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08:50And she didn't have much opportunity to regret the unheeded warning.
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09:15Hi.
09:21Did you miss the train, mister?
09:24What's the matter, you hurt?
09:28Now tie it up. Make a tourniquet.
09:30Michael?
09:32Michael?
09:33That's my mother.
09:34She doesn't want me to come down and watch the trains at night.
09:37Don't say anything.
09:39Come here.
09:41Let's hide in here.
09:45Why'd you put that bundle on the back of the train?
09:48The baggage car's for bundles.
09:50The back of the train is for people.
09:52Michael?
09:53I'll fix you.
10:04She never lets me alone for a minute.
10:06Always worrying something's going to happen to me.
10:09I'm too big to be treated like a baby.
10:11I'm too big to be treated like a baby.
10:13She's always telling me how I'm going to be carried home with a broken something.
10:21I'd better get us.
10:22Sorry I can't help with that tourniquet.
10:24Go see Doc off. Bye.
10:41Bye.
10:59Yes?
11:01Mr. McPhee said you had a room.
11:03I have a room.
11:05But it's not for rent.
11:07I'm sorry.
11:08McPhee said...
11:09You want to see Mrs. Mitchell.
11:10Maybe she has a room.
11:12Come on in.
11:25Aunt Thelma?
11:28You get washed out by the river?
11:30Yeah.
11:31This town is washed out any way you look at it.
11:34Aunt Thelma, can you come here a minute?
11:36I haven't got a cold.
11:38Coming?
11:39Ruth, he hasn't sneezed once.
11:41Don't you think he should just go to bed?
11:43I'm not going to have a sick boy on my hands.
11:47Oh, no, you don't.
11:49You're going to stay here and have your throat sprayed.
11:51Open.
11:54That tickles!
11:55Now, Michael, you stay right here or you'll get what I promised.
11:57You were sneaking out to watch the train.
11:59I did not.
12:00You tell lies now or you'll grow up to be a bandit.
12:03If you didn't go to the railroad station, where were you?
12:07All right.
12:08I won't do anything until I have proof.
12:10But if you've been lying, oh, boy, will you get it!
12:15This man said McPhee sent him for a room.
12:17He's washed out.
12:18Oh, that's too bad.
12:20But if you're a friend of McPhee's, I guess we can find a room for you.
12:23This is Mrs. Mitchell.
12:24Dunlap, Harold Dunlap.
12:26How do you do? I'm Jean Maxwell.
12:28Hello.
12:29Now, where in the world would I put you?
12:31Well, good night. I'm going to bed.
12:37To read.
12:38Oh, good night, darling.
12:40Oh, I know. Just go upstairs.
12:41First door to the left.
12:43And take a towel out of the linen closet.
12:45Just keep opening doors till you find it.
12:47It's there somewhere.
12:48Oh, my goodness.
12:49You must get out of those wet clothes.
12:51The roof will have you under vapors, too.
12:53Come down later for a cup of tea.
12:56My goodness, you...
12:57You won't have anything to come down in, will you?
13:00I'll get you a pair of Willie's work pants.
13:02They should fit you, and he won't mind.
13:04He's out now piling up sandbags at the river.
13:25I told you to...
13:26Oh, I'm gone.
13:27Oh, good heavens.
13:29I put Mr. Dunlap in Mike's room.
13:31Well, they'll just have to share it.
13:33But there's only a single bed.
13:35Where's Mike going to sleep? On the floor?
13:37They'll get along all right.
13:39I'll put up a cart.
13:40Oh, boy, a cart!
13:42I'll tell Mr. Dunlap.
13:43I'll carry the tea.
13:44Oh, thank you.
14:03Mr. Dunlap?
14:06Mr. Dunlap?
14:13I see someone in there.
14:15Mr. Dunlap?
14:17I brought some hot tea for you.
14:19Thanks very much.
14:20But I've changed my mind.
14:23But thanks is the same.
14:24I've got a terrible headache.
14:27I just need some sleep, that's all.
14:29Oh, yes, of course.
14:30Sleep's good for a headache.
14:31Take an aspirin.
14:32You'll feel better in the morning.
14:48Will you have some tea?
14:49Mr. Dunlap has a headache.
14:52I don't think Mike would mind sleeping on the sofa.
14:54Would you, Mike?
14:55I'd like it.
14:56It's really quite comfortable.
14:57I've sat there often myself.
14:59I'll get the bedding.
15:29What do you want to do?
15:30What do you want to do?
15:33What do you want to do?
15:41Who's there?
15:43Have a can of beer and go back to sleep.
15:45What do you want to do?
15:46Wake up the whole house?
15:51What do you got, Willie?
15:53Beer?
15:55A couple of years ago, when the river overflowed,
15:57I caught a whole case of bourbon floating by.
16:00I didn't see none of it.
16:01Not even McCork, you stingy old nincompoop.
16:05Oh, give me a can of beer.
16:07I won't give you nothing.
16:09Just a measly can.
16:11I ain't going to give you nothing.
16:13This ain't good enough for you.
16:15You go get yourself a case of bourbon and hide it good.
16:18Oh, you know I had to hide it.
16:20Mrs. Mitchell doesn't like me hiding things.
16:22Oh, you know I had to hide it.
16:23Mrs. Mitchell doesn't approve of drinking on the premises.
16:26Oh, she doesn't, huh?
16:28Well, listen.
16:29If we want a can of beer, who's going to stop us?
16:32Besides, Mrs. Mitchell and me is just like...
16:37Just like that.
16:40Yes, sir.
16:41The ice box, I take it.
16:43Whenever I want to do something, it's okay.
16:49You go.
16:51You know, she knows that I'm not seen well around here.
16:54I'll move just like that.
16:56Ah, bourbon bottles.
16:58This is a man-sized job.
17:01And you want to know something?
17:02I can twist the old girl around my little bits of hair.
17:06Tell her she's beautiful.
17:08Can't you use flattery without being a...
17:11Look, bud.
17:12When you tell a woman that's over 40 that she's beautiful,
17:15you ain't her liar.
17:17You're a...
17:18Nothing to it.
17:21Don't interrupt.
17:22Women is women.
17:25Mrs. Mitchell.
17:26Yes, Mrs. Mitchell, too.
17:28I've worked here so long, I practically own the place.
17:33All right, go ahead.
17:34Have a can.
17:35I think I've had enough already.
17:43Did you get that way falling into the river?
17:46No, Miss Mitchell.
17:47Well, we just had one each.
17:49And we got a lot left over.
17:52Try one.
17:53What?
17:55Oh, we really worked hard, Miss Mitchell.
17:58That river's up two feet more than awful.
18:01Oh, it's really terrible.
18:02It's kind of like a nightmare.
18:05All right, Willie.
18:07Go to bed.
18:17Good night.
18:47He's gone!
18:48Mike!
18:49He's gone!
18:50Shh!
18:51Ruth, you're waking everybody.
18:52Mike, he isn't on the sofa.
18:53His clothes are gone, too.
18:54Oh, he'll get himself drowned.
18:55I just know it.
18:56He'll get himself drowned.
18:57Oh, I'm sorry, Mr. Dunlap, to waken you,
18:59but Ruth's boy's gone off.
19:00This goes on all the time.
19:01He's gone.
19:02He's gone.
19:03He's gone.
19:04He's gone.
19:05He's gone.
19:06He's gone.
19:07He's gone.
19:08He's gone.
19:09He's gone.
19:10He's gone.
19:11He's gone.
19:12He's gone.
19:13He's gone.
19:14He's gone.
19:15He's gone.
19:16Ruth, he's gone off.
19:17This goes on all the time.
19:18Help me find him.
19:19I just know he'll be drowned if we don't find him.
19:21Yes, I'll help you find him.
19:22He must have gone to the river.
19:23I'll go with you.
19:24No, no.
19:25You better stay here.
19:26I'll bring him back.
19:27But you've never seen him, Mr. Dunlap.
19:29Well, there's not many boys out this time of night.
19:31He's a tall boy.
19:32Freckles, spaces between his front teeth.
19:34But he's handsome, except for that.
19:36I'll find him.
19:37If he's drowned himself, it'll be my fault.
19:41Won't you need a coat?
19:43No.
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23:46Good night.
23:47Good night.
24:16Good night.
24:18Good night.
24:24You asleep?
24:26Not yet.
24:28I don't like to sleep.
24:31Boy, think of all the things I could be doing right now.
24:35If it wasn't for my mother, she doesn't let me have any fun.
24:39Like watching the trains down at the station.
24:42You know, you look like someone I saw the other night.
24:46You won't tell my mother I was at the station.
24:49I'd slipped out.
24:51I wasn't at the station.
24:54Oh, anyway, you know I was.
24:57My mother knew I wouldn't get my allowance for six months.
25:01I'd get a wallop in two.
25:03I don't like being walloped.
25:07Gee, train are wonderful.
25:09Especially at night.
25:11They're like big, long snakes with lighted skins.
25:14And they whistle and smoke and rattle.
25:17Boy, there's something.
25:20What was it you saw at the station?
25:23Oh, just a man.
25:25He put a bundle of something on the train.
25:28And I guess he hurt his arm.
25:30Must have cut it.
25:33Is that why you were watching me take my shirt off?
25:36I was just wondering.
25:38Not many people come to Clayburg.
25:40And you're the only stranger.
25:41I mean, person, who's new around here.
25:46Still want to see my arm?
25:48Nah.
25:49Wouldn't make any difference anyway.
25:51Even if you were the same man.
25:58Come here.
26:05I wasn't anywhere near the station tonight.
26:08I hitched a ride to Clayburg.
26:09Remember that?
26:11Sure, but nobody...
26:13Look.
26:15Got a scratch on it.
26:18Nothing on that one either.
26:20Yeah, fine, but I wasn't...
26:22I never travel on trains.
26:24I like to watch them, but not ride them.
26:27I don't even know where the station is.
26:29Yeah, well, there's nothing wrong with being there.
26:32Unless there's someone like my mother who doesn't want you to go.
26:35The first time we saw each other was in the park.
26:37Sure.
26:39In the park.
26:41Yeah.
26:43And it was lucky you found him before my mother did.
26:46I'm sure lucky you came to Clayburg.
26:49Say, why don't we sneak out now and go down by the river?
26:54Okay, I'm getting sleepy anyway.
26:57Good night.
26:59Good morning, Harold.
27:01Hello, Mike.
27:02I was so comfortable, I overslept.
27:04Oh, that's good.
27:05Oh, Mr. Dunlap, this is Ruth Bennett.
27:08We met last night.
27:10Yes.
27:11And this is my niece, Jean.
27:13We met last night too.
27:14Oh, that's right.
27:16A jolly good morning to you.
27:19And this is Barney.
27:20Pleased to meet you.
27:21And Willie.
27:22Won't you sit down?
27:24Say, ain't them my pants and shirt you were wearing?
27:28Oh, yes, my things were wet.
27:30I loaned them to him, Willie.
27:32Well, you'll buy them for me, how much?
27:33$4.50.
27:34Willie...
27:35Okay, two bucks.
27:37Give him a dollar.
27:40So,
27:42where are you from?
27:44North.
27:45North?
27:46Greenfield?
27:48Lonsdowne?
27:49Barton?
27:51Elmville?
27:52Barton.
27:54Barton?
27:55I used to work in the post office in Barton.
27:57Knew every street and alley by heart.
27:59Where did you live?
28:00Where did you live?
28:03I didn't live there very long.
28:05It was
28:07on Orchard Street.
28:08Orchard Street?
28:10Orchard Street.
28:12Of course, down near the paper mill.
28:16I'm full.
28:17Can I go out now?
28:18You go out on the porch and stay on the porch.
28:20If you put one foot...
28:21Okay, okay, Ma.
28:23I'll stay right on the porch.
28:24I won't even put one toe off it.
28:26Close the windows.
28:27They're coming through the door.
28:28Hi, McPhee.
28:29Well, if it isn't
28:30little Lord Fauntleroy's bad brother.
28:32Morning, McPhee.
28:36Morning, morning.
28:38Come in, sit down.
28:42The morning willy-tilly in person.
28:45You're late, McPhee.
28:46The coffee's lukewarm.
28:47That's just the way I like it, huh?
28:49Morning.
28:51Morning, sweetheart.
28:52Hiya, Westbrook.
28:53Don't call me that.
28:55Hi.
28:56Didn't steer you wrong, did it?
28:58No, thanks very much.
28:59Couldn't have done better anywhere.
29:01What about the...
29:02Bridge is out.
29:04They tried to put up a pontoon affair,
29:06but it didn't last long.
29:08You'll be able to get out around dinner time.
29:11Trains can't get through either.
29:13Bad thing happened on the limited last night.
29:15Another wreck?
29:16I just knew the limited would do something like that.
29:18I've warned Michael a hundred times
29:20not to do anything like that.
29:22I've warned Michael a hundred times...
29:24Calm down, calm down.
29:26Nothing was wrecked,
29:27except a girl.
29:29It can happen to anybody.
29:30This magazine's full of things like that.
29:33Got it over the wire this morning.
29:35Son herself killed on the limited.
29:38Found her on the rear platform.
29:41Nail file.
29:42Like that.
29:44Right through the heart.
29:45Somebody do her in?
29:47They weren't cleaning her nails.
29:49Where did it happen?
29:51Don't know yet.
29:52Somewhere up around Seattle they found the body.
29:55Mike should hear about this.
29:57Maybe this will stop him
29:58from running down to that railroad station.
30:01Mrs. Bennet.
30:02Mrs. Bennet, let me tell him.
30:04Mike and I got pretty friendly last night.
30:06There's no sense in scaring the boy.
30:08He should be scared.
30:09I'm scared when he's out alone,
30:11heaven knows where.
30:12If scaring will scare him,
30:13he should be scared.
30:14I'll tell him.
30:15I think he'll behave himself.
30:16You don't know that boy very well, do you?
30:20Need some discipline.
30:22That's what he needs, all right.
30:24He needs a father.
30:27Got to go.
30:28Wait for me.
30:31Nice to meet you, Dunlap.
30:33I'll give him a good talking to,
30:34just like a big brother.
30:35Make sure you scare him.
30:42Very sweet man.
30:43Very sweet.
30:46Take it easy, dearie.
30:47He offered to be Mike's business partner.
30:49I'll just ignore that mark.
30:53Hello, Mike.
30:54Hi.
31:00Mike, your mother's on the warpath.
31:03It's nothing new.
31:05I just thought I'd tell you.
31:06I think you'd better hide for a while.
31:08What have I done now?
31:10You've got to be kidding me.
31:11You'd better hide for a while.
31:12What have I done now?
31:14Holy cow.
31:15She's always after me for something.
31:18She'll calm down,
31:19but maybe you'd better beat it.
31:21Naw, that'll make her mad.
31:23She'll get over it, don't worry.
31:25But not if she sees you now.
31:27I'd better stay right here on the porch.
31:30Okay, do what you like.
31:31Stay here.
31:32I don't like staying here.
31:34Well, if you don't like it, don't do it.
31:36Listen, I'll bet you know lots of places
31:37where you could have more fun
31:38than sitting here twiddling your fingers.
31:40Sure.
31:41I know a lot of places.
31:43Down by the river,
31:44or the railroad tracks,
31:45or the park.
31:47Gosh,
31:48I sure would like to chop
31:49one of them big trees.
31:51I could see the whole town
31:53and tracks and river
31:54and everything
31:55from the top of a tree.
31:56Why don't you go?
31:58My mother'd find out.
32:00She's got something magic about her.
32:02The way she finds out everything.
32:05Naw, she'll cool off later.
32:07Sometimes she boils for days.
32:10Here,
32:11you get yourself something
32:12you'll want for dinner.
32:14Lots of candy,
32:15anything you like.
32:17No,
32:18I'd really catch it.
32:20I think your mother
32:21found out about the station.
32:22Did you tell her?
32:23Of course not.
32:25Thanks,
32:26my pal.
32:27Stay here, we'll have the dinner.
32:28Okay.
32:30I'll do the same for you someday.
32:32Okay, Mike.
32:40You make the best coffee
32:41this summer.
32:43Sorry, McPhee,
32:44the pot's empty.
32:45In that case,
32:46I'll run along
32:47back to the shop.
32:48You couldn't have done
32:49a good job that quickly.
32:50That boy of yours
32:51won't go near the train again.
32:52I gave it to him good.
32:54Oh, here, let me take these.
32:55Oh, my,
32:56thank you.
32:58You're going to spoil things
32:59around here for me, young fellow.
33:02I'd be a good man
33:03to go down a bridge myself
33:04and get you out of here faster.
33:05I wish you would.
33:06I've got to leave today.
33:07Maybe you can.
33:08If I hear anything,
33:09I'll call you.
33:11Bye, all.
33:12Bye, McPhee,
33:13see you later.
33:16Why, Jean,
33:17what has happened to you?
33:18I just don't like to do things
33:19that are expected of me,
33:20that's all.
33:21I have to do them myself
33:22when I'm in the mood.
33:23Well,
33:24it's the nicest thing
33:25I ever heard.
33:26Oh, I won't say another word.
33:27I'll catch up on my book.
33:30What book are you reading?
33:32None,
33:33but I've read many,
33:34and they seem so easy.
33:36I decided to read
33:37I decided to write
33:38one myself.
33:47You are shall dry.
33:49Didn't think you were the type.
33:51I'm not.
33:54How could you tell?
34:07Well, if you're going to dry, dry.
34:12Maybe you are the type.
34:14You were right the first time.
34:16Where are you from, Harold?
34:19Look,
34:20if you want to dry,
34:21I'll call you
34:22when I'm done washing.
34:24You won't have to call me.
34:26I'll be right here.
34:32I don't really care
34:33where you're from.
34:34But I wonder
34:35where you're going.
34:37I'm just going.
34:38The sooner the better.
34:40Not going to some little
34:41hick town like this, I hope.
34:44You know,
34:45I'm a poor little orphan girl
34:46myself,
34:47from San Francisco.
34:49I'd have stayed there
34:50if I'd have had any money.
34:51Want to try working?
34:53Yeah,
34:54I'd try to.
34:57I used to know a girl
34:58like you.
34:59The only work
35:00she ever did
35:01was dry her hair.
35:02The only work
35:03she ever did
35:04was working some guy
35:05for all he had.
35:06Spent every dollar
35:07he ever made.
35:09Lucky girl.
35:11Every man I ever met
35:12was ruined before
35:13I could get him.
35:14I don't get any breaks
35:15at all.
35:17You're different.
35:19Same as all the others,
35:20only you admit it.
35:22A girl's a girl.
35:24Oh, I talk
35:25like I'm wised up.
35:28Truth is,
35:29I'm this way
35:30because of some guy.
35:32It all happened
35:33two and a half
35:34long years ago.
35:36Guess I'm about over it
35:37by now.
35:39I was sweet
35:40and gay
35:41and we were madly in love.
35:43The sun shined
35:44every day
35:45but the moon
35:46blotted it out.
35:47Then one day
35:48I found a note.
35:50Darling,
35:51this is goodbye.
35:52I'm going back.
35:54And my wife,
35:57the jerk was married,
35:58I didn't know.
35:59Tough.
36:02Yeah.
36:04What's with you now?
36:05We're old friends.
36:06Tell me all.
36:07Who, what?
36:09Why are you running away?
36:12The girl you used to know,
36:14the one you said
36:15was like me,
36:16she spend all your dollars?
36:19Yeah,
36:20she spent all my dollars.
36:22I didn't care.
36:24Then one day
36:25I found out a few things.
36:27A swindler
36:28a switch.
36:30She was married
36:31and she left you a note.
36:33No, she wanted to marry me.
36:35I loved her,
36:36I guess.
36:38I don't know why
36:40it happened.
36:42It was fine.
36:43Just a few days ago
36:46I found out she was supporting
36:47some other guy.
36:49You just ditched her, huh?
36:51Yeah,
36:52I ditched her.
36:54That dame on the train
36:55that McPhee mentioned,
36:57she got it good.
36:59Paid for a lot of others.
37:01Wonder what she did
37:02to deserve such a happy end.
37:06Probably took some guy
37:07like you over the coals
37:08and he didn't like it.
37:18You're very pretty
37:20when your lips aren't moving.
37:27Why don't we gin sometime?
37:30Without the toast.
37:34You're well off now.
37:35Don't look for trouble.
37:38Excuse me.
37:40I forgot the beer
37:41that I brought home last night.
37:42Nobody likes the stuff with me,
37:44so I might as well take it
37:45down to the place with me.
37:46Nobody will be in for gas.
37:48Nothing to do, you know.
37:49Don't apologize, Willie.
37:50You want your beer, take it.
37:52Have a can?
37:53No, thank you.
37:54That's enough.
37:56Oh, well,
37:57a friend might drop in.
37:58Yeah, I know.
37:59You don't care
38:00who you share your beer with.
38:01Last night I heard
38:02you offered some to Mike.
38:04Well, I didn't know
38:05what I was doing.
38:06What's the matter
38:07with that kid anyway?
38:08I saw him outside
38:09and I told him
38:10what I heard on the radio
38:11and he acted like
38:12I was chasing him with a gun.
38:13What did you hear,
38:14Uncle Holbill?
38:15Good news!
38:16About that girl
38:17that was murdered
38:18on the train last night.
38:19The police up in Seattle
38:20think that she was murdered
38:21between here and London.
38:22Sure you won't have a can?
38:25Oh,
38:26excuse me again.
38:52♪
39:18I don't see why anyone
39:19should take it upon themselves
39:20to tell my son
39:21go for a walk since when does anyone have to tell him when he wants to go he goes I
39:26warned him not to put one foot off the porch. Yes but you didn't say anything about
39:31both feet.
39:36Yeah. Reggie. Sweetheart.
39:42I. Think he. Might hear.
39:50He's nuisance. You break something he hangs around here Oh cut it out you were
39:55a boy once yourself McPhee why don't you let him help you run your prayers after
40:00all somebody has to take over when you get old and fat you all right. All right
40:05I'll keep you here to dinner time and I invited to dinner OK. Listen
40:11the road still washed out tell that man.
40:26Thinking things think I've got something to say say it. Feel like
40:31a game of checkers. I didn't know you were
40:34a check of being something about you to get your way which do you want better
40:38a black. Can't play standing up.
40:49Ladies first. To remove.
40:56I'm of this one for you. And I'm bound to win this way playing against myself.
41:03Don't kid yourself that's the best way to lose fight yourself on the part that
41:08wins doesn't count it's the part that loses. I have
41:12a short memory one time I lose the next time I win sort of balances the books.
41:20You know you've been in this burglars in
41:21a full day I've been here two and a half years. Question. Which one of us is more
41:29anxious to leave you. Me or both. You know I tried working
41:37once I could maybe try it again. It's
41:41a real nice thought real nice I could get my old job back in San Francisco. Why
41:47don't you I've never seen the Golden Gate when you get there send me
41:51a picture postcard when I send it you're really going. I don't depend on you.
41:59Don't depend on me honey not me.
42:02I've been doing some thinking. Without even trying you better do some thinking
42:10to.
42:19You just covering up for him that's all if she did tell me to go what right is
42:22she I'm told my kid go up to you. Why didn't you say so.
42:32As he came back you know but if you send him somewhere I guess it's all right I
42:37didn't send him anywhere I just told him he could go I shouldn't. You're very
42:42right to be strict with him. Why look down to the river. Maybe hurt himself might
42:49even fall in the deep water I worry too much he's always come right back to now
42:56you'll be all right would you like to try
42:58a game of checkers No thanks I've tried one. McPhee just
43:05called Mike's with him they'll be home for dinner don't tell me Oh no I'm only
43:10a mother. Then thinking. All done.
43:22The roads are still washed out so they're washed out the bridge is still down to
43:28fix more than a day to build another. But if you go where you're going to go you've
43:33got to stay. You've got nothing to run away from. Except me.
43:48To get Michael I'm not hungry mom all right don't even let you know how to get
43:54number you know no one has to eat unless they want to. How's the flood Mr McPhee.
44:01Still is a promising job for the Red Cross. Any more news about the gal who had
44:06a heart manicured No no new developments they figured she was killed about five
44:11hours out of Seattle somewhere near Lonsdowne maybe even right here in Clayburgh.
44:18Trouble is no one got off the train in Lonsdowne or here and she must have got
44:24off the train because the soldier's shoes were wet. No one else on the train had
44:29wet soles on the shoes. So the police are stuck. No I'm sorry get off.
44:37And what's more important is no one saw anyone else leave the train. Now that
44:43anyone else is the one that done the killing. Now Michael we're not going to talk
44:50anymore about trains I'm going to try
44:52a new method of starting a new slate. Last night at the station.
45:01What happened what's the matter boy. I tripped my ankle I think I sprained it.
45:08But you help me upstairs I'll go up and fix the back sure we'll get you up there
45:11in case I just take it easy.
45:14That's it I can hear it. Yeah it's sprained.
45:17Oh he's going to hurry.
45:20Come on now. Just hold him.
45:24Just hold him.
45:27Just relax.
45:29There you are. Almost there.
45:34He's ain't swollen yet. Here he is.
45:39Hiya. Michael help me manage it. Thanks Lafayette.
45:43I wasn't cut. The girl was. Besides where's your suit?
45:48Show me the suit if it wasn't you.
45:52Oh is that all? Well here I'll get it for you.
45:57Let me be on your shoulder.
46:14What's going on up there?
46:16That fellow Harold probably hopping around on one leg.
46:20Mrs. Bennett. Mrs. Mitchell. Come up here quick.
46:34Mike ran out the back way I couldn't stop him. My ankle.
46:37Oh Michael.
46:39Mike ran out the back way I couldn't stop him. My ankle.
46:42Oh Michael.
46:43Well he said he was going down to the park to shenny a tree.
46:45So he could see what they're doing down at the river.
46:47I told him it was dark and he might fall and hurt himself.
46:49But before I could stop him he ran off.
46:51Oh Mike there's no controlling that boy.
46:53Well you'd better get back into bed. Here put your arm on my shoulder.
46:56I'll be alright. But you better look for Mike too.
46:58Everyone should look for him. Before it's too late.
47:01Oh my goodness. Oh yes you're right.
47:08Mr. McPhee. McPhee. Mike's run off.
47:12Not again.
47:13Please please help me find him. He may fall out of a tree.
47:15What's he doing in a tree?
47:17Alright let's go find the boy.
47:19Hey wait a minute. Wait a minute. What's the big idea? I was winning.
47:22Come on let's go to the park. We'll drive there first.
47:33Willie. Willie he may be just loitering on the street. You go down to the station.
47:37What is this? A posse? Okay.
47:41Gene. You stay here and take care of Harold. We won't be long.
47:45I hope.
48:07It's a pretty clumsy job of faking an accident.
48:11Why'd you do it?
48:12I like to be alone occasionally.
48:15But you're not alone darling. You've got me.
48:19Why'd you pull that sprained ankle stump?
48:22I told you why.
48:23Alright. Forget it. I'll guess.
48:27Could be you wanted me to nurse you instead of Mike.
48:30Is that why you let him run off again?
48:33Yeah. I did want to be alone with you for a few minutes.
48:37It would have been so simple.
48:39All you had to do was walk to my room. If it was empty you could have waited.
48:44You're not dumb Harold. I'm not dumb either.
48:48Something's brewing. You planning to leave?
48:52How can I? Water, water everywhere and not a drop to drink.
48:57That's why you're all dressed for bed. In your suit.
49:01I was going to go out and look for Mike.
49:04That's a pretty good reason for changing your clothes.
49:07Or would you like to try again?
49:11I don't suppose you heard the news?
49:14In about a half an hour the highway's going to be open.
49:18Oh?
49:20Couple of men with badges and notebooks.
49:24Handcuffs are coming here to talk with the state police.
49:30You know I'm a little more suspicious than these homegrown small townies.
49:34You did something.
49:38And I think I know what it is.
49:43All my life I've been attracted to the wrong kind of guy.
49:48If you're thinking of leaving, forget it.
49:51You're going to stay right here in Claiborne for the time being.
49:55For me.
49:57No one saw you get on or off the train. You're a free man.
50:00Well? Did anyone see you?
50:04Who saw you?
50:08If they can identify you, you're finished.
50:21Mike!
50:24So he's the one.
50:26He saw you get on the train.
50:28What have you done to him?
50:30Nothing much yet.
50:32But there must be something, some other way.
50:35He'll talk.
50:37That's what I thought.
50:39I don't know what's going on in your mind, but you can't touch him, do you hear?
50:44Some women get what they're looking for.
50:47But you can't kill a kid.
50:51You're pretty awful.
50:53You're even too bad for me.
50:55I don't know what you're planning to do, but I won't let you do it.
51:00You're very pretty, but those lips aren't moving.
51:17Mike!
51:25Mike!
51:31Come back!
51:34Sounds like something over there. Wait.
51:43Hey, Dunlap!
51:53Was that you yelling, come back?
51:55Yeah.
51:56You see him?
51:59That's him.
52:01Get him.
52:02You can run faster than I can.
52:04Got good news for you, the road's open.
52:13Mike!
52:16Harold just ran after Mike.
52:18We got him spotted.
52:19I'm glad somebody's able to run.
52:22Did you say Harold ran after Mike?
52:25Like a deer.
52:26But when I was young, I used to...
52:27Harold's ankle is sprained.
52:29He couldn't even walk to his room.
52:52Ruth!
52:53Ruth!
52:55Oh, you poor darling.
52:57Oh, you poor baby who did this to you.
53:00Wait a minute.
53:01There.
53:02There.
53:05Darling, everything's going to be all right.
53:08He tied me up.
53:09Now, now, now.
53:10Calm down, Mike.
53:13He's coming after me.
53:14Let me go, he'll kill me.
53:16No, no, no.
53:17No, no, no.
53:18No, no, no.
53:19Let me go, he'll kill me.
53:20No, no, no, dear.
53:21Nobody's going to...
53:22Mike!
53:23The beginning of your life for this.
53:25Ruth, can't you see the boy's frightened?
53:27He should be frightened because when I get through with him...
53:29Tell me, who was trying to kill you?
53:31I didn't say I was going to kill him.
53:32Now, you keep hold of this.
53:33Mind your own business.
53:34You tell her.
53:35Shut up!
53:36Mike, go on, tell me.
53:38She'll hit me if I tell.
53:39She won't lay a hand on you, I promise you that.
53:43Last night at the station, I saw...
53:46You were at the station.
53:48Yes, dear, go on.
53:50You won't hit me?
53:52We'll see.
53:55Well, I saw Harold.
53:58He killed that girl.
54:00He knows I saw him dump her on the train.
54:03He tried to kill me.
54:05Oh, good heavens.
54:07And he's here in the park.
54:08We'd better go home.
54:10Let's see.
54:11How can a big man like you move so quietly?
54:15Rubber heel.
54:16See, you found Mike.
54:18Couldn't catch up with Harold.
54:19He was running like blazes.
54:21Harold, a killer.
54:22You see, something might have happened to you.
54:24I won't go out again, Ma.
54:27A killer.
54:29Tell me something quick.
54:30What's going on?
54:31I'm the newspaper.
54:32Come on, Matthew.
54:33I know, but tell me something.
54:35All my readers depend on the bulletin, the latest news, and I...
54:38Come on, I'll tell you on the way home.
54:39Okay.
54:47Mike.
55:06You forget something?
55:08No, not a thing.
55:10Mike's all right.
55:14The road's open.
55:16You and me.
55:18You're not leaving?
55:20No.
55:24I'm tired of running.
55:28You know, you and me...
55:31Yeah.
55:35We might have been all right together.
55:39If she'd stayed on the train.
55:42She'd be alive and I'd be a free man.
55:47Those cops from Seattle...
55:50They should be here soon.
55:54They'll be here.
56:06Quite a story.
56:08We're going to stop soon.
56:10Don't get off.
56:17Lady Bird.
56:39You can't catch me like a cobbler!
56:46Help!
56:53What?
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