Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to jazz and rudimentary rock'n'roll. Jenny takes an immediate dislike to her step mother, who is not that much older than she, and goes out of her way to make life miserable for Nichole. When Jenny discovers that Nichole is a friend of one of the strippers from the dance hall across the street, she investigates and uses Nichole's sordid past to embarrass her father. Meanwhile Jenny attracts the lecherous eye of Kenny, the owner of the dance hall.
Category
🎥
Short filmTranscript
00:00:00You
00:00:30Do
00:01:00Do
00:01:30Do
00:02:00Do
00:02:04Well, mrs. Linden and how do you find England like France our cows in the field and sheep in the meadows who is meadows
00:02:16Paul you are terrible people will expect confetti to fly out of my hair. Oh, of course
00:02:21Most undignified for no married couple, isn't it? Well five days is long enough to
00:02:27To cool down don't be vulgar don't dare cool down tickets, please
00:02:39How long should we London in 20 minutes
00:02:43You
00:02:50Worried about something and just one day
00:02:54about Jennifer I
00:02:56Want to love everything that is your your work those is you build the cities you plan
00:03:03But most of all I want to love you daughter
00:03:06Do you think Jennifer would like me?
00:03:09How can she help it?
00:03:11Well a stepmother an intruder is not so easy for her nor perhaps for you either
00:03:19Nicole I'll be perfectly frank with you. I
00:03:22Find Jennifer a puzzle a puzzle. How do you mean? Well, I don't understand her anymore when she was a baby
00:03:29We were such good friends, but now she's not a baby anymore. Well, she's only 16
00:03:35She needs the understanding and affection of another woman, well, I'm sure you'll be wonderful for she'll absolutely adore you Oh
00:03:44Paul I'm lucky woman. So lucky all at once. I have a husband a family
00:03:52home
00:04:06Here we are sweetheart your new home Oh darling, how nice
00:04:20I'm glad you like it. It's been waiting for you since the day I put it
00:04:27Six and six, I
00:04:28Thank you very much. You know your house is like you
00:04:32How do you mean I'll steer with a twinkle behind the facade come and meet your new family
00:04:43Thank you, sir, thank you
00:04:53Well, hello Martha, mr. Lyndon, welcome back and this is mrs. Lyndon Oh
00:05:01Mrs. Lyndon mom welcome home. I should kiss you father. You see I'm very French
00:05:07Oh, mrs. Lyndon mom, you're most welcome
00:05:11But where's Jennifer? Oh, she she was just getting dressed. Yes, I can hear that
00:05:16Jennifer
00:05:18Well, she must have heard us come in
00:05:20Jenny
00:05:21She's probably shy of meeting thing. I'm some sort of drag
00:05:27She's got a big shot coming. I'll go and fetch her
00:05:31Jenny
00:05:46Hello Jenny darling
00:05:49You look wonderful
00:05:52three months
00:05:53The longest I've ever been away seemed like years
00:05:57Yes
00:05:59Well, how's the art school it's cool studies going well fine
00:06:07Congratulations on your marriage
00:06:09Thank You Jenny come meet her
00:06:16My my taste
00:06:19Perhaps now the house won't seem so what was the word dreary dreary?
00:06:24Yes, perhaps not we'll see more fun for you. Mm-hmm. Don't you think so Jennifer?
00:06:35Nicole this is Jennifer. I'm so happy to see you at last
00:06:40I'm sure you two will have a lot in common. I hope we have everything in common Jennifer everything
00:06:47That's a lot, isn't it? Oh, what I mean is you won't be so lonely anymore. How does that sound fine?
00:06:52When would you like dinner sir? Oh from now on you'll have to ask mrs. Linden questions like that Martha
00:06:58What do you think in half an hour? It's okay that you'll hide for you. Oh, yes, ma'am
00:07:07Well
00:07:08What about a drink that's ice in the sitting room and I put out the champagne
00:07:13Wonderful idea. See I told you she thinks of everything after all it's a special occasion
00:07:18Occasion Oh Martha, you're making me feel really at home. How about you're having a glass mother? Oh, not if you want any dinner
00:07:28Come on darling
00:07:48Well, what do you think of it it's wonderful very impressive
00:07:56This is the living room
00:07:59Living ah, but it hasn't been lifted yet needs the feminine touch
00:08:06We call it organized disorder
00:08:12Don't you think Jennifer maybe
00:08:19Well, you've made a good start
00:08:22Looks human. I like it. I
00:08:25Only use this place for the high-five and some more
00:08:29We'll soon deal with that between
00:08:32Champagne, I don't drink. I'm too young 16. Of course. You're not
00:08:38It's cheap. Oh, well
00:08:40as Martha says
00:08:43It is a special occasion
00:08:45very special
00:08:49To us all three of us to us
00:09:00What are you reading? It's all about jazz not your stuff, but it is. Let me see
00:09:12Let's look at it
00:09:18This is all double-dutch to me
00:09:22Blue blues and Dixie by Bullard Montgomery. Oh, I know him. He was a father of it all
00:09:34But who is this she's beautiful. Hmm
00:09:41Where did you get this from?
00:09:44What are you trying to say?
00:09:46What are you trying to do
00:09:49It's a picture of it's my mother
00:09:52She's beautiful, isn't she? I suppose so. I don't remember her. That is where you get your looks from
00:09:59Not from this monster
00:10:05Jennifer why can't you sit up properly? I like floors
00:10:09You know, I think Martha's really quite taken to you
00:10:11I'm thought about it. What is the name of your school? It's in Martin's
00:10:17One of the best sent it rumor has it
00:10:20Jen has always had a talent for illustration. She really draws very well indeed
00:10:24Must be fun doing something you like and are good at those in the time
00:10:33Darling
00:10:34What is in that huge box over there a body? That's just about it
00:10:38Only that's more like a skeleton in the cupboard. It's my toy and Jennifer's jealous of it
00:10:44Yes, the stupid city
00:10:47a city
00:10:48Superman stuff and then some
00:10:51What are you both talking about? Well now you wouldn't say that I was exactly old-fashioned, would you?
00:10:57But Jennifer thinks I'm too modern strictly as an architect
00:11:00In every other sense a square a square
00:11:04A little while ago. I was a creep show me the city, please. You'll be sorry
00:11:11She may be right, you know
00:11:13If I get my city, I'll be up till dawn
00:11:16It's my life's work. It's meant more to me than anything in the world
00:11:20Hasn't it Jenny?
00:11:22Yes
00:11:24That's true
00:11:27Come I'll show it to you
00:11:31But what is it?
00:11:38It's a model I've called it city 2000
00:11:42Grosvenor
00:11:44It's a model
00:11:45I've called it city 2000
00:11:48Grosvenor
00:11:50It's a model
00:11:52It's a model
00:11:53I've called it city 2000
00:11:55Grime filth poverty noise hustle and bustle these things would be unknown
00:12:00an almost silent place
00:12:02soundproofed for the use of
00:12:04Flying beveled walls of concrete which also serve to cut wind and rain
00:12:09Jennifer says it'll be like living in a tin can but
00:12:15I don't think that's really true
00:12:17You know psychologists think that most human neurosis come from too much contact with other humans
00:12:23Now in my city darling a man can be as alone as if he were 10 000 miles from anywhere in the country
00:12:30I'd like to see jennifer today. Oh, she can put herself to bed
00:12:34I'll be right back. I want to know every street by heart
00:12:37All right, darling. Don't be long
00:12:48What is it
00:12:53I came to say good night. Good night
00:12:57You've been crying crying I should think not jennifer, what is it
00:13:04Why have you taken such a dislike to me?
00:13:06I'm not to blame for your father's divorce
00:13:09It was long before he ever met me. I didn't say I didn't like you
00:13:13Don't be childish
00:13:15Why not?
00:13:18I am a child, you know perfectly well what I mean your father calls your behavior deplorably rude
00:13:25I prefer to think you're just upset
00:13:27Naturally i'm upset
00:13:29All young girls are upset when their father brings home a new wife
00:13:34Now if you don't mind, uh, jennifer
00:13:40Juvenile delinquents first vice either adult vices sex and the like and it's approved of
00:13:48Or perhaps we even disapprove of this. I started smoking when I was 14
00:13:54Jennifer I could not help falling in love with your father
00:13:58love
00:14:00That's the gimmick that makes sex respectable, isn't it?
00:14:04I've brought you some things from paris dresses and we don't wear dresses very often
00:14:09We're different not so different
00:14:12Most young people in paris prefer slacks and sweaters
00:14:15I wear them myself in the house
00:14:17You can see if you like any of mine. I've got everything
00:14:22And this is anything else I want
00:14:26I just have to ask for it anything you'd like to borrow
00:14:34Go ahead help yourself. We're about the same size
00:14:41A new cardigan
00:14:44I have 19. I never wear see but if I feel like 20 cardigan number 20 coming up
00:14:54Now if you don't mind i've got a life class in the morning
00:15:02What's the matter embarrassed why i've got a nice figure
00:15:14So
00:15:34Well good night
00:15:39Do you want the full treatment
00:15:44Sleep well
00:15:47Stepmother
00:15:53Good night, jennifer
00:15:58And don't kid yourself he's in love with you he's in love with city 2000
00:16:14So
00:16:31You know paul I love your city
00:16:34Well, it's just the way a city ought to be
00:16:37Not a hodgepodge of littered up archaicism of century pile upon century
00:16:42But something for modern man starting from scratch, you know, they're going to build this one in south america
00:16:48paul
00:16:49I love you. Yes. I know darling. What?
00:16:53I love you
00:16:55Darling
00:16:57And I'll never let city 2000 keep us up till dawn tonight or any other night
00:17:12So
00:17:34Hey you take a place daddy you and your phony beatnik friends I said take a place
00:17:41Okay
00:17:42Okay, there are other dolls
00:17:44So you made it granny managed to give him the slip. Well, well first night the old man's home
00:17:49Who's bright and all we are the most you're a real cat. Jim. Yeah the light-footed kind
00:17:54Easy stuff. Hey, what's she like this big bad frenchie?
00:17:57She's french. Yeah. Yeah. Yeah
00:18:00Strictly easy, isn't that? Yeah, dig me. I'm a captain the can-can kennel club a real live parisian poodle pompadour
00:18:08Is she old ancient?
00:18:1024
00:18:12You're at it again, well it helps
00:18:16Look, I got it from the chemist. Yeah, you're sure there's nothing in it. No kicks out of him. Of course not
00:18:20It's strictly for coughs
00:18:22Hey, jen 24 is not too bad
00:18:25How can she be so square if she's french and only 24?
00:18:28How can you be so square when you're only 18 because it rubs off you onto me?
00:18:32Tell us jen. What does she say?
00:18:34Nothing to tell pure lowly heart's routine
00:18:41So
00:19:00Oh, well not this time
00:19:10Come on
00:19:16Come on dave make the banshee i'm music minded
00:19:24Well, I did just what you told me you told me to forget
00:19:28To date some other baby just as though we'd never met
00:19:31Oh, well, I did what you told me
00:19:35I did
00:19:36What you told me?
00:19:38I can't forget i'm crying yet for you
00:19:45Well, I threw away your photo just like you told me to
00:19:49I put your letters in the fire and got one back from you. Oh, well, I did
00:19:54What you told me?
00:19:56Yes, I did
00:19:58What you told me?
00:19:59I can't forget i'm crying yet. Oh you
00:20:06Hang on fellas one time
00:20:08So
00:20:27Well, I still go to the dance hall listen to the noise I try to kid myself i'm having fun
00:20:34Before yes, I did
00:20:37What you told me?
00:20:38Yes, I did
00:20:40What you told me?
00:20:42I can't forget i'm crying yet for you
00:20:53Hey the fans in if you kids want to jive
00:21:01Say baby you feel terpsichorical let's go downstairs and fly, huh?
00:21:04Come on
00:21:06Come on, dave. No i'm staying here. Oh, come on
00:21:12That boy's got it coming too
00:21:34So
00:22:04So
00:22:34So
00:23:00Jennifer for goodness sake hurry up
00:23:05Who knows how important my conference is she's just coming darling the school is right on the way to the conference
00:23:12Don't fuss you won't be late. What should I ever do without you darling?
00:23:16What about including jennifer in the dinner party tonight? You want help with the south american tycoon?
00:23:21She's pretty young, you know, but very pretty. There is a foreign office man, too
00:23:25He'll be busy flirting with his wife
00:23:28You know the contract for city 2000 should be signed this morning. It'll be like a sort of celebration tonight
00:23:34I'd rather like jenny to share it with us
00:23:36Oh, where is that charge? You'll have to go by bus. Oh paul, please
00:23:53Jennifer hurry up
00:23:55Thank you
00:24:01Jennifer i'll pick you up at lunchtime lunch. Don't tell me you're letting me down. I forgot
00:24:15Bye darling, bye darling. I'll collect you at school
00:24:25Oh
00:24:35Oh, excuse me, do you know jennifer lyndon lyndon?
00:24:39Yes about your age blonde round face with long hair. Oh, yes. Jennifer the crazy one part of that beatnik crowd
00:24:48Beatnik, it's a gimmick from america hopeless and so
00:24:52Where could I find her? There's a cafe in soho called the off beach. She's always there the offbeat. Thank you
00:25:08Fuck fuck it drives me nuts
00:25:11It's been running around. I'll wrap up. Will you this will take care of it?
00:25:14But that crazy juice don't help them. Why don't you say a quack?
00:25:17I'll drop dead you sound like you're going to I wish my old man would
00:25:21Got him nervous like I did mine here for what him an army type general. They don't fall man
00:25:27They only write memoirs. Yeah, my war on three brothers five editions and still going strong
00:25:33Creep still he's good for the green. Show us what you got today
00:25:39That'll do man keep money speak for another few years
00:25:47Hey
00:25:58Hey gasser, you're looking for me fall down juvenile
00:26:05Oh, you're such a nonchalant, i'm relaxed
00:26:17Is
00:26:47Man she's on the button. I'll say what you're doing here. Are you kidding?
00:26:52I bet she's meeting that guy that runs the strip joint across the road
00:26:56He's always looking for new talent. What's new about that? Yeah, they're all the same shape
00:27:02More or less that's a pound travel in the two o'clock two thirty and three o'clock. All right
00:27:08Yeah, now point me frank. I want daisy wood
00:27:12in the three o'clock
00:27:15Some walk
00:27:18So
00:27:26Now that's what I call material
00:27:33We were going to have lunch together so we were
00:27:36I called that one as I said, I would lunch wasn't my idea
00:27:41I realize that hey, listen to that fractured english. That's the paris poodle more like a bloodhound
00:27:47Oh
00:27:49May I sit down? Oh, i'm so sorry. Um, please do
00:27:53A swinging cat like you is always welcome. How do I get a stepmother like you?
00:27:58Simple have a father like jennifer's. Oh, i've got a father but uh, he's weighed down by medals
00:28:03Rose and rose. He's so old. He's a general old and dull too
00:28:08Jennifer's father is neither. He's still a young man
00:28:11Hey jen, you told her she was robbing the grave marrying you old man, I said she was queen auntie house auntie house
00:28:17That's what she said
00:28:19What about jazz you dig rock is all right, but I prefer modern east or west coast west which one
00:28:27dev brubeck for me she's crazy, too
00:28:31You are a musician
00:28:33Somewhat
00:28:34I'd like to hear you. That's easy. If you can hear at all, you can play it cool and he sings too
00:28:39He sends me over and out
00:28:42Please sing
00:28:43Dull for you anything any time or anywhere, but i'm gonna rock it. All right. I'm listening. Stop it dave
00:28:53Why did you come here and embarrass me like this
00:28:55Embarrass you don't have a right to my own life. I stay out of your business
00:29:00We are family now coming here making as if you know the score east coast west coast. Stay brubeck
00:29:07You got that out of my book, well, don't you rather I tried to share your life I won't be spied on
00:29:13That's the last thing I meant to do
00:29:16I know why you married my father
00:29:18It's because he's famous
00:29:20And he's rich
00:29:22He can give you the things you want
00:29:25Play it down though. Relax
00:29:27Thank you. You're good
00:29:29I mean the most
00:29:31Good stepmother. You've only just arrived in a moment the dance begins
00:29:34You've got the stepmother mixed up with cinderella
00:29:37Paul told you about dinner. Not sure I can make it
00:29:41Do try
00:29:43So we can discuss my report card with daddy
00:29:45There won't be any report
00:29:54Nicole
00:30:00Hey, you take that one
00:30:05I
00:30:08Kenny's waiting for you. Who's the pal?
00:30:11There is no pal. What's the bitch with a short memory?
00:30:15What's that you're drinking fruit juice
00:30:18Are you mad?
00:30:20That's gretel they call her the duttice because when she pills she makes like she's doing you a favor
00:30:25Peas?
00:30:26Come on, I have pigeon
00:30:28She strips across the street in lego club 17 shillings. That's what the suckers pay for seeing her in a birthday suit
00:30:35Just imagine wicked old frenchie knowing abroad like that. Yes, just imagine
00:30:40Daddy would be most interested
00:30:46I owe you a great deal your excellency. I never thought you'd get it through
00:30:50The opposition have to oppose or they would be out of business. That is politics part of the game
00:30:55But I can tell you
00:30:56Now that the contract is signed and sealed they will be very pleased
00:31:00As hm's counselor on the spot. I can tell you the leader of the opposition confirmed that himself
00:31:05Not a man I care to deal with who my brother, you know, he went in for politics
00:31:09slippery customer
00:31:12The ambassador and your husband are just having a nightcap can I get something for you? No, thank you
00:31:17It's a shame to leave so early, but we're flying back at the crack of dawn. Oh, i'll hurry them up
00:31:22You
00:31:25You're fond of music if it's beat
00:31:27Jazz, you know, of course
00:31:30I hear they're dancing the charleston again
00:31:33Shades of my youth only dance not the real cats
00:31:38That's what I call jenny's expresso language, I'm afraid I must be very silly but coffee bars
00:31:43I must confess i've never been in a coffee bar. No, neither have I
00:31:47Nicole has we had lunch in one today
00:31:51Yes, it was fun. I believe some of those places can be awful. This was charming full of young people art students and dancers
00:32:01One was an old friend of nicole's
00:32:05Yes, somebody I knew years ago I don't even remember her name her name is greater
00:32:11Oh, of course
00:32:14They call her a duchess
00:32:17She's very mysterious is she really a duchess hardly
00:32:21She's a dancer of sorts
00:32:23Your excellency, may I suggest yes, we must go
00:32:28It has been a delightful evening and now I hope we shall see you and your husband more often in my country
00:32:37Go on
00:32:39I
00:32:46Leave it to your discretion
00:32:53You look very pretty tonight jennifer
00:32:55I stayed and talked to your friend greater
00:32:58Really?
00:32:59She remembered you all right?
00:33:01She said you were a bitch
00:33:05Jennifer did I hear her right?
00:33:07Who is this woman? What did you talk about? We talked about striptease you talked about what striptease
00:33:21Can I help it if that's what she does she's nicole's friend
00:33:25I haven't seen her for years. She works with little girls. It's quite a dump
00:33:30She must be pretty low. That's enough
00:33:32Oh
00:33:34They call her the duchess imagine a stripping duchess
00:33:39Poor greta. I had no idea. She had sang so low. Just imagine it daddy
00:33:43Every time because friend strips over 100 dirty old men crowd into a little room to watch her and they pay 17 shillings each
00:33:51That's a lot of money, isn't it? Where did you learn all this?
00:33:54This is terrible
00:33:55Terrible cred. I used to be so talented so ambitious
00:34:00All she could ever talk about was her career
00:34:03We began in the ballet together ballet
00:34:05Do you mind if either of you were ever on your points? Then i'm a tightrope walker jennifer
00:34:12Did you tell her I had been a dancer no we uh
00:34:16We haven't had much time to discuss things yet
00:34:19You must teach me some steps for one day nicole. I doubt there is much I could teach you
00:34:26You could always try
00:34:30Take it up take it off said the boys in the rear and she unzipped the zipper
00:34:36Well nicole
00:34:38What is this all about?
00:34:40Nothing
00:34:42Nothing darling
00:34:45You don't like her do you I don't like her
00:34:50I can't understand her
00:34:52She hates me
00:34:53She's hated me ever since I set foot in this house. Oh, I don't think so darling
00:34:58Why won't you face it that's what i'm trying to do
00:35:02So let's get back to this old friend of yours
00:35:04The one that told jennifer about striptease
00:35:07I told you about her
00:35:09Yes, but there's more isn't there?
00:35:12Isn't there nicole
00:35:14I told you we were in ballet together
00:35:17Now she has altered her way of life. I'm not responsible for what she has become
00:35:22Look, I didn't say that
00:35:25There are lots of things that happened to us before we met
00:35:28Can't we talk about them sensibly?
00:35:30It's the same all over the world paul
00:35:33Girls start off together have the same chances
00:35:37Some go straight
00:35:38Others go bad
00:35:40Greta was unlucky
00:35:43With me it was different
00:35:45I met you and I fell in love
00:35:47As simple as that
00:35:49Just as simple as that
00:35:51Darling
00:35:57So
00:36:27Go on i'll be there in a minute. Okay, very exclusive. Yeah when she's in the mood
00:36:58Looks nice, doesn't your kid like to go in with me and see her creep shovel now girly. Is that a nice way to talk?
00:37:06For grown-ups kid
00:37:08I've got money here. You could be the bank of england. You still wouldn't be old enough. I want to go home to mommy
00:37:14I've got to see greta leave a date
00:37:17I have to see her
00:37:18What's your name?
00:37:20Nicole
00:37:21Just a minute
00:37:24I'll call greta
00:37:27Greta there's a young lady here says you got a date with you name of nicole
00:37:33Okay
00:37:35This way
00:37:53So
00:38:23So
00:38:53So
00:39:23So
00:39:53Now, gentlemen, a thrill both sides of the footlights.
00:40:09The first of our amateur talent competitors, a lovely little child of nature.
00:40:13Now, just take your time, babe. It begins slowly, you know what I mean?
00:40:16Build it up, make them wait. Keep them on the end of that G-string.
00:40:20Tease them.
00:40:21It's easy. Just don't look at them, honey. Get it over with fast.
00:40:24Just shut up.
00:40:26Now, all right, you're on. Now, remember, a fiver for today and a job if you really send them.
00:40:31Just you watch. They'll fall right off their seats.
00:40:37She's too young, Simon. It's a shame.
00:40:39When did you join the Salvation Army? Cut it out, Mavis. Get back to your bar.
00:40:45Now, you really know how.
00:40:50Well, all right.
00:41:21Not bad. Not bad at all.
00:41:25I'm glad you approve.
00:41:27You certainly know how to pick them for real, madame.
00:41:30I had a siffle up in the house.
00:41:32I'm not ready for that kind of work yet.
00:41:36Promising.
00:41:39Rita, please.
00:41:42It's all right, sir.
00:41:44Don't worry, we'll get the boys to the barracks.
00:41:47We'll be back, we'll be back.
00:41:49Oh, I'm sorry, sir.
00:41:51It's all right.
00:41:54It's all right, sir.
00:41:56It's all right, sir.
00:41:58It's all right.
00:42:01It's all right, sir.
00:42:03It's all right, sir.
00:42:05Rita, please.
00:42:08These days, any woman would think you'd loathe the sight of me.
00:42:12Kenny, what's the matter?
00:42:17There's a girl outside to see you.
00:42:19All right, sir, her in.
00:42:21That's for me.
00:42:27The tickets. Last plane's Saturday night.
00:42:30Why you want to go to Paris, I don't know.
00:42:32It's corny. Bright and corny, too, but it's nearer.
00:42:35Yes, but Paris does things for a girl.
00:42:38Why blame Paris?
00:42:40That day with Rita, quite the dish.
00:42:43Oh?
00:42:44Careful, it's jailbait.
00:42:46You've got a truth in mind, haven't you?
00:42:48I know. Nauseating, isn't it?
00:42:51You'll have to divorce me, darling.
00:43:03The name Nicole made me think you were somebody I knew.
00:43:06Nicole married my father.
00:43:08Oh.
00:43:10Well, there's more than one Nicole in the world.
00:43:13I was with her in the offbeat this afternoon.
00:43:15What does that prove? Where do I come into this?
00:43:18She told me you once worked together.
00:43:20Oh, yes, I did.
00:43:22I was with her in the offbeat this afternoon.
00:43:24What does that prove? Where do I come into this?
00:43:26She told me you once worked together.
00:43:28Oh, yes, I did.
00:43:30What does that prove? Where do I come into this?
00:43:32She told me you once worked together.
00:43:34I don't know what you're talking about.
00:43:36Was it a joint like this?
00:43:38Look, kid, don't bother me. I'm busy.
00:43:41How did you like it when she cut you dead?
00:43:44Oh, Bajo, go on, clear off.
00:43:46What are you so frightened of?
00:43:48Is it a view or is it...
00:43:50Now, look here, kid, forget all this Nicole business.
00:43:52I made a mistake. We all make mistakes.
00:43:55I don't know any Nicole.
00:43:57Well, you've got the chance.
00:43:59What's the hurry, Grace?
00:44:01Bring the little lady into my office
00:44:03and we'll all have a nice little chat.
00:44:18Look, I can see out, they can't see in.
00:44:22That's the only way I can tell if the girls are earning their money or not.
00:44:25Now, you just sit down there and tell me all about it.
00:44:28It sounds as if maybe Greta's been holding out on you.
00:44:32I wanted to know about a friend of hers called Nicole.
00:44:35Mm-hmm. I was supposing you'd put me in the picture.
00:44:38He calls my stepmother.
00:44:41Oh.
00:44:43Did you know her, Greta?
00:44:46Did you?
00:44:48We used to work together in Paris.
00:44:50Was it so hard to tell the child then?
00:44:52Or maybe you worked in a strip club.
00:44:55Did you strip?
00:44:57Well, dancers do something like that sometime or other.
00:45:00What else did you do in gay Paris?
00:45:03What about the gentlemen?
00:45:05Hmm?
00:45:07We had friends.
00:45:10I have a friend in you, lover boy.
00:45:14Friends?
00:45:16You mean customers, don't you?
00:45:19The nearest I came to a brothel was when I came here with you.
00:45:23Get out. Get out!
00:45:31You'd better come back tomorrow. Greta'll tell you some more.
00:45:35Do you think there's more?
00:45:37Oh, yes. When Greta sets her mind to it,
00:45:39she'll tell you anything you want to hear, anything at all.
00:45:42Well, goodbye for now.
00:45:45Oh, wait a minute.
00:45:50It looks easy, doesn't it?
00:45:52It does. It takes a long time to learn.
00:45:56Interested?
00:45:5825 quid a week for yourself.
00:46:00I don't need money.
00:46:02You're so right. It isn't everything.
00:46:05But there's a thrill in this work.
00:46:07All the girls say so. A real thrill.
00:46:10Besides, it's a shame to waste a nice figure.
00:46:14See you tomorrow, maybe?
00:46:16Maybe.
00:46:45Any explanations, Jennifer?
00:46:48What about?
00:46:50It happens to be 3 o'clock.
00:46:52No, it's not. It's 5-2, and I'm tired.
00:46:56Come in here.
00:47:02Well?
00:47:04Where have you been?
00:47:06I've been looking for you.
00:47:08I've been looking for you.
00:47:11Well?
00:47:13Where have you been?
00:47:15Out.
00:47:17Jennifer, I'm trying to keep my temper,
00:47:20but I'm finding it very difficult.
00:47:23I've been with friends, dancing.
00:47:25When I found you weren't in your room, I was worried to death.
00:47:28These clothes and all this muck on your face.
00:47:32They may make you feel grown up, but you're still a little girl, you know.
00:47:35To you, I am.
00:47:37The rest of your friends liked this dancer, Greta, that you were telling me about.
00:47:41She's no friend of mine. Ask Nicole about her.
00:47:43Leave Nicole out of this.
00:47:45That couldn't suit me better.
00:47:47But you've been to this cafe again, haven't you?
00:47:50Oh, are we going through that corny hearts and flowers routine?
00:47:53Don't stay out late, dear.
00:47:55Little girls get into serious trouble if they mix with strangers.
00:47:58Men are not to be trusted.
00:48:01Jennifer, I'm trying so hard to understand you,
00:48:05but we seem to be out of touch with each other.
00:48:07That's no news to me.
00:48:09But you're my daughter, my own flesh and blood.
00:48:12I do really love you, you know.
00:48:15You don't love me.
00:48:17You think you do.
00:48:19You say that so often, you make yourself believe it.
00:48:23You don't really ever look at me. Not really.
00:48:26None of you squares ever do.
00:48:28You see what you want to see.
00:48:30A bunch of teenagers lumped together under one label.
00:48:33But who are us? Nothing to do with our parents.
00:48:36I am me, Jennifer Linden.
00:48:38A complete, whole, independent, living person.
00:48:43At one time or another, all of us need to be dependent on someone.
00:48:47Our trouble is we haven't been a complete unit.
00:48:50But now things are different.
00:48:52Why don't you give it a chance?
00:48:54I prefer it this way.
00:48:57I've been pretty lonely, Jennifer.
00:48:59Well, look what it's done to you.
00:49:01Dried you up.
00:49:03So you only get a kick out of that crazy city of yours.
00:49:06What's this got to do with me and my life?
00:49:09And where do you get your kicks from?
00:49:12Sitting around in cafes listening to gramophone records?
00:49:15Driving in underground cellars and caves?
00:49:19You are a real square, aren't you?
00:49:21This language, these words, what does it mean?
00:49:24It means us. Something is ours.
00:49:27We didn't get it from our parents.
00:49:29We can express ourselves, and they don't know what we're talking about.
00:49:32It makes us different.
00:49:34Why do you need to feel so different?
00:49:38It's all we've got.
00:49:40Next week, vroom. Up goes the world of smoke.
00:49:43And what's the score? Zero.
00:49:45So now, while it's now, we'll live it up.
00:49:48Do everything, feel everything, strictly for kicks.
00:49:51You'll find there's more to life than kicks, as you call it.
00:49:54Oh, please, cut out the message.
00:49:56People like you build cities.
00:49:58But you don't begin to understand the first thing about us, who will have to live in them.
00:50:02You'd better go to bed now, Jennifer.
00:50:05I'm not going to try to argue with you anymore tonight.
00:50:08But remember this.
00:50:10If you're not going to try,
00:50:12I'm afraid I can't.
00:50:14It's up to you.
00:50:16Heads you win, tails I lose.
00:50:18It's always the same thing.
00:50:21I hate the lot of you.
00:50:24I hate you!
00:50:28I hate you!
00:50:40Well, this is a bit too much.
00:50:43The old creep downstairs and now you up here.
00:50:45I wanted to talk to you.
00:50:47I'm the same. Dialogue, too.
00:50:49Go on. Why don't you ask me where I've been to?
00:50:53That's easy. The offbeat club.
00:50:56Guess again.
00:50:58Somewhere much more interesting.
00:51:02Jennifer, what is all this for?
00:51:05Oh, listen.
00:51:06Before you break my heart, I'd like to go to bed.
00:51:09Do you think I want to sit up half the night?
00:51:12I should have thought you'd be used to it.
00:51:15What do you mean?
00:51:17Most trip joints are open until early hours, aren't they?
00:51:20Especially in Paris.
00:51:22What is this triptis nonsense?
00:51:24Oh, you're not still sticking to that old ballet story, are you?
00:51:28Your chum Greta has quite a different angle.
00:51:31You haven't been to that club, have you?
00:51:33Ah. You're with me at last, stepmother.
00:51:36Les Girls, the sultry, saucy Soho striptease
00:51:40starring Greta de Paris, la reine du striptease.
00:51:43Strip, strip, hurrah!
00:51:45How do you like my French?
00:51:48I had a French governess.
00:51:51Greta and I had a long chat.
00:51:53She told me how you worked together in Paris.
00:51:56And what else?
00:51:58That's funny.
00:52:00Those are the same words her boyfriend Kenny used.
00:52:03What else he said?
00:52:04What else did you both do in Paris?
00:52:07Is there more?
00:52:09Jennifer, what are you trying to find out?
00:52:12What have I done to you?
00:52:13Dig this and dig this real.
00:52:15I won't have you spying on me.
00:52:17Keep out of my life and I'll keep out of yours.
00:52:19Spying?
00:52:21I wanted to be friends.
00:52:23And dig this, too.
00:52:24I'm no part of my father's life and he's no part of mine.
00:52:27And that goes for you, too.
00:52:29We can't live like strangers under the same roof.
00:52:33It's all wrong.
00:52:35Why can't we be friends?
00:52:37I'm warning you.
00:52:40Take it off, take it off, said the boys in the rear.
00:52:43La, la, la, la, la, la, la.
00:52:47I'm sorry.
00:52:48I didn't mean it.
00:52:50Believe me.
00:52:53I wasn't going back to Greta to find out the rest.
00:52:56I was just warning you to keep out of my life.
00:53:00Now, I've changed my mind.
00:53:14Take it off, take it off, said the boys in the rear.
00:53:18La, la, la, la, la, la, la.
00:53:42For the audition?
00:53:45Okay.
00:53:48Good luck.
00:54:02Yeah, that was very, very nice, what you did last night, darling.
00:54:05But it isn't quite what we want in a club like this.
00:54:08Now, tease, will you?
00:54:10Try it again.
00:54:19Tease, darling, tease.
00:54:23How about bright and Sunday?
00:54:25I don't like winkles.
00:54:29What do I do with this?
00:54:32Try it again.
00:54:34Tease, will you?
00:54:36Tell Greta there's an old friend here.
00:54:39If she's in, I'll see.
00:54:41Greta, I'm sorry about the coffee bar.
00:54:44I was so surprised to see you.
00:54:46That's all right, I understand.
00:54:48I was angry at first, but...
00:54:51Oh, well, that's life.
00:54:53So, you're married.
00:54:55Is he nice?
00:54:57I love him.
00:54:59Well, I hope he's worth it.
00:55:01He's a good man.
00:55:03He's a good man.
00:55:05He's a good man.
00:55:07He's a good man.
00:55:09I hope he's worth it.
00:55:11Greta, a girl came here.
00:55:14Jennifer, my husband's daughter.
00:55:17Yes, I told her I knew you.
00:55:19Kenny made me.
00:55:21Kenny?
00:55:22Yeah, he runs this place. And me.
00:55:25He's a bastard, but I love him.
00:55:27You see, I haven't changed.
00:55:30What else did you tell her?
00:55:32Nothing.
00:55:34Look, I'll keep her away from here.
00:55:37It's Kenny.
00:55:46You wanted to see me?
00:55:48There was a young girl in here last night.
00:55:50Seeing Greta.
00:55:52And?
00:55:53Leave her alone.
00:55:55Oh.
00:55:57May I ask who you are?
00:55:59Her stepmother.
00:56:01So that's what Nicole looks like.
00:56:04You've come up in the world, haven't you?
00:56:07I can come down to your level if I have to, Mr. Kenny.
00:56:10So just listen to me.
00:56:12If that child comes in here again,
00:56:15you're going to send her home.
00:56:17And if I don't?
00:56:19I'll tell my husband.
00:56:21He'll go straight to the police.
00:56:23To begin with, the girls and their age.
00:56:26And with an expert like you,
00:56:29I'm just not taking the risk.
00:56:31Do we understand each other, Mr. Kenny?
00:56:34Perfectly.
00:56:36And will your husband also understand
00:56:38when he finds out what his wife and her good friend Greta
00:56:41got up to while they were in Paris?
00:56:43Kenny, please.
00:56:44And how they managed between jobs.
00:56:46What did you tell him, Greta?
00:56:48For goodness sake, what did you tell him?
00:56:52Your stepdaughter will be very welcome here any time.
00:56:57Jennifer?
00:57:00Jennifer?
00:57:04Jennifer?
00:57:07Jennifer!
00:57:26¶¶
00:57:57¶¶
00:57:59Hey, looks like it's quite a ball.
00:58:01¶¶
00:58:05Daddy, oh, I'm over a dot.
00:58:07Play it down, doll.
00:58:09Well, you've got to live for the kicks.
00:58:11That's all you've got.
00:58:13Ah, Liv.
00:58:15¶¶
00:58:27¶¶
00:58:35Babe, sing that number and see it cool.
00:58:38I don't play wife.
00:58:40Wife? I said cool.
00:58:42I'll wait.
00:58:44¶¶
00:58:56Sing, dad, sing.
00:58:58¶¶
00:59:04¶¶
00:59:06¶¶
00:59:08¶¶
00:59:10¶¶
00:59:12¶¶
00:59:14¶¶
00:59:16¶¶
00:59:18¶¶
00:59:20¶¶
00:59:22¶¶
00:59:24¶¶
00:59:26¶¶
00:59:28¶¶
00:59:30¶¶
00:59:32¶¶
00:59:34¶¶
00:59:36¶¶
00:59:38¶¶
00:59:40¶¶
00:59:42¶¶
00:59:44¶¶
00:59:46¶¶
00:59:48¶¶
00:59:50¶¶
00:59:52¶¶
00:59:54¶¶
00:59:56¶¶
00:59:58¶¶
01:00:00¶¶
01:00:02¶¶
01:00:04¶¶
01:00:06¶¶
01:00:08¶¶
01:00:10¶¶
01:00:12¶¶
01:00:14¶¶
01:00:16¶¶
01:00:18¶¶
01:00:20¶¶
01:00:22¶¶
01:00:24¶¶
01:00:26¶¶
01:00:28¶¶
01:00:30¶¶
01:00:32¶¶
01:00:34¶¶
01:00:36¶¶
01:00:38¶¶
01:00:40¶¶
01:00:42¶¶
01:00:44¶¶
01:00:46¶¶
01:00:48Look, leave me alone.
01:00:49You heard me.
01:00:55Hey, look, cut it out.
01:00:58If you want to fight, go and join the army. That's the place for squares.
01:01:19Hey, your medicine's neat gin. Got any more?
01:01:24So that's what the cough was in aid of.
01:01:28Crumb.
01:01:30You'll have to do better than that.
01:01:32Where'd you get it?
01:01:34I pinched it from the sideboard.
01:01:36Have a dry martini, General.
01:01:38Or is yours a pink as me old lemon?
01:01:42What's the matter with you, boy? Why do you need that?
01:01:44Drinks for squares, man.
01:01:47Kid stuff.
01:01:50Oh, some dump this is.
01:01:53It's like the war, way down in the underground.
01:01:57There she was, my old lady, snug as a bed bug.
01:02:01In the dark on the floor.
01:02:04That's where she had me.
01:02:05She was bombed out, so that's where we lived.
01:02:08Like a bunch of scared rats underground.
01:02:10That's the first home I ever had.
01:02:14My mother came up to London to be with the old man on his leave.
01:02:18Crazy.
01:02:20One day, a doodlebug.
01:02:24The house just went voom.
01:02:27She went with it.
01:02:30The old man, of course, was a hero.
01:02:32A live one.
01:02:33The desert, Italy, with D-Day to come.
01:02:36Don't cry for your mother, boy. It's not manly.
01:02:40When it was over, I played on the bombsites.
01:02:43Down in the cellars amongst the rats.
01:02:46Yes, I tell you, man, this is a home from home for me.
01:02:50From then on, it was strangers.
01:02:52Morning, noon, and night.
01:02:54Strangers.
01:02:55I know about strangers, too.
01:02:58Oh, when I was a kid, I used to play with the old man.
01:03:02He was a good boy.
01:03:03I know about strangers, too.
01:03:06Oh, well, like rats in a hole, that's us.
01:03:09The rat race rocks.
01:03:12I belong here. I feel good.
01:03:14This is my life.
01:03:16That's because you're a number one female rat.
01:03:19They'll never understand.
01:03:20Look, whatever you want to do, it's always...
01:03:22You're too young, son.
01:03:24You want a neck in the park.
01:03:25Oh, go home, son.
01:03:26Home?
01:03:28With the general and his whiskey and soda and his those were the days.
01:03:32Who wants the neck at home?
01:03:34Gives me the screaming hand taps.
01:03:36We could neck here.
01:03:38He doesn't mean necking.
01:03:39Yes, I do. I do.
01:03:41That's just what I mean.
01:03:42Lips to lips, hips to hips.
01:03:43You keep me horizontal.
01:03:44Your big, big love for you.
01:03:47Oh, nuts.
01:03:48What did you stop for?
01:03:50It was great. I was swinging.
01:03:52Oh, fade out.
01:03:54You know, Dave, maybe you're right.
01:03:56Maybe this place does give me the flying heebie-jeebies.
01:04:01Let's have a party.
01:04:02What?
01:04:03Party at my place.
01:04:05The old man's out and there's lots of records.
01:04:07Hey, Cinderella.
01:04:08What about the wicked stepmother?
01:04:11She can fly away in her room.
01:04:14Hey, nutcase.
01:04:16Feel like a run?
01:04:17To where?
01:04:18James Park.
01:04:19Where's that?
01:04:2022 Exeter Street.
01:04:21Did you hear that, slum dwellers?
01:04:22That's Kensington.
01:04:24Swank.
01:04:25I feel a race coming on.
01:04:28Oh, boy.
01:04:32I feel a big wind coming, man.
01:04:34I'm in the mood.
01:04:35Can I drive?
01:04:36Oh, sure. It's all yours.
01:04:56Come on. What's the matter with you?
01:04:57Put your foot down.
01:04:58Stop it, Dave.
01:04:59Faster.
01:05:00What's the matter?
01:05:01You got the handbrake on or something?
01:05:07Keep your car going, boy.
01:05:08Go on. Go, go.
01:05:10Come on, Santa Claus.
01:05:11You'll be late for Christmas.
01:05:13Go, go.
01:05:15What's holding you back?
01:05:16Your dragon.
01:05:17Come on. Pass him.
01:05:18Shut your face.
01:05:19I could pass him if I wanted to.
01:05:20But you don't.
01:05:21Because you're chicken.
01:05:22Watch it, doll.
01:05:23Chicken, chicken, chicken.
01:05:25Chicken, chicken, chicken, chicken.
01:05:27Why don't you play for screaming, Jennifer?
01:05:28I won't scream.
01:05:29You want to play?
01:05:30I won't.
01:05:31Faster.
01:05:32If you scream, you'll play for real, okay?
01:05:35You're on, man.
01:05:38Come on, Santa Claus.
01:05:42Get out of the way.
01:05:44Keep going.
01:05:45Keep going.
01:05:58Come on, man.
01:06:05Go on, man.
01:06:06Go on, brother.
01:06:11Watch it, man.
01:06:12There's a bridge.
01:06:16Watch it, you folks.
01:06:20You want to pay me now?
01:06:21More action and less talk.
01:06:32Back.
01:06:33Back, I said.
01:06:34Back.
01:06:41He'd better chicken, because I won't.
01:06:46Come on.
01:06:50Come on.
01:06:51Come on.
01:06:54You'll never make it.
01:06:55Go.
01:06:56Slow down.
01:07:16You didn't make a sound, man.
01:07:18Not the tiniest sound.
01:07:19Not the tiniest.
01:07:20You'll flip your lid next time.
01:07:22Try me, Daddy-O.
01:07:32You didn't win your bet.
01:07:34It isn't over yet.
01:07:41Hey, there's a train coming.
01:07:42Let's play chicken.
01:07:43Hey, there's a train coming.
01:07:44Let's play chicken on the road.
01:08:13Let's play chicken on the road.
01:08:44You still didn't win your bet.
01:08:46Ah, who wants their arms around an iceberg anyway?
01:08:51Iceberg?
01:09:13Iceberg?
01:09:44Stop it, you idiot.
01:09:46This is a Paris model.
01:09:48A present from the French fool.
01:10:13Hi, Daddy-O.
01:10:43Hi, Daddy-O.
01:11:14Come on, daughter.
01:11:26Darling, hold me close to you
01:11:31There ain't a thing that they can do
01:11:35It's legal
01:11:38It's legal
01:11:44When you look at me that way
01:11:48It's dangerous but strange to say
01:11:52It's legal
01:11:55It's legal
01:11:59I won't be wicked again
01:12:03I'll never be bad no more
01:12:07Just think of the things that we can do
01:12:11Without even breaking the law
01:12:16Oh, darling, let me never fear
01:12:20We're definitely in the clear
01:12:24It's legal
01:12:27It's legal
01:12:31I won't be wicked again
01:12:35I'll never be bad no more
01:12:39Just think of the things that we can do
01:12:44Without even breaking the law
01:12:48Oh, darling, let me never fear
01:12:53We're definitely in the clear
01:12:57It's legal
01:13:00It's legal
01:13:08It's legal
01:13:17You're phony, just like an iceberg.
01:13:22Am I?
01:13:23Go, go, go. You're warming me.
01:13:54Go on, Jane. Go, go, go.
01:13:57Strip like a Frenchie. Strip, strip.
01:14:23Melt, melt, melt.
01:14:53You're phony, just like an iceberg.
01:15:23Hey, hey, hey, hey, hey.
01:15:48Jiggy!
01:15:54Idiot!
01:16:01Get dressed. And you, get out of here.
01:16:04Now, Frenchie darling, you're getting stroppy.
01:16:06Don't claim you haven't seen a double pill before.
01:16:08Be a nice Paris poodle. I said get dressed.
01:16:11Hey, hey, cadaver.
01:16:12Cut out the watch-comedy routine and show us a trick or two in French.
01:16:16That was a liberty, lady.
01:16:19Quite a liberty.
01:16:20Now, when I slap, it's no brush with a chicken's claw.
01:16:22Come off it, Dave.
01:16:23Get him out of here before I call the police.
01:16:25Out you go. Out!
01:16:29Nobody's leaving.
01:16:30I said the party's over.
01:16:32Drop dead.
01:16:33It's my house, now do as I please.
01:16:35It's your father's house. I'm his wife.
01:16:37And you do what I say.
01:16:39Now put on your blouse and get away from that door.
01:16:41I said get away from that door.
01:16:43I'll kill you.
01:16:47Devil's going on here.
01:16:49Devil's going on here.
01:16:50Devil's going on here.
01:16:52So it seems.
01:16:54Jennifer, get your things on.
01:16:55Who are these people?
01:16:56Jennifer's friends, boss.
01:16:58Get out of here.
01:16:59Go on, get out of my house.
01:17:07Go on, get out of it, you jibing, dribbling scum.
01:17:11Get out of it!
01:17:19Put on your clothes, and take that muck off your face.
01:17:22Bringing that riffraff in here, what sort of a place do you think you're turning this into?
01:17:25That's the big laugh.
01:17:27Why didn't you ask yourself that question when you brought that woman in here?
01:17:29Shut up!
01:17:30The bally. Ask her what she and Greta were up to in Paris.
01:17:33Get her to show you how she's straight with the customers.
01:17:35Shut up!
01:17:36You and Greta and your boyfriends. Tell him how much you were paid.
01:17:40Jennifer!
01:17:42And if she doesn't know that much English, go and ask Greta.
01:17:45Don't, Paul.
01:17:50Jenny, I...
01:18:04It isn't true, is it?
01:18:06None of it.
01:18:08It's a lot of nonsense.
01:18:10Nicole.
01:18:12Tell me it isn't true.
01:18:19I used to dance in cabarets, but...
01:18:21Don't mean that. You know I don't mean that.
01:18:24With boyfriends?
01:18:27Customers.
01:18:30If you prefer.
01:18:32Yes, that is true.
01:18:37You.
01:18:39My wife.
01:18:41But why? How?
01:18:44You lied to me.
01:18:46How have I lied to you?
01:18:48Did I tell you I was a virgin before I married you?
01:18:51Did I tell you I'd never been to bed with another man?
01:18:53But you never told me that...
01:18:55That I accepted the rent money instead of a bunch of roses?
01:18:59All right.
01:19:01I never told you.
01:19:03Is that lying?
01:19:05No.
01:19:07Maybe it isn't.
01:19:11But you've got to tell me the truth now.
01:19:13Oh, yes, I'll tell you.
01:19:16Rao was my father.
01:19:18I walked out.
01:19:21I was hungry, but I was too proud to go back.
01:19:25Greta showed me the way.
01:19:28It is not easy to stay respectable on an empty stomach.
01:19:32Poor Greta.
01:19:34I was the lucky one.
01:19:36You came along.
01:19:39You came along, all I ever wanted.
01:19:46I love you.
01:19:49That's all I know.
01:19:52I love you.
01:20:02Taxi!
01:20:15Taxi!
01:20:38Oh, man.
01:20:41Ah, sin for the body snatchers.
01:20:43The joint's dead, all right.
01:20:45Everything's so dreary.
01:20:47I'm bored.
01:20:49Come on, live dangerously.
01:20:58Come on, Jen, dance with me. Let's live it up.
01:21:00All right.
01:21:10All right.
01:21:40Come on.
01:21:42Come on.
01:22:09What's your hurry, baby?
01:22:11Where'd you pick up that rubbish inside?
01:22:13She saw him in the light and took off.
01:22:25On your way, kid. You're underage.
01:22:28Take another look. Remember me?
01:22:32Okay, you win, then you go.
01:22:41Come on.
01:23:06Well, that's tricks.
01:23:08Nearly run off my feet now.
01:23:10Why do they change the law just when I'm doing so good?
01:23:13I'll tell you, there's no justice.
01:23:15Who's this?
01:23:23Jennifer?
01:23:25Nicole. She's not in her room. She's gone.
01:23:40Come on.
01:24:04Well, somebody down there likes me.
01:24:08I've quite given you up.
01:24:10I'm not making any complaints.
01:24:12It's a woman's privilege to change her mind, especially if she's beautiful.
01:24:15Don't look so surprised. Is it news to you that you are beautiful?
01:24:23Sit down.
01:24:25Yes, I forgot.
01:24:27You're underage, aren't you?
01:24:29Could mean quite a bit of trouble for me.
01:24:31How?
01:24:33You're coming here in business hours.
01:24:35Who says?
01:24:37Your stepmother.
01:24:39She made quite a scene, certainly, with your father.
01:24:42Oh, I forget them.
01:24:44They drive into me like a big headache.
01:24:47In any case, I'm on my own.
01:24:49I just walked out.
01:24:51And came here?
01:24:53No, thank you.
01:24:55The gang gave me the heebies. I felt flat.
01:24:58Well, naturally. What could those children possibly do for you?
01:25:02You need a little help, don't you?
01:25:06One way or another,
01:25:08I think I can offer you quite a future.
01:25:29What the hell?
01:25:36Having fun, you lousy tits?
01:25:38Any complaints?
01:25:44You think you own the bloody streets, don't you?
01:25:47I'm not fighting. Fighting's for squares.
01:25:50It's not worth the fun, Luke. Come on.
01:26:05Come on.
01:26:25Simon, what are those tickets doing on Kenny's desk?
01:26:28You've been going through Kenny's private papers. Now, is that nice?
01:26:31Who's going to Paris and when?
01:26:33Because he needs a change.
01:26:35A change?
01:26:37Let's face it, Greta, this is it.
01:26:39You've got your cars and your coppers. The replacement's arrived.
01:26:42He didn't even have the guts to tell me himself.
01:26:45Well, Kenny's got a lot on his mind.
01:26:48He's got his hands full, as you might say.
01:26:51I see.
01:26:53And now I've done his dirty work, I've no more use. Is that it?
01:26:59I might have known he never cared a damn for me.
01:27:01That's right, girl. Be sensible about it.
01:27:04Come to think of it, what else can you do?
01:27:07What else?
01:27:09I should get one of those suckers to buy you a drink.
01:27:12A good idea.
01:27:14They were in the cafe.
01:27:16When we first went in?
01:27:19Look. That's Aunt Jenny's crowd, isn't it?
01:27:26Where's Jennifer?
01:27:28I don't know. She walked out on us.
01:27:30Poor Alice in Wonderland.
01:27:33Teased.
01:27:48Thank you.
01:28:19You see, I'm not such a dangerous man, am I?
01:28:26Two tickets.
01:28:28Paris, last play on Saturday night.
01:28:31You can forget all about those cheap thrones.
01:28:34You might even have your name up in lights.
01:28:37I don't think so.
01:28:39I don't think so.
01:28:41I don't think so.
01:28:43I don't think so.
01:28:45I don't think so.
01:28:47You might even have your name up in lights in the Champs-Élysées.
01:28:51That really means something.
01:28:53Does the idea appeal to you?
01:29:18Aah!
01:29:42Get the police, quick!
01:29:44Murder! Call the police!
01:29:47What is it?
01:29:49There's been a murder. In our place.
01:29:52My God. Jennifer.
01:29:55Ain't nothing they can say about this.
01:30:08I didn't do it! I didn't do it!
01:30:11I didn't do it!
01:30:13I didn't do it!
01:30:15I didn't do it!
01:30:17I didn't do it!
01:30:20Who said you did?
01:30:25I reckon I did us all a favour.
01:30:30Get on with her, quickly! Stop her!
01:30:32Stop her! Don't let her get out!
01:30:34I know she's in there.
01:30:36Just a minute. There must be a back entrance somewhere.
01:30:40Help me!
01:30:42Come back! Help me!
01:30:44Come back!
01:30:46It's all right, officer. It's my daughter.
01:30:49You're her father, are you?
01:30:51Yes.
01:30:53If it weren't for my pension, I'd wallop her.
01:30:55You'd better take over. Meanwhile, I'll have some particulars.
01:31:01You'll find us here, if you want us.
01:31:04Thank you, Mr. Goodman.
01:31:10Jenny.
01:31:12Jenny!
01:31:36Funny.
01:31:38Only squares know where to go.
01:31:42Come on.
01:32:12Come on.