• 3 months ago
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Transcript
00:00:00© BF-WATCH TV 2021
00:00:30© BF-WATCH TV 2021
00:01:00© BF-WATCH TV 2021
00:01:30© BF-WATCH TV 2021
00:01:50I give it to you without the hoopla, Danny boy.
00:01:52The simple facts of life.
00:01:54I'm sitting on a crossfire with the cops on one side...
00:01:56...and Miley Freeman on the other...
00:01:57...and they're both with a gun on for me.
00:01:59So I'm the guy who knows that you're the one...
00:02:01...who took the 20 grand from Smiley...
00:02:03...to cover up the Dirk and kill him.
00:02:05Got a cigarette, Danny boy?
00:02:08Now, my proposition's quick and easy, Danny.
00:02:11We split the 20.
00:02:12Five for you, 15 for me...
00:02:14...and I take it on the lam.
00:02:16Live and let live, Smiley.
00:02:20Ah, that look in your eye, Danny...
00:02:22...is painful to me pride.
00:02:25Danny boy, don't kill me.
00:02:27Danny boy, don't!
00:02:54Hey, what happened?
00:02:55What's going on down there?
00:02:56Were those shots?
00:02:57You'd better call the police.
00:02:58It's been a murder.
00:03:13Evening, Mr. Freeman.
00:03:14I'm a cop.
00:03:15I'm a cop.
00:03:16I'm a cop.
00:03:17I'm a cop.
00:03:18I'm a cop.
00:03:19I'm a cop.
00:03:20I'm a cop.
00:03:21I'm a cop.
00:03:22I'm a cop.
00:03:24Evening, Inspector.
00:03:25Hi.
00:03:26Hi, boys.
00:03:27Always happens in the middle of the night.
00:03:29Yeah.
00:03:32That's Joe Gordon, all right?
00:03:33Yeah.
00:03:34He won't be doing much testifying now.
00:03:37Convenient for Smiley Freeman.
00:03:39Yeah.
00:03:40Fiddler over there with a dog says he saw it.
00:03:42Yeah?
00:03:45Is the knock over here yet?
00:03:46Not yet, Inspector.
00:03:47What's this guy's name?
00:03:48Frank Johnson.
00:03:49Lives around here.
00:03:50Claimed he was out walking his dog.
00:03:53Hi, Mr. Johnson.
00:03:55Inspector Farris.
00:03:56Homicide detail.
00:03:58Understand you had a front seat.
00:03:59I sure did.
00:04:00Get a good look at the killer?
00:04:01Too good.
00:04:02That streetlight was right on his face when he got out of his car and shot it.
00:04:05Shot at you?
00:04:06Twice.
00:04:07You're lucky he missed.
00:04:09Think you'd recognize him if you saw him again?
00:04:12That's not a face I'm likely to forget.
00:04:14Pick him out of a lineup?
00:04:16I think so.
00:04:17Yeah.
00:04:18Say, what's this all about, anyway?
00:04:20The dead man, Joe Gordon, was going to testify before the grand jury next week.
00:04:25That's tough.
00:04:26Not to.
00:04:27He had a bad record.
00:04:28He knew too much about Smiley Freeman.
00:04:29You know who Smiley Freeman is?
00:04:31The gangster?
00:04:32That's right.
00:04:33Gordon was our witness.
00:04:34Now, you're it.
00:04:35Me?
00:04:36Yeah.
00:04:37All you have to do is identify the killer.
00:04:39We'll do the rest.
00:04:41Married?
00:04:43In a way.
00:04:45What do you mean, in a way?
00:04:47Are you or aren't you?
00:04:49I am.
00:04:50Where do you live?
00:04:51Right over there.
00:04:52136 Alta Linda.
00:04:53Apartment 4D.
00:04:54Pick up Mrs. Johnson.
00:04:55Bring her over here.
00:04:56Okay.
00:04:57Hey, don't wake her up.
00:04:59She's not going to like it.
00:05:00Well, she'll want to know where you are, won't she?
00:05:03We're taking you down to headquarters.
00:05:05Headquarters?
00:05:06What for?
00:05:09Protective custody.
00:05:11I see what you mean.
00:05:12Now, where were you standing when he shot at you?
00:05:14Oh, right down there.
00:05:15Show me.
00:05:18Well, I was right down there with the dog when the car drove up.
00:05:21I didn't pay much attention to it.
00:05:23A little bit later, I heard a shot.
00:05:24I looked up just in time to see this fellow, what's his name, fall out of the car.
00:05:28Then the killer pumped another shot right into him.
00:05:31My dog barked.
00:05:32He got out of the car, started to shoot at me.
00:05:35I ducked, and he drove away.
00:05:37What kind of a car?
00:05:38I don't know.
00:05:39A light coupe.
00:05:40They all look alike to me.
00:05:42Well, his aim was all right.
00:05:44He was just shooting at the wrong target.
00:05:46He thought your shadow was you.
00:05:53Will you go call Reardon?
00:05:55Maybe he won't miss next time.
00:05:57There won't be any next time.
00:05:58Yeah, but suppose you don't get a conviction, then what?
00:06:00Do I have to spend the rest of my life with police protection?
00:06:03Or wind up on a sidewalk like him?
00:06:05What are you worried about?
00:06:06He missed, didn't he?
00:06:07Stay here a minute.
00:06:08We'll get the rest of the story downtown.
00:06:13I hate to get mixed up in this.
00:06:15Yeah, it's getting so a man has to be careful where he's looking these days.
00:06:19Keep out of here, will you?
00:06:21Say, I think I dropped my pipe somewhere around here.
00:06:24Is that OK if I look for it?
00:06:25Remember where you had it last?
00:06:27Yeah, it was right over here somewhere.
00:06:28What's the matter, buzzard?
00:06:29Come on, get out of here, will you?
00:06:40Pick up Smiley Freeman and everybody connected with him.
00:06:42Put him in a lineup.
00:06:43See if Johnson can identify anybody.
00:06:45I want everybody.
00:06:46No excuses, no lawyers.
00:06:48I want everybody.
00:06:49See if he can pick up anything on that car.
00:06:51Somebody may have seen it.
00:06:59Mrs. Johnson, that's not your husband.
00:07:02The man was killed.
00:07:03He saw it happen.
00:07:04He.
00:07:05He's right over here.
00:07:06Sorry I had to get you out of bed, Mrs. Johnson.
00:07:09After all, we had to make sure that he had a wife.
00:07:15Where is he?
00:07:16He took a powder.
00:07:17Sergeant, pick up Johnson.
00:07:19Idiot.
00:07:20Get down there and cover the park.
00:07:21Just like him.
00:07:22Always running away.
00:07:23What do you mean, always running away?
00:07:24Running away from what?
00:07:25From everything.
00:07:26Broadcast the description.
00:07:28White, male, American.
00:07:29Was it trench coat?
00:07:30Soft brown hat?
00:07:31A very ordinary looking fellow, I'm afraid.
00:07:33Yeah.
00:07:34Well, how would you describe your husband, Mrs. Johnson?
00:07:37I couldn't.
00:07:38I haven't been able to for a long time.
00:07:41May I go now?
00:07:42Come on, you might.
00:07:45Nice dish, huh?
00:07:46Nice looking dish.
00:07:47I want everything shut off.
00:07:49Bridge control, roadblocks, everything.
00:07:51I'll stick with her.
00:07:52Right.
00:07:54Did you hear the shots fired?
00:07:55How could I?
00:07:56I was in bed, sound asleep.
00:07:58Find any pictures of him?
00:07:59No, but plenty of her.
00:08:00Just some tired snaps of him.
00:08:02They won't do anybody any good.
00:08:04But keep them.
00:08:07It's books on psychology.
00:08:09I wonder why.
00:08:11Has he got a problem?
00:08:12I wouldn't know.
00:08:14Maybe he's confused.
00:08:16Aren't we all?
00:08:19Pipe smoker.
00:08:21What does that mean?
00:08:23Nothing.
00:08:28Oh, he's got two suits, one of which he's wearing.
00:08:32Well, what does that mean?
00:08:35What does he got what he looks like?
00:08:37Nobody pays any attention to him anyway.
00:08:39Not even his wife.
00:08:40You're really wasting your time.
00:08:42There must be at least 20,000 men in San Francisco who answer that description.
00:08:46How are you going to find him?
00:08:47There'd have to be something different about him.
00:08:49Different anyway from other people.
00:08:51There is something different about him.
00:08:52There's something different about everybody.
00:08:54And we're going to dig till we find out what it is.
00:08:56Now you see our problem, Mrs. Johnson.
00:08:58Why won't you help us?
00:08:59I'm helping.
00:09:00What do you want me to do?
00:09:01I want you to answer a few questions.
00:09:02Go ahead, ask.
00:09:03Where does he generally go when he's not at home?
00:09:05I haven't the faintest idea.
00:09:06Has he any relatives in this area?
00:09:08No.
00:09:09Who are his friends?
00:09:10I don't know his friends.
00:09:11The dog is our only mutual friend.
00:09:12Do you always go to sleep when he walks the dog?
00:09:14No, sometimes he goes to sleep and I walk the dog.
00:09:19Say, Inspector, there are a couple more.
00:09:23Oh, I'm terribly sorry.
00:09:24There's been a mistake.
00:09:25Release these men at once.
00:09:27Keep digging.
00:09:28Okay.
00:09:29Every man between the ages of 35 and 40 who is out tonight
00:09:32is wearing a trench coat and a snap brim felt.
00:09:34All of them 5 foot 11, weighing 170,
00:09:37and all of them scared to answer questions.
00:09:39The domestic situation in this town must be terrible.
00:09:42Yeah.
00:09:43Kitchen?
00:09:44Well, it's got a stove in it.
00:09:53Hey.
00:09:58Don't you eat anything but dog food?
00:10:00He's not particular, and I'm lazy, so we eat out.
00:10:03Where?
00:10:04Well, let's see.
00:10:05The corner drugstore, the lobster grill at the wharf
00:10:08when we're in that neighborhood,
00:10:09and when we get real fancy, Manlo's Oriental Roof Garden.
00:10:12Those usually.
00:10:13We're creatures of habit, I'm afraid.
00:10:15Check the Oriental Roof Garden.
00:10:16They'll still be open.
00:10:17Yes, sir.
00:10:182 o'clock in the morning.
00:10:19How am I going to explain this at home?
00:10:20What's going on here?
00:10:21I'm sorry.
00:10:22There's been a mistake.
00:10:23He's sorry.
00:10:24What am I going to tell my wife?
00:10:26What did you and your husband quarrel about tonight, Mrs. Johnson?
00:10:28We don't have to have a reason anymore.
00:10:30Don't you have a decent picture of your husband?
00:10:32No.
00:10:33He doesn't like to have his picture taken.
00:10:35I don't want any photographs of him floating around
00:10:37that might get in the papers.
00:10:38The killer doesn't know what he looks like.
00:10:39Didn't he see him?
00:10:40No.
00:10:41He shot at his shadow.
00:10:42Shot?
00:10:43He shot at Frank?
00:10:44Twice.
00:10:45Nobody knows that except the killer, your husband,
00:10:46and now you, so let's keep it that way.
00:10:48It's important.
00:10:49He's really in danger, then.
00:10:50Worried?
00:10:51I thought you were beyond worrying about him.
00:10:53I didn't say that.
00:10:55If he doesn't give himself up,
00:10:56you're really going to have something to worry about.
00:10:59We've got to protect him.
00:11:00Like you did the other Whitney?
00:11:02Joe Gordon would be alive right now
00:11:03if he hadn't had his lawyer spring him.
00:11:05Hey, Mark.
00:11:06Here's a prescription for Frank Johnson.
00:11:08Husband ill?
00:11:09No.
00:11:10He just likes to take medicine.
00:11:11Well, what are these for?
00:11:12I don't know.
00:11:13I don't know.
00:11:14I don't know.
00:11:15I don't know.
00:11:16I don't know.
00:11:17I don't know.
00:11:18I don't know.
00:11:19I don't know.
00:11:20I don't know.
00:11:21I don't know.
00:11:26What's up here?
00:11:27Studio.
00:11:28My husband's an artist.
00:11:29Oh, I thought you said he worked at Hart and Winston.
00:11:31He does.
00:11:32He's in charge of display's down there.
00:11:34Oh, window trimmer, huh?
00:11:37Rembrandt, get down.
00:11:38You know you're not allowed up there.
00:11:41Rembrandt?
00:11:42It's the nearest we could ever get to owning one.
00:11:45Frank's little show.
00:11:46He found them sitting on the street corner one night, waiting for someone to adopt him.
00:11:50They recognized each other right away.
00:11:58Is this supposed to be you?
00:12:00Yes.
00:12:01It was a lovely autumn day.
00:12:03The wind was blowing through my hair.
00:12:06It was all very charming, but that was four years ago.
00:12:09That was Frank's Cyprus period.
00:12:11He had four important periods in his painting career.
00:12:15Say, how did you two ever happen to get together in the first place?
00:12:18I met him at a friend's house in Carmel.
00:12:20He wanted to paint, and I was all for it.
00:12:23I had $5,000, and he had $2,000 in talent, so we got married.
00:12:27After Carmel, he became restless, so we went to Taos, New Mexico, where he painted Indians.
00:12:32That's an Indian.
00:12:34Yeah.
00:12:35Then he got tired of Indians, so we went to Bucks County, Pennsylvania,
00:12:38where he painted old Dutch barns with hex signs on them.
00:12:41Say, did he ever do a self-portrait?
00:12:43He didn't like himself that much.
00:12:45Oh.
00:12:48He do these in Pennsylvania?
00:12:50No, he got restless again, so we came to San Francisco.
00:12:53Here he started sketching crummy old characters that hung around wharves, missions, and gin mills.
00:12:58That was his social protest period.
00:13:01Then our money ran out, and he had to take a job.
00:13:03Couldn't sell the stuff, huh?
00:13:04He wouldn't try to sell it. He didn't think it was good enough.
00:13:07These sketchbooks are filled with great ideas. He never got around to painting.
00:13:10Didn't you try to get a job?
00:13:12Why should I? That's his responsibility, not mine.
00:13:16Friend to your husband?
00:13:18No, that's his burlesque period.
00:13:20Now, that I like. It's pretty good.
00:13:23Yes, but it takes more than talent to have a career.
00:13:25You have to have staying power.
00:13:27Frank's a drifter, so when the money ran out, we just drifted.
00:13:30Who's this?
00:13:31Oh, some dance team over in Chinatown.
00:13:38Know him?
00:13:39Oh, he's a retired ferryboat captain who does sand sculptures at the beach.
00:13:44Oh, I knew who that is. That's Rembrandt.
00:13:48Why does all this got to do with finding Frank?
00:13:50You just answer the questions. That is, if it doesn't hurt.
00:13:53Why should it hurt me? It's all past and done with.
00:13:56If you want to snoop into the remains of our marriage, that's up to you.
00:14:02Don't touch that telephone!
00:14:04If that's your husband, find out where he is. But keep on talking.
00:14:10Hello?
00:14:12Oh, hello, Frank.
00:14:13Trace that call.
00:14:16I'm sorry to interrupt, but if I were you, I'd hang up.
00:14:18The police are tracing your call.
00:14:22Hello? Hello?
00:14:24He hung up.
00:14:26Seems to be a good man.
00:14:28I know.
00:14:30I'll call you back.
00:14:31I'll call you back.
00:14:32I'll call you back.
00:14:33I'll call you back.
00:14:34I'll call you back.
00:14:35I'll call you back.
00:14:36I'll call you back.
00:14:37I'll call you back.
00:14:38Seems to me I heard music.
00:14:40Wasn't that music?
00:14:43You didn't do your husband a favor, Mrs. Johnson.
00:14:45It's bad enough to be alone in a big city with no place to go.
00:14:48But as soon as the newspapers hit the streets and the killer finds out he didn't get your husband,
00:14:52there'll be guys looking for him with guns.
00:14:54If I had a husband I wanted to get rid of, I'd do exactly what you did.
00:14:58If he wants to run away, that's his business.
00:15:00And your business, too, Mrs. Johnson.
00:15:03I'll be seeing you.
00:15:09No wonder the world's full of bachelors.
00:15:14A little more needling's all she needs.
00:15:16Give her plenty of rope and keep her tailed.
00:15:18She wants to get rid of him.
00:15:19Women are curious.
00:15:20Even that dame will go after him.
00:15:22Oh, come on.
00:15:23Be a good fellow and let us up.
00:15:24Who's handling the case?
00:15:25Inspector Burris.
00:15:26Oh, he's a friend of mine.
00:15:27Is that right, Inspector?
00:15:28Sure.
00:15:29We know him well.
00:15:30Hi.
00:15:31Burris wants to go.
00:15:32No story.
00:15:33How about that Johnson gal?
00:15:34Is she still looking?
00:15:35What about the witness?
00:15:36What witness?
00:15:37Cut it out.
00:15:38It's already gone to press.
00:15:39Did you get a look at the murderer?
00:15:40No.
00:15:41What's his wife like?
00:15:42Any filth?
00:15:43Lay off the tabloid sex stuff, Leggett.
00:15:45I'll give it to all of you in the morning.
00:15:48Hiya, Homer.
00:15:49No favorites.
00:16:07I'll get it.
00:16:08I'll get it.
00:16:37Where'd he go?
00:16:56Don't scream.
00:16:58Are you coming out or going in?
00:16:59Are you the police?
00:17:01Smile when you say that.
00:17:02I'm a reporter.
00:17:03Oh, a newspaper man.
00:17:04Well, you don't have to say it like that.
00:17:06Let go of me. Go away.
00:17:11Are you just going to leave me dangling here?
00:17:14I don't care what I did. Help me get out of here.
00:17:17It's a pleasure, Mrs. J. You are Mrs. Johnson, aren't you?
00:17:20No, I'm the maid taking my night out.
00:17:26What magic I possess. A moment ago, total strangers. Now you're in my arms.
00:17:30So it's love at first sight.
00:17:32Now show me how you got up here without the police seeing you.
00:17:34Do I get the story?
00:17:35After I get out of here.
00:17:36Follow me, then.
00:17:48Looks like half the police force is down there.
00:17:57Must I?
00:17:58Just look straight ahead like you did when you got married.
00:18:00Incidentally, my name's Leggett. Leggett of the graphic.
00:18:04We've got a dandy little sheet all full of goo and gore and everything.
00:18:08Hey!
00:18:09Bye.
00:18:30You wish something?
00:18:50Gin over rocks.
00:18:51Rocks?
00:18:52Is this chair taken, madam? Why, thank you, Mrs. Johnson. I'd love to join you.
00:18:55You didn't think you were going to get rid of me as easy as you ducked the police, did you?
00:18:58I'll have you know, Mrs. J, I'm an old fire escape man from way back.
00:19:01Why don't you get lost?
00:19:09Now then, how about the story?
00:19:11You'll get the story from my husband when he's safe and sound in jail.
00:19:14Oh, but he won't be safe and sound. Have you forgotten the fellow by the name of Joe Gordon?
00:19:17Do you wish something?
00:19:18Yeah, let me have a bourbon old-fashioned.
00:19:20Yes, sir.
00:19:21Why did you come here tonight, Mrs. Johnson? Or shouldn't I ask?
00:19:24Because I like it here.
00:19:25You didn't by any chance come here to meet, say, your husband, did you?
00:19:27Or is that a far-fetched supposition?
00:19:29Supposition?
00:19:30Better stop using those four-syllable words. I won't be working for the graphic anymore.
00:19:33Where's your husband, Mrs. Johnson?
00:19:34I don't know.
00:19:35Did he see the killer?
00:19:36I don't know.
00:19:37Shall we dance?
00:19:38Why don't you drop dead?
00:19:44Why don't you be nice to me, Mrs. Johnson?
00:19:46Who knows? I might even be able to help you.
00:19:48I'm not a bad guy when you get to know me.
00:19:50A little obnoxious, perhaps, but pleasant.
00:19:52Now then, answer yes or no.
00:19:54Your husband saw the murder and took it on the lam, right?
00:19:56Right.
00:19:57And you're meeting him here?
00:19:58I haven't the slightest idea. I came here on a hunch.
00:20:01When he phoned tonight, I heard music that could only have come from this joint.
00:20:04Something to eat?
00:20:05No, thanks. No food.
00:20:06Well, go ahead. Try something.
00:20:07No, really, nothing.
00:20:12Oh, uh, I've got a deal for you.
00:20:15You find your husband with my help, give me an exclusive for 24 hours,
00:20:18and I'll get my paper to pay you for it.
00:20:20Trying to buy me so soon?
00:20:21First, I'm going to try and buy you.
00:20:23And if I can't, I'm going to try to win you.
00:20:25Isn't that the reverse of the usual procedure?
00:20:27I'm a perverse fellow.
00:20:28On second thought, Mrs. J, I find you very attractive.
00:20:31I may try and win you right off.
00:20:33No, thanks. I'd rather be bought.
00:20:35Very mercenary.
00:20:36All to the good, though. I like mercenary women.
00:20:46Money?
00:20:47Sure.
00:20:48How much?
00:20:49Oh, I don't know. A gram, maybe.
00:20:50Is it worth that much?
00:20:52Will be by the time I get through building it up.
00:20:54Frank will need it if he wants to get away.
00:20:56I'll bring it with me. Just tell me where and when.
00:20:58And you won't print anything until I give the word.
00:21:00Scouts honor.
00:21:01It's a deal.
00:21:02Shall we drink to it?
00:21:04To the, uh, speedy conclusion of all our troubles.
00:21:07Yours, your husband's, and mine.
00:21:09You've got trouble if you don't look.
00:21:11One that I can't solve now that we're partnered.
00:21:16Hiya, Mrs. Johnson.
00:21:17Hi, Sammy. Sit down.
00:21:18Meet Mr. Leggett at the graphic.
00:21:20Oh, a newspaper man.
00:21:21Sammy.
00:21:22You should have caught the show.
00:21:23Suzy and I are breaking in a new act.
00:21:25Chung and Oquito.
00:21:26It's terrific.
00:21:27That's spelled C-H-U-N-G.
00:21:29Anybody can spell Oquito.
00:21:31Of course, we're only breaking in the show here,
00:21:32but a little plug would help.
00:21:34Well, I'll, uh, I'll see what I can do.
00:21:36Thanks.
00:21:37Next time you come, catch the midnight show.
00:21:38The place is really jumping then.
00:21:39I'll be seeing you.
00:21:40Bye, Sammy.
00:21:41Night.
00:21:42Well, I think I'll go home.
00:21:43Frank won't show tonight.
00:21:44How do you know?
00:21:45I just know. That's all.
00:21:47What are you going to tell your husband when you see him?
00:21:49To give himself up.
00:21:50Maybe I'll give up too.
00:22:14Leave your flag down.
00:22:18Hey, you want to go in over the roof?
00:22:19No, I'll go in the front door and give them something to think about.
00:22:22No, in that case, I'll disappear.
00:22:23Let's not give them too much to think about.
00:22:25Well, if I need you, I'll get in touch with you.
00:22:27Oh, you won't have to get in touch with me, Mrs. Johnson.
00:22:29Just look around.
00:22:30I'll be there.
00:22:31Good night, Mr. Leggett.
00:22:42What are you doing here?
00:22:43That was a nice going, Mrs. Johnson,
00:22:44but the next time you try to get out, you'll have more trouble.
00:22:48I've got news for you.
00:22:51I've just seen your husband's doctor.
00:22:53Why? Aren't you feeling well?
00:22:57Your husband isn't a hypochondriac.
00:23:00He's a very sick man. He's got a bad heart.
00:23:06I don't believe it.
00:23:07Ask Dr. Holder.
00:23:14Frank never said anything to me about it.
00:23:16Maybe he figured you wouldn't be interested.
00:23:19Well, he can walk into any drugstore and buy some medicine.
00:23:21Not without a prescription, he can't.
00:23:23And I've given orders to every drugstore in town
00:23:25that none of this medicine is to be dispensed without an order from me.
00:23:28If he should have an attack and not have that with him, you know what that means.
00:23:32You can't do that.
00:23:33If it's the only way I can get him to come in and testify, I mean to use it.
00:23:36But Frank's done nothing wrong.
00:23:38Oh, yes, he has. He was in the wrong place at the wrong time.
00:23:41I thought the police were supposed to protect people, not put them in danger.
00:23:44All it says in my book, sister, is that the good of the majority's got to be upheld.
00:23:48And for the good of the majority, Frank Johnson's got to testify.
00:23:51If he gives himself up, we'll give him a supply of medicine, we'll protect him.
00:23:54And if he doesn't?
00:23:55He'll die of a heart attack or a bullet from one of Smiley Freeman's men.
00:23:59I don't believe a word you're saying. You're only trying to frighten me.
00:24:02And I'm getting pretty sick of you. Now get out of here.
00:24:04Of course, if you want to try to find it, I won't try to stop you.
00:24:07But I don't think you can find it.
00:24:10I don't think he's running away from us. I think he's running away from you.
00:24:14I said get out.
00:24:16Get out.
00:24:47I am violating my instructions from the police by giving you this additional supply.
00:24:51But rest assured, it gives me no feeling of guilt.
00:24:53Thank you, doctor.
00:24:54After the excitement of last night, your husband undoubtedly used the ampuse he carried with him.
00:24:59So you see, my action is not prompted by kindness so much as reluctance to gamble with a man's life.
00:25:05Is his heart really that bad, doctor?
00:25:07Yes, it is.
00:25:08It is.
00:25:09It is?
00:25:10Yes.
00:25:12Is his heart really that bad, doctor?
00:25:14Frank's condition isn't any worse than tons of men that strain their hearts running in track meets.
00:25:19The misguided believe that they were building up their bodies.
00:25:22If it were only his heart, we could control it.
00:25:25What do you mean?
00:25:26Well, for the past year, your husband has had hypertension that complicates matters.
00:25:30Hypertension? What causes that?
00:25:32I'm not sure. My guess is overwork, unhappiness, anxiety.
00:25:37But you know more about it than I do.
00:25:39Why should I?
00:25:40But naturally, you must know about his troubles.
00:25:42I'm only his doctor. You are his wife.
00:25:44Oh, yes. I'm that bitter, selfish, vicious wife.
00:25:47The cause of his unhappiness. The cause of his failure.
00:25:49Is that what he told you? Is that what he tells everyone?
00:25:51Frank didn't discuss his private life with me, nor do I care to hear it from you.
00:25:55I shall explain to you his condition, and that's all.
00:25:58He has a cardiac condition.
00:26:00Let's call that X.
00:26:01Now, X alone is not serious.
00:26:03He also has hypertension.
00:26:05Let's call that Y.
00:26:06X plus Y is dangerous.
00:26:08I'm Y, I suppose.
00:26:10I'm not a psychiatrist, Mrs. Johnson.
00:26:12I deal only with facts.
00:26:14X plus Y equals steady deterioration.
00:26:16X minus Y is an improvement.
00:26:18What you and your husband do about it, that's your personal concern.
00:26:22My only personal concern right now is to get these ampoules to him.
00:26:25If you see him, tell him he should give himself up.
00:26:28It's imperative to take the strain off himself.
00:26:30I'll give him the facts. He can draw his own conclusions.
00:26:33I'll give him the facts. He can draw his own conclusions.
00:27:03Oh, Frank, darling.
00:27:22I thought I'd never come to see you again.
00:27:24Now, stay right there.
00:27:25I'll be back inside and explain everything.
00:27:30All right, Mr. Johnson, come along.
00:27:32along my name is Johnson yeah and I suppose that isn't your wife either oh but I wish
00:27:36it were do you have any identification yes I have my name is Stephen Carothers optometrist
00:27:41while we're on the subject I think you better have your eyes examined
00:28:02so Frank is a fugitive from the law oh that's just like it he's so adventurous adventurous
00:28:10Frank oh yes indeed sit down mrs. Johnson I guess you've never visited our workshop
00:28:15before what makes you think he's adventurous oh but he is all the places he's gone and
00:28:21all the things he's done you know my life has been pretty uneventful straight from high
00:28:26school to this job from my rooming house to the streetcar and then down here to work
00:28:32in the evening back to my rooming house again but since he's been here it's different he
00:28:37makes my life kind of exciting I never get tired listening to the stories he tells about
00:28:41his trip down to Mexico when he was wandering around with all those bullfighters and when
00:28:46he shipped off to Tahiti in that old freighter and then jumped ship oh I'm sorry I suppose
00:28:53you've heard these stories many times mrs. Johnson I never heard them he never told me
00:28:58he didn't well maybe he didn't want his wife to know oh I'm sorry if I talked out of turn
00:29:04of course you haven't shouldn't the mail be here why yes yes it should why Frank sent
00:29:10me a letter in care of you oh he did I don't know what mr. Anderson is going to say when
00:29:15he finds out Frank isn't coming in today you know he's got a terrible disposition he doesn't
00:29:20exercise enough of course I don't either but then well I'm gonna protect Frank he saved
00:29:26my job once you know mr. Anderson was gonna fire me but Frank said if mr. Mabus goes you
00:29:31can pay me off too oh they had a terrible argument they even took it upstairs to mr.
00:29:36Winston well we're still here Frank was too valuable look mr. Mabus don't tell anyone
00:29:45about that letter that's coming oh no no no you can trust me not even the police the police are
00:29:52they coming here they're very apt to but just don't mention the letter or anything about my
00:29:57being here at all huh I don't know how good I am at deceiving people but if it's for Frank I'll
00:30:02try hey Mabus you better get the lead out and get upstairs Addison's blowing his top okay I'll
00:30:07be right up is the mail in yet how should I know nice people sometime I think it'd be better for
00:30:14Frank if he got himself fired well he doesn't belong around here look at all the time he puts
00:30:20in these mannequins see I just noticed something this looks like you very flattering is that the
00:30:27way he sees me well it may be a little severe but it shows he was thinking about you anyway yes and
00:30:32what he was thinking Mayo you've only got two today mr. Mabus wasn't Frank here no no he's
00:30:39late was there a letter for him no I just had a new song I wanted to hear thanks to anyone who
00:30:44listens to me sing oh brother if I got a crush on that man mm-hmm no letter oh but there's got
00:30:52to be one well maybe it'll be here on the afternoon mail at three o'clock if one comes
00:30:57hold it for me and let's just keep it our secret shall we morning mr. Johnson he didn't show up for
00:31:10work this morning did he where's your new pal like it I haven't the vaguest idea I wouldn't
00:31:15get too cozy with that guy if I were you he crucified his grandmother for a story I haven't
00:31:20found him as objectionable as you are what right of you prying into my personal life having me
00:31:25followed as if I were a criminal I'm sick of it I'm sick of you and I wanted to stop this is
00:31:29Johnson didn't your husband ever beat you are you going to have these men stop following me
00:31:33the man who killed Joe Gordon isn't stupid if I'm smart enough to use you as a bird dog to
00:31:37lead us to your husband so is he you may be very happy to have a copper on before this thing's
00:31:42over that I doubt stick with it how could I lose a redhead like that
00:32:12don't be so grumpy this morning all I'm trying to do is help you do you know that you've got a
00:32:30little shadow huh yes yes well it's nice morning for a ride oh well by the way here's your letter
00:32:40well I was right don't be $10 in an underpaid store clerk and get anything don't you worry
00:32:45about I'll put down my expense account how did you know about the menu shouldn't left it was
00:32:50very careless I have a quiz of the eyes do you always open other people's mail every chance I
00:32:56guess say did you get a load of the female impersonator they've got following you know
00:33:00well let's duck her and get down to business hey Mac turn left on the next street then right up the
00:33:06alley okay mean anything to you oh a lot of things something to go on I'm not sure what does
00:33:27he mean in there about the doctor the ampoules it's medicine he needs he has a bad heart how
00:33:33bad bad enough I just found out he's got to have these pills and he can't get them anywhere the
00:33:38police have seen to that yeah squeeze play at first is smart will he die I don't know I spoke
00:33:46to his doctor it isn't serious only under certain conditions explain the police will probably read
00:33:55this note so I can't tell you where I'll be but if you think back you'll know where to find me
00:34:00what am I a mind reader gives you a clue in this next line I'll be out in the open under the Sun
00:34:06in a place like the one where I first lost you there is no first and things like these
00:34:11this is kind of obscured is he always talk to you like this no it's our first murder you know
00:34:18mrs. J your husband's a pretty clever guy at that no you don't think so but he is he's testing you
00:34:23he's asking you to admit that your marriage is a failure and that it's your fault he's saying
00:34:28that he understands you but that you don't understand now listen mr. Leggett of the graphic
00:34:32I've had just about enough of the all-wise male in the past 10 hours I've met three men three men
00:34:39who all put together haven't known Frank for one fraction of the length of time I have yet they
00:34:43all know him better than I do well along the way I found out a few things myself I found out how
00:34:49Frank Johnson really feels about me that at the first chance his first excuse he took off ran
00:34:54and he didn't even think enough of me to confide in me that it was ill then at the store in the
00:34:59faces of those mannequins I saw what he really sees in me all right it's OK if that's the way
00:35:05he feels about it but if he wants his ampules he'll have to come out of hiding and get them
00:35:08what did you have for breakfast cigarette and coffee cigarette I thought so take us over to
00:35:16Lancey's on Powell Lancey's okay this place has the best waffles in town butter in every little
00:35:22square he was always better on a full tummy how about another one oh no thanks now that I've got
00:35:31you softened up mrs. J there's something I have to tell you you have to find your husband no one
00:35:36after the money I promise you are my story but for yourself he's challenged you you've got to
00:35:42accept it or admit he's right I really would like to find him if only I could decide for the riddle
00:35:46in this letter together we can do it that letters like like drawing a graph one line is Tracy's
00:35:52movements from last night the other leads back into the past but you have to remember where they
00:35:57cross that's where your husband is you need a manicure so I do you know this is the first time
00:36:04in my life I ever insisted on helping a woman find her husband that I believe by the way what
00:36:10do people call you besides Leggett at the graphic Oh Oh people that like me call me Danny boy
00:36:19okay Danny boy fishermen's war Frank used to come here a lot I remember once he did a watercolor
00:36:30of a boat a fisherman admired it so Frank just gave it to him not to be outdone the fisherman
00:36:36gave Frank a big swordfish I made a remark about the joys of living for the barter system and we
00:36:42had a bitter quarrel but it certainly wasn't the first one do you think Frank was referring to a
00:36:47quarrel when he said where I first lost you what else another one started up here on Telegraph
00:36:53Hill Frank did a canvas of the harbor from here that I thought was wonderful when I told him so
00:36:58he insinuated that my taste in art ran to calendars I said my taste was my own and I wanted the pain
00:37:05so he gave it to me but he signed it Eleanor's husband without telling him I entered it in a
00:37:11contest they were having here at the art gallery the oil by Eleanor's husband won first prize
00:37:16$500 but do you think Frank was pleased when he found out home no he refused the money and withdrew
00:37:25the painting said he wasn't ready yet sounds pretty stubborn stupidly stubborn I wonder if
00:37:31he ever really wanted to be successful soon after that he took the job at Hartman Winston's you
00:37:37know the only thing we know for sure is that Frank was at the Oriental Gardens last night
00:37:40over in the neighborhood let's drop in yeah he sat around the missing room until we came down to do
00:37:45the one o'clock show then he said he was going to make a phone call then Frank wrote the letter
00:37:49he said to get in touch with you that he was going to send the letter to a store care of mr. Mavis
00:37:53haven't I seen you someplace before shouldn't be surprised I've been there but didn't he say what
00:37:58he was going to do or where he might go I didn't want to pump him say why don't you try Sullivan
00:38:03who's Sullivan he's a grandmick runs a bar across the street come on I'll show you you can go down
00:38:07the back stairs now I know where I've seen you before last night I'm sure I was in with mrs.
00:38:12Johnson no I mean the picture that Frank drew picture what picture of me well it looks something
00:38:20like you you know how Frank's always drawing pictures did he say who this man was no no he
00:38:25didn't I wonder if I should have told the cops about it oh well they'll be back the man that
00:38:30wasn't said so lose he quit gagging oh do you still have the picture maybe I could run it in
00:38:35the paper yeah it's upstairs in my dressing room I better keep it though hey leg are you sure you
00:38:40want to help find Frank hey don't forget that plug in the paper about us we can sure use it
00:38:48okay take it from the top I've got to see our agent
00:38:53I've heard about this place for years I've been here before
00:39:14what do you have folks you hungry specialty today corned beef and cabbage all right for you no
00:39:27food general rocks for the lady in old-fashioned for me I think I'll call a favor and see if
00:39:32anything's broken you can get more out of him alone anyway so why don't you wear a hat I look
00:39:38funny in hats you know you're right what is it no I didn't happen to go.
00:39:48Yes Mrs Johnson Frank wasn't here last night just before closing time did he say where he
00:40:11was going no we didn't just buy ten bucks is all maybe I should tell you there was a couple of
00:40:16fellas in here this morning asking about Frank fellas that you couldn't very well say mind your
00:40:21own business to is he in some sort of trouble mr. Johnson some he didn't come home last night
00:40:26they're all alike I've been looking for mine for three years I'm glad I finally met you mom I often
00:40:35wondered what kind of a woman Frank was married to not that I imagined he was too easy to live
00:40:39with being so quiet and moody and strange at times for instance now look at this picture look at the
00:40:45date he put on Frank painted this for me about six months ago it was on st. Patrick's Day but
00:40:50look at the date on it March 17 1947 well I suppose it's an artist privilege March 17th
00:40:57that's Frank's birthday 1947 we spent the day on the beach at Cypress Point then we suddenly
00:41:05decided we had to see the sunset from the top of the mark so we drove to San Francisco we had a
00:41:11car then we had champagne cocktails and watched the sunset over the Golden Gate after all it was
00:41:16Frank's birthday and st. Patrick's we had a beautiful dinner at Andre's and cafe de al
00:41:21Lloyd amigos then we drove back to Carmel in the softest moonlight I've ever known ah there's
00:41:27nothing like being young and in love and daft to boot what daft to boot well I get people are
00:41:33entitled to do crazy things on their birthday this year we didn't I went to a movie Frank
00:41:39came down here and painted that picture now I know what Frank meant when he said someone should
00:41:44have been in that picture with him I have a notion if your husband could have seen your
00:42:09face when you were telling him about that birthday party in 1947 he'd have painted you
00:42:13right smack in the middle of that picture with his arms around you ah sorry Ursula Oh Mr. Leggett
00:42:18of the graphic mr. Sullivan he's helping me look for Frank hi freshen up a little William a hold
00:42:24of garbage you know I'm fine get something something I hadn't counted on what Frank still
00:42:31loves me it's a big help I think so if it'll help any Frank asked me how early the Army Navy
00:42:38stores open the windows down on the Embarcadero no he's getting smart he's changed his clothes
00:42:43what do you say we cover it oh I I'm sorry I was so rude a moment ago but it's always
00:42:49discouraging to hear a wife say that her husband loves her what do you write comic strips never
00:42:54more serious in my life what's the damages oh it's on the house I hope you find him mr. Johnson
00:42:59thanks no use looking high once they're gone they're gone
00:43:06I was walking along and she almost hit me she must have fell from the Oriental roof
00:43:31garden up there who is she she's one of the dancers from the show maybe a drink Sammy
00:43:42help sometimes no thanks hi Sam let him alone can't you I just heard about it I'm sorry I
00:43:51can't understand it inspector Susie was happy we were doing great there was no reason for it
00:43:58sometimes we don't know what makes people tick even the ones closest to us I just can't believe
00:44:04she killed herself well maybe she didn't inspector how well it could have been robbery she might have
00:44:10surprised somebody in the dressing room did you check her stuff see if anything was missing no
00:44:15we'll do it now we've been through almost all of these places and we still haven't found a lead
00:44:27on Frank
00:44:58mind if I look at this coat that's a man's coat mind if I look at it a dollar that's Frank's coat
00:45:05where did you get now your business but that's my husband's coat no it ain't it's mine fella
00:45:10came in here and traded that coat and four dollars for a p-jacket and a cap when when I
00:45:14opened up this morning where'd he go how do I know I just sell stuff I don't watch people shut
00:45:19the door you go out
00:45:49well wouldn't you know there he is just like nothing had happened
00:46:19Frank. I beg your pardon. Oh I'm sorry I never knew there were so many land going
00:46:39sailors in the world all of them wearing p-jackets and seamen's caps
00:46:42beat huh mm-hmm I might as well admit it I can't remember no thanks not much sun left to
00:46:55find him under if you think back he said in his letter you'll know where to find me Danny
00:47:07maybe if I'm alone I can figure this out I've got to go home anyway and feed the dog he's
00:47:12been locked up all day oh sure sure I could meet you later someplace how about picking me
00:47:18up at the corner of Montgomery and Union streets when you're ready it's not much out of your way
00:47:21all right I'll meet you there in an hour Oh looks like your shadows finally caught up with you
00:47:43are you mad if I am I beg your pardon come on there's no need to send him to cab fares we
00:47:49might as well go together but well oh come on at least we'll have someone to talk to
00:47:52at the taxpayer I thank you
00:48:23hello Rembrandt I'll be with you in a minute hi what you again who let you in
00:48:34landlord do you mind oh no make yourself at home I love having cops move in on me where's the
00:48:40letter don't pretend you don't know what I'm talking about I mean the letter your pal picked
00:48:43up at Hartman Winston's this morning I want it he's all knows all except where Frank isn't who
00:48:48the killer is why don't you go back to jail or wherever it is you live and leave me alone
00:48:53oh no the America rounds over this case is going cold on me and you're the only live thing in it
00:48:58so from now on I'm sticking with you that's just peachy oh I'm bushed you ought to be you covered
00:49:06a lot of territory today my men are bullish too you should be more considerate you make anything
00:49:12out of this letter pretty cryptic not yet but I'm working on it it sounds like a guy in love
00:49:18you think so yeah I'll be out me open under the Sun in the place like the one where I first lost
00:49:27you I'm kind of lazy right in your lap doesn't it mean anything to you I wish it did glad you're
00:49:34not bringing me my medicine oh don't worry I'll find you and I'll be right there with you when
00:49:40you do where you go I go would you insist upon going with me if I walk the dog I walked him
00:49:51anyway there's a man out front one and back and one on the roof fine I'm staying right here that
00:49:56so am I we'll just wait till your husband comes to you or you can't stand the strain any longer
00:50:01and go to him look mr. Ferris maybe you were right in some of the things you said today I
00:50:07discovered a lot about Frank I never knew before in one day what you couldn't find out in four
00:50:11years I guess I was the one that was mixed up a lot of it's my fault anyway I haven't been much
00:50:18of a wife that's quite an admission from you mrs. Johnson please you've got to give me a chance to
00:50:24see Frank alone and give him his medicine then if he wants to come in and testify that's up to him
00:50:29but it's got to be his choice I won't try to influence him one way or the other whatever he
00:50:34does is all right with me but you've got to let me see him alone first I believe you and I'd like
00:50:38to help you but I'm a cop if Frank keeps on running I'll have no witness to say nothing of a job
00:50:44he's hungry couldn't you have fed him too he couldn't figure out how to work the can opener
00:50:54and I use your phone.
00:51:03Well. And I think I meant. Keep it going we got results I think we're getting warm
00:51:09rather.
00:51:40All right.
00:51:56All right.
00:52:05All right.
00:52:09All right.
00:52:12I'm sorry I'm going to have the only thing I can think of.
00:52:26That's the best. I'm worried about Rembrandt so hungry and I won't touch
00:52:33his food that's funny. No it's so hot maybe I better take him to the bed
00:52:41I'll take him I like dogs. Get your shoes.
00:52:49His temperature is normal in fact he seems to be in perfect health but I'm worried about him
00:52:53doctor he won't eat maybe he isn't hungry perhaps he should stay here for a few days for
00:52:57observation may I take a look at your exercise yard oh yes right out that door across the
00:53:02hall and doctor see if you can't coax him to eat something.
00:53:11That I wish you look at him and I'm not a doctor I'm here for treatment myself I
00:53:17think you're part of your wife and you are to leave the dog from that moment not my
00:53:21wife.
00:53:33There is there when I got back you know about Frank's letter that doesn't surprise me
00:53:36anyway check that Danny I've been thinking why did Frank send it to heart and when I
00:53:41didn't want to intercept it when I believe it was I'm a chum or give it to anybody
00:53:45he knew who'd bring it to me why make this stuff you mean you think there's a reason
00:53:49something you missed yes something I didn't see something I overlooked driver take us
00:53:55to heart and Winston OK.
00:54:02And.
00:54:13We're a better set.
00:54:21Fresh. The two L.N.R.
00:54:27Now I remember one day on the beach at Carmel just after we were married Frank
00:54:32made a mermaid out of sand it was supposed to be me and
00:54:34a big wave came up and washed it away and he said Well I've lost you and I said
00:54:38you'll never lose me Frank I won't let you that's what he meant my letter it wasn't
00:54:41a quarrel it's been something to you you know where he is I'll take you inspector
00:54:46Paris wants to see you why look he wants to see where.
00:55:02It's.
00:55:26I'm sorry to have to ask you to do this. This man was found in the alley behind
00:55:31a gin mill on the Embarcadero and brutally beaten to death he wasn't wearing
00:55:36a trench coat but he was wearing
00:55:38a seaman's cap and jacket. What I remember of your husband it could be him. I'm not
00:55:44sure. I have to ask you to make positive identification.
00:56:01I.
00:56:20Better allow. That goes the frame in case to witnesses.
00:56:27That man. So we've got some time.
00:56:38I don't know anything that I could say just be words.
00:56:45Then. That wasn't Frank. For
00:56:49a quick moment I thought it was and I felt things I didn't know I could feel what
00:56:54was I holding out for I didn't I learned to understand. Why don't we get free of
00:56:59ourselves and we can. If only I had another chance I thought then I thought it
00:57:06wasn't Frank and I think. That's relations on your performance. But
00:57:12it wasn't an act I really did think. Where is he.
00:57:18At the amusement park at the beach.
00:57:24But.
00:57:33You were there when it happened why can't you talk. Johnson James
00:57:39a smart cookie and I wonder where she got the idea of passing that stiff officer
00:57:43husband somebody had. Passed him off sure the guy she identified was
00:57:48a second made off a tanker just been paid off somebody rolling for his dough why
00:57:52wasn't I told the fingerprint report just came. To pay for
00:57:57a knucklehead get down to the taxi stand check and find out where they took her.
00:58:00And.
00:58:18I'm not like that when I want to get out of the.
00:58:30I'm not like that when I want to get out of the.
00:58:42All units in the Bay Area be on the lookout for one yellow cab number three to
00:58:45three license number the seven column or nine Frank seven six to let all of
00:58:50justice possibly six thirty p.m.
00:58:52This day.
00:59:01Right down there be on that railing and.
00:59:09He's been waiting for me all day thinking I would remember I almost didn't know.
00:59:17I couldn't talk to him and it's too many people around couldn't get the story I
00:59:20want I know where I can meet him.
00:59:31Don't you. I had
00:59:32a not going to use to make that you only he made them out of I. Don't make the
00:59:37artist appreciate it. Thank you.
01:00:00Thank you thank you thank you thank you thank you thank you thank you thank you.
01:00:15Yeah.
01:00:20Thanks for getting the boil we'll be right down we're going to the beach and I'm
01:00:25back but my eyes met your nose and smell.
01:00:56I don't like this place. But. I used to come here to my girl when I was
01:01:01a kid more frightening than romantic. That's the way love is when you're young.
01:01:07Life is when you're older. I'll tell Frank.
01:01:13You sure you want to start over again with your husband I'm sure I want to try I'm
01:01:17not sure what he wants suppose he doesn't want to and I'll let him go he'll never
01:01:21know how I feel about it. You think people can turn back you're going to try. I
01:01:28know better. You're too cynical it's your place to late now to change my profession.
01:01:35But it's any man I'll bring you know. What's the matter with you don't you still
01:01:42want the story. I guess. I got to have the story but I don't want to tell it.
01:01:52My way. You send me back I want to see him alone first you want the money I talk
01:01:58to him alone all right if that's the way you want it I'll send it.
01:02:21To. Get
01:02:32out of there and come to the fair side that's like to get up there make like
01:02:35a gate if Johnson tries to come to arrest him but charge failing to curb his dog in
01:02:40a public park I'm going to end the other end of the.
01:02:41Day.
01:02:50Are we going to have
01:02:51a 71. Better than I do on some Sunday thanks for taking care of things not the
01:02:58first day I've had off in years not ever doing all day riding back and forth back
01:03:03at what we're doing so little on my own very little but I can't stick around here
01:03:08anymore I've got to get out of there. I hate to ask you but.
01:03:15I want to thank you very far. Here's the key to my car and the ticket find it over
01:03:21in the park way. I'll get it back you better.
01:03:57Thank you. Thank you. Thank you.
01:04:03Never heard of.
01:04:20Sorry Mr Johnson but I had to be careful Frank waited all day and said he couldn't
01:04:24wait any longer so I'm going to my car but five minutes ago to go over the parking
01:04:29lot the other in the midway thank you.
01:04:39I lost a bet with myself. But you want to win.
01:04:47As ordered delivered. Late as you. Delivered.
01:04:51It. Let's get out of the light.
01:04:58You can I have.
01:05:10Why did you tell me about your heart. Doctors they make a big deal every.
01:05:15Guess was
01:05:18a silly thing to do writing that corny note it sounded like it had a couple of
01:05:22times I had. By the time I finished the drinks and the letter I was
01:05:26a pretty sad character. And hide out here for
01:05:32what you want to get
01:05:34a job in another town pretty fair when to turn to get artists to we've got to pull
01:05:40out of this. We get this
01:05:45excitement hasn't killed you I'm sure I can't we'll get out of town you'll be
01:05:49safe and go very far I've got seven dollars and seventy one cents or that in
01:05:54the gap as
01:05:56a fellow named like a reporter from the graphic he helped me find you he's promised
01:05:59to give you
01:06:00a thousand dollars for an exclusive lot of money for the little I can tell well it's
01:06:04paper must think it's worth it so I look to give to us in the month but where is
01:06:08it over for the roller coaster come on I'll show you that you turn around you know
01:06:12an artist named Frank Johnson. Frank Johnson. And I did
01:06:17a sketch of you I saw it could be but I don't remember. I just work here
01:06:24you'll be
01:06:24a very good cap know.
01:06:45What they are under the roller coaster go all the way to the end of the walk and
01:06:48duck in under the cap OK it's
01:06:50a ticket for the captain's car it's parked down at that end of the. Well I'll meet
01:06:55you there no I'd better bring it here you've got to stay out of sight I can't let
01:06:59anything happen to you now.
01:07:05Nothing can happen to me now. Remember that man shot at. You know that wasn't
01:07:11a paper there is told me nobody else knows the guy that fired the shots.
01:07:20I'm.
01:07:27Better. Back as soon as I can.
01:07:36And I'm proud car out of the answers just got word for you to call and Johnson
01:07:41hasn't passed me yet.
01:07:50And. Oh I haven't got time to talk to him now that's
01:07:58McDonald Murray's case but he says he has some information you want to hold on.
01:08:04Hello inspector remember you asked me to check all of Susie's things to see if
01:08:08anything was missing Sammy I'm busy I'll see you tomorrow I just wanted to tell
01:08:12you that nothing was missing except that sketch of Frank drew on the back of
01:08:15a menu scared to go I don't know but Susie said it looked like that newspaper man
01:08:20that was in the club this afternoon with Mrs Johnson I couldn't notice he was
01:08:23going to give us one to Susie any good now.
01:08:34What happened was Frank he's on his way to meet you but there isn't here with
01:08:37a dog. But that's different more with
01:08:40a plant he's
01:08:41a pretty sharp fellow. Get off the midway.
01:08:59Come on I'm going to force it here but these things make me sick.
01:09:03I'm going to force it here but these things make me sick.
01:09:04Stay in your seats folks the second ride is half past.
01:09:06Oh I'll never ride this thing again.
01:09:08Oh I'll never ride this thing again.
01:09:20All right Eddie take it away don't stand up in your seats folks this is the greatest thrill of your lifetime.
01:09:32The ride only takes a couple of minutes
01:09:34the ride only takes a couple of minutes
01:09:36besides when we get to the top we can see if Frank's there
01:09:39besides when we get to the top we can see if Frank's there
01:09:40Well he must be there by now.
01:09:42Well he must be there by now.
01:09:49I don't see him.
01:10:02Where is he?
01:10:03I don't know.
01:10:08Ah!
01:10:14Ah!
01:10:15Ah!
01:10:16Ah!
01:10:17Ah!
01:10:18Ah!
01:10:19Ah!
01:10:20Ah!
01:10:21Ah!
01:10:22Ah!
01:10:23Ah!
01:10:24Ah!
01:10:25Ah!
01:10:26Ah!
01:10:27Ah!
01:10:28Ah!
01:10:29Ah!
01:10:30Ah!
01:10:31Ah!
01:10:32Ah!
01:10:33Ah!
01:10:34Ah!
01:10:35Ah!
01:10:36Ah!
01:10:41Hey, buddy, where do you think you're going?
01:10:50Ah!
01:11:09Ah!
01:11:10Ah!
01:11:11Ah!
01:11:12Ah!
01:11:13Ah!
01:11:19Ah!
01:11:20Ah!
01:11:21Ah!
01:11:22Ah!
01:11:23Ah!
01:11:24Ah!
01:11:25Ah!
01:11:26Ah!
01:11:27Ah!
01:11:28Ah!
01:11:29Ah!
01:11:30Ah!
01:11:31Ah!
01:11:32Ah!
01:11:33Ah!
01:11:34Ah!
01:11:35Ah!
01:11:36Ah!
01:11:37Ah!
01:11:38Ah!
01:11:39Ah!
01:11:40Ah!
01:11:41Ah!
01:11:42Ah!
01:11:43Ah!
01:11:44Ah!
01:11:45Ah!
01:11:46Ah!
01:11:47Ah!
01:11:48Ah!
01:11:49Ah!
01:11:50Ah!
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01:11:52Ah!
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01:11:55Ah!
01:11:56Ah!
01:11:57Ah!
01:11:58Ah!
01:11:59Ah!
01:12:00Ah!
01:12:01Ah!
01:12:02Ah!
01:12:03Ah!
01:12:04Ah!
01:12:05Ah!
01:12:06Ah!
01:12:07Ah!
01:12:08Ah!
01:12:09Ah!
01:12:10Ah!
01:12:11Ah!
01:12:12Ah!
01:12:13Ah!
01:12:14Ah!
01:12:15Ah!
01:12:16Ah!
01:12:17Ah!
01:12:18Ah!
01:12:19Ah!
01:12:20Ah!
01:12:21Ah!
01:12:22Ah!
01:12:23Ah!
01:12:24Ah!
01:12:25Ah!
01:12:26Ah!
01:12:27Ah!
01:12:28Ah!
01:12:29Ah!
01:12:30Ah!
01:12:31Ah!
01:12:32Ah!
01:12:33Ah!
01:12:34Ah!
01:12:35Ah!
01:12:36Ah!
01:12:37Ah!
01:12:38Ah!
01:12:39Ah!
01:12:40Ah!
01:12:41Ah!
01:12:42Ah!
01:12:43Ah!
01:12:44Ah!
01:12:45Ah!
01:12:46No!
01:12:49Help!
01:12:51Help!
01:12:53Help!
01:13:06Let me go!
01:13:09Hey!
01:13:10Hey, wait!
01:13:13Let me go!
01:13:16Frank? Frank Johnson?
01:13:18Yes.
01:13:19Is that you, Mr. Leggett?
01:13:21Be careful. There's a loose plank over here.
01:13:25I know.
01:13:34Why don't you get it over with?
01:13:47I don't have to, Frank.
01:13:52You've got a bad heart.
01:13:56It can't stand tension.
01:14:01You're going to kill yourself.
01:14:16Help!
01:14:20Help!
01:14:32Help!
01:14:37Help!
01:14:47The second ride is half fare, folks.
01:14:49Take advantage of the second ride. It's only half fare.
01:15:02Watch your hurry, Mrs. Johnson.
01:15:16Help!
01:15:46I had to do it, Mrs. Johnson.
01:15:49That's Leggett down there. Your husband's safe.
01:15:51Where's Frank?
01:15:52Out there on the midway.
01:16:16Help!
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