Beat Girl Full HD (1960) Full Movies
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Short filmTranscript
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00:01:58 [train whistle]
00:02:03 Well, Mrs. Linden, and how do you find England?
00:02:07 Like France. There are cows in the fields.
00:02:10 And sheep in the meadows.
00:02:11 Who is meadows?
00:02:13 [laughs]
00:02:14 Oh, Paul, you are terrible.
00:02:18 People will expect confetti to fly out of my hair.
00:02:20 Oh, of course.
00:02:22 Most undignified for an old married couple, isn't it?
00:02:24 Well, five days is long enough to...
00:02:28 To cool down?
00:02:29 Oh, don't be vulgar.
00:02:31 Don't dare cool down.
00:02:33 Tickets, please.
00:02:39 How long should we be?
00:02:41 London in 20 minutes.
00:02:43 You worried about something?
00:02:52 I'm just wondering.
00:02:53 About Jennifer?
00:02:55 I want to love everything that is yours.
00:02:58 Your work, the houses you build, the cities you plan.
00:03:02 But most of all, I want to love your daughter.
00:03:06 Do you think Jennifer would like me?
00:03:09 How can she help it?
00:03:11 Well, a stepmother, an intruder, it is not so easy for her.
00:03:17 Nor perhaps for you either.
00:03:19 Nicole, I'll be perfectly frank with you.
00:03:22 I find Jennifer a puzzle.
00:03:24 A puzzle? How do you mean?
00:03:26 Well, I don't understand her anymore.
00:03:29 When she was a baby, we were such good friends.
00:03:31 But now I...
00:03:32 But she's not a baby anymore.
00:03:34 Well, she's only 16.
00:03:36 She needs the understanding and affection of another woman.
00:03:40 Well, I'm sure you'll be wonderful for her.
00:03:42 She'll absolutely adore you.
00:03:44 Oh, Paul, I'm a lucky woman.
00:03:46 So lucky.
00:03:48 All at once I have a husband, a family, a home.
00:03:54 (car approaching)
00:03:56 Here we are, sweetheart. Your new home.
00:04:10 Oh, darling. How nice.
00:04:21 I'm glad you like it.
00:04:23 It's been waiting for you since the day I built it.
00:04:25 (laughs)
00:04:27 Six and six, sir.
00:04:29 Thank you very much, sir.
00:04:30 You know, your house is like you.
00:04:32 How do you mean, austere?
00:04:34 With a twinkle behind the facade.
00:04:37 Come and meet your new family.
00:04:39 Thank you, sir.
00:04:45 Thank you.
00:04:48 (door closes)
00:04:50 Well, hello, Martha.
00:04:55 Oh, Mr. Linden, welcome back.
00:04:58 And this is Mrs. Linden.
00:05:00 Oh, Mrs. Linden, ma'am. Welcome home.
00:05:04 I should kiss you for that.
00:05:06 You see, I'm very French.
00:05:08 Oh, Mrs. Linden, ma'am, you're most welcome.
00:05:11 But where's Jennifer?
00:05:12 Oh, she... she was just getting dressed, sir.
00:05:14 Yes, I can hear that.
00:05:16 Jennifer!
00:05:18 She must have heard us come in.
00:05:20 Jenny!
00:05:22 She's probably shy of meeting me,
00:05:24 seeing I'm some sort of dragon.
00:05:26 (chuckles)
00:05:27 She's got a big shot coming.
00:05:29 I'll go and fetch her.
00:05:31 (knocking)
00:05:39 Jenny?
00:05:42 (door opens)
00:05:44 Hello, Jenny, darling.
00:05:48 You look wonderful.
00:05:52 Three months.
00:05:54 The longest I've ever been away.
00:05:56 Seemed like years.
00:05:57 Yes, it did.
00:05:59 Well, how's the art school?
00:06:02 It's cool.
00:06:03 Study's going well?
00:06:05 Fine.
00:06:07 Congratulations on your marriage.
00:06:09 Thank you, Jenny.
00:06:11 Come and meet her.
00:06:13 Admire my taste?
00:06:19 Perhaps now the house won't seem so, um...
00:06:22 What was the word?
00:06:23 Dreary.
00:06:24 Dreary.
00:06:25 Yes.
00:06:26 Perhaps now it'll seem more fun for you.
00:06:28 Hmm?
00:06:29 Don't you think so, Jennifer?
00:06:31 Nicole, this is Jennifer.
00:06:38 I'm so happy to see you at class, Jennifer.
00:06:40 Hello.
00:06:41 I'm sure you two will have a lot in common.
00:06:43 I hope we have everything in common, Jennifer.
00:06:46 Everything?
00:06:47 That's a lot, isn't it?
00:06:48 No, what I mean is you won't be so lonely anymore.
00:06:51 How does that sound?
00:06:52 Fine.
00:06:53 When would you like dinner, sir?
00:06:54 Oh, from now on you'll have to ask Mrs. Linden questions like that, Martha.
00:06:58 What do you think, Jennifer?
00:07:00 In half an hour?
00:07:01 That's okay.
00:07:02 Would that be all right for you, Martha?
00:07:04 Oh, yes, ma'am.
00:07:06 Well, uh, what about a drink?
00:07:09 There's ice in the sitting room and I put out the champagne.
00:07:13 Wonderful idea.
00:07:14 See, I told you, she thinks of everything.
00:07:16 After all, it's a special occasion.
00:07:19 Oh, Martha, you're making me feel really at home.
00:07:21 How about you having a glass, Martha?
00:07:23 Oh, not if you want any dinner.
00:07:26 Come on, darling.
00:07:29 [footsteps]
00:07:32 [glass clinks]
00:07:47 Well, what do you think of it?
00:07:49 It's wonderful.
00:07:51 Very impressive.
00:07:53 This is the living room.
00:07:57 Living room?
00:07:59 Ah, but it hasn't been lifted yet.
00:08:01 Needs the feminine touch.
00:08:03 We call it organized disorder.
00:08:07 Yes, it would help.
00:08:10 Don't you think, Jennifer?
00:08:12 Maybe.
00:08:13 Well, you've made a good start.
00:08:21 Looks human.
00:08:22 I like it.
00:08:24 I only use this place for my personal use.
00:08:26 I only use this place for the high five.
00:08:28 And some monk will soon deal with that between us.
00:08:32 Champagne?
00:08:33 I don't drink.
00:08:34 I'm too young.
00:08:35 Sixteen?
00:08:36 Of course you're not.
00:08:38 Is she, Paul?
00:08:39 Well, as Martha says, it is a special occasion.
00:08:45 Very special.
00:08:47 Now, Jenny.
00:08:49 To us.
00:08:51 All three of us.
00:08:52 To us.
00:08:55 What are you reading, Jennifer?
00:08:57 It's all about jazz.
00:08:59 Not your stuff.
00:09:00 But it is.
00:09:01 Let me see.
00:09:02 Let's look at it.
00:09:08 This is all double Dutch to me.
00:09:19 Blue Blues and Dixie by Boulard Montgomery.
00:09:22 Oh, I know him.
00:09:24 He was the father of it all.
00:09:26 But who is this?
00:09:34 She's beautiful.
00:09:36 Hmm?
00:09:37 Where did you get this from?
00:09:42 What are you trying to do?
00:09:44 I'm trying to help you.
00:09:46 Where did you get this from?
00:09:48 What are you trying to do?
00:09:50 It's a picture of...
00:09:52 It's my mother.
00:09:53 She's beautiful, isn't she?
00:09:55 I suppose so.
00:09:56 I don't remember her.
00:09:58 That is where you get your looks from.
00:10:00 Not from this monster.
00:10:02 Jennifer, why can't you sit up properly?
00:10:08 I like floors.
00:10:10 You know, I think Martha's really quite taken to you.
00:10:13 Don't you, Jenny?
00:10:14 I suppose so.
00:10:15 I haven't thought about it.
00:10:17 What is the name of your school?
00:10:19 It's in Martins.
00:10:20 One of the best, isn't it?
00:10:22 Rumor has it.
00:10:23 Jenny's always had a talent for illustration.
00:10:25 She really draws very well indeed.
00:10:27 It must be fun doing something you like and are good at.
00:10:32 Goes in the time.
00:10:33 Darling, what is in that huge box over there?
00:10:39 A body?
00:10:41 That's just about it.
00:10:42 Only that's more like a skeleton in the cupboard.
00:10:44 It's my toy.
00:10:46 And Jennifer's jealous of it.
00:10:48 Jealous?
00:10:49 Of a stupid city?
00:10:51 A city?
00:10:52 Superman stuff.
00:10:53 And then some.
00:10:55 What are you both talking about?
00:10:57 Well, now, you wouldn't say that I was exactly old-fashioned, would you?
00:11:00 But Jennifer thinks I'm too modern.
00:11:02 Strictly as an architect.
00:11:04 In every other sense, a square.
00:11:07 A square?
00:11:09 A little while ago, I was a creep.
00:11:12 Show me the city, please.
00:11:14 You'll be sorry.
00:11:16 She may be right, you know.
00:11:19 If I get my city, I'll be up till dawn.
00:11:22 It's my life's work.
00:11:24 It's meant more to me than anything in the world.
00:11:26 Hasn't it, Jenny?
00:11:28 Yes.
00:11:29 That's true.
00:11:40 Come, I'll show it to you.
00:11:42 But what is it?
00:11:46 Ah.
00:11:47 It's a model.
00:11:54 I'd call it City 2000.
00:11:56 Grime, filth, poverty, noise, hustle and bustle.
00:11:58 These things would be unknown.
00:12:00 An almost silent place.
00:12:03 Soundproofed with the use of flying beveled walls of concrete.
00:12:07 Which also serve to cut wind and rain.
00:12:10 Jennifer says it'll be like living in a tin can, but...
00:12:13 I don't think that's really true.
00:12:18 You know, psychologists think that most human neuroses...
00:12:21 come from too much contact with other humans.
00:12:24 Now, in my city...
00:12:25 Darling.
00:12:26 A man can be as alone as if he were 10,000 miles from anywhere in the country.
00:12:29 Paul.
00:12:30 Hmm?
00:12:31 I'd like to see Jennifer today.
00:12:33 Oh, she can put herself to bed.
00:12:34 I'll be right back.
00:12:36 Every street by heart.
00:12:38 All right, darling, don't be long.
00:12:40 What is it?
00:12:50 I came to say good night.
00:12:55 Good night.
00:12:57 You've been crying.
00:12:59 Crying? I should think not.
00:13:02 Jennifer, what is it?
00:13:04 Why have you taken such a dislike to me?
00:13:07 I'm not to blame for your father's divorce.
00:13:09 It was long before he ever met me.
00:13:11 I didn't say I didn't like you.
00:13:13 Don't be childish.
00:13:15 Why not?
00:13:17 I am a child.
00:13:20 You know perfectly well what I mean.
00:13:22 Your father calls your behavior deplorable.
00:13:25 I prefer to think you're just upset.
00:13:28 Naturally I'm upset.
00:13:30 All young girls are upset when their father brings home a new wife.
00:13:34 Now, if you don't mind, I...
00:13:36 Jennifer.
00:13:38 Juvenile delinquents first vice.
00:13:44 Either adult vices, sex and the like, are disapproved of.
00:13:48 Or perhaps we even disapprove of this.
00:13:51 I started smoking when I was 14.
00:13:54 Jennifer, I could not help falling in love with your father.
00:13:58 Love?
00:14:00 That's the gimmick that makes sex respectable, isn't it?
00:14:04 I've bought you some things from Paris.
00:14:06 Dresses and...
00:14:07 We don't wear dresses very often.
00:14:09 We're different.
00:14:10 Not so different.
00:14:12 Most young people in Paris prefer slacks and sweaters.
00:14:15 I wear them myself in the house.
00:14:18 You can see if you like any of mine.
00:14:20 I've got everything.
00:14:22 And this is anything else I want?
00:14:26 I just have to ask for it.
00:14:29 Anything you'd like to borrow?
00:14:32 Go ahead. Help yourself.
00:14:37 We're about the same size.
00:14:40 A new cardigan?
00:14:44 I have 19 I never wear.
00:14:46 See?
00:14:47 But if I feel like 20...
00:14:49 Cardigan number 20 coming up.
00:14:54 If you don't mind, I have a life class in the morning.
00:14:58 What's the matter?
00:15:03 Embarrassed?
00:15:05 Why?
00:15:07 I've got a nice figure.
00:15:09 I'm going to bed.
00:15:11 Well?
00:15:36 Good night.
00:15:39 Do you want the full treatment?
00:15:42 Sleep well?
00:15:46 Stepmother.
00:15:49 Good night, Jennifer.
00:15:55 And don't kid yourself he's in love with you.
00:16:01 He's in love with City 2000.
00:16:05 (SOMBER MUSIC PLAYING)
00:16:31 You know, Paul, I love your city.
00:16:34 Well, it's just the way a city ought to be.
00:16:37 Not a hodgepodge of littered-up archaicism of century pile upon century.
00:16:42 But something for modern man starting from scratch.
00:16:45 You know they're going to build this one in South America?
00:16:48 Paul.
00:16:49 Hmm?
00:16:50 I love you.
00:16:51 Yes, I know, darling.
00:16:52 What?
00:16:53 I love you, Paul.
00:16:55 Oh, darling.
00:16:57 And I'll never let City 2000 keep us up till dawn.
00:17:01 Tonight or any other night.
00:17:04 (SOMBER MUSIC PLAYING)
00:17:07 (ROCK MUSIC PLAYING)
00:17:34 Hey, you.
00:17:36 Take up place, Daddio.
00:17:38 You and your phony beatnik friends.
00:17:40 I said take up place.
00:17:42 OK, there are other dolls.
00:17:44 So you made it, Granny.
00:17:46 Managed to give him the slip.
00:17:48 First night of the old man's home.
00:17:50 Who's bright and all here the most?
00:17:52 Your real cat, Jim.
00:17:53 Yeah, the light-footed kind.
00:17:55 Easy stuff.
00:17:56 Hey, what's she like, this big, bad Frenchie?
00:17:58 She's French.
00:17:59 Yeah, yeah, yeah.
00:18:01 Easy, isn't it?
00:18:03 Yeah, dig me. I'm a cat from the Can Cane Kennel Club.
00:18:06 A real live Parisian poodle pompadour.
00:18:08 Is she old?
00:18:10 Ancient.
00:18:11 24.
00:18:12 (COUGHING)
00:18:13 You're at it again.
00:18:15 Well, it helps.
00:18:17 Look, I got it from the chemist.
00:18:18 Yeah, you're sure there's nothing in it.
00:18:20 No kicks out of him.
00:18:21 Of course not. It's strictly for coughs.
00:18:23 Hey, Jim, 24's not too bad.
00:18:26 How can she be so square if she's French and only 24?
00:18:29 Why do you think we're square when you're only 18?
00:18:31 Because it rubs off you onto me.
00:18:33 Tell us, Jen, what does she say?
00:18:35 Nothing to tell.
00:18:37 Pure lowly heart's routine.
00:18:40 (MUSIC PLAYING)
00:18:42 Oh, well, not this time.
00:19:03 (SIGHS)
00:19:05 Come on, Dave, make the banshee.
00:19:19 I'm music-minded.
00:19:21 (MUSIC PLAYING)
00:19:24 # Well, I did just what you told me
00:19:26 # You told me to forget
00:19:28 # To date some other baby
00:19:30 # Just as though we'd never met
00:19:32 # Well, I did what you told me
00:19:35 # I did what you told me
00:19:38 # I can't forget
00:19:41 # I'm crying yet for you
00:19:43 # Well, I threw away your photo
00:19:48 # Just like you told me to
00:19:50 # I put your letters into fire
00:19:52 # To keep my night from you
00:19:54 # Well, I did what you told me
00:19:57 # Yes, I did what you told me
00:20:00 # I can't forget
00:20:03 # I'm crying yet for you
00:20:05 Hang on, fellas, one time.
00:20:09 (MUSIC PLAYING)
00:20:11 # Well, I still go to the dance hall
00:20:30 # Listen to the noise
00:20:32 # I try to kid myself
00:20:34 # I'm having fun there with the boys
00:20:36 # Yes, I did what you told me
00:20:38 # Yes, I did what you told me
00:20:41 # I can't forget
00:20:44 # I'm crying yet for you
00:20:46 Well done, Dave. Well done, Dave.
00:20:52 Hey, the band's in if you kids want to jive.
00:20:55 Say, baby, you feel terpsichorical?
00:21:02 Let's go downstairs and fly, huh?
00:21:06 Come on, Dave. No, I'm staying here.
00:21:08 Oh, come on. No.
00:21:10 That board's got it coming to it.
00:21:14 (MUSIC PLAYING)
00:21:17 (MUSIC CONTINUES)
00:21:20 (MUSIC CONTINUES)
00:21:23 (MUSIC CONTINUES)
00:21:25 (MUSIC CONTINUES)
00:21:35 (MUSIC CONTINUES)
00:21:46 (MUSIC CONTINUES)
00:21:48 (MUSIC CONTINUES)
00:22:06 (MUSIC CONTINUES)
00:22:08 (MUSIC CONTINUES)
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00:22:32 (MUSIC CONTINUES)
00:22:45 (MUSIC CONTINUES)
00:22:47 Jennifer, for goodness sake, hurry up.
00:23:03 Who knows how important my conference is?
00:23:07 She's just coming, darling.
00:23:09 The school is right on the way to the conference.
00:23:11 Don't fuss. You won't be late.
00:23:14 What should I ever do without you, darling?
00:23:16 What about including Jennifer in the dinner party tonight?
00:23:19 You want help with the South American tycoon?
00:23:21 She's pretty young, you know.
00:23:23 But very pretty. And he's a foreign office man, too.
00:23:26 He'll be busy flirting with his wife.
00:23:28 You know, the contract for City 2000 should be signed this morning.
00:23:32 It'll be like a sort of celebration tonight.
00:23:34 I'd rather I had Jenny to share it with us.
00:23:36 Oh, where is that charge? She'll have to go by bus.
00:23:39 Oh, Paul, please.
00:23:42 (DOOR CLOSES)
00:23:43 Jennifer, hurry up.
00:23:55 Jennifer, I'll pick you up at lunchtime.
00:24:04 Lunch?
00:24:06 Don't tell me you're letting me down.
00:24:08 I forgot.
00:24:11 (INDISTINCT CHATTER)
00:24:12 -Bye, darling. -Bye, darling.
00:24:17 I'll call you at school.
00:24:18 (HORN HONKS)
00:24:26 Oh, excuse me. Do you know Jennifer Linden?
00:24:37 Linden?
00:24:39 Yes, about your age.
00:24:41 Blonde, round face, with long hair.
00:24:44 Oh, yes, Jennifer, the crazy one.
00:24:46 Part of that beatnik crowd.
00:24:48 Beatnik?
00:24:49 It's a gimmick from America.
00:24:51 Hopeless and sopless.
00:24:53 Where could I find her?
00:24:54 There's a cafe on Soho called The Offbeat.
00:24:56 She's always there.
00:24:57 The Offbeat? Thank you.
00:24:59 (COUGHS)
00:25:08 Fuck, fuck, it drives me nuts.
00:25:10 -It keeps me running around. -I'll wrap up, will you?
00:25:13 This'll take care of it.
00:25:14 That crazy juice don't help them.
00:25:16 -Why don't you say a quack? -I'll drop dead.
00:25:18 You sound like you're going to.
00:25:19 I wish my old man would.
00:25:21 Running nervous like I did mine.
00:25:22 -You're fooled. -What, him?
00:25:24 An army-type general?
00:25:25 They don't fool, man.
00:25:27 -The only right man was. -Yeah.
00:25:29 My war on three promises.
00:25:31 Five editions and still going strong.
00:25:33 -Creep. -Jerry's good for the green.
00:25:35 Show us what you got today.
00:25:36 (WHISTLES)
00:25:37 That'll do, man.
00:25:39 Keep him on his feet for another few years.
00:25:41 (WHISTLES)
00:25:51 Great turn.
00:25:54 Hey, Gasser, you looking for me?
00:25:59 Fall down, juvenile.
00:26:01 I'm bad. I'm bad.
00:26:05 Oh, you're such a notch, aren't you?
00:26:07 I'm relaxed.
00:26:09 (INDISTINCT CHATTER)
00:26:16 Go on in there.
00:26:29 Go on in there.
00:26:31 Come on, Danny.
00:26:34 (INDISTINCT CHATTER)
00:26:35 (WHISTLES)
00:26:47 -Man, she's on the button. -I'll say.
00:26:50 -What's she doing here? -Are you kidding?
00:26:52 I bet she's meeting that guy that runs the strip joint across the road.
00:26:56 He's always looking for new talent.
00:26:58 -What's new about that? -Yes.
00:26:59 -They're all the same shape. -That's flash past.
00:27:01 -Black and... -More or less.
00:27:03 That's for pound travel in the 2 o'clock, 2.30 and 3 o'clock.
00:27:07 All right?
00:27:08 Yeah, now, point of fact, I want Daisy Wood in the 3 o'clock...
00:27:12 Some walk.
00:27:15 Now, that's what I call material.
00:27:29 (HORN BLOWING)
00:27:30 We were going to have lunch together.
00:27:34 So we were.
00:27:35 I called at one, as I said I would.
00:27:37 Lunch wasn't my idea.
00:27:39 I realize that.
00:27:41 Hey, listen to that fratched English.
00:27:43 It's the Paris poodle.
00:27:44 More like a bloodhound.
00:27:46 May I sit down?
00:27:49 Oh, I'm so sorry. Um, please do.
00:27:52 A swinging cat like you is always welcome.
00:27:54 How do I get a stepmother like you?
00:27:57 Simple. Have a father like Jennifer's.
00:28:00 Oh, I've got a father, but he's weighed down by medals.
00:28:03 Rose and Rose. He's so old, he's a general.
00:28:06 Old and dull, too.
00:28:08 Jennifer's father is nicer. He's still a young man.
00:28:11 Hey, Jen. You told us she was robbing the grave, marrying you old man.
00:28:15 I said she was Gwen Antios.
00:28:17 Antios, that's what you said.
00:28:18 What about jazz, you dig?
00:28:21 Rock is all right, but I prefer modern.
00:28:23 -East or west coast? -West.
00:28:25 Which one?
00:28:26 -Dev Brubeck for me. -She's crazy, too.
00:28:29 You are a musician?
00:28:32 Somewhat.
00:28:33 I'd like to hear you. That's easy if you can hear at all.
00:28:36 He can play it cool, and he sings, too.
00:28:38 He sends me over and out.
00:28:40 Please, sing.
00:28:42 Dull. For you, anything. Anytime or anywhere.
00:28:46 But I'm gonna rock it.
00:28:47 All right. I'm listening.
00:28:49 Stop it, Dave.
00:28:50 Why do you come here and embarrass me like this?
00:28:55 Embarrass you?
00:28:56 Don't I have a right to my own life?
00:28:58 I stay out of your business.
00:29:00 We are a family now.
00:29:02 Coming here, making as if you know the score.
00:29:04 East coast, west coast, Dev Brubeck.
00:29:07 You got that out of my book.
00:29:09 Don't you rather I try to share your life?
00:29:11 I won't be spied on.
00:29:12 That's the last thing I meant to do.
00:29:15 I know why you married my father.
00:29:17 It's because he's famous, and he's rich.
00:29:21 He can give you the things you want.
00:29:24 Play it down, dull. Relax.
00:29:26 Thank you. You're good.
00:29:28 I mean, the most.
00:29:30 But, stepmother, you've only just arrived,
00:29:32 and the moment the dance begins.
00:29:34 You got the stepmother mixed up with Cinderella.
00:29:38 Paul told you about dinner?
00:29:40 Not sure I can make it.
00:29:42 Do try.
00:29:43 So we can discuss my report card with Daddy.
00:29:46 There won't be any report.
00:29:49 Nicole!
00:29:51 Hey, did you dig that one?
00:29:57 Kenny's waiting for you.
00:30:02 Who's the pal?
00:30:04 There is no pal.
00:30:05 Just a bitch with a short memory.
00:30:07 What's that you're drinking?
00:30:09 Fruit juice.
00:30:11 I'm not sure I can make it.
00:30:13 You're not going to make it.
00:30:15 What's that you're drinking?
00:30:16 Fruit juice.
00:30:18 Are you mad?
00:30:20 That's Greta.
00:30:21 They call her the Duchess,
00:30:22 because when she peels, she makes like she's doing you a favor.
00:30:25 Peels?
00:30:26 Come on, my pigeon.
00:30:28 She strips across the street in Lago Club.
00:30:31 17 shillings.
00:30:32 That's what the suckers pay for seeing her in a birthday suit.
00:30:35 Just imagine wicked old Frenchie knowing abroad like that.
00:30:38 Yes, just imagine.
00:30:40 Daddy would be most interested.
00:30:44 I owe you a great deal, Your Excellency.
00:30:46 I never thought you'd get it through.
00:30:48 The opposition have to oppose, or they would be out of business.
00:30:51 That is politics, part of the game.
00:30:53 But I can tell you, now that the contract is signed and sealed,
00:30:57 they will be very pleased.
00:30:59 As H.M.'s counselor on the spot,
00:31:01 I can tell you the leader of the opposition confirmed that himself.
00:31:04 Not a man I care to deal with.
00:31:06 My brother, you know, he went in for politics.
00:31:08 Slippery customer.
00:31:12 The ambassador and your husband are just having a nightcap.
00:31:15 Can I get something for you?
00:31:16 No, thank you.
00:31:17 It's a shame to leave so early, but we're flying back at the crack of dawn.
00:31:20 Oh, I'll hurry them up.
00:31:22 You're fond of music?
00:31:26 If it's beat.
00:31:27 Jazz, you know.
00:31:29 Of course.
00:31:30 I hear they're dancing the Charleston again.
00:31:32 Shades of Mayu.
00:31:34 Only dance. Not the real cats.
00:31:36 That's what I call Jenny's expresso language.
00:31:40 I'm afraid I must be very silly, but...
00:31:42 Coffee bars.
00:31:43 I must confess, I've never been in a coffee bar.
00:31:46 No, neither have I.
00:31:47 Nicole has.
00:31:48 We had lunch in one today.
00:31:50 Yes, it was fun.
00:31:53 I believe some of those places can be awful.
00:31:55 This was charming.
00:31:56 Full of young people.
00:31:57 Art students.
00:31:58 And dancers.
00:31:59 One was an old friend of Nicole's.
00:32:02 Yes, somebody I knew years ago.
00:32:06 I don't even remember her name.
00:32:08 Her name is Greta.
00:32:10 Oh, of course.
00:32:12 They call her the Duchess.
00:32:15 Very mysterious. Is she really a Duchess?
00:32:19 Hardly.
00:32:20 She's a dancer.
00:32:21 Of sorts.
00:32:22 Your Excellency, may I suggest...
00:32:24 Yes, we must go.
00:32:26 It has been a delightful evening.
00:32:29 And now I hope we shall see you and your husband more often in my country.
00:32:37 Go well.
00:32:38 More signs on the press.
00:32:46 I leave it to your discretion.
00:32:47 Thank you, sir.
00:32:48 You look very pretty tonight, Jennifer.
00:32:55 I stayed and talked to your friend, Greta.
00:32:58 Really?
00:32:59 She remembered you all right.
00:33:01 She said you were a bitch.
00:33:05 Jennifer, did I hear her right?
00:33:07 Who is this woman? What did you talk about?
00:33:10 We talked about striptease.
00:33:11 You talked about what?
00:33:13 Striptease.
00:33:14 Can I help it if that's what she does?
00:33:23 She's Nicole's friend.
00:33:25 I haven't seen her for years.
00:33:27 She works with little girls.
00:33:28 It's quite a dump.
00:33:30 She must be pretty low.
00:33:31 That's enough.
00:33:34 Nicole has a Duchess.
00:33:36 Imagine, a stripping Duchess.
00:33:38 Poor Greta. I had no idea she sang so low.
00:33:41 Just imagine it, Daddy.
00:33:43 Every time Nicole's friend strips,
00:33:45 over a hundred dirty old men crowd into a little room to watch her.
00:33:48 And they pay 17 shillings each.
00:33:50 That's a lot of money, isn't it?
00:33:52 Where did you learn all this?
00:33:54 This is terrible. Terrible.
00:33:56 Greta used to be so talented, so ambitious.
00:33:59 All she could ever talk about was her career.
00:34:02 We began in the ballet together.
00:34:04 Ballet? Do you mind?
00:34:06 If either of you were ever on your points,
00:34:08 then I'm a tightrope walker.
00:34:10 Jennifer!
00:34:11 Did you tell her I had been a dancer?
00:34:14 No, we...
00:34:15 We haven't had much time to discuss things yet.
00:34:18 You must teach me some steps, won't you, Nicole?
00:34:21 I doubt there is much I could teach you.
00:34:24 You could always try.
00:34:30 Take it off, take it off,
00:34:32 set the boys in the rear,
00:34:34 and she'll unzip the zipper.
00:34:36 Well, Nicole,
00:34:38 what is this all about?
00:34:40 Nothing.
00:34:42 Nothing.
00:34:43 Darling,
00:34:44 you don't like her, do you?
00:34:47 I don't like her?
00:34:49 I can't understand her.
00:34:52 She hates me.
00:34:54 She's hated me ever since I set foot in this house.
00:34:57 Oh, I don't think so, darling.
00:34:58 Why won't you face it?
00:35:00 That's what I'm trying to do.
00:35:02 So let's get back to this old friend of yours,
00:35:05 the one that told Jennifer about striptease.
00:35:07 I told you about her.
00:35:09 Yes, but there's more, isn't there?
00:35:11 Isn't there, Nicole?
00:35:14 I told you we were in ballet together.
00:35:17 Now she has altered her way of life.
00:35:19 I'm not responsible for what she has become.
00:35:22 Look, I didn't say that.
00:35:25 There are lots of things that happened to us before we met.
00:35:28 Can't we talk about them sensibly?
00:35:30 The same all over the world, Paul.
00:35:32 Girls start off together,
00:35:35 have the same chances.
00:35:36 Some go straight,
00:35:38 others go bad.
00:35:40 Greta was unlucky.
00:35:42 With me, it was different.
00:35:44 I met you and I fell in love.
00:35:47 As simple as that?
00:35:49 Just as simple as that.
00:35:51 Darling.
00:35:52 I'm sorry.
00:35:53 (HORN HONKING)
00:35:55 (DOOR CREAKING)
00:35:56 (HORN HONKING)
00:36:14 (DOOR CLOSING)
00:36:15 Go on.
00:36:31 I'll be there in a minute.
00:36:32 Okay, be exclusive.
00:36:34 Come on, she's in a mood.
00:36:35 (CAR DOOR CLOSING)
00:36:36 Looks nice, doesn't she, kid?
00:36:58 Like to go in with me and see her?
00:37:00 Creep shovel.
00:37:01 Now, girly, is that a nice way to talk?
00:37:04 For grown-ups, kid.
00:37:05 I've got money. Here.
00:37:07 You could be at the Bank of England,
00:37:08 you still wouldn't be old enough.
00:37:09 I want to go home to Mummy.
00:37:11 I've got to see Greta.
00:37:13 Leave a date.
00:37:14 I have to see her.
00:37:15 Oh?
00:37:16 What's her name?
00:37:17 Nicole.
00:37:18 Just a minute.
00:37:20 Call Greta.
00:37:24 Greta?
00:37:26 There's a young lady here,
00:37:27 says she's got a date with you.
00:37:28 Name of Nicole.
00:37:30 Okay.
00:37:33 Okay.
00:37:34 This way, please.
00:37:36 This way.
00:37:38 (CLATTERING)
00:37:40 (MUSIC PLAYING)
00:37:42 (MUSIC CONTINUES)
00:37:44 (MUSIC STOPS)
00:37:45 (MUSIC RESUMES)
00:37:48 (MUSIC CONTINUES)
00:37:50 (MUSIC CONTINUES)
00:37:51 (MUSIC STOPS)
00:38:01 (MUSIC CONTINUES)
00:38:04 (MUSIC CONTINUES)
00:38:13 (MUSIC CONTINUES)
00:38:14 (MUSIC STOPS)
00:38:28 (MUSIC CONTINUES)
00:38:30 (MUSIC RESUMES)
00:38:40 (MUSIC CONTINUES)
00:38:41 (MUSIC RESUMES)
00:38:57 (MUSIC CONTINUES)
00:38:58 (MUSIC RESUMES)
00:39:17 (MUSIC CONTINUES)
00:39:18 (MUSIC CONTINUES)
00:39:27 (MUSIC STOPS)
00:39:37 (MUSIC RESUMES)
00:39:41 (MUSIC RESUMES)
00:39:42 (APPLAUSE)
00:39:57 Now, gentlemen, a thrill both sides of the footbronze.
00:40:09 The first of our amateur talent competitors,
00:40:11 lovely little child of nature.
00:40:13 Now, just take your time, baby. Begin slowly, you know what I mean?
00:40:16 Build it up, make 'em wait.
00:40:18 Keep 'em on the end of that G-string.
00:40:20 Tease 'em.
00:40:22 It's easy, just don't look at 'em, honey.
00:40:23 Get it over with fast.
00:40:25 Just shut up.
00:40:26 Now, all right, you're on.
00:40:27 Now, remember, a fiver for today and a job if you really send 'em.
00:40:30 Just you watch.
00:40:32 They'll fall right off their seats.
00:40:34 She's too young, Simon.
00:40:38 It's a shame.
00:40:39 When did you join the Salvation Army?
00:40:41 Cut it out, Mavis. Get back to your bar.
00:40:43 Now, you really know how.
00:40:47 Well, all right.
00:40:53 (MUSIC PLAYING)
00:40:56 (LAUGHTER)
00:40:57 (LAUGHTER)
00:41:17 (LAUGHTER)
00:41:18 Not bad. Not bad at all.
00:41:32 I'm glad you approve.
00:41:35 You certainly know how to pick them.
00:41:37 For real, madame.
00:41:39 I had to settle up in the house.
00:41:40 I'm not ready for that kind of work yet.
00:41:43 (MUSIC PLAYING)
00:41:44 Promising.
00:41:55 Rita, please.
00:42:10 These days, anyone would think you loathed the sight of me.
00:42:12 Kenny, what's the matter?
00:42:16 There's a girl outside to see you.
00:42:21 All right, sir, hurry on.
00:42:22 That's for me.
00:42:24 The tickets.
00:42:30 Last plane's Saturday night.
00:42:31 Why you want to go to Paris, I don't know.
00:42:33 It's corny.
00:42:35 Bright and corny, too, but it's nearer.
00:42:36 Yes, but Paris does things for a girl.
00:42:40 Why blame Paris?
00:42:41 That day with Rita, quite the dish.
00:42:43 Oh?
00:42:45 Careful, it's jailbait.
00:42:47 You've got a filthy mind, haven't you?
00:42:49 I know. Nauseating, isn't it?
00:42:51 You'll have to divorce me, darling.
00:43:08 (LAUGHTER)
00:43:09 The name Nicole made me think you were somebody I knew.
00:43:19 Nicole married my father.
00:43:21 Oh.
00:43:23 Well, there's more than one Nicole in the world.
00:43:25 I was with her in the offbeat this afternoon.
00:43:27 What does that prove? Where do I come into this?
00:43:30 She told me you once worked together.
00:43:32 I don't know what you're talking about.
00:43:34 Was it a joint like this?
00:43:36 No, kid, don't bother me. I'm busy.
00:43:37 How did you like it when she cut you dead?
00:43:40 Oh, Bargell, go on, clear off.
00:43:42 What are you so frightened of?
00:43:44 Is it a view or is it...
00:43:46 Now, look here, kid, forget all this Nicole business.
00:43:48 I made a mistake.
00:43:50 We all make mistakes.
00:43:52 I don't know any Nicole.
00:43:54 Now, clear out of here while you've got the chance.
00:43:56 What's the hurry, Grace?
00:43:58 Bring the little lady into my office
00:44:01 and we'll all have a nice little chat.
00:44:04 (MUSIC PLAYING)
00:44:05 Look, I can see out and they can't see in.
00:44:18 That's the only way I can tell if the girls
00:44:21 are earning their money or not.
00:44:23 Now, you just sit down there and tell me all about it.
00:44:25 It sounds as if maybe Greta's been holding out on you.
00:44:28 I wanted to know about the little girl.
00:44:31 I don't know what you're talking about.
00:44:33 I wanted to know about a friend of hers called Nicole.
00:44:34 Mm-hmm.
00:44:37 I was supposing you'd put me in the picture.
00:44:39 He calls my stepmother.
00:44:41 Oh.
00:44:43 Did you know her, Greta?
00:44:45 Did you?
00:44:47 We used to work together in Paris.
00:44:49 Was it so hard to tell the child then?
00:44:51 Or maybe you worked in a strip club.
00:44:54 Did you strip?
00:44:56 Old answers do something like that sometime or other.
00:44:58 What else did you do in Gate?
00:45:02 What about the gentlemen?
00:45:03 We had friends.
00:45:07 I have a friend in you.
00:45:10 Lover boy.
00:45:12 Friends?
00:45:14 You mean customers, don't you?
00:45:16 The nearest I came to a brothel
00:45:19 was when I came here with you.
00:45:21 Get out.
00:45:23 Get out!
00:45:25 Get out!
00:45:26 You'd better come back tomorrow.
00:45:33 Greta will tell you some more.
00:45:35 Do you think there's more?
00:45:37 Oh, yes.
00:45:39 When Greta sets her mind to it,
00:45:41 she'll tell you anything you want to hear, anything at all.
00:45:43 Well, goodbye for now.
00:45:45 Oh, wait a minute.
00:45:48 Looks easy, doesn't it?
00:45:49 It does.
00:45:51 It takes a long time to learn.
00:45:53 Interested?
00:45:56 25 quid a week for yourself.
00:45:58 I don't need money.
00:46:00 So right, it isn't everything.
00:46:02 But there's a thrill in this work.
00:46:05 All the girls say so.
00:46:07 A real thrill.
00:46:09 Besides, it's a shame to...
00:46:11 to be a part of it.
00:46:13 I'm not sure I'm going to be a part of it.
00:46:16 Besides, it's a shame to waste a nice figure.
00:46:18 See you tomorrow, maybe?
00:46:22 Maybe.
00:46:24 (MUSIC PLAYING)
00:46:26 (DOOR OPENS)
00:46:28 Oh.
00:46:56 Any explanations, Jennifer?
00:46:58 What about?
00:47:00 It happens to be three o'clock.
00:47:02 No, it's not. It's five to and I'm tired.
00:47:04 Come in here.
00:47:07 Well?
00:47:13 Where have you been?
00:47:15 Out.
00:47:17 Jennifer,
00:47:19 I'm trying to keep my temper,
00:47:21 but I'm finding it very difficult.
00:47:23 I've been with friends, dancing.
00:47:25 When I found you weren't in your room,
00:47:26 I was worried to death.
00:47:28 These clothes and all this muck on your face.
00:47:31 They may make you feel grown up,
00:47:33 but you're still a little girl, you know.
00:47:35 To you, I am.
00:47:37 And if the rest of your friends are like this dancer,
00:47:39 Greta, that you were telling me about...
00:47:41 She's no friend of mine. Ask Nicole about her.
00:47:43 Leave Nicole out of this.
00:47:45 That couldn't suit me better.
00:47:47 But you've been to this cafe again, haven't you?
00:47:49 Oh, are we going through that corny hearts and flowers routine?
00:47:52 Don't start late, dear.
00:47:54 Little girls get into serious trouble
00:47:55 if they mix with strangers.
00:47:57 Men are not to be trusted.
00:47:59 Jennifer,
00:48:01 I'm trying so hard to understand you,
00:48:04 but we seem to be out of touch with each other.
00:48:07 That's no news to me.
00:48:09 But you're my daughter, my own flesh and blood.
00:48:11 I do really love you, you know.
00:48:13 You don't love me.
00:48:15 You think you do.
00:48:17 You say that so often, you make yourself believe it.
00:48:22 You don't really ever look at me.
00:48:24 Not really.
00:48:26 None of you squares ever do.
00:48:28 You see what you want to see.
00:48:30 A bunch of teenagers lumped together under one label.
00:48:32 But who are us?
00:48:34 Nothing to do with our parents.
00:48:36 I am me, Jennifer Linden.
00:48:38 A complete, whole, independent, living person.
00:48:40 At one time or another,
00:48:43 all of us need to be dependent on someone.
00:48:46 Our trouble is we haven't been a complete unit.
00:48:49 But now things are different.
00:48:51 Why don't you give it a chance?
00:48:52 I prefer it this way.
00:48:54 I've been pretty lonely, Jennifer.
00:48:57 Well, look what it's done to you.
00:48:59 Dried you up.
00:49:01 So you only get a kick out of that crazy city of yours.
00:49:04 What's this got to do with me and my life?
00:49:07 And where do you get your kicks from?
00:49:09 Sitting around in cafes,
00:49:11 listening to gramophone records?
00:49:13 Driving in underground cellars and caves?
00:49:16 You are a real squirrel.
00:49:20 You are a real square, aren't you?
00:49:21 This language, these words, what does it mean?
00:49:24 It means us. Something that's ours.
00:49:26 We didn't get it from our parents.
00:49:28 We can express ourselves,
00:49:30 and they don't know what we're talking about.
00:49:32 It makes us different.
00:49:34 Why do you need to feel so different?
00:49:36 It's all we've got.
00:49:39 Next week, vroom.
00:49:41 Up goes the world of smoke.
00:49:43 And what's the score? Zero.
00:49:45 So now, while it's now, we'll live it up.
00:49:47 Do everything. Feel everything.
00:49:49 Strictly for kicks.
00:49:50 You'll find there's more to life than kicks, as you call it.
00:49:54 Oh, please, cut out the message.
00:49:56 People like you build cities,
00:49:58 but you don't begin to understand the first thing about us,
00:50:00 who will have to live in them.
00:50:02 You'd better go to bed now, Jennifer.
00:50:04 I'm not going to try to argue with you anymore tonight.
00:50:07 But remember this.
00:50:09 If you're not going to try,
00:50:11 I'm afraid I can't.
00:50:13 It's up to you.
00:50:15 Heads you win, tails I lose.
00:50:18 It's always the same thing.
00:50:19 I hate the lot of you.
00:50:21 I hate you!
00:50:24 I hate you!
00:50:29 Well, this is a bit too much.
00:50:41 You're creeped downstairs, and now you're up here.
00:50:44 I wanted to talk to you.
00:50:47 I'm the same dialogue, too.
00:50:48 Go on. Why don't you ask me where I've been to?
00:50:51 That's easy. The offbeat club.
00:50:55 Guess again.
00:50:57 Somewhere much more interesting.
00:50:59 Jennifer, what is all this for?
00:51:04 Oh, listen.
00:51:06 Before you break my heart, I'd like to go to bed.
00:51:09 Do you think I want to sit up half the night?
00:51:11 I should have thought you'd be used to it.
00:51:14 What do you mean?
00:51:16 Most strip clubs are open until early hours, aren't they?
00:51:19 Especially in Paris.
00:51:21 What is this strip tease nonsense?
00:51:23 You're not still sticking to that old ballet story, are you?
00:51:27 The Champs-Gretas has quite a different angle.
00:51:30 You haven't been to that club, have you?
00:51:32 Ah, you're with me at last, stepmother.
00:51:36 Les Girls, the sultry, saucy, so-called strip tease,
00:51:39 starring Greta de Paris, la reine du strip tease.
00:51:42 Strip, strip, hurrah!
00:51:45 How do you like my French?
00:51:46 I had a French governess.
00:51:48 Greta and I had a long chat.
00:51:51 She told me how you worked together in Paris.
00:51:54 And what else?
00:51:56 That's funny.
00:51:58 Those are the same words her boyfriend Kenny used.
00:52:01 What else he said?
00:52:03 What else did you both do in Paris?
00:52:05 Is there more?
00:52:07 Jennifer, what are you trying to find out?
00:52:10 What have I done to you?
00:52:13 Dig this and dig this real.
00:52:15 I won't have you spying on me.
00:52:17 Keep out of my life and I'll keep out of yours.
00:52:19 Spying? I wanted to be friends.
00:52:22 And dig this too.
00:52:24 I'm no part of my father's life and he's no part of mine.
00:52:27 And that goes for you too.
00:52:29 We can't live like strangers under the same roof.
00:52:32 It's all wrong.
00:52:34 Why can't we be friends?
00:52:36 I'm warning you.
00:52:40 Dig this and dig this real.
00:52:42 I'm sorry.
00:52:48 I didn't mean it.
00:52:50 Forgive me.
00:52:52 I wasn't going back to find out the rest.
00:52:55 I was just warning you to keep out of my life.
00:52:59 Now I've changed my mind.
00:53:03 [music]
00:53:05 Take it up, take it off, Santa Claus in the rear.
00:53:18 And she doesn't deserve it.
00:53:20 [music]
00:53:23 [music]
00:53:25 For the audition?
00:53:44 Okay.
00:53:47 Good luck.
00:53:51 [music]
00:53:53 Yeah, that was very, very nice what you did last night, darling.
00:54:05 But it isn't quite what we want in a club like this.
00:54:08 Now tease, will you?
00:54:10 Try it again.
00:54:12 [music]
00:54:16 [music]
00:54:18 Tease, darling, tease.
00:54:23 How about bright and Sunday?
00:54:26 I don't like winkles.
00:54:28 What do I do with this?
00:54:32 Try it again.
00:54:35 Tease, will you?
00:54:37 Tell Greta there's an old friend here.
00:54:40 If she's in, I'll see.
00:54:42 [music]
00:54:44 Nicole.
00:54:48 Well.
00:54:51 Greta, I'm sorry about the coffee bar.
00:54:53 I was so surprised to see you.
00:54:55 That's all right, I understand.
00:54:57 I was angry at first, but...
00:54:59 Oh, well, that's life.
00:55:01 So you're married.
00:55:04 Is he nice?
00:55:06 I love him.
00:55:08 Well, I hope he's worth it.
00:55:12 Greta, a girl came here.
00:55:13 Jennifer, my husband's daughter.
00:55:16 Yes, I told her I knew you.
00:55:18 Kenny made me.
00:55:20 Kenny?
00:55:22 Yeah, he runs this place. And me.
00:55:24 He's a bastard, but I love him.
00:55:26 You see, I haven't changed.
00:55:28 What else did you tell her?
00:55:30 Nothing.
00:55:32 Look, I'll keep her away from here.
00:55:35 It's Kenny.
00:55:40 [music]
00:55:41 You wanted to see me?
00:55:48 There was a young girl in here last night.
00:55:50 Seeing Greta.
00:55:52 And?
00:55:54 Leave her alone.
00:55:56 Oh.
00:55:58 May I ask who you are?
00:56:00 Her stepmother.
00:56:02 So that's what Nicole looks like.
00:56:04 You've come up in the world, haven't you?
00:56:08 I can come down to your level if I have to, Mr. Kenny.
00:56:10 So just listen to me.
00:56:12 If that child comes in here again,
00:56:14 you're going to send her home.
00:56:16 And if I don't?
00:56:18 I'll tell my husband.
00:56:20 He'll go straight to the police.
00:56:22 To begin with,
00:56:24 to girls underage.
00:56:26 And with an expert like you,
00:56:28 I'm just not taking the risk.
00:56:30 Do we understand each other, Mr. Kenny?
00:56:33 Perfectly.
00:56:37 And will your husband also understand
00:56:38 when he finds out what his wife
00:56:40 and her good friend Greta got up to
00:56:42 while they were in Paris?
00:56:44 Kenny, please.
00:56:46 And how they managed between jobs?
00:56:48 Why did you tell him, Greta?
00:56:50 For goodness sake, why did you tell him?
00:56:52 Your stepdaughter will be very welcome here
00:56:54 at any time.
00:56:56 Jennifer?
00:57:01 Jennifer?
00:57:04 Jennifer?
00:57:05 Jennifer?
00:57:09 Jennifer?
00:57:11 Jennifer?
00:57:13 (upbeat music)
00:57:15 (upbeat music)
00:57:17 (upbeat music)
00:57:19 (upbeat music)
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00:57:58 (upbeat music)
00:58:00 Hey, looks like it's quite a ball.
00:58:02 (upbeat music)
00:58:04 (upbeat music)
00:58:06 Daddy, oh, I'm over a doll.
00:58:08 Play it down, doll.
00:58:10 Well, you've got to live for the kicks.
00:58:12 That's all you've got.
00:58:14 Ah, Liv.
00:58:16 (upbeat music)
00:58:17 (upbeat music)
00:58:19 (upbeat music)
00:58:21 (upbeat music)
00:58:23 (upbeat music)
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00:58:27 (upbeat music)
00:58:29 (upbeat music)
00:58:31 (upbeat music)
00:58:33 (upbeat music)
00:58:35 Babe, sing that number and sing it cool.
00:58:38 Ah, don't play wife.
00:58:40 Wife? I said cool.
00:58:42 I'll wait.
00:58:45 (upbeat music)
00:58:46 (upbeat music)
00:58:48 (upbeat music)
00:58:50 (upbeat music)
00:58:52 (upbeat music)
00:58:54 (upbeat music)
00:58:56 Sing, Dad, sing.
00:58:58 (upbeat music)
00:59:00 (upbeat music)
00:59:02 (upbeat music)
00:59:04 (upbeat music)
00:59:06 (upbeat music)
00:59:08 ♪ Well, I saw you sitting there so cool ♪
00:59:11 ♪ Like you just came out from school ♪
00:59:14 ♪ Looking such a pretty sight ♪
00:59:15 ♪ Like a stick of dynamite ♪
00:59:17 ♪ Sitting on a coffee bar stool ♪
00:59:19 ♪ You're a gasser, that's a fact ♪
00:59:21 ♪ And I never can relax till I've made you ♪
00:59:24 (upbeat music)
00:59:26 ♪ Baby, come on ♪
00:59:28 ♪ Well, I feel such a crazy clown ♪
00:59:31 ♪ You're the biggest thing in our town ♪
00:59:34 ♪ Come on, honey, it ain't fair ♪
00:59:36 ♪ I never get anywhere ♪
00:59:38 ♪ How do I melt you down ♪
00:59:40 ♪ When you're a gasser, that's a fact ♪
00:59:43 ♪ And I never can relax till I've made you ♪
00:59:45 (upbeat music)
00:59:47 ♪ Yeah, make with it now, fellas ♪
00:59:49 (upbeat music)
00:59:51 (upbeat music)
00:59:53 (upbeat music)
00:59:55 (upbeat music)
00:59:57 (upbeat music)
00:59:59 (upbeat music)
01:00:01 ♪ Oh, I'm not giving up this chance ♪
01:00:04 ♪ I don't wanna lose this case ♪
01:00:06 ♪ Every time I make a play, baby, you just run away ♪
01:00:09 ♪ I never made first base ♪
01:00:12 ♪ A gasser, that's a fact ♪
01:00:13 ♪ And I never can relax till I've made you ♪
01:00:16 (upbeat music)
01:00:18 (audience applauding)
01:00:21 - Great, Dad, great, straight from the fridge.
01:00:24 - I'm way out.
01:00:26 - Ah, this group's not so hot.
01:00:28 Let's go and listen to the other one.
01:00:30 (upbeat music)
01:00:32 (upbeat music)
01:00:34 (upbeat music)
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01:00:42 (upbeat music)
01:00:44 (upbeat music)
01:00:46 (upbeat music)
01:00:48 - Put it away, creep.
01:00:50 - Look, leave me alone.
01:00:52 - You heard me.
01:00:54 (upbeat music)
01:00:56 (upbeat music)
01:00:58 - Hey, look, cut it out.
01:01:00 (upbeat music)
01:01:02 - If you wanna fight, go and join the army.
01:01:04 That's the place for squares.
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01:01:08 (upbeat music)
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01:01:19 (upbeat music)
01:01:21 - Hey, your medicine's neat gin.
01:01:23 Got any more?
01:01:25 - So that's what the cough was in aid of.
01:01:28 Crumb.
01:01:30 - You'll have to do better than that.
01:01:33 - Where'd you get it?
01:01:35 - I pinch it from the sideboard.
01:01:37 Have a dry martini, I'll be right back.
01:01:39 - Have a dry martini, General.
01:01:40 Or is yours a pinker's, me old lemon?
01:01:43 What's the matter with you, boy?
01:01:45 Why do you need that?
01:01:47 Drinks for squares, man.
01:01:49 - Kid stuff.
01:01:51 - Oh, some dump this is.
01:01:55 It's like the war, way down in the underground.
01:01:59 There she was, my old lady, snug as a bed bug.
01:02:03 In the dark, on the floor.
01:02:07 That's where she had me.
01:02:08 She was bombed out, so that's where we lived.
01:02:11 Like a bunch of scared rats underground.
01:02:14 That's the first home I ever had.
01:02:17 My mother came up to London to be with the old man on his leave.
01:02:22 Crazy.
01:02:24 One day, a doodle bug.
01:02:26 The house just went voom.
01:02:30 She went with it.
01:02:33 The old man, of course, was a hero.
01:02:36 A live one.
01:02:37 The desert, Italy, with D-Day to come.
01:02:40 Stiff upper lip and all that.
01:02:43 Don't cry for your mother, boy. It's not manly.
01:02:47 When it was over, I played on the bombsites.
01:02:50 Down in the cellars amongst the rats.
01:02:53 Yes, I tell you, man, this is a home from home for me.
01:02:57 From then on, it was strangers.
01:02:59 Morning, noon and night.
01:03:01 Strangers.
01:03:03 - I know about strangers, too.
01:03:06 Oh, well, that rat in the hole, that's us.
01:03:08 The rat race rocks.
01:03:10 I belong here. I feel good.
01:03:14 This is my life.
01:03:16 That's because you're a number one female rat.
01:03:18 They'll never understand.
01:03:20 Look, whatever you want to do, it's always...
01:03:22 You're too young, son.
01:03:24 You want a neck in the park.
01:03:26 Oh, go home, son.
01:03:28 Home? With the general and his whiskey and soda and his those were the days.
01:03:33 Who wants the neck at home?
01:03:34 Gives me the screaming hand taps.
01:03:36 We could neck here.
01:03:38 He doesn't mean necking.
01:03:40 Yes, I do. I do. That's just what I mean.
01:03:43 Lips to lips, hips to hips, you keep me horizontal.
01:03:45 Your big, big love for you.
01:03:47 Oh, nuts.
01:03:49 What did you stop for? It was great. I was swinging.
01:03:52 Oh, fade out.
01:03:54 You know, Dave, maybe you're right.
01:03:56 Maybe this place does give me the flying heebie-jeebies.
01:04:02 Let's have a party.
01:04:03 Party? At my place.
01:04:05 The old man's out and there's lots of records.
01:04:07 Hey, Cinderella, what about the wicked stepmother?
01:04:10 She can fly away in her room.
01:04:13 Hey, nutcase.
01:04:15 Feel like a run?
01:04:17 To where? James Pan.
01:04:19 Where's that? 22 Exeter Street.
01:04:21 Did you hear that, Slumdwellers? That's Kensington.
01:04:23 Phew, swank. I feel a race coming on.
01:04:27 Oh, boy.
01:04:28 I feel a big wind coming, man. I'm in the mood.
01:04:35 Can I drive?
01:04:37 Oh, sure. It's all yours.
01:04:39 Come on, what's the matter with you? Put your foot down.
01:04:59 Faster, Dave, faster.
01:05:01 What's the matter? You got the handbrake on or something?
01:05:07 Pick your car, go on, boy. Go on, go, go.
01:05:09 Come on, Santa Claus. You'll be late for Christmas.
01:05:13 Hold it in your back, you dragon.
01:05:17 Come on, pass 'em.
01:05:19 Shut your face like a possum if I wanted to.
01:05:21 But you don't, 'cause you're chicken.
01:05:23 Watch it, doll.
01:05:25 Chicken, chicken, chicken.
01:05:27 Chicken, chicken, chicken, chicken.
01:05:29 Why don't you play for screaming, Jennifer?
01:05:31 I won't scream.
01:05:33 You want to bet?
01:05:36 You're on, man.
01:05:37 Come on, Santa Claus.
01:05:39 Come on, Santa Claus.
01:05:40 Come on, come on.
01:05:42 Get out of the way.
01:05:44 Go on, get in the back, man.
01:05:46 Come on, get in the back.
01:05:48 Come on, come on.
01:05:50 Go on, fast.
01:05:52 Go on, man. Get in the back, fast.
01:05:59 Go on, go on.
01:06:03 Go on, fast.
01:06:05 Go on, man.
01:06:07 Go on, man.
01:06:08 Go on, make it go fast.
01:06:10 Hey, stop him.
01:06:12 Watch it, man, at the bridge.
01:06:14 Watch it, you folks.
01:06:18 Hey, watch it.
01:06:20 You want to pay me now?
01:06:22 More action and less talk.
01:06:24 Back, back.
01:06:34 Back, back.
01:06:35 He better chicken, 'cause I won't.
01:06:44 Come on, you.
01:06:51 You'll never make it.
01:06:55 Go, slow down.
01:06:57 Go, slow down.
01:06:58 Didn't make a sound, man.
01:07:20 But the tiniest sound, but the tiniest.
01:07:22 You'll flip your lid next time.
01:07:24 Try me, Daddy-O.
01:07:27 You didn't win your bet.
01:07:28 It isn't over yet.
01:07:30 Hey, there's a train coming.
01:07:36 Let's play chicken on the road.
01:07:39 Hey, you.
01:07:40 You better chicken, 'cause I won't.
01:07:42 You better chicken, 'cause I won't.
01:07:44 You better chicken, 'cause I won't.
01:07:46 You better chicken, 'cause I won't.
01:07:48 You better chicken, 'cause I won't.
01:07:50 You better chicken, 'cause I won't.
01:07:52 You better chicken, 'cause I won't.
01:07:54 You better chicken, 'cause I won't.
01:07:56 You better chicken, 'cause I won't.
01:07:58 You better chicken, 'cause I won't.
01:08:00 You better chicken, 'cause I won't.
01:08:02 You better chicken, 'cause I won't.
01:08:04 You better chicken, 'cause I won't.
01:08:07 You better chicken, 'cause I won't.
01:08:09 [MUSIC PLAYING]
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01:08:39 [MUSIC PLAYING]
01:08:42 [MUSIC PLAYING]
01:08:45 [MUSIC PLAYING]
01:08:48 - You still didn't win your bet. - Ah, who wants their arms around an iceberg anyway?
01:08:53 Iceberg?
01:08:57 [indistinct chatter]
01:09:01 [jazz music]
01:09:04 [indistinct chatter]
01:09:07 [jazz music]
01:09:10 [jazz music]
01:09:13 [jazz music]
01:09:17 [jazz music]
01:09:21 [jazz music]
01:09:24 [MUSIC PLAYING]
01:09:27 [MUSIC PLAYING]
01:09:54 Stop it, you idiot.
01:09:57 This is a Paris model, a present from the French crew.
01:10:01 [MUSIC PLAYING]
01:10:04 [MUSIC PLAYING]
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01:11:15 Come on, daughter.
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01:12:55 [MUSIC PLAYING]
01:13:00 [MUSIC PLAYING]
01:13:03 [APPLAUSE]
01:13:07 You're phony, just like an iceberg.
01:13:19 Am I?
01:13:25 [MUSIC PLAYING]
01:13:28 [MUSIC PLAYING]
01:13:32 [MUSIC PLAYING]
01:13:36 Perhaps the ice is melting.
01:13:40 [MUSIC PLAYING]
01:13:44 [MUSIC PLAYING]
01:13:47 Go, go, go. You're warming me.
01:13:52 [MUSIC PLAYING]
01:13:55 Go on, Jane, go, go, go.
01:13:58 Strip like a Frenchie. Strip, strip.
01:14:02 [MUSIC PLAYING]
01:14:06 [MUSIC PLAYING]
01:14:10 [MUSIC PLAYING]
01:14:14 [MUSIC PLAYING]
01:14:19 [MUSIC PLAYING]
01:14:22 [MUSIC PLAYING]
01:14:26 [MUSIC PLAYING]
01:14:30 Melt, melt, melt.
01:14:34 [MUSIC PLAYING]
01:14:38 [MUSIC PLAYING]
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01:15:43 [MUSIC PLAYING]
01:15:46 [MUSIC PLAYING]
01:15:50 [MUSIC PLAYING]
01:15:54 Idiots.
01:15:57 Get dressed. And you, get out of here.
01:16:04 Now, Frenchie darling, you're getting stroppy. Don't claim you haven't seen a double pill before.
01:16:08 Be a nice Paris poodle. I said get dressed.
01:16:12 You're a diver. Cut out the watch-comedy routine and show us a trick or two in French.
01:16:15 That was liberty, lady. Quite a liberty.
01:16:20 Now, when I slap, it's no brush with a chicken's claw. Come off it, Dave.
01:16:23 Get him out of here before I call the police. Out you go. Out!
01:16:27 Nobody's leaving. I said the party's over. Drop dead.
01:16:33 It's my house. Now do as I please.
01:16:36 It's your father's house. I'm his wife. And you do what I said.
01:16:40 Now put on your blouse and get away from that door.
01:16:42 I said get away from that door. I'll kill you.
01:16:45 Devil's going on here.
01:16:50 So it seems. Jennifer, get your things on. Who are these people?
01:16:55 Jennifer's friends, boss.
01:16:57 Now get out of here. All of you, go on. Get out of my house.
01:17:07 Now get out of it, you jiving, dribbling scum.
01:17:10 Get out of it!
01:17:12 Put on your clothes and take that muck off your face.
01:17:22 Bringing that riffraff in here? What sort of a place do you think you're turning this into?
01:17:26 That's the big laugh. Why didn't you ask yourself that question when you brought that woman in here?
01:17:30 The bally. Ask her what she and Guerrero were up to in Paris.
01:17:33 Get her to show you how she's stripped of the customs.
01:17:36 Shut up!
01:17:37 You and Greta and your boyfriends. Tell him how much you were paid.
01:17:41 Jennifer!
01:17:43 And if she doesn't know that much English, go and ask Greta.
01:17:46 Don't, Paul.
01:17:48 Jenny, I...
01:18:05 It isn't true, is it?
01:18:06 None of it.
01:18:08 It's a lot of nonsense.
01:18:10 Nicole, tell me it isn't true.
01:18:14 Don't mean that. You know I don't mean that.
01:18:21 Customers.
01:18:29 If you prefer.
01:18:30 Yes, that is true.
01:18:32 You.
01:18:37 My wife.
01:18:39 But why? How?
01:18:42 You lied to me!
01:18:44 How have I lied to you?
01:18:46 Did I tell you I was a virgin before I married you?
01:18:49 Did I tell you I'd never been to bed with another man?
01:18:52 But you never told me that...
01:18:55 You accepted the rent money instead of a bunch of roses?
01:18:58 All right. I never told you.
01:19:01 Is that lying?
01:19:03 No.
01:19:05 Maybe it isn't.
01:19:07 But you've got to tell me the truth now.
01:19:11 Oh, yes, I'll tell you.
01:19:13 Ara was my father.
01:19:16 I walked out.
01:19:19 I was angry, but I was too proud to go back.
01:19:24 Greta showed me the way.
01:19:25 It is not easy to stay respectable on an empty stomach.
01:19:29 Poor Greta.
01:19:32 I was a lucky woman.
01:19:34 You came along.
01:19:36 You came along.
01:19:39 All I ever wanted.
01:19:41 I love you.
01:19:42 I love you.
01:19:56 That's all I know.
01:19:59 I love you.
01:20:02 I love you.
01:20:03 Taxi!
01:20:13 Taxi!
01:20:14 Oh, man.
01:20:42 I'll have some for the body snatchers.
01:20:43 The joint's dead, all right.
01:20:45 Everything's so dreary. I'm bored.
01:20:48 Come on, live dangerously.
01:20:50 Come on, Jen, dance with me. Let's live it up.
01:20:59 All right.
01:21:01 [MUSIC PLAYING]
01:21:04 [HORN PLAYING]
01:21:07 [MUSIC PLAYING]
01:21:11 [MUSIC PLAYING]
01:21:14 [MUSIC PLAYING]
01:21:17 [MUSIC PLAYING]
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01:21:35 [MUSIC PLAYING]
01:21:39 [MUSIC PLAYING]
01:21:43 [MUSIC PLAYING]
01:21:48 [MUSIC PLAYING]
01:21:51 What's your hurry, baby?
01:22:09 Where'd you pick up that rubbish inside?
01:22:12 She saw them in the light and took off.
01:22:14 [MUSIC PLAYING]
01:22:17 On your way, kid. You're underage.
01:22:27 Take another look. Remember me?
01:22:30 Okay, you win, and you go.
01:22:34 [MUSIC PLAYING]
01:22:38 [MUSIC PLAYING]
01:22:43 [MUSIC PLAYING]
01:22:46 [MUSIC PLAYING]
01:22:50 [MUSIC PLAYING]
01:22:54 [MUSIC PLAYING]
01:22:58 [MUSIC PLAYING]
01:23:02 Well, that's tricks.
01:23:05 Nearly run off my feet, huh?
01:23:07 You've got to keep the girls at home these days, eh?
01:23:09 Why do they change along just when I'm doing so good?
01:23:12 I tell you, there's no justice.
01:23:13 Who says?
01:23:15 [MUSIC PLAYING]
01:23:19 Jennifer?
01:23:24 Nicole. She's not in her room. She's gone.
01:23:27 [MUSIC PLAYING]
01:23:31 [MUSIC PLAYING]
01:23:35 [MUSIC PLAYING]
01:23:40 [MUSIC PLAYING]
01:23:43 [MUSIC PLAYING]
01:23:47 [MUSIC PLAYING]
01:23:51 [MUSIC PLAYING]
01:23:55 [MUSIC PLAYING]
01:23:59 [MUSIC PLAYING]
01:24:02 Well, somebody down there likes me.
01:24:05 I've quite given you up.
01:24:09 I'm certain.
01:24:10 Oh, I'm not making any complaints.
01:24:11 It's a woman's privilege to change her mind,
01:24:12 especially if she's beautiful.
01:24:13 You don't look so surprised.
01:24:15 Is it new to you that you are beautiful?
01:24:17 Sit down.
01:24:23 Yes, I forgot.
01:24:26 You're underage, aren't you?
01:24:28 Could be quite a bit of trouble for me.
01:24:30 How?
01:24:32 You're coming here in business hours.
01:24:33 Who says?
01:24:35 Your stepmother.
01:24:38 Yes, she made quite a scene, certainly, with your father.
01:24:40 Oh, I forget them.
01:24:43 They drive into me like a big headache.
01:24:45 In any case, I'm on my own.
01:24:47 I just walked out.
01:24:50 And came here?
01:24:52 No, thank you.
01:24:53 The gang gave me the Hebe's.
01:24:55 I felt flat.
01:24:57 Well, naturally. What could those children possibly do for you?
01:24:59 You need a little help, don't you?
01:25:07 One thing, I think I can offer you quite a future.
01:25:09 What the hell?
01:25:30 What the hell?
01:25:31 Having fun, you lousy Ted?
01:25:42 Any complaints?
01:25:44 You think you own the bloody streets, don't you?
01:25:51 I'm not fighting. Fighting's for squares.
01:25:53 It's not worth the fun, Luke. Come on.
01:25:55 Come on.
01:26:23 Simon, what are those tickets doing on Kenny's desk?
01:26:25 You've been going through Kenny's private papers.
01:26:27 Now, is that nice?
01:26:29 Who's going to Paris and when?
01:26:30 Kenny feels he needs a change.
01:26:33 A change?
01:26:35 Let's face it, Greta, this is it.
01:26:37 You've got your cars and your coppers.
01:26:39 The replacement's arrived.
01:26:41 He didn't even have the guts to tell me himself.
01:26:43 Kenny's got a lot on his mind.
01:26:46 He's got his hands full, as you might say.
01:26:49 I see.
01:26:52 And now I've done his dirty work, I've no more use, is that it?
01:26:54 I might have known he'd never care a damn for me.
01:26:59 That's right, girl.
01:27:02 Be sensible about it.
01:27:04 Come to think of it, what else can you do?
01:27:06 What else?
01:27:08 I should get out there and get one of those suckers to buy you a drink.
01:27:11 A good idea.
01:27:13 They were in the, uh, in the cafe.
01:27:15 When we first went in?
01:27:17 Yeah.
01:27:19 Look.
01:27:20 That's half Jenny's crowd, isn't it?
01:27:22 Where's Jennifer?
01:27:28 I don't know. She walked out on us.
01:27:30 Or I Alice in Wonderland.
01:27:32 Tease.
01:27:36 I'm sorry.
01:27:37 I'm sorry.
01:27:39 I'm sorry.
01:27:41 I'm sorry.
01:27:43 I'm sorry.
01:27:45 I'm sorry.
01:27:47 I'm sorry.
01:27:49 I'm sorry.
01:27:51 I'm sorry.
01:27:53 I'm sorry.
01:27:55 I'm sorry.
01:27:57 I'm sorry.
01:27:59 I'm sorry.
01:28:01 I'm sorry.
01:28:04 I'm sorry.
01:28:32 I'm not such a dangerous man, am I?
01:28:33 Two tickets.
01:28:39 Paris, last plane Saturday night.
01:28:41 You can forget all about those cheap thrills.
01:28:45 Might even have your name up in lights in the Champs-Élysées and it really means something.
01:28:50 Does the idea appeal to you?
01:28:55 Yeah.
01:28:56 (MUSIC PLAYING)
01:28:57 (SCREAMING)
01:29:21 (MUSIC PLAYING)
01:29:22 Get him, please, quick.
01:29:43 Murder! Call the police!
01:29:45 Murder! Call the police!
01:29:46 Officer, there's been a murder.
01:29:52 In our place.
01:29:54 My God, Jennifer.
01:29:56 I didn't do it.
01:30:11 I didn't do it.
01:30:13 I didn't do it.
01:30:14 I didn't do it.
01:30:16 I didn't do it.
01:30:18 Who said you did?
01:30:21 I reckon I did us all a favour.
01:30:27 Here, get on with her, quickly.
01:30:31 Stop her. Goodness sake, stop her. Don't let her get out.
01:30:33 I know she's in there. I know it.
01:30:35 Just a minute. There must be a back entrance somewhere.
01:30:39 (INDISTINCT CHATTER)
01:30:40 Help me!
01:30:45 Help me!
01:30:47 Jennifer, it's all right, officer. It's my daughter.
01:30:49 Are you all right, father, are you?
01:30:52 Yes.
01:30:54 If it weren't for my pension, I'd wallop her. You'd better take over.
01:30:56 Meanwhile, I'll have some particulars.
01:30:58 You'll find us here, if you want us.
01:31:03 Thank you, Mr. Vindman.
01:31:07 (SOBBING)
01:31:08 Jenny.
01:31:35 Funny.
01:31:36 Only square's nowhere to go.
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