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00:00 (dramatic music)
00:02 - All right, Samuel's this way.
00:22 (dramatic music)
00:25 - Dan.
00:38 - Well, all the brass come see me off, huh?
00:40 - This must give you a lot of pleasure.
00:44 - You're wrong, Dan.
00:45 I hope you'll be back soon.
00:51 - Well, that's mighty nice of you, Colonel.
00:53 - Sure, Colonel, I reckon three years in prison
00:56 will go pretty fast.
00:57 - I tell you what, I come back,
00:59 we just forget the whole thing.
01:01 - The bygones be bygones, huh?
01:03 - Let's go, Sergeant.
01:07 - Wait.
01:12 Take those off him.
01:17 - But Colonel, this man's been trusted
01:20 with the lives of a whole regiment.
01:22 Now take them off.
01:23 - Yes, sir.
01:24 - What's all this?
01:31 - There's still a little time yet.
01:33 And there's someone out there waiting to see you.
01:36 Go ahead.
01:38 You two men stay with him,
01:44 but hang back far enough to give him a little privacy.
01:48 - I don't like it, Colonel.
01:49 You're taking an awful chance.
01:51 - I know, Sergeant.
01:52 General Terry doesn't like it either.
01:54 - I suppose it's the least we can do.
01:57 After all, he has served the Army well.
01:59 - It is his wife, sir.
02:03 And she is pregnant.
02:04 (gentle music)
02:13, (dramatic music)
02:18, (dramatic music)
02:23 (gentle music)
02:25 (gentle music)
02:28 (gentle music)
02:30 (gentle music)
02:33 (gentle music)
02:36 (dramatic music)
02:41 (gun firing)
02:51 (gun firing)
03:00 (dramatic music)
03:03 (dramatic music)
03:06 (dramatic music)
03:09 (dramatic music)
03:11 (upbeat music)
03:27 - Charge!
03:34 - At 24, he had been the youngest general in the Civil War.
03:37 Within five years, he had been reduced in rank
03:39 and sent west to be forgotten.
03:41 But he was not the kind of man to let the world forget.
03:44 His name, George Armstrong Custer.
03:47 (upbeat music)
03:50 (upbeat music)
03:52 (upbeat music)
03:55 (upbeat music)
03:57 (upbeat music)
04:00 (gentle music)
04:14 (gentle music)
04:17 - All right, take him back to the barracks.
04:31 - You'll be all right, sir.
04:41 The other one, I...
04:44 - Oh, I should have had that horse checked for weapons.
04:46 - Don't blame yourself, Sergeant.
04:49 It wasn't your fault.
04:50 Any of it.
04:51 - But you think that the man,
04:53 after all the years he's been around the Army, he'd...
04:56 - Act like one of us?
04:58 No.
04:59 He's more Indian than anything else.
05:01 Maybe we act the same way, given the same circumstances.
05:08 Who's to say?
05:11 (gentle music)
05:13 - I couldn't get a thing out of her.
05:26 - No, nothing that'll do any good.
05:29 She'd rather die first.
05:30 - Let's see what I can do.
05:34 (dogs barking)
05:36 - Red Moon woman.
05:43 - You said you were his friend.
05:46 - That's right, I was.
05:48 I'm your friend, too.
05:51 - But you sent him to prison.
05:52 - Not I, it was the Army, for what he did.
05:55 - Feed starving people, my people.
06:03 - I know it's hard to understand,
06:04 but the food he gave your people was not his to give.
06:08 It belonged to the Army.
06:11 - Not me, my people need.
06:13 - You may be right.
06:17 Maybe I even agree with you.
06:18 But what he's done now has made his trouble much worse.
06:22 And there's nothing I can do for him.
06:26 He's gonna have to go to prison for a long time.
06:28 - No, for you will not find him.
06:32 (dramatic music)
07:00 - That patrol won't find him, sir.
07:02 - No, I suppose not.
07:04 He's the kind that could infiltrate a double picket line
07:08 and be standing right beside you
07:10 before he even knew he was there.
07:12 - Yep, he was a good scout, but he sure fixed his wagon.
07:17 Ain't gonna let him off with no three years this time.
07:20 - Yeah, it's a tragedy of it.
07:22 The review board would have been a certainty.
07:26 Samuels wouldn't have had to serve, oh,
07:29 six months at the most.
07:31 - Six months to a man like Dan.
07:34 Being cooped up seemed like a lifetime.
07:36 Cooped up for something the Army should have done itself.
07:40 - He just couldn't wait.
07:42 Couldn't play it like a civilized man.
07:44 - Where do you think he'll go?
07:45 - South eventually, Cheyenne country, his wife's people.
07:50 Where he could hold a woman, maybe he'd come back after.
07:54 - Technically, there's no reason why we can't hold her.
07:56 After all, she did get the horse ready for him.
07:59 - It won't work, sir.
08:00 We can't put a pregnant woman in prison.
08:03 - All right, turn her loose.
08:07 Maybe she'll lead us to him.
08:09 - Yeah, but who knows where?
08:14 And when?
08:17 Probably some Cheyenne lodge a long way from here
08:21 and a long time from now.
08:22 But we have very little choice, sir.
08:27 We can't hold her forever.
08:29 - Samuels has got to show his face someplace, sometime.
08:32 And the Army will pick him up.
08:34 We can't just leave him to the Provost Marshal.
08:36 - It might take years and they'd never find him.
08:39 - Maybe, maybe not.
08:40 - He killed one of my men.
08:43 I'm responsible for that because I sent him out there
08:46 and I'm going to see that Samuels answers for it.
08:49 That's why I'm going after him.
08:53 - You just said a patrol could never find him.
08:55 - No, sir, not a patrol.
08:56 And not waiting to track the woman.
08:58 Just one man against him thinking as he does.
09:01 - No, I can't allow it.
09:03 The risk could be too great.
09:04 - Sir, I'm responsible for the death of one of my men.
09:07 I can't ignore that.
09:08 - Now, Custer, I am sorry for what was said before,
09:11 but it was completely unforeseen that that boy was--
09:13 - Sir, I request an indefinite leave of absence
09:16 to conduct some personal business.
09:18 - Well, I suppose if I don't let you go, you'll go anyway.
09:24 All right, for one week, one week only.
09:27 Otherwise you'll stay out there forever looking for him.
09:30 - Thank you, sir.
09:32 Oh, thanks for not saying I told you so.
09:40 - Wait.
09:57 Send a man to get you a horse and some food.
10:00 My advice to you is to head south to your people.
10:02 You can't help your man, so you might as well forget him.
10:07 He won't come there.
10:09 You'll never see him again.
10:11 (dramatic music)
10:15 (dramatic music)
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10:56 (dramatic music)
10:59 (dramatic music)
11:01 (birds chirping)
11:08 (dramatic music)
11:11 (dramatic music)
11:14 (dramatic music)
11:16 - Land Springs?
11:40 - Ain't far.
11:41 - Why do you wanna know?
11:43 - A friend of mine told me about it.
11:45 Sure it was the prettiest camping ground you ever saw,
11:51 and the only water for miles.
11:53 Think he told me it was southwest of here.
11:56 - Told you wrong.
11:58 Do you know it?
11:58 You biggin' on going that way?
12:01 - Yeah, I don't know.
12:03 - If it's north, it might be out of my way.
12:05 Who was this friend that told you?
12:06 - A fella by the name of Dan Samuels.
12:10 Do you know him?
12:12 - Everybody knows Dan.
12:14 Come here often.
12:14 - Been in lately?
12:17 - Depends on what you mean by lately.
12:20 You say you're a friend of his?
12:22 - That's right.
12:23 - Dan and I have been friends for a long time.
12:26 - Are you?
12:28 - Mister, I'm a friend of any man,
12:30 red or white, as long as you come here to trade.
12:33 Just as long as you don't come here
12:34 to rob me or shoot me.
12:35 - Well, I bet there are a lot of people around like that.
12:39 - And they ain't all red.
12:42 - I hear there's a Sioux war party in this area.
12:45 - Could be.
12:46 - Doesn't seem to bother you.
12:49 - Why should it?
12:51 They don't bother me and I don't bother them.
12:52 They need me and I need them.
12:54 And there ain't enough like you stopping here
12:55 to keep my business going.
12:56 - Army, ain't you?
13:02 Now, how'd you know that?
13:06 - Ain't hard.
13:08 You're a horse for one thing,
13:11 and you ain't no scout like Dan.
13:13 - Well, not quite.
13:17 But Dan and I rode quite a few trails together.
13:21 - And why'd you ask me all them questions?
13:40 - Thanks for your information.
13:42 - What kind of information?
13:43 - Dan Samuels was here,
13:46 and he warned you to tell me that Lance Springs
13:47 was due north.
13:49 - Thank you.
13:51 (dramatic music)
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14:00 (dramatic music)
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14:59 (dramatic music)
15:06 (dramatic music)
15:12 (dramatic music)
15:15 (gunshots)
15:17 (gunshots)
15:21 (gunshots)
15:24 (gunshots)
15:27 (gunshots)
15:30 (dramatic music)
15:34 (dramatic music)
15:39 (dramatic music)
15:42 (dramatic music)
15:57 (dramatic music)
15:59 (dramatic music)
16:02 (dramatic music)
16:05 (dramatic music)
16:14 (birds chirping)
16:26 (dramatic music)
16:28 (dramatic music)
16:31 - Hey California, let's parley.
16:42 - You'll never convince me your eyes are that bad, Dan.
16:45 - Don't tell me that's you, Colonel.
16:48 - Now Dan, you hurt my feelings.
16:53 You don't even recognize your friends.
16:56 (dramatic music)
16:59 - I'd have swore that was California.
17:08 I should have known nobody would be able to find me
17:13 out here except you.
17:15 Say Colonel, I'm sure I'm sorry about them shots
17:17 if I'd known that was you.
17:19 - I just bet you are.
17:21 - Oh, come on now, Colonel.
17:26 I can't believe I'd have done nothing like that on purpose.
17:30 I mean, I know I got nothing to fear
17:32 from my old friend, the Colonel.
17:34 After all we've been through together, we're old friends.
17:42 Ain't nothing happened to change that, is it?
17:49 Say Colonel.
17:50 Colonel, why don't you come on out?
17:53 Let's talk this thing over.
17:56 - Nothing to talk over, Dan.
17:58 I came to take you back.
18:02 Stand trial for murder.
18:04 - Oh, now Colonel, I can't believe that, not you.
18:08 I mean, you know how it is with a man like me.
18:11 I can't stand being cooped up in no jail.
18:15 And as for killing that felon,
18:17 you know there weren't no malice in that.
18:20 That was just him or me, you know that.
18:23 (dramatic music)
18:26 - I didn't come here to argue the case, Dan.
18:44 Just to take you back.
18:46 Now why don't you throw down your gun
18:48 and come out peacefully?
18:51 - No, I can't do that, Colonel.
18:54 That just ain't in me.
18:57 - Where does that leave us?
19:02 - Where we were, I guess.
19:05 - Yeah, I reckon so.
19:06 (dramatic music)
19:09, (grunting)
19:14 (dramatic music)
19:17 (dramatic music)
19:19 (dramatic music)
19:22 (grunting)
19:26 (dramatic music)
19:29 (grunting)
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19:36 (dramatic music)
19:45 (dramatic music)
19:48 (grunting)
19:52 (dramatic music)
19:55 - I don't understand.
20:09 I don't understand the kind of a man
20:11 that turn on his friend when there's trouble.
20:16 - The trouble you made for me, Dan.
20:19 I trusted you, and you betrayed that trust
20:21 and killed one of my men.
20:23 - He didn't mean nothing to you.
20:24 - That man was under my orders.
20:26 He died because of me.
20:29 - Now you understand that I had to do that.
20:31 - Yeah, that's right.
20:33 Just like you had to lead me into that trap
20:34 and try to kill me.
20:36 - I told you, I thought I was California.
20:39 I sure never thought you'd come riding out after me.
20:41 - Dan, Dan, when I was in that wash, you knew it was me.
20:44 You got eyes like an eagle.
20:46 - Colonel, when I seen it was you,
20:47 all I wanted to do was scare you off.
20:50 You think I couldn't have killed you
20:51 if I'd really had a mind to, huh?
20:53 - Just now, you would have killed me.
20:56 - But only if I'd have had to, Colonel.
21:01 - That makes it right.
21:03 - Is it right for a man to haul his friend
21:07 back to jail to rot?
21:09 Or to hang, maybe?
21:11 - I don't expect you to understand it.
21:15 You live by the code of friendship.
21:18 And I live by the code of law and justice.
21:21 - Justice?
21:21 Huh.
21:24 - That's right, justice.
21:28 You'd have had it if you just hadn't killed that man.
21:32 - Yeah, so you say.
21:34 - We were working on your appeal.
21:40 Could have gotten your sentence reduced.
21:43 Down to about six months.
21:45 That's all through now.
21:48 You fix that, it's out of my hands.
21:50 - No it ain't, not yet.
21:52 Not here and now it ain't.
21:54 Colonel, it ain't nobody's hands but yours.
21:58 You can let me go and nobody will ever know anything about it.
22:01 - That's right.
22:02 - And I guarantee you one thing, I'll never get caught again.
22:05 - I believe you.
22:08 - But you ain't gonna do it, are you?
22:12 - Nope.
22:13 I'm gonna take you back.
22:15 - Well now, Colonel, that's just allowed
22:20 to take a little doing.
22:22 Look up on that hill back there.
22:27 - Dan.
22:28 - Ha ha.
22:35 - Those shoes, that's a war party.
22:37 They must have heard them shots and come a-sniffing.
22:43 I bet they're just itching to lift a little white-eye hair.
22:47 Wouldn't they dance so that they'd end up
22:51 with a scalp of old yellow hair?
22:54 - Just forget one thing, Dan.
22:57 Out here without the protection of your wife,
22:59 you're just another white-eye yourself.
23:01 And they'd be just as happy to lift your scalp.
23:04 - That ain't tellin' me nothin', Colonel.
23:06 Only thing is, if you're gonna take me back and hang me,
23:08 you're gonna have to save my skin from them.
23:12 - That's just what I intend to do.
23:17 Let's go.
23:21 - Come on.
23:21 (dramatic music)
23:24 (leaves rustling)
23:27 (dramatic music)
23:31, (leaves rustling)
23:36 (dramatic music)
23:39 - All the way to the top, let's go.
24:05 (dramatic music)
24:08 (gun firing)
24:32 (laughing)
24:35 (grunting)
24:45 (dramatic music)
24:50 (leaves rustling)
24:53 - Just stay nice and quiet, they'll never find you.
25:08 (dramatic music)
25:11 (leaves rustling)
25:14 (dramatic music)
25:25 (leaves rustling)
25:28 (dramatic music)
25:43 (leaves rustling)
25:55 (dramatic music)
25:57 (leaves rustling)
26:04 (speaking in foreign language)
26:10 (dramatic music)
26:12 (dramatic music)
26:22 (leaves rustling)
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26:37 (leaves rustling)
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26:53 (leaves rustling)
26:55 (dramatic music)
27:06 (leaves rustling)
27:09 (dramatic music)
27:27 (leaves rustling)
27:30 - You all right?
27:45 - Yes.
27:46 - What about them?
27:50 - Soon.
27:51 (dramatic music)
27:54 (leaves rustling)
27:57 - She gonna be something.
27:59 (laughing)
28:02 She gonna be something.
28:04 - Yellow hair?
28:08 - We don't have to worry about him.
28:12 Maybe you are too, Dan.
28:17 (dramatic music)
28:20 Don't turn around.
28:24 Don't force me to spill your blood.
28:27 - You got that gun?
28:32 - I have.
28:33 - Shame it ain't loaded.
28:37 - Don't try it.
28:38 You just take your gun and you just
28:42 throw it across that fire.
28:44 Nice and easy.
28:46 No quick moves, Dan.
28:50 (dramatic music)
28:52 That's it.
28:56 Now the knife.
29:01 - Same way.
29:04 Slow.
29:06 - You shouldn't count a man out, Dan,
29:11 until you see him buried.
29:13 - I sure have to remember that, Carl.
29:18 How'd you track me in the dark?
29:21 - I didn't.
29:22 I remembered how you always talked about Land Spring,
29:26 how you and Red Moon Woman used to come here and camp often.
29:30 It's the only water for miles, you said.
29:33 So when you got close enough,
29:35 I figured you planned to meet her here.
29:38 - Why didn't you just come directly here?
29:39 Why'd you bother to track me at all?
29:42 - I figured if I didn't follow you,
29:44 you'd get suspicious.
29:46 Just bypass the place.
29:48 - You knew it was a trap,
29:49 and you just took a chance anyway, right?
29:51 - I figured I could take you.
29:53 If it hadn't been for those two Braves,
29:54 we'd be on our way right now to Fort Hayes.
29:57 - Yeah, well, them Braves are still out there
29:59 looking for us someplace.
30:01 - I know.
30:02 But we'll be heading for Fort Hayes in a few hours.
30:06 - We will, huh?
30:07 Back to the hangman's news, huh?
30:11 Or worse yet, spend the rest of my life in jail?
30:15 - Colonel, I lived all my days free.
30:18 - You should have thought of that
30:19 before you pulled that trigger.
30:21 - Well, if I'd thought about it,
30:22 I wouldn't be here talking about it.
30:25 I mean, I'd be dead too.
30:27 And I don't die easy, Colonel.
30:29 I mean, you know that,
30:30 all the battles we've been through together.
30:32 Now, there was a time when that meant something to you.
30:35 - Still does, Dan.
30:36 I haven't forgotten.
30:38 - Well, it sure seems to me like you forgot it.
30:41 I mean, I'd say you owe me something, Colonel.
30:43 - We don't owe each other anything anymore, Dan.
30:47 In those days, we were fighting for the same thing.
30:49 Law, order, civilization.
30:51 - You sure talk highfalutin', Colonel.
30:55 I'll tell you about your civilization.
30:56 I got no use for it.
30:57 - That's right.
30:59 You're still the same.
31:00 Every man for himself.
31:02 No responsibility to anyone or anything.
31:05 Times are changing, Dan.
31:11 There's just no place for you anymore.
31:14 - You're wrong, Colonel.
31:16 You're wrong, I belong right here.
31:19 My woman being the way she is,
31:20 I got me something to fight for now.
31:23 You ain't got me back to Fort Hayes yet.
31:25 - You gonna kill me, Dan?
31:28 - If I have to, I promise you, Colonel.
31:30 - In spite of all times?
31:32 - In spite of everything.
31:34 Now, if we're gonna get back,
31:36 you better get started,
31:36 because it's a lot safer traveling in the dark.
31:40 - All right.
31:41 Cover that fire.
31:44 - What about her?
31:45 She don't have to go back.
31:46 - I'm afraid she has to.
31:48 I can't trust her, not until I have you secured,
31:50 but as soon as I do that, I'll let her go, I promise you.
31:53 - I stay with him.
31:55 - I'm afraid that's not possible.
31:56 - He die, I die too.
31:58 - Certainly not that.
32:00 We don't do things that way.
32:03 - I not understand white man's ways.
32:07 You are his friend, you let him go.
32:10 - I can't, not after what he's done.
32:13 He's made it impossible.
32:14 - You not take him back to die.
32:17 - I told you.
32:18 - You let him go.
32:19 Red Moon woman go back with you.
32:23 Do whatever you want to with her.
32:27 Your woman put in prison, kill, anything.
32:35 - Is this a Cheyenne woman for you?
32:38 - She's a good woman, Dan.
32:41 Deserves better than you.
32:43 - I sure ain't gonna argue that with you.
32:46 - Look, you can't take his place,
32:49 and you can't buy his freedom
32:50 because we don't do things like that.
32:53 I'm still your friend.
32:56 I'll do anything else I can to help you.
32:58 Just come to me and ask.
33:00 (crickets chirping)
33:03 Now, you stay right where I can keep an eye on you.
33:09 Colonel, stay.
33:11 Right there.
33:15 - Hyah, what are you doing?
33:30 (horse whinnies)
33:32 - Can't trust her on the horse either.
33:36 We walk.
33:37 - Suit yourself, Colonel.
33:41 (Cheryl gasps)
33:44 - Can't be a time, it's too soon.
33:48 - Apparently it is.
33:49 She sure picked a fine day.
33:50 - What do we do?
33:51 - She's gonna have to do most of it.
33:53 We can't make her more comfortable.
33:54 I'll get something for her.
33:56 - Oh, oh.
33:59 Something bad, not right.
34:01 Turn.
34:05 - Colonel, I think we got trouble.
34:08 - In more ways than one.
34:11 Look.
34:13 - They're coming here for water.
34:23 We don't got time to get away, Colonel.
34:26 - She can't be moved very far anyway.
34:28 - Go, go, I stay.
34:30 They not follow.
34:32 - You think if we left her, it'd help her?
34:35 - Not enough.
34:36 - Colonel, you better go.
34:39 But you got to go by yourself 'cause I ain't leaving her.
34:41 - Neither am I.
34:43 - Colonel, you can still get away.
34:44 If they catch you here, they'll kill you
34:45 and you won't die easy, I tell you.
34:47 - Will you shut up and help me?
34:49 (dramatic music)
34:52 - Looks like they're settling in for the night.
35:13 - They haven't picked up any of our signs anyway.
35:18 (groaning)
35:20 - Colonel, ain't there nothing you can do for her?
35:22 - I'm a soldier, not a doctor.
35:25 I'll try and make her more comfortable.
35:30 - Why'd you stay?
35:41 - Colonel.
35:46 - Shh.
35:47 - Colonel, you gonna try to take me in after this?
35:52 - What do you think?
35:54 - You must want to see me hang awful bad.
35:58 It's what they say, torture.
36:01 - Is that why you think I did it, Dan?
36:05 - I don't know.
36:10 - Shh.
36:13 (groaning)
36:15 - So.
36:26 (snorting)
36:31 Yeah, that's a rolling horse, all right.
36:33 (dramatic music)
36:40 - Hey, Colonel, I think--
36:41 - Never mind that.
36:43 The pain seems to be getting worse.
36:44 I may need your help soon.
36:47 - What do I do?
36:50 (dramatic music)
36:56, (dramatic music)
36:59 (dramatic music)
37:01 (dramatic music)
37:04 (dramatic music)
37:13 - She's gonna die, isn't she, Colonel?
37:26 - Not if I can help it.
37:28 - What's wrong with her?
37:31 I mean, Cheyenne women usually have babies
37:32 like it was nothing.
37:33 - Red Moon woman.
37:37 You said the baby was turned wrong.
37:41 Maybe I can help you.
37:44 - Colonel, did you ever birth a baby before?
37:47 - I wish you hadn't asked me that.
37:50 Well, horses have them.
37:52 I've set up with my mare.
37:56 It's getting through her time.
37:58 I don't know, maybe I can help.
38:00 - Get back, give me some room.
38:03 (dramatic music)
38:06 (panting)
38:11 (dramatic music)
38:14 (howling)
38:20 (gunshot)
38:31 (dramatic music)
38:33 (dramatic music)
38:36 (dramatic music)
38:39 (dramatic music)
38:42 (dramatic music)
38:45 (dramatic music)
38:48 (dramatic music)
38:51 (dramatic music)
38:53 (dramatic music)
38:56 (dramatic music)
38:59 (dramatic music)
39:02 (dramatic music)
39:04 (dramatic music)
39:07 (dramatic music)
39:10 (dramatic music)
39:13 - Look at that face.
39:33 That's a mountain, man, if I ever seen one.
39:40 - You're wrong, Dan.
39:42 - Huh?
39:43 You mean--
39:48 - It's a girl.
39:49 - It is?
39:50 - Yeah.
39:53 - It's a girl?
39:54 I am not giving you a son.
39:59 - Of course you ain't, woman.
40:04 How many times have I told you how I feel about boys?
40:08 I got no use for 'em.
40:10 Yelling, romping all over the place all the time.
40:14 A man wants a daughter to make his life worth living.
40:18 (laughs)
40:20 Besides, you know when she gets growed up,
40:23 never bucking the territory of me hanging around,
40:25 making me rich with horses, wanting to marry her.
40:29 Well, you've done fine.
40:31 I wanted a girl all along, I just scared to say so.
40:36 (dramatic music)
40:39 - An Indian kid ain't got much of a chance
40:52 in a white man's town.
40:54 They call her half-breed,
40:57 treated like dirt under their feet.
41:02 Amongst the tribe, she's gonna be something special.
41:07 Regular Cheyenne princess, Kern.
41:10 She grew up tall, straight, pretty.
41:15 Walking like a breeze across the meadow.
41:19 She'd have a voice like dripping honey,
41:22 you'd just wait and see.
41:24 - You're forgetting something, Dan.
41:29 - Yeah, I reckon I was.
41:31 (birds chirping)
41:34 I reckon I was.
41:37 You poor little thing.
41:42 What chance you gonna have?
41:47 Your pa's dead, hung for you,
41:49 you're more than enough to recognize him.
41:52 She grew up wild, no good.
41:55 Just another half-breed, scrounging around for enough to eat.
42:02 - It's not gonna be like that.
42:05 - No, it won't, Colonel.
42:07 No.
42:09 It sure won't be like that.
42:13 (dramatic music)
42:16 No, it sure won't be like that.
42:23 (dramatic music)
42:29 (dramatic music)
42:31 - They're still there.
42:36 They should be pulling out soon, then we can leave.
42:39 - I ain't waiting that long, Colonel.
42:42 You able to travel, woman?
42:44 - I'm ready.
42:45 - You could kill her if you make her walk anywhere.
42:49 - Well, I'm aiming to try to borrow a pony for her to ride.
42:52 Besides, you don't know much about Indian women.
42:53 She's got more strength of body
42:54 than most white men you'll ever meet.
42:57 - I have to remind you, Dan, that you're still my prisoner.
43:01 - Colonel, you better think about that.
43:05 Ain't nothing in the world Roanhorse would like better
43:07 than the scalp of Yellow Hair.
43:10 That long Yellow Hair of yours,
43:11 dangling at the end of his war lance,
43:12 wouldn't he walk tall, though?
43:13 Wouldn't he be the biggest Indian
43:14 in the whole Indian nation?
43:17 You raise a ruckus about me and my woman
43:19 walking out of here, and he's gonna hear you.
43:22 You're crazy enough to shoot me.
43:25 You gotta know you ain't gonna last longer
43:26 than about a minute more than me anyway.
43:30 I know you wanna take me back, Colonel.
43:33 But it does look like it's out of your hands finally,
43:35 don't it?
43:36 - Don't be a fool, Dan.
43:39 You know that Roanhorse is half mad.
43:41 He doesn't need a reason to kill you.
43:44 You're a white eyes to him.
43:46 - I'll take my chance.
43:49 Going back with you, I ain't got any.
43:52 - Keep your mind, you gonna use that gun or not?
43:56 - Looks like they found some more of our signs.
44:07 They'll be finding us directly, too.
44:10 It's better if we go out to meet them.
44:15 Let's just act like we've been holed up here resting.
44:17 We'll tell them that you're kin to Black Beaver,
44:19 and we're on our way south to meet him.
44:21 - I think they'll let us go.
44:23 Come on.
44:24 After they've gone, I think you can find your way back,
44:29 can't you?
44:29 - It doesn't end here, Dan.
44:34 I've gotta come after you again.
44:37 (somber music)
44:39 (fire crackling)
44:42 (dramatic music)
44:45 (dramatic music)
44:48 (dramatic music)
44:50 (dramatic music)
44:53 - I'd have a horse piece.
45:17 My wife's Cheyenne, kin to Black Beaver.
45:20 We're heading south, Cheyenne hunting grounds.
45:24 We'll stay with our folks.
45:27 - You come from that way?
45:29 - The north?
45:30 No, we come from that way, the west.
45:33 - No horse?
45:41 - We had a horse.
45:44 Give it on instead back there some distance.
45:47 - Yours blue coat horse?
45:49 - You mean me?
45:51 No, why?
45:52 - Dead horse, that way.
45:56 Blue coat horse.
45:58 - Got nothing to do with me.
45:59 I ain't been that way.
46:01 Why, what's wrong?
46:03 - Vonahia.
46:04 (dramatic music)
46:07 (dramatic music)
46:10 - Look, I ask you, there's something wrong.
46:30 'Cause otherwise, me and my wife,
46:31 we gotta be moving on.
46:32 We gotta make track south before dark.
46:35 - You come from that way?
46:37 - I told you we come from over there, from the west.
46:41 (yells)
46:51 (dramatic music)
46:54 (yells)
47:04 (dramatic music)
47:07 (yells)
47:25 (gun fires)
47:32 (dramatic music)
47:35 - Looks like I'm gonna miss that rope.
47:44 You tell her that I tried.
47:50 Here, now you tell her,
47:54 you tell her she was my little princess.
47:59 Hey.
48:01 (dramatic music)
48:03 - What's all that?
48:05 You're gonna have to moan it like I'm gone, you hear?
48:12 I got an Indian squirrel for you.
48:17 Oh, crap, I always had a hang when I saw those mountains.
48:24 (dramatic music)
48:27 (dramatic music)
48:29 (dramatic music)
48:32 (dramatic music)
48:46 - Now my man will be forgotten.
48:58 The wind blows, no scarring.
49:01 - Maybe, Red Moon woman, maybe.
49:05 But the giants will always be remembered.
49:10 The giants who walked the earth when it was young.
49:14 In a way, your man was a giant.
49:17 He went where no other white man went before him
49:20 and he made it possible for others to follow.
49:25 - And that is good?
49:28 - That's good.
49:29 - But the bad thing he did?
49:31 - The world changes.
49:35 Dan couldn't change with it.
49:37 It was his trouble.
49:39 He was a good man.
49:41 I'll miss him, he was my friend.
49:46 - I go.
49:48 - Is there anything I can do?
49:52 - No, there is nothing.
49:55 - Baby?
49:57 - She will grow and be strong.
49:59 She will be a woman, a Cheyenne woman.
50:02 (baby crying)
50:07 - Goodbye, Dan.
50:26 (dramatic music)
50:29 (dramatic music)
50:46 (dramatic music)
50:49 (dramatic music)
50:52 (dramatic music)
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51:11 (dramatic music)
51:13 (dramatic music)
51:16 [MUSIC PLAYING]