find more Classic Movies :
https://rebrand.ly/CineTV-Classics
https://rebrand.ly/CineTV-Classics
Category
🎥
Short filmTranscript
00:01:30Oh, I must have fallen asleep.
00:01:55You better go along without me.
00:01:57Go along without you?
00:01:58Why, you haven't missed a meeting in the past ten years.
00:02:01Aren't you feeling well?
00:02:03She's been acting pretty skitterish of late.
00:02:06You don't suppose it could be those pink pills we've been giving her?
00:02:10There's nothing the matter with me.
00:02:12I just didn't realize how late it was.
00:02:15Well, at least you can start getting ready and not sit there talking.
00:02:23I might have known.
00:02:25It's that prizefighter person.
00:02:28His son is following in his footsteps and he'll come to the same end.
00:02:32Jim O'Banion was a gentleman even though he was a prizefighter.
00:02:36Emma Bates, do you mean to tell us that you're still mooning over that rowdy after all these years?
00:02:43And to think of what we went through to keep her from marrying that brute.
00:02:47Jim was always sweet and kind to me.
00:02:50Well, maybe it's just as well if she doesn't go to the Aid Society with us.
00:02:54There's no telling what she might do to disgrace us.
00:02:57Come along, Bonita.
00:03:18And you fight fans who remember Gentleman Jim O'Banion in his prime
00:03:22will feel as I do when we see his kid step into the ring tonight to meet Tiger Wilson.
00:03:26When we think what a stickler Gentleman Jim was for keeping in condition
00:03:30and then see his kid doing most of his training in night spots,
00:03:33well, your guess is as good as mine.
00:03:36There's no denying the kid could be a great fighter like his dad
00:03:39if someone would only pound some sense into him.
00:03:42As it is, we definitely pick him to last four rounds at the most tonight
00:03:46and that's giving him the benefit of our doubt.
00:03:48Now a word of advice to men over 40 suffering from...
00:03:57Hello? Is that you, Clam?
00:03:59What time is the 3.15 due?
00:04:02Half past? Good. I'll be wanting a ticket to the city.
00:04:07No, just one. I'm going alone.
00:04:26I'm sorry, lady, but there isn't a ticket left for tonight's ballads.
00:04:29Oh, dear, I've come over a hundred miles
00:04:32just to see Gentleman Jim's boy fight tonight.
00:04:36Couldn't you do something about it?
00:04:38You might come back later. We may have a couple of cancellations.
00:04:41I'll save one for you if you want me to.
00:04:43Oh.
00:04:57Hello, Maris.
00:04:59Listen, honey, I'm all washed up for the day and ready to take off for City Hall.
00:05:02See you there about 4.30 and we grab the license.
00:05:04Knowing you, I'll settle if you get there by closing time, which is 5 o'clock.
00:05:08Oh, now, don't talk that way, baby. Marriage is a serious thing.
00:05:12Yeah, I'll see you there about 4.30. I won't be late.
00:05:15Bye, sweet.
00:05:18Terry!
00:05:20Yeah?
00:05:24Hop over to Rex Crenshaw's office right away, Terry.
00:05:27I just got a tip he's going to blow the lid off the rackets tomorrow
00:05:30and put Gus Hammond on the spot when he appears before the grand jury.
00:05:33But, boss, it's almost 4 o'clock.
00:05:35Well, what of it? Crenshaw will still be in his office.
00:05:38Well, I'll see you there about 4.30.
00:05:40I won't be late. Bye, sweet.
00:05:47Probably take all night preparing the case so that he won't involve Flora Henderson as well.
00:05:51But I got a date to meet my girl at the City Hall to get a marriage license.
00:05:54You told me I could get off a couple hours early today, remember?
00:05:56And don't argue, unless you want to start your honeymoon out of a job.
00:06:02What are you doing?
00:06:03Call my girl, tell her I'll be late.
00:06:05Well, give me the number. I'll call her. It'll save time.
00:06:07Oh, okay. The number's Axe-Minister-1007.
00:06:10Axe-Minister-1007.
00:06:13Explain the whole thing to her, will you? Tell her I'll get there as soon as I can.
00:06:16Sure, sure. I'll tell her.
00:06:18Put her on this.
00:06:20Yeah.
00:06:31Mr. Crenshaw, I'll see you in just a few minutes.
00:06:38Yeah, I know, Mr. Crenshaw, but why don't you break down and give me just enough of what you're going to say to the Grand Jury to hang a story on?
00:06:44Look, Connors, my entire law business is wrapped up in criminal practice.
00:06:49What makes you think I'd sing to the Grand Jury and ruin myself?
00:06:53Flower Henderson's one of your most important clients, isn't he?
00:06:56What has that to do with it?
00:06:57Only this. Henderson wouldn't mind eliminating Hammond if he could do it in a nice legal way.
00:07:02Now, if you spill just enough to the Grand Jury to get Hammond out of the picture without involving Henderson,
00:07:06you guys will be sitting pretty, won't you?
00:07:09You should be writing fiction instead of news stories.
00:07:12Ah, you're all wet, Connors.
00:07:15You said something about having an appointment before five.
00:07:19Yeah. Yeah, I did.
00:07:21I hope it's not too far away.
00:07:23Oh, it's far enough. So long, Crenshaw. I'll see you in jail sometime.
00:07:33I'll announce you to Mr. Crenshaw now.
00:07:35Never mind, sister. We'll do our own announcing.
00:07:39Hello, Terry.
00:07:40Hiya, Barney.
00:07:41How much?
00:07:42Oh, I've got a date. Very important. I'm meeting my gal. See you later.
00:07:44Wait a minute, pal.
00:07:46What did Crenshaw spill? I've got an addition to make, too.
00:07:49Come on, give. I've covered for you many a time.
00:07:51Look, Bernsie, I've got to fly. Crenshaw wouldn't talk.
00:07:53I pumped her for 20 minutes, didn't get a thing.
00:07:55Is that on the level?
00:07:56Have I ever lied to you?
00:07:57Oh, about three or four thousand times.
00:08:00I think I'll drop in on Crenshaw myself.
00:08:02He might like my personality better than yours.
00:08:04Could be. You're the personality kid.
00:08:11Huh. Looks like you're just about one minute away from a stand-up, miss.
00:08:31It looks that way.
00:08:32Now, I don't suppose you ever work overtime?
00:08:34Who? Not me.
00:08:36Us city employees have a union.
00:08:40Are you sure you had your young man completely convinced?
00:08:44Oh, no offense.
00:08:46Only they're generally pretty prompt showing up here.
00:08:49Sometimes they backslide between here and the minister.
00:08:53Was it mostly his idea to get married or yours?
00:08:57It was his.
00:08:59And if he does finally show up, will you tell him the idea was an awful bust?
00:09:02Sorry. You'll have to tell him yourself.
00:09:05This office is closing for the day.
00:09:23Well.
00:09:24You certainly gummed things up when you gave me that assignment.
00:09:27Oh, so I gummed it up, huh?
00:09:28Yeah. Crenshaw wouldn't talk. I got to the license bureau too late.
00:09:32And if I know my girl, she's going to pack me in ice the minute she lays eyes on me.
00:09:35So Rex Crenshaw wouldn't talk?
00:09:37Nah. Shut up like a clam.
00:09:38Oh, he did, didn't he?
00:09:40I took you out of second string sports and gave you a crack at general assignments because I thought you had a nose for news.
00:09:45What are you talking about?
00:09:46This.
00:09:56Scoop.
00:09:57Yeah. While you were skipping over to City Hall with a heart full of love.
00:10:00How do you like that?
00:10:01I do. And that's the reason you're back in sports. As of now.
00:10:14Hello, honey. Now before you start throwing things, let me tell you what happened.
00:10:17I'm not interested in what happened. All I know is we were supposed to be married and now we're not.
00:10:21Well, I'll explain the whole thing on the way to the fights. Come on, get your coat.
00:10:23Fights?
00:10:24Yeah, I have to cover him. You see, I had to run him with the boss.
00:10:26I'm up that Crenshaw story because I was trying to get to the City Hall on time.
00:10:29Back riding sports again. At the old salary, I suppose.
00:10:32Yeah, but not for long. I'll show Evans he was wrong. You just wait.
00:10:34Sorry, I'm through waiting. I can think of better ways to spend my life.
00:10:40What are you going to do?
00:10:41I'm going to call Flower Henderson and see if that singing job is still open.
00:10:44You can't do that. He's a gangster. Not only that, he's a wolf.
00:10:47A wolf is a cinch to handle compared to a reporter.
00:10:53Well, I suppose if that's the way you want it, there isn't anything I can do.
00:10:56There isn't.
00:10:58I'd like to speak to Flower Henderson, please.
00:11:01Yes.
00:11:03Hello, Flower? This is Maris.
00:11:05Well, hello there.
00:11:10Yeah, surely.
00:11:16I guess you're out of luck, sister. It looks like a sellout tonight.
00:11:18You don't suppose if I spoke to Mickey, you know he's Gentleman Jim's boy, he might have an extra ticket?
00:11:25Lady, if he don't snap out of it pretty quick, he'll be lucky if they let him in here again.
00:11:31Well, there's nothing wrong with Mickey. All he needs is someone to look after him.
00:11:36Maybe you could handle him. Why don't you talk to Gus Hammond about it?
00:11:39Gus Hammond?
00:11:41His manager. Maybe he'll sell you a piece of his fighter. You never can tell.
00:11:44Hiya, Terry. I kind of thought you'd be back covering the fights again.
00:11:48You know, you're positively psychic, Mike.
00:11:50Why don't you get yourself a crystal ball and change your name to Madam Knows All?
00:11:54Say, if you're stagged tonight, this lady will buy one of your ducats.
00:11:58What's the gag?
00:11:59It's on the up and up. She's come a hundred miles to see the fights, and we ain't got a ticket left.
00:12:03I'd be willing to pay for it if you have an extra ticket.
00:12:06Forget it. You've come a long way to see the fights. You're going to see them. Come on.
00:12:09Well, it's against my principle to go off with strange men, but you look like an honest person.
00:12:16You are one, aren't you?
00:12:19I hope you don't consider me rash for doing this.
00:12:22Those things happen to the best of us.
00:12:24You don't think I'm a gatecrasher?
00:12:26Some of my best friends are gatecrashers.
00:12:28I guess we'd better introduce ourselves. I'm Terry Connors of the Globe Tribune.
00:12:31Oh, really? You're awful sober to be a reporter, aren't you?
00:12:35You go to the movies, too, huh?
00:12:37Oh, indeed. We have a theater back home in Fairport. It's called The Bite of Weed.
00:12:42Well, my name is Emma Bates, but back home they call me Aunt Emma.
00:12:46Well, that's good enough for me. I'm glad to know you, Aunt Emma.
00:12:49Oh, excuse me a minute, will you?
00:12:53Well, if it isn't Gus Hammond.
00:12:55Hi.
00:12:56I didn't expect to see you here tonight.
00:12:58Why not?
00:12:59Ah, come on, Gus. Give me the load down. You know this whole thing's a frame-up.
00:13:02Listen, you, I had enough trouble with the cops today without you snoopers insinuating I had anything to do with the Crenshaw deal.
00:13:07Crenshaw? Who said anything about Crenshaw?
00:13:09Well, what did you mean?
00:13:10I'm talking about the scrap tonight.
00:13:11I understand you got a fix for Mickey that wouldn't buy a knockout.
00:13:13I was just wondering which round. That's all.
00:13:15Mickey O'Banion's a level kid. He only fights one way to win clean.
00:13:18Get that straight.
00:13:20Sure. Anything you say.
00:13:22Glad to hear it.
00:13:27Who's the guy you were just talking to?
00:13:29He's a reporter. Why?
00:13:30He was in Crenshaw's office this afternoon just before we pulled that job.
00:13:34Yeah?
00:13:35Did he get a good look at you?
00:13:36No. He never gave us a tumble.
00:13:38Just tore out of the office like it was hurrying somewhere.
00:13:40He's the old battle-axe he's camping with.
00:13:42So you knew gentleman Jim O'Banion?
00:13:44Well, he proposed to me once.
00:13:47But you didn't marry him?
00:13:48No. My family sent me abroad to prevent it.
00:13:51And when I got back, he was married to a burlesque queen.
00:13:54I never saw him again. He died four years ago.
00:13:58Yeah, I know it.
00:13:59You made a special trip here just to see a Crenshaw?
00:14:02Oh, thank you, Terry.
00:14:03Don't thank me. You're a tonic. You restore my faith in women.
00:14:06You see, romance kind of gave me a kick in the pants today.
00:14:09You poor boy.
00:14:11Maybe if I could talk to your girl, I could straighten things out.
00:14:14I doubt it. Come on. Let's go on in.
00:14:17I'm sorry.
00:14:22Something about that old lady looks familiar.
00:14:25I don't know her.
00:14:27I don't know her either.
00:14:30Something about that old lady looks familiar.
00:14:33Maybe it's her umbrella.
00:14:35You're right. Do you know who that is?
00:14:38Who?
00:14:39That's Ma Parker.
00:14:40You mean the old lady of the Parker boys?
00:14:42Yeah. And she carries her out around in that umbrella.
00:14:45And can she use it?
00:14:46Yeah. Remember when she went in that jail in Missouri,
00:14:48stuck up the sheriff and got her boys out?
00:14:50Sure, I remember.
00:14:52I think you guys are crazy. What would Ma Parker be doing here?
00:14:55You imported us to handle the job, didn't you?
00:14:57Maybe Flower Henderson imported her.
00:14:59It all adds up.
00:15:00Her being with that reporter that was in Crenshaw's office this afternoon.
00:15:03I don't like this setup.
00:15:05Listen, are you guys scared of an old dame?
00:15:07Why, if she ever sticks her nose in my business, I'll pull her apart like a rag doll.
00:15:10Not if she gets that persuader out of her umbrella first.
00:15:13They say she shoots silver dollars right out of the air.
00:15:16Maybe that reporter was putting a finger on you when he was talking to you.
00:15:20I've seen Ma Parker sizing you up.
00:15:22Yeah? Well, I still think you guys are crazy.
00:15:27Well, you better keep your eye on the old dame just in case.
00:15:29I got you.
00:15:32It's going to cost him an extra grand if he wants Ma Parker bumped off.
00:15:36You know, she's a sweet-looking old lady.
00:15:38Reminds me of my mother.
00:15:41So it was Duke and Joe who snatched Crenshaw.
00:15:44Yeah, and they made a neat job of it, too.
00:15:47Well, I'm leaving it to you and Steve to make a neat job of them.
00:15:51I want Gus Hammond to know I don't like the idea of him grabbing my mouthpiece, understand?
00:15:55Yeah, sure.
00:15:56And I've got a little job for you, too, Zelda.
00:15:59Make a date with that fighter of Gus's and bring him to the club tonight.
00:16:02Aw, gee, flower, do I have to go out with that palooka again?
00:16:05Look, baby, it's for me. You want to help, don't you?
00:16:08Sure, honey. Did I ever turn you down?
00:16:11That's better.
00:16:13The only way we'll ever get to Crenshaw is for Hammond to lead us to him.
00:16:17I suppose you're going to write him a letter and ask him when he please take us there, huh?
00:16:20No, I'm going to make Gus think his fighter is crossing him up.
00:16:24When he takes Mickey out of here tonight, we'll tail him.
00:16:27He may take him to the place where he's hiding Crenshaw.
00:16:30Yeah, that's all right, but, uh,
00:16:32how are you going to make Gus think that Mickey's giving him the double cross?
00:16:36The kid's in some kind of a jam, isn't he?
00:16:38Yeah, rubber checks.
00:16:40Gus is holding.
00:16:41How much?
00:16:42500 wood square.
00:16:44Then it's a cinch.
00:16:46Come in.
00:16:51Hello, flower.
00:16:53Hello, Maris. Hey, you're just what the doctor ordered.
00:16:56Oh, you going to the doctor's now?
00:16:58Quiet. You look like you're all ready to go to work.
00:17:01Why, yes, if you like my audition.
00:17:03Oh, I wouldn't worry about the audition.
00:17:05Flower has dotted lines in his eyes, and that means a contract.
00:17:09You'd better be getting over to the stadium. You might miss Mickey.
00:17:12Okay. I can take a hint.
00:17:15Might as well come along, boys.
00:17:17Flower will only be asking to leave in a minute anyhow.
00:17:23Come on, Mickey.
00:17:34The crowd opened slowly, with both boys appearing tired.
00:17:38The crowd booed their waltzing.
00:17:48Keep your guard up, Mickey.
00:17:51That boy wouldn't be tired if he was in shape.
00:17:54What he needs is fresh country air and road work.
00:17:57You can't get fresh country air and road work in nightclubs.
00:18:07The crowd booed loudly, and the referee urged them to action.
00:18:13Get in there and fight, Mickey.
00:18:15Your father would never fight like that.
00:18:18Look out for that right.
00:18:24Start running from the floor.
00:18:26Fight, Mickey. Fight.
00:18:29It's all right. You got a fan out there.
00:18:31Yeah. I wonder where she came from.
00:18:33Come on. Quit your talking. Break it up.
00:18:42Both of them landed light laps at the bell, round even.
00:18:45Where are you going?
00:18:46I'm going to tell my boy a thing or two.
00:18:49Mickey O'Banion, you're a disgrace to your dead father.
00:18:52Why don't you get in there and fight?
00:18:54Okay, Andy. I'll take him this round.
00:18:56Now you're talking. Give him that old one, too.
00:18:59Yeah, yeah. Sure.
00:19:00He'll take him this round.
00:19:02That'll be a relief.
00:19:08Round six.
00:19:16The boys came out of their corners and both landed hard rights.
00:19:27O'Banion sent Wilson staggering to the ropes with a jolting left hook,
00:19:30then followed by a right cross.
00:19:37Now you're fighting, Mickey. Give it to him good.
00:19:40That's the way his father used to fight.
00:19:42Now you've got him.
00:19:44Come on, Mickey.
00:19:48Start from the floor.
00:19:49Take it. Make it look good.
00:19:51Okay.
00:19:58One.
00:19:59Two.
00:20:00Three.
00:20:01Four.
00:20:02Five.
00:20:03Six.
00:20:04Good boy, Mickey. You did it.
00:20:06Seven.
00:20:07Eight.
00:20:08Nine.
00:20:09Ten.
00:20:10Eleven.
00:20:11Twelve.
00:20:12Thirteen.
00:20:13Fourteen.
00:20:14Fifteen.
00:20:15Sixteen.
00:20:16Seventeen.
00:20:17Eighteen.
00:20:18Nineteen.
00:20:19Twelve.
00:20:20Thirteen.
00:20:21Fourteen.
00:20:22Fifteen.
00:20:23Eighteen.
00:20:24Nine.
00:20:25Ten.
00:20:26Knockout came after two minutes and 13 seconds of the sixth round.
00:20:30I'll phone them and leave in a half hour, Charlie.
00:20:36Ladies and gentlemen, the eighth round semifinal will follow immediately.
00:20:40I was thinking, if things had been different, he might have been my boy.
00:20:44Well, bless your heart, but I wouldn't worry about that.
00:20:47He probably wouldn't have been a fighter if you'd been his mother.
00:20:49And why not? His father was a fighter.
00:20:52Aunt Emma, you're all right.
00:20:55Terry.
00:20:56What?
00:20:57I wonder if you could take me back to his dressing room.
00:21:00To his dressing room?
00:21:01Well, sure, I guess so. Come on.
00:21:03Oh.
00:21:07You better wait till I see if he's decent.
00:21:10Hiya, Mickey.
00:21:11Hiya, Terry.
00:21:12Hey, what'd you think of me tonight? Not bad, huh?
00:21:14Terrific after you stopped Walsom.
00:21:16Oh, I had a feeling he might for a few rounds.
00:21:18Sure, I know.
00:21:19I've got an admirer of yours outside.
00:21:20Yeah?
00:21:21Yeah, a lady from your hometown wants to meet you.
00:21:22A lady, huh?
00:21:23Oh, sure, bring her in.
00:21:24Jake, give me my robe.
00:21:25Never mind about the robe. She's been around fighters before.
00:21:28She knew your father.
00:21:29Oh, an old dame, huh?
00:21:31Come on in, Aunt Emma.
00:21:33Mickey, this is Miss Emma Bates.
00:21:35She's the fan you heard yelling tonight.
00:21:36Oh, so you're the one.
00:21:38I'm glad to know you, Aunt Emma.
00:21:39How do you do, Mickey?
00:21:40You don't mind if I finish giving the kid his rubdown, do you?
00:21:43Oh, no, go right ahead.
00:21:45So you knew the old man.
00:21:46He was quite a guy, huh?
00:21:47I'll say he was.
00:21:49And every time you crossed your right hand tonight,
00:21:51I could see him all over again.
00:21:53No kidding?
00:21:54Hey, did you know the old lady, too?
00:21:55No, we never met.
00:21:57Oh.
00:21:58Say, Mickey, what about Gus Hammond?
00:22:00I didn't see him in your corner tonight.
00:22:01Gus?
00:22:02Oh, Gus, he couldn't make it tonight.
00:22:04Gus Hammond?
00:22:05Yeah, he's my manager.
00:22:06He's a big shot.
00:22:07Yes, he must be.
00:22:08When he wasn't even in your corner.
00:22:10You know how your father won the championship?
00:22:13With his fists and his manager's brains, that's how.
00:22:16Yeah?
00:22:17If I had charge of you, I know what I would do.
00:22:19I would see that you had plenty of wholesome living.
00:22:22No dates, no nightlife, and lots of good food,
00:22:25like milk and eggs and nice country ham.
00:22:28That sounds swell.
00:22:30Gee, give him all that, Aunt Emma.
00:22:32He'd be champ.
00:22:33Ouch!
00:22:34Jake, will you watch my neck?
00:22:36It's got a crick in it.
00:22:37Sorry, champ.
00:22:38Oh, here.
00:22:39Hold these, and I'll take that kink right out.
00:22:42Wait, what's the idea?
00:22:44Relax.
00:22:46There, that's better.
00:22:50Say, that's not bad.
00:22:51That's all right.
00:22:53Jake, you ought to take lessons from her.
00:22:56Yeah, I guess there ain't nothing sacred no more.
00:23:03Well, don't you know how to knock?
00:23:06Since when did you get so fussy?
00:23:08What's this, a lady trainer?
00:23:10Um, Miss LaFontaine, meet Aunt Anna Bates.
00:23:12Oh, a relative, huh?
00:23:13Oh, no, I'm just a friend.
00:23:15She knew my old man.
00:23:16Well, far be it from me to barge in on an old home night.
00:23:19See you around.
00:23:20Hold everything, baby.
00:23:21Oh, now, just let me take that kink out, Mickey.
00:23:23It's all gone, Aunt Emma.
00:23:24No kidding.
00:23:25Stick around, Zelda.
00:23:26We're stepping out.
00:23:27You don't mind excusing us, do you, folks?
00:23:28Oh, it's OK.
00:23:29We understand.
00:23:30Come on, Aunt Emma.
00:23:31I think the kiddies want to be by themselves.
00:23:32Awful glad I met you, Aunt Emma.
00:23:33And I'm glad to have met you, Mickey.
00:23:35Remember what I told you.
00:23:36Your father was a great fighter.
00:23:38And you can be, too, if you just take care of yourself.
00:23:41Oh, I wouldn't worry about that, Eddie.
00:23:43Any guy who keeps company with me has to take care of himself.
00:23:46Uh, what she means is that it's...
00:23:47I know what she means.
00:23:49Come, Terry.
00:23:51So long, Mickey.
00:23:52Watch yourself on the clinches.
00:23:55Well, guess I'll mooch along.
00:23:57Say, Jake, you haven't got a tent spot you can spare.
00:23:59Sorry, champ.
00:24:01Guts don't hold hard on you, eh, kid?
00:24:03Yeah.
00:24:05I know where you can pick up 500 easy.
00:24:07500?
00:24:08Wow, with that kind of dough,
00:24:10I could go for that milk and eggs routine.
00:24:12What are you talking about?
00:24:16Will you excuse me, Aunt Emma?
00:24:17I've got to make a telephone call.
00:24:18Go right ahead.
00:24:19Now wait.
00:24:34All right, Ma.
00:24:35No funny business now.
00:24:36Come on.
00:24:43What does this mean?
00:24:44Now, don't get excited, Ma.
00:24:46We just want to ask you a couple of questions.
00:24:48I'll take the persuader.
00:24:49Take the gat out of the bumper suit, Joe.
00:24:50Okay.
00:24:51You all pay for this, you flibberdy gibbet.
00:24:54Gee, that's a swell word.
00:24:56What's that mean out west?
00:24:57Smarten me up, will you, Ma?
00:24:58I want to pull it on the ball.
00:24:59I'll mob you.
00:25:01Stop that.
00:25:02Don't you know it's unlucky to open up an umbrella indoors?
00:25:05And believe me, it'll be unlucky for you.
00:25:08Both of you.
00:25:09Now take it easy, Ma.
00:25:11I was just looking for your gun.
00:25:12There ain't no rod in this parasol.
00:25:14So you ain't healed, eh, Ma?
00:25:16Healed?
00:25:17What are you talking about?
00:25:18And don't call me Ma.
00:25:19I'm not a mother.
00:25:21Oh, no?
00:25:22I suppose you found two Parker boys under a bush.
00:25:24Parker?
00:25:25Yeah, Parker.
00:25:26You're Ma Parker.
00:25:27If you think we don't know it, you're batty.
00:25:29You mean that famous woman outlaw?
00:25:31I've read about her in the papers.
00:25:33I bet you have.
00:25:34You sure got some swell notices on them jobs you pull, Ma.
00:25:38What's so funny, Ma?
00:25:40His face and the fact that you recognize me as Ma Parker.
00:25:44Maybe you wouldn't think it was so funny if we started pushing you around.
00:25:47We're very serious citizens.
00:25:49Listen, mister.
00:25:50Where I come from, if anybody pushes us around, we push right back.
00:25:55Tough, huh?
00:25:56Just as tough as you are.
00:25:58And give me that umbrella.
00:25:59I'm getting out of here.
00:26:00Now hold everything, Ma.
00:26:01We don't want no trouble with you.
00:26:03You'll get plenty of it if you try to keep me here.
00:26:06Look, all we want to know is whether you're in town to pull a job for Flower Henderson.
00:26:10Flower Henderson?
00:26:11Who's he?
00:26:12OK, clam up if you want to.
00:26:14I just got this to say.
00:26:16We're playing along with Gus Hammond.
00:26:18So if you want to stay healthy, keep your nose clean.
00:26:21Young man, my nose is always clean.
00:26:24OK, OK.
00:26:25Keep it that way.
00:26:27You don't want to wind up in a slab of concrete on the bottom of the East River.
00:26:31And we don't want to hurt no female.
00:26:33On account of we're gentlemen.
00:26:35Yeah.
00:26:36And on account of you remind me of my mother.
00:26:38If you were my son, I'd turn you over my knee and pull all the daylights out of you.
00:26:42Now I'm leaving, and I dare you to stop me.
00:26:50Happy old dame, ain't she?
00:26:52Yeah.
00:26:53Just like me mother.
00:26:57Let's go.
00:27:15Hello, Boss.
00:27:16Thought I'd tell you I saw Gus Hammond at the feist tonight.
00:27:18What do you want me to do, run it on the society page?
00:27:21Wait a minute, he knows something about that Crenshaw case.
00:27:23I'm going to follow it up on my own time and bring you the story.
00:27:26I'll eat it OK so you'll eat it including the carbon copies. Of all
00:27:34a hard boiled ungrateful Simon Legree's that said the editor of mine I offered
00:27:39a big up
00:27:39a swell kidnapping story and is he grateful no has somebody been kidnapped yeah
00:27:44Henderson's mouthpiece I mean lawyer. I know what mouthpiece means I read
00:27:49the Broadway columns when my sisters aren't looking you're right on
00:27:53a beam aren't you well I guess you can take care of yourself. Well where are you
00:27:57going over to Henderson's nightclub I got
00:27:59a hunch things are going to break wide open over there any day now well is there
00:28:02any law against me going with you know but it's
00:28:04a hot spot I don't mix up in any trouble whether you think I want to go back home
00:28:08and tell them I haven't visited
00:28:10a hot spot let's go I guess there's no harm in taking you along. Scoop
00:28:17twice in one day.
00:28:23As Connors come in you know when he does come in don't say
00:28:30a word just send him in to me I have
00:28:33a few choice phrases I want to deliver just before I fire.
00:28:37Him.
00:28:50Well I was I was. Well I see by the paper you're still
00:28:56all right that was
00:28:58a sin yeah no trouble at all this stuff about the cops looking for
00:29:03an old lady with
00:29:04a rain stick. What are you talking about give me that paper.
00:29:12Well how do you like that we do
00:29:14a job in the cops give some old dame credit for it sure this old lady didn't see
00:29:19you not
00:29:21a chance nobody saw us did this do you not a soul yes it's all right for me to be
00:29:26looking for someone else. Was going to stay in town for
00:29:30a while.
00:29:46Thanks for me that we might as well go to bed we'll catch
00:29:49a death of cold waking up for that at moonstruck sister of ours I just want to be
00:29:54here when she gets back that's all we've been entirely too lenient with her I kind
00:29:59of dread to think of her all alone in the city and I just knows what Mr she'll
00:30:04get into well notifying the police will only cause a lot of scandal besides
00:30:09Clem says she bought
00:30:10a roundtrip ticket so she must be planning to return I hope to goodness if she does
00:30:15stay overnight in town she'll have sense enough to stop at some nice respectable
00:30:18boarding house not try to make
00:30:19a fool of herself.
00:30:29Hey I'll keep the change. You gave him
00:30:37a whole dollar yeah well the bill was only seventy five cents young man somebody
00:30:42ought to teach you not to squander your money forget it sweetheart when I turn in
00:30:46this story we're going to get I'll have my old job back and probably
00:30:49a bonus come on.
00:30:50I. Think. Young
00:31:01lady I'm afraid of catching cold in that outfit.
00:31:15Well if it isn't battling McCloskey how are all the gory little fights tonight
00:31:20well they were nothing compared to the battles we've had but I did have
00:31:22a charming company may I present Miss Emma Bates this is marriage and how do you do
00:31:27I've heard a lot about you really well yes he told me that you can tell me later
00:31:31it's almost time for me to sing Oh do you say so they say I'm sorry but I have to
00:31:36go now really. My but she's sweet yeah so is a person but how about
00:31:42a snifter a snifter Yeah let's sit at the bar and duck the cover charge.
00:31:49A. Flame water please what
00:31:54a half an hour well I've been known to take
00:31:57a sip of port before going to bed but I'm not going to bed yet what's
00:32:01a zombie a zombie is not for you bring a horse's neck. What's
00:32:08a horse's neck.
00:32:19I'm feeling. I need you so. Sweetheart don't treat me
00:32:31unkind. It's you I pray I'm just
00:32:38your slave I can't get you out of my mind.
00:32:44That well she's smiling at us flower Henderson can't you see she's just trying to make
00:32:50you jealous jealous my I think she's trying to make it a contract.
00:32:56Though that may be. Still I can't see I can't get you out of my mind.
00:33:04When you said goodbye I didn't cry. I didn't care.
00:33:15But she has the lovely voice I guess you'd call her
00:33:18a talk singer wouldn't you know what I'll call her if she goes on working here.
00:33:24You are meant for me I'm meant for you that is what I'm meant for.
00:33:34What fate has designed. No use to try. To alibi. I can't get you out of my mind.
00:33:41You see that. She went right back to his table give me another drink.
00:34:04Now don't try to drown your sorrows and spirits Terry what about that story we were
00:34:10going to get we'll get it on now you're talking if you take my advice you won't even
00:34:14look at her again tonight just act like she wasn't here. That always gets them how
00:34:20do you know silly I've read advice to the love Lorne for thirty years.
00:34:25This certainly makes me feel foolish what's in it grenadine lime juice ginger ale charge
00:34:35water all right. It certainly is exhilarating. Me
00:34:43a line. As Mickey.
00:35:06I think I'll tell him I know OK hurry back. The idea of gallivanting around like that
00:35:15when you ought to be in bed. Right and he's waiting for you OK.
00:35:24Something's troubling that boy he got that way from running into too many left jabs.
00:35:29Hello Mickey. I'm
00:35:34a friend of Flora Henderson's I do a little business for him now and then. Zelda said
00:35:40that you might be in. What's the deal. There's one for the books
00:35:47flower Henderson's trigger man getting chummy with Mickey is that bad thing good anyway
00:35:52you look at it. And everything straight sure I do a swan dive in the third round.
00:35:57And why can't I take
00:35:59a flop in the first. Because we want it in the third. Check.
00:36:06Wait a minute I can't take a check I got to have cash. Now I thought of that. You just
00:36:13endorse it I don't care what I'm going to endorse it we got to have
00:36:18a receipt don't we. Yeah. Hello Gus this is Zelda what's
00:36:25the matter as far as giving you the brush off look I got to make it snappy I'm over
00:36:29the Savoy with Mickey I just overheard something the kids going to give you the double
00:36:34cross yeah on the level you better get over here right away.
00:36:56Well everything under control sure well let's have
00:36:59a little drink celebrate no thanks I got to be running along see you later so long
00:37:04Mickey.
00:37:15All the for that I'm
00:37:15a part you're going you can't leave me here at the bar alone you'll be safe I won't be
00:37:19long got some work to do another horse's neck for the lady. And heavy on the
00:37:24grenadine.
00:37:32We got to show off for I'm just beginning to enjoy myself I know but I got to get
00:37:37going oh now that you're flush again I suppose you've got another date. This is
00:37:42business well we can have another drink anyway can't we. I suppose.
00:37:49You know Gus Hammond doesn't see that he gets it when I don't want him to know
00:37:54where it came from understand. I get it.
00:38:05Hello sweetheart back again leaving so soon as you can and never mind
00:38:08a hat what you got there anything interesting none of your business Oh come on now.
00:38:14No. I didn't know Blackie Hale was on writing terms with Gus Hammond.
00:38:23I don't know. If it isn't detective Lieutenant Miller you know Gracie nice girl
00:38:29smart to see you again sweetheart.
00:38:36Check your hat Lieutenant No I don't think so. I just want to look around.
00:38:45With your breath and I think I'm on to something.
00:38:51How do you like that what is it for some reason or other flower Henderson's trying
00:38:55to frame Micky O'Banion framing me yeah look at him you hang on to this like grim
00:38:59death if anything happens to me give it to the police or better yet give it evidence
00:39:03he's the city editor of my paper but what I know it's all very confusing but I want
00:39:06to feel something funny how do you stay here I'll get back as quick as I can.
00:39:15Framing Mickey.
00:39:26Good evening Mickey good evening Miss LaFontaine hello and Emma isn't this a small
00:39:31world when I say goodbye to you in the dressing room I didn't expect to see you
00:39:35again and here we are together do you mind if I sit down.
00:39:39Sure have a seat thank you you know I'm getting the biggest thrill out of this the
00:39:44first time I've ever been in a nightclub no fooling. You know back in Fairport we go
00:39:49to bed always at nine o'clock nine o'clock that ain't living and Emma don't you
00:39:54think.
00:40:08I. Think Mr
00:40:24Hammond. Having
00:40:31a little party oh gosh sit down you don't have to stand up for me. Just get that
00:40:37check. Why not why I didn't.
00:41:01Guess Hammond Mickey's manager I've been dying to meet you ever since he told me
00:41:05about you in the dressing room tonight that's swell but I've got
00:41:09a great idea why don't you let me take Mickey up to the country where you get
00:41:13plenty of fresh air exercise and good food and he'd be
00:41:16a champion just like his father I'd like that sure sure I know look do you girls
00:41:21mind finding something else to do I want to talk to Mickey alone let's powder I
00:41:25know. That I don't want to powder my nose I want to ask Mr Hammond some more
00:41:29questions suit yourself.
00:41:40You can have it now buddy I ran out of nickels.
00:41:50Normally nine four thousand. City desk.
00:41:57Hello boss this is Terry I'm over at the club Savoy I'm on the trail of
00:42:01a story it's going to pin your ears back so you're at the club Savoy and you're on
00:42:05the trail of
00:42:06a big story listen you're blundering idiot where were you when those two thugs
00:42:10were murdered at the stadium tonight two thugs murdered at the stadium every other
00:42:14people in town had it not
00:42:15a line from you you wouldn't know a new story if you woke up and found one in bed
00:42:20with you you're fired Mr Connors and don't bother to come in the office for your
00:42:24check I'll mail it to you my blood pressure couldn't stand the sight of you. Boss you
00:42:30there.
00:42:37We'd like to see you in the office Mr we want to have
00:42:39a little talk with you OK. Suppose
00:42:46Mr Hammond I wanted to buy Mickey's contract how much would you ask for it it ain't
00:42:51for sale but you must know what you take for it listen I said it ain't for sale I
00:42:57also said I wanted to talk to the kid privately that's just what I'm going to do on
00:43:02your feet let's find
00:43:03a place where there ain't so much noise see you later and I'm on this way.
00:43:13Ready to talk you listen very carefully you won't hear
00:43:16a thing if you're
00:43:18a smart you'll tell us where that envelope is what envelope. Have
00:43:26you any idea where Terry is why ask me he's liable to be anywhere young lady you're
00:43:31taking entirely the wrong attitude about Terry besides I know something terrible is
00:43:35happening you've got to help me find him all right we'll have
00:43:39a look around. Don't tell me you're not up to some kind of
00:43:43a double cross hanging around for
00:43:45a Henderson's joint come on spill it I'm telling you Gus you got this all wrong yeah
00:43:50and suppose you explain why you were sitting at the table with flowers girl in my
00:43:53pocket. You're playing along with the old girl trying to put me on
00:43:58a spot is that it you mean you think that little old lady is more Parker I don't
00:44:03think I know she knocked off Duke and Joe tonight at the stadium you're crazy her
00:44:07name's Emma Bates and she's my old hometown she used to know my old man. Covering up
00:44:13for. That proves you are giving me the business but let me tell you something
00:44:17when that old dame ain't going to get away with it even if she was your old man
00:44:21sweetie.
00:44:34Thank you I'll take the gun guys OK. You must call the doctor. Oh he's still
00:44:41breathing but not very much. I thought you were too smart to post
00:44:47a like this say that you had
00:44:49a look at my face he slugged me twice I shot him in self defense I'll be free in
00:44:54the morning with
00:44:55a nice fresh habeas corpus. You have to make
00:44:58a shooting gallery out of my place. You want to know. I wish Harry was
00:45:06here he knew Mickey was in danger he told me so and now he's missing the story that
00:45:11he was after Terry's never where he ought to be young lady when we get Mickey to
00:45:16the hospital you and I are going to have
00:45:17a talk man to man.
00:45:41I certainly made
00:45:47a mess of things my three stories lost my girl I got fired all in one day and I'm
00:45:52a complete washout without any reservations Oh just
00:45:56a little one can't think what it would be I'll show you.
00:46:06Now don't say
00:46:07a word and Emma gave me
00:46:09a little talking to and. Terry let's start all over again from scratch where you will
00:46:14I hope that's enough sentiment don't forget that Mickey's in the hospital and if we
00:46:19can get him out and up to my place in the country I can nurse him back to hell and
00:46:24then maybe well guess maybe he might tell me that story you've been wanting to write
00:46:29about of course if you're not able to get up get up and I mean you're
00:46:33a genius I'm getting up right now just.
00:46:43Could you identify these men if you saw them no they grabbed me while my back was
00:46:47turned. Where's Mickey good he's not dead what happened Miller three months old
00:46:54part of the nurse and grabbed him you mean they snatched him right out of this room
00:46:58that's it but what are you doing here you know Gus Hammond did it to keep making
00:47:01from talking when you go pick him up maybe you want to see the commissioner now
00:47:05that you're out of
00:47:06a job you might make you chief of police like that then you have picked up and now
00:47:12but I've had
00:47:13a man killed him from the minute they walked away from the jail he was near this
00:47:17hospital when Mickey was smashed. I thought I had something. Doesn't look like
00:47:23Mickey's going to take that trip to the country doesn't well isn't there something
00:47:26we can do maybe. Let's get out of here. Oh if I find Mickey I'll let you know.
00:47:35Now let's reconstruct the scramble Crenshaw was snatched presumably by Gus Hammond
00:47:39why because Crenshaw's flower Henderson's attorney was about to spill damaging
00:47:44evidence to the grand jury about Hammond then things began to happen to have
00:47:47Hammond's men were killed stadium well those are the men I'm suspected of killing
00:47:51yeah. You what do you mean well it's right there in the headlines that the police
00:47:57are hunting for
00:47:58a woman with
00:47:58a number L.A. Who was seen coming out of the dressing room where they were murdered
00:48:02well that's me. Would I be too fresh if I offered
00:48:07a suggestion to. These gang people think I'm that famous gun woman more Parker
00:48:14why can't I be more Parker are you serious certainly why can't I join up with
00:48:20flower and sort of be his mom and marriage here could help he likes her and she
00:48:25could get me but I won't have her being nice to that he'll be quiet and leave this
00:48:29to add them. Where do I come in well you can teach me some of those awful gangster
00:48:36words like dad and mom and mom and get me a pistol a pistol
00:48:43yes to carry in my umbrella like more Parker does and then tonight you get
00:48:48a car and park outside of our Henderson's club and then things will happen.
00:48:54It's all very simple three guys grab
00:48:57a man and carry him out of the hospital in broad daylight and nobody sees. We know
00:49:03who engineered the job but Gus Hammond was miles away at the time. Fascinating
00:49:08business being
00:49:09a detective isn't it. Yeah maybe we ought to turn in our shields and let that
00:49:13reporter find the criminals. So wait
00:49:17a minute that old man the one that was with Terry there was something familiar about
00:49:23her to distract you that way. No he didn't look familiar just kind of silly carrying
00:49:28that umbrella with the sun shining bright outside well that's it the umbrella
00:49:33there's no harm out for no lady with
00:49:34a number on she's wanted for bumping off those gorillas at the stadium last night
00:49:39but what would she be doing with Terry Connors that's what I'm going to find out
00:49:44. Now you stay here and remember to keep your eyes
00:49:51open OK but don't be too nice to that wolf honey I'll be out here dreaming up all
00:49:55sorts of things when you stop worrying Terry Connors won't you ever learn that when
00:50:00a woman loves a man he doesn't have to worry about anyone else come here we have
00:50:04work to do. Just snatching Mickey was
00:50:08a smart trick it's too bad I didn't think of it first yeah he's probably got Mickey
00:50:13stored away in the same place he's got Crenshaw. Come in.
00:50:21A flower honey but like
00:50:23a million thank you what's on your mind what would you say if I told you I could
00:50:29locate Crenshaw for you where is he I don't know but I've got
00:50:33a friend outside who might be able to find him for you shall I bring her in.
00:50:38Sure.
00:50:42My money to meet the folks.
00:50:48While I want you to meet
00:50:49a friend from my hometown in Missouri my Parker maybe you've heard of her hi you
00:50:54can. Oh my Parker my old hat this game's name's and I mean big dummy up or
00:51:01I'll flatten you know you heard me. Sit down.
00:51:08I get it on the grapevine that you're Mr big in the racquets around this town.
00:51:13So so I'm ready to cook up a paper with you it has to do with
00:51:18a citizen named Gus Hammond ever heard of him maybe yes and maybe no why I don't
00:51:26blame you for playing clam flower you're smart I like the way you operate only I
00:51:33was burned up when I found out that you and your boys and knocked over Duke and
00:51:38Joe at the stadium last night when I walked in that dressing room and found out
00:51:42you'd rubbed out those two gorillas before giving me
00:51:44a chance Adam I blew my top. Why I wanted to give the business to
00:51:51those two jerks personally on account of what they and Gus Hammond did to me and
00:51:55their last trip out west. Yeah yeah. And Hammond still
00:52:02left I guess saving him for any reason. Why should I I'm just
00:52:09asking I'm
00:52:10a stranger here and I wanted to find out what the score was before I give him the
00:52:14business I just want one minute long with that double crosser and I'll empty this
00:52:21heater into him before I can wipe off that surprise love.
00:52:24Listen you phone me you're not my partner you're just
00:52:32a sweet thing pulling
00:52:33a neck Mickey knows her she was trying to get me to go upstate to her place last
00:52:37night for
00:52:37a lot of fresh air and milk and honey and stuff I told you to pipe down once now
00:52:43one more crack out of you and I'll pin your ears back yeah well if you were so
00:52:47anxious to knock over Gus Hammond why didn't you do it last night when you were
00:52:51sitting at the table with him how can you stand having a day in that dump around
00:52:56you you think I'd be chump enough to give
00:52:59a guy that business with John Law standing out the door casing the joint why don't
00:53:05you toss her out so we can talk some business you want to know where Crenshaw is
00:53:10don't you take
00:53:12a powder are you going to be sad enough to listen to this old doll I said take
00:53:17a powder OK it's your funeral. All
00:53:24right let's hear how you're going to find Crenshaw and it had better be good don't
00:53:29get yourself in
00:53:30an uproar because it'll be good that's how I'm going to make it good. Did you do
00:53:37that on purpose what do you think pal every time I mentioned Gus Hammond's name
00:53:42my trigger finger starts to itch. Hello Gus this
00:53:49is Zelda I want to tip you off to something what again my Parker's cooking up
00:53:54a deal with flower to put you on the spot I thought you'd like to know by.
00:54:02Your ideas all wet ma even if you did get Gus over here he'd never take you to the
00:54:06hideout where he's holding Crenshaw he would if I gave him the once over lightly
00:54:11with what with my umbrella of course you'd be surprised what
00:54:16a lump this umbrella could raise in
00:54:17a man's head no dice mom but I could shoot him sure you're good but
00:54:23a stiff can't be just
00:54:24a friend job. I
00:54:38don't want to get. But you're going to do this my way or
00:54:43a certain person will go to the D.A.'s office with that check you used to frame
00:54:48Mickey O'Banion. You've got that check from that reporter yeah do you want to make
00:54:54something out of it. Well I'll tell you where's the old lady with
00:54:59the umbrella. Of the evening isn't it yeah it's well evening for a lot of questions
00:55:04I want to ask you to hop out of the car Oh no I'm staying right here.
00:55:20Are you going to get out of that car do I have to pull you out now listen Lieutenant
00:55:23I'm waiting for my girl she'll be out in a few minutes.
00:55:35But you can all know you're coming in.
00:55:44What's the idea of pull over the curb nothing doing we're following Gus Hammond
00:55:48you may lead us to Crenshaw and Mickey O'Banion Crenshaw.
00:55:57Mr Hammond shut up haven't you got a sense of humor can't you take
00:56:01a joke I'm taking one now on our last ride you'll never get away with it shut up.
00:56:10For all the gas.
00:56:20Where are we when you button your lip.
00:56:31You.
00:56:50Know they've gone what are you stopping for I must have ducked into this warehouse
00:56:53they couldn't have made the next corner now I doubt it but we'll have a look around.
00:57:02That's locked we've got to get in some way we'll get in.
00:57:08A.
00:57:10Little drink of water what another one you should do in the field with
00:57:14a guy that's trying to prove his mind.
00:57:31I check everything OK except the body was sure drinks not a lot of water. All right
00:57:37they'll bring them in.
00:57:42Are you all right I don't know I feel kind of hot all over. You've got to be.
00:57:52You got to get that boy back to the hospital he's running
00:57:54a temperature that's too bad now you've got to shut up so now. How about
00:58:01a crunch you're ready to talk you know the answer to that one maybe you'll change
00:58:05your mind when I tell you fly Henderson won't be needing
00:58:08a mouthpiece anymore. That on the level.
00:58:12The.
00:58:23You're acting pretty silly crunch off if you'll just tell me where that stuff is
00:58:26you were going to show to the grand jury you can walk away from this place in five
00:58:30minutes. What about these people. They won't be around to talk.
00:58:42To.
00:58:57Get them up.
00:59:04A good. Good
00:59:10great.
00:59:38Drop back.
00:59:40I'm afraid to pick up rival paper.
00:59:41Holy smoke.
00:59:46Maybe Terry was right when he said
00:59:48he's on the trail of something at the Savoy.
00:59:50You probably fired him too soon.
00:59:52Hello.
00:59:53Hello, boss.
00:59:54Don't call me boss.
00:59:56And don't be bothering me this time of night.
00:59:58OK, if that's the way you feel about it,
00:59:59I guess I'll have to give the story to the Star-Telegram.
01:00:01Al, I'm going to have to go.
01:00:02I've got a lot of things to do.
01:00:03I've got to go.
01:00:05I'll see you later.
01:00:06I'll see you later.
01:00:07I'll see you later.
01:00:08I'll see you later.
01:00:08All right, I'll let the story to the Star-Telegram.
01:00:10And what a story.
01:00:11I got Crenshaw, I got Gus Hammond,
01:00:12I found out where Mickey O'Banion is.
01:00:14You have?
01:00:15Well now wait a minute, Terry.
01:00:17Oh, now let's not act hastily about this.
01:00:20All right, I'm listening.
01:00:24My old job back, a raise, a bonus.
01:00:33Haven't you forgotten something?
01:00:35Why don't you give me the paper?
01:00:37a week's offer on him when you slay. OK it's a deal.
01:00:57It's about time. That this is Mickey O'Banion gentleman Jim
01:01:02son of price by the gentleman Jim you get that on coastline out of here
01:01:08immediately you're not going to sell it the name of Bates with dummy up you silly
01:01:13jerks Mickey's moving in and I don't want to hear a beef out of either one of you
01:01:18say now scram to the kitchen and rustle up some chow and wing it and get a load
01:01:25of this from now on I'm the big cheese in this rat trap and you're taking orders
01:01:30from me now get going before I hang one in your noggins with this bumper shoe.