• 11 months ago
Transcript
00:00 [SOUND]
00:04 All right, so I will give you a tour of the TV broadcast
00:07 setup we have on the Freeride World Tour.
00:09 We start with the judges' setup.
00:11 Very important here, you have the replay setup, important
00:14 for the video judge.
00:16 And also, we have this small camera, always having a look
00:19 to what the judges are doing.
00:20 This is what we call the beauty shot.
00:22 That's very useful, because we use that both to propose the
00:26 line tracking of the riders, and also to have this nice
00:29 scenery backdrop for the standings we play in the line.
00:33 Let's have a look now to the big guns, the long lenses
00:36 cameras.
00:36 So we have one camera we use for the wide shot, the shot we
00:41 use the most in the line, 75% of the line.
00:44 And the other one is the close shot.
00:46 [MUSIC PLAYING]
00:49 This camera on the commentators, they can
00:54 commentate, watching for the venue, and at the same time,
00:57 watching for the line.
00:58 And they can easily speak to us off air in the mixer to
01:06 exchange information about how the show is running down.
01:10 [MUSIC PLAYING]
01:15 We have standing cameras.
01:16 We also have flying cameras.
01:18 We have those crazy machines, specially developed for the
01:21 Freeride World Tour.
01:22 It's around two kilos, with three cameras.
01:25 This camera is for the RF transmission during the live.
01:29 This camera records for the post edit contents.
01:32 And this camera is used for the pilots.
01:36 I love that.
01:37 [MUSIC PLAYING]
01:41 You want to see the secret room?
01:43 Let's go.
01:44 [MUSIC PLAYING]
01:51 So that's the director.
01:53 Choose here on this panel of the camera you will
01:56 use during the live.
01:58 The live producer is responsible of the TV running
02:01 order, the rhythm of the show.
02:04 And the EBS operator is making during the live all the
02:08 replays we use.
02:11 And here is the graphic set up that we use for the scoring,
02:15 to put all the graphics during the live.
02:17 And it's directly linked to the judges.
02:20 [MUSIC PLAYING]
02:26 Dropping in three, two, one, dropping.
02:31 [BLANK_AUDIO]

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