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Transcript
00:01:00Only if you stop chasing after me.
00:01:12Olly! Now you stop chasing after me!
00:01:14But I'm not chasing you. This time is Esmeralda.
00:01:17Oh, it's so wonderful, my eyes don't believe me.
00:01:19But what happened?
00:01:20It's Esmeralda. She done it again.
00:01:22Only this time it's 18.
00:01:24Last time it was 15 and 5.
00:01:26You know, that ain't the first time.
00:01:28I cracked it, the Esmeralda done it again.
00:01:3018 times!
00:01:3118!
00:01:32Oh, the poor child.
00:01:34Come on, let's go.
00:01:35Come on, let's go.
00:01:36Come on, let's go.
00:01:37Come on, let's go.
00:01:38Come on, let's go.
00:01:39Come on, let's go.
00:01:40Come on, let's go.
00:01:41Come on, let's go.
00:01:42Oh, it's everybody moving so fast, Pa Rebus.
00:01:46Seems kind of like Esmeralda done hit it again, Pa.
00:01:50Do tell.
00:01:51Yep.
00:01:5218, I counted myself.
00:01:59See my oldest?
00:02:00Yes, Mr. August.
00:02:01Ain't she beautiful?
00:02:02Oh, you heard?
00:02:03That is her hot match.
00:02:06What were you at it for?
00:02:08I was aiming to mosey down and see Esmeralda.
00:02:23Pa.
00:02:25What do you want, Ethan?
00:02:27Ain't you going to give me a lift up?
00:02:29Can't you see I'm in a hurry?
00:02:41Sure is a heap of pigs all in one lump.
00:02:44Sure is, Pa.
00:02:47Sure is a heap of pigs all in one lump.
00:02:50Sure is, Pa.
00:02:52Why, there must be, uh...
00:02:54There's one.
00:02:55There's one.
00:02:57That makes, uh...
00:03:02Go on, you count them, Ethan.
00:03:04I'll start with that one there.
00:03:06One.
00:03:08Three.
00:03:10Three.
00:03:11Three.
00:03:13Sure is a heap of them, Pa.
00:03:15Gee, but ain't you learned to count yet?
00:03:26Esmeralda did it again!
00:03:28Esmeralda did it again!
00:03:30Esmeralda did it again!
00:03:32Esmeralda did it again!
00:03:34Esmeralda did it again!
00:03:37Esmeralda did it again!
00:03:43Esmeralda did it again!
00:03:45Esmeralda did it again!
00:03:47Esmeralda did it again!
00:03:49Esmeralda did it again!
00:03:51Esmeralda did it again!
00:03:53Esmeralda did it again!
00:03:55Esmeralda did it again!
00:03:57Esmeralda did it again!
00:03:59Esmeralda did it again!
00:04:01Esmeralda did it again!
00:04:03Esmeralda did it again!
00:04:05Esmeralda did it again!
00:04:07Esmeralda did it again!
00:04:09Esmeralda did it again!
00:04:11Esmeralda did it again!
00:04:13Esmeralda did it again!
00:04:15Esmeralda did it again!
00:04:17Esmeralda did it again!
00:04:19Esmeralda did it again!
00:04:21Esmeralda did it again!
00:04:23Esmeralda did it again!
00:04:25Esmeralda did it again!
00:04:27Esmeralda did it again!
00:04:29Esmeralda did it again!
00:04:31Esmeralda did it again!
00:04:33Esmeralda did it again!
00:04:35Esmeralda did it again!
00:04:37Esmeralda did it again!
00:04:39Listen, Willie, the next time you put us in one of these houses...
00:04:41Let's get out of here.
00:04:43Chicago, here we come.
00:04:45Wait a minute, wait a minute. We ain't going back to Chicago.
00:04:47Why not? We got three weeks layoff, haven't we?
00:04:49Can't we talk about something pleasant?
00:04:51Yeah. What's the mastermind cooking up now?
00:04:53Yeah.
00:04:55Look, old-timer, you handle the comedy in this turkey, and I'll take care of the business.
00:04:57We're going to Pitchfork, Arkansas.
00:04:59Where's that?
00:05:01What's in Pitchfork?
00:05:03Oh, okay, hey, Miss Blaine. Here it is, right here.
00:05:05Thousands of people are going to flock to see a famous sow.
00:05:07Imagine a pig with a personality.
00:05:09A pig with a what?
00:05:11Is he kidding?
00:05:13Let me see that.
00:05:15Great.
00:05:17So now we're going to have to take second billing to a pig.
00:05:19And here to Jimmy Wheatley and the Sunshine Girl.
00:05:49When I awoke here, I was mistaken.
00:05:57Then I hung my head and cried.
00:06:03You are my sunshine, my only sunshine.
00:06:09You make me happy when skies are gray.
00:06:15You'll never know, dear, how much I love you.
00:06:21Please don't take my sunshine away.
00:06:45You told me once, dear, you really loved me.
00:06:59That nothing else could come between.
00:07:05But now you've left me and love another.
00:07:11You have shattered all my dreams.
00:07:17You are my sunshine, my only sunshine.
00:07:23You make me happy when skies are gray.
00:07:29You'll never know, dear, how much I love you.
00:07:35Please don't take my sunshine away.
00:07:41Please don't take my sunshine away.
00:07:47Well, folks, looks like it's time to say goodbye for a while.
00:07:55This is our last broadcast until we get together again next September.
00:07:59It's been very nice being with you.
00:08:01The boys and I want to thank you for inviting us into your home.
00:08:03And speaking of home, folks, that's just where we're going.
00:08:07Until September, we'll be vacationing in my hometown of Pitchfork, Arkansas.
00:08:11And you all know what's happened in Pitchfork.
00:08:13A lady by the name of Esmeralda has made history.
00:08:23It's an amazing thing, sir.
00:08:25It's so fantastic, I can hardly believe it.
00:08:27Here it is.
00:08:29Get to Pitchfork as soon as possible.
00:08:31And I want no superficial report.
00:08:33You're to investigate this pig phenomenon thoroughly.
00:08:35We've got to find out just what makes these pigs multiply in such quantities.
00:08:39Yes, sir.
00:08:41And remember, gentlemen, you are in no way representing the slow packing company in this job.
00:08:45This is to be, let's say, unofficial business.
00:08:49We understand, sir.
00:08:51Good day, gentlemen.
00:08:53Good day, sir.
00:08:55Goodbye.
00:08:57Now, let's see.
00:08:59Eighteen to one.
00:09:01Multiply this by three.
00:09:11Well, here we are, kids.
00:09:13The garden spot of the world.
00:09:15More like the grease spot to me.
00:09:17It ain't so bad.
00:09:19Wait till that Ozark sun goes to tower in your nightclub tan.
00:09:21Might even be good for your blood pressure.
00:09:23That's tight.
00:09:25Watch your step, stupid.
00:09:31Don't you think it'd be safer in a rough ladder?
00:09:33Who's the character?
00:09:35One of these obstacles, of course.
00:09:37He must have been a receptionist.
00:09:41Hiya, friend. Can I talk to Mrs. Organ?
00:09:43Reckon as you can.
00:09:45I mean, is she around someplace?
00:09:47Reckon as she is.
00:09:49I've heard better dialogue on a more or less snurred.
00:09:51Come on, let's go inside.
00:10:01There I go.
00:10:03All of us are dreaming
00:10:05that I'm a seen pretty gal.
00:10:07Are you Mrs. Organ's husband?
00:10:09Not yet, I ain't.
00:10:11But I'm aiming to be as soon as I get around to it.
00:10:13Well, if I can still see and smell
00:10:15you pipe-smoking poor cat.
00:10:17Oh, are you Mrs. Organ?
00:10:19Reckon as how I be.
00:10:21My name's Willie Childs.
00:10:23These are my girls.
00:10:25The man fakes all of them.
00:10:27Oh, no, you see, I'm their business manager.
00:10:29We're a show troupe.
00:10:31Oh, well, if it's lodging you're looking for, I reckon I can manage it.
00:10:33That's fine.
00:10:35You aiming to take your vittles here, too?
00:10:37Come again, madam?
00:10:39The feed bag, you dope.
00:10:41Oh, yes, we'll eat here.
00:10:43Aiming to stay in Pittsburgh for a spell?
00:10:45Well, that all depends.
00:10:47Oh, I see you're aiming to play your local theater.
00:10:49Well, thanks.
00:10:51I don't see how you can.
00:10:53What's the matter?
00:10:55Well, there just ain't no theater.
00:10:57A pig with a personality.
00:10:59And I do mean you.
00:11:03A local hawk on mark.
00:11:05You know it won't do no good to chase an abbey.
00:11:07You can't catch her.
00:11:09We were just having a little exercise.
00:11:11Well, if it's exercise you're wanting,
00:11:13you take these bags upstairs.
00:11:15Oh, ladies.
00:11:17Look, Stoop, the bags with the handles.
00:11:19Oh, well, come anyway.
00:11:23Say, this is kind of a slow bird.
00:11:25What can one do here?
00:11:27One can't do much, but two can have lots of laughs.
00:11:31You get your carcass off that chair, you lazy bonnet,
00:11:33and start pitching some firewood.
00:11:35Oh, Ma.
00:11:37Get now, before I skin you alive.
00:11:39I'll go. Once again, my will.
00:11:41Oh, Ma.
00:11:45Now move this for me, will you?
00:11:47Then get out of here.
00:12:03Oh, I'm sorry, ma'am.
00:12:05Hurt you much?
00:12:07Why don't you look where you're going, you hillbilly?
00:12:09Hillbilly?
00:12:11Why, ma'am, I was going that-a-way.
00:12:17There.
00:12:19You look much better now, ma'am.
00:12:21Rattle you much?
00:12:23What do you think?
00:12:25Well, I think you look real pretty, ma'am.
00:12:27Well, anyway,
00:12:29you're the first local yokel with any signs of life.
00:12:31Are there any more in Pitchfork like you?
00:12:33Let me see.
00:12:35Only my six brothers.
00:12:37Oh, boys, I hope.
00:12:39Uh, yup.
00:12:41Aim to stay around here long, ma'am?
00:12:43What, in this burg?
00:12:45There's no future here for people in my business.
00:12:47What business be you in, ma'am?
00:12:49Show business.
00:12:51Let's see.
00:12:53You be one of them there actresses.
00:12:57Yes.
00:12:59I ain't never seen no real live actress before.
00:13:03Well, Sonny, you're going to get an eyeful.
00:13:05There's seven more of us.
00:13:07Oh, girls, I hope.
00:13:09Yeah, and stop licking your chops.
00:13:13Hi, fellas.
00:13:15How you doing?
00:13:17More excitement in town.
00:13:19Has Esmeralda hit the jackpot again?
00:13:21It's even better than that.
00:13:23There's a turkey in town, a girls' show.
00:13:25I just talked to one of them.
00:13:27Not bad. A little fresh, but not bad.
00:13:29Hey, what is this, a gag?
00:13:31What's a show troupe doing in town?
00:13:33I don't know, but they're here.
00:13:35Hey, wait a minute.
00:13:37You're in Pitchfork.
00:13:39You know how to act.
00:13:41Come on, sit down.
00:13:43Get back on the beam.
00:13:45You're supposed to be hillbillies.
00:13:47What are you talking about?
00:13:49This dame mistook me for one of the Esquire boys,
00:13:51and I declared you all in.
00:13:53Wait a minute.
00:13:55We're going to have a lot of fun out of this.
00:13:57Mighty pretty girl, Abby.
00:13:59Yeah, I reckon she is.
00:14:01She and Ephus are aiming to get married real soon.
00:14:03Ain't another.
00:14:05Abby, don't tell me there's a romance between you and Ephus.
00:14:07Ain't hankering for him, especially.
00:14:11Well, tell me, Abby.
00:14:13There must be someone you're going to marry.
00:14:15Oh, reckon so.
00:14:17I'm hankering for a fella down in Moon Creek.
00:14:19His name's Zeke Willow.
00:14:21Fella can't even read or write his own name.
00:14:23Maybe so, but Zeke can read one of them there watches,
00:14:25and he can count money.
00:14:27And he's sure big and strong.
00:14:29Ha!
00:14:31A quiz kid with muscles.
00:14:33Aw.
00:14:35Ain't you going to feed me?
00:14:47Aw.
00:14:49Esmeralda did it again.
00:15:01They dress for dinner around here.
00:15:03Saturday.
00:15:31Oh.
00:15:33Oh.
00:15:35Oh.
00:15:37Oh.
00:15:39Oh.
00:15:41Oh.
00:15:43Oh.
00:15:45Oh.
00:15:47Oh.
00:15:49Oh.
00:15:51Oh.
00:15:53Oh.
00:15:55Oh.
00:15:57Oh.
00:15:59Oh.
00:16:01Oh.
00:16:03Oh.
00:16:05Oh.
00:16:23Abby, can't you stop a giggling for five minutes?
00:16:26It's bothering the boys.
00:16:28Have you two met?
00:16:30Yeah.
00:16:31Fast work.
00:16:33Mighty fine vittles.
00:16:35Oh, yes.
00:16:37Mighty pretty gals, too.
00:16:39Friends of yours, ma'am?
00:16:40Oh, I must be forgetting my manners.
00:16:42Pardon me.
00:16:43Girls, I'd like to have you meet...
00:16:46I'm sorry, I didn't get your name.
00:16:48Didn't give it.
00:16:54It couldn't be Zeke, could it?
00:16:56Could be, but it ain't.
00:17:04Ma'am, if my brother Elzebub won't tell you his name is Elzebub,
00:17:08then I'll tell you his name is Elzebub.
00:17:12Thanks.
00:17:13What's your name, cutie?
00:17:14Oh, shucks.
00:17:17Ma'am, if my brother Elbediah won't tell you his name is Elbediah,
00:17:22then I'll tell you his name is Elbediah.
00:17:26If this ain't the corniest routine I ever heard.
00:17:29Hey, you, flattop.
00:17:31Send those potatoes up here.
00:17:33And no cracks.
00:17:53That's the best potato I ever ate.
00:17:55Mighty fine vittles.
00:17:56Yep.
00:17:57You folks feelin' to my fur, I reckon.
00:17:59Yes, you are.
00:18:03Say, what do you boys do around here evenings for excitement?
00:18:05Just a heap of satin.
00:18:07You can mosey on down to the pond if and you want
00:18:10and throw rocks at them there bullfrogs.
00:18:12No, thanks.
00:18:13I'm a terrible shot.
00:18:14Isn't there a movie or a bowling alley or something?
00:18:16Or a nightclub?
00:18:18Maybe the folks are reminded to hear some singing.
00:18:20Oh, do you boys sing?
00:18:22Yeah, sure, and play instruments, too.
00:18:24Just a hobby, ma'am.
00:18:26Oh, that's very interesting, Elzabub.
00:18:28I bet you're good, too.
00:18:30How about singing for us?
00:18:32Oh, sure, if you have a mind to ask us.
00:18:34Well, we're asking.
00:18:36Aren't we, girls?
00:18:37Yes.
00:18:38Well, then we'll be a-fetching our instruments.
00:18:41Come on, fellas.
00:18:44This is going to be good.
00:18:46I think I'll go upstairs and put on some more
00:18:48for the male number five.
00:18:50Listen, if we're smart, we'll get down to that pond
00:18:53and get a load of those frogs.
00:18:56Come on, fellas.
00:18:57Let's go.
00:18:58All right, let's go.
00:18:59I'll go up to the pond.
00:19:00You'll go down to that pond.
00:19:02I'll go to the pond.
00:19:03I'll make sure you don't get any biscuits.
00:19:05Don't get any biscuits, all right?
00:19:06You don't like biscuits?
00:19:07Bits, maybe.
00:19:08Ah, that's a wrong number.
00:19:09See you later, fellas.
00:19:10We'll pick them up at the pond.
00:19:11Bye.
00:19:12Bye,busybody.
00:19:13Hey, look, you guys.
00:19:14Look, you don't want to get engaged, do you?
00:19:16No, I don't.
00:19:17We're having a party.
00:19:18Yeah, let's do it!
00:19:19Come on, fellas.
00:19:20This is what I call a party.
00:19:21Come on!
00:19:22Come on, fellas.
00:19:23♪
00:19:28♪
00:19:33♪
00:19:38♪
00:19:43♪
00:19:48♪
00:19:53♪
00:19:58♪
00:20:00Don't turn me down, little darling
00:20:04♪
00:20:06I'm counting on you to be mine
00:20:11♪
00:20:13Please stay around, little darling
00:20:18♪
00:20:20Cause I want your love all the time
00:20:25♪
00:20:27We were just meant for each other
00:20:33And no other love will ever do
00:20:39So don't turn me down, little darling
00:20:46My heart is counting on you
00:20:53Together we'll smile once again, dear
00:21:00Forget all the blue days we knew
00:21:06So don't turn me down, little darling
00:21:13My heart is counting on you
00:21:24♪
00:21:26Yeah!
00:21:27Applause
00:21:32Why, Elzebub, that was the number you can play for us.
00:21:34I reckon it's how we can, eh, fellas?
00:21:37Sure!
00:21:39♪
00:21:54Going back to the one way track I'm headed for Yodel Mountain
00:21:58When I get there I won't have a care of sitting by the crystal fountain
00:22:02I'll yodel all day to the birds and the bees so there won't be any doubt
00:22:06I'm way out west for a good long rest, way back on Yodel Mountain
00:22:27When I wake up bright at the end of the night, way back on Yodel Mountain
00:22:31I'll jump right out and catch my frowning elf
00:22:34That girl sure is a caution girl
00:22:36Yeah, she does everything wonderful, just like that
00:22:39I'm way out west for a good long rest, way back on Yodel Mountain
00:23:14Owee, who's the dame?
00:23:15Oh, this is my girlfriend.
00:23:16She's handsome, ain't she?
00:23:17Yes, she's beautiful, too.
00:23:18Well, come on.
00:23:19You join the party.
00:23:20Everybody wants to get into the act.
00:23:21I want you to tell all these nice ladies and gentlemen
00:23:23what is your name.
00:23:24My name is Clunky.
00:23:25That's right.
00:23:26You see, when she was just a little baby,
00:23:28she fell in the head and went clunk.
00:23:30I did not.
00:23:31I went clink.
00:23:32No, you did not.
00:23:33You did not.
00:23:34You did not.
00:23:35You did not.
00:23:36You did not.
00:23:37You did not.
00:23:38You did not.
00:23:39You did not.
00:23:40You did not.
00:23:41You did not.
00:23:42You did not.
00:23:43You did not clink.
00:23:44No, that was on the second bounce, remember?
00:23:46Diolly must have been dropped in his head, too.
00:23:48Sure, and he went squish.
00:23:50Now, I want you to be one of them little quiz kids.
00:23:53I want some peanuts.
00:23:55All right, after a while I give you peanuts.
00:23:57But first tell me, what is cat?
00:24:00That's a cat.
00:24:01Good.
00:24:02D-O-Y...
00:24:03That's a dog.
00:24:04Oh, that's swell.
00:24:05Now, what is FAN?
00:24:09Oh, that's easy.
00:24:10F-A-N...
00:24:12Oh, let's see...
00:24:13Clunky, what does mama do when she's hot?
00:24:16Drinks beer.
00:24:22I want some peanuts.
00:24:24If you say that again, I'll give you licking.
00:24:26Now look, I want you to sing your little song.
00:24:28I want some...
00:24:30I said not... Oh, oh, wait a minute.
00:24:32You leave go my finger.
00:24:33Oh, oh, Clunky, leave go the finger.
00:24:35You hear me, Clunky?
00:24:36Oh, oh.
00:24:37Clunky, listen to me.
00:24:38See this?
00:24:39I never, I never seen such an absolute kid in my life.
00:24:42Here.
00:24:43Now look here.
00:24:44I want you to be a little lady and sit there.
00:24:46I want some peanuts.
00:24:48All right, I give you peanuts.
00:24:50Open your mouth.
00:24:52There.
00:24:58Now sing.
00:24:59Excuse you, see?
00:25:12One of them peanuts got stuck in her lung.
00:25:14Here.
00:25:15Now Clunky, I really want you to sing that song good.
00:25:18No, not now.
00:25:21After a while, I give you more peanuts.
00:25:23You sing.
00:25:25He had a little dog as thin as a rail.
00:25:29He had a lot of fleece all over his tail.
00:25:32And every time his tail would flap, the fleece on the bottom would jump on top.
00:25:41Oh, dear lady.
00:25:45Oh, lady.
00:25:48Oh, lady.
00:25:51Oh, dear lady.
00:25:54Oh, lady.
00:25:57The lady.
00:26:04The joint's crawling with talent.
00:26:06Isn't it amazing what you can pick up in a hate town?
00:26:08Listen, these guys would be great on the radio.
00:26:10You know, Willie, I was thinking the same thing.
00:26:13Say, Elzebub, we're certainly indebted to you for a very entertaining evening.
00:26:17Glad you like the songs, ma'am.
00:26:19Music with me is just a hobby.
00:26:21Well, son, I'd like to talk with you about your little hobby.
00:26:25Not tonight.
00:26:26Talk to him tomorrow.
00:26:27Right now, Elzebub's going to take me out for a breath of air.
00:26:29That is, if he doesn't mind.
00:26:31Mighty pleased to, ma'am.
00:26:39Good-bye.
00:26:41Good-bye.
00:27:00Pitchfork looks kind of pretty in the moonlight, don't it?
00:27:03Well, the moonlight does seem to improve it some.
00:27:07Well, we ain't know each other but a mighty brief spell and I ain't aiming to get too familiar.
00:27:13You know, Elphaba, anyone with talent can't expect to find much success here in Pitchfork.
00:27:19Well, Pitchfork's where I belong, I reckon, because I ain't got no talent for nothing except maybe, well, milking cows and such.
00:27:26Well, what do you call the way you and your brother sang and played tonight?
00:27:29Just a hobby, ma'am.
00:27:31Let's sit down a minute.
00:27:33Sure, ma'am.
00:27:38Oh, Elphaba, were you always bashful and shy like this?
00:27:42Well, I reckon Elviry don't think so.
00:27:46Who's Elviry?
00:27:48Gal.
00:27:49Really?
00:27:51And you know something? We kissed once.
00:27:54You did? Tell me about it.
00:27:57Well, Elviry and me, we were just a setting like this.
00:28:01Weren't doing nothing special. Just a setting.
00:28:04When something like the devil must have gotten into her.
00:28:07Because the first thing I knew, she threw her arms around me like this.
00:28:10And then she pulled me tighter and tighter like this.
00:28:14And then before I noticed, she kissed me like this.
00:28:20Well, right then I'm kind of riled and I says to Elviry, Elviry, you hadn't ought to have done that.
00:28:25You see, we'd only known each other 12 years and I'm feeling real peculiar like.
00:28:31You were?
00:28:32Uh-huh. But Elviry, she's feeling downright on me.
00:28:35And the first thing I know, I reckon you think I'm a measly pole cat for a tell-on.
00:28:41Go on. It's very interesting.
00:28:45Well, it's nigh on to nine o'clock, Elsie-bub.
00:28:50Time to be a-beddin'.
00:28:55Back in there again.
00:28:57You mean she sort of likes to stay in that mud?
00:28:59Never seen nothing like it.
00:29:03Sixteen minutes past four.
00:29:06Reckon it's time I got my vittles ready for supper.
00:29:11By golly, she's right.
00:29:13Amazing people.
00:29:17Well, what do you think?
00:29:19I don't know. I can't say.
00:29:22Well, what do you think?
00:29:24I don't know. I got a wild idea.
00:29:26You perhaps think I'm crazy, but.
00:29:28Go on.
00:29:29Well, it's about this mud.
00:29:31Could it be possible?
00:29:32Gentlemen, this is astounding.
00:29:34According to the analysis, this mud contains a potent element which is highly beneficial to pigs.
00:29:39Yes. It also apparently has a curative mineral content that's equal to hot springs or bodin' bodin'.
00:29:44This opens up an entirely new field for us. Mud bears, a great health resort.
00:29:47People would flock there by the thousands.
00:29:49Gentlemen, we're not interested in people.
00:29:51Our concern is with pigs.
00:29:53Think, sir, of the great possibilities of this thing.
00:29:55That's exactly what I'm thinking.
00:29:57With this mud as our ally, there can be but one result.
00:30:00The slow-packing company will corner the pig industry.
00:30:03Now I want you both to get back to Pittsburgh and buy that property.
00:30:09Yes, sir.
00:30:10Ma.
00:30:11Fine.
00:30:12Look what come for us. A telegram.
00:30:14Telegram?
00:30:15Come on.
00:30:16Don't like telegrams.
00:30:18I don't have much trouble to read them.
00:30:19Oh, but this might be important.
00:30:21See what it says.
00:30:22Collect.
00:30:23No, not there. Here.
00:30:25Oh.
00:30:26Uh, this is from the, uh, State Department.
00:30:30Agri-ag-
00:30:32Listen, you've had more line than me. What's it say?
00:30:35Well, Ma, this is from the State Department of Agriculture.
00:30:39It says here that the commissioner is coming to see you at Esmeraldi.
00:30:43Landshakes. What for?
00:30:45To give Esmeraldi a blue ribbon.
00:30:47I can't see where a ribbon's going to make Esmeraldi look any prettier.
00:30:50First time in 10 years I've had the Senate go from meat and dress on.
00:30:54It's kind of snug in places, don't it?
00:30:56It looks well, Mrs. Alden.
00:30:57But if you don't cut down that fried chicken, you're going to keep bulging in the wrong places.
00:31:01When I was 16, my husband could span my waist.
00:31:04Gosh, Ma, I sure feel snickeredy.
00:31:06Abby, you look just like a glamour girl.
00:31:10Wonder what Zeke Willard would do if he saw me now.
00:31:12Hello, everybody.
00:31:14Oh, hello, Ole.
00:31:15Say, did you get a ball and bat with that outfit?
00:31:17Oh, no, this is page 91 in the catalog.
00:31:20Item 1468, FOB with COD.
00:31:24What year?
00:31:25Well, I think about 1902.
00:31:29You know, that's a snazzy suit.
00:31:31Well, yes, it was made to order.
00:31:32Made to order?
00:31:33Yes, I don't know who for, but I got it.
00:31:36Ah, you're the most wonderful-looking man I've ever met.
00:31:39You only say that because it's true.
00:31:42Ole, get out of them fancy clothes and look after Esmeralda.
00:31:45Oh, but, Ma, the commission is due.
00:31:47Yes.
00:31:48All right, Ma.
00:31:50I'll see you later.
00:31:52Gosh, Ma, you sure look pretty.
00:31:55Why, Elizabeth, have you been using that catalog, too?
00:31:59I like it, ma'am.
00:32:00Oh, it's very becoming, but you've forgotten something.
00:32:03What, ma'am?
00:32:04Your Lone Ranger badge.
00:32:10Anybody dead?
00:32:12Jennifer Jenkins, ain't you a-getting dressed?
00:32:15I don't feel naked.
00:32:17Oh, poor cat, ain't you here that the commissioner's coming down here to Pitchfork
00:32:21to give Esmeralda a ribbon?
00:32:25Ain't coming to give me no ribbon.
00:32:27Even on you, it wouldn't look good.
00:32:33Midgets.
00:32:36That's why I was saying again, friends,
00:32:38this is a great day for Pitchfork, a great day for you,
00:32:41a great day for Esmeralda.
00:32:45How did this wonderful sow give birth to so many pigs?
00:32:48I'll tell you.
00:32:49You see, years ago when pigs come out, they brought out a little cabaret space,
00:32:53and they didn't have any horse.
00:32:54The farmer would always take them out of it,
00:32:56and would bring out the horse, and he'd walk through,
00:32:58and he'd say, well, here we have a horse's face, and then look.
00:33:00He'd say, well, are there any cabarets there?
00:33:02Are there any barbers?
00:33:03No, because they haven't seen them all, he says, you see.
00:33:07But they have proven that Esmeralda has a cabaret space for the horse to salivate,
00:33:12and it brings out that little cabaret space for the horse to salivate.
00:33:17See, Ma, that's what a college education will do for a fellow.
00:33:21You're absolutely right.
00:33:24My friends, this is indeed an historic moment in the annals of our fair state.
00:33:31The eyes of the entire country are centered upon you,
00:33:34upon you and Esmeralda.
00:33:40You have done yourselves proud.
00:33:42That is sufficient for me to say.
00:33:45I did not come here to make a speech.
00:33:47Actions speak louder than words.
00:33:50And believe me, friends, Esmeralda has provided plenty of action.
00:33:59And I'm sure you're anxious for the program to continue.
00:34:02So let me say that I have a real treat in store for you.
00:34:06Pitchfork's famous sons, Bob Hamlin and his boys.
00:34:10You've heard them on the radio,
00:34:12and now they're going to entertain you with some of the songs I know you'll love to hear.
00:34:16Come on, Bob.
00:34:21Bob, what happened to the beard?
00:34:33Ah, just a hobby, huh?
00:34:36Well, that sounds above, huh?
00:34:39A guy takes a girl for a sleigh ride in the middle of July.
00:35:02When the dew is falling
00:35:14And the night is rising in the moon
00:35:20You can hear me calling
00:35:24Whistling down the lane for you
00:35:30Won't be hesitating
00:35:34When the stars are playing peek-a-boo
00:35:39I'll be there to wait
00:35:43Whistling down the lane for you
00:35:47The moon rides high in the western sky
00:35:52And the saints' march sings once more
00:35:56They've bought the well, what I aim to tell
00:36:01To the one I'm waiting for
00:36:05Welcome back to Bissell
00:36:10Back where years of age invited you
00:36:15When you hear me whistle
00:36:19Whistling down the lane for you
00:36:23Whistling, whistling, whistling you
00:36:41We're ready to make the presentation now, Mrs. Alden.
00:36:44Where's Esmeralda?
00:36:45Well, I can't understand why oldie ain't a-brung her.
00:36:54Ma, something terrible has happened.
00:36:56Esmeralda, she's gone.
00:36:58Oldie, are you crazy?
00:36:59I wish I was, but I didn't do the rest of it.
00:37:01All the other sows have gone too, even Gwendolyn.
00:37:04This is highly irregular, Mrs. Alden, highly irregular.
00:37:07Now don't you go to worrying.
00:37:09You go and find them sows, Oldie.
00:37:11But Ma, I even thought if I was a pig where I would go.
00:37:14So I went there and I looked, but they couldn't even find me.
00:37:17Them sows are rootin' someplace. Now you go find them.
00:37:24Something's got to be done.
00:37:28You better play another number, son. We're having pig trouble.
00:37:31Be glad to help, Commissioner.
00:37:33All right, boys. Stay away from my heart.
00:37:35What do you think of that? Guess Esmeralda's missed him.
00:37:49It looks like Esmeralda's gone.
00:37:51Esmeralda's gone.
00:38:05I can't find them, Ma.
00:38:07Oh, them sows must have strayed.
00:38:09I thought you was a-watchin' them, Oldie.
00:38:11But they was watchin' them.
00:38:12I slept by yeemily. I locked in the pen myself this morning.
00:38:15Well, something's got to be done, Mrs. Alden.
00:38:17This will be very embarrassing for me.
00:38:23Oh, Olem, you're a wonderful hog caller.
00:38:25Would you please holler for Esmeralda?
00:38:27Sure, Oldie.
00:38:30Woo! Woo! Woo!
00:38:41Oh, Nora, if you can't get Esmeralda back, nobody can.
00:38:44Come on, start a holler.
00:38:46I'll try.
00:38:48Tee-haw! Tee-haw!
00:38:54Tee-haw! Tee-haw!
00:38:56Tee-haw! Tee-haw!
00:38:58Tee-haw! Tee-haw!
00:39:00Tee-haw! Tee-haw!
00:39:02Tee-haw! Tee-haw!
00:39:10Oh, Mrs. Thompson, you got a beautiful voice for hogs.
00:39:13Would you please call for Esmeralda?
00:39:15Sure, Oldie. I'll try to get that old sow for you.
00:39:19Woo! Woo! Woo!
00:39:24Tee-haw! Tee-haw!
00:39:26Woo! Woo!
00:39:29Tee-haw! Tee-haw!
00:39:31Tee-haw! Tee-haw!
00:39:33Woo! Woo! Woo!
00:39:37Tee-haw! Tee-haw!
00:39:45Tee-haw! Tee-haw!
00:39:49Excuse me, Mr. Johnson.
00:39:50Look, Marlin, there's one person who can get Esmeralda back.
00:39:52That's Juniper.
00:39:53He's right, Marl.
00:39:55Juniper's the best hog caller in the whole state of Arkansas.
00:39:58Well, why is that good for nothing, varmint, anyhow?
00:40:00She's over here.
00:40:06Juniper, you're the best hog caller in Arkansas,
00:40:08so get Marlin's hogs back.
00:40:10Too tired.
00:40:11Oh, now, listen, Juniper.
00:40:12Think what this means to all of us.
00:40:13of us looking for my old in here been looking at it for
00:40:16a long time he's done no good as far as I can see. You know what are you talking
00:40:21about. If you don't know by now you know you see me tell him but I hear you but
00:40:27he did you kind of know that they may have got
00:40:30a call from I was morality. Aiming to do no such thing Oh come on Jennifer we've
00:40:36got to get as Merida back you're the only one who can do it right now I am. Waiting
00:40:43on you I reckon been waiting for about ten years what do you mean Jennifer make
00:40:47yourself clear there isn't much time reckons I can get them all back from all the
00:40:53difference you'll marry me not if you're going back every time in Arkansas. Then
00:40:58I'll just be arresting. This is serious if we don't get as Merida but you'll be
00:41:04disgraced the whole town will be discreet. You'll be hanging around the house
00:41:08anyhow please mom for us morale that may be lost somewhere up hill if you don't
00:41:12marry him we'll be in a heap of trouble in
00:41:15a heap of trouble if I do. All right you know I'm really
00:41:18a jackass it's like I can't do nothing else. But if you'll get my head around the
00:41:24back I reckon I just got to marry. Their
00:41:30sound as good as home right now.
00:41:42A. Big big big big big big.
00:42:06I know what I'm seeing New Yorker without you know any of the freshers out folks
00:42:09you heard nothing yet.
00:42:24I'm going to have to be more.
00:42:25Happy more.
00:42:34Didn't work mom probably never see it early again I was one good thing about it I
00:42:40won't have to marry that old.
00:42:41You know.
00:42:53You're in fine voice congratulations better congratulate my own she's getting
00:42:57the best of it well now I guess we can go on with our celebration and this is all
00:43:01that when you come forward please.
00:43:02Thank you very much.
00:43:12This is all done we're all very proud of you and the best morale that do on behalf
00:43:18of our fair state I present to you this token of appreciation.
00:43:25Now as we're elder it gives me great pleasure to bestow upon you this award.
00:43:47For the good show wasn't it not have
00:43:49a good show you put on L's above just having a little fun I figured you'd be
00:43:53a good sport about it I hope you enjoyed it. You know Jennifer Jenkins take
00:43:59Matilda Alden for your lawfully wedded wife. Do you Matilda Alden take
00:44:04Juniper Jenkins for your lawfully wedded husband. I do I now pronounce you
00:44:11a man and why.
00:44:15No.
00:44:19Don't rush me judge.
00:44:29I. Was just
00:44:33a thinking you can I may be a bit now what can both be out to you. Let me see
00:44:39Abby be my daughter you'd be my son my son in law to. Make more your.
00:44:47You'd be hurt and in the end. Some years I can figure I reckon you'd be your own
00:44:53grandpa. And wait a minute son let me clear this thing up for you you see if you
00:44:58marry Abigail you want to celebrate
00:45:00a sound of modern you couldn't bring the cinema or straight look at you if you
00:45:04have to say the force to straight and find out your rate the marriage is coming in
00:45:07force it isn't just
00:45:09a catch for a simple or a couple of separate was so far in the counter even the
00:45:13sound which is painted ever so. Exactly like I said.
00:45:18My name is.
00:45:19Israel and it came. To my mind.
00:45:27In the hills of Arkansas and by his mom and I'm sorry I was you know.
00:45:34Oh he loves his mom and he also loves. When he goes on.
00:45:42All. The. I'm just as hungry as.
00:45:50I am a very. I need some.
00:45:57That's not a problem I've been sitting on the wrong you know everything and.
00:46:04I'm not a boy and I don't mind. You know I'm not the guy.
00:46:12I know this is my randy. I am and he is me good.
00:46:19Now I know this is my randy. I knew they'd give me.
00:46:31Quite
00:46:31a party mom. Excuse me. Doris.
00:46:39I'm sorry about what happened how about sort of forgetting it's already forgotten
00:46:44including you.
00:46:49Any liquor in this somebody must have walked by
00:46:51a wave the bottle at it. As my relative was to walk through it. May I help you
00:46:56miss my thank you. You expect to get even
00:46:59a momentary lift from this you're going to be awfully disappointed. You're right
00:47:06they smell like hair. Shall we all adjourn in my room upstairs I can.
00:47:10Promise you something a little stronger.
00:47:34Oh hello but you'd like to for me to drink supposing you call me one. I make
00:47:39the wrong kind of mistake. I'm always getting on me. To the bride and groom.
00:47:46Well he's
00:47:47a punch in the post school. You take care of yourself I'm going to be all right.
00:47:58Well that's the matter something I put in something you left out what is this
00:48:03stuff with that to be dispatched with
00:48:05a little squirt of whiskey squirrel why didn't you try all the go I don't want
00:48:10to fly I just want to. Well show we drink to the bride and groom
00:48:17what again yet to somebody else for
00:48:19a change to us. That's
00:48:27good. All right Juniper remember the bed you're going to tell us the name of each
00:48:33individual piece of wood by smell right now I'm ready to start a smell of how
00:48:38about that.
00:48:42That there's time. OK guess this.
00:48:52That same as the last one that's fine only this is not a.
00:48:55Time. For I know my word you better pay me off.
00:49:02Is one more smell if you give that you win the bid.
00:49:13At the pussy well.
00:49:18And now my will throw the bridal bouquet.
00:49:25At. My dad.
00:49:35So you see my dear this wonderful mud will be
00:49:38a boon to this whole packing company we have the finest hogs on a market and more
00:49:43of them and anybody else what about my old and where does she come from she'll be
00:49:47taken care of she doesn't know the value of the mud hole should be hard to make
00:49:51a deal with her but you see this might have
00:49:53a curative value good for people with rheumatism and things like that the shame to
00:49:58waste it on a lot of hogs perhaps you're right in a way but you see Mr cash and
00:50:02isn't interested in rheumatism his whole life is wrapped up in. I see
00:50:09a family man. Yes.
00:50:17I've been looking over for your mother I want to talk to her you know where she is
00:50:20sure but you're going to have to horror powerful loud if you want her to hear you
00:50:24what do you mean oh she's gone a little rock she left here while ago then to city
00:50:27fellers.
00:50:35Although I was looking for
00:50:36a little exercise are you kidding but I've got to talk to you talk to me yes about
00:50:42more than anything wrong with it plenty come on.
00:50:51I think five thousand dollars is
00:50:53a very fair price and I reckon it is. But it ain't easy to give up
00:50:59a place you've been living in all your life but madam you mustn't allow sentiment
00:51:03to interfere with good business and think of the beautiful new home you can have
00:51:06the money we're paying and I had some profit besides maybe you folks is right.
00:51:12I reckon I can buy the muck and process play got all for pretty wallpaper I suppose
00:51:18you have the deed to the property with you Madam Yes Sir I have it right here.
00:51:24You just sign right here Mrs Jenkins. Jenkins I beg your pardon madam but isn't
00:51:31your name Alden it was up until yesterday that's right you see she married
00:51:36a character named Jenkins we were both at the ceremony well I'm sorry gentlemen but
00:51:41you can't do business with Mrs Jenkins she doesn't know that land what does it of
00:51:46course she does you do only don't you matter I sure do and it ain't for any city
00:51:51lawyer to tell me I don't well I'm sorry Mrs Jenkins but this deed contains
00:51:56an appendage it says that in case you remarry at any time the property
00:52:00automatically reverts to your daughter Abigail gentlemen a girl by the name of
00:52:05Abigail Alden owns that land Abigail.
00:52:10Maldon did you sell the property what's the meaning of this young lady tell me
00:52:14Maldon did you sell it did you well I reckon I couldn't the property ain't mine
00:52:18anymore it belongs to Abby on account of me marrying that good for nothing juniper
00:52:24that's the best thing that ever happened to you come on let's get out here we got
00:52:26a lot to talk over thanks for everything you boys should go on the wagon and say
00:52:32hello to your boss porky I'll take that consulate.
00:52:35Well. It's like with the cash is going to be very happy in
00:52:40a pig's eye.
00:52:48All this is very interesting and what you say is true I don't have to be
00:52:51a thorough investigation and the matter will be brought to the attention of
00:52:55the legislature how long will that take over you can never tell about the legislature
00:53:00you can never tell about the legislature how would it be if my boys and I could
00:53:04arrange our national broadcast from Pitchfork Springs would that help sir
00:53:07immensely boys are nationally famous why the attention of the entire nation will
00:53:12be centered on our springs yes I think the legislature would act more quickly than
00:53:17that's great I'll get in touch with my agency and see if we can arrange it do you
00:53:20think you can bomb why not I've never had any trouble before and don't expect any
00:53:24now well that clears everything up for the time being I will be running along
00:53:28running along governor I can't tell you how much we appreciate your letting us
00:53:31talk to you today but I'm as a janky.
00:53:40Got my place here thank you.
00:53:41Mom.
00:53:53All. To get up and help them folks. Too tired just to watch you
00:54:01well we didn't make any money but we had a lot of land yes everything turned out
00:54:04all right thanks to your idea about going to the governor looks like it's going to
00:54:08be a state sponsored health resort but you didn't do so badly that getting your
00:54:12agency to let you broadcast from here maybe we're a couple of heroes.
00:54:38You. Know I'm.
00:54:49If you can go. Just because your dad is gone if you
00:54:56can go right. Now when you're feeling
00:55:03blue please be true because I'm coming back to you if you can go right.
00:55:14Now when you're sad and lonesome and you don't know what to do.
00:55:21Remember that I love you.
00:55:24And I'm lonely too. Now when a fellow wants to
00:55:29day run right home and shut the gate if you can't go right.
00:55:35Don't go wrong.
00:55:44We're not going to hear from our own Abigail all and she loves to yodel.
00:55:48Take it at me.
00:55:53I love to yodel.
00:55:56I used to be able to sing all the songs of romance in the spring.
00:56:02I could serenade my pony but it won't be matrimony.
00:56:06He came by a golden wedding ring.
00:56:23I love to yodel.
00:56:24I used to be able to sing.
00:56:26No one wants to listen but the cow.
00:56:29Oh I yodel lullabies as I gaze into their eyes.
00:56:33They seem to like that melody somehow.
00:56:51I love to yodel.
00:56:53I used to be able to sing.
00:56:55And there's a handsome fellow that I know.
00:56:58I'd love to do his cooking.
00:57:00And gee is he good looking.
00:57:02He's an actor at the movie show.
00:57:23Next number will be presented by my good friends the Pied Pipers who have come down here as a special favor to me.
00:57:31It's a tune called The Hit of the Season and is dedicated to our celebrated Esmeralda.
00:57:39Here they are.
00:57:46You're the hit of the season.
00:57:49The season.
00:57:51You're so sweet.
00:57:53You're a treat.
00:57:54You make my heart skip a beat.
00:57:57You're the hit of the season.
00:57:59Say baby.
00:58:01What a blast.
00:58:03When you pass.
00:58:04We all agree.
00:58:06You've got class.
00:58:07You're the hit of the season.
00:58:11You're joy supreme and so extreme.
00:58:14You're either high or low.
00:58:17And for my sake you give and take.
00:58:20You are a one man show.
00:58:23You're the hit of the season.
00:58:25Just as you are.
00:58:27As you are.
00:58:29You've got swank.
00:58:31Royal rank.
00:58:32You're just like gold in the bank.
00:58:35You're the hit of the season.
00:58:37Oh me oh my.
00:58:40You're the man for one guy.
00:58:44Let me hold your hand in mine.
00:58:50And I will say that you are divine.
00:58:58You're so divine.
00:59:06You're so sweet.
00:59:08Come here to me.
00:59:11Come here to me.
00:59:13Of my poor heart we say.
00:59:18We'll never part.
00:59:22We'll never part.
00:59:27You're the hit of the season.
00:59:30The season.
00:59:32You're so sweet.
00:59:34You're a treat.
00:59:35You make my heart skip a beat.
00:59:38You're the hit of the season.
00:59:40Sweet baby.
00:59:42What a blast when you pass.
00:59:45We all agree.
00:59:47You've got class.
00:59:48You're the hit of the season.
00:59:52You're joy supreme and so extreme.
00:59:55You're either high or low.
00:59:58And for my sake you give and take.
01:00:01You are a one man show.
01:00:04You're the hit of the season.
01:00:09You've got swing for your reign.
01:00:12You're just like gold in the vein.
01:00:15You're the hit of the season.
01:00:17You're the big shot at the top right now.
01:00:24You're the hit of the season.
01:00:27You're the hit of the season.
01:00:30You're the hit of the season.
01:00:35Well kid, what do you think of Pitchfork now?
01:00:46Huh, certainly on the map.
01:00:47Thanks to those pigs and that mud.
01:00:49Wait a minute, wait a minute.
01:00:51I contributed something to this.
01:00:53Not half as much as Liz Marilda.
01:00:56And this ladies and gentlemen brings to a close
01:00:59Ladies and gentlemen, brings to a close the first broadcast from Pitchfork Springs.
01:01:04We have a wonderful bit of news for you.
01:01:05We've just received word that the state legislature has voted a magnificent appropriation
01:01:10to make Pitchfork Springs the great new spa of America.
01:01:14We hope to see a lot of you here.
01:01:16And now, good night to you all.
01:01:19Thank you, Bob Hallin.
01:01:20Ladies and gentlemen, you're invited to tune in again next week for the Pitchfork Springs broadcast.
01:01:25Same time, same place, same station.
01:01:28This is KDLY signing off and bidding you good night.
01:01:33Bob, during the broadcast I received a telegram from the Slow Packing Company.
01:01:37They want to sponsor our program.
01:01:39What?
01:01:42Hey, wait a minute. Where do you think you're going?
01:01:45Isn't it all over?
01:01:46No. Now grab those benches and get them out of the way. Let's have plenty of room.
01:01:59Well, how do you like it, Dietrich?
01:02:01Reckon if I had a suit like that, I'd be at Mary Meese instead of that Zequiella.
01:02:28Come on, Ollie. Let's you and I dance.
01:02:31Okay. I'll show you how we do it.
01:02:33Give us room, Yves.
01:02:58♪
01:03:16♪
01:03:36♪
01:03:54What a program we have, Bob. Thank you, sir.
01:03:56Congratulations. It'll be a hit.
01:03:58Thank you, Willie.
01:04:00You should put it over, Bob. It was a great show.
01:04:02Thank you, Doris. I'm glad you can't stick around for a while.
01:04:05I would like to take one more look at Pitchfork in the moonlight.
01:04:09Well.
01:04:12Well, does it look any better to you now?
01:04:15Yeah. Somehow it does.
01:04:21Well, why don't you say something?
01:04:24This hay sure smells sweet.
01:04:27It's a remarkable observation.
01:04:31Isn't this the kind of night you were telling me about, uh, Elviry?
01:04:35Remember? Elzebub?
01:04:37Chucks, uh, Cleen forgot that story now.
01:04:41I can't remember a thing.
01:04:43Well, maybe I can recall it for you.
01:04:46It seems that you and Elviry were sitting just like we are now.
01:04:50Yes, that's right.
01:04:52Then all of a sudden, she, uh, threw her arms around you.
01:04:56Like this.
01:04:59And then she kissed you. Like this.
01:05:08I reckon you think I'm a measly polecat.
01:05:11Maybe.
01:05:13But I sure love polecats.