BIOSKOP TRANSTV Movie (Rerun) BEL CANTO
Category
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TVTranscript
00:00:00 [MUSIC]
00:00:10 The bomb can't be stopped.
00:00:25 Just like you couldn't stop that beautiful girl from dying on the beach.
00:00:29 [MUSIC]
00:00:32 >> Irene, the bomb's on a boat.
00:00:36 >> Early?
00:00:38 >> How do you know?
00:00:39 >> Ronnie wanted to die at sea.
00:00:41 [MUSIC]
00:00:46 >> It's the Sixth Fleet down on maneuvers.
00:00:48 [MUSIC]
00:00:50 >> My God, bring up ISR feeds, get me eyes in the sky over the coastline and
00:00:54 put the Sixth Fleet on nuclear alert.
00:00:57 >> Tom, the target is the Sixth Fleet and it's 25 miles offshore.
00:01:02 [MUSIC]
00:01:08 >> It's a shame, the last thing your girl saw was you trying to save her.
00:01:14 [MUSIC]
00:01:24 [INAUDIBLE]
00:01:34 >> Didn't I teach you anything, little brother?
00:01:44 [MUSIC]
00:01:50 To never make a person.
00:01:52 [MUSIC]
00:01:55 >> We take out his boat, it'll detonate.
00:01:57 >> If it goes off above the waterline.
00:02:00 >> We fall out all over the mainland.
00:02:02 [MUSIC]
00:02:06 >> USS Flint, prepare to engage.
00:02:08 [MUSIC]
00:02:20 >> The boat is turning, sir.
00:02:21 >> Who's driving that boat?
00:02:22 [MUSIC]
00:02:26 >> Rat.
00:02:27 [MUSIC]
00:02:31 >> Go.
00:02:32 >> Sir?
00:02:33 >> Go.
00:02:33 [MUSIC]
00:02:41 >> What are you doing?
00:02:43 >> Hurley.
00:02:44 >> Hurley?
00:02:44 >> She's trying to get her boy to throw the bomb in the water.
00:02:47 >> Flint, you are clear to fire when ready.
00:02:49 >> Do not fire, Commander.
00:02:51 The boat is turning.
00:02:53 >> If we don't engage, that guarantees detonation.
00:02:56 >> I understand there's a risk, but this is the best chance we've got.
00:02:58 [MUSIC]
00:03:07 >> There he is.
00:03:08 Get me on that boat's marine bandwidth.
00:03:10 [MUSIC]
00:03:15 >> Max, Max, can you hear me?
00:03:19 >> Pick up the radio.
00:03:20 Throw the bomb overboard.
00:03:23 >> No way, sir.
00:03:24 I gotta get further away from the fleet.
00:03:25 >> Max, for once in your life, take a goddamn order.
00:03:29 The 6th Fleet's about to blow you to hell.
00:03:32 [MUSIC]
00:03:43 >> Command, Delta 2, bomb's in the water.
00:03:46 >> Commander, hold your fire.
00:03:47 The bomb's in the water.
00:03:49 >> Flint, hold fire.
00:03:50 >> Hold fire.
00:03:52 >> Hold fire.
00:03:52 [MUSIC]
00:04:02 [MUSIC]
00:04:22 >> You've got less than 30 seconds.
00:04:24 [MUSIC]
00:04:29 >> All right, go.
00:04:29 Get out of here.
00:04:30 [MUSIC]
00:04:50 >> Jesus.
00:04:51 [MUSIC]
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00:07:15 >> Shouldn't have come for me.
00:07:19 >> You'll get used to it, son.
00:07:23 >> Hurley.
00:07:25 >> Looks like we're going to be all right up here.
00:07:29 >> I think.
00:07:31 [MUSIC]
00:07:35 >> Damage control central.
00:07:37 Report.
00:07:38 >> Pressure's normalized.
00:07:39 We have multiple hull breaches.
00:07:41 >> Radiologicals, Eisenhower.
00:07:43 >> Low, low levels.
00:07:46 Initiating countermeasure washdown.
00:07:48 >> Commander, any casualties?
00:07:50 >> The plane took some serious damage.
00:07:52 The casualty reports aren't in yet, but if it had gone off above the waterline, I don't think we'd be here.
00:07:57 >> Eisenhower?
00:07:59 >> My prayers are with you all.
00:08:01 [MUSIC]
00:08:23 >> Hurley?
00:08:24 Is Rapp there?
00:08:26 >> Hold on a minute.
00:08:32 >> Yeah, go ahead.
00:08:34 >> You okay, Mitch?
00:08:36 >> Oh, yeah, I'm fantastic.
00:08:42 >> Saved a lot of lives today.
00:08:46 >> Took some losses, too.
00:08:50 [MUSIC]
00:09:12 >> Lime Mineral.
00:09:13 >> It's different.
00:09:14 >> It's smoother.
00:09:15 >> It's fresher.
00:09:16 >> Lime Mineral is different.
00:09:17 >> It contains balanced essential minerals that are important for the body and also makes the water taste fresher.
00:09:23 >> And lighter.
00:09:24 >> Lime Mineral.
00:09:25 [MUSIC]
00:09:36 >> Find your fire.
00:09:37 Live bold.
00:09:38 L-A bold.
00:09:40 [MUSIC]
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00:22:30 [MUSIC]
00:22:40 >> God damn, are you seeing this?
00:22:42 I mean, look at all this pretty green.
00:22:46 [MUSIC]
00:22:51 >> How long have you lived out here?
00:22:53 >> Two years, ever since his daughter Emma died.
00:22:58 Leukemia in his arms.
00:23:01 [MUSIC]
00:23:07 He gave up his medical practice.
00:23:10 Hell, he gave up everything.
00:23:12 [MUSIC]
00:23:18 >> What happened to his wife?
00:23:20 [MUSIC]
00:23:22 >> Well, therein lies the truth about tragedies.
00:23:25 It brings some people close together and drives others apart.
00:23:32 [MUSIC]
00:23:48 There it is.
00:23:50 [MUSIC]
00:23:56 >> Do you mind standing here?
00:23:58 Let me talk to him alone.
00:24:00 >> You could have left me in the city.
00:24:01 >> I could have, but then you would have missed all that pretty green.
00:24:04 [MUSIC]
00:24:32 >> Yeah?
00:24:37 >> John, it's Joe.
00:24:39 >> Yeah, I know.
00:24:43 >> You gonna open the door?
00:24:44 There's something I'd like to talk to you about.
00:24:46 >> Not interested.
00:24:48 >> John, I just drove three hours to come and see you.
00:24:52 Come on, you know me well enough to know that I'm not leaving.
00:24:56 And I'll kick down this door if I have to.
00:25:07 >> You ever been in the eye, you know that?
00:25:10 >> Yeah, I've heard that before.
00:25:22 >> You know, I sent you a letter like a year ago.
00:25:27 Did you get it?
00:25:29 >> Yep.
00:25:32 >> What did it say, John?
00:25:37 >> No parent should outlive a child.
00:25:58 >> So this is where you've been holed up.
00:25:59 >> Uh-huh.
00:26:02 >> I see you've settled in.
00:26:08 You know, it's a beautiful day out there.
00:26:10 >> Yeah, that's what they tell me.
00:26:14 >> So you don't get out much?
00:26:42 >> You want a soda?
00:26:44 >> No, thank you, I'm good.
00:26:45 >> Don't have any cigarettes?
00:26:46 >> It's all right.
00:26:47 I actually gave them up a few months ago.
00:26:49 Meet my new addiction.
00:26:53 >> How are the kid okay?
00:26:55 >> Yeah, they're good, thank you.
00:26:57 Elizabeth, you heard from her yet?
00:26:59 >> No.
00:27:02 >> You will.
00:27:06 >> So besides wanting to see you, I've got a situation that I'd like you to take a look at.
00:27:13 >> Uh-huh.
00:27:14 >> Maybe I can just tell you about the victims.
00:27:16 >> I told you I'm not interested.
00:27:18 By the way, who's your girlfriend?
00:27:24 >> That is my loyal partner, agent Cowles, who apparently doesn't listen to a word I say.
00:27:31 >> SAC Joe.
00:27:34 Thought you might want to take the call.
00:27:37 >> Excuse me, Joe.
00:27:48 >> Hi.
00:27:49 >> Hi.
00:27:51 >> I brought the case files.
00:27:53 >> It wasn't necessary.
00:27:55 >> The agencies changed the guidelines for the way we break down the cases.
00:28:00 It makes them more readable.
00:28:02 >> Well, that's a relief.
00:28:06 >> We got to go.
00:28:13 >> Three murders.
00:28:14 Identical M.O.
00:28:16 >> Agent Cowles.
00:28:29 >> I'll leave the case files here.
00:28:37 >> John.
00:28:40 You okay?
00:28:43 >> If you change your mind about this, you know where to find me.
00:29:10 >> Find your fire. Live bold. L.A. Bold.
00:29:16 >> L.A. Mineral is different. It's smoother and fresher.
00:29:19 >> L.A. Mineral is different.
00:29:21 Each drop contains balanced essential minerals that are important for the body and also makes the water taste fresher.
00:29:27 >> And lighter.
00:29:28 >> L.A. Mineral.
00:29:29 >> Find your fire. Live bold. L.A. Bold.
00:29:44 >> Kopiko Extra Besar.
00:29:48 >> This is better than the coffee.
00:29:52 >> Mmm, it's delicious. I'm out of it. I'm out of it. I'm out of it.
00:29:57 >> Kopiko.
00:29:59 >> Aqua believes in the miracle of nature.
00:30:02 >> So we don't use a single gallon.
00:30:05 >> We sanitize our gallons together before refilling.
00:30:11 >> Aqua 100% pure.
00:30:14 >> As a mother, I always give optimal protection.
00:30:18 >> Nutrilion Royal.
00:30:20 >> Higher than Phosgos DHA and Omega, your support makes it win.
00:30:24 >> Winner is Nutrilion.
00:30:26 >> Nutrilion Royal. Supported by Win.
00:30:29 >> Every day, my family gets hot, which makes them sweat, sweat and smell.
00:30:37 >> They need something fresh.
00:30:39 >> Take a bath with Detol.
00:30:41 >> Refreshing mint and yuzu lime.
00:30:43 >> Give a 5 degree sensation, more cool.
00:30:46 >> And protect from body odor.
00:30:52 >> Detol. Protected with 5 degree sensation, more cool.
00:30:57 >> Detol.
00:31:00 [Music]
00:31:03 [Music]
00:31:06 [Music]
00:31:32 [Music]
00:31:35 >> As a mother, I always give optimal protection.
00:31:55 >> Nutrilion Royal.
00:31:57 >> Higher than Phosgos DHA and Omega, your support makes it win.
00:32:01 >> Winner is LEMINERAL.
00:32:03 >> Nutrilion Royal. Supported by Win.
00:32:06 >> To get the best water source, LEMINERAL does hundreds of explorations.
00:32:11 >> Every drop contains balanced essential minerals that are important for the body.
00:32:15 >> A new gallon and free of BPA.
00:32:18 >> This is LEMINERAL's commitment.
00:32:20 >> I want noodles.
00:32:22 >> I want noodles.
00:32:23 >> Please.
00:32:24 >> Don't worry, the kids keep asking for noodles.
00:32:27 >> Don't worry, there's Mie Oven.
00:32:29 >> The choice is healthier.
00:32:31 >> The product is in the oven, not fried.
00:32:33 >> The water is clear.
00:32:34 >> The noodles are chewy.
00:32:35 >> The wet seasoning makes it more delicious.
00:32:38 >> I want it too.
00:32:39 >> It's delicious.
00:32:45 >> I want more.
00:32:46 >> Sure.
00:32:47 >> As long as it's Mie Oven.
00:32:48 >> The noodles are straight, healthier, and more delicious.
00:32:51 >> Oh, it's hard.
00:32:53 >> Come here, let me show you how.
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00:33:34 >> Hurry up before it runs out.
00:33:36 >> I think all mineral water is the same.
00:33:38 >> Mineral tea is different.
00:33:40 >> Mineral tea is different.
00:33:42 >> Each drop contains balanced essential minerals that are important for the body.
00:33:46 >> And also makes the water taste fresher.
00:33:49 >> The freshness.
00:33:50 >> Mineral tea.
00:33:54 >> This is a week, right?
00:33:56 >> Stop working.
00:33:57 >> Hi, everyone. Let's have fun.
00:34:00 >> Wo-o-o-o-o-re-o.
00:34:02 >> Wo-o-o-o-o-re-o.
00:34:04 >> Aqua believes in the miracle of nature.
00:34:08 >> So we don't use a single straw.
00:34:12 >> Our straw is sanitized together before being filled again.
00:34:16 >> Aqua 100% pure.
00:34:21 >> The great thing about Bebelag is that it is enriched with a clear phosgos,
00:34:24 >> supports good digestion, and triple A with higher DHA.
00:34:28 >> Stimulates the creative mind of the child.
00:34:30 >> Both of them help grow a big heart.
00:34:33 >> Bebelag, all-rounder.
00:34:36 >> Yeah, where's the place?
00:34:38 >> Just order it.
00:34:39 >> Only Teh Pucuk Harum from Pucuk Teh Pilihan.
00:34:43 >> Keep your spirit up to face the challenge.
00:34:47 >> Make your day more exciting.
00:34:49 >> Teh Pucuk Harum.
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00:35:49 [Music]
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00:35:53 [Music]
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00:36:39 [Music]
00:36:43 (singing in foreign language)
00:36:47 (singing in foreign language)
00:36:51 (singing in foreign language)
00:36:55 (singing in foreign language)
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00:37:03 (singing in foreign language)
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00:37:10 (singing in foreign language)
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00:37:18 (singing in foreign language)
00:37:22 (singing in foreign language)
00:37:26 (singing in foreign language)
00:37:29 (singing in foreign language)
00:37:33 (screaming)
00:37:36 (dramatic music)
00:37:38 (dramatic music)
00:37:41 - Hi, Joe.
00:38:07 - John.
00:38:08 - Make no promises.
00:38:10 I'll stay maybe one day, maybe one week.
00:38:13 - Deal.
00:38:16 No promises.
00:38:16 - You knew I'd come back, huh?
00:38:20 - Well, I had high hopes.
00:38:22 You remember Agent Cowles?
00:38:23 - Yep.
00:38:24 - Or perhaps I should say Dr. Cowles,
00:38:25 but the doctorate in--
00:38:26 - Psychopathology, Columbia.
00:38:28 - She was on her way to becoming a professor at NYU
00:38:31 before the Bureau snagged her.
00:38:33 - You gave up academia for this man, Elsa?
00:38:35 - Well, they let me carry a gun.
00:38:37 - Wow.
00:38:38 So sexy.
00:38:39 - You two are gonna make a hell of a team.
00:38:44 John, you know when someone's about to do something,
00:38:46 and Katherine, you know why they're about to do it.
00:38:48 Run this through, just keep it down here for us
00:38:50 when we come out.
00:38:51 - You bet.
00:38:52 - Dr. Clancy, before we go upstairs,
00:38:54 with all due respect, I don't hold an ounce of confidence
00:38:56 in the paranormal as a field, as a whole.
00:38:59 I think it's a sham.
00:39:00 I hope that won't be a problem.
00:39:02 - No, no problem at all.
00:39:03 I feel the same about shrinks.
00:39:05 - After only one thing, your money.
00:39:07 Give me a little finger, they'll take your whole hand.
00:39:09 - Whoever said that has obviously never met a good one.
00:39:12 - Lucidman Freud.
00:39:14 (bell ringing)
00:39:17 Like I said, a hell of a team.
00:39:21 - Consistency number one, method.
00:39:25 Each victim was killed by a puncture wound
00:39:28 at the base of the skull,
00:39:29 inflicted by a five-inch instrument.
00:39:32 It went straight into the medulla oblongata,
00:39:35 immediate, according to the coroner, painless execution.
00:39:39 - These photos are all post-mortem.
00:39:41 - You know, a couple of them,
00:39:42 they almost look alive, don't they?
00:39:44 - Consistency number two, no mistakes.
00:39:47 Crime scenes so far have yielded no evidence
00:39:51 of DNA, hair fibers, shoe prints, nothing.
00:39:55 - No witnesses either.
00:39:56 Ward lived in a secure building with a doorman,
00:39:58 still no signs of forced entry.
00:40:00 - On the site front, it's unheard of.
00:40:02 There's no geographical, chronological,
00:40:06 or astrological pattern to the murder.
00:40:09 No robbery.
00:40:10 - Other than that, though,
00:40:12 I think we got a pretty good handle on this case.
00:40:14 - John.
00:40:20 John.
00:40:23 - Yeah.
00:40:27 - Robert Ellis, the kid in Mount Pleasant.
00:40:30 - He was eating ice cream.
00:40:32 - He was.
00:40:33 Where do you wanna start, John?
00:40:38 - How about the beginning?
00:40:43 - Residents of Mrs. Ethel Jackson, age 69.
00:40:55 She lived alone with three cats,
00:40:56 was a regular at church.
00:40:58 Landlady grew suspicious,
00:41:00 which she hadn't seen nor talked to her in two days.
00:41:03 She was found killed in that rocking chair.
00:41:06 On the television, the cooking channel played.
00:41:09 And the note we were looking at earlier
00:41:11 was here on this table.
00:41:15 It's my wife, I'm sorry, I need to take this.
00:41:21 So you don't go alone.
00:41:22 (door creaking)
00:41:25 - What'd you make of the note?
00:41:28 - A shrink's perspective?
00:41:29 - Yeah.
00:41:31 - It's a classic riddle.
00:41:32 I will tell you in two words who I am,
00:41:36 what I do, and how I live, may I?
00:41:38 Taunting questions designed to mislead.
00:41:43 Asking our permission to reveal himself,
00:41:46 yet never intending to.
00:41:49 It's playful, but only one person is playing here.
00:41:53 It's solitaire.
00:41:55 Or is it something more?
00:41:59 Is it a cry for help?
00:42:02 Is it an indication of split personality disorder
00:42:05 where the riddler is asking themselves and us
00:42:08 who they actually are?
00:42:10 But no, that's not consistent with the crime.
00:42:12 This is too controlled, too sharp.
00:42:16 There's something else going on here.
00:42:19 (suspenseful music)
00:42:21 It's like he's looking for someone.
00:42:23 So?
00:42:37 - She likes huts.
00:42:40 - Hey, how we doing?
00:42:44 - Fantastic.
00:42:46 (gunshot)
00:42:48 - Catherine is working up a full psych profile
00:42:57 based on the note.
00:42:58 - But she's going to go home now and finish.
00:43:01 - Okay.
00:43:02 - I'll see you in the morning.
00:43:02 - Yes.
00:43:03 So John, how about I buy you dinner?
00:43:08 Special treat, best place in town.
00:43:10 - I need a jacket?
00:43:12 - Hell no you don't, I got connections.
00:43:14 I know the major D.
00:43:15 God, goddammit, this is so good.
00:43:22 John?
00:43:23 - No, not for me.
00:43:24 - Here John, one more please.
00:43:25 Yeah?
00:43:26 - Yes sir, coming up.
00:43:27 - My boy is having a rough time at school,
00:43:30 people are in tears again today.
00:43:31 - Being bullied?
00:43:32 - Yeah.
00:43:33 I don't know what to do.
00:43:35 - I know, just give him a hug, tell him a joke.
00:43:39 - A joke?
00:43:42 - Yeah, a joke.
00:43:44 - I don't know any jokes.
00:43:45 I'm serious John, come on.
00:43:46 In the name of friendship, tell me a joke.
00:43:50 - Me?
00:43:51 I don't have any jokes.
00:43:53 - Okay, just one.
00:43:54 This woman, Mrs. Jones,
00:43:57 she's suffering from a rare heart condition.
00:44:01 Doctor prescribes her a male hormone, probably testosterone,
00:44:05 to two pills a day.
00:44:07 She takes them and a month later she goes back to the doctor
00:44:09 and says, "Doctor, that hormone that's doing wonders
00:44:12 "for my heart, the only problem is I'm growing hair
00:44:15 "in places I've never grown hair before."
00:44:17 He says, "Don't worry about it, Mrs. Jones.
00:44:18 "Excessive hair is to be expected."
00:44:21 Where exactly is this hair growing?
00:44:22 She's on my balls, Doctor, on my balls.
00:44:24 That's funny, isn't it?
00:44:29 - John, I can't tell that to my little boy.
00:44:34 - Say, testicles.
00:44:34 - Yeah, that cleans it right up.
00:44:37 - Biology.
00:44:38 (laughing)
00:44:40 It's a good joke, though, isn't it?
00:44:41 - Yeah.
00:44:42 - Don't you like that?
00:44:43 - I remember Elizabeth telling me
00:44:46 that's why she fell in love with you.
00:44:48 - What was that?
00:44:49 - That smile.
00:44:51 - What was the smile?
00:44:53 - 'Cause I don't think it was her joke that one.
00:44:55 (screaming)
00:45:04 - Well, John, do I have another sandwich coming here or what?
00:45:08 - Coming up.
00:45:09 (laughing)
00:45:11 (engine revving)
00:45:14 (upbeat music)
00:45:16 (engine revving)
00:45:21 - Find your fire.
00:45:30 Live bold.
00:45:32 L.A. Bold.
00:45:32 (speaking in foreign language)
00:45:37 (speaking in foreign language)
00:45:41 (engine revving)
00:45:51 - Find your fire.
00:46:00 Live bold.
00:46:02 L.A. Bold.
00:46:02 (speaking in foreign language)
00:46:07 (speaking in foreign language)
00:46:11 (speaking in foreign language)
00:46:22 (birds chirping)
00:46:36 (speaking in foreign language)
00:46:40 (speaking in foreign language)
00:46:44 (speaking in foreign language)
00:46:48 (speaking in foreign language)
00:46:52 (speaking in foreign language)
00:46:56 (speaking in foreign language)
00:47:00 - Oh.
00:47:05 (speaking in foreign language)
00:47:09 (speaking in foreign language)
00:47:22 (speaking in foreign language)
00:47:26 (birds chirping)
00:47:38 (speaking in foreign language)
00:47:42 (speaking in foreign language)
00:47:46 (birds chirping)
00:48:06 (speaking in foreign language)
00:48:10 (speaking in foreign language)
00:48:14 (speaking in foreign language)
00:48:18 (speaking in foreign language)
00:48:37 (speaking in foreign language)
00:48:41 (speaking in foreign language)
00:48:53 (speaking in foreign language)
00:49:06 (speaking in foreign language)
00:49:10 (speaking in foreign language)
00:49:14 (speaking in foreign language)
00:49:18 (speaking in foreign language)
00:49:22 (speaking in foreign language)
00:49:26 (birds chirping)
00:49:50 (speaking in foreign language)
00:50:19 (speaking in foreign language)
00:50:23 (speaking in foreign language)
00:50:48 (speaking in foreign language)
00:50:52 (speaking in foreign language)
00:50:56 - SG Maxplore.
00:50:59 (speaking in foreign language)
00:51:03 (speaking in foreign language)
00:51:07 (speaking in foreign language)
00:51:20 (speaking in foreign language)
00:51:24 (speaking in foreign language)
00:51:41 (speaking in foreign language)
00:51:45 (speaking in foreign language)
00:52:06 (speaking in foreign language)
00:52:10 (plane engine roaring)
00:52:34 - Tonight as we were leaving Ethel Jackson's,
00:52:36 you were onto something.
00:52:37 Come on, John, talk to me.
00:52:45 Will you now?
00:52:46 Look, I want this over as quickly and as badly as you do,
00:52:51 but you gotta tell me what you're seeing.
00:52:53 - I don't know yet.
00:52:56 ♪ I'm slowly dreaming too ♪
00:53:01 ♪ Of you ♪
00:53:06 ♪ To be against the way ♪
00:53:12 ♪ From you ♪
00:53:15 - Oh, dad.
00:53:19 ♪ I'm on my way ♪
00:53:24 ♪ I'm on ♪
00:53:28 ♪ I'm on ♪
00:53:31 (plane engine roaring)
00:53:34 - John.
00:53:35 - What's Atticus?
00:53:47 John?
00:53:47 (plane engine roaring)
00:53:59 (plane engine roaring)
00:54:02 - Received an anonymous call from a pay phone an hour ago,
00:54:14 offering way too specific information
00:54:15 about the Peter Ward murder.
00:54:17 Enlisted a Midtown address.
00:54:19 PD has secured the perimeter, waiting for us to go in.
00:54:27 - Clear.
00:54:28 Clear.
00:54:31 - Joe, take a look at this.
00:54:41 - What do you think?
00:54:52 - 416, bible verse.
00:54:56 - That's the time.
00:54:58 Four minutes ago.
00:54:59 - 416, precisely.
00:55:03 You're just right.
00:55:06 - Oh, he's here.
00:55:07 (suspenseful music)
00:55:10 ♪ Oh babe ♪
00:55:25 ♪ Oh babe ♪
00:55:27 ♪ Oh babe ♪
00:55:29 ♪ I love you so ♪
00:55:31 - You good?
00:55:32 - Good.
00:55:33 ♪ I love you so ♪
00:55:34 - Go.
00:55:34 ♪ I love you so ♪
00:55:36 ♪ I love you so ♪
00:55:37 - Mrs. Raymond, FBI.
00:55:38 ♪ Babe, you know it's true ♪
00:55:41 ♪ Nobody else will ever do ♪
00:55:45 ♪ Your parents don't understand ♪
00:55:48 ♪ That you're my girl and I'm your man ♪
00:55:52 ♪ Oh babe ♪
00:55:53 ♪ Oh babe ♪
00:55:55 ♪ Oh babe ♪
00:55:56 - Please turn that off.
00:55:57 - Bingo.
00:56:06 - Wound on the back of the neck.
00:56:07 Familiar.
00:56:09 - She's been dead a while, five, six hours.
00:56:12 Perp must've hung around to leave that note.
00:56:13 - He left hours ago.
00:56:14 - You two mind clear the room for us, please?
00:56:22 - Thank you.
00:56:23 John.
00:56:28 Same type font as 416 and the note of Ethel Jackson's.
00:56:35 - You okay?
00:56:41 - Go ahead, take a look.
00:56:44 - Can I touch her?
00:56:46 - Yeah.
00:56:47 (eerie music)
00:56:50 - Oh, David.
00:56:58 David?
00:57:07 ♪ Please have courage and be strong ♪
00:57:12 ♪ For my dear, it won't be long ♪
00:57:15 ♪ We'll get married when the sea ♪
00:57:18 ♪ I'll run to you when you're in ♪
00:57:22 ♪ Oh David ♪
00:57:24 ♪ Oh David ♪
00:57:25 ♪ Oh David ♪
00:57:27 ♪ I love you so ♪
00:57:29 ♪ I love you so ♪
00:57:31 ♪ I love you so ♪
00:57:33 ♪ I love you so ♪
00:57:34 ♪ I love you so ♪
00:57:36 ♪ Oh David, I love you so ♪
00:57:39 ♪ I'll never, ever let you go ♪
00:57:44 ♪ I'll never, ever let you go ♪
00:57:48 - John?
00:57:53 You all right?
00:57:56 - Yeah.
00:57:56 - What are you seeing?
00:58:00 - I'm not sure.
00:58:00 Okay.
00:58:10 - What?
00:58:14 - Don't touch the bathwater.
00:58:15 - Why?
00:58:16 - Just don't touch it, I'm not sure why.
00:58:18 - Joe, holy shit, we may have a suspect.
00:58:21 - Who?
00:58:21 - David Raymond, the husband.
00:58:23 Says he was at the bar all night.
00:58:38 His bartender and his breath corroborate his story.
00:58:42 Agent Cowles, are you ready?
00:58:44 - Yes, sir.
00:58:45 - I want you to take the lead.
00:58:48 Mr. Raymond,
00:59:01 a cup of coffee.
00:59:04 It's been a long night for all of us.
00:59:06 - Thank you.
00:59:07 - If you don't mind,
00:59:11 I was gonna jump right into this, okay?
00:59:13 - Mr. Raymond.
00:59:16 - Yeah?
00:59:17 - We regret to inform you
00:59:19 that your wife, Victoria, died last night.
00:59:22 - Jesus.
00:59:25 Jesus Christ.
00:59:28 All right.
00:59:33 Oh, God.
00:59:35 - Mr. Raymond,
00:59:39 you were seen leaving your apartment building
00:59:42 last night in an agitated state.
00:59:43 Can you tell us why?
00:59:44 - Did she leave a note?
00:59:48 Did she leave a note?
00:59:49 - Mr. Raymond, your wife was murdered.
00:59:53 - What?
00:59:54 - Your wife was murdered.
00:59:56 She didn't leave a note.
00:59:57 - No, no!
01:00:00 Oh, Jesus, God.
01:00:02 - David, what do you think happened?
01:00:03 - She didn't commit suicide?
01:00:04 - Why do you think she committed suicide?
01:00:09 - The letter, I wrote a letter.
01:00:12 - This letter?
01:00:16 - What is that?
01:00:19 - You didn't write this?
01:00:21 - I left a letter.
01:00:24 - What did it say?
01:00:25 David?
01:00:30 (phone ringing)
01:00:33 - Victoria, I never meant to hurt you.
01:00:42 - Victoria, Victoria.
01:00:44 (crying)
01:00:47 - David, what did the letter say?
01:00:56 - You left her.
01:01:00 I was leaving her.
01:01:01 - Okay.
01:01:04 You were leaving her, why?
01:01:06 - He left her for someone else.
01:01:10 - I was leaving her for someone else.
01:01:11 - Another woman?
01:01:20 - Yes.
01:01:25 He's lying.
01:01:28 (crying)
01:01:30 - Could I have a word with Mr. Raymond?
01:01:33 - Dr. Clancy. - Sure.
01:01:34 All right, thanks.
01:01:37 You're telling the truth, or at least some of it.
01:01:50 You didn't kill your wife, did you, Mr. Raymond?
01:01:55 - No.
01:01:58 - But you believe the note you left
01:01:59 could have driven her to take her own life.
01:02:01 Your wife had a history of emotional instability,
01:02:08 and the note was telling her that you were leaving her
01:02:12 for someone else.
01:02:14 But your note failed to mention
01:02:17 you were leaving her for a man.
01:02:20 - I never meant to hurt you.
01:02:26 (dramatic music)
01:02:28 - How the (beep) do you know that?
01:02:30 - That in fact you had contracted HIV.
01:02:34 - Is that right?
01:02:38 (crying)
01:02:45 - Her blood was contaminated.
01:02:54 That's why, careful with the bath water.
01:02:57 - I want to see the files again.
01:02:59 - It's 7.30 in the morning, my family's up.
01:03:03 You feel like breakfast?
01:03:04 - Yeah.
01:03:05 - Let's go.
01:03:07 (speaking in foreign language)
01:03:12 (speaking in foreign language)
01:03:17 - Duff Ultimate Repair.
01:03:18 (speaking in foreign language)
01:03:22 (speaking in foreign language)
01:03:31 (speaking in foreign language)
01:03:35 (speaking in foreign language)
01:03:46 (speaking in foreign language)
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01:06:45 (speaking in foreign language)
01:07:00 (speaking in foreign language)
01:07:04 (speaking in foreign language)
01:07:27 (speaking in foreign language)
01:07:31 - Winner is Nutrillion!
01:07:39 (speaking in foreign language)
01:07:43 (speaking in foreign language)
01:07:48 (singing in foreign language)
01:07:54 (speaking in foreign language)
01:07:58 (speaking in foreign language)
01:08:02 (speaking in foreign language)
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01:08:11 (dramatic music)
01:08:14 (speaking in foreign language)
01:08:19 (speaking in foreign language)
01:08:23 (speaking in foreign language)
01:08:27 (speaking in foreign language)
01:08:31 - Smart clean system.
01:08:32 (speaking in foreign language)
01:08:36 (speaking in foreign language)
01:08:46 (speaking in foreign language)
01:08:52 (upbeat music)
01:08:59 (speaking in foreign language)
01:09:04 (speaking in foreign language)
01:09:09 (speaking in foreign language)
01:09:37 (speaking in foreign language)
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01:09:45 (speaking in foreign language)
01:09:49 (speaking in foreign language)
01:09:53 (speaking in foreign language)
01:09:57 - Thank you, Ms. Laura.
01:10:21 - You need to eat.
01:10:23 - Good, baby, thank you.
01:10:24 - Family's looking good, Chip.
01:10:26 - Yeah, they are, aren't they?
01:10:27 Been trying to spend as much time as I can
01:10:29 lately with them.
01:10:31 - We've seen Elizabeth.
01:10:32 - Oh, yeah? - Laura.
01:10:35 - We've kept in touch.
01:10:37 - Good.
01:10:38 - She still loves you, John.
01:10:39 - All right, so what do you think?
01:10:47 - Well, they're all incurably sick, terminally ill.
01:10:50 That is the consistency.
01:10:51 - We explored that, though.
01:10:52 It doesn't hold up.
01:10:54 - Ethel Jackson, the bigs, the hats and all that,
01:10:57 she was undergoing chemotherapy.
01:10:59 - That's right, three years ago.
01:11:00 She was in complete remission.
01:11:02 She was in the clear, John.
01:11:03 - No, no one's ever in the clear.
01:11:05 80% of cancers return, and whenever they do,
01:11:08 they're quite difficult to eliminate.
01:11:10 - So?
01:11:16 - So, Peter Ward, it turns out,
01:11:17 had the first signs of Lou Gehrig's disease.
01:11:19 They can be very slow, rather painful death.
01:11:22 And Victoria Raymond, she suffered chronic
01:11:24 suicidal depression, self-destructive behavior,
01:11:27 cutting, overdose, and that kind of thing.
01:11:30 - You finished your breakfast, Kevin?
01:11:31 - Yes, Mom.
01:11:32 - Hey, hey, hey, hey, backpack.
01:11:34 - Yes.
01:11:36 - Come here.
01:11:39 Say goodbye to John.
01:11:41 - Goodbye, John.
01:11:42 - Goodbye, monkey.
01:11:43 - Give your dad a hug.
01:11:44 - Bye, Dad.
01:11:46 See you after school.
01:11:47 - Yeah, man.
01:11:48 Have a good day.
01:11:50 - Okay.
01:11:51 - Have a good day out, Parker.
01:11:53 - Bye, honey.
01:11:54 - Okay, let's say I give you Anthel Jackson
01:11:59 and Peter Ward, two words that destroy this whole theory.
01:12:03 Robert Ellis, the boy in Mount Pleasant.
01:12:05 And not only was he healthy,
01:12:06 his parents were Christian scientists.
01:12:08 They don't believe in medicine,
01:12:09 so the boy doesn't even have a medical file.
01:12:11 - Let us go talk to them.
01:12:12 - Okay.
01:12:13 - You have your appointment number?
01:12:16 - Right, I do.
01:12:16 I have a phone call with the director at 9 a.m.,
01:12:21 which I am immensely looking forward to,
01:12:23 so I will call Catherine and have her take you.
01:12:25 - Okay.
01:12:26 - Dr. Clancy,
01:12:29 how do you refer to it?
01:12:33 - To what?
01:12:35 - To what you have.
01:12:39 Depression, sclervoyance, precognition.
01:12:44 - Oh, it's a hoot.
01:12:45 Laugh a minute.
01:12:46 - I'm serious.
01:12:50 (paper rustling)
01:12:52 - What is it you see exactly?
01:12:54 Do you see people's futures?
01:12:57 - Oh, sometimes bits and pieces of their futures,
01:13:00 bits and pieces of their past.
01:13:01 It's all the same in the end.
01:13:02 - Is it mystical or religious in any way?
01:13:04 - No, no, I'm a scientist.
01:13:06 I believe in theoretical physics
01:13:08 and biochemistry and that's it.
01:13:10 Whatever it is, I have to get the super duper deluxe edition
01:13:14 of what people now call intuition or gut reaction.
01:13:18 (car engine roaring)
01:13:21 - Do you see anything now?
01:13:22 - What do you mean?
01:13:25 About you?
01:13:26 - I guess so.
01:13:28 - Nope, nothing.
01:13:32 - At all?
01:13:34 - At all.
01:13:34 - Just nothing?
01:13:36 - Nothing at all.
01:13:39 (car door opening)
01:13:46 - So how is the investigation going?
01:13:49 - It's improving.
01:13:51 We believe we know why your son was killed,
01:13:55 why he was chosen.
01:13:56 Mr. Ellis, I need to ask you a few questions,
01:14:00 but I don't want to upset you.
01:14:01 - It's all right.
01:14:03 I ask you if I can, I'd like to help.
01:14:06 - Do you remember in the weeks or months
01:14:09 leading up to Robert's death,
01:14:11 was he at his best?
01:14:12 Was he healthy?
01:14:14 - Perfectly.
01:14:16 - He never complained of any pain?
01:14:18 Did he ever have trouble keeping up
01:14:21 with other boys at school?
01:14:22 Was he ever short of breath or?
01:14:25 - No, no.
01:14:28 - Be careful.
01:14:37 - I will.
01:14:38 Robert was a sculptor?
01:14:43 - Yeah, well he enjoys it.
01:14:46 He enjoyed it.
01:14:47 He had very good hands.
01:14:48 - I'm so sorry, Mr. Ellis.
01:14:54 They're beautiful.
01:15:06 - Thank you.
01:15:08 - What happened to this one?
01:15:10 - He knocked it over maybe a day or two before.
01:15:15 - How did he knock it over?
01:15:17 - I don't remember.
01:15:18 Kids are clumsy.
01:15:20 - Robert especially?
01:15:22 - No.
01:15:24 Sometimes he upset his glass at dinner.
01:15:28 - Were you talking to them?
01:15:30 - They just got here.
01:15:32 - Did you catch it?
01:15:35 - No.
01:15:36 - Then what are you doing here?
01:15:40 - Mrs. Ellis,
01:15:42 there was another murder last night.
01:15:44 We believe it's the same man that killed your son.
01:15:48 All of the other victims have suffered
01:15:51 from an illness or a condition and--
01:15:53 - Robert was 12.
01:15:55 He wasn't sick.
01:15:56 - We'd like to verify that.
01:15:58 - And just how do you plan on doing that?
01:16:00 - We'd like to conduct an autopsy.
01:16:02 - You wanna dig my son's body up?
01:16:04 You wanna pry him open and search right inside him?
01:16:07 - Yes, we do.
01:16:08 - Who are you?
01:16:10 - I'm a doctor.
01:16:11 - He wasn't sick.
01:16:12 And even if he was, he did not need a man like you.
01:16:16 It's fate.
01:16:20 It's just that some people do not have the courage
01:16:25 to accept the wisdom of the Lord.
01:16:27 - I agree with you, Mrs. Ellis, absolutely.
01:16:31 I know the limitations of medicine firsthand.
01:16:34 As a doctor, I've diagnosed hundreds of patients
01:16:36 and I've watched death growing inside a lot of people.
01:16:39 I've watched death growing inside a lot of them,
01:16:41 inside my own daughter, for example,
01:16:42 as she had leukemia.
01:16:44 For two whole years, all I could do
01:16:46 was go to the hospital every single day,
01:16:48 sit there, watch her suffer every procedure, every test.
01:16:52 All totally useless, of course.
01:16:54 And one day she died.
01:16:56 That was that.
01:16:59 In the end, of course, it was a bit of a blessing.
01:17:03 At least I think it was.
01:17:04 So yes, I do understand something about fate,
01:17:06 Mrs. Ellis, and I certainly couldn't use medicine
01:17:10 to alter God's plan.
01:17:12 I just want to know why your son was killed.
01:17:16 And medicine can help me discover that.
01:17:19 And then perhaps it can help me catch the man
01:17:22 who killed your little boy.
01:17:26 (dramatic music)
01:17:29 What is it?
01:17:37 Check the center panel.
01:17:41 Whoa, what's this?
01:17:51 Well, here's your answer.
01:17:52 What?
01:17:54 (dramatic music)
01:17:56 Brain tumor, size would be,
01:17:58 hidden in the cerebellum.
01:18:01 (dramatic music)
01:18:04 John.
01:18:08 What's up, Doc?
01:18:10 Christ.
01:18:11 (dramatic music)
01:18:14 John.
01:18:21 I'm out.
01:18:23 Finished.
01:18:24 (dramatic music)
01:18:27 The facts, what the hell did it say?
01:18:33 Sir, I don't know.
01:18:34 The facts is marked urgent and confidential.
01:18:36 Jesus Christ, somebody trained you too well, kid.
01:18:38 (dramatic music)
01:18:41 John.
01:18:42 John.
01:18:44 God damn it, you gotta let somebody in on this.
01:18:47 It's a trap, the whole thing's a trap,
01:18:48 and we're walking right into it.
01:18:50 What, what?
01:18:51 You gotta talk to me.
01:18:53 He's way ahead of us,
01:18:56 and we're doing exactly what he wants us to do.
01:18:58 Don't you get it?
01:18:59 I'm out.
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01:25:02 (speaking in foreign language)
01:25:30 (speaking in foreign language)
01:25:57 (speaking in foreign language)
01:26:01 (dramatic music)
01:26:15 (water splashing)
01:26:18 (dramatic music)
01:26:21 (dramatic music)
01:26:24 (dramatic music)
01:26:27 (knocking)
01:26:29 (dramatic music)
01:26:31 - Dr. Clancy?
01:26:32 (knocking)
01:26:37 (dramatic music)
01:26:40 (dramatic music)
01:26:43 (phone ringing)
01:26:46 - Hi.
01:26:47 - Hi.
01:26:48 (dramatic music)
01:26:53 - You mind?
01:26:54 - Go ahead, you're paying for it.
01:26:56 - So we find a tumor that no one could have known about.
01:27:08 We establish connections between victims
01:27:12 that I freely admit I could never have seen.
01:27:15 And instead of stepping up and leading from the front,
01:27:19 you run out of an autopsy, which you asked for,
01:27:23 coincidentally, without any explanation,
01:27:26 and now you're packing your bags, and you're going home.
01:27:30 Forgive me, Clancy.
01:27:33 - Who am I?
01:27:38 I will tell you in two words who I am,
01:27:41 what I do, and how I live.
01:27:44 - The riddle left by the killer, what about it?
01:27:46 - That's not a riddle.
01:27:47 - What is it?
01:27:48 - I will tell you in two words who I am,
01:27:50 what I do, and how I live.
01:27:52 It's from the opera La Poemme by Puccini.
01:27:55 - So the killer is an opera nut, great.
01:27:57 That really helps with the profile, thank you, Clancy.
01:28:00 - No.
01:28:01 I'm the nut, I'm the opera nut.
01:28:04 I just happened to be listening to those lines,
01:28:08 those exact words, the very moment I was reading
01:28:10 the case files you bought me.
01:28:12 - I don't get it.
01:28:14 - He knew I'd be listening to that music.
01:28:16 He knew that you would ask me to help also.
01:28:19 He knew that we would arrive at the apartment
01:28:21 at exactly 4.16 a.m.
01:28:25 Because he knows everything.
01:28:29 You see, he's just like me, he sees things.
01:28:35 Only he's better at it, a whole lot better.
01:28:39 Come read that.
01:28:40 Come on, read it.
01:28:43 (clattering)
01:28:45 - Dr. Clancy.
01:28:57 Check the cerebellar lobe.
01:29:04 Okay.
01:29:07 So that's why you're quitting.
01:29:11 You've met your match.
01:29:12 - Oh no.
01:29:15 No, this guy, he's more than my match, he's way beyond me.
01:29:19 And I can't stop him, which begs a more important question.
01:29:23 Is he really worth stopping?
01:29:24 I mean, these people, these victims, or whatever we choose to call them,
01:29:27 they were dying anyway, so he's not killing them out of compulsion
01:29:31 or anger or any, I don't know, deviant psychosis
01:29:34 or anything like that, no, he's, I mean, the cigar, the ice cream,
01:29:37 the cocktails, the flowers in the bathtub and all that wacko stuff.
01:29:42 No, I mean, this guy is brilliant, and he's killing them with kindness.
01:29:48 Don't you get it?
01:29:51 It's mercy killing.
01:29:53 You see?
01:29:55 - It's murder.
01:29:56 - Mm-hmm.
01:29:57 But murder that may be sparing a whole lot of suffering.
01:30:00 - If this was your daughter, would you be saying the same thing, Clancy, would you?
01:30:04 [dramatic music]
01:30:10 I'm sorry, I didn't mean to.
01:30:12 [breathing heavily]
01:30:14 It's just, I...
01:30:18 I know your, I know your daughter died.
01:30:25 But we all die someday, don't we?
01:30:32 So what is it that's so terrible that you can't talk about?
01:30:39 - Okay.
01:30:43 So here's what I'm not telling you.
01:30:47 You lost your virginity to a drunk, pukey, good-looking stud called Bruce
01:30:51 in the back of his green Ford Bronco when you were 17.
01:30:54 You didn't like him very much because Bruce threw up all over you
01:30:57 after five years of you had a more serious problem.
01:31:00 You had a more serious boyfriend called Kevin.
01:31:03 No, sorry, Gavin.
01:31:04 You thought that might go the distance, but you're into that relationship.
01:31:07 You discovered one day that Gavin, that you were pregnant carrying Gavin's baby.
01:31:10 Gavin didn't want it, but you did, so Gavin ran away and he left you.
01:31:14 And two and a half months later, the baby was born.
01:31:17 She's a beautiful little girl called Amanda.
01:31:19 Really beautiful, but one day you just decided to give her away,
01:31:21 give her up for adoption.
01:31:22 You haven't seen her since.
01:31:23 It's breaking your heart, tearing your guts out,
01:31:26 why you pretend to be so foul-mouthed, hip-slick and cool.
01:31:30 Exactly twice a year on each of your parents' birthdays,
01:31:32 Dorian and Frank-- no, it's Maureen. No, it's Dorian, isn't it?
01:31:34 Anyway, on each of their birthdays, November 16, October the 23rd,
01:31:37 you call them in Cincinnati where they live to tell them that you love them both very much,
01:31:40 and they tell you, "We love you very much too, honey bunny."
01:31:44 And then you will cry and sob your heart out under that red goose down pillow
01:31:48 you love so much, and you'll hate my guts wishing me dead
01:31:50 for telling you all these horrible things.
01:31:52 You know what, Agent Goss, nobody gives a--
01:31:56 You want me to go on?
01:32:04 Go ahead.
01:32:06 What else do you see for me, Doctor?
01:32:09 Just go home, Kathy.
01:32:13 Just go home.
01:32:18 (sighs)
01:32:21 (music playing)
01:32:25 (sirens blaring)
01:32:51 (explosion)
01:32:54 (sirens blaring)
01:33:01 (sirens blaring)
01:33:05 (sirens blaring)
01:33:09 (sirens blaring)
01:33:37 (gunshot)
01:33:38 Hank.
01:33:44 Hank is...
01:33:47 Hank, come on!
01:33:51 Is this what you did?
01:33:52 Joe.
01:33:54 Joe.
01:33:56 Joe.
01:33:57 Joe.
01:33:58 Maybe you're right, Joe.
01:34:05 Maybe we can't catch this guy.
01:34:07 Maybe...
01:34:08 Maybe that's exactly what he wants, because we found a clue, John.
01:34:12 And I think it's a good one. I want you to see it.
01:34:15 Call it a personal favor.
01:34:19 Here, something bad is gonna happen.
01:34:24 Something really bad.
01:34:25 Whoopee!
01:34:28 Now let's see that walk.
01:34:31 (music playing)
01:34:35 (music playing)
01:34:38 (speaking in foreign language)
01:34:42 (music playing)
01:34:45 (speaking in foreign language)
01:34:51 (speaking in foreign language)
01:34:54 (speaking in foreign language)
01:34:59 (speaking in foreign language)
01:35:12 (speaking in foreign language)
01:35:18 (speaking in foreign language)
01:35:21 S-Game Explore.
01:35:23 (speaking in foreign language)
01:35:26 (speaking in foreign language)
01:35:37 (speaking in foreign language)
01:35:42 S-Game Explore.
01:35:43 (speaking in foreign language)
01:35:47 (speaking in foreign language)
01:35:50 (speaking in foreign language)
01:36:06 (speaking in foreign language)
01:36:11 (speaking in foreign language)
01:36:15 (speaking in foreign language)
01:36:25 (speaking in foreign language)
01:36:34 (speaking in foreign language)
01:36:38 (speaking in foreign language)
01:36:53 (speaking in foreign language)
01:36:57 (speaking in foreign language)
01:37:09 (upbeat music)
01:37:20 (speaking in foreign language)
01:37:24 (speaking in foreign language)
01:37:38 (speaking in foreign language)
01:37:42 (speaking in foreign language)
01:37:54 (upbeat music)
01:38:03 (speaking in foreign language)
01:38:05 (speaking in foreign language)
01:38:09 (speaking in foreign language)
01:38:21 (speaking in foreign language)
01:38:30 (speaking in foreign language)
01:38:34 (speaking in foreign language)
01:38:51 (speaking in foreign language)
01:38:59 (speaking in foreign language)
01:39:00 S-Game Explore.
01:39:01 (speaking in foreign language)
01:39:08 (speaking in foreign language)
01:39:18 (speaking in foreign language)
01:39:25 (speaking in foreign language)
01:39:29 (speaking in foreign language)
01:39:36 (speaking in foreign language)
01:39:43 (speaking in foreign language)
01:39:51 (speaking in foreign language)
01:39:55 (upbeat music)
01:40:05 (speaking in foreign language)
01:40:09 (upbeat music)
01:40:19 (doorbell ringing)
01:40:22 (speaking in foreign language)
01:40:47 (speaking in foreign language)
01:40:51 - The mystery fax was sent over the internet
01:41:05 by a high anonymity proxy,
01:41:07 so we've had trouble tracking that down.
01:41:09 But we also did a chemical analysis
01:41:11 of Victoria Raymond's bath water,
01:41:13 HIV positive, which we knew from the autopsy
01:41:16 and from you, but we found trace elements
01:41:19 of an anti-invertebrate toxin.
01:41:21 - Snail oil on the flowers.
01:41:23 - John, I gotta ask,
01:41:26 you just know this kind of weird crap,
01:41:28 or are you seeing it in my brain right now?
01:41:31 - All right, we're here.
01:41:34 This is where the flowers came from.
01:41:38 - Hey.
01:41:41 I owe you an apology.
01:41:45 - Let's play later.
01:41:46 You okay?
01:41:49 - John. - Yeah.
01:41:50 - Yeah.
01:41:53 - Wow.
01:41:56 - You shouldn't be doing this.
01:42:01 - I checked him already.
01:42:02 We gotta move. - Over here.
01:42:04 - Do it right now.
01:42:07 (dramatic music)
01:42:11 (sirens blaring)
01:42:14 - They look clipped, not torn off.
01:42:20 - I'll call forensics.
01:42:23 - John. - Uh-huh?
01:42:25 - You up for this? - Yeah, sure.
01:42:27 (sirens blaring)
01:42:38 (electronic whirring)
01:42:41 - Over there.
01:43:08 (dramatic music)
01:43:11 - The bottom half of the dress.
01:43:14 - Get Otis in from the 14th now.
01:43:17 - I'm on it.
01:43:19 This morning, we found top half of the dress
01:43:23 pasted to a wall in a tenement.
01:43:25 At least half the victim's blood supply.
01:43:27 I was sure it wasn't our guy.
01:43:30 - Still doesn't feel right.
01:43:32 - Otis is here.
01:43:36 - Otis is who?
01:43:37 - Besides you, he's the best there is.
01:43:42 - Otis, come on, boy.
01:43:45 Let's go.
01:43:46 Where's the item? - Right here, right here.
01:43:51 (dog barking)
01:43:55 - Let's go, boy, fight.
01:43:56 - Let's go, move it up, let's go.
01:43:59 - I want three blocks, we're in the way.
01:44:02 We're on our way to the other side.
01:44:05 - How far do we follow him?
01:44:06 - As far as he goes.
01:44:07 - I don't trust it.
01:44:09 Either this is useless or he's leading us
01:44:13 somewhere, maybe into a trap, I don't know.
01:44:15 - What do you want me to do, John?
01:44:16 Not follow the lead?
01:44:17 - No, you have to follow him, I don't know.
01:44:20 It's weird.
01:44:22 - Let's go, move it up, let's go.
01:44:27 - Possible subject location, bring me all units now.
01:44:29 (dog barking)
01:44:32 - You wearing a vest?
01:44:33 - Of course, we all are, John.
01:44:35 (dog barking)
01:44:36 - Let's go, move it up, let's go.
01:44:37 - Two men on each, exit six going in.
01:44:43 Sawyer here is gonna run the perimeter.
01:44:45 Let's go.
01:44:47 Go.
01:44:49 - Stairway up, stairway up.
01:44:51 Stairway up.
01:44:55 Landing, clear.
01:44:59 Stairway up.
01:45:01 Stairway up.
01:45:02 Landing, clear.
01:45:05 Open door, open door.
01:45:08 Close door left, close door left.
01:45:10 Long hallway, close door right.
01:45:11 (dog barking)
01:45:14 Close door left, close door left.
01:45:16 Close door right.
01:45:18 Close door right.
01:45:20 FBI, open up.
01:45:25 - Right here, okay.
01:45:26 Go.
01:45:30 - FBI, FBI.
01:45:31 - Danger on your left, danger on your left.
01:45:34 - Left side clear.
01:45:36 Left side clear.
01:45:38 - Room clear.
01:45:44 - Do you live here, sir?
01:45:49 Do you live here?
01:45:50 - This is my studio.
01:45:51 - What's your name?
01:45:53 - I'm Linus, Linus Harp.
01:45:55 - Mr. Harp, do you know who occupies the studio
01:45:57 across the hall from you?
01:45:59 - No, no, no one does.
01:46:00 It's up in time.
01:46:02 I'm a painter.
01:46:04 - That's great.
01:46:08 Can you please step outside with us?
01:46:10 - Can I lock up first?
01:46:11 - No, your studio is safe.
01:46:13 Step outside.
01:46:15 - Prongs.
01:46:17 (dramatic music)
01:46:20 - Freeze!
01:46:43 Freeze!
01:46:44 - Hands up!
01:46:48 - Move, move!
01:46:49 - Get him!
01:46:50 - Move!
01:46:51 - My mother (beep) jumped out the window
01:46:58 off the south exit, so I'm coming down.
01:47:00 - Can I get him to county?
01:47:01 - Don't, but how does it look?
01:47:04 - It's not great.
01:47:06 - Come on, get an ambulance now!
01:47:07 - Go with Catherine, go with Catherine.
01:47:10 - Come on, get him!
01:47:12 - Get him up!
01:47:13 - Get him!
01:47:14 - This is Bowman, you got anything?
01:47:15 - No, sir.
01:47:16 - We got anything?
01:47:17 - Dr. Fletcher!
01:47:18 - Anything?
01:47:19 - Get him!
01:47:20 (gunshot)
01:47:21 (sirens blaring)
01:47:24 (dramatic music)
01:47:27 - What am I looking for?
01:47:38 - I have no idea.
01:47:40 - A white male suspect.
01:47:41 - Left.
01:47:42 - Left here?
01:47:43 - Left here.
01:47:44 - I'm Baltimore, in pursuit.
01:47:47 - Agent, please give us a visual.
01:47:48 - Fletcher!
01:47:49 - We will when we can.
01:47:50 (sirens blaring)
01:47:53 - Yellow cab.
01:47:58 - Yes, sir!
01:47:59 - Stolen a yellow cab.
01:48:00 (sirens blaring)
01:48:03 - I need a number.
01:48:07 (dramatic music)
01:48:10 - 5M43.
01:48:14 - There!
01:48:15 (dramatic music)
01:48:18 (horn honking)
01:48:21 (dramatic music)
01:48:24 (tires screeching)
01:48:27 (dramatic music)
01:48:30 (tires screeching)
01:48:33 (tires screeching)
01:48:36 - Hey!
01:48:37 (dramatic music)
01:48:39 - Look out!
01:48:40 (tires screeching)
01:48:43 - We're gonna lose him!
01:48:45 (tires screeching)
01:48:48 - Hey!
01:48:49 (tires screeching)
01:48:50 - Take a left.
01:48:51 - But he went straight.
01:48:52 - Take a left!
01:48:53 (tires screeching)
01:48:56 - Okay, stop!
01:49:00 - Just sit back, John.
01:49:01 - Stop the car!
01:49:02 - Come on, I got this!
01:49:03 - Stop the (bleep) car!
01:49:04 Stop it!
01:49:05 (tires screeching)
01:49:06 - What's the matter with you?
01:49:07 - He's gonna get away.
01:49:08 - He's not gonna get, just stop the car.
01:49:10 - John, you want me to let him go?
01:49:12 - Shut up.
01:49:13 (dramatic music)
01:49:16 - Come on, come on, come on, come on.
01:49:19 (dramatic music)
01:49:22 - Right, go!
01:49:23 (tires screeching)
01:49:26 (dramatic music)
01:49:29 (tires screeching)
01:49:32 (dramatic music)
01:49:35 (tires screeching)
01:49:38 (dramatic music)
01:49:41 (tires screeching)
01:49:44 (dramatic music)
01:49:47 (glass shattering)
01:49:50 (tires screeching)
01:49:53 (glass shattering)
01:49:56 (dramatic music)
01:49:59 (glass shattering)
01:50:01 (dramatic music)
01:50:04 (John groaning)
01:50:07 - You okay?
01:50:08 - Yeah.
01:50:09 Are you?
01:50:10 - Yeah.
01:50:11 (dramatic music)
01:50:13 - Where is he?
01:50:14 (John groaning)
01:50:17 Where is he?
01:50:18 (dramatic music)
01:50:21 (John groaning)
01:50:24 (dramatic music)
01:50:27 (John groaning)
01:50:30 (dramatic music)
01:50:33 (John groaning)
01:50:36 (dramatic music)
01:50:39 (John groaning)
01:50:42 (dramatic music)
01:50:45 (John groaning)
01:50:48 (dramatic music)
01:50:51 (John groaning)
01:50:54 (dramatic music)
01:50:57 (dramatic music)
01:51:00 (dramatic music)
01:51:03 (dramatic music)
01:51:06 (dramatic music)
01:51:09 (dramatic music)
01:51:12 (dramatic music)
01:51:15 (dramatic music)
01:51:17 (John coughing)
01:51:20 (dramatic music)
01:51:23 (John coughing)
01:51:24 - You're not him.
01:51:25 (John coughing)
01:51:27 (John screaming)
01:51:30 (John coughing)
01:51:33 (dramatic music)
01:51:36 (dramatic music)
01:51:37 (speaking in foreign language)
01:51:39 (dramatic music)
01:51:42 (dramatic music)
01:51:44 (chewing)
01:51:45 (speaking in foreign language)
01:51:49 (dramatic music)
01:51:52 (speaking in foreign language)
01:51:56 (dramatic music)
01:52:00 (dramatic music)
01:52:13 (dramatic music)
01:52:19 (dramatic music)
01:52:22 (dramatic music)
01:52:25 (dramatic music)
01:52:28 (dramatic music)
01:52:31 (typewriter clacking)
01:52:34 (dramatic music)
01:52:37 (typewriter clacking)
01:52:40 (dramatic music)
01:52:43 (dramatic music)
01:52:46 (dramatic music)
01:52:49 (upbeat music)
01:52:52 (speaking in foreign language)
01:52:56 (upbeat music)
01:53:01 (upbeat music)
01:53:04 (dramatic music)
01:53:06 (speaking in foreign language)
01:53:10 (dramatic music)
01:53:13 (dramatic music)
01:53:16 (speaking in foreign language)
01:53:19 (upbeat music)
01:53:22 (speaking in foreign language)
01:53:26 (upbeat music)
01:53:37 (upbeat music)
01:53:40 (speaking in foreign language)
01:53:44 (dramatic music)
01:53:52 (speaking in foreign language)
01:53:56 (dramatic music)
01:54:02 (speaking in foreign language)
01:54:09 - Game Explore.
01:54:10 (speaking in foreign language)
01:54:14 (dramatic music)
01:54:21 (speaking in foreign language)
01:54:25 (speaking in foreign language)
01:54:29 - Game Explore.
01:54:30 (speaking in foreign language)
01:54:34 (dramatic music)
01:54:37 (speaking in foreign language)
01:55:04 (singing in foreign language)
01:55:08 (speaking in foreign language)
01:55:12 (speaking in foreign language)
01:55:14 (speaking in foreign language)
01:55:16 (speaking in foreign language)
01:55:20 (dramatic music)
01:55:22 (speaking in foreign language)
01:55:27 (dramatic music)
01:55:30 (speaking in foreign language)
01:55:34 (speaking in foreign language)
01:55:54 (speaking in foreign language)
01:55:58 (singing in foreign language)
01:56:08 (dramatic music)
01:56:22 (upbeat music)
01:56:25 (upbeat music)
01:56:28 (upbeat music)
01:56:31 (upbeat music)
01:56:34 (speaking in foreign language)
01:56:38 - S Game Explore.
01:56:40 (speaking in foreign language)
01:56:44 (dramatic music)
01:56:50 (speaking in foreign language)
01:56:54 - You want a moment alone with him?
01:57:06 - Yeah.
01:57:07 (dramatic music)
01:57:10 (breathing heavily)
01:57:13 (dramatic music)
01:57:20 (breathing heavily)
01:57:23 - Did you get the guy?
01:57:32 - No, Catherine did.
01:57:34 - Good for her.
01:57:36 It wasn't the guy, was it?
01:57:40 - No.
01:57:41 - So you were right.
01:57:45 He was just leading us down a path.
01:57:48 - Mm-hmm.
01:57:49 - Handing us the psychopath, huh?
01:57:53 And now, now he's got another terminal case to show for it.
01:58:00 - Stage four cancer.
01:58:04 - You picked up on that, hadn't you?
01:58:07 I figured.
01:58:08 I appreciate you not making me talk about it.
01:58:16 I got the diagnosis a few months ago
01:58:21 and it was too advanced to do anything about it.
01:58:26 You will, you'll check on Laura and my little man
01:58:31 every now and again?
01:58:33 - Yes, of course I will.
01:58:35 - Hell, John, I'm not ready to die.
01:58:44 I guess, you know, I've been planning on it.
01:58:49 I've been expecting it for a little bit,
01:58:53 but not for a few more months.
01:58:56 You know, I have so much stuff to do.
01:58:59 I want to move Laura out to the country.
01:59:03 I want to teach my little boy to drive.
01:59:07 - You were always a lousy driver.
01:59:11 - I know.
01:59:13 I wanted him to take after his dad.
01:59:17 You know, we want for so much in life, you know?
01:59:28 And then we get it.
01:59:31 I have it.
01:59:34 Whenever I have the time, there's just no time left.
01:59:39 - Well, you did a hell of a lot with your life in time, my friend.
01:59:45 - Not enough, John.
01:59:47 - You did.