 [GUN SHOT]
00:34:22 [FOOTSTEPS]
00:34:49 [MUSIC PLAYING]
00:34:53 [WATER RUNNING]
00:35:20 [DOOR OPENS]
00:35:21 It's been over a year.
00:35:28 I wondered how long it would be before you'd come back for it.
00:35:32 Where is it?
00:35:33 It's right here in front of you.
00:35:45 [MUSIC PLAYING]
00:35:48 It's always been here.
00:35:53 Right where you left it.
00:35:56 Like me.
00:35:57 After a year, I guess I almost look new to you.
00:36:03 [MUSIC PLAYING]
00:36:09 [MUSIC PLAYING]
00:36:12 You're back with Vince Hackett, aren't you?
00:36:30 Tell me the truth, Jess.
00:36:31 It's got to do with Vince.
00:36:33 It's got a lot to do with him.
00:36:35 I thought you were going to try.
00:36:38 I really did.
00:36:40 But now you're in the worst trouble you've ever been in.
00:36:43 The poster Dan Ramsey showed you?
00:36:45 And you believe it?
00:36:50 Stealing a Mexican national shrine.
00:36:52 Sounds like your idea.
00:36:55 Vince couldn't think it up.
00:36:57 That victory gun should be worth a fortune
00:36:59 to any of those bandits down there trying to take over the government.
00:37:02 You don't believe I sweated it out by myself for a year?
00:37:07 I believe.
00:37:09 It's Vince again.
00:37:11 It's Vince.
00:37:13 But not again.
00:37:14 You're worse than he ever was.
00:37:22 At least he never made himself out to be anything but a crooked killer.
00:37:29 [MUSIC PLAYING]
00:37:32 Here it is.
00:37:46 And here's what goes with it.
00:37:47 The poster said severe wound across the neck.
00:37:55 [MUSIC PLAYING]
00:37:58 You need something, honey?
00:38:04 It can wait.
00:38:05 For what?
00:38:06 I figure after three days of fighting that wagon through the desert
00:38:09 and that storm, Billy Roy will be ready to head for the nearest liquor,
00:38:13 the nearest women, the nearest of both are here.
00:38:16 My place.
00:38:19 Oh, Jez.
00:38:23 You loved me once.
00:38:25 And I loved you.
00:38:27 Please don't use that to bring harm here.
00:38:30 Just go about your normal business.
00:38:33 Nothing's gonna happen if you do as I say.
00:38:35 Trust me.
00:38:36 Trust you.
00:38:37 Just go down your usual way from the balcony.
00:38:41 I think you're right about nothing happening.
00:38:47 Because if anything does happen,
00:38:50 I'll make sure the whole town sees those wanted posters on you.
00:38:54 And then never mind your old friend Sheriff Ramsey.
00:38:57 Normal business.
00:38:59 Forget I'm here.
00:39:01 [LAUGHTER]
00:39:17 [CHEERING]
00:39:20 [EXPLOSION]
00:39:30 [INDISTINCT CHATTER]
00:39:33 [INDISTINCT CHATTER]
00:39:36 [INDISTINCT CHATTER]
00:40:04 Talk to her.
00:40:05 Oh, girly.
00:40:18 Just what I've been looking for.
00:40:21 Only you're going the wrong way.
00:40:23 Shouldn't be going out.
00:40:25 Be going in with me.
00:40:27 You go on in. I'll be back in a minute.
00:40:33 Oh, girly.
00:40:34 My name is Marcy.
00:40:38 You come back.
00:40:40 You'll be good to me.
00:40:44 May get your picture on my holster.
00:40:48 Who's that?
00:41:00 Somebody you, um, shot.
00:41:03 [LAUGHTER]
00:41:04 Oh, I don't shoot 'em, Marcy.
00:41:06 Girly.
00:41:08 I bring 'em back to life.
00:41:11 I'll, uh...
00:41:14 I'll be back in a minute.
00:41:17 Don't you go away now.
00:41:20 You lost your chance at me.
00:41:25 Marcy.
00:41:29 Girly.
00:41:30 I take what's born and close.
00:41:58 Howdy.
00:41:59 Scared, Harvey?
00:42:02 Don't be.
00:42:04 Just me.
00:42:05 A whole bottle of your regular stock.
00:42:09 No trouble, Harvey.
00:42:10 Just a visit.
00:42:11 Me, myself, alone.
00:42:14 Understand?
00:42:15 Oh, I forget.
00:42:20 I just forget.
00:42:25 I forget every girl I ever saw when I see you, Miss Tracy.
00:42:29 You also forget none of the Hackett bunch is allowed in here?
00:42:32 You are, without a doubt,
00:42:36 the most beautiful woman I ever wasn't allowed to look at.
00:42:40 I mean to make up for that, but...
00:42:44 All right, Billy Roy.
00:42:45 Out.
00:42:47 All these other girls go for Kindlin.
00:42:50 You're the best.
00:42:51 You can forget Jess Wade.
00:42:54 It's not up to you.
00:42:55 You can even forget my brother, Vince.
00:42:58 I mean to make you forget both of them.
00:43:02 Billy Roy.
00:43:04 Stay put, everybody.
00:43:06 How am I supposed to recognize her when somebody cut out her face?
00:43:12 Ease out, Billy Roy.
00:43:14 No trouble.
00:43:16 Just ease away from the bar and you and I go outside.
00:43:20 What do you got, mine, Jess?
00:43:23 Have a drink with me and all these pretty girls.
00:43:25 Outside.
00:43:27 Well, maybe I got something to say about who's going out and who's not.
00:43:34 Don't be stupid, Billy Roy.
00:43:36 You and I just go for a walk.
00:43:38 Talk things over.
00:43:40 How come you didn't say "idiot" instead of "stupid"?
00:43:47 I know why.
00:43:50 My brother's the only man alive who can call me an idiot.
00:43:53 Somebody just came in, didn't they?
00:44:01 Somebody against me?
00:44:04 Because I'm a hackett?
00:44:06 Listen, Jess, you shouldn't be calling me out.
00:44:10 You're part of us.
00:44:12 Besides, I'm no better to go against you.
00:44:17 Anybody but my brother Vince would be crazy to go against you.
00:44:20 He's crazy, isn't he?
00:44:22 All you got to do is turn around and walk outside.
00:44:25 I'll walk out with you.
00:44:28 No trouble.
00:44:30 I'm going to do just what you said.
00:44:33 You said turn around?
00:44:36 Look.
00:44:38 I got my hands up.
00:44:40 You said walk out?
00:44:43 All right, I'll walk out.
00:44:45 Walk out.
00:44:46 Can't do a thing about it, can you, Jess?
00:44:49 Shooting somebody in the back just ain't your style.
00:44:52 Start walking, Billy Roy.
00:44:54 Jess, I'll handle this.
00:44:58 All right, Mr. Big Jess Wade.
00:45:02 What do you do now?
00:45:04 You gonna follow Tracy and me down the street for a nice, quiet talk?
00:45:08 Drop that gun, Mr. Hackett.
00:45:14 Now, you let Miss Tracy go and you come with me.
00:45:16 We're getting out!
00:45:25 Harvey, take him home to his wife.
00:45:43 Get old Bikijo over there, quick.
00:45:44 Yeah.
00:45:45 Come on.
00:45:46 Come on.
00:45:48 (laughing)
00:45:49 (dramatic music)
00:45:50 You're Jess Wade.
00:46:19 Used to ride with Vince Hackett's buddy.
00:46:20 Don't tell him a thing, Jess.
00:46:22 Let Vince do the answering for you.
00:46:24 Where are you going?
00:46:40 Where you gentlemen should be going.
00:46:42 (laughing)
00:46:45 (laughing)
00:46:46 Now, you listen to me, Dan Ramsey.
00:47:11 There's another one in there that's gotta come out.
00:47:13 But I ain't gonna try it unless you load up with this whiskey.
00:47:15 Another shock like you just had's gonna kill you.
00:47:18 Wait a minute, Opie.
00:47:20 You don't drink any better than you lecture, Dan.
00:47:25 Now, it's my turn to lecture you.
00:47:28 I drank enough of your lousy coffee.
00:47:30 And you always told me if I was ever clean,
00:47:32 you'd have a drink of whiskey with me.
00:47:34 Give me that, Opie.
00:47:36 I'm telling you, Dan,
00:47:42 I'm clean, Dan.
00:47:43 You know that.
00:47:45 It's time for that drink.
00:47:49 Now, come on.
00:47:57 (sighs)
00:47:58 Are my lectures that bad?
00:48:15 Worse.
00:48:18 Well, if you two are through, join.
00:48:20 Wait, Opie.
00:48:22 I'm not done yet.
00:48:26 I spent 12 years
00:48:27 getting this place safe to live in.
00:48:29 You know that.
00:48:31 You gotta keep it that way for me, Jess,
00:48:33 till I get back on my feet.
00:48:35 I'm no lawman, Dan.
00:48:37 You're gonna be.
00:48:39 I think I know who you're waiting for.
00:48:41 Hold up your right hand.
00:48:44 Hold up your right hand.
00:48:47 I hereby swear you in
00:48:52 as my deputy.
00:48:54 Up, as I say,
00:48:55 in the top drawer.
00:48:57 You'll need a key,
00:48:59 a gun rack.
00:49:01 Thanks, Jess.
00:49:16 All right, Opie, get digging.
00:49:24 If a woman's eyes are blue,
00:49:25 she'll be sweet
00:49:29 and true to you.
00:49:31 But if a woman's eyes are green,
00:49:34 she'll turn hot
00:49:38 or cold
00:49:41 or mean.
00:49:43 Hey, Mr. Wade.
00:49:46 Did you see that?
00:49:52 Did you know Tracy's eyes are brown?
00:49:53 How's Sheriff Ramsey?
00:49:59 No worse off than I'd be
00:50:01 if I took two .45 slugs in the chest.
00:50:03 If Sheriff Ramsey dies,
00:50:05 we hang him two minutes later.
00:50:07 (laughing)
00:50:10 You hear that, bitch?
00:50:15 They're fixing to hang your little brother!
00:50:17 They don't know what you're gonna do!
00:50:21 Do they, Vince?
00:50:22 Mr. Joslin?
00:50:24 Mr. Carter?
00:50:27 Mr. Selby?
00:50:29 Mr. Tope?
00:50:32 You got a general store,
00:50:34 you got a bank,
00:50:36 you got a hotel,
00:50:38 and you got a livery stable,
00:50:40 and you got your rifles.
00:50:42 Now protect them.
00:50:44 Anything,
00:50:46 anything happens to me,
00:50:48 Vince will pick you
00:50:50 and this town to pieces
00:50:51 like a hawk
00:50:53 blocks the dicken!
00:50:55 He'll be a lot quieter
00:50:57 after the swelling goes down.
00:50:59 Swelling from what?
00:51:01 That bump on your head.
00:51:03 I got no bump on my head.
00:51:05 You have now.
00:51:13 You gentlemen get some sleep.
00:51:15 I want to see you in this office.
00:51:17 It's set up.
00:51:19 Now what gives you the right
00:51:20 to order us around?
00:51:22 This.
00:51:24 You want that cannon for yourself
00:51:40 awful bad, don't you?
00:51:42 Well, you better watch out!
00:51:46 You can't use me for bait!
00:51:48 You go to sleep
00:51:49 or do I put you to sleep?
00:51:51 Mowdy, get up your butt and get out of here!
00:52:15 All right, Butchie, you let the colts die out.
00:52:17 You had the last watch.
00:52:24 No!
00:52:28 No!
00:52:30 All right, all right.
00:52:32 Now I don't want to see you
00:52:34 in this office anymore.
00:52:36 I want to see you in this office.
00:52:38 I want to see you in this office.
00:52:40 I want to see you in this office.
00:52:43 Now I don't mind the coffee going cold.
00:52:45 The thing is this!
00:52:47 Why the hell didn't you tell me
00:52:50 my brother didn't come back last night?
00:52:52 I didn't want to wake you!
00:52:54 I kept thinking till the last second he'd be back!
00:52:56 Gunner, saddle up!
00:52:58 You and I are going to take a ride.
00:53:00 Vance!
00:53:04 Maybe the best thing is to forget him.
00:53:06 We got to move on.
00:53:08 Forget Billy Roy?
00:53:10 He's nothing but trouble, Vince.
00:53:12 Let's move!
00:53:13 Let's move!
00:53:42 I'm sorry, Hib.
00:53:43 Gabe.
00:53:54 Billy Roy's my fault.
00:53:57 Rody!
00:54:00 One half hour from now,
00:54:03 I want you to saddle down that hill.
00:54:05 You're just close enough to throw a scare under somebody.
00:54:07 Thirty minutes on the dot.
00:54:09 On the dot!
00:54:11 On the dot!
00:54:12 (HORSE GALLOPING)
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00:56:43 (HORSE GALLOPING)
00:56:45 (HORSE GALLOPING)
00:56:47 (HORSE GALLOPING)
00:56:49 Nice day, Miss Tracy.
00:56:51 (HORSE GALLOPING)
00:56:53 (HORSE GALLOPING)
00:56:55 (HORSE GALLOPING)
00:56:57 (HORSE GALLOPING)
00:56:59 (HORSE GALLOPING)
00:57:01 Morning, Miss Tracy.
00:57:03 Morning, Mr. Johnson.
00:57:05 Nice day, Miss Tracy.
00:57:07 (HORSE GALLOPING)
00:57:09 Yes, indeed, Mr. Selby.
00:57:11 (HORSE GALLOPING)
00:57:12 (HORSE GALLOPING)
00:57:14 (HORSE GALLOPING)
00:57:16 (HORSE GALLOPING)
00:57:18 (HORSE GALLOPING)
00:57:20 (HORSE GALLOPING)
00:57:22 Tracy.
00:57:24 (HORSE GALLOPING)
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00:58:26 (HORSE GALLOPING)
00:58:28 Good to see you again, Tracy.
00:58:30 Wish you could still say that.
00:58:38 What are you doing here, Vince?
00:58:39 I think it's possible for you to get prettier.
00:58:43 Somehow you manage it.
00:58:46 Billy Roy learned a lot from you.
00:58:49 That's the way he started out last night.
00:58:52 Ended up claiming he could make me forget Jess Wade and you.
00:58:57 All in one night.
00:59:00 Billy Roy's my fault. I live with him.
00:59:07 I looked around outside, didn't see any wanted posters on Jess Wade.
00:59:10 Guess the sheriff didn't figure there was any hurry in getting them put up.
00:59:13 I saw one of them.
00:59:16 Was there a hurry?
00:59:19 No.
00:59:22 No, there are other posters, other towns.
00:59:24 Below and above the border.
00:59:26 You and Jess have that cannon?
00:59:29 He trying to do you out of it?
00:59:35 You trying to do him?
00:59:36 When was the last time you saw Jess Wade?
00:59:39 What difference does that make?
00:59:43 A lot.
00:59:45 Always did, always will.
00:59:47 Well, where's Billy Roy?
00:59:52 He sleeping it off up in your room?
00:59:54 He'd never be allowed in my room.
01:00:00 All right.
01:00:03 Where?
01:00:04 In jail.
01:00:06 What's the reason this time?
01:00:11 He shot Dan Ramsey.
01:00:13 He did?
01:00:16 He may be dying.
01:00:19 Self-defense?
01:00:23 No.
01:00:31 Witnesses?
01:00:32 Me and everybody in here last night.
01:00:36 No excuse for him.
01:00:41 No excuse.
01:00:44 No wonder you ended it between us.
01:00:51 Don't blame it on Billy Roy.
01:00:56 Don't blame it on Billy Roy.
01:00:57 Find what you're looking for?
01:01:25 What are you looking for?
01:01:26 Well, well, well.
01:01:41 First time I couldn't open the door for you, Vance.
01:01:44 I want him loose.
01:01:48 You want?
01:01:50 I'll tell you what you get.
01:01:53 I'll have you in court telling how you stole it.
01:01:55 And why you did this.
01:01:57 Make him open the door, Vance.
01:01:59 Get these things off me.
01:02:01 You have to tell Sundown to get Billy Roy free on the street.
01:02:04 I'll come in for him.
01:02:06 And if he isn't walking free down the street,
01:02:09 I'm gonna turn that cannon loose.
01:02:11 I'll wipe this town off the face of the earth.
01:02:14 You steal, powder and shop too?
01:02:17 Well, you know me, Jess.
01:02:19 Always thorough.
01:02:22 Well, tell Sundown.
01:02:23 Or if you're smart, before...
01:02:25 You're not leaving here.
01:02:27 Who stops me? You?
01:02:31 Outside.
01:02:40 Don't you leave me, Vance.
01:02:42 Vance, don't you leave your brother?
01:02:44 I'm not gonna leave you.
01:02:46 Come here.
01:02:47 Vance?
01:02:55 (door opens)
01:02:57 (door closes)
01:02:59 (door opens)
01:03:00 (door closes)
01:03:03 (music)
01:03:04 (laughs)
01:03:31 Oh, Jess, you've forgotten how I operate.
01:03:33 Think I'd come into this town naked as a jaybird?
01:03:36 Let's see.
01:03:40 Just about...
01:03:43 time.
01:03:46 (music)
01:04:14 All right, I'll take Billy Roy out the back way right now.
01:04:16 He stays.
01:04:17 Well, what about them?
01:04:18 (music)
01:04:20 That lieutenant is coming in here to ask about a man with a new shot mark on his neck.
01:04:35 Vance!
01:04:37 If you want to keep Billy Roy alive, you go outside and make sure he doesn't ask.
01:04:43 All right, I'll get rid of him, Jess.
01:04:44 After I do, you've got until last light to get Billy Roy free on the street.
01:04:48 All right, out. Move!
01:04:50 Buenos dias.
01:05:00 Buenos dias, senor.
01:05:01 Por favor.
01:05:02 Thanks, Pop.
01:05:03 Por favor.
01:05:04 Afterwards, senor.
01:05:08 First, I must see the law officer.
01:05:10 About a wagon, lieutenant?
01:05:13 A wagon with a big piece of canvas over it?
01:05:16 Por qué?
01:05:18 A man with a bullet burn on his neck?
01:05:21 How do you know about this thing?
01:05:27 I move around.
01:05:29 But why do you tell me about the wagon and this man?
01:05:33 Reward.
01:05:35 I hear $20,000 American dollars.
01:05:37 $10,000, senor.
01:05:41 I heard wrong.
01:05:42 $10,000.
01:05:44 And you can lead us to this wagon and this man?
01:05:48 $10,000.
01:05:50 The reward will be paid, senor.
01:05:53 When the wagon and the man are recovered and sent back to Mexico.
01:05:59 Montese!
01:06:05 Montese!
01:06:06 Senor.
01:06:16 A hundred yards above the river crossing.
01:06:28 Do tell.
01:06:30 I'll slow them down.
01:06:32 [♪♪♪]
01:06:34 [♪♪♪]
01:06:36 [♪♪♪]
01:06:38 [KNOCKING]
01:07:06 Come in.
01:07:07 How is he?
01:07:11 Better than you think.
01:07:12 I've come to ask a favor, Dan.
01:07:14 Ask.
01:07:16 Give me permission to let Billy Roy go.
01:07:19 Jess, that's admitting your guilt he's accused.
01:07:23 If we don't set Billy Roy free, Vince Hackett will blow your whole town apart.
01:07:27 He's got that cannon out there.
01:07:30 He says he'll fire it.
01:07:32 I believe him.
01:07:34 Don't let Billy Roy loose.
01:07:36 There won't be much left.
01:07:38 He can't give in to him.
01:07:40 You've had a handful of filth scares.
01:07:45 You've got nothing left.
01:07:47 Hold that prisoner, Jess.
01:07:51 I'll hold him.
01:08:03 I'll be right back.
01:08:04 Jess!
01:08:11 Do you want to kill Dan?
01:08:20 He can't move or be moved.
01:08:23 All it takes is to let that animal you've got in jail go free. Let him go.
01:08:28 I'll do like he says, Mrs. Ranger.
01:08:32 Don't be a damn fool.
01:08:34 Let him go.
01:08:36 My husband made this town safe.
01:08:42 Don't listen to him now.
01:08:45 He's hurt, out of his head.
01:08:49 I'm sorry.
01:08:51 I'm sorry.
01:08:52 [♪♪♪]
01:08:55 [♪♪♪]
01:08:57 [♪♪♪]
01:08:59 Easy! Easy!
01:09:26 [♪♪♪]
01:09:28 [♪♪♪]
01:09:31 That's a target over there.
01:09:38 I want that gun trained flat on.
01:09:41 Let's see what we've got here.
01:09:49 Powder.
01:09:54 Fuses.
01:09:55 Lounge sticks.
01:10:01 Beautiful.
01:10:04 Beautiful.
01:10:06 You know, the woman at the store that sold me this
01:10:10 must have thought I was prospecting for gold at the bottom of the earth.
01:10:14 Yeah.
01:10:17 Yeah.
01:10:18 Do you know what an inch left on or cut off of this can do?
01:10:28 No, what?
01:10:30 It means a difference in yards where that dynamite hits.
01:10:34 And the time vents give us.
01:10:42 Beautiful.
01:10:46 [♪♪♪]
01:10:49 [♪♪♪]
01:10:51 [♪♪♪]
01:10:53 [♪♪♪]
01:10:55 [♪♪♪]
01:10:58 [♪♪♪]
01:11:00 [♪♪♪]
01:11:13 [♪♪♪]
01:11:15 [♪♪♪]
01:11:17 [♪♪♪]
01:11:19 [♪♪♪]
01:11:21 [♪♪♪]
01:11:23 [♪♪♪]
01:11:26 [♪♪♪]
01:11:29 [♪♪♪]
01:11:32 [♪♪♪]
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01:11:44 [♪♪♪]
01:11:48 [♪♪♪]
01:11:50 [♪♪♪]
01:11:53 [♪♪♪]
01:11:56 [SIGHS]
01:11:58 This is the regular crossing.
01:12:00 Si, senor.
01:12:02 It is just that.
01:12:04 We don't cross here.
01:12:06 If the wagon is on the other side, why do we not cross here?
01:12:11 Lieutenant, if you had stolen something very big and moved it to the other side,
01:12:16 wouldn't you train your guns on the only crossing?
01:12:18 Very wise, sir.
01:12:22 Lead on.
01:12:25 [♪♪♪]
01:12:28 [♪♪♪]
01:12:31 [♪♪♪]
01:12:34 [♪♪♪]
01:12:37 [♪♪♪]
01:12:40 [♪♪♪]
01:12:44 [♪♪♪]
01:12:46 [♪♪♪]
01:12:49 [♪♪♪]
01:12:52 [♪♪♪]
01:12:55 [♪♪♪]
01:12:58 I think here, lieutenant.
01:13:00 Very shallow.
01:13:05 It's good for a crossing.
01:13:07 After you, senor.
01:13:11 [♪♪♪]
01:13:13 [♪♪♪]
01:13:16 [♪♪♪]
01:13:19 [♪♪♪]
01:13:22 [♪♪♪]
01:13:25 [♪♪♪]
01:13:28 [♪♪♪]
01:13:31 [♪♪♪]
01:13:34 [♪♪♪]
01:13:37 [♪♪♪]
01:13:40 Elevate two notches.
01:13:42 Lordy, lordy.
01:13:46 We just may hit 'em dead on with the first shot.
01:13:51 [♪♪♪]
01:13:56 [♪♪♪]
01:13:59 [♪♪♪]
01:14:02 [♪♪♪]
01:14:05 [♪♪♪]
01:14:09 (water splashing)
01:14:11 (dramatic music)
01:14:16 (speaking in foreign language)
01:14:21 (water splashing)
01:14:28 (dramatic music)
01:14:36 (dramatic music)
01:14:39 (dramatic music)
01:14:41 (dramatic music)
01:14:44 (dramatic music)
01:14:47 (dramatic music)
01:14:50 (dramatic music)
01:14:53 (screaming)
01:15:10 (dramatic music)
01:15:13 (dramatic music)
01:15:15 (screaming)
01:15:18 (screaming)
01:15:21 (dramatic music)
01:15:24 (laughing)
01:15:28 (dramatic music)
01:15:34 (dramatic music)
01:15:36 (gun firing)
01:15:52 (screaming)
01:15:55 (dramatic music)
01:15:57 (dramatic music)
01:16:01 (dramatic music)
01:16:04 (dramatic music)
01:16:09 (dramatic music)
01:16:12 (dramatic music)
01:16:14 (dramatic music)
01:16:17 (dramatic music)
01:16:20 - I knew you were good, Gunner,
01:16:47 but I didn't know you were that good.
01:16:49 - How'd you like that pinpoint?
01:16:51 Did you ever see anything like that?
01:16:52 General Stonewall Jackson said I was the best.
01:16:55 He said it right in front of the whole regiment.
01:16:57 - We got us a timetable, Gunner.
01:17:01 - Well, call it, Vince.
01:17:03 - Already have.
01:17:04 Billy Roy let loose by sundown.
01:17:06 All right, get that gun down this hill
01:17:08 till it's a quarter mile from town.
01:17:10 - Down that hill down there?
01:17:15 That ain't a hill, Vince, that's a cliff.
01:17:18 - All right, let's get started.
01:17:20 It ain't right, Vince.
01:17:21 It ain't fair to us.
01:17:22 One man's hanging is more better than five.
01:17:28 I ain't gonna let you do it.
01:17:32 (gun firing)
01:17:34 All right, never mind him.
01:17:40 Gabe, Hal, haul him using here.
01:17:43 We got a long way to move this gun
01:17:44 and we're gonna get it into position if it takes all day.
01:17:48 All right, move it!
01:17:49 (dramatic music)
01:17:52 (laughing)
01:18:10 - Well, Mr. Traitor to all causes,
01:18:13 you've been as silent as a cricket with its throat cut.
01:18:16 You waiting for those federales to come get you?
01:18:20 Or you waiting for Vince to blast you?
01:18:22 Or maybe the law to catch up to you
01:18:24 for stealing the cannon?
01:18:25 - Your brother will come in, Billy Roy.
01:18:29 - Hey, Deputy Wade.
01:18:35 You know what?
01:18:38 I'm gonna tell you a secret.
01:18:42 I always liked you and admired you.
01:18:44 You never knew that, did you?
01:18:47 You know why I felt that way about you?
01:18:50 You were the only man who ever broke away
01:18:53 from my great god brother and made it stick.
01:18:57 Only you didn't make it stick, did you?
01:18:59 Here you are back with him again.
01:19:02 He's still calling the shots and you're still jumping.
01:19:06 See what I mean?
01:19:08 I mentioned his name and you look out the window.
01:19:10 He could be 5,000 miles away and you'd still be looking!
01:19:12 (dramatic music)
01:19:16 (dramatic music)
01:19:20 (dog whining)
01:19:23 - Less than an hour till sundown.
01:19:46 - 40 minutes to be exact.
01:19:49 - Well, maybe if we just let Billy Roy go.
01:19:52 He could ride out in no trouble.
01:19:54 - Get off your horse, Vince.
01:19:56 Walk toward me.
01:19:57 Just make a move.
01:20:01 That's all I ask, just make a move.
01:20:03 (dramatic music)
01:20:18 - You know me, Jess.
01:20:19 I'm not a man of violence.
01:20:22 I don't approve of violence.
01:20:24 (tires screeching)
01:20:28 (dramatic music)
01:20:33 (horse whinnying)
01:20:36 (horse whinnying)
01:20:52 - You know what I'm gonna do?
01:20:58 - What?
01:21:00 - I think I'm gonna try a little longer fusing.
01:21:04 (dramatic music)
01:21:06 (thunder crashing)
01:21:17 (horse whinnying)
01:21:18 (thunder crashing)
01:21:20 - Oh, no, my God!
01:21:21 Oh, dear God!
01:21:24 (Jess crying)
01:21:27 No, no!
01:21:30 No!
01:21:30 No, no!
01:21:34 No, no!
01:21:37 No!
01:21:39 (Jess crying)
01:21:45 Jess, no!
01:21:48 No, please!
01:21:51 (dramatic music)
01:21:55 (horse whinnying)
01:21:58 (Jess crying)
01:22:11 You killed him!
01:22:14 You killed him just as if you put that gun to his head!
01:22:17 I told you, I begged you!
01:22:19 I let that animal go.
01:22:24 But no.
01:22:25 You save your own skin, you killed him!
01:22:29 (Jess crying)
01:22:32 (dramatic music)
01:22:40 (dramatic music)
01:22:43 - You see it?
01:23:04 This is a wanted poster.
01:23:08 This man is wanted by the Mexican government.
01:23:11 He stole that gun that's been firing on us,
01:23:14 that killed my husband, that will kill all of you!
01:23:18 It says he can be identified by a wound on his neck.
01:23:26 (audience gasping)
01:23:32 There it is!
01:23:35 He thought nothing of killing my husband.
01:23:38 He'll think nothing of killing the rest of you.
01:23:41 Make him let that prisoner loose, force him!
01:23:44 - One way to get that gun to stop shooting?
01:23:47 Let Billy Roy go.
01:23:49 No trouble.
01:23:50 - Let him go, Wade!
01:23:52 We've had enough of this violence.
01:23:53 - Our roots are in this town, Wade, not yours.
01:23:56 - Get rid of Wade!
01:23:57 (audience gasping)
01:23:59 - Hold it, hold it, quiet, quiet down, everybody.
01:24:02 You got a cannon pointing at your heads
01:24:03 and you're willing to let a bunch of riffraff
01:24:06 make you crawl.
01:24:07 Maybe you can forget that Dan Ramsey was just killed.
01:24:12 Well, I can't.
01:24:13 But there's one thing you better not forget.
01:24:16 He'll blast you off the face of the earth no matter what.
01:24:20 Because you know who's got that cannon.
01:24:23 - If I don't get up there and tell him to stop,
01:24:25 that cannon's gonna blow this town apart.
01:24:29 - All right, Mr. Hackett.
01:24:31 Take Billy Roy out.
01:24:33 - Hold it.
01:24:34 First man who wants to release a prisoner, step up.
01:24:37 - You better, Jess.
01:24:38 Well, I'm overdue out of here.
01:24:41 I'm liable to be killed like everybody else
01:24:43 if you don't let Billy Roy go.
01:24:45 (gun firing)
01:25:01 - Keep your eye on the sun, Jess.
01:25:04 - Turn 'em over to Vince, Mr. Wade.
01:25:09 30 minutes, mister, or we all come to get you
01:25:12 and we'll turn 'em loose.
01:25:14 - All right, all of you clear the streets.
01:25:16 That cannon will be hitting a few more times.
01:25:20 (dramatic music)
01:25:22 - You've done all you can do.
01:25:44 Let him go.
01:25:45 - I'm keeping him here.
01:25:48 (dramatic music)
01:25:50 - I want to apologize.
01:25:56 - For what?
01:25:57 - Whatever I thought.
01:26:01 I was wrong.
01:26:02 You are what you say you'd be.
01:26:06 - Don't count on it.
01:26:10 (dramatic music)
01:26:14 (dramatic music)
01:26:16 - Get off the street.
01:26:24 (dramatic music)
01:26:43 - 30 minutes come to mean important words to you,
01:26:45 Mr. Wade?
01:26:46 - 30 minutes can get to be as important
01:26:48 as a man's whole life, can't it?
01:26:51 (laughing)
01:26:52 - A very sad half hour for you, Mr. Wade.
01:26:55 - You locking us both up, Mr. Wade, so we can be cozy?
01:27:06 (laughing)
01:27:10 (laughing)
01:27:12 (explosion)
01:27:22 (laughing)
01:27:25 (explosion)
01:27:28 - Not much time, Mr. Wade.
01:27:30 - Won't be long before your good citizens come for you.
01:27:32 Or my brother blows this town to flower land
01:27:35 and he comes for you.
01:27:36 - Get off that gun, Doug.
01:27:37 Come outside.
01:27:39 - You finally seen the light, Mr. Wade.
01:27:42 You gonna take these things off me
01:27:44 and let me go back to my brother.
01:27:47 (dramatic music)
01:27:55 - Mr. Carter?
01:28:01 (dramatic music)
01:28:04 Mr. Jess Wade was one of them.
01:28:24 That animal's gone.
01:28:27 (dramatic music)
01:28:30 Now maybe that cannon will stop firing.
01:28:34 - Send him a reminder, Gunner.
01:28:43 - With pleasure.
01:28:44 (dramatic music)
01:28:47 (explosion)
01:28:56 (explosion)
01:28:58 - I guess that makes it pretty plain.
01:29:12 Wade didn't turn Billy Roy over to his brother.
01:29:14 - Or he hasn't had the time.
01:29:17 - He's had the time.
01:29:19 He could have walked there in 10 minutes.
01:29:21 - Well, somebody's gotta ride up there
01:29:22 and tell Vince Hackett his brother's no longer in town.
01:29:26 - Harvey, you get the buckboard.
01:29:28 And you drive me up there.
01:29:28 - No, Miss Tracy.
01:29:29 - Tracy, if I have to grab you and hold you,
01:29:31 you're not going up there.
01:29:32 - There's only one thing to do.
01:29:33 Get off the streets.
01:29:34 Those of you who have cellars, get down in them.
01:29:36 Take as many of your neighbors with you
01:29:37 as your cellars will hold.
01:29:38 - Come on, Miss Tracy.
01:29:40 - Gunner?
01:29:48 - Yeah, Vince.
01:29:52 - You aim that cannon at night?
01:29:55 - These things don't know whether it's day or night.
01:30:00 - Send 'em one.
01:30:01 (explosion)
01:30:21 - You guys ready to knock that town
01:30:22 off the face of the earth?
01:30:24 Everything goes except the jail.
01:30:26 - Yeah.
01:30:27 - All right, load up.
01:30:29 - All right, yeah.
01:30:32 - Vince?
01:30:36 Vince, it's me.
01:30:39 It's Billy Roy.
01:30:41 I'm down here.
01:30:51 - Call out again.
01:30:51 Where are you, Billy Roy?
01:30:53 Here, Vince.
01:30:54 Here.
01:30:55 Watch out for Wade.
01:31:00 He's up in those rocks.
01:31:04 Those rocks to your left.
01:31:06 - I've no idea.
01:31:08 (dramatic music)
01:31:11 - Gunner.
01:31:24 Gabe, drop it down three notches.
01:31:29 (dramatic music)
01:31:31 - Vince?
01:31:42 I can see you, Gabe and Gunner.
01:31:46 Where's Hep and Mody?
01:31:47 - I don't know where they are, Jess.
01:31:50 If I go, Billy Roy goes.
01:31:54 - Vince!
01:31:56 He's gonna kill me!
01:31:58 - All right, Mody, Hep, hold on.
01:32:01 All right, it's a standoff, Jess.
01:32:11 What do you got on your mind?
01:32:17 - Taking that gun back where it came from.
01:32:20 Moving it into town tonight.
01:32:24 - You wanna keep Billy Roy alive.
01:32:26 - Vince!
01:32:27 Now maybe you got me where you want me,
01:32:30 maybe you haven't.
01:32:33 Anything wrong in talking about it?
01:32:35 Now how come so much money don't appeal to you, Jess?
01:32:49 I mean, you don't even have to raise a hand to get it.
01:32:52 Gunner.
01:32:53 (dramatic music)
01:32:56 (explosion booms)
01:32:59 (gunshots fire)
01:33:06 (dramatic music)
01:33:09 - Drop Billy, get out of the way!
01:33:31 - Vince!
01:33:32 Vince!
01:33:33 Vince!
01:33:36 Vince!
01:33:37 Mody!
01:33:39 Vince!
01:33:39 Vince!
01:33:41 Vince!
01:33:43 (dramatic music)
01:33:49 - Billy Roy?
01:33:58 (dramatic music)
01:34:01 - Wait!
01:34:18 Good friend Jess, wait!
01:34:27 (gunshots fire)
01:34:30 - What do you do now, Vince?
01:34:44 - I'll tell you what you do now.
01:34:48 You and the cannon go back to Mexico with me.
01:34:55 (dramatic music)
01:34:58 - It's not his fault.
01:35:19 It's not his fault.
01:35:24 (dramatic music)
01:35:27 - I know.
01:35:28 (dramatic music)
01:35:33 (dramatic music)
01:35:36 (dramatic music)
01:35:39 (dramatic music)
01:35:42 (dramatic music)
01:35:44 (dramatic music)
01:35:47 - Well, it's a hard thing for me to say,
01:36:14 but I hate I don't know how to say thank you.
01:36:18 I know how.
01:36:19 Thank you, Mr. Wade.
01:36:21 (dramatic music)
01:36:24 (helicopter whirs)
01:36:43 - Jess!
01:36:44 You're not coming back, are you?
01:36:47 - No.
01:36:48 I'll send for you.
01:36:52 You come when I tell you.
01:36:55 Won't be long.
01:36:56 (dramatic music)
01:37:10 (dramatic music)
01:37:13 (dramatic music)
01:37:16 (dramatic music)
01:37:19 (dramatic music)
01:37:21 (dramatic music)
01:37:24 (dramatic music)
01:37:27 (dramatic music)
01:37:45 (dramatic music)
01:37:48 (dramatic music)
01:37:51 (dramatic music)
01:37:54 (dramatic music)
01:37:58 (dramatic music)
01:38:01 (dramatic music)
01:38:04 (dramatic music)
01:38:07 (dramatic music)