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Short filmTranscript
00:00Oh
00:30Oh
00:44Venga tienes que irte ya por favor. No pienso salir de aquà hasta que me expliques cómo la convenciste para que te dejara acercarte
00:57Yo
00:59Yo
01:01Le dije que mi mayor error habÃa sido cortar con ella
01:08Le hice creer que todavÃa la amaba
01:11Y que era la mujer de mi vida
01:16Ha hecho esto porque se ha sentido engañada
01:18Y
01:23Ha decidido ir a por ti para castigarme y lo que le dijo a pishi le prometió que me dejarÃa en paz
01:32También era mentira no
01:35No
01:37Eso es verdad
01:39Es una mujer de palabra no te preocupes por eso
01:43Pero ahora vendrá detrás de mÃ. Ella no puede hacer eso
01:50No deberÃa pero lo hará
01:52Y ha causado una tragedia en la hacienda
01:55Ahora falto yo. Marquiño no puede quedarse sin padre
01:59Tú no puedes morir Marco. Ya sabÃa el riesgo que corrÃa cuando accedà a esto
02:07No puedo dejar que muera nadie más por mi culpa. No es culpa tuya. No es. No lo es
02:13Métete esto en la cabeza. La culpa no es tuya
02:21Por favor dile a Marquiño que su padre era un buen hombre. No digas eso
02:33Y
02:34También hay una cosa importante sobre mi patrimonio que tengo que contarte
02:39Marquiño es mi único heredero
02:41Y hay algo que tienes que saber. No voy a permitirlo. No voy a permitir que muera nadie más. No lo permitiré
02:46Pero no tenemos cómo evitarlo. Claro que sà Marco. Tiene que haber alguna forma. Solo si atrapamos a Connie
02:53Pero yo seré un hombre muerto. Eso es lo que tenemos que hacer. Escúchame. SÃ, haremos eso. Tenemos que ir tras ella y atraparla
02:59Yo siempre he estado dispuesto a darme vida por ti, Kakao
03:03Todo irá bien. Todo irá bien
03:07Vete ya. Están esperándote
03:12Vale
03:15Me voy. Pero tienes que prometerme que te quedarás aquà a salvo
03:22SÃ, ya lo he hablado con Justino
03:25Vale
03:27Y seguro que para entonces ya habrán actuado
03:32La policÃa no dejará pasar tantas muertes
03:36Estoy segura de que mi padre hará todo lo posible por atraparlos
03:41Y ahora que sabemos cómo empezó todo, será más fácil encontrar a los responsables
03:48Pasará todo lo que tenga que pasar
03:53¿Sabes por qué estoy tranquilo?
03:57Porque sé que nuestro hijo tiene una madre como tú, cuidando de él
04:06Venga. Tienes que irte, va
04:12Todo saldrá bien
04:13SÃ
04:36¡Por favor, no llores!
04:38Le daré el bordado, que seguro que le va a encantar
04:41Perdona que insista, pero es muy importante para mà verla en persona
04:45¿Quién sabe? Conocà a tanta gente que hasta podrÃa encontrarme un trabajo, ¿no?
04:49¿PodrÃa ser?
04:50Amiga, no, no. Eso es pasarse
04:53PodrÃa ir a hablar con ella para que os veáis
04:55Pero si ella accede al final, no vas a pedirle nada
04:58¿Verdad?
04:59¿Verdad?
05:00¿Verdad?
05:01¿Verdad?
05:02¿Verdad?
05:04Si ella se ofrece a... a...
05:07A ayudarte
05:10A hacer algo por ti, vale
05:12Ya sabes cómo son los ricos
05:14Bueno, dale, no diré nada sobre el trabajo
05:17Pero harás esto por mÃ, ¿verdad?
05:18¡Claro!
05:19¡Gracias! Me voy a buscar trabajo, a ver si hoy tengo más suerte
05:22¡Adiós!
05:27TodavÃa no entiendo
05:28¿Cómo Xi Xi, que vino aquà como una muerta de hambre
05:31like a starving woman, she has turned everything around.
05:34And why have you been so generous with that girl?
05:37And she hasn't given me anything.
05:40Get into your business, Buscona.
05:50I'm sorry, but I have no doubt that this fire was caused.
05:55We already have someone responsible.
05:58Well, what do we do next, Inspector?
06:01I need to make a statement to everyone, and only then can I open a formal investigation.
06:06You have to give maximum priority to this case.
06:09People have died here.
06:11This tragedy could have been much worse.
06:14It could have burned everything, or it could have reached the city.
06:17I'm aware of that, and I'm going to do everything I can to speed up this investigation, I promise.
06:23Kim, I'm here for you.
06:27Thank you, Inspector.
06:30Excuse me.
06:33Inspector, I apologize for getting you into this mess.
06:38But there is someone who has something to tell you about the woman everyone is looking for.
06:44Baobab?
06:46But she is mute.
06:48Baobab?
06:50But she is mute.
06:54I'm not mute.
06:59I was just fulfilling a promise.
07:03Baobab, can you talk?
07:18Today we are mourning.
07:21Our Kenny, who for me was more than a friend, a partner, almost a brother,
07:28is going to leave a very deep void.
07:31We know that he made mistakes in the past, but also that he paid very dearly for them.
07:38For him, his passage through prison was transformative.
07:42And the truth is that I have not met anyone who has worked so hard or so hard to make his life again.
07:50After having had the privilege of spending more time with him,
07:56I think I can say that it was through love and the will to help others
08:03that Kenny found himself in this situation.
08:07The will to help others.
08:11That Kenny found the strength to heal his heart
08:16and discover who he really was.
08:23A good person.
08:25Today, friends, I'm not going to serve beers or take pictures of you with my tooth.
08:35The only thing I will offer you today will be this book.
08:41A book that I hope will immortalize all the happy moments you lived with Kenny.
08:46A book that I hope will immortalize all the happy moments you lived with Kenny.
08:54For all of us.
08:57For every person here today.
09:02For Anita.
09:05So that when her heart is sad,
09:09she can read these pages and remember
09:13the stories of this young man who became a man
09:19and who became an example for everyone.
09:25A round of applause for Kenny.
09:28A round of applause for Kenny.
09:38What a beautiful speech, Shira.
09:46Anita, it was improvised.
09:49The words came out by themselves.
09:52I didn't know you were so sensitive.
09:55I'm glad you came.
09:57Me too.
09:58You don't know how comforting your words have been.
10:04I'm here, don't worry.
10:10Where are they?
10:24Hello.
10:25Come in.
10:26Julia.
10:29What are you doing here, Vitoria?
10:31Good morning.
10:32Vitoria was already here.
10:34And...
10:36From what I know, I think...
10:38Yes, I really know what the topic of our conversation is.
10:41It makes perfect sense that she's here.
10:44Oh, yes. I almost forgot that she knows Marco's criminal friend.
10:48Oh, and good try to fool me with those fake documents.
10:53I was just following orders.
10:55The goal was never to hurt him.
10:57That's my fault.
10:59We wanted to see if Marco was involved.
11:02Saloma, I'm sorry, but we were sure you'd tell him everything.
11:06Of course I would.
11:07If I hadn't been a father to Marco, we would never have gotten you involved in this.
11:12Of course, you always have reasons to complain about me, no matter what I do.
11:15What do you mean, no?
11:16But what brings me here is something else.
11:19It's a more...
11:21It's much more serious.
11:23What? What happened?
11:26Is Marco dead?
11:27No, no.
11:28Luckily he's not dead, but he had a bad drink.
11:31Now he's safe.
11:32Did something happen to Cacao?
11:34No, Cacao is fine.
11:35Well...
11:37Good for saying something.
11:38She's alive, but she's not well.
11:41Saloma, talk! I'm getting very nervous.
11:44Tell us, what happened?
11:45A tragedy has occurred.
11:52Baoba, I don't know if I understand what you're trying to say.
11:57I'm sure that woman, Conceizao de Castro,
12:04is the daughter of a former employee of the hacienda.
12:07All you need to say is that she's my father's daughter with another employee around here.
12:12No.
12:13She was the daughter of a trusted family member.
12:17And the one who expelled her mother from here,
12:20along with all her children,
12:22was the boss' daughter,
12:25when she returned from abroad.
12:28Mrs. Simone.
12:30She was my mother.
12:32I'm sure she was the one who expelled Connie's mother from here.
12:36Is that why she's so mad at Bela Vista?
12:47Let's go.
13:10Marco.
13:11Are you in love?
13:13Don't take the piss.
13:15You're the one who takes the piss when you think you can use me so easily.
13:19Come on.
13:20There's no need for all this melodrama.
13:24I'm calling to talk about business.
13:26It's true that my life is in your hands.
13:28I don't doubt that.
13:30That's why I have a deal to make with you.
13:33Do you still love Bela Vista?
13:35What kind of question is that?
13:37Do you love her or not?
13:40I know how I could gain influence over Cacao,
13:43and thus control Bela Vista.
13:45But I need your help.
13:47Well, let's suppose you're still interested.
13:51What would you need me to do?
13:53Call Cacao.
13:55And tell him to come back to me.
13:58Or the one who will end up dead will be Diago.
14:03Are you sure, Baobab,
14:05that it was my mother who expelled those people from the farm?
14:09That was a scene I'll never forget.
14:13Connie was still practically a baby.
14:17And that misfortune affected her so much,
14:20and all her family,
14:22who left here for no reason.
14:24So you've known Mrs. Simone since that time?
14:28More or less, yes.
14:30Because the truth is,
14:32that family never came here.
14:35And we only heard about the bosses.
14:40No one ever saw them.
14:42And all of a sudden,
14:44they moved here.
14:46I didn't know any of that.
14:48They were left without a partner.
14:50Obviously.
14:51It's very clear.
14:53I did know.
14:54As far as I know,
14:55they only had their contacts and the farm.
14:58That explains the story
15:00that my father had to save my mother's family
15:03after they got married.
15:05And my mother said otherwise,
15:07that it was her family who opened many doors for him.
15:10That happened a few years before I arrived.
15:13Justino had bought the farm,
15:15and that's why I came here.
15:17He paid the family's debts,
15:19and I came to take care of the plantation.
15:22His ancestors have been here for centuries,
15:25just like mine.
15:27I was born here,
15:29just like my mother and my grandmother.
15:32And they lived as long as you did?
15:36Jesus!
15:37You bury everyone.
15:41No, no.
15:42I didn't mean it in a bad way.
15:44It's just that...
15:46I suspect he's been here longer than I thought.
15:50I'll shut up.
15:52It was his...
15:54great-grandfather
15:56who freed my great-grandmother.
16:00He freed her?
16:02She was a slave.
16:04Why didn't I hear about this?
16:07You didn't know about the slaves?
16:09I knew that part,
16:11but I didn't know the rest.
16:13I didn't know either,
16:15because Baobá didn't tell us anything.
16:18I haven't spoken since I was little.
16:21You haven't spoken for so long,
16:23and you can still vocalize so well?
16:25What intrigues me is,
16:27what happened to Connie's mother,
16:29that former worker?
16:31We didn't have any more contact,
16:33but I heard a lot of stories.
16:35That she was a woman of the night.
16:38That she had been the lover of a rich landowner.
16:43Of course, that explains Connie's attachment to Bela Vista.
16:46Yes, but if she's obsessed with Bela Vista,
16:49why would she want to buy the surrounding estates?
16:51She wants to return as the owner of everything.
16:53No.
16:54To restore the name of her family
16:56and honor her mother.
16:58Maybe.
17:00But why did my mother expel them?
17:03I don't know.
17:05Were they the only ones who were expelled?
17:08And will the mother of that Connie live?
17:11If that were the case,
17:12all this would start to make more sense.
17:16Yes,
17:17but we're going to leave the investigations to the inspector.
17:20Excuse me.
17:21They published the fire in the newspaper.
17:24Let's see.
17:28Oh,
17:29oh, what a tragedy.
17:31A whole plantation,
17:33all burned down.
17:35And dead.
17:36Look, very dear people have died,
17:38for the local people.
17:40Oh, what a tragedy.
17:42A whole plantation,
17:44all burned down.
17:46And dead.
17:47Look, very dear people have died,
17:49for the local people.
17:51Oh, what a tragedy.
17:52A whole plantation,
17:53all burned down.
17:54Simone, seriously?
17:55Doesn't this move you a little bit?
17:57All those deaths?
17:58I don't know.
17:59And the girl, Pissy.
18:00Pissy was a girl.
18:01That girl liked to think she was the owner of the plantation.
18:05I can't stand the poor who think they own everything.
18:08She lived there.
18:10She grew up there.
18:11People feel attached to their home.
18:13It's normal.
18:14Yes, I understand that.
18:15But those people have to respect their boss.
18:19Look, Esal.
18:20With more hot news.
18:23Really, your black humor is too much.
18:27My humor can't be considered offensive at all.
18:29Really?
18:30Darling.
18:31Tell me.
18:32How are things?
18:34Are the sequels just jokes?
18:35Or is there also some humor?
18:38Mom, even I, who couldn't stand this place,
18:41I'm terrified of what happened.
18:43Could you stop saying those things?
18:45My daughter has the barefoot syndrome.
18:48Do you really mean that?
18:50For God's sake.
18:51You're going to be the owner of everything.
18:53Behave yourself.
18:54You're already with your usual pervert.
18:57I already know this speech.
18:59But I didn't call you for that.
19:01I want you to tell me something else.
19:04Well, tell me, darling.
19:06What are you hiding from me about your past?
19:10Excuse me?
19:11You heard me right.
19:16I can't believe it.
19:19All those deaths.
19:22Philo.
19:26How is this possible?
19:28My God, I was so fond of him.
19:30We had spent a lot of time talking together.
19:33I...
19:35I don't know what to say, really.
19:38What Salomão has told us is a catastrophe.
19:41What Salomão has told us is a catastrophe.
19:44We should have caught that woman.
19:47We did what we could.
19:49I don't know what else we could have done.
19:51Salomão, it's very easy to talk.
19:53We should have all gone together in the car.
19:55If something had happened,
19:57we could have forced that woman inside.
19:59Jaime, we couldn't have known she had bodyguards.
20:02Right?
20:04That whole situation was crazy.
20:07Everything that happened, and Marco being her hostage...
20:11Marco was tied up.
20:13He didn't die by a miracle.
20:15Maybe he's not as bad a person as I thought.
20:19Honestly, I don't know what to think about anyone.
20:22I like Marco. You know that.
20:26But that woman...
20:28She can't just walk around like that.
20:30We have to do something.
20:32It'll be hard to get to her.
20:34I'm sure she's back in Brazil.
20:36She didn't wait to be shot.
20:38No, if the fire broke out yesterday,
20:40she wouldn't have had time to get there
20:42and start this impossible operation.
20:45I'm sorry, but there's something wrong here.
20:48Where does all this hatred come from?
20:50What drives that woman?
20:52What's her problem?
20:54We don't know.
20:56Maybe Marco knows. He knows her better.
21:00Let's talk to him. Where is he?
21:02He's hiding from Connie.
21:05I've lived so many years with someone I don't know.
21:09That's not surprising.
21:11People lie.
21:13Salomão, for example, has been lying to me all my life.
21:16Julia, don't start. Please, don't start.
21:19Salomão, do you know where Marco is hiding?
21:23I see you've been contaminated by the ideas of those brainless,
21:27envious poor people.
21:29Listen to me.
21:31Look, Sal, and remember,
21:33there's nothing worse than having a poor mindset.
21:37Mom, don't change the subject.
21:39This story doesn't make sense.
21:42If you were older when you came here to the farm with your parents,
21:48If you were older when you came here to the farm with your parents,
21:53why would you have been the one to expel those people,
21:56and not your father?
21:58It would be normal at that time.
22:00Because my father broke.
22:03Because he was a baker, okay?
22:05And because he treated the servants like family.
22:08He would never have thrown them out,
22:10and you can't be charitable to the servants.
22:13Do you know that the woman behind all this was born here, in Bela Vista?
22:19What did you say?
22:21That woman was just a baby when you expelled her from here?
22:25With her mother and her brothers.
22:29And she had such a big trauma
22:31that she came back after all these years to settle the score.
22:35That doesn't make any sense.
22:37On the contrary.
22:38She was Marco's partner in the purchase of the farm
22:41when we were willing to sell it.
22:45I'm sure she also wants your head as a reward.
22:51But who is that woman, Sal?
22:54You have to tell me everything.
22:56I only know her name is Connie.
23:00But if you want to know more,
23:02why don't you ask your friend Marco?
23:05In the end, he is her partner.
23:12I'll be much more comfortable here,
23:15now that I don't have to be talking to myself.
23:22Thank goodness you followed my advice
23:25and told the whole world.
23:27Good, Bao, good.
23:29That's the way to do it.
23:31In fact, you should have talked a lot before, right?
23:35I know you made a promise,
23:37but there are things that can't be kept.
23:45Well, it's good for you to keep secrets.
23:48That's true.
23:51Why did I think that from now on
23:53you would start talking like a parrot?
23:56Ah, I got it.
23:58You only talk to yourself.
24:02Ah, I got it.
24:04You only talk to yourself.
24:07What is this, Bao?
24:09You're smart.
24:11It's a sign of intelligence,
24:13listening more than talking.
24:16Maybe that's my problem, right?
24:20That I talk too much.
24:23You, Soraya, talk too much?
24:26No, never.
24:28No.
24:30It's a joke.
24:32I could talk to Bao alone.
24:35I was the one who talked to him.
24:37Maybe it's better if I stay alone.
24:39Goodbye, Soraya.
24:42Your wishes are orders, Bao.
24:45I love how polite you are.
24:56I thought you and I were friends,
24:59even without exchanging a word.
25:02Why did you never tell me that secret?
25:06I needed time to understand
25:09that talking can help people
25:13and not harm them.
25:17I promised I would never talk again.
25:21Talking bothered a lot of people when I was a child.
25:24Darling, but you help.
25:26You've already helped a lot of people.
25:28I owe you so much, for example.
25:31You should have kept that promise.
25:33And what good did it do?
25:35I couldn't save Filó,
25:38or Piggy, or Anita's boyfriend.
25:42They were so young.
25:44I see.
25:46Filó died because of me.
25:49I told her horrible things.
25:52You know what I told her?
25:54That bad people like her don't change.
25:57Yesterday she wanted to show me the opposite.
26:01We all have our path here on Earth.
26:05Everyone has a mission.
26:09Filó bore a heavy burden
26:13with her actions yesterday.
26:15Maybe now she's free.
26:18And who knows if she'll be reborn
26:21with a new life in which she can be happy.
26:25Who knows if her sacrifice will help you too.
26:29You have a heart full of hate.
26:31No one is the same person from the beginning to the end of their days.
26:35If you can understand that,
26:38maybe your pain will go away.
26:41Maybe it would work for Filó.
26:45But not for a person like Simone, don't you think?
26:48How can I get rid of the hatred I feel for her
26:50when I know she's free?
26:52When you understand that it's love and not hate that frees you,
26:57Simone will learn the lesson.
26:59If you want to do justice,
27:02you'll have to free yourself with love and not hate.
27:08How long ago did you want to tell me that and you couldn't?
27:11A long time ago.
27:13And that's what you think?
27:15Well, if I believe it.
27:17And there's much more.
27:19Much more.
27:23With so much information, my head is going to explode.
27:26How is it that we didn't know that Baobá could speak?
27:29And the most impressive thing is
27:31that she was able to be quiet for so long.
27:34I can't understand it.
27:35I think it was Soraya.
27:37She must have eaten her head so much that the poor woman
27:40let out a scream of despair.
27:42Yeah, but she's been quiet all her life.
27:44I'm sure she knows a lot.
27:46Yes, I have no doubt about that.
27:48Well, enough chitchat.
27:50I have to attend to very serious matters.
27:54Do you want me to go with you?
27:56No, no.
27:57What I have to deal with is not for people your age.
28:00Please, don't treat me like a child.
28:04I know there are certain moments in life
28:06when you need someone to support you.
28:09And Filó was Cacao's mother.
28:14And Pisi, her best friend.
28:16We could hold a ceremony for them.
28:20They deserve it.
28:22Not to forget that they gave their lives
28:26to save other people's lives.
28:30I want to propose something to you, Kin.
28:34Why don't we hold the ceremony at the house?
28:37At the main house?
28:39Yes.
28:40Filó didn't spend most of his life there.
28:46Thank you very much, Miss Salomé.
28:48It's a very nice gesture from you.
28:51I really appreciate it.
28:53I'll go with you.
28:58Go.
29:03When he got here, he didn't know how to clean a glass.
29:06But he soon became the best waiter you've ever had.
29:10You say that because you didn't see how many things he broke.
29:14He was a disaster.
29:16I think so.
29:18Oh, my friend.
29:20I'll throw you out of the house.
29:22I'll throw you out of the house.
29:24I'll throw you out of the house.
29:26I'll throw you out of the house.
29:28I'll throw you out of the house.
29:30Oh, my friend.
29:32I'll throw you out of the house.
29:37You were a very good friend, Chira.
29:39I was grateful for the opportunity you gave him.
29:42It was a lesson for me.
29:44I didn't think I could become an honest person.
29:47I don't know why, Chira.
29:49I know your past and you've changed.
29:51I'm one in a million.
29:53The truth is, I'm not entirely honest.
29:56Have you forgotten how we got the money for you to go to Portugal?
30:02But they were Portuguese.
30:04I can't handle injustice.
30:07I wouldn't be able to steal from a Brazilian.
30:13Chira, I like you because you're tough on the inside.
30:17But you have a golden heart.
30:20Sweeter than honey.
30:22Anita, you're going to make me blush.
30:25Seriously, even my mother was impressed with you.
30:30You should have seen her happy face when she saw the house you got for her.
30:36It's a shame I didn't give her time to use it.
30:39You don't remember, Chira.
30:41I'm sorry, Anita.
30:43What's going to happen to me now?
30:46Calm down.
30:49Calm down.
30:56This doesn't look good.
30:59We've been friends since we were little.
31:02Don't be so mean.
31:04I was just trying to correct my father's mistakes.
31:07And how is it that your father was the owner of that store
31:10if you told me you emigrated from France?
31:13Easy.
31:14France, Lisbon, Brazil.
31:18You left here empty-handed
31:20and it turns out your parents were big fans of you.
31:24Your parents were big owners in Brazil.
31:28Do you think I'm such an idiot?
31:31They adopted me.
31:33They adopted you?
31:34Yes.
31:36They adopted me when I was very little.
31:38A Portuguese family, but with a past in Brazil.
31:43It was a Portuguese couple who couldn't have children.
31:48When I was a teenager, I rebelled.
31:51I didn't want to live with such a strict education.
31:55So I fled to France, to Paris, to the center of the world.
32:00With a little Brazilian samba and classical ballet,
32:03which I learned as a child, I was a novelty.
32:08When I screwed up in Portugal, I went back to Brazil.
32:11It makes sense.
32:12What I found there was a broken family.
32:16What luck.
32:19Why are you trying to fool me?
32:22Do you really think I'm such an idiot?
32:38Yes?
32:39Have you been able to talk to Kakao?
32:41Yes, but you tell me if it worked.
32:44Now it depends on her what she does with that information.
32:48Not on me.
32:49She hasn't told you anything?
32:51She hasn't given you any clues?
32:53No, poor thing.
32:54I think she's in shock.
32:56And I didn't call you to gossip.
32:59Let me ask you something, Marco.
33:02What do you see in that girl?
33:04Yes?
33:05She's just a girl.
33:07She even has a baby voice.
33:10We're all obsessed with something.
33:12Like you with Bela Vista.
33:13I could ask you why.
33:15I have my reasons.
33:17But as you know, I don't trust you anymore.
33:20Now I want to see if that plan of yours works.
33:23And if Kakao is as honest and kind as everyone says.
33:27You'll see.
33:29Then you'll have her eating out of your hand.
33:33Better for you.
33:35I can't wait.
33:47I'm practically alone in the world.
33:50What?
33:51You have a father who loves you.
33:53You have your sister.
33:54She's not my sister.
33:55Yes.
33:56Kakao really loves you.
33:58As if she were a legitimate sister.
34:00Besides, don't forget about your...
34:02...lovers.
34:04How many do you have now?
34:06I don't know.
34:07I think about 30,000.
34:10I posted a video saying I was sad.
34:13And you don't know how many messages I've received.
34:16How much support they give me.
34:18You see?
34:19You have a lot of people worried about you.
34:21Me too, Anita.
34:23I'm your biggest admirer.
34:27If you hate the Portuguese, you say it to comfort me.
34:31What are you saying?
34:34To me, you're not Portuguese.
34:36You're from Brazil.
34:38I'm saying it with respect.
34:40I already knew that.
34:41You're a very special woman and you can count on me.
34:44Okay?
34:45Yes.
34:46I love you.
34:48I love you too.
34:50You're a very special woman and you can count on me.
34:52Okay?
34:53Thank you, Chira.
34:56Thank you for saying that.
35:01Hey.
35:03Look.
35:04You have to stop thinking that life doesn't make sense.
35:08Stop saying you're alone.
35:11I know you loved Kenny.
35:13And that his death and your mother's death weren't fair.
35:17But together...
35:19we're going to do them justice.
35:21I promise, okay?
35:23And remember, Anita...
35:25that you're a young woman...
35:27who has her life ahead of her.
35:30And there's no misfortune...
35:32that can turn off your light.
35:35Oh, and also...
35:37you have your followers who are increasing.
35:40Since you're talking about followers and lovers...
35:42I'd like to make a video with you, Chira.
35:45With me?
35:47Come here.
35:50Hello.
35:51I've introduced you to Chira before.
35:54He's been a great surprise for me and a good friend.
35:59I told you today was a very sad day and...
36:04there's no better way to show you this than...
36:08publishing a video of Chira...
36:10as my last tribute to the love of my life.
36:13Yes, you heard it right.
36:15My last tribute.
36:18I'll publish it after this so you can understand it.
36:22But I wanted you to know that...
36:24Chira is very special.
36:28Wow, Anita.
36:34I'm moved.
36:36I'm tearing up.
36:39What are you going to do now?
36:41Are you sure it's time to publish something like this?
36:45Oh, Chira, you know I've thought about it a lot.
36:50But I think...
36:52if we want to be real on social media,
36:54we have to publish the good and also the bad.
36:58So they know we're made of flesh and blood.
37:02And that we have...
37:04So they know we're made of flesh and blood.
37:07And that we have good days...
37:10and bad days.
37:13Besides, I think I'm going to...
37:15I'm going to upload some videos of the fire.
37:19So everyone knows that my loved ones died because of someone's evil.
37:25So this...
37:26on the internet...
37:28has even more value, you know?
37:30Yes.
37:31And maybe it'll help to pressure the authorities.
37:34Will it work?
37:35I think so.
37:36Do it, yes.
37:37I'm going to upload it now.
37:41You're right.
37:43No, I'm sorry, but it doesn't make sense.
37:46Could you tell me the truth, please?
37:48Me?
37:49Tell me the truth.
37:50Roy...
37:52I'm opening my heart to you.
37:54I'm telling you the truth.
37:56How can you say something like that to me?
38:00And why so much interest in all this?
38:03These things happened years ago.
38:05It scares me even more.
38:07The threat we have now.
38:09Why do enemies come out from under the stones?
38:12Well, it was you who created them, right?
38:16You're not helping.
38:19Do you know who those people are you're talking about, Al?
38:22But how am I going to know?
38:24If there were so many workers...
38:27And you had to kick them out.
38:29You couldn't have forgiven families with babies, could you?
38:32You don't understand that that was exactly the problem.
38:35I'll explain it to you.
38:37Those people used the farm as a corral to reproduce.
38:41They were worse than rabbits, I assure you.
38:44There were so many children that it was ridiculous.
38:47So many children running from here to there.
38:49It looked like an orphanage.
38:51And yes, I started kicking them out.
38:54And yes, I started kicking families out.
38:57Families with more children to serve as an example, you know?
39:01And they served as an example for others, it's true.
39:03It worked.
39:05At that time, contraceptives already existed.
39:08But do you think they cared about that?
39:10No, of course not.
39:12There wasn't even television.
39:14Some didn't know how to read.
39:16Others hadn't picked up a book in their life.
39:18And they made babies and entertained themselves by making children.
39:21Why?
39:22Because there was an idiot who went bankrupt because of it.
39:24My father.
39:26He felt sorry for the oppressed
39:28and he was ashamed of the family's past of slavery.
39:31I wish he could go back to those times.
39:33I really would love to.
39:35Those lazy people.
39:37They could make all the children they wanted.
39:40Do you know why?
39:41Because everything was free.
39:43If your father respected those people so much,
39:48how did he allow you to decide to kick out entire families?
39:52Oh, Roy.
39:53Because he had to give up
39:55in the face of the evidence that
39:57he had done a bad management
39:59and was going to go bankrupt.
40:01He had no control of the situation.
40:03And he had to take over, as is evident.
40:06And what did you know about business?
40:08I was his only possibility.
40:10His only daughter.
40:11I had my mentors and then Justino.
40:14You know what I'm telling you?
40:15I don't want to know anything else, okay?
40:18Hey.
40:22Roy.
40:24You know what worries me the most right now?
40:30The person who mentioned Sal.
40:32That Connie.
40:34I need to know
40:36how dangerous she is to me.
40:40And how are you going to find out?
40:43Sal is right.
40:45I'm going to call Marco.
40:47Connie was not his partner in the sale of Bella Vista.
41:12I love you.