The Eagle's Brood (1935)
Passed | 61 min | Action, Western | 25 October 1935 (USA)
When the outlaw El Toro saves Hoppy's life, Hoppy agrees to find his missing grandson.
Director: Howard Bretherton
Writers: Clarence E. Mulford, Doris Schroeder (screenplay)
Stars: William Boyd, James Ellison, William Farnum
Passed | 61 min | Action, Western | 25 October 1935 (USA)
When the outlaw El Toro saves Hoppy's life, Hoppy agrees to find his missing grandson.
Director: Howard Bretherton
Writers: Clarence E. Mulford, Doris Schroeder (screenplay)
Stars: William Boyd, James Ellison, William Farnum
Category
🎥
Short filmTranscript
01:00Where's that gold you've been carrying?
01:03I do not know what you speak of, senor.
01:06Maybe this will help you to understand.
01:09Is that? Is that?
01:11You're killing me!
01:12Shut up!
01:14Ah!
01:16Ah!
01:22Ah!
01:24Ah!
01:29Get those bags off me!
01:31Steve, split them open!
01:43Where's the gold, Henry?
01:45Here's some more. I got his wallet.
01:47You got it all?
01:48Yep.
01:49Come on, let's go!
01:54Come on! Come on! Come on!
02:10Mom! Mom! Wake up! Wake up!
02:16Dad!
02:19Mom! Wake up! Wake up!
02:23Excuse me, mama.
02:32What has happened, everyone?
02:34I can't wake my mama.
02:36And me either.
02:40Come along.
02:43Wake my mama up.
02:53Dad!
03:16Hey, what's the idea?
03:18We're splitting that gold up right now.
03:20That stays right where it is until things quiet down.
03:22You want to advertise you're in on a killing?
03:24Big Henry's right, Mike.
03:28Hey.
03:30Let's see that wallet you took.
03:42Hey.
03:43We've let ourselves in for a lot of trouble.
03:46That young fellow was the son of Pedro Chavez.
03:48El Toro.
03:50He was delivering the gold to a bank in Tucson for El Toro.
03:53El Toro won't let this matter drop without trying to even scores.
03:57He'll track us down if it takes the rest of his life.
03:59That's right.
04:01And I ain't hankering to have him stake me out on an anthill.
04:03Quit worrying, will you?
04:05He won't find out who did it unless we tell him.
04:07I want no witnesses.
04:13Hey, Big Henry.
04:14Listen, Spike.
04:15You didn't see anybody pass through town on a wagon today.
04:18Didn't I?
04:19Well, how about that Mexican fellow that bought a drink with gold on it?
04:22You didn't see that.
04:24Well.
04:26You say so.
04:27I guess I didn't.
04:29Why?
04:30Something happen to him?
04:31Him and his wife had a bad accident.
04:33Oh, that's a shame.
04:35How about the little boy?
04:37Was he killed too?
04:39What little boy?
04:41The one that was in the wagon that didn't pass through town.
04:44He was about so high with black eyes and wore a Mexican suit.
04:47You talk too much.
04:48Get out and keep your mouth shut.
04:57If you don't want El Toro on our necks, find that kid.
05:15Pablo, eat your dinner.
05:17I'm hungry.
05:21Oh, Pablo, you must eat and grow up to be a big man like this grandfather you tell me of.
05:26He said you were going to take me to him.
05:29But we couldn't ride a hundred miles over the border tonight.
05:35Oh, no, Pablo, please.
05:36Come eat your dinner.
05:37Dolores has picked it for you.
05:41You're tired, poor darling.
05:44Come.
05:45Let's go to bed now.
05:53Pablo, darling, I'm going right now to tell big Henry about you.
05:57He will see that you're taken home.
06:02Good night.
06:15Good night.
06:33God bless my mother, my father, my grandfather, and me.
06:41And Dolores.
06:45Good night.
07:03Hello, Dolores.
07:04Oh, hello there.
07:10Hello, Spike.
07:12Where is Henry?
07:13In the office.
07:15Oh, careful now.
07:17You nearly got him.
07:28Hello, my darling.
07:29Why don't you knock before you come in here?
07:31What do you want?
07:32Oh, good.
07:33Now that's no concern of yours.
07:35Henry, I want you to do a little favor for me.
07:38What is it?
07:39Another new dress?
07:40A new dress I always want, but this is something different.
07:43Well, out with it.
07:44What is it?
07:45Well, if Ed and Stephen are too busy tomorrow, I want them to...
07:52Now, we have got something to worry about.
07:54We looked in every direction from the wagon.
07:56Not one single sign of that little brat.
07:58Shut up.
08:01What's the matter, Henry?
08:02Nothing that concerns you.
08:04Come on, get out.
08:05We're busy.
08:07You don't like Dolores anymore, no?
08:09Sure I like you, but...
08:11Maybe it's this old dress I have on.
08:13I'll go and change it for you.
08:28Dolores.
08:29Yes?
08:30I think I got it.
08:32You old fool.
08:44Pablo, Pablo, wake up.
08:47Listen, when Mom and Papa were hurt, was one man a very big man?
08:51Yes.
08:52And one with red hair?
08:54Yes, Dolores.
08:55Quickly, get your clothes on.
08:57We're going home now?
08:59No, listen, Pablito.
09:00I must hide you for just a little while.
09:02No one must see you, not anyone.
09:04Do you hear?
09:05Uh-huh.
09:06Come on, get your clothes on.
09:08Well, where are we going?
09:11Don't worry.
09:12I shall send word to your grandfather right away that you're safe with Dolores.
09:42Manuel!
10:02Manuel.
10:06Saddle my fastest horse.
10:08I go to save my grandson.
10:11Come on.
10:22You sure you ain't seeing things?
10:24Why, El Toro ain't been this side of the border in five years.
10:31Don't tell me you want to know that fella's face anywhere.
10:34See if you can find one of those old posters of El Toro.
10:38Here comes Bill Cassidy.
10:41Let's go.
10:47What's going on here?
10:49Panhandle here claims he's seen that old bandit El Toro.
10:54Sure did, less than an hour ago.
10:56He was riding like a hurry.
10:58That's the only poster I could find.
11:00Five thousand a war is a lot of money.
11:03Let me see that, Sheriff.
11:07What road was he on?
11:08Tucson Trail.
11:09Better take someone with you.
11:11I think Johnny Nelson will be around.
11:13I sent him to Verde to bring back a couple of horses.
11:15Let him know which way I'm going.
11:40Humming
11:53In trouble, stranger?
11:55Yes.
11:56My horse is hoofed.
11:58It's long way.
12:06Well.
12:07You know it's the liberty of us peace officers to help people as well as arrest them.
12:11Oh.
12:13You are the sheriff.
12:15Eh?
12:16Oh no, not exactly.
12:18I'm just a deputy now.
12:20But one of these days it's going to be Johnny Nelson, Sheriff of Mesa Camp.
12:26That is a worthy ambition, young man.
12:30You know I'm in a terrible hurry.
12:32If you could help me.
12:33Sure, anything to oblige.
12:35I wonder if you would sell me one of your horses.
12:39Oh, I couldn't do that.
12:41But I can lend you one.
12:42You can bring it back to the sheriff's office when you're through with it.
12:44Oh, thank you, my friend.
12:46I'll give you a hand with your saddle.
12:49Humming
13:02Again, thank you, my friend.
13:05Don't mention it.
13:07When you come to Mesa City, look me up.
13:10I will.
13:11Adios.
13:18Humming
13:49Humming
14:15Quick, sir.
14:19Grunting
14:21Grunting
14:23Grunting
14:25Grunting
14:27Grunting
14:29Grunting
14:31Grunting
14:33Grunting
14:35Grunting
14:37Grunting
14:39Grunting
14:41Grunting
14:43Grunting
14:45Grunting
14:47Grunting
14:49Grunting
14:51Grunting
14:53Grunting
14:55Grunting
14:57Grunting
14:59Grunting
15:01Grunting
15:03Grunting
15:05Grunting
15:07Grunting
15:09Grunting
15:11Grunting
15:13Grunting
15:15Grunting
15:17Grunting
15:19Grunting
15:21Grunting
15:23Grunting
15:25Grunting
15:27Grunting
15:29Grunting
15:31Grunting
15:33Grunting
15:35Grunting
15:37Grunting
15:39Grunting
15:41Grunting
15:43Grunting
15:45Grunting
15:47Grunting
15:49Grunting
15:51Grunting
15:53Grunting
15:55Grunting
15:57Grunting
15:59Grunting
16:01Grunting
16:03Grunting
16:05Grunting
16:07Grunting
16:09Grunting
16:11Grunting
16:13Grunting
16:15Grunting
16:17Grunting
16:19Grunting
16:21Grunting
16:23Grunting
16:25Grunting
16:27Grunting
16:29Grunting
16:31Grunting
16:33Grunting
16:35Grunting
16:37Grunting
16:39Grunting
16:41Grunting
16:43Grunting
16:45Grunting
16:47Grunting
16:49Grunting
16:51Grunting
16:53Grunting
16:55Grunting
16:57Grunting
16:59Grunting
17:01Grunting
17:03Grunting
17:05Grunting
17:07Grunting
17:09Grunting
17:11Grunting
17:13Grunting
17:15Grunting
17:17Grunting
17:19Grunting
17:21Grunting
17:23Grunting
17:25Grunting
17:27Grunting
17:29Grunting
17:31Grunting
17:33Grunting
17:35Grunting
17:41Thank you
17:51What's this all about Bill
17:53When you pinned that onto me , I took a nose
17:55Today I've broke it
17:59Hey what's the matter Bill
18:01Hey, Bill. I brought them two stolen horses back.
18:07That's good. Where are you going?
18:09Down the corral.
18:11What do you think of that? Cassidy turned in his badge.
18:15You mean he quit?
18:17There's the answer.
18:31Why'd we quit, Bill? Where are we heading?
18:39You're staying right here, sticking on the job.
18:42I ain't got no job to stick to. I turned in my badge, too.
18:46Is that all that badge meant to you?
18:49You ain't fooling me, none.
18:51You're headed for trouble and I'm stringing along.
18:54This is something personal, Johnny. I got a job to do.
18:59After all you're preaching about what a great thing it is to wear a badge,
19:03I guess you didn't think it was so important when it come to a showdown, huh?
19:06I reckon I was a fool to take what you said serious.
19:09Ah, well, we live and learn.
19:11All I gotta say is you better steer clear of me from now on.
19:14Johnny.
19:16Would it mean anything to you if a man saved your life?
19:19Well, why, sure. What do you mean?
19:22El Toro just saved mine.
19:27Well, what are we waiting for?
19:33All right, Johnny, come on.
19:37Pablo?
19:40Pablo?
19:42Pablo, where are you?
19:44Pablo, where are you?
19:47Delorean!
19:50Darling?
19:53Sweetheart?
19:59Sweetheart, what's wrong?
20:03Did I not tell you that you must stay inside?
20:18Those men are searching for you everywhere.
20:20I know.
20:21This morning the one with Brigitte was down in the canyon looking and calling for me.
20:25That's why I'm afraid to stay in there.
20:29Look, even Dolores has brought you.
20:35He's good, no?
20:38You must not worry, little one.
20:40Soon someone will be here to take you home and everything will be all right.
20:45Yes?
20:53I don't see anything around here that looks like it might belong to a kid.
20:56What makes you think Dolores is hiding them?
20:58She's been doing a lot of riding lately, ain't she?
21:01And she takes mighty good care to see that her trail is covered.
21:05Keep looking.
21:06There she is.
21:28Hell-centered in all her glory.
21:31Well, let's get going.
21:33Hey, put up that shooting iron.
21:35We're forgetting we've got guns unless we have to use them.
21:38Understand?
21:40I got you, Hoppy.
21:42I'll take a ride in and get a line on Miss Dolores.
21:45You stay out here on the trail tonight.
21:47You can't tell what we're running into.
21:49I don't like the idea of you riding in without me to back you up, Hoppy.
21:53I can make the opening play better if I'm alone.
21:56Besides, these folks might get suspicious if they see two strangers riding in together.
22:01And remember, another thing.
22:03No gunplay unless I give the word.
22:06I can use my head.
22:08That's just what I'm afraid of.
23:33I've been trying to do that for 15 years.
23:36Fifteen?
23:37I've been trying for 40.
23:42How are you, poor sarsaparilla?
23:45Sarsaparilla?
23:47Straight.
23:57Straight.
24:20As you said, really.
24:22Straight.
24:31How about buying the little girl a drink, mister?
24:36Sure.
24:37Hey, bartender.
24:39Give the lady a drink.
24:40Anything she wants.
24:42Anything she wants.
24:52Hey, you're kind of a cute little prick.
24:55What's your name?
24:56Dolly.
24:57Dolly.
24:59Sounds like it might be short for Dolores.
25:01No, just plain everyday Dolly.
25:05That's Dolores dancing.
25:16That's a nice dance.
25:17I'd like to meet that girl.
25:20Better stay clear of her, mister.
25:23Big Henry don't like strangers paying too much attention to his girl.
25:28Big Henry?
25:29The boss.
25:31How about buying me another drink?
25:33Oh, sure.
25:35Give the girl another drink.
25:43Well, boys, what'd you find out?
25:45Dolores knows where the kid is all right.
25:47What do you mean?
25:48Mike and me were looking through Dolores' cabin this afternoon.
26:08Pretty nice dance, miss.
26:11How about having a drink on it?
26:12Why, sure.
26:14You want to sit down?
26:16Worth riding a long ways to see.
26:19Dolores.
26:21How do you know my name?
26:23I asked for it.
26:25I wanted to meet you.
26:27I've never seen you before.
26:29What do you do in this place?
26:31Oh, just looking around for some livestock.
26:34I meant to find me a young bull.
26:38You know, like you say in Spanish.
26:42Is it for yourself to look for this bull?
26:49No.
26:51A friend of mine.
26:53The one you wrote the letter to.
27:04I have what you are looking for, senor.
27:06But you must be careful.
27:07There are dangerous men here.
27:10Dolores.
27:13Come here.
27:16Who's that?
27:17Big Henry, the boss.
27:21You will buy me another drink after my next dance, senor?
27:25Sure.
27:26I'd like to hear you talk.
27:35Come inside.
27:36I want to talk to you.
27:47Where do you go on these rides you've been taking the last few days?
27:50Oh, just one place and another.
27:52Why do you ask?
27:53You know what I'm driving at.
27:55Where have you got that Chavez kid hidden at?
27:57What are you talking about?
27:59You know what I'm talking about.
28:01Look at this.
28:07What has this got to do with me?
28:08We found it in your cabin.
28:10In the bedroom.
28:11Come on out with it.
28:12Where's that kid?
28:13I tell you, I don't know what you're talking about.
28:14You'll talk before I'm through with you.
28:16Oh, no.
28:17Oh, sure, Henry.
28:18You have ways of making me talk, I know.
28:20All right, I'll talk.
28:22But when I do, I'll shout it to the whole world.
28:25Dolores.
28:28Henry!
28:56Poor kid.
28:58She always did say she'd kill herself.
29:00Didn't she, Ed?
29:02Yeah, she sure did.
29:12You know, we did all we could to stop her, didn't we, Ed?
29:43Make the arrangements, Dolly.
29:46Buy her a new dress to be buried in.
29:48She'd like that.
30:02Come on, folks.
30:03I'm buying the drinks.
30:09Get them over there to the table.
30:20Kind of tough about that Dolores girl, huh?
30:22Yeah, she's a pretty sweet little girl.
30:24She always did talk about committing suicide.
30:30What'll you have?
30:31Beer.
30:39What do you mean, giving me sarsaparilla, you lunkhead?
30:51It's bad luck to shoot in a crowded room.
30:54You might hit the wrong man.
30:56Give me that gun.
30:58I don't know as I ought to.
31:00Give him his gun, stranger.
31:15Ed tried to roll his gun on the stranger, Henry.
31:17It was a fair fight.
31:18The man had to protect himself.
31:22Young fella, you'd better get yourself out of here...
31:24until you learn how to keep your nose out of other people's business.
31:26It weren't my fault.
31:29Go on, get out of here.
31:36Sorry I had to mess up your place, mister.
31:40It's all right.
31:41The boys say it was a fair fight, so there ain't nothing else to be said.
31:45Get Ed out of here.
31:50Action pack, really?
31:54Three.
31:55Three.
32:06You ain't gonna let him get away with that, are you, Henry?
32:08I kinda like the way he handles himself.
32:12What's the matter?
32:13Getting soft?
32:14No.
32:15But I'd just as soon have him on my side as they give me.
32:18How do you know he ain't?
32:20You don't know nothing about him.
32:22I came in to ask some questions.
32:34How about having a drink to show there ain't no hard feeling?
32:37Sure.
32:40Where you from, mister?
32:43Bill's the name.
32:44Well, I asked you where you're from, Bill.
32:48If you've got anything to say, you can say it in front of Steve.
32:51Just drifted down from the north.
32:54Wyoming.
32:56Law's getting a little too numerous up there.
32:59What are you figuring on doing down here?
33:03Anything to pick up a living.
33:06You got anything in mind a handyman could do?
33:09I might be able to find someone for you.
33:12That being the case, I'll stick around a while.
33:15Good luck.
33:30Hey, where's that stranger Bill?
33:34Making himself pretty scarce, ain't he?
33:36He's over at the ranch.
33:37I told him he could bunk there until I found something for him to do.
33:40If you're figuring on cutting him in, you can count me out.
33:44Nobody ain't going to kill my friend without me eating them things up.
33:48Forget your personal affairs till we find that kid.
33:51I ain't no more anxious about our afters than you are.
33:55But I'm telling you, as soon as we do get rid of that kid, we're splitting the gold and I'm heading out.
34:01Meanwhile, there's still a lot of places you ain't looked yet.
34:05Suppose you do a little suggestion.
34:07Try Red Mountain.
34:08I will.
34:10But if I meet up with Bill, I'll take care of him first.
34:34Might not be too bad for us if he did meet up with Bill.
34:40Then we'd only have to split the gold two ways.
34:45Patlow!
34:51Patlow!
35:04Nice trailing, Johnny.
35:05Now we can both take a look.
35:07I ain't doing no looking till I even things up to that Dolores gal.
35:10Oh, use your head.
35:11I am using it.
35:12You don't think she shot herself, do you?
35:14I know she didn't.
35:15They done it to keep her from talking.
35:17Well, then why didn't you start shooting?
35:19I was there to back you up.
35:21Johnny, it wasn't any easier for me to stand by than it was for you.
35:24Our job is to find that boy.
35:26That's what we're up here for.
35:30That's right, Hoppy.
35:32She sure done a good job of hiding him.
35:35You ride back to town and keep your ears open.
35:37I'm going to poke around up here a little more.
35:39And watch your step.
35:40I don't want you getting into trouble.
35:42I can take care of myself.
35:45Go on.
36:05Quiet, you jughead, before I break your neck.
36:18Pablo.
36:19Pablo.
36:20Get your hands up.
36:21Quick.
36:23Don't make a move.
36:42Pablo!
36:43Get your hands up!
36:44Quick!
36:49Don't make a move.
36:55So...
36:57Looking for that Chivas kid, eh?
37:00Well, I ain't looking for butterflies.
37:06Double-crossing Big Henry, eh?
37:10I was going to shoot you.
37:14But Big Henry has special ways of taking care of skunks like you.
37:20Come on!
37:39Up!
38:09What can I do for you, mister?
38:30Oh, I just wanted to say hello.
38:32Hello.
38:34Say, you're even prettier in the daylight than you are at night.
38:39Think so?
38:44You're not bad yourself.
38:47You moving?
38:49No, Big Henry said I could take that stuff.
38:51It belonged to Dolores.
38:53The same size, only I got a better figure.
38:55Hey, it's too bad about that gal.
38:58Didn't she have any folks around here?
39:03Girls like us never have any folks.
39:07Well, I'll give you a hand.
39:15Hey, it's a shame to dirty up a pretty pair of boots this way.
39:18Red clay all over them.
39:23Hey, you know, this is the kind of clay the Indians use for medicine.
39:27I wonder where it come from.
39:29No telling where Dolores has been lately.
39:33Hey, where you going, Hanson?
39:35Something I gotta do. I'll see you later.
39:49Hello, Spike.
39:50Oh, you...
39:52Hello there, young fella.
39:54Hey, I want to thank you for doing what you done last night.
39:57Oh, that wasn't nothing.
39:58It weren't nothing?
39:59Well, you got me a bullet if it hadn't been for you and that fellow Bill.
40:02Oh, forget it.
40:06Oh!
40:07What's the matter?
40:08Oh, it's my lumpego again.
40:10I got some liniment.
40:11Oh, liniment won't do no good.
40:12The only thing that helps is fresh red clay like this.
40:15You know where I can get some?
40:18Red Mountain's the only place you can find that stuff.
40:21It's about two miles that-a-way.
40:24Well, thanks. I think I better get me some.
40:29Hey!
40:32Did you know that red clay was good for lumpego?
40:35Well, a couple of snorts a mountain do is mighty good for lumpego.
40:40Hey, Steve.
40:41Did you ever hear that red clay was good for lumpego?
40:45Who's been feeding you that?
40:46That young fella that had to run in with Red last night.
40:50He's making a monkey out of you, Spike.
40:52No, he ain't. He asked me where he'd get some.
40:54He's going to Red Mountain now after.
40:56Keep your eye on that boy, Steve.
40:58Find out what he's up to.
41:00Come inside, Spike. I want to talk to you.
41:06Spike, did you ever hear Dolores say anything about hiding the kid?
41:11Well, if you mean the kid that wasn't in the wagon that didn't pass through town, no.
41:17You don't miss seeing much, do you?
41:19From now on, keep your ears open.
41:21If you hear anybody mention the name El Toro, let me know. Quick!
41:26That's all.
41:28Good.
41:41Who is it?
41:42It's me, Bill.
41:50Come in.
41:59I got some news for you, Henry.
42:02Mike had an accident. His horse dragged him.
42:05Dead?
42:07You're sure he ain't got one of your bullets in him?
42:09He's laying right where he fell.
42:12I'll take your word for it.
42:15Sit down, Bill.
42:17Fine.
42:21Did you ever hear of a man by the name of El Toro?
42:23El Toro?
42:24That name sounds familiar.
42:27Wasn't he a sort of a Mexican bandit?
42:29Yeah, and a bad hombre, too.
42:31He's got a reason for not liking me.
42:33He might be headed this way.
42:35I reckon we can take care of things, Henry.
42:41Stick around, Bill. You got a job.
42:44Thanks.
42:46Stick around, Bill. You got a job.
42:49Thanks.
43:15Thanks.
43:45Pablo!
44:00Pablo!
44:05Pablo!
44:16My God.
44:27Hello, Pablo.
44:29I come to get you.
44:34Come on out. I won't hurt you.
44:46There ain't nothing to be scared of now, kid.
45:00Come here.
45:01I'm gonna take you home.
45:03Where's Dolores?
45:04Oh, well...
45:06Well, she had to go away for a little while.
45:08She sent me instead.
45:09Dolores told me I must wait for her.
45:12Gee, you're sure making it tough on Bill and me.
45:17You see, Bill promised El Toro he'd bring you back.
45:19And Bill Cassidy always keeps his word.
45:23You wouldn't want to make him break it, would you?
45:26But I'm afraid of those men.
45:28Me and Bill will take care of that.
45:31Come on.
45:43GUNSHOTS
45:50GUNSHOTS
45:55GUNSHOTS
46:13Open my shirt, Pablo.
46:17Tie this around my shoulder.
46:27Senor, I am afraid.
46:30Don't worry, kid.
46:32Cassidy will find us.
46:36Hey.
46:37Did you ever try your right hand?
46:39Gee, I never thought of that.
46:43GUNSHOT
46:45Ha ha! This is no good.
46:56What happened?
46:58I had an accident.
47:13GUNSHOTS
47:18Set yourself to trouble, Henry.
47:20Your friend Bill was sent here by El Toro.
47:22What are you trying to say?
47:23Him and that kid I trailed are in cahoots.
47:25What?
47:26He's outside now.
47:39You and Steve go out and bring Mike's body in.
47:41He was a friend of mine. I want to give him a decent burial.
47:47Spike, I want you alone.
47:52Let's go.
47:59Wait a minute, Bill. I want to fix this cinch.
48:12Put this on. You may need it.
48:37Hey.
48:38Where were you?
48:39Hey.
48:40Where are we going?
48:41Pumpkin. Come on.
49:09GUNSHOTS
49:15GUNSHOTS
49:25GUNSHOTS
49:39GUNSHOTS
49:56Mind if I ride on this side, Steve?
49:58Kind of hard of hearing in this ear.
50:00It's all right with me.
50:10GUNSHOTS
50:23Well, that's what we're hunting, eh?
50:25Well, I ain't taking no butt shots at a fellow that helped save my life.
50:29Shut up, you old fool. You're in this as deep as we are.
50:40GUNSHOTS
50:46GUNSHOTS
50:47GUNSHOTS
51:08GUNSHOTS
51:13GUNSHOT
51:18GUNSHOTS
51:21GUNSHOTS
51:27Keep him busy for a while. I'm going down to the shack and finish the other fellow.
51:30GUNSHOT
51:33GUNSHOT
51:35GUNSHOTS
51:38GUNSHOTS
51:41GUNSHOTS
51:44GUNSHOTS
51:48GUNSHOT
51:54GUNSHOTS
51:56GUNSHOTS
52:05Don't shoot, Bill. It's me, Sash Brilli.
52:09I'm throwing in with you.
52:10Get in here or they'll pick you off.
52:13GUNSHOTS
52:15GUNSHOTS
52:17GUNSHOT
52:23I got the oil!
52:27GUNSHOT
52:40Bill.
52:41Yeah?
52:43Your partner's wounded.
52:46Big Henry's going to Red Mountain.
52:50After him and the...
52:52Chevesky.
52:54GUNSHOT
52:57GUNSHOT
53:05GUNSHOT
53:15GUNSHOT
53:39GUNSHOT
53:43GUNSHOT
53:45GUNSHOT
53:54GUNSHOT
54:05GUNSHOT
54:15You better get back where you was hiding, Pablo.
54:18No, no, senor. I stay with you.
54:45GUNSHOTS
55:15GUNSHOT
55:36GUNSHOT
55:38Get him up.
55:46Don't shoot. I'm unarmed.
55:49Quit whining, you yellow skunk.
55:54Nice work, Hoppy.
55:56I knew you'd do it.
55:59What are you going to do with me?
56:01I'll let El Toro decide that.
56:04You're going to let him torture me?
56:06That's your way of doing things, not mine.
56:09Turn around.
56:10Turn around.
56:15Put your hands behind you.
56:40GUNSHOT
56:49SCREAM
57:01Johnny.
57:05Think you can make it all right, kid?
57:07Sure.
57:08There's Pablo.
57:12Well, your grandpa sure be glad to see you, son.
57:15Well, what are we waiting for? Let's get going.
57:18GUNSHOTS
57:29HUMMING
57:37That's my house.
57:48Abuelo.
57:50Pablo. Pablo.
57:54Wait, boy. Let me look at you.
58:00Senor.
58:02Ask what you will.
58:04All that I have is yours.
58:07Go as even, Toro. The book's closed.
58:10I sure could eat.
58:12That's what I was afraid of.
58:14Eat? You shall eat as never before.
58:17LAUGHS