'Half Shot at Sunrise' is a "1930 pre-Code comedy film" starring the comedic duo "Bert Wheeler and Robert Woolsey". Set during "World War I", the film follows two American soldiers, "Tommy Turner and Gilbert Simpson", who go AWOL in Paris, more interested in chasing women than fulfilling their military duties. As they impersonate officers and evade the military police, their antics lead to stolen cars, mistaken identities, and romantic entanglements. With "fast-paced humor, witty dialogue, and classic slapstick", this film showcases Wheeler & Woolsey’s signature comedic style.
Credits:
Director: Paul Sloane
Producer: William LeBaron
Starring: Bert Wheeler, Robert Woolsey, Dorothy Lee, Edna May Oliver
Screenplay: Anne Caldwell, James Ashmore Creelman, Ralph Spence, Fatty Arbuckle
Cinematography: Nicholas Musuraca
#HalfShotAtSunrise #ClassicHollywood #PreCodeCinema #MilitaryComedy
Credits:
Director: Paul Sloane
Producer: William LeBaron
Starring: Bert Wheeler, Robert Woolsey, Dorothy Lee, Edna May Oliver
Screenplay: Anne Caldwell, James Ashmore Creelman, Ralph Spence, Fatty Arbuckle
Cinematography: Nicholas Musuraca
#HalfShotAtSunrise #ClassicHollywood #PreCodeCinema #MilitaryComedy
Category
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Short filmTranscript
00:00:00The
00:00:30The
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00:04:29The
00:04:59But we haven't done anything as soldiers.
00:05:03No but on your way.
00:05:04I will render you horses de combat.
00:05:07Yes.
00:05:07Scrammy.
00:05:08Scrammy.
00:05:10But sir, you can't...
00:05:11Every time I make a change...
00:05:19Ones what, we're all set.
00:05:28We're all set.
00:05:43Yeah, they're all set.
00:05:43What a sudden will do a spy.
00:05:44What a sudden.
00:05:44What a sudden...
00:05:45What a sudden...
00:05:46Something tells me we're gonna nail those guys.
00:05:58Me too.
00:05:59What a sudden...
00:06:01What a sudden...
00:06:04I don't know.
00:06:05What a swell MP you turned out to be.
00:06:08Here we are looking for a couple of guys that have turned Paris upside down.
00:06:11And you lose your armband.
00:06:12Yeah?
00:06:13But where's yours?
00:06:14Well, what...
00:06:16Say.
00:06:18Something tells me we almost had those guys.
00:06:22Me too.
00:06:23Come on, soldier.
00:06:24We'll get them yet.
00:06:27Oh, finish off.
00:06:28You didn't see so dark.
00:06:29Say, now that you brought that up, I want to ask you something.
00:06:33What did she say?
00:06:43She said no.
00:06:44Come on.
00:07:03Hey, Tommy, I'm getting a little tired of being an MP.
00:07:17So am I.
00:07:18These things are no good anyway.
00:07:20Sometimes they make good handkerchiefs.
00:07:22You know, MP, mop perspiration.
00:07:24Oh, you're off again?
00:07:25Gilbert, what about promoting ourselves?
00:07:29Splendid idea.
00:07:31Let's be lieutenants.
00:07:32Just the thing.
00:07:33After what we saw, we deserve it.
00:07:36Tommy?
00:07:37Yeah?
00:07:38How would you like to be a general?
00:07:39Not me.
00:07:40There's no chance for promotion.
00:07:42Here we are.
00:07:45Isn't it wonderful the future one has in the army?
00:07:48Yeah.
00:07:49You start at the bottom and go over the top.
00:07:52Now, where am I, lieutenant?
00:07:53Here they are.
00:07:55Now, stand still, boy.
00:07:56Stand still.
00:07:58Now, there's a rank.
00:08:00In fact, very rank.
00:08:09How do you do?
00:08:11How do you do?
00:08:17They won't give us a tumble.
00:08:19They must be big game.
00:08:20They may be big game to some people,
00:08:22but they're just animal crackers to me.
00:08:24Well, now, Gilbert, you can't tell.
00:08:26Maybe they don't want to be seen with lieutenant.
00:08:28All right.
00:08:29Then we'll be captain.
00:08:40You know, Gilbert, those girls showed very good sense.
00:08:45They don't like second lieutenants.
00:08:47All right.
00:08:48You stand still, then, shaved tail, while I make you a captain.
00:08:51You won't make me a captain.
00:08:53You'll make me a major.
00:08:55You know, the higher we go, the harder they'll fall.
00:08:57A major?
00:08:58Certainly.
00:08:58Where do I keep my major?
00:09:00Ah, here they are.
00:09:01Major.
00:09:04Nope.
00:09:04Those are rear admirals.
00:09:07Here's the major.
00:09:08Major, now, as Adam said to Eve,
00:09:12pick yourself a couple of leaves.
00:09:15Say, Gilbert,
00:09:17if that little dark one don't go for this,
00:09:20she ain't human.
00:09:21I've got a sneaking idea
00:09:23that the one in the floppy hat likes aviators.
00:09:26Great.
00:09:27We'll make a few fly remarks.
00:09:30Splendid.
00:09:30Splendid, Major.
00:09:31Would you like some decorations?
00:09:33Well, look, now, nothing tantalizing.
00:09:35Just a D.S.E. and a quad again.
00:09:37A D.S.E. and a Croy de Guerre.
00:09:39Certainly, certainly.
00:09:40Hold still.
00:09:41There.
00:09:43Boy, you look like a million dollars.
00:09:45I may look like a million dollars,
00:09:47but I'm going to be much easier to make.
00:09:57Beaver.
00:09:58Beaver.
00:09:58Beaver.
00:09:58Beaver.
00:09:58Beaver.
00:10:07Boom, swall, boom, detour,
00:10:11alley-up,
00:10:12and all that sort of jolly nonsense.
00:10:14I, uh,
00:10:15I can't recall your name,
00:10:17but I've forgotten your face.
00:10:19My, my, my.
00:10:21That hat certainly has a marvelous wing spread.
00:10:23Ha, ha.
00:10:24I, uh,
00:10:25I bet you take off easily.
00:10:27Major,
00:10:28have you noticed
00:10:29that the large picture hats
00:10:30are coming back?
00:10:31Yes, yes.
00:10:32You know,
00:10:32bit by bit,
00:10:33our women are losing their manhood.
00:10:35Yes, I noticed that.
00:10:37I bet the face beneath the brim
00:10:39is just as lovely
00:10:39as the decorations.
00:10:41And what decorations?
00:10:43Ah, lovely.
00:10:45Mmm.
00:10:47If we only had
00:10:48a little cream and sugar.
00:10:51Major,
00:10:52will you have an apple?
00:10:54Thank you, Captain.
00:10:57I'm glad watermelons
00:10:58are not in season.
00:11:00How are you?
00:11:02Monsieur,
00:11:03you are making
00:11:04a bad mistake.
00:11:06You may be bad,
00:11:07but you're no mistake.
00:11:09Well put, Captain.
00:11:10You are very drool, monsieur.
00:11:12Oh, yes, yes.
00:11:13I just drool around
00:11:15from place to place.
00:11:16Oh, doesn't he say
00:11:17the cutest thing?
00:11:19Oh, dear, oh, dear.
00:11:21Lovely war we're having.
00:11:23Oh, dear.
00:11:23Oh, dear,
00:11:23I think the girl
00:11:24is a very good source,
00:11:25because she gives me
00:11:25the opportunity
00:11:26to meet with
00:11:27a lot of American servants.
00:11:28Oh, dear,
00:11:28well, you certainly
00:11:30clean that one up.
00:11:32Oh, dear,
00:11:33what do you say
00:11:45I like very much?
00:11:47Oh, I wonder
00:11:48what I said.
00:11:48You are distinguished
00:11:52aviator?
00:11:53Well, I don't think so,
00:11:55but then what's my opinion
00:11:57compared to thousands
00:11:58of others?
00:11:59Move over,
00:11:59will you, honey?
00:12:02Uh, do you kiss soldiers?
00:12:04Ah, that is my business.
00:12:06How's business?
00:12:09Oh, monsieur,
00:12:11why do you take up aviation?
00:12:13Now, let me see.
00:12:13Why did I take up aviation?
00:12:14Oh, I have it out of here, yeah.
00:12:16They told me
00:12:16I was no good on earth.
00:12:18Oh, I can't stop.
00:12:20No, tomorrow.
00:12:22Tomorrow,
00:12:22I'm going to make
00:12:23a parachute leap.
00:12:24Oh, a parachute leap?
00:12:25Yes.
00:12:27I want to show
00:12:27General Pershing
00:12:28what's in me.
00:12:29Oh, my God.
00:12:32Oh, my God.
00:12:33I like it.
00:12:34Oh, my God.
00:12:35Oh, my God.
00:12:35Oh, my God.
00:12:37Yes, yes.
00:12:38You know,
00:12:38I'm very fond of France.
00:12:40I love dear old France.
00:12:42You know what I like
00:12:42about France?
00:12:43I love to hear
00:12:44the French pheasants
00:12:44singing the mayonnaise.
00:12:46Oh, the challenge
00:12:47they're coming.
00:12:47Oh, scry, oh, scry.
00:12:48The camel, they're coming.
00:12:49Oh, scry, oh, scry.
00:12:50There's a little scotch
00:12:51in the major.
00:12:53A little ginger ale, too.
00:12:54Have you got it?
00:12:58In the back.
00:13:01In the back.
00:13:01Yeah, yeah.
00:13:02Now, just don't pay any attention to the Major.
00:13:13He sometimes thinks he's an Airedale.
00:13:15I can paint, I can paint my steak, Pekingese, that way.
00:13:20As I was relating, when I arrived in Paris,
00:13:23little did I realize what this moment held in store for me.
00:13:26But now I know.
00:13:32Yes, now I know.
00:13:39Well, fellow?
00:13:49All right, Major, you can come up.
00:13:54My goodness, the Major has been promoted.
00:13:56He is now a Brigadier General.
00:13:58Ladies, pardon me, ladies.
00:14:00May I introduce Major Operation of the Hospital Corps?
00:14:04Major.
00:14:05And I, ladies, I am Colonel Simpkins.
00:14:10Colonel Simpkins?
00:14:12Captain Simpkins.
00:14:13I can understand your mistake.
00:14:17You know, if those two birds wasn't officers,
00:14:19I'd think they were the guys we're after.
00:14:21Officers or no officers?
00:14:23I still think they're the guys we're after.
00:14:25Me too.
00:14:26Can you keep a secret?
00:14:28If she helps you?
00:14:29Oh, sure.
00:14:30Well, we're in the Secret Service.
00:14:32Yes?
00:14:32Yes, you see, there's so many spies around.
00:14:34You know, German spies, Austrian spies, Bulgarian spies.
00:14:39An Eskimo spy.
00:14:41Comical, comical.
00:14:42Very comical.
00:14:43Oh, do you know Colonel Marshall?
00:14:45Oh, do we know Colonel Marshall?
00:14:47Isn't he the spell?
00:14:48Do you know that Colonel Marshall thinks so much of us
00:14:50that he gives our photographs to every soldier under his command?
00:14:54Mm-hmm.
00:14:54Oh, especially the MP.
00:14:56Well, he's a very good friend of mine.
00:14:59He comes here to this restaurant every day.
00:15:01Here?
00:15:02Yes.
00:15:03Well, well, well.
00:15:04So long, girl.
00:15:05Yeah.
00:15:06We'll see you around, girl.
00:15:07Oh, but must you really go so soon?
00:15:09Yes.
00:15:10You see, Waterman is drilling a new inkwell,
00:15:12and we've got to look it over.
00:15:13Come on, George.
00:15:15He's rolling up.
00:15:17Hey.
00:15:21Hey.
00:15:22You hear that, Hank?
00:15:23Hey.
00:15:24Hey.
00:15:24Take it to the quartermaster's apartment.
00:15:26Hey.
00:15:38How dare you interfere with officers and exercise?
00:15:41Well, we wasn't sure whether he...
00:15:42Did you hear that, Major?
00:15:43He wasn't sure.
00:15:44Oh, dear me, oh my, oh my, oh my.
00:15:47That, to be sure, is the greatest offense in the Army.
00:15:50Yes.
00:15:50Let the punishment fit the crime.
00:15:52I'm a stink, Major.
00:15:53I'm a stink.
00:15:54Don't strain yourself now, Captain.
00:15:55Oh, I hate to be in such a state.
00:15:58You know my nasty nerves.
00:16:00Let me see.
00:16:02What will I do?
00:16:04Aha!
00:16:05I'll be an hour lunching.
00:16:22Get yours.
00:16:23Yes, sir.
00:16:26Colonel Marshall.
00:16:27Oh, hello, Paul.
00:16:29It's strange that I always meet you here.
00:16:31Always I'm here waiting for you to be nice to me.
00:16:35I can't be nice.
00:16:36I'm married.
00:16:37Oh, but can't you be just a little bit nice, huh?
00:16:40Now, Paul, I don't want to be rude.
00:16:42But if I am nice, you send me perfume love letters that will ruin me.
00:16:46You've got to stop it, you understand.
00:16:47And what more?
00:16:49What do you mean by sending your love notes an official United States Army envelope?
00:16:52Because if I do not send them in official United States Army envelope, you do not open my letters.
00:16:59But don't you know that's a serious offense?
00:17:02What?
00:17:03Not opening my letters?
00:17:04No, no.
00:17:05Sending them in official envelopes.
00:17:07Oh, but can I help it that you are so magnificent?
00:17:11Oh, mon brave.
00:17:12Do not scorn poor Olga.
00:17:15You are always so cold.
00:17:17Hot or cold, you've got to stop sending those letters.
00:17:19J'aime beaucoup les soldats américains.
00:17:23They are so snappies.
00:17:25So handsome.
00:17:28Well, of course, when it comes to that, you know these military men.
00:17:32Toujours les femmes.
00:17:34Take me to luncheon.
00:17:35I can't take you to luncheon.
00:17:38Why not?
00:17:38My wife is waiting for me.
00:17:40You might introduce me to your wife.
00:17:42Yes, I might.
00:17:44But I won't.
00:17:45See you later.
00:17:46Well, we had them again.
00:17:51Yeah.
00:17:52Hey, listen.
00:17:53When I do get hold of them, I'm going to knock them so cold they'll keep for years.
00:17:58Me too.
00:18:04Hey!
00:18:04Hey!
00:18:14Hey!
00:18:16Let me go, let me go, or I'll bust you in a beat.
00:18:34You'll bust who in what beat?
00:18:37Oh.
00:18:39Then there is a Sandy Claw.
00:18:41Snap up, soldier.
00:18:42What outfit?
00:18:43The tale of 2-A-W-O-L.
00:18:46Well, you better not let my dad catch you.
00:18:50Who's your dad?
00:18:51Colonel Marshall.
00:18:52Are you sure?
00:18:53What?
00:18:53I mean, uh...
00:18:55I mean, you know, you flatter him.
00:19:00Oh!
00:19:00Have you ever met my dad?
00:19:03No, but he's trying to meet me.
00:19:06I'll fix it.
00:19:07No, don't do me any favors.
00:19:09Say, you know, when I first saw you, I thought you were a little French girl.
00:19:17Honest?
00:19:17Yeah.
00:19:18Hot dogs, that's my refreshed desire.
00:19:21Say.
00:19:22What?
00:19:23Do you think I could fascinate them?
00:19:26Fascinate them?
00:19:28Honey, you could mutilate them.
00:19:30Oh, Jimbo, Kool-Aid, so, Dr. Mary can.
00:19:35They are so handsome, so snappy.
00:19:38Oh.
00:19:40Oh.
00:19:42It's a good thing I've been vaccinated.
00:19:45Say, honey, I want to ask you something.
00:19:48It might sound a little personal.
00:19:49You know, at first.
00:19:50What is it?
00:19:51Do you love me?
00:19:53Well, you'll have to give me a little time.
00:19:56Well, you better make up your mind.
00:19:57It's 2.30 now.
00:19:59You know, this Paris is a fast place.
00:20:01Hey, isn't Paris a grand place to live in?
00:20:05Do you?
00:20:06Do you live in Paris?
00:20:08Uh-huh.
00:20:09Then Paris is a grand place to live in.
00:20:12Say.
00:20:13What?
00:20:14Are you married?
00:20:16No, I just naturally look worried.
00:20:19Oh, I think it's a shame to send cute little fellas like you to the front.
00:20:23That's what I said, but you can't tell these generals anything.
00:20:29I think it's wonderful us happening to meet this way.
00:20:33Gee.
00:20:33And I think it's wonderful to meet a girl who's beautiful enough to be dumb and doesn't take
00:20:39advantage of it.
00:20:40When you are on duty, marching all around, I will hear you passing by my door.
00:20:59Precious little beauty, you'll be safe and sound, guarded as you never were before.
00:21:07When you put the sky away, maybe I'll get blue.
00:21:15Let my eyes cry away, tell me what to do.
00:21:20When you get blue, just whistle for me, dear.
00:21:28I'll promise you I will never fail to hear.
00:21:33Then I'll pretend it's just a little bird.
00:21:37I'll find my sweetie without another word.
00:21:44Let him the shade, dear, someone you see.
00:21:49Don't be afraid, dear boy.
00:21:52It'll be, oh, it'll be.
00:21:55We'll cuddle close until the break of day.
00:22:02Whistling the blues away.
00:22:05Whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling, whistling
00:22:35THE END
00:23:05Say, how old are you?
00:23:24Sixteen.
00:23:25Oh, no. You couldn't learn that in sixteen years.
00:23:35Oh! Danny, will you drive to the right? Will you drive to the right?
00:23:42Oh, monsieur, did I help you?
00:23:43Well, you bit my bumper a little bit, yes.
00:23:46Oh, you have anything we shot the eight doors?
00:23:48Yes, and I'm just in the midst of a non-stop flight.
00:23:50Oh, but...
00:23:51We'll take that up a little later, honey.
00:24:06Hey! That's the colonel's car!
00:24:08There they go again!
00:24:12Hey!
00:24:12Who's driving it?
00:24:13One of them AWOL, sir.
00:24:15Get that man or I'll put you back in the ranks.
00:24:17Get me a car.
00:24:17Whose car?
00:24:18Anybody's car.
00:24:18Get the colonel a car.
00:24:19Get the colonel a car.
00:24:21Get the colonel a car.
00:24:22Get the colonel a car.
00:24:23Get the colonel a car.
00:24:24Get the colonel a car.
00:24:26Oh, no, bravo.
00:24:27At last we are together.
00:24:29You may be together, but I'm not.
00:24:31Get the colonel a...
00:24:31Get me a car.
00:24:32Get the colonel a car.
00:25:03Well, well.
00:25:04Another air disaster.
00:25:10The camels are still coming.
00:25:16Well, I didn't realize what a pickup this car had.
00:25:20Hey, isn't there any place where you ain't?
00:25:24Snap out of it.
00:25:24The MPs are on us.
00:25:27Oh, gee.
00:25:28You know, those MPs are doing everything they can to make this war miserable for me.
00:25:35Listen, honey.
00:25:36If anything should happen that we're separated, you meet me here tonight at 8 o'clock.
00:25:41Oh, are you looking for trouble?
00:25:42I don't have to look for her.
00:25:44Gilbert is always with me.
00:25:47Listen, our song.
00:25:50Isn't that pretty?
00:25:51When you get blue, just whistle for me, dear.
00:25:57I'll promise you, I will never fail to hear.
00:26:04Then I'll pretend it's just a little bird.
00:26:08I'll find my sweetie without another word.
00:26:15When in the shade, dear, someone you see.
00:26:22Don't be afraid, dear, it won't still be.
00:26:27Get a me.
00:26:28We'll cuddle close until the break of day
00:26:35Where things are blooms away
00:26:40Don't know what's up to her.
00:26:45Bye.
00:26:49Bye.
00:26:52Bye.
00:26:53Bye.
00:26:54Bye.
00:27:03Bye.
00:27:05Bye.
00:27:36What are you sitting on the ground for?
00:28:01Because it happened to be there when I landed.
00:28:06How did you get in the colonel's car?
00:28:07I belong in it. I'm his daughter.
00:28:10I remember now. I've seen you with him.
00:28:12Hey, I'm glad you came.
00:28:14Say, I'm after those guys.
00:28:16They make love to every girl they see.
00:28:18The little one?
00:28:19He's the worst.
00:28:20Oh, he is, is he?
00:28:21I'll fix him. What's his name?
00:28:23Don't you know?
00:28:25Well, we were so busy, I forgot to find out.
00:28:27Tommy Turner. And the skinny one is Gilbert Simpkins.
00:28:31AWOL. Impersonating officers and fooling women.
00:28:34Fooling girls?
00:28:35Yes, and laughing at them.
00:28:37Fooling girls and laughing at them, huh?
00:28:39I'll get them for you.
00:28:40How?
00:28:41Well, he told me to meet him.
00:28:43Never mind.
00:28:45This is my big moment.
00:28:46I'll capture them both, single-handed.
00:28:48Hey, you're pretty clever, ain't you?
00:28:50Sure I'm clever.
00:28:52Say, maybe you're my big romance.
00:28:55Ma'am?
00:28:56Well, I mean, is it against army regulations for a colonel's daughter to get a yen for a sergeant?
00:29:02Well, I don't know.
00:29:03I mean, I...
00:29:04Oh, Jimbo.
00:29:04Kool-Aid soldats on Mary Can.
00:29:07They are so handsome, so snappy.
00:29:10Be nice to me, big boy.
00:29:26What were you doing in that trunk with the private?
00:29:37Well, those two fellows were trying to run away with me, but I surrounded them.
00:29:42You?
00:29:42Well, I shot at them and missed, but don't worry, Pop.
00:29:45I'll get them for you, yes.
00:29:47My little baby.
00:29:49Just a chip off the old block.
00:29:56Colonel Marshall's not there, huh?
00:30:04All right, thank you.
00:30:05Can't you telephone anywhere else?
00:30:07Well, we tried everywhere.
00:30:09Oh, perhaps he went to Pierre's and missed you.
00:30:12No matter where he went, he didn't miss me.
00:30:16Well, Colonel Marshall, sir.
00:30:24Not here.
00:30:25I'll take it.
00:30:26Oh, what is it like for the older?
00:30:37Yes, that's the new one.
00:30:38Yes?
00:30:39Springtime of Love.
00:30:41You know, these friends, you can't beat them when it comes to perfume.
00:30:44Hey, what an all right idea.
00:30:46Sending army orders on perfume paper.
00:30:49Yes.
00:30:50No, no, no.
00:30:51No, not at all.
00:30:53You see, in this way, we can classify them immediately.
00:30:56Now, for instance, uh...
00:30:58Now, this would be from the quartermaster's department.
00:31:01Oh.
00:31:02Well, if that is from the quartermaster's department,
00:31:05I imagine it would be simply glorious
00:31:08to smell an order from general headquarters.
00:31:10Yes, I never thought of that.
00:31:14No.
00:31:15No.
00:31:15It is so coincidence.
00:31:27We meet again.
00:31:28Didn't I tell you to keep away from here?
00:31:30Don't be mad, Pop.
00:31:32Introduce me.
00:31:32I haven't got time.
00:31:34You're invited to meet a friend of Pop.
00:31:36I'll show you, Bukiton.
00:31:37And that time, I'm in a hurry.
00:31:38Okay, Pop.
00:31:40Run along.
00:31:41I might pick up a few pointers from this, baby.
00:31:44It's a type.
00:31:45It is.
00:32:03Snap out of it!
00:32:04Has this whole Blaine family gone crazy?
00:32:06Filling and cooing like a pair of nitwitted prickle-dubs
00:32:08right in front of that gate?
00:32:09What are you doing here?
00:32:11Seven days leave, sir.
00:32:12Well, you can send them all away from my door.
00:32:14Oh, don't be violent, Dad.
00:32:15Jim wants to marry me.
00:32:16Oh, he does, eh?
00:32:18A man who takes on a wife in a war
00:32:19at the same time is insane.
00:32:21Clear out.
00:32:22Yes, sir.
00:32:26Oh, Father.
00:32:27Why do you hate Jim?
00:32:29Because he wants to take you away from me.
00:32:31I went to a lot of trouble to get my family.
00:32:33I married your mother, didn't I, eh?
00:32:35Well, I decided that you shouldn't marry a soldier.
00:32:37You said it.
00:32:40Can't you look after your family?
00:32:42I've got a war on my hands.
00:32:44Yes, I just saw one of your orders
00:32:45from the quartermaster's department.
00:32:48Spring time of love.
00:32:54When a man kisses you,
00:32:56does that mean he's really in love with you?
00:32:58Men's kisses?
00:33:00No one can say nothing by those.
00:33:02Say, do you know anything particular
00:33:04about men with curly hair?
00:33:06Curly hair, straight hair, no hair.
00:33:09They're all the same.
00:33:11Suppose you fell in love with a fella
00:33:13that loved every girl he met.
00:33:15What would you do?
00:33:17Make believe I love him desperately.
00:33:19Never cease to say,
00:33:21je t'aime, je t'aime.
00:33:23Write him letters.
00:33:24Two, three, six.
00:33:26Every day.
00:33:27Oh, gee, I had a lot of trouble
00:33:29with my big moment.
00:33:31He's A-W-O-L.
00:33:33Je comprends pas.
00:33:34A-W-O-L?
00:33:35A whale of a liar.
00:33:36Oh, but you will win him.
00:33:38There are many ways.
00:33:40Have you ever tried perfume?
00:33:41Perfume?
00:33:42Hmm, there's one in particular.
00:33:44Printemps d'amour.
00:33:46In English, it is called
00:33:47Springtime of Love.
00:33:49One thousand francs to bottle.
00:33:51Why don't you try some?
00:33:52I will.
00:33:53I'm going to get revenge
00:33:55if I have to get it perfumed.
00:33:58Oh, Mom!
00:33:59Come on over and meet
00:34:00what they go for in Paris.
00:34:01Sorry, I'm in a hurry.
00:34:02Oh, but she'd want a pop's girlfriend.
00:34:04Annette, don't be silly.
00:34:05That's not funny.
00:34:06Come along, you've said enough.
00:34:08Oh, Mom, can I have a thousand francs
00:34:10to buy some perfume?
00:34:11What's all the perfume?
00:34:12Oh, it's a wow.
00:34:14It lures men.
00:34:16What?
00:34:17Well, she uses it.
00:34:20They call it Springtime of Love.
00:34:23Springtime of Love, eh?
00:34:26She'll be lucky if winter comes.
00:34:38Gee, you know, after all, Gilbert,
00:34:43love is peace, quiet, and tranquility.
00:34:48That isn't love.
00:34:49That's sleep.
00:34:52Do you really think that Gaga Annette
00:34:53is going to show up?
00:34:54Say, she isn't Gaga.
00:34:57She has eyes like the heavens,
00:35:01cheeks like peaches of Picardy.
00:35:03Oh, isn't that pretty?
00:35:04Hey.
00:35:08Is that them?
00:35:11You'll scare them off.
00:35:14Here's my gun, miss.
00:35:16And remember,
00:35:17we get 500 for them, dead or alive.
00:35:19Be sure they're the right guys, though.
00:35:21Tommy Turner.
00:35:23Curly hair.
00:35:25Gilbert Simpkins.
00:35:26Skinny.
00:35:27Wears horn-rimmed glasses.
00:35:29Wait for me at the pal-e.
00:35:30I'll deliver the body.
00:35:32F-O-B.
00:35:34See you at the pal-e.
00:35:38Okay.
00:35:42Okay.
00:35:42Stop.
00:35:45One more time.
00:36:15Hello, boys.
00:36:16Oh, gee, honey, I knew you'd come.
00:36:20Ah, I seem to feel the call of the great outdoors.
00:36:25Is this your car?
00:36:26Yeah, we picked it up for practically nothing.
00:36:29Everything about it makes a noise except the horn.
00:36:33Ah, horn-drimmed glasses.
00:36:36The description is perfect.
00:36:39She's not as gaga as I thought she was.
00:36:42Curly hair.
00:36:43Gee, I'm lucky.
00:36:46Kiss me.
00:36:48Just as I expected.
00:36:50Now, youth, what's my method?
00:36:53What makes you think you're so lucky, honey?
00:36:56Because I've got you.
00:36:59Boy, I kill him. I kill him.
00:37:01Does that really make so much difference to you?
00:37:03It means that I'll make $500 out of you.
00:37:06Out of him?
00:37:07You must expect to know him a long time.
00:37:10No, from both of you.
00:37:11I'll make $500 tonight.
00:37:13From both of us?
00:37:14You're in Paris now, boy.
00:37:16You two boys are AWOL, and I'm going to take you back to my father, Colonel Marshall.
00:37:20What's that?
00:37:21Hey, wait a minute.
00:37:22Wait a minute.
00:37:22Wait.
00:37:22Let's get this thing straight.
00:37:24You got it.
00:37:25Do you mean to tell me that you'd turn me in after I've decided to let you fall in love with me?
00:37:30Fall in love with you?
00:37:32Why, it's me that she cares for.
00:37:34This for you.
00:37:36And that for you.
00:37:38And this for your papa.
00:37:40Papa gets the best of everything.
00:37:42Uh, honey, would you pardon us a moment?
00:37:49Yes, just one little moment.
00:37:50Oh, no.
00:37:51Stick around, soldier.
00:37:53Uh, we won't be long.
00:37:54We won't be long.
00:37:55Just a short conference.
00:37:56Come back.
00:38:01She wants us to come back.
00:38:04Odd how one will misunderstand a thing, isn't it?
00:38:07Uh, would you mind putting that down?
00:38:11You're embarrassing us.
00:38:12Yes, if it went off, we'd be terribly upset.
00:38:19You drive a car, don't you, Four Eyes?
00:38:22Well, after a fashion, yes.
00:38:24Uh, what he doesn't know about driving would fill a hospital.
00:38:27Get in there and drive.
00:38:30She's taking us for a ride.
00:38:31Listen, if you ever talk fast in your life, boy, don't stutter now.
00:38:35Get up there.
00:38:36You get in the back seat with me.
00:38:39Oh, it just occurred to me.
00:38:41It just occurred to me that I haven't a license for driving.
00:38:44So if you'll pardon me, I'll just wander around.
00:38:46Get in there!
00:38:50Drive to the palais.
00:38:51I'm taking you to my fire.
00:38:55Peace, quiet, and tranquility.
00:38:57Will you have a lollipop?
00:39:08No, I don't like lollipops.
00:39:11What are you doing with these powder puffs?
00:39:14Powder puffs?
00:39:16I've been eating them all day.
00:39:17I thought they were marshmallows.
00:39:18Oh, will you step on it?
00:39:20Will you step on it?
00:39:21You're still in second gear.
00:39:23What's he talking about?
00:39:24Look, he wants me to make love to you so you won't turn us in.
00:39:28Oh, is that it?
00:39:29Well, it's no use.
00:39:30Not after the way you let me flop on the ground this afternoon.
00:39:34You'll forgive me, honey.
00:39:35You've got such a big heart.
00:39:38Detour, detour.
00:39:39The girl didn't fall on her heart.
00:39:41You know, honey,
00:39:43when you put your hand in my hair back there,
00:39:46it just seemed to fill me with electricity.
00:39:50What?
00:39:50A little thing like that?
00:39:51Oh, don't do that.
00:39:53But I like her.
00:39:57Well, that's in the bag.
00:39:58Come, honey, we must away.
00:40:00Get back there and drive.
00:40:02Oh, you want me to continue driving, is that it?
00:40:04Yes, and drive slower.
00:40:07Would that you were birds and I a humble shotgun.
00:40:14Do you think this is going to work?
00:40:16It's a sink.
00:40:17That's a smart little girl.
00:40:19Leave it to her.
00:40:19You're making fun of me.
00:40:24And just for that,
00:40:25I'm going to turn you two in and get that $500.
00:40:28Wait.
00:40:29I'll tell you what to do.
00:40:31Just turn him in and take $250.
00:40:34They'll put him in the guardhouse.
00:40:36Great.
00:40:37That'll give us a chance to be alone.
00:40:42Get back quick.
00:40:44Don't let him see you.
00:40:44Get back.
00:40:49Well, I'll be...
00:40:54Me too.
00:40:55You're never satisfied.
00:41:16Always complaining.
00:41:17You don't seem to realize the problems I have.
00:41:19I don't see how they could have a war without you.
00:41:21I know I couldn't.
00:41:22Oh, stop it.
00:41:22You'd have the last word with an echo.
00:41:25Where's Eileen?
00:41:26Oh, she's with Jim.
00:41:27There you are.
00:41:28I have to attend to everything.
00:41:30Can I be both father and mother?
00:41:32I shouldn't be surprised.
00:41:34With your versatility.
00:41:35You don't seem to be both Jane.
00:41:37I shouldn't be afraid.
00:41:38To be with her.
00:41:38There you are.
00:41:39I'm fine.
00:41:39There you are.
00:41:40I have it.
00:41:44What is it?
00:41:49Did you see me?
00:41:50But that's my fault.
00:41:50There you are.
00:41:51I should be.
00:41:52Bye.
00:41:52Bye.
00:41:53Bye.
00:41:53Bye.
00:41:54Bye.
00:41:54Bye.
00:41:54Bye.
00:41:55Bye.
00:41:56Bye.
00:41:57Bye.
00:41:58Bye.
00:41:59Bye.
00:42:00Bye.
00:42:01Bye.
00:42:02Bye.
00:42:03Bye.
00:42:03Bye.
00:42:03Bye.
00:42:04Bye.
00:42:04Bye.
00:42:05The End
00:42:35The End
00:43:05The End
00:43:35Boy, I'm in love.
00:43:51Well, they do say that love makes the world go round, but don't let it make you dizzy.
00:43:57You know, Gilbert, and that makes me want to do big things.
00:44:01Why don't you try washing an elephant?
00:44:05Oh, say, I'm not kidding.
00:44:08I'm serious.
00:44:09I tear the world wide open for that girl.
00:44:12I'm just...
00:44:13Hey, did you see a couple of doughboys go in there?
00:44:40Oh, boys.
00:44:41Oh, oui.
00:44:42Un avec des grands lunettes noires, et un avec des sugars tout à fait frisées.
00:44:46Are you sure?
00:44:47Oh, je suis certain.
00:44:49Is there any way those guys can get out?
00:44:50Non, monsieur.
00:44:51Those two doors are the only way they can come in or out.
00:44:54Et monsieur, la cuisine est tout à fait enfermée.
00:44:56Le pneu pour s'envoyer à clé, et le patron est très très très très...
00:44:58Okay, pal.
00:45:00Let's see.
00:45:03Soldier?
00:45:04We got him.
00:45:07Oh, boy.
00:45:09Release.
00:45:10Step out.
00:45:19Waiter.
00:45:21It's a colonel.
00:45:23I want some attention.
00:45:24Uh, what is it you want, sir?
00:45:26Attention.
00:45:26Attention.
00:45:28What can we do for you, sir?
00:45:45We want a nice, quiet dinner for two.
00:45:47Nice, quiet dinner for two.
00:45:49No soup.
00:45:50What have you to do, sir?
00:45:52Now, let me think.
00:45:53Uh, don't tell me.
00:45:54Don't tell me.
00:45:55Is it vegetable, animal, a mineral?
00:45:59In the food?
00:46:00I'm sorry, but we're all out of those.
00:46:02Would you like some naturalized Swiss cheese?
00:46:05How's your turtle soup?
00:46:06Oh, very snappy, sir.
00:46:08Very snappy.
00:46:09Very well.
00:46:09Make it quick.
00:46:10Moulin-je-les-les-les-les-sat-au.
00:46:12Turtle soup, very snappy.
00:46:14I think I'll have a young chicken.
00:46:16It must be very young.
00:46:17In fact, extremely young.
00:46:20Maybe I'd better bring you a name.
00:46:26One premature chicken.
00:46:29Have you a wild duck?
00:46:31No, but we could take a tame one out and aggravate it for you.
00:46:35Daddy.
00:46:36I'd like to have a nice, juicy partridge with dressing and brown grayling.
00:46:44So would I.
00:46:45You know, I'm starved.
00:46:48Third egg, 200 francs.
00:46:51Yes.
00:46:52Your eggs are very high.
00:46:53Ah, but you must remember that an egg is a whole day's work for a hen.
00:46:59I think I'll have a nice, fresh art joke.
00:47:01He thinks he'll have a nice, fresh art joke.
00:47:03He thinks he'll have a nice, fresh art joke.
00:47:06Now, let me see.
00:47:08What will I have next?
00:47:10Indigestion, I guess.
00:47:13Would you like some nice petite mami?
00:47:17Petite mami?
00:47:18How do you spill it?
00:47:19Oh, um, I'll bring you a cup of coffee.
00:47:23And listen.
00:47:25Don't ask him if he has frog's legs.
00:47:28How dare you talk?
00:47:29That'll be all.
00:47:30Hurry.
00:47:30Yes, we'll do that little thing, Lieutenant.
00:47:32Uh, I'm awfully pleased to have met you.
00:47:35Wait up, all of you.
00:47:44Come on, Folger.
00:47:45Let's look upstairs.
00:47:50I'll bet he comes back with a cream puff.
00:47:54Garcon?
00:47:55Coming right up, madam.
00:47:56Coming right up.
00:47:57Well, as I live in the hail.
00:48:00How are you, honey?
00:48:01How are you?
00:48:02Wonderful.
00:48:03I'm glad you think so.
00:48:05How is it you are here?
00:48:08Secret service.
00:48:09Oh.
00:48:09Is that why you wait on Colonel Marshall?
00:48:11I beg your pardon?
00:48:12Colonel Marshall.
00:48:13He's at the table you wait on.
00:48:15Oh, so it is.
00:48:17The dear old Colonel.
00:48:19Looking well, too, isn't he?
00:48:20What a man.
00:48:46What a man.
00:48:46I'm sorry, uh, we're all out of soup.
00:49:02Of all the idiots.
00:49:04Bring me some food.
00:49:05Oh, you want food?
00:49:06Of course.
00:49:07You know, I knew there was something.
00:49:12Wake up.
00:49:14Wake up.
00:49:15My cocoa is cold.
00:49:19I said my cocoa is cold.
00:49:31Everything all right, sir?
00:49:32No.
00:49:33Everything's all wrong.
00:49:34The trouble with this place is you have no decorum.
00:49:37Oh, we have it.
00:49:37We have it.
00:49:38But it isn't very fresh.
00:49:39What's that, sir?
00:49:40Sir.
00:49:40Sir.
00:49:40Come in.
00:50:02Pardon me.
00:50:05I just got a tip that that old fellow was Colonel Marshall.
00:50:07You better find out for sure.
00:50:10Leave it a minute.
00:50:13Pardon me, sir.
00:50:15But are you a relative of Colonel Marshall?
00:50:17Why, I am Colonel Marshall.
00:50:19Ah.
00:50:19That explains the resemblance.
00:50:24It's Colonel Marshall, all right.
00:50:26Oh, you want the Colonel to have this note?
00:50:47Colonel.
00:50:48Note from the young lady crossed the way.
00:50:50Why, don't give it a thought.
00:50:51Don't give it a thought.
00:50:52Always glad to be of service.
00:50:53Dear Snugglepuff, who is the old frot that's with you?
00:51:02And where...
00:51:03I can't make out that word.
00:51:05Why, how dare you?
00:51:06Well, what is it?
00:51:07What is it?
00:51:08Why, it's a message from the military police sergeant reporting on two desperate men absent
00:51:12without leave.
00:51:13Oh, what a liar.
00:51:15Why, how dare you, sir?
00:51:17You have such a thing.
00:51:18And you, sir, why aren't you in the army?
00:51:21Well, that's a long story, Colonel.
00:51:23You see, it's this way.
00:51:25It's my thing.
00:51:26Well, what's the matter with him?
00:51:28Flat?
00:51:29Cold.
00:51:35I can't eat this duck.
00:51:38Send for the manager.
00:51:39It's no use.
00:51:40He won't eat it either.
00:51:41Right.
00:51:41Here.
00:51:42You might try it.
00:51:43Huh?
00:51:45Garthul.
00:51:47Coming up like a storm.
00:51:50Will you give me a serviette, please?
00:51:52Serviette?
00:51:52Searched in him, moi.
00:52:03I'd like a serviette.
00:52:05A serviette?
00:52:07Searched in moi.
00:52:12That's enough.
00:52:14You should be charged.
00:52:16Let's go.
00:52:16Let's go.
00:52:16Let's go.
00:52:19I can't speak French.
00:52:21I want the proprietor.
00:52:22Where is the proprietor?
00:52:23I am the proprietor, monsieur.
00:52:32Anything I can do for you?
00:52:33Do you speak French?
00:52:34Oui, oui.
00:52:35I want this man to charge.
00:52:37I want this man to charge.
00:52:39I want this man to charge.
00:52:39Are you French?
00:52:40Oui, oui.
00:52:41Then you're fired.
00:52:42Là, je vais te laisser.
00:52:43Vous laissez le serre à la maison.
00:52:44C'est la patate.
00:52:46C'est la patate.
00:52:47Attends, non, non.
00:52:48C'est la patate.
00:52:48C'est la patate.
00:52:48Non, non, non.
00:52:51Oui.
00:52:51C'est des voileurs.
00:52:52Je vous le dis.
00:52:53C'est des voileurs.
00:52:53C'est tout.
00:52:54C'est bien.
00:52:55Je dois prendre le bâtiment, boy.
00:52:57Allez, le chercher.
00:52:58Non, mais c'est une lignée.
00:52:59Viens.
00:52:59Non.
00:53:00La patate.
00:53:00C'est la patate.
00:53:00C'est la patate.
00:53:00Here, here, here.
00:53:18Colonel Marshall's office.
00:53:19Yes, sir.
00:53:20Oh, General Hale, for you, sir.
00:53:22Yes, General.
00:53:23I've just been advised by D-2 your plans are on the way over.
00:53:26Well, what the deuce is delaying them?
00:53:29Colonel Marshall, sir.
00:53:30Just a minute, General.
00:53:30Here's something now.
00:53:32Springtime of love.
00:53:35I'm very sorry, Jeff.
00:53:36Yes, sir.
00:53:37It was something else.
00:53:39Oh, hang on.
00:53:40I can't hang on this phone all day.
00:53:42You get those plans from me.
00:53:43And remember, I am holding you strictly accountable for them.
00:53:47Yes, sir.
00:53:49Colonel Marshall, sir.
00:53:49Just a minute, General.
00:53:50Here's another message.
00:53:52Oh, get those plans and get them quick.
00:53:54Before you give it to me, smell it.
00:54:02Tobacco.
00:54:03Here they are at last.
00:54:05Get General Hale on the phone and tell them I'm sending them through.
00:54:07And who will they detail to carry them, sir?
00:54:09Lieutenant James Reeves.
00:54:10Locate my daughter and you'll find him.
00:54:12Order an escort.
00:54:13Prepare to leave at once.
00:54:14Yes, sir.
00:54:14Yes, sir.
00:54:21Lieutenant Reeves, sir.
00:54:22You sent for me, sir?
00:54:26Yes, Lieutenant.
00:54:27I've got a job for you.
00:54:28This has to go to General Hale as fast as a man can carry it.
00:54:31General Hale, sir?
00:54:32But he's at the front.
00:54:33You'll have a car and the best driver available.
00:54:35But I'm on lead, sir.
00:54:36This is no detail for a tin soldier, Reeves.
00:54:38Perhaps I've made a mistake.
00:54:40No mistake as far as I'm concerned, sir.
00:54:42What are the orders?
00:54:42You will leave immediately.
00:54:44Captain Jones will attend to the details of your escort.
00:54:46Yes, sir.
00:54:52Hello, big boy.
00:55:12What's on your mind?
00:55:14I came to say goodbye to Eileen.
00:55:15Well, if you're wise, you'll say goodbye to Ma first.
00:55:18Say, why did Pop send it to you?
00:55:20Oh, he gave me some very important papers to deliver to General Hale at the front.
00:55:24Yeah?
00:55:25Well, that's sort of dangerous, ain't it?
00:55:27Well, it's not exactly a health resort.
00:55:29And if you deliver them, it'll make you a hero?
00:55:31Oh, yes.
00:55:32A great big hero.
00:55:34You know, Jim, I like you.
00:55:36You have such an open face.
00:55:38Thanks.
00:55:39I think you'll be very charming when you grow up.
00:55:41Well, you don't know the half of it.
00:55:43You're pretty clever, aren't you?
00:55:44Sure I'm clever.
00:55:46Say, maybe you're my big romance.
00:55:49What's that?
00:55:50Well, I mean, uh, is it against army regulations for a colonel's daughter to get a yen for a lieutenant?
00:55:57What are you talking about?
00:55:58Oh, Jimbo, cool, eh?
00:56:00So that's American.
00:56:02See, I'll soon let be so handsome.
00:56:06Do nice to me, big boy.
00:56:10Say, what are you trying to do, flirt with me?
00:56:12Yeah, I'm trying to flirt with you.
00:56:13Well, look, I'll tell you what you do.
00:56:15You meet me here...
00:56:16Yeah?
00:56:17...in about ten years.
00:56:29Hello.
00:56:30Hi there, babe.
00:56:31Did you get that curfew?
00:56:32I'll say I did.
00:56:33And it is good?
00:56:34Is it good?
00:56:35Boy, it's good.
00:56:36But I've got something much more exciting than curfew.
00:56:39What is that?
00:56:39Papers.
00:56:40Important ones.
00:56:41I stole them from Jim.
00:56:42Does Jim know this?
00:56:43Certainly not.
00:56:44But I've got to get these papers started to the front before he finds out they're gone.
00:56:48And you think you can do it?
00:56:49Sure.
00:56:50If you'll help me.
00:56:51Now listen, my boy's friend will do anything I tell him to, but his buddy is a hard nut.
00:56:56Get me?
00:56:57The buddy with the goggles?
00:56:58He is for me.
00:56:59Great.
00:57:00Now you work on him, and we'll get them both back to the front.
00:57:03And these papers go with him.
00:57:04I will convince Gilbert.
00:57:06And I will convince Tommy.
00:57:10Somebody praising me?
00:57:11My angel.
00:57:13My goodness.
00:57:15My goodness.
00:57:16Are you two at it again?
00:57:19Oh, regardez.
00:57:21Never was I so glad to behold anyone.
00:57:24There's a catch in there somewhere.
00:57:25They're too glad to see us.
00:57:27And that isn't.
00:57:28She loves me.
00:57:29Monsieur, you have the chance to do two ladies a great favor.
00:57:33Uh-oh.
00:57:33Here it comes.
00:57:34And at the same time, do something grand for your country.
00:57:37Mm-hmm.
00:57:38I don't like the way they're leading up to this.
00:57:40Uh, what will you girls have?
00:57:42Oh, she's nothing.
00:57:43Oh, she's nothing.
00:57:44Well, we can handle it.
00:57:46All you have to do is deliver this to General Hale.
00:57:49Well, why didn't you say so in the first place?
00:57:51You see, we're great friends of General Hale.
00:57:54And he's partner.
00:57:55He's partner.
00:57:55Yeah, you don't mean to tell me that you've never heard of Hale and Harky.
00:57:59Ha, ha, ha, ha.
00:58:01Oh, yes, yes.
00:58:02We'd love to see dear old Hale again.
00:58:05Whereabouts in Paris is he?
00:58:06Ah, General Hale is at the front.
00:58:08Always at the front.
00:58:10Always at the front.
00:58:11Ha, ha.
00:58:11Hmm.
00:58:12It must be some other Hale.
00:58:14Yes.
00:58:14Well, so long, girls.
00:58:16We'll see you around.
00:58:17Oh, you're not going to back out.
00:58:19Back out?
00:58:19No, I'm going to walk right out face forward.
00:58:22You see, uh, our schedule is so filled up for the day.
00:58:26Oh, but that will make you a great big hero.
00:58:29Yeah.
00:58:30It'll probably make me the unknown soldier.
00:58:33Wait a minute, Gilbert.
00:58:36Let's do it.
00:58:38I want to be a hero for Annette.
00:58:41You see, he wants to do something great for his country.
00:58:44He aspires.
00:58:45Do you not?
00:58:46Ma'am?
00:58:47You aspire.
00:58:49Yeah, a little under here.
00:58:51Oh, Tommy, you'll do it, won't you?
00:58:53Sure I will.
00:58:54But I want Gilbert to go with me.
00:58:57You and Tommy go in there.
00:58:59Perhaps I can persuade Gilbert to be a hero, too.
00:59:02You might, but, uh, it will be difficult in broad daylight.
00:59:11You're not going to disappoint me, are you?
00:59:22Not for anything in the world, sweetheart.
00:59:25If you take these papers to General Hale, maybe Dad will forgive you for being AWOL.
00:59:30Gee, I'm ashamed of myself.
00:59:32You know, I'm an awful sack.
00:59:34But since I met you, everything has changed.
00:59:38I want to be what you want me to be.
00:59:41My hero.
00:59:42Well, you must tell me all about yourself.
00:59:45Well, I'm afraid that would take a long time, a long time.
00:59:48For instance, I spent all last summer shooting tigers in Africa.
00:59:52But, monsieur, there are no tigers in Africa.
00:59:54I know it.
00:59:55I killed them all.
00:59:57Come, sit over here.
00:59:59Yes, yes, last, last.
01:00:01Hi-ho.
01:00:03You know, they laughed at me when I sat down.
01:00:05But when I began to play.
01:00:09My goodness.
01:00:10What well-developed arms you have.
01:00:12Yes.
01:00:13You see, I play a lot of tennis.
01:00:14Yes.
01:00:15You dance a lot, too, don't you?
01:00:17Oh, you bad boy.
01:00:20Olga, I'll bet you dance exactly like a heifer.
01:00:23Oh, zephyr, zephyr.
01:00:24Well, honey, how about it?
01:00:29How about what?
01:00:30All right.
01:00:32How about you and me getting married?
01:00:34If I marry you, do you think you will be able to support me?
01:00:38I was afraid you were going to ask me that.
01:00:40Ah, Gilbert, you are so fascinating.
01:00:43Yes, I suppose so.
01:00:44You could be such a great man.
01:00:47Take Napoleon.
01:00:47He was a great man.
01:00:49Yeah, but he's a bust now.
01:00:52Gilbert, you come.
01:00:54You come from Sightingstock, do you not?
01:00:55Sightingstock?
01:00:56I'll say I do.
01:00:58Father and mother were always at a dock.
01:01:00Darn you couldn't stop them, right?
01:01:03Well, I tell you, I come from nice family, too.
01:01:05My father was born in Moscow.
01:01:07My mother was born in Vladivostok.
01:01:09And I was born in St. Petersburg.
01:01:11Is that so?
01:01:12Funny how you all got together.
01:01:16Ah.
01:01:17Little old Fasleroy.
01:01:20No, it's his father, right?
01:01:23Now, look.
01:01:24Look, he's brought along a hunk of ginger ale.
01:01:26Ginger ale?
01:01:27That's champagne.
01:01:28And it has one big kick.
01:01:29Yeah, is that so?
01:01:31Stick around, son.
01:01:32Stick around.
01:01:34You know, Gee Bear, when I drink champagne,
01:01:36I never know what I am doing.
01:01:38Now, wait a minute.
01:01:39Let's get this thing straight.
01:01:40You mean to tell me when you drink this stuff,
01:01:42you never know what you're doing?
01:01:43Not a thing.
01:01:45I won't need you anymore, son.
01:01:47I won't need you anymore.
01:01:51By the way, Olga, where did you say you were from?
01:01:53St. Petersburg.
01:01:55St. Petersburg.
01:01:56Now, that is a coincidence.
01:01:58You know, a thing like that wouldn't happen again in a million years.
01:02:01I tell you, it's a small world after all.
01:02:03Are you from St. Petersburg, too?
01:02:05No, I'm from Seattle.
01:02:06Look.
01:02:09Oh, Gee Bear, I'm beginning to feel good.
01:02:12Yeah, but you still know what you're doing, don't you?
01:02:15Oh, yes.
01:02:15Mm-hmm.
01:02:16Well, have another drink, huh?
01:02:19Honey, how about a little kiss?
01:02:21No, no, no.
01:02:22The colonel of your regiment is going to stop all spooning and kissing.
01:02:26Well, he ought to.
01:02:27He's getting too old for that sort of stuff.
01:02:30I talk to him all the time, right?
01:02:32Oh, Gee Bear, I could love a man like you.
01:02:36If you would only do something.
01:02:37Well, how can I do anything?
01:02:39You kind of got me all died.
01:02:41Is that it?
01:02:43Something big.
01:02:44I mean, something heroic.
01:02:46Something like remet pour le message general.
01:02:48Oh, that.
01:02:49Anytime you say, baby.
01:02:51Anytime you say.
01:02:52You will go to General Hale for me?
01:02:54I'll go to Hale for you anytime, baby.
01:02:57Anytime.
01:02:57Oh, I knew you would deliver the paper.
01:03:00What's that?
01:03:01You're going to take the paper to the front.
01:03:03Honey, you lied to me about that champagne.
01:03:05You know what you're doing.
01:03:07Now I know that you love me.
01:03:09Oh, I love you, honey.
01:03:10I'm mad about you.
01:03:12I'm mad about you.
01:03:13To me, you're a beautiful sprite.
01:03:15Uh, sprite, sprite, sprite.
01:03:17Oh, why do I ever vest like this?
01:03:20Why do I ever vest?
01:03:21Do you know that I haven't ever vest like this in years?
01:03:28What have you done to me, boy?
01:03:29What have you done to me?
01:03:30I've been hard-boiled all of my life, but you have conquered my shell.
01:03:38I have never had a wife, for married life is swell.
01:03:44Love's living your life like sweet perfume in the springs I'm bursting into blue.
01:03:50Hey, now wait a minute.
01:04:01Wait a minute, man.
01:04:02Do you see a woman?
01:04:03Do I affect you that way, honey?
01:04:09Mama!
01:04:14Oh, now, wait a minute.
01:04:19Oh, good night.
01:04:28Mama!
01:04:30Look what you're doing to me.
01:04:33Oh, wait a minute now.
01:04:35Wait a minute.
01:04:39Oh, war is war.
01:04:44War is war.
01:04:45War is war.
01:04:45War is war.
01:04:47War is war.
01:04:48War is war.
01:04:49War is war.
01:04:51La, la, la, la, la, la.
01:05:21La, la, la, la, la, la.
01:05:51La, la, la, la, la, la, la, la.
01:06:21La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la Josuene.
01:06:30General Hale, for you, sir.
01:06:305th of time today.
01:06:32Yes, General.
01:06:32Yes, General.
01:06:34Yes, General.
01:06:34Don, I'm a yes man.
01:06:36Positively, General.
01:06:36Those papers are on the way to you now.
01:06:42Something you ought to know.
01:06:44May we see you privately?
01:06:45No.
01:06:46This office is for army business, not for family disputes.
01:06:49Well, what have you got to say?
01:06:50Go ahead.
01:06:50be brief. I will be brief. Annette stole the papers you gave Jim to take to General Hale.
01:06:56What? What did you do with them? Don't worry, Dad. They'll get to General Hale. I gave them
01:07:07to two of the most wonderful boys in the world, Gilbert Simpsons and Tommy Turner. What? You
01:07:11gave them the scallywags I've been chasing for ten days? Why will you tell me why? Because
01:07:18I'm in love with Tommy Turner. And if he gets those papers to General Hale, you'll forget
01:07:23him, and then he can marry me. Forgive him? I'll have him shot at sunrise. At first the boys
01:07:31didn't want to do it, but your girlfriend, Olga, helped me to coax them. Well, very obliging.
01:07:37What a family. What a family. Oh, on a clock, I didn't mean any harm. Captain Jones! Captain
01:07:43Jones! Captain Jones! Captain Jones! Yes, sir! Those two men, Gilbert Simpsons and Tommy
01:07:49Turner, have the General's papers. Cover every road leading to the front. You must get those
01:07:53men. Send ten details, twenty details, thirty details, four... Get those men! Yes, sir!
01:07:58Hey! Are you still hanging on to them papers? I'm guarding those papers with my life! And
01:08:16on the hill, brother! On the hill! Ha ha! Here we go, Gilbert!
01:08:19Here we go, Gilbert!
01:08:20Here we go, Gilbert!
01:08:23In the near ...
01:08:26Here we go, Leslie.
01:08:28I'm anfounder.
01:08:30Here I go, Mohammed!
01:08:31Thank you,dırdocisnet Ilreal,
01:08:34of course.
01:08:39Now what a-
01:08:49...
01:08:51We've got important instructions from headquarters.
01:08:56General Hale says we've got to get them.
01:09:08Where can we find General Hale, sir?
01:09:09General Hale is farther front.
01:09:11How do we get to the front line, sir?
01:09:12The only way to throw that communicating crutch.
01:09:14What do you want to see General Hale about?
01:09:16We have important papers for him, sir.
01:09:18Bruce Simpkins and Turner?
01:09:19Oh, Captain, how'd you get?
01:09:28The communicating crutch has just been blown, sir.
01:09:31They can't get through now, Captain.
01:09:33Somebody will have to crawl through that barrage.
01:09:39I can't order a man to go through that inferno.
01:09:42Give me those papers.
01:09:46I'll call for volunteers.
01:09:50Ben, I have some very important papers that must reach General Hale at once.
01:09:55Communication to the front line trenches is cut off.
01:09:57I want to volunteer for this dangerous job.
01:10:00Say no more, Captain.
01:10:01Say no more.
01:10:08Simpkins, you're made of the right stuff.
01:10:11It's going to take a lot of guts to get through there.
01:10:13Sir, I understand exactly, Captain.
01:10:16And I've got just the man for you.
01:10:26Private Turner, sir.
01:10:27The nerviest man in the whole army.
01:10:30Ah, Private Turner.
01:10:32Here are the papers.
01:10:34Good luck.
01:10:36The best way over is through that cut there.
01:10:38Yes, sir.
01:10:38Hey, wait a minute, Tommy.
01:10:47Gee, kid, I'm sorry.
01:10:49I didn't mean to get through this.
01:10:50Oh, gee, Gilbert.
01:10:52That's okay.
01:10:53Yeah, but...
01:10:54You know, if something's liable to go wrong...
01:10:56Ah...
01:10:57You know, you might not come back.
01:11:00Oh, gee.
01:11:00Wait a minute.
01:11:01I'll...
01:11:02No.
01:11:03I'll come back, all right.
01:11:05It'll be okay.
01:11:06But if I don't, you'll tell Annette, won't you?
01:11:11Yeah, I'll tell her.
01:11:12Come on.
01:11:12Tommy!
01:11:40Tommy!
01:11:42Hey, where are you going?
01:11:46Out there.
01:11:47I think they got him.
01:11:48But, Lord, man, you can't come up there now.
01:11:50The more you've got, the more you've got ten feet.
01:11:52That's all right, buddy.
01:11:54Now, he needs me, and I'm going for you.
01:11:56Where are you, kid?
01:12:12Where are you, Tommy?
01:12:14Here I am, Gilbert.
01:12:16Gee, Tommy.
01:12:18How is that, kid?
01:12:19Did they catch her?
01:12:19I don't know.
01:12:22It's my back.
01:12:25I don't seem to feel a thing.
01:12:28Oh, I don't.
01:12:32Here, kid.
01:12:35Take a break of this.
01:12:38Is that better now, Tommy?
01:12:40Do you feel better now, kid?
01:12:42Here.
01:12:43Do you feel that, Tommy?
01:12:44I don't feel a thing.
01:12:47Wait a minute, Tommy.
01:12:48I'll...
01:12:49Wait a minute.
01:13:07Wait a minute.
01:13:10Wait a minute.
01:13:11The finding of the office has saved my reputation and standing as an officer.
01:13:33It has not only saved the world for democracy, but it has saved me from my family.
01:13:37And don't forget, if I ever lay my hands on those two doughboys, I'll deliver them to you piece by piece.
01:13:57Woo! Surprise!
01:14:01Any phone calls?
01:14:03Oh, dear sir, what do you mean by this?
01:14:05What did you do with that message for General Hale?
01:14:07Why, we decided not to deliver it.
01:14:10Oh, you did, eh?
01:14:11What did you do with it?
01:14:12We opened it up and read it.
01:14:14What?
01:14:15It's an old Indian custom, Colonel, an old Indian custom.
01:14:19In case we lost it, we could deliver it by word of mouth.
01:14:22Yes.
01:14:23You know, I know every word by heart.
01:14:25You'll be shot at sunrise.
01:14:27When you know what we know, you'll be half shot at sunrise.
01:14:30Oh, dear, what do you mean by this?
01:14:31Oh, Colonel, please now.
01:14:35Woo!
01:14:35Heh!
01:14:36You'll get a parallel stroke.
01:14:38Colonel, I want to ask you.
01:14:40Did you really want this message delivered to General Hale?
01:14:44Come with me in my office.
01:15:02I want to speak with you privately.
01:15:03You, uh, you, uh, hey, you memorized this paper?
01:15:18Every darn word.
01:15:19What did it say?
01:15:21My dear snuggle pup.
01:15:23That's enough.
01:15:24That's enough.
01:15:26Well, if it isn't enough, we know some more.
01:15:27Do you know what I could do to you for this?
01:15:35Oh, ho, ho, ho.
01:15:36What are you laughing at?
01:15:38I was just thinking what we could do to you for that.
01:15:41Fire.
01:15:44Colonel, what I want to know is, why did you treat little Olga so mean?
01:15:49You know, I was never so...
01:15:50Wooderman's glove.
01:15:54General Hale's plans.
01:15:55Yeah.
01:15:56Where did you get them?
01:15:57I found them right here on my desk.
01:15:59What does this mean?
01:16:00It means that you sent Olga's note to the general instead of the plan.
01:16:04Oh, that Olga.
01:16:05I'll have her neck.
01:16:07No, Colonel.
01:16:08I'll have that.
01:16:09Oh, good.
01:16:10There you go again.
01:16:12That's a funny thing ever.
01:16:14You know, something's got to be done about this.
01:16:17Yes, yes.
01:16:18It seems as though armistice has been declared for everybody, but you...
01:16:23What?
01:16:24What?
01:16:25What are you...
01:16:25What?
01:16:26What?
01:16:27Oh, drop.
01:16:28What?
01:16:28What?
01:16:28What?
01:16:28What?
01:16:28What?
01:16:29What?
01:16:29What?
01:16:29What?
01:16:30What?
01:16:30What?
01:16:31What?
01:16:31What?
01:16:32What?
01:16:32What?
01:16:33What?
01:16:33What?
01:16:34What?
01:16:34What?
01:16:34What?
01:16:35Quite a war, isn't it?
01:16:37Quite a war.
01:16:38Quite a war.
01:16:41You sent for Lieutenant Reed, sir?
01:16:44Oh, uh...
01:16:45Certainly we sent for Lieutenant Reed.
01:16:47Didn't we, Colonel?
01:16:49Yes.
01:16:50Oh, yes.
01:16:50Of course.
01:16:50Of course.
01:16:51Yes.
01:16:51Of course.
01:16:55The Colonel wants you two kids to get married right away.
01:16:59Don't we, Colonel?
01:17:00Why?
01:17:00Oh, yes, sir.
01:17:01Quite so.
01:17:02Quite so.
01:17:02Quite so.
01:17:02Good heavens.
01:17:03The old man's gone crazy.
01:17:05My darling snuggle-tops, where were you last night?
01:17:11I've waited for you for hours.
01:17:14Have you forgotten your old guy?
01:17:16Colonel, there's nothing to it.
01:17:18We men have got to stick together.
01:17:20Tommy!
01:17:21Even I'm glad you're back.
01:17:22So am I.
01:17:24And the Colonel wants us to be married right away.
01:17:29Me too.
01:17:30Go!
01:17:31Go!
01:17:34Go!
01:17:38Go!