Category
🎥
Short filmTranscript
00:00♪♪
00:30Well, I know you're not going to see him now, María,
00:32but maybe it's for the best for you.
00:34He's been told and told that the only way to make money urgently
00:38is to sell the land.
00:39I also tell you that you have been away from the management of La Promesa for a while.
00:42And that maybe right now there is no other.
00:44No, that's not true.
00:45What you have to do is adapt.
00:48And his father?
00:49Is he also one of the owners?
00:51He was.
00:52Now that percentage belongs to Martín.
00:55And then why did he travel to Madrid?
00:57I thought it had something to do with all this.
00:59Well, it turns out that Marcelo thought he saw one of the men of the Duke of Saravia in town.
01:04What?
01:05And he was calm.
01:07Because he arrested him and in the end he confirmed that it was not him.
01:10So what's the problem?
01:12The problem is that Marcelo lives in fear.
01:14Afraid to be discovered.
01:16I will be direct.
01:17Hannah should not get involved again in the decisions regarding the business of La Promesa.
01:22I know what I'm asking you is very difficult,
01:24but you have to understand it.
01:26These are matters that affect the Marquis and the rest of the owners of La Promesa.
01:30Please, Hannah, give it to me.
01:32There is no conversation that can change what happened.
01:35And I have not forgotten it.
01:36Well, this is the perfect opportunity to prove it.
01:38I promise you that I will be impartial.
01:40I will listen to both versions equally.
01:42Stop manipulating me.
01:43And if you see her, tell her to go where she came from.
01:46I need Angela to return to Switzerland as soon as possible to resume her studies.
01:49Talk to Curro and have that conversation with my daughter.
01:52I trust that you will be able to convince him.
01:56What do you mean with the door of Mrs. Marquesa?
01:59Well, Judy, I said that this room connects to the chamber that used to belong to Mr. Marqués,
02:03but now belongs to Mrs. Marquesa.
02:06Where do you think you're going?
02:08I owe it to all my parishioners.
02:10Well, start with those who have paid the renovation of the parish house.
02:13This family needs your spiritual support more than ever.
02:16Especially in these moments of great need that ravage our palace.
02:22How long do you think the priest will take?
02:25Well, he has to be about to fall.
02:27He went to the noble plant to say goodbye to the gentlemen.
02:29I mean, I didn't have much to tell him either, did I?
02:32Give him a couple of blessings and have him rest in peace.
02:35Woman, what if someone had died?
02:38Well, I hope God gives him a lot of health for many years.
02:41Well, we're going to miss him a lot,
02:43because he's not one of those priests who spend all day giving sermons.
02:46Well, no, of course not.
02:48Well, because he doesn't like injustice,
02:50and he faces it as if it were a beast.
02:58Have you already said goodbye to the Marquesas?
03:01Don't be so serious, for God's sake.
03:03I always say goodbye with a smile, don't I?
03:08I'm not leaving.
03:10What?
03:12What have the Marquesas told you?
03:15What?
03:16What have the Marquesas told you?
03:18What happened up there?
03:20The Marquesa has asked me to stay.
03:23Well, rather, she has demanded it.
03:27But who is she to demand you or let you demand?
03:30It's not that she wants to get in the way, huh?
03:32But it's true, she's no one to impose her will,
03:35let alone a man of God.
03:37But don't get us wrong,
03:39we are delighted that she stays.
03:42I believe it, we are very happy.
03:45So, what has the Marquesa told you?
03:48That she has taken my decision to leave as a ...
03:51personal betrayal.
03:54But that woman, everything that contradicts her is a personal matter.
03:58And often it is when she gets angry.
04:00I haven't given her much choice either.
04:03As she told me, the family needs spiritual support
04:07in these difficult times.
04:09Well, against that, little can be argued.
04:12Well, she almost sent the Marquesa to fry asparagus.
04:15Well, that wouldn't have been very typical of a priest.
04:17But I had already left the room and had my things ready.
04:21Now I have to ask Don Rómulo to accommodate me again.
04:24It will be a good room, man, approve and change a friend.
04:29Although it is true that the Lujan welcomed me when I most needed it.
04:33The regañadientes, but they did.
04:36You say yes, that it is well born to be grateful.
04:40And it is true that now they are in a dead end.
04:43They jump from one scandal to another.
04:45And what if the light came out that they are firing one of their guests right now?
04:50Rather, I think the Marquesa fears that she will spread
04:54the situation that is being experienced here in the palace.
04:57Everything adds up.
04:58For my part, the only thing I can offer is all my spiritual comfort.
05:03There where they need it.
05:05Although, since I have been accommodated here, they hardly turn to me.
05:10Well, the case is that it stays.
05:13That's right, that's right.
05:16More flies are hunted with honey than with ice.
05:19And something tells me that I will be more useful,
05:23fulfilling God's commandments, staying here.
05:27In the promise.
05:29And we celebrate it.
05:33In the promise.
06:03In the promise.
06:33In the promise.
06:34In the promise.
06:35In the promise.
06:36In the promise.
06:37In the promise.
06:38In the promise.
06:39In the promise.
06:40In the promise.
06:41In the promise.
06:42In the promise.
06:43In the promise.
06:44In the promise.
06:45In the promise.
06:46In the promise.
06:47In the promise.
06:48In the promise.
06:49In the promise.
06:50In the promise.
06:51In the promise.
06:52In the promise.
06:53In the promise.
06:54In the promise.
06:55In the promise.
06:56In the promise.
06:57In the promise.
06:58In the promise.
06:59In the promise.
07:00In the promise.
07:01In the promise.
07:03The missionary celebrates Travedón
07:07It may seem silly, buterving tea standing by itself
07:13would represent good repression of the service.
07:15Those would be rich times.
07:17In any case I do not think money has an effect on the economy
07:20of the promise.
07:22But even so I think we should take more ground level measures.
07:25I agree.
07:27And that is what Marqués is into.
07:28As far as I know.
07:29But I think that Caterina is right in this case, selling those lands is a mistake.
07:34Are you afraid that the heritage you are going to inherit will fade before time?
07:38No, of course not.
07:40I'm lucky, I know it's not that.
07:42Of course it's not that.
07:44I just think that selling some lands that are going to give benefits is like making a stew with the magical beans of the story.
07:51Or roasting the golden eggs chickens in a oven.
07:54I can't agree with you anymore, Hanna.
07:56Alonso is wrong, if he thinks that selling part of his lands is the solution.
08:00Anyway, if we want to get a good share of those lands, we would have to cultivate them in their entirety, as Catalina said.
08:07I'm glad to see you so firm in your convictions.
08:11And above all, that you have been able to say your opinion in front of everyone, whoever falls.
08:17I appreciate it very much, but I've already seen what it has done for me.
08:20Well, it has helped everyone see that you have a voice that cannot be silenced.
08:25Well, maybe yes.
08:27I would surprise those who have come to convince me.
08:32I expect anything from you, Cruz. Tell me, please.
08:37Come on, Hanna, you know you can trust me.
08:42They have turned a family matter into a marital one.
08:45I see.
08:47He has told your husband the story.
08:50Manuel has asked me not to intervene anymore in the financial matters of the promise.
08:55With what argument?
08:57It is what the Marquis has asked him.
08:59Don Alonso says that these matters are not for the lady, but rather for the gentlemen.
09:04I see.
09:07Women cannot think, but it is said that Catalina has much better accounts than her father.
09:11That everything must be said.
09:14Anyway, it has been preferred not to argue with Manuel.
09:19So are you going to give in to his request?
09:22Well, I don't want to make a fuss.
09:24I just got to this family and I don't know who to mess with where they don't call me.
09:29You are the mother of the future heir to the Marquis of Lujan.
09:32The most suitable person to defend his heritage.
09:35It's taking a step back, Hanna. Don't do it.
09:39I honestly prefer to remain silent.
09:41They are missing you. Don't allow it.
09:45I really appreciate your concern, but I don't want to open more fronts.
09:49It is not a new front. It is the only one.
09:51And you know perfectly well who is on the other side.
09:54I see.
09:58I think I'm still going to do it.
10:02When they ask you to keep your mouth shut,
10:04what they are really asking you to do is to stop thinking for yourself.
10:07I know.
10:10Listen to me, Hanna.
10:12I am not a good example because I have not always done well in life.
10:16But what I can assure you is that neither the man nor the woman
10:20is capable of covering my mouth.
10:38Do you have something to tell me?
10:40Yes, of course. Is it hard for you to keep your mouth shut?
10:43Well, you see. I am so clumsy and I have been left out.
10:47And now you think it's wrong for me to stay here?
10:49No, I didn't say that.
10:51But I don't know how you feel that the Marquise forced you to stay.
10:55She didn't point a gun at me either, Maria.
10:57Well, but she insisted. And she forced you, come on.
11:01When I made the decision to leave here,
11:04I was convinced that it was for the best for everyone.
11:07Yes, I know. It was very clear to me.
11:11And what has changed?
11:16Maybe what I want is one thing,
11:20and what the Lord expects of me is another.
11:25That now it is the Lord who wants you to stay here.
11:29I think he's putting me to the test on the way.
11:32So now I'm not a sin, I'm a test.
11:36No, Maria. I didn't mean that.
11:43Look, Samuel, I don't want to be a sin, a test or anything.
11:47So what happened between the two of us is just that.
11:51Past.
11:53And for my part, it won't happen again.
11:56Really?
11:57Yes. I don't want to see you suffer because of me.
12:02And even if I really want something else to happen between the two of us,
12:07it's more worthwhile to see you like this.
12:10And I think we've done very beautiful things together.
12:13And helping all those people is.
12:16Of course, Maria.
12:18Those people deserve to recover their lives.
12:22And their dignity.
12:24And he's doing it.
12:26Especially thanks to you.
12:28They see you as a lighthouse in the middle of the storm.
12:32Maria, you have also been an indispensable part of all this.
12:36And I want to continue to be.
12:38If you let me.
12:42So don't worry, I'm not going to be an impediment
12:46on that path you say you have to follow.
12:49Maria, I'm not the one who says it.
12:52Yeah, it's God's path. I know.
12:57Maybe you think I'm arrogant for thinking that
13:00our Lord has a path prepared for me.
13:03No.
13:04I think our Lord has a path for everyone.
13:08But you are very clear about it.
13:11And I'm lost.
13:14I love you.
13:25You don't know how much I admire you.
13:27Hanna, that's not what I meant.
13:30And what did you mean, if I may ask?
13:34Oh, those faces.
13:36What were you talking about?
13:39Well, you'll see.
13:41Hanna has told me that her husband has kindly asked her
13:44to stop getting involved in the financial matters of the promise.
13:48And it would be very good if she listens to him.
13:50If it serves as a reference, I don't get involved in those matters either.
13:53They seem to me the most boring.
13:55Well, good for you.
13:57But it turns out that she is interested in them.
13:59And she also has good ideas.
14:01You can't ask her not to think.
14:03Please, what a tremendous way to see it.
14:06No, no.
14:07Nobody is forbidding you to think.
14:09It's just ...
14:10It's about you taking the place that suits you.
14:13And what is the place that suits me?
14:15The one of the lady you aspire to be.
14:17That is not to take care of the financial matters of the promise.
14:20Even if she thinks I can help?
14:23Leave that to the men.
14:25For Astrakhanada, we already have Catalina.
14:27You have no right to belittle her.
14:30I don't.
14:31I'm just showing how ridiculous her behavior is.
14:35If I wanted to belittle her, I would talk about her pregnancy.
14:39I'm pregnant too.
14:41So I imagine that according to you,
14:43what I have to do now is wait for the light in the most discreet way possible, right?
14:47It would be a whole detail for you.
14:50Well, I hope you find out that I'm not going to do that.
14:54Is it so difficult to give in to what your own husband has asked you?
14:57No.
14:58If Manuel has done this, it has been because he has felt the pressure of his father and hers.
15:02And besides, I want you to know that I'm not going to be a decoration figurine.
15:06To be a decoration figurine,
15:08you need to have a class that you will never have, dear.
15:11Whatever you want.
15:13In any case, it seems to me that there is nothing lower than
15:16messing with a newlyweds couple,
15:18turning their son into a junkie.
15:22I have many things to do,
15:23like to be holding your groceries.
15:26Goodbye.
15:32Nothing.
15:36Not even a loaf of bread.
15:39I confess that I would have devoured it with desire.
15:41When you are hungry, there is no bread.
15:43Let's see.
15:45What are you two doing here, glooming?
15:47We were looking for some leftovers to throw in the trash.
15:50Well, there are no leftovers, and you know it.
15:53No, our stomachs know it, Mrs. Simona.
15:55We have been eating leftovers for days.
15:58Santos, we do what we can.
16:00And be careful with complaining, because some people don't even have that.
16:04Stop thinking about food and do something useful.
16:07And we can't help here, to smell what they cook.
16:10They don't say that, smell what they feed.
16:12Look, I'm going to take your word for it.
16:14Go to the pantry and get a sack of flour,
16:17because we are going to make a cake.
16:18A cake?
16:19That sounds very good.
16:21Yes, but for the gentlemen.
16:23Well, I'm sure they'll leave something.
16:24I'm going to get it right away.
16:28Santo,
16:30we have received that your mother has visited La Promesa.
16:34And so it is.
16:36Sorry that we get into where they don't call us,
16:40but we thought that the woman was in eternal rest.
16:45No, there is nothing to forgive.
16:47My father made me believe that.
16:50No, there is nothing to forgive.
16:52My father made me believe that too.
16:54Do you know why your father thought that?
16:56Well, the important thing is that she is alive
16:59and that surely for you to meet her has been a very beautiful moment.
17:05Yes.
17:06Yes, of course.
17:07And also for Mr. Pellicer,
17:09because if the man thought that the woman was dead ...
17:13My father knew very well that she was alive.
17:16How does your father know something like that?
17:18If he was starting relations with Mrs. Darre?
17:20Mrs. Candela.
17:22Don't tell me you really knew.
17:25Come on, of course.
17:26That's why he broke off relations with Mrs. Darre.
17:29Mrs. Candela, that doesn't matter now.
17:32Santos, do you know if she will come back here again?
17:37And where did you go to find her?
17:39Look, I don't know if she's going to come back or not,
17:41but what I do know is that you should stop asking things that don't interest you.
17:44The last sack of flour.
17:46What do you mean the last one?
17:47There must be at least two more.
17:49In the pantry there is no more than this sack.
17:51No, Marcelo, it can't be.
17:53Yesterday there were three sacks in the pantry.
17:55Well, I'm telling you it's the last one left.
17:58No, no, I'm going to the pantry to check it.
18:00Yes.
18:01As soon as I find it.
18:04Let's see, Marcelo, you and Santos were here for a while
18:07like crazy looking for something to take to the bus.
18:10What are you insinuating?
18:11That we have taken the flour to eat it.
18:13Eh ... not raw.
18:14But no, it's very difficult to make some gachas.
18:16But what barbarities are you saying?
18:18Besides, I don't know how to cook what you say.
18:20No, me neither.
18:21And it seems very offensive to me that they are accusing me of having stolen it.
18:33Curro, where are you going?
18:38Good afternoon.
18:39I was thinking of going for a ride.
18:43And before enjoying your free time, don't you have any unfinished business?
18:48Unfinished business?
18:50I understand that a few nights ago my friend Leocadia asked you to do something for her.
18:56Yes, if you mean to talk to her daughter,
18:59I already told her that ... I didn't think she was the right person for that.
19:03Badly thought.
19:05No, I don't understand, Aunt Cruz.
19:07Why do I have to be the one to talk to her?
19:09Because she listens to you.
19:11Did you go to that dance with her?
19:12No, no, no. I remind you that I was forced by you.
19:14You'll have to find your ways, Curro.
19:16But she won't listen to me, I know it.
19:18You have to try.
19:19You have to convince her to return to Switzerland to finish her law studies.
19:23No, I didn't know it was so important to you that a woman would continue her studies.
19:27If it's important to my friend, it's important to me. Don't replicate me.
19:32Aunt Cruz, I insist.
19:35I'm not the right person.
19:38Ángela and I don't get along. That's it.
19:41I'm sorry I can't help you, but I can't do anything.
19:43Wait, wait. I don't think you understand me, dear.
19:48I'm not asking for your opinion or suggesting anything.
19:51This is an order.
19:53I'm not Leo Cade's pamphlet. You have to obey me.
19:57I told you to do it and that's it. Do you understand me?
20:02Yes.
20:04Very well.
20:05And if you're not going to tell me that you were going for a horse ride with Ángela,
20:08I recommend that you go up to your room to change your clothes right now.
20:25Well, you don't have to take things out of context, Santos.
20:28But they're accusing me of stealing a bag that I didn't steal. And me.
20:31Well, it was the nerves of the moment. I'm sure there's a logical explanation for all this.
20:35Look, he's going crazy out there and I'm sure he's telling us.
20:38What? Has the flour that was missing appeared?
20:41Those bags have disappeared.
20:43But how are two bags of flour going to disappear?
20:45They don't have legs, so they can't have just gone.
20:48Obviously, someone has taken them.
20:50Oh, the Virgin. Oh, the Virgin, we have thieves in the promise.
20:54And they're not accusing us of anything.
20:56So let's see who's got long hands.
20:59It's going to be very complicated to find out.
21:02We have to be more cunning to do something like this.
21:05Yes, well, Easter has come to us.
21:07And how are we going to make the Lord's bread now?
21:12Well, we'll have to ration the bag we have left.
21:15And why don't we make corn bread like the one we drink?
21:18No, no, Mrs. Candela. Where has it been seen that there is no white bread on the table of a marquis?
21:22No, no, that can't be. They will eat less bread.
21:25But the bread they eat has to be wheat flour.
21:28But we'll have to deal with the rat.
21:30I'm sure it was someone who was desperate for hunger.
21:35Because it's not normal to be robbed.
21:38I've had the feeling for a long time that there's no food in the pantry.
21:42Candela, why didn't you say it before? This is a very serious thing.
21:45Someone has taken it.
21:47Don't look at me. It's much more likely that you did it.
21:50What? What are you talking about?
21:52You're in the kitchen all day. You could have taken it, sold it, taken it to the rooms.
21:55Are you listening to him?
21:56Have I ever seen you take a handful of almonds?
21:59Okay, the other one.
22:00Are you seeing the satins that Miss Catalina is here?
22:03Is something happening?
22:05Nothing, what's going to happen? Nonsense that is said in the kitchens.
22:10But I heard something about stolen flour, right?
22:13Stolen? What nonsense.
22:15No, miss. What happens is that we are going to prepare the bread with less flour.
22:20That's what you heard.
22:22That's it. It's not that the flour has been stolen, but now the bread will weigh less.
22:27Well, that must have been it then.
22:39Martina, admit that after all, you don't have it so clear.
22:43Well, it's just that I've been on the prom for a week, aunt.
22:46Precisely for that.
22:48You should get rid of that heavy burden and allow others to manage it for you.
22:52Well, my mother was doing great.
22:55But my mother was of another age and above all, another experience of life.
23:00As for business, no.
23:02Aunt, and she let herself be advised by Catalina, which was what I had planned to do.
23:05Well, it is true that Catalina has helped a lot with the management of the prom.
23:08But from now on, with two children on the way, she will not be able to take care of herself.
23:13Children require a lot of attention, right, Leocadia?
23:15Of course.
23:16Although who knows, Catalina is a very organized woman.
23:19The same can be said for everything.
23:21Of course, I trust her.
23:22It's not a matter of trust, Martina.
23:25It has to do with ability.
23:27Manuel and your uncle Alonso are much more apt to take care of your part of the prom.
23:31Well, since I don't have to make this decision urgently ...
23:34There you are wrong.
23:36The more time passes, the more money you lose.
23:40How?
23:42The properties you have are not giving you any profit, is it?
23:46Well, I don't know.
23:47I would have to ask Catalina to see if any of the shares are leased.
23:51And if so, why aren't you receiving the money?
23:55I don't know.
23:57As Martina says, it's still a bit early.
24:01We have to give it time.
24:03I think it's too late.
24:06The promise is not having its best time, let's say.
24:09And it is precisely now when we have to be all together.
24:12That is clear.
24:13What is not so clear is whether Martina should join Alonso or Catalina.
24:17And both are family members.
24:19As far as I know, Alonso is still in the hands of the Marquis.
24:21And no one has doubted it.
24:23Aunt, I'm going to think about it calmly.
24:25Really. And when I have an answer, you will be the first to know.
24:28But?
24:29But I want to go to sleep because tomorrow I want to do things from very early.
24:33Okay.
24:37Good night.
24:38Good night.
24:39Good night.
24:40Good night.
24:47What's that smile for?
24:51I've known you since we were kids.
24:53And yet, you still surprise me.
24:56Really?
24:57Yes.
24:59I was amazed by your attempt to manipulate that poor girl.
25:02I was just trying to give her some good advice.
25:04I see.
25:06By the way, how are things going with my daughter's case, Ángela?
25:10Well, I've asked Curro to understand that he has to collaborate with us.
25:14I don't even want to know what you've done to convince him.
25:17In any case, I've done what you asked me to do.
25:19I shut up.
25:20Another thing is that it works.
25:22It has to work.
25:24You really want your daughter to return to Zurich, don't you?
25:28It's for her own good.
25:31I see.
25:35I see.
25:55Are you sure Mrs. Marquesa is not coming?
25:57I'm sure.
25:58After dinner, she always goes to the tea room and now she's with Mrs. Lea Ocadia.
26:02In any case, we don't have much time.
26:04How do I find this door?
26:05I assure you that it will not be an easy task.
26:09Any clue?
26:11Unfortunately not.
26:12The only thing we suspect is that there is a passage that should connect this place to the secret room.
26:19And that door that leads to the passage has to be close to the fireplace, right?
26:23And it would open with a hidden mechanism.
26:27Hanna, I think it's better if we leave.
26:29Mrs. Cruz can come back at any time.
26:31Teresa is not coming back.
26:33And if she comes back, I will be responsible.
26:35I will say that I forced you to be here and that's it.
26:37But we don't know if she's going to believe you.
26:39How is she not going to believe me, Teresa?
26:41If she always thinks I'm to blame for everything and for this too.
26:44Well, anyway, she can't fire you.
26:46And I can.
26:47That's not going to happen.
26:48I assure you, it's not going to happen.
26:50Let's hope so.
26:51Because otherwise we would have to give many explanations.
26:55And anyway, Vera and I are already looking for that mechanism and we can't find anything.
26:59Well, we have to keep trying.
27:03Let's go.
27:21Do you see something?
27:23No.
27:29One day, Vera came here and Marcelo and I went to the secret room.
27:35And why did you do that?
27:36Well, to see if the blows could be heard.
27:40And did you hear anything?
27:41Vera thought she heard the knock-knock that Marcelo and I emitted from the secret room.
27:46But it was something very weak, so much so that it could even have been the result of her imagination.
27:53Okay.
28:10Good evening.
28:11Hello.
28:13Good evening.
28:15Am I bothering you?
28:17No, because I was going to do it.
28:20Well, because ...
28:22I came to ask you a favor.
28:26A favor.
28:28To me.
28:33Okay.
28:34Tell me, what is it about?
28:39I need the car tomorrow to do some errands and I have been told that you have requested it.
28:44Yes, I'm sorry.
28:46I have requested the car because I wanted to take a walk around Lujan.
28:51I see.
28:52Well, if it's not too much trouble, I would like you to give it to me.
28:58And can I know why you are in such a hurry?
29:01I've already told you.
29:02I have to do errands.
29:05Okay.
29:07Well, since you're also going to Lujan, we could share it.
29:11No, the problem is that it's not in Lujan.
29:13Oh, no?
29:14No.
29:15Besides, I'm going to need it all morning.
29:17I have to do errands for several towns and ...
29:20Well, they are things that I should have done as soon as I arrived from Switzerland,
29:23but you know how these things are, right?
29:25In the end they are delayed and postponed and ...
29:27And well, I don't want to bore you by explaining what each management is about.
29:30But I have to go to the grocery store, the drugstore ...
29:33I'm not asking for your opinion or suggesting anything to you.
29:36This is an order.
29:38I told you to do it and that's it.
29:40Do you understand me?
29:42Ángela ...
29:43I would do you a great favor.
29:46What?
29:47Oh, about the car.
29:49Yes, yes.
29:50I give it to you.
29:52You are very kind when you propose it.
29:57Vera, I wanted to talk to you about a matter that I would like to clarify.
30:03Sorry, can I take refuge here with you?
30:08Yes, of course.
30:09Yes, of course.
30:10Of course.
30:12Take refuge, why?
30:14Well, rather, from whom?
30:17And especially from Aunt Cruz, but also from Mrs. Leocadia.
30:21My mother?
30:23And what do you want?
30:25Well, to submit to her holy will, apparently.
30:27And that's why I made up that I was sleepy and that I was going to sleep, but ...
30:31But she has met us and joined the conversation.
30:34Because I have absolutely no sleep.
30:37Yeah, Martina, but I still don't understand why they were harassing you.
30:42Because they want to know what I do or what I stop doing with the percentage of the promise that my mother gave me.
30:47Wow.
30:49I'm sorry, Martina.
30:51Yes, Aunt Cruz is tireless and does not accept a no in response.
30:59How was I going to know that this was going to happen?
31:02When my mother gave me that percentage, I felt very happy.
31:06A poisoned gift.
31:07Well, yes, yes.
31:08Because I couldn't imagine that now I was going to have to decide whether I was on one side or the other.
31:14Well, knowing this palace, the strange thing is that you didn't foresee that something like this could happen.
31:20Well, you're not helping me.
31:24Martina, but what do you think I should do?
31:32Well, I don't know.
31:34I don't know because, on the one hand, I have my cousins, Manuel and Catalina, telling me not to sell the land.
31:41And on the other hand, I have the uncles, who continually press me on the other side, so ...
31:46Well, try not to overreact.
31:49I just feel like I'm constantly between the sword and the wall.
31:56Well, don't worry.
31:59Let's have a drink and then, if Aunt Cruz or Mrs. Eucadia come, you'll be safe with us.
32:05Of course.
32:06We'll talk about something relaxed and so you can forget about your worries.
32:28I'm very glad to have you back.
32:31I didn't want to leave without seeing you first.
32:34And I thank you.
32:36I know it's not easy for you to come, knowing that my father is also in this palace.
32:42If I do it, it's for you.
32:44And I thank you very much for the effort, mother.
32:47Just as I thank you for not telling my father that I was the one who asked him to come.
32:54And that he would even parade in front of Mrs. Petra.
32:58Your wish is for your father and I to talk.
33:00And I tried, but he doesn't want to know anything about it.
33:03Yeah.
33:04It is evident that that bastard no longer wants to face his past behaviors.
33:08Santos, don't talk like that about him.
33:11I know very well who he is, mother.
33:14I don't need you to defend him.
33:15Nor will I ever.
33:17But it hurts me to see you talk like that about your father.
33:20He should be an example for you.
33:23A reference to follow.
33:24Well, it's quite the opposite.
33:26And much more is still avoiding having a miserable conversation with you.
33:30Yes, I know.
33:32But I didn't do well in leaving you either.
33:35Especially you.
33:37But I had no choice.
33:39That's right.
33:42And that's why my father should explain everything to you.
33:46He doesn't want to do it, son.
33:48That's it.
33:50We don't turn him around anymore.
33:51Do you understand?
33:55Well, now I feel responsible for this mess.
33:58I was the one who asked him to come.
33:59Who begged him, sending him that cable?
34:02I could also have rejected your invitation.
34:05And I would have understood.
34:08But I'm so glad to have seen you again.
34:12We have lost so much time.
34:16I know, mother.
34:17Although I don't know if it makes sense to keep trying.
34:22And I understand.
34:24Perfectly.
34:26But even so, I want to ask you one more thing.
34:29What?
34:31Don't leave.
34:33Let me talk to my father one last time so that ...
34:36I can change my mind.
34:37Things can't stay that way.
34:40I don't think you'll achieve anything.
34:43But go ahead.
34:47Go ahead.
34:56Curro.
34:58What are you doing here?
35:00I was looking for Manuel.
35:03And you?
35:04Me too.
35:05He got up very early this morning and I don't know anything about him.
35:09Well, I'm sure he went for a walk and will be back soon.
35:14Yes, I guess.
35:17Sister.
35:19Is everything okay?
35:20Yes.
35:24Nothing, I just had a conversation with Manuel and ...
35:27It's not that we ended up badly, but ...
35:30I would like to see him to clean up the mess.
35:34Well, calm down.
35:36I assure you you will.
35:37As soon as you see him.
35:39Yes.
35:42And what are you doing here?
35:43Shouldn't you be taking a car to go to Luján?
35:47Yes, the car.
35:50I gave it to Ángela.
35:52Yes, so she can do her errands.
35:55And you didn't offer to go with her?
35:56Yes, I did, Hanna.
35:58Out of courtesy, more than anything else.
36:00Curro.
36:01It's true.
36:02Thinking about it, you would have tortured her to spend the morning with her, right?
36:08Besides, I was looking for Manuel because I wanted to talk about her.
36:12What do you mean about her?
36:13Yes, about Ángela.
36:14About Ángela.
36:15And you can't talk about Ángela with me?
36:19Yes, Hanna, but my aunt Cruz is involved in this.
36:23I see.
36:24That you prefer an impartial opinion, not like mine.
36:29Well, it's not that Manuel's opinion is impartial either.
36:33But yes, yes, it helps me more.
36:35For closeness, I mean.
36:39And what is supposed to have happened?
36:41My aunt Cruz is pressuring me to convince Ángela to do something she doesn't want to do.
36:48That's weird.
36:49Yeah.
36:50And the worst of all is that I agreed.
36:53And now I don't see myself with moral authority to ask her for anything.
36:57Well, look, Curro, I wasn't going to say anything, but I'm going to give you my opinion.
37:03Yeah.
37:04I didn't expect you to be quiet either, so ...
37:06Don't do it, Curro, don't do it.
37:11How easy it is to say.
37:14In the end you will end up doing it.
37:16And you will end up going through the ring like everyone else.
37:20And if Manuel and I have argued so much, it has always been because of Mrs. Cruz.
37:28I'm sorry, Hanna.
37:30Come here.
37:32I'm sorry, Hanna.
37:34Come here.
37:44Hanna, what's going on?
37:46Nothing, Curro, I have to go. I forgot that I had to finish something.
37:52Hanna.
37:55Don't worry, Curro, I'm going to tell you everything, really.
37:57But I have to go.
38:01I have to go.
38:07I have nothing to tell you.
38:09This has nothing to do with you. It's something between your mother and me.
38:13For God's sake, father, I'm her son.
38:18Aren't you going to say anything?
38:20Damn it.
38:31Come in.
38:35Come in.
38:41Mrs. Arcos.
38:43I just saw Santos leave here very upset.
38:47And you come to ask me for an account?
38:49Look, Mr. Pellicer, I ... I don't want to get into where they don't call me.
38:54And I know too well that you don't want to talk to Hanna.
38:58No, I don't want to talk to her and yes, she's getting into where they don't call her.
39:03Yeah, but even so, I'm going to ... I'm going to make the last effort to try to convince her.
39:09Well, you won't get it.
39:11Does my son send you as a messenger?
39:13No, no, he hasn't sent me anything.
39:17I am aware of how difficult it must be for you to talk to your wife.
39:23But you must also understand how important it is for your son, for Santos, that the two of them have that conversation.
39:29But I have nothing to talk about with that woman.
39:32That's the least of it.
39:34The only thing that matters here is to give Santos a little peace.
39:37He needs to clear himself.
39:40Believe it or not, I am aware of it.
39:43But here the only problem is that that woman lies more than she speaks.
39:47Well, that's your point of view.
39:49But by refusing to talk to her, what you are going to understand is that you have a lot to hide.
39:54No, no, not at all.
39:58Maybe you are right.
40:01But the only reality here is that Santos has had many shortcomings in his life.
40:07Yes, I know.
40:08And I am the main responsible.
40:12Mr. Pellicer, your son ... your son hasn't asked for anything in a long time.
40:16A long time.
40:18Do it for him.
40:21Does it cost you so much work to please him in this?
40:24Do it.
40:25Do it even if it's to fix this once and for all.
40:32Think about it.
41:17Catalina, are you okay?
41:19Yes, yes. Yes, of course. Sorry.
41:23You seemed very upset.
41:25I'm sorry I gave you that feeling.
41:27I was thinking about something. That, of course.
41:29And judging by your expression, it didn't seem nice at all.
41:33It's hard not to think sometimes.
41:35Well, you should control your afflictions and listen to the doctor.
41:38Remember what he said, that you have to be calm and avoid worries.
41:42Yes, that's right.
41:43But I see that the doctor's advice is not very transcendental in this family.
41:48Yes.
41:49I'm realizing it.
41:52And is it possible that you are so thoughtful about economic problems, perhaps?
41:58Well, that's not something that calms me down, of course.
42:01But it wasn't for that.
42:02At least not now.
42:04And do you want to share with me what makes you so self-centered?
42:08Do you know the priest who is at home?
42:12Father Samuel?
42:13Yes, that's right.
42:14I think he's a very pious and interesting man too.
42:17Yes, he has many facets. Too many, perhaps.
42:22The fact is that I heard him yesterday having a very disconcerting conversation with one of our maidens,
42:28María Fernández.
42:29And I think he's a very good man.
42:31The fact is that I heard him yesterday having a very disconcerting conversation with one of our maidens,
42:36María Fernández.
42:39Now I'm the one who is disconcerted.
42:41I couldn't hear what they were saying, but I was surprised that they were so close.
42:45I don't know.
42:47Do you think they were talking about something inappropriate?
42:51I don't know.
42:54So what do you mean?
42:56Well, I thought maybe the priest was taking advantage of her.
43:04What are you laughing at?
43:05No, I'm sorry. I'm sorry. It's just that I know that's not possible.
43:10And how are you so sure?
43:11Because he's a good man and a priest, Catalina.
43:14Of course, hence my concern.
43:17I know that maiden collaborates with him and helps him in everything she can.
43:20And she does it in a totally voluntary way.
43:22I guess that's why they are so close.
43:25Are you sure?
43:26Totally.
43:28Sometimes things out of context can seem like they're not.
43:32Well, yes, it's true.
43:33Yesterday, without going any further, I thought I heard a discussion about the cooks.
43:37Because someone had stolen a sack of flour.
43:41Has there been a theft in the kitchens?
43:43That's what I thought I heard.
43:45But apparently it was all my imagination.
43:48And do you want some tea?
43:49Yes.
43:50Yes.
43:55Do you get anything?
44:00I'm afraid not.
44:04Anyway, I'm not going to give up. There has to be a way to open this door.
44:08Hanna, we've been here a long time.
44:10Teresa, it's practically impossible for them to find us.
44:13But they'll miss us.
44:15Yes, especially you.
44:17Okay, then leave. I'll stay here alone.
44:20What?
44:21Don't even talk.
44:22Come on, Teresa.
44:23I don't have to give accounts to anyone and you're dealing with a Petra problem.
44:27Yes, it's true that a sack of flour from Mrs. Arcos is not pleasant at all.
44:30So?
44:31So nothing.
44:32Hanna, are you coming with me?
44:33I've already told you that I'm not going to leave you here alone.
44:36Teresa, nothing's going to happen to me.
44:38I'm going to open this door once and for all.
44:40I will.
44:41Vera, Lope, Marcelo and even myself have tried many times without success.
44:46I'm not going to give up, Teresa.
44:48So leave, please.
44:49Okay.
44:51But you have to know that I'm not going to leave you alone.
44:54Yes, come on.
44:56Leave.
45:11Mother.
45:13Mother.
45:15Mother.
45:17Mother.
45:20Help me discover the whole truth about this.
45:24And help me open this door too.
45:32Do you really want to tell me?
45:34Sure, why not?
45:36It seems inappropriate to me.
45:38We should go to the parish of Luján, where we have some great confessionaries.
45:42Formalisms are not important.
45:44Besides, I'm not looking for absolution.
45:47I want to confess something to you.
45:50Well, you should know that if you tell me it's a sacrament, I'm not obliged to keep it a secret.
45:55I'm not telling you as a priest.
45:57But as a trusted person.
46:00Okay.
46:02Tell me.
46:04There has been a dispute in the kitchens over the disappearance of some flour bags.
46:09And what does that have to do with you?
46:12Well ...
46:14I was the one who took them.
46:17Who stole two bags of flour?
46:19For the refuge.
46:21Yesterday I picked them up and this morning I took them to the Marquis' car.
46:25But girl ...
46:27Those poor people have nothing.
46:29At least with the flour they can eat bread for a few days.
46:32What I didn't know is that they were going to miss them so soon, and even less that a dispute was going to be set up because of me.
46:37Okay, I know you did it of goodwill.
46:40Of course.
46:41But that's not enough.
46:43They were good, but you didn't do a good job.
46:45You will do it for the laws you study.
46:48Although stealing from the rich to give to the poor is not so bad.
46:52However, stealing from the poor to give to the poorest makes no sense, Angela.
46:58Yes.
46:59You're right.
47:01I shouldn't have put the cooks in that mess.
47:04Next time I will choose my victims better.
47:08Unfortunately, the damage has already been done, Angela.
47:11But I thank you for the gesture, on behalf of the people of the refuge.
47:17And what will we do with the promise?
47:19We can't leave everyone without bread.
47:22We'll think of something to solve it.
47:36Hi, Ricardo.
47:38Hi.
47:39Come in.
47:49I am very grateful that you have finally agreed to speak.
47:53It is very important for Santos.
47:56And also for me.
47:59I can understand Santos.
48:02But honestly, I don't know what you've been looking for all this time.
48:08It's never too late.
48:10Don't you think?
48:11Yes, you do.
48:13I've been lying to my son for years.
48:16My sister and I made up a story.
48:19And we told him what we thought was appropriate.
48:24Fortunately, now he knows the truth.
48:29What truth, Ana?
48:31Hey, what are you doing here?
48:34Haven't you had enough?
48:35Believe it or not, I don't intend to cause you more pain.
48:39Well, let me doubt it.
48:41Otherwise, you wouldn't have filled Santos's head with all those lies.
48:44We both lied to him.
48:46Yes, but not now, for God's sake.
48:48None of what you told the boy has the slightest hint of truth.
48:51Let me explain, please.
48:53No, I'm not going to let you fool me again.
48:56You've already ruined my life once.
48:58And don't be such an idiot to let you do it again.
49:00Ricardo, please.
49:02No, you're not going to hurt me.
49:03You're not going to hurt me or Santos.
49:06He's suffered enough because of you.
49:08Hey, what are you looking for in the promise?
49:12Tell me what you really want.
49:14And then get out of where you came from.
49:27We had never seen each other like this.
49:30In the worst moments.
49:32When we were overwhelmed by debt.
49:34I understand.
49:36There's no way to get my head up.
49:38Numbers don't lie, Manuel.
49:40And this is unsustainable.
49:42I can't even sleep at night.
49:47I'm sorry, Father.
49:52But honestly,
49:54I'm worried about his permanent state of dissociation.
49:58Let's call Dr. Gamarra.
50:00Dr. Gamarra can't help us.
50:03So what are you going to do?
50:07Look, I have other circumstances.
50:10I would go on doing what I thought was convenient,
50:13but now it's more complex.
50:16What do you mean by that?
50:18Well, I don't think it's fair to make a decision
50:20without listening to the parties involved.
50:25Wow.
50:28I'm glad you've thought about it.
50:32I should be getting older.
50:35Look, whether I like it or not, I have to listen to Martina.
50:39And I can't ignore Catalina either.
50:41She knows these lands well.
50:43So she's going to accept my sister's proposal?
50:48Are you here, Alonso?
50:50Yes. What's up?
50:52Is what the lawyer just told me true?
50:54I don't know what you mean.
50:55Don't play dumb with me.
50:57He called to tell you that you can now go
51:00and collect the documentation relating to the transaction you commissioned.
51:04Transaction?
51:07Father, what transaction?
51:09Your father, Manuel, has given Catalina the palace of Madrid.
51:13Is it true or not?
51:25I don't know.
51:55I don't know.
52:15Dear Romulo,
52:17my worst fears have been confirmed.
52:20What was an unpleasant possibility has become an obligation.
52:25We have to start firing members of the service.
52:28And have you consulted with your fiancé?
52:31But Jacob has nothing to do with the promise.
52:33Don't be naïve, Martina.
52:35As soon as they give themselves that 25% of the promise
52:38that now belongs to him,
52:40he will be administered by his husband.
52:43A father loves a great person.
52:45Well, yes, he must be.
52:47And why?
52:49Not because of the look on your face.
52:51As if...
52:53As if what?
52:55The disappearance of two bags of flour
52:57may imply not the fact that the inhabitants of this house
52:59stop eating rich,
53:01but stop eating.
53:03I have expressed myself quite clearly now.
53:05María, I have the bags here.
53:07I think it's very good.
53:12And I need someone to help me clear the way.
53:14Well, yes, because one thing is that I saw you
53:16stealing a very expensive crucifix,
53:18and another thing is that they see you carrying bags of flour.
53:20As someone who has never done anything useful
53:22and has not had to fight for anything
53:23and who lives here in the body of a king
53:25with a noble title that has fallen from heaven.
53:27Do you have the audacity to tell me what I have or don't have to do?
53:29You don't know anything about my life.
53:31As much as you know about mine.
53:33Idiot.
53:35Mother, you didn't even want to hear about
53:37giving my brother the palace of Cádiz.
53:39Of course not.
53:41And I respected your opinion.
53:43I really don't understand when the two of you
53:45decided to go through the ring
53:47to give that shameless woman the pleasure.
53:49Have you heard that?
53:51What?
53:53No, I haven't.