GAYA LELAKI 126 (Rerun)
Category
📺
TVTranscript
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00:05 Perfect.
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00:15 Dove Ultimate Repair.
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00:22 Thank you, Dove.
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00:44 SGM Explore.
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01:04 SGM Explore.
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01:07 Officer Pierce.
01:13 My name is Charles Ambrose, lawyer supervisor.
01:16 Tell him you just met me.
01:17 It'll do wonders for your career, I promise you.
01:22 Hey, dispatch.
01:23 Officer Pierce here.
01:24 Another savior needs to be saved.
01:28 [PHONE RINGING]
01:31 Clancy doesn't want you to respond
01:38 to that call, Agent Cowles.
01:41 Slow mo.
01:42 He doesn't want you to be there when it happens.
01:44 Come again?
01:45 But you will.
01:47 You'll respond.
01:47 You'll be there.
01:50 You can't help yourself.
01:53 Hey.
01:54 Hey.
01:56 Beat cop.
01:57 Just reported Charles Ambrose at Ashton Station.
02:00 [GASPING]
02:02 Come on.
02:03 We don't--
02:04 Hey, get back here.
02:06 I'll see you soon.
02:07 [MUSIC PLAYING]
02:10 [TRAIN WHISTLE BLOWING]
02:13 [TRAIN WHISTLE BLOWING]
02:15 [MUSIC PLAYING]
02:18 [TRAIN WHISTLE BLOWING]
02:20 [GUNSHOT]
02:42 [GUNSHOT]
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02:48 [GUNSHOT]
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02:53 [GUNSHOT]
02:57 [MUSIC PLAYING]
02:59 [GUNSHOT]
03:06 [MUSIC PLAYING]
03:09 [MUSIC PLAYING]
03:11 And here you are.
03:32 Welcome.
03:34 Thank you.
03:35 Just as I've seen it all those years.
03:38 You and me in this train.
03:39 You've seen it too, right?
03:41 You've heard it day after day, month after month?
03:43 Mm-hmm.
03:44 Shh, shh, shh.
03:45 Shh, shh, shh.
03:46 Shh, shh, shh.
03:49 So something's not right.
03:53 [SHOUTING]
03:54 [SCREAMING]
03:56 [MUSIC PLAYING]
03:59 [SCREAMING]
04:04 [GUNSHOT]
04:05 [SCREAMING]
04:07 Captain, this is Agent Cowse.
04:09 Our suspect is headed into Ashland Station.
04:11 We know.
04:12 We have radio contact with the engineer.
04:14 We're going to set up shop at a station up ahead.
04:16 Haven't stopped the train there.
04:17 And then what?
04:18 We take him out.
04:20 I advise you to stay clear from here on.
04:22 Captain, I'm not staying clear.
04:23 We have control.
04:24 Stay clear.
04:25 We're connected.
04:34 We're the same animal.
04:36 No, no.
04:38 I'm not a killer.
04:39 Well, we can talk about that in seven minutes.
04:42 Seven minutes?
04:44 That's when you're going to kill someone.
04:46 Oh, who might that be?
04:49 Hey.
04:50 Move, move, move.
04:52 Move your ass.
04:53 Let's go.
04:54 Move.
04:55 Go straight.
04:56 Move, move, move.
04:59 Go.
05:00 Move, move, move.
05:03 Train is five minutes out.
05:06 Let's go.
05:09 I'm dying, John.
05:11 I can't continue this work anymore.
05:13 That's why I need someone to carry it on for me.
05:17 Someone who can see the pain, the suffering, the sickness.
05:23 There's another reason you have to shoot me, which you're not seeing.
05:27 Concentrate.
05:28 There it is.
05:34 Thank you.
05:35 Agent Cowles.
05:37 I've grown so fond of her.
05:40 Times has been like having your daughter back, huh?
05:43 Sorry you've lost me, Charles.
05:45 She doesn't fit your profile pattern.
05:47 She's not even ill, so why would you kill her?
05:50 No, you're right.
05:51 Of course I won't kill her.
05:52 She's a perfectly healthy young woman.
05:54 It's the beauty of it, John.
05:55 You're going to stop me first.
05:57 Yes, with one bullet.
05:59 Right here.
06:02 And after that, there's no turning back.
06:04 No, sorry, my friend.
06:06 The game stops here and now.
06:08 I want four shooters, three low, one high.
06:11 Train is 60 seconds out.
06:13 Let's go, move!
06:15 Behind!
06:19 Stand behind, let me see it!
06:21 Look at me, John.
06:27 Does this look familiar?
06:30 [Gunshot]
06:32 You see now?
06:45 All your visions are becoming real.
06:50 50 seconds on target.
06:57 You have a visual?
06:58 Have eyes on.
06:59 Good.
07:00 Do you have a shot?
07:01 Affirmative.
07:02 She's going to make it just in time.
07:05 Take the shot!
07:10 I lost it.
07:14 Go team, take the shot!
07:17 Target is blocked.
07:20 We have no target!
07:22 Go!
07:24 Go!
07:27 Say hello to your destiny, John.
07:30 Good morning, sir!
07:32 Hi!
07:34 Visual on target.
07:38 Fire!
07:40 Hold! Hold!
07:44 I told you he'd kill me.
07:53 Fire! Fire!
07:56 [Explosion]
07:58 [Siren]
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12:29 Mm.
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12:37 Mm.
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15:01 [MUSIC PLAYING]
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15:09 [KNOCKING]
15:11 Oh, hi.
15:13 Hey.
15:15 How you doing?
15:17 I spoke to the chief surgeon.
15:19 He said the surgery was a success.
15:21 Good.
15:23 He said the bullet went clean through.
15:25 Huh.
15:27 I was hoping you would consider a reinstatement,
15:31 as Jo said, would make a hell of a team.
15:33 Oh, hell no.
15:35 I want a quiet life.
15:37 Quiet life?
15:39 Yeah.
15:41 Jo would be proud of you.
15:45 [MUSIC PLAYING]
15:47 Don't cry.
15:59 You're a good kid.
16:05 It was good working with you, John.
16:07 I'll see you around.
16:11 Sure.
16:13 Take care of yourself.
16:15 I will.
16:17 Oh, yeah.
16:21 I forgot.
16:23 Could you help me with this thing?
16:25 She gets to live in it.
16:27 I got it.
16:33 [MUSIC PLAYING]
16:35 Jo.
16:39 [MUSIC PLAYING]
16:41 Hello, Elizabeth.
17:01 Hello, John.
17:03 You look so beautiful.
17:07 I read your letter
17:11 several times.
17:13 It's different than the others.
17:17 Which way?
17:19 It's all about the past.
17:21 Oh, yeah.
17:23 Yeah, I think of Emma
17:27 every single day.
17:29 [MUSIC PLAYING]
17:31 Okay, come here.
17:35 It's okay.
17:41 [MUSIC PLAYING]
17:57 Oh, my.
17:59 It hurts.
18:01 I'm so scared.
18:03 I'm so scared.
18:09 Oh, my.
18:19 It hurts.
18:21 [MUSIC PLAYING]
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19:03 Sometimes the greatest acts of love
19:05 are the hardest acts to commit.
19:07 Let's walk, shall we?
19:19 See you soon, John.
19:21 [MUSIC PLAYING]
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19:45 a porn film production in South Jakarta.