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Short filmTranscript
00:00I didn't think you were so naïve.
00:02Don't call me that!
00:04What?
00:06Are you going to hit me?
00:08Again?
00:10Go ahead, ma'am.
00:12Do it.
00:14Hit me.
00:16If you can.
00:24There you go.
00:26Oh, Tomas, forgive me.
00:28Forgive me for being so imprudent.
00:30No, no, on the contrary.
00:32Explain to me how this happened,
00:34that my grandmother and Máximo San José
00:36were lovers?
00:38Are you sure?
00:40In the village, everyone commented
00:42that the marriage of Leonor San José
00:44was pure convenience.
00:46There was never love there.
00:48Instead, Máximo
00:50fell in love with MarÃa
00:52from the moment he met her.
00:54Did Leonor know?
01:00I can't believe this.
01:02What are you telling me?
01:04Did my dad know about all this?
01:06No.
01:08We were very young.
01:10I heard my mom
01:12talk to MarÃa.
01:14They were friends
01:16and they talked about their love for Máximo.
01:18Now I understand
01:20where all this hate comes from.
01:22Yes.
01:24Oh, Tomas.
01:26I'm sorry. Why did you call me?
01:28Yes, of course.
01:30Paulo wants to talk to you.
01:32About what?
01:34It's important that you talk to him.
01:36I'll walk you to the police station, okay?
01:38Yes, thank you.
01:48What's wrong, ma'am?
01:50Did the mouse eat your tongue?
01:52You can't get up?
01:54Do you need a wheelchair?
01:56I can bring it for you.
01:58They say
02:00there's no small enemy
02:02and you're an example of that.
02:04With your offenses,
02:06you're not going to achieve anything.
02:08No, I'm not offending you.
02:10I'm saying what I see.
02:12I recognize
02:14your reach,
02:16your malice.
02:18I'm glad you know
02:20I don't play games.
02:22I came to talk about the debt you have with us.
02:24Those who run
02:26usually stumble and fall.
02:30I don't want to get involved, ma'am.
02:32I want to be specific.
02:34I'm being specific.
02:36Are you in a hurry?
02:38Do what you think you have to do.
02:40What do you want?
02:42Stay with the factory? Try it.
02:44You just said
02:46do what you think you have to do.
02:48Don't say anything.
02:50Just do it.
02:54Fine.
02:56You don't want to listen to me?
02:58Then I'll have to warn everyone
03:00about what's going on here.
03:06I'm sorry to be the carrier of bad news
03:08for all of you,
03:10but what's coming to the factory
03:12is a catastrophe.
03:14Now that Mr. Enrique Olivares,
03:16the person who practically
03:18maintained this place, is deprived of his freedom,
03:20there is no hope of payments,
03:22of buying raw materials,
03:24nothing that allows the factory to function.
03:28I don't want to lie to you,
03:30but the chocolate factory in San Jose
03:32has come to an end.
03:34You have to create a new plan.
03:44I'm sorry
03:46if I'm ruining
03:48your image of honor,
03:50but just a little bit,
03:52yes,
03:54a little bit of what I can do.
03:58How scary, Bea.
04:00You just did
04:02a show of stupidity.
04:04Why don't you leave
04:06already?
04:08I'm sorry.
04:14Sisters,
04:16now that we're together,
04:18I want you to know that things
04:20in the hacienda aren't good.
04:22It's starting to fall apart.
04:24Yes,
04:26and I still can't
04:28leave the hacienda or the factory,
04:30but for the moment
04:32I have to face
04:34the problems of the factory.
04:36I'm sorry.
04:42I see you don't want to negotiate.
04:44I have nothing
04:46for you to negotiate.
04:48Go ahead.
04:52Little girl,
04:54you're going to regret it.
04:56Stupid girl.
05:06Try it.
05:08Come on, try it.
05:16Your grandmother can ruin
05:18your life.
05:20I know, but I feel like
05:22if I leave my grandmother,
05:24I'm going to fail my mom.
05:26I feel like I have to be there.
05:28If you feel like that,
05:30you know you have our support.
05:32I think
05:34the three of us should cut
05:36any ties with Grandma.
05:38Even you, Nana. You should come with us.
05:44Are you deaf?
05:46Get out.
05:48Get out.
05:50Leave my coffee maker.
05:52Get out of here.
06:04Hello.
06:06Hello.
06:08Excuse me.
06:10Have a seat.
06:14Excuse me.
06:16Can I talk to you?
06:18Yes.
06:20Alicia.
06:22Alicia, yes.
06:34Do you think you can help me
06:36get to where she is?
06:38Yes.
06:40Of course.
06:44How have you been?
06:46How have you felt?
06:48Good.
06:50I have found
06:52a lot of memories,
06:54but I'm fine.
06:56I knew this was going to happen.
06:58I can imagine.
07:02How have you been?
07:04Good.
07:06I have a lot of work to do,
07:08but I'm fine.
07:10I want to tell you
07:12that you make
07:14a beautiful couple with Lucia.
07:18Do you like my girlfriend?
07:20Approved?
07:22Yes, of course.
07:24Approved.
07:26No, no.
07:28I'm sorry.
07:30Please ask your mom.
07:32She'll tell you what you're doing
07:34by asking a stranger.
07:40Well,
07:42I'm going to talk to this man
07:44to see if he decides to talk.
07:46Yes, of course.
07:48Come with me.
07:50Yes.
07:52This way.
08:10These are your uncle's personal belongings, right?
08:12Yes. Who can I give them to?
08:14Let me. If you want,
08:16give them to him, please.
08:18They'll give them to you.
08:20Take them with Enrique Olivares.
08:22Tell me something.
08:24Are you okay?
08:26Do you think I can see him?
08:28Yes, yes.
08:30I don't think there's any problem.
08:32But honestly,
08:34do you feel okay?
08:36No.
08:38I've been a little nervous.
08:40I don't know what's going to happen now.
08:42I tried to leave the house several times
08:44because of the way
08:46we got along with my uncle.
08:48But it's difficult.
08:50Difficult?
08:52What's so difficult?
08:54I feel like he...
08:56Well,
08:58he took care of us
09:00and honestly,
09:02I don't know.
09:16Valencia.
09:20Yes?
09:30What happened, Pau?
09:34Tomas told me you wanted to talk to me.
09:42Your sister hasn't come to see me.
09:44My uncle hasn't talked to her.
09:46I think he's
09:48solving some issues.
09:50Issues?
09:52Yes.
09:54What issues are more important
09:56than getting me out of here?
09:58No, I'll tell her to come
10:00to see you, uncle.
10:02Let her see what I can do.
10:04And I'm going to ask you something, Catalina.
10:06But I don't want you to tell anything to your damn sister.
10:08Got it?
10:10And be careful with playing me, Chueco, because I'm going to get out of here.
10:12And when I do, you'll see who I am.
10:14Did you hear me?
10:16Answer me!
10:18Why are you crying?
10:20Is there something you're hiding from me?
10:22Is there something... Yes, you told me everything.
10:24Uncle, it hurts. Let me go.
10:26What are you doing? Let her go.
10:28Let her go.
10:30Don't meddle.
10:32When she gets out of here, we'll see each other's faces.
10:34Let her go.
10:36Let me go, uncle.
10:42Are you threatening me?
10:44Do you want to get out of here to kill me?
10:46Maybe.
10:48I heard you. Say it!
10:50Do you want to get out of here to kill me?
10:52Yes, I want to kill you, imbecile.
10:54I want to cut you into pieces.
11:02The order Enrique gave me that night
11:06was that when the child was born,
11:08he was kidnapped and...
11:14and killed.
11:20I didn't want anyone to know
11:22about his existence.
11:26But when the baby was born,
11:32I saw it with my own eyes.
11:38I couldn't do it.
11:40I couldn't do it.
11:46Is he alive?
11:52Is my son alive?
11:54Is he alive? Tell me.
11:58Yes, Alicia.
12:00Your son is alive.
12:06Thank God.
12:10My son is alive.
12:12Thank God.
12:14I have news for you.
12:16You're going to stay with the girls.
12:18You're going to be locked up here
12:20for the rest of your life.
12:22Enrique Olivares.
12:24I swear.
12:26You're scared.
12:28Poor thing.
12:32I see you're very worried
12:34about what happened to my ex-wife.
12:36That's none of your business.
12:38While you see women
12:40as miserable...
12:41Disgusting, misogynist!
12:43I see them
12:45as people.
12:46And I see them as flesh.
12:48Flesh.
12:51Catalina,
12:52it's time to get out of here.
12:56You're going to be left unnoticed.
12:58Why do you say that?
13:00Who are you to say that?
13:02You're not the authority here in this town.
13:04Oh, no? So who has it? You?
13:06Yes, of course.
13:10Poor thing.
13:13My niece.
13:14Let's go, Catalina.
13:16My niece.
13:19Did you talk to your aunt?
13:29I'm sorry, Alicia.
13:32Please forgive me.
13:35Where is she now?
13:38I don't know.
13:39Where did you leave her?
13:43In the orphanage.
13:44Where is she?
13:45In the orphanage.
13:46She's here in town. I left her there.
13:48In the orphanage?
13:51Here?
14:00She's alive.
14:02My son is alive.
14:04He's alive.
14:05Alicia.
14:06He's alive.
14:07He's alive.
14:08Alicia!
14:10Alicia, forgive me!
14:16Catalina, please don't get involved.
14:18Stay out of it.
14:20But he's my uncle.
14:21Yes, but that man is also a criminal.
14:23You can't trust him.
14:25One thing is that he's your uncle,
14:26and another is that you don't see the danger
14:28that represents that man.
14:31My son is alive.
14:39Thank God.
14:41Thank God.
14:45My son is alive.
14:49He's alive.
14:50My son!
14:51Thank God.
14:54Thank God.
14:56Thank God.
14:58I'm waiting for Alicia. I didn't want to leave her alone.
15:00She's talking to Paulo.
15:02I'm at Citlady's house with my sisters, and welcome.
15:05We're very excited about the new apartment.
15:08We're talking about how we're going to fix it,
15:10what we're going to put in it.
15:12How are you?
15:13A little tired, but I'm fine.
15:15I'll call you later. I love you.
15:17I love you. I'll call you later.
15:21Delirio, I was thinking of you.
15:23Dr. Hernandez, how are you?
15:25Very good, very good.
15:26I'm walking around with Delirio.
15:28It's a pleasure to see you.
15:31By the way, I'd like to ask you something.
15:34Did you meet my grandmother Maria?
15:40Tomas, you'll have to come to my house.
15:43What I'm going to tell you is a long story.
15:47I'll see you at 8.
15:49Yes, of course. See you at 8.
15:51Okay.
15:52See you.
15:54Have a good day.
15:55Have a good day.
16:00Don't worry.
16:02Don't worry, don't worry.
16:08Everything will be fine.
16:13I have to go.
16:15I'm going to the orphanage.
16:18Pablo told me he gave my son away.
16:23Maybe you can tell me something about it.
16:29I have to go.
16:36Can I give you a hug?
16:38Yes.
16:53I love you.
16:54I love you, too.
17:23I know you have something.
17:26What's wrong with you?
17:29Oh, my girls, I...
17:31What?
17:33I miss you so much.
17:35I miss you so much.
17:38But you have a place to go.
17:41You'll always be welcome.
17:44As your mom says.
17:48What's making you so sad?
17:54You?
17:58Look at this bastard.
18:02Where's that bastard?
18:04Nana.
18:05What are you doing here?
18:06Where's Israel?
18:07Where are you going?
18:09Come here.
18:11Come here.
18:12You think alcohol will cover up your sins?
18:15You really think so?
18:17You think so?
18:18Nana, let him go, please.
18:19No, no, no.
18:21No, miss.
18:23Let him kill me.
18:25It's best if he kills me right now.
18:28Because this slow death is going to make me crazy.
18:33Stop it with your nonsense.
18:36Nana, stop it, please.
18:38Don't hit me with that.
18:39Forgive me, my love.
18:41Forgive you what?
18:43Forgive me what?
18:45Talk.
18:46Talk, please.
18:47Talk.
18:49What do you want me to forgive you for?
18:53Please.
18:54Talk to me.
18:59Cata.
19:00Gil.
19:01Don't do what your uncle told you to.
19:03He's manipulating you.
19:05Gil, I'm scared.
19:07If I don't do what he wants, he'll get even angrier.
19:09Cata, he's doing what he wants.
19:12Don't do anything for someone who doesn't deserve it.
19:14Gil, but he's my uncle.
19:16I know, my love.
19:17I know, but forget about him, please.
19:20You have me.
19:22You're not alone.
19:23We can go far, but don't help someone who hurts a lot.
19:27Please.
19:35That business you're in now has a future.
19:38Look at everything you bought.
19:40I'm glad we're going to raise our heads
19:42next to that truck driver.
19:45Sit down, Mom.
19:47Sit down.
19:48Please don't say such ugly things.
19:52Please react. You can't keep being like this.
19:54I don't like trying to educate you or scold you.
19:59I'm your daughter. You're my mom.
20:03I'm just saying what I think.
20:04What you think doesn't work, Mom.
20:06It doesn't work.
20:09I don't like what you say, what you think, what you do.
20:13You can't keep being like this. It hurts me.
20:16Really? Does it bother you that much?
20:18Does your mom bother you?
20:20You're ungrateful.
20:22But I'm the stupidest of them all.
20:25I made you believe your life was perfect,
20:28that we didn't suffer.
20:29I ate the greens so you could taste the ripe ones.
20:33I want you to know that none of what you think
20:36about your life is real.
20:38All my life, and yours too, is a big lie.
20:42Come here. Let's talk.
20:47Come on.
20:48Please!
20:49Let's go, please.
20:51Let's go.
20:53Ma'am, please tell your husband to stop coming here.
20:57When he comes, he drinks and drinks.
20:59When he's drunk, he starts hallucinating
21:02and says a lot of nonsense.
21:04What does he say?
21:05I don't want to get into this,
21:07but I think Chavez's death affected him a lot.
21:12And when he's drunk, it's like he's talking to him.
21:16Shut up, Melona!
21:17Did you hear me?
21:18Hey, where are you going?
21:20You have to tell me what's going on.
21:23Explain it to me. Explain it to me.
21:25Let's go home. Let's go home.
21:33What are you telling me, Mom?
21:37I never told you that I loved you.
21:41You never had a military father.
21:44He died in the war, like I told you.
21:47It's a lie that I went to college.
21:51I have a post-graduate degree.
21:54What are you saying?
21:55I bought them so Jaime would think
21:59that he was winning the lottery with me.
22:03Your father was a fraud, a professional.
22:09He deluded me.
22:12He got me pregnant.
22:14He deluded me.
22:20I had to clean houses in the United States.
22:25I had to wash bathrooms.
22:28I was humiliated in the worst way.
22:32I had to put up with everything so you wouldn't starve.
22:39My life was very hard, very hard.
22:44And I was fragile.
22:46I was very young.
22:49I didn't know what to do.
22:52I just wanted what was best for you.
22:57I just wanted what was best for you.
23:02I wanted you to be a princess.
23:05I wanted you to have everything.
23:10I wanted you to suffer, my child.
23:15But I lied to you.
23:17I'm sorry, honey. I lied to you.
23:21Forgive me.
23:23Forgive me.
23:27I love you so much, Mom.
23:30I love you so much.
23:32I love you too, honey.
23:36You're the light in my life.
23:56Gil, what is this?
23:59It's a date.
24:03Oh, you're so gentlemanly.
24:05Gentlemanliness doesn't die, it kills romanticism.
24:10Ms. Gloria Minerva made all this with the best ingredients.
24:16Well, it looks delicious.
24:19But why the dinner, Gil?
24:23Why the dinner, Gil? Is there something I don't know?
24:28Yes.
24:30I love you very much, Cata.
24:33You're the most beautiful woman I know.
24:36That's why I prepared a very special gift for you.
24:39What are you talking about?
24:43Gil, it's me.
24:45It's beautiful.
24:47Since I know you like me to draw you,
24:50it's the drawing I love the most.
24:53Gil, you're the best.
24:59I love it.
25:01I love my portrait, but above all, I love you.
25:08Well, to close with a golden brush,
25:11Cata, do you want to be my girlfriend?
25:15Formally my girlfriend?
25:19Yes, yes, of course, my love.
25:23Of course I want to be your girlfriend,
25:25but also your wife.
25:28Of course.
25:29I'll make a lot of money to give you the life you deserve.
25:34No, Gil, I won't need anything from you.
25:38I want to see you happy always, Cata.
25:50We made hot chocolate for everyone.
25:52That's great, honey.
25:54The story I'm going to tell you is a little bitter.
25:58You have to sweeten it with chocolate.
26:01Let's start at the beginning.
26:05The story of your grandmother, Tomas,
26:06is related to the San Jose family.
26:11What?
26:13I don't want to tell this story,
26:15but Tomas asked me to tell it and he has the right to know.
26:23Today I found out that our grandmother and her grandfather
26:28were lovers.
26:29Well, no, look, let's give it another name.
26:35The great love of your grandfather's life
26:39was Maria, Tomas' and Andres' grandmother.
26:46Grandma.
26:53Grandma.
27:03Grandma.
27:10Grandma, let's go home.
27:15Let's go.
27:19Leonor's parents were highly respected in the region.
27:24Of course, at that time,
27:26arranged marriages were still used
27:29and they committed Leonor to a very wealthy family
27:33and they married Máximo.
27:38As expected, neither of them really loved each other.
27:42That marriage started with the left foot.
27:45They say that Leonor spent her time crying
27:49and the hacienda became her prison.
27:53No.
27:56It's just that Máximo despised her.
27:59They said he even beat her.
28:02But since Leonor was educated,
28:04that honor, prestige and money are always above everything,
28:09she endured the situation.
28:11All of this turned her into what she is now.
28:15A bitter woman.
28:18Why didn't they ever tell us about this?
28:21Because in some families,
28:23these kinds of stories are kept.
28:26They are ashamed of them.
28:28But where does Tomas' and Andres' grandmother come in?
28:32Everything was wrong in that marriage, my daughter.
28:35And Máximo found true love.
28:39True love.
28:41In Maria.
28:43In your grandmother.
28:45Excuse me, but...
28:47So my father was Máximo's son?
28:50No, no, no.
28:52Jaime, your father,
28:54was already born when all this romance started.
28:57Oh.
28:59And Leonor, your grandmother,
29:01was able to endure humiliations and beatings.
29:05But what she never overcame
29:08was that the whole town found out that Máximo was cheating on her.
29:12Of course, she took all that courage from Maria.
29:17What if she didn't love Máximo?
29:19That doesn't matter.
29:21Remember that for her,
29:23honor, prestige and money are the most important things.
29:37Ahem.
30:07So those two bastards
30:10won't get a single cent from this factory.
30:14Do you understand?
30:15Yes, but Grandma...
30:16Don't be afraid, Miriam.
30:18We're going to be reborn.
30:20We're going to get ahead.
30:22And do you know why?
30:24Because in this factory is our history,
30:27our prestige, our name, our life.
30:32Grandma, do you think it's for the best?
30:36Yes, yes, it's the best way out and the one I want.
30:41Enrique and that miserable niece
30:44will forget that they're going to stay with the factory.
30:47Just like Tomas.
30:49His father brought us that thief who broke the distributor.
30:53He's taking the consequences so well
30:56that it's clear to them that no one makes fun of Leonor San José.
31:00Yes, yes.
31:06These are not the time to arrive.
31:08Where were you?
31:11I had dinner with Gil.
31:13Look, you don't know what he did.
31:17Sit down.
31:24I want to know.
31:26What did you talk about with my uncle?
31:28You went to see him, didn't you?
31:30No, I was at the house.
31:33No, I was at the retirement home working.
31:37What were you doing visiting that old man?
31:44Let's see, silly, we're not going to play both sides.
31:48Either you're with me or you're against me.
31:51Do you understand?
32:04Hey, Tomas, do you really think it's right to do this?
32:07Do you love Eva?
32:09Of course I love her, like you love Gabriela.
32:12Then we're doing it for the love we feel for them
32:15and for our father.
32:17Let's go.
32:34Ma'am, Tomas and Andres are here.
32:39What are you doing in my house?
32:41You have nothing to do here.
33:03Get out of my house.
33:05How dare you come in here?
33:08We came in peace.
33:11Didn't you hear me?
33:13Get out of here!
33:16We're here because we want to talk to you.
33:24We know the origin of so much hatred.
33:29Let's talk about Maria, my paternal grandmother.
33:47So you found out where you come from,
33:52what your origin is.
33:54That's great, Tomas.
33:57Now I understand your hatred.
34:01You didn't want our father with Beatriz
34:04not because she was poor,
34:07but because you were angry and jealous
34:10that your daughter could live a love like...
34:15like the one you never had.
34:17Your grandmother got involved with a married man.
34:22She didn't care to entangle him
34:24and take him down the path of perdition.
34:27You, with your disdain,
34:29pushed Máximo into my grandmother's arms.
34:33You couldn't stand the deceit
34:35because the people found out that your husband
34:39didn't love her.
34:41Shut up.
34:42If my brother and I are here,
34:44it's to make things clear.
34:47Stop making others miserable
34:49because of the horror in which you turned your life.
34:55No one who carries that woman's blood
34:59can even stand in front of me and look me in the eye.
35:04That woman was responsible for all the bitterness,
35:09the pain and suffering that I lived.
35:12Ma'am, our grandmother was not to blame for anything.
35:17And neither are we.
35:19Do we have the right to be happy?
35:23The blood of the Jimenez family and the San José family
35:27cannot mix.
35:30Understand that for Gabriela and Eva,
35:34you are extremely important.
35:37I beg you not to kill the love that still remains in them.
35:43Please.
35:53Ma'am.
35:54No, wait, wait.
35:56Wait for me here.
36:06I couldn't sleep either.
36:09Now I understand all the hatred
36:11my grandmother has for Tomas' family.
36:13And what is our fault for what our grandparents did?
36:16And for the war that my grandmother has waged
36:18all these years?
36:20It's not any war.
36:22But either way, it's hard to understand
36:24that because of that hatred,
36:26she won't let my mother be happy with the love of her life.
36:29And now she's repeating the same story with us.
36:33Yes, yes, I understand that.
36:39Gabi, are you there?
36:42Yes, yes, here I am.
36:44Hey, do you mind if I see you for a while and we talk?
36:48Okay.
36:49I love you, Mom.
36:51Yes, I love you too.
37:02Leonor.
37:09Why don't you learn from your mistakes?
37:12What are you talking about?
37:15That you want to dominate everyone,
37:17but you don't realize that the people around you
37:20are moving away.
37:23Máximo left her.
37:26Your daughter Beatriz left with my dad and Gabriela,
37:29who loves her so much, and Eva.
37:32They did the same thing.
37:35Look.
37:37Look.
37:41Look.
37:44She's left alone.
37:47You're wrong.
37:49You're wrong.
37:51Máximo...
37:54Máximo was a miserable man.
37:58My daughter found death by following Jaime.
38:02I have to speak to you in your language
38:04so you can understand that you were wrong.
38:11That belongs to the past.
38:13And it should not be forgotten.
38:16MarÃa.
38:18MarÃa was to blame for everything.
38:23And do you want to know more?
38:26That ring you have there
38:29was the symbol of love.
38:32The one that your proud father gave to Beatriz
38:35and you to Gabriel.
38:37It's full of lies.
38:39Full of pain.
38:50He's going to like this one.
38:59I thought that was a gift
39:03that Máximo was buying me from the many he gave me.
39:08I was his wife.
39:11She was his lover.
39:14I received his blows and his despises.
39:18And she?
39:20That jewel that represented my pain and my tears?
39:24Do you think...
39:27Do you think that's the symbol of love?
39:31Here, that love was all that mattered.
39:38And what about me?
39:40Nobody cares about my pain.
39:42Get out of here.
39:44Take that ring with you.
39:46But I warn you,
39:48when you put that ring on Gabriela,
39:50remember that it doesn't only represent love.
39:54It's full of pain.
39:57Of bitterness.
40:00Go.
40:03Go.
40:07Go.
40:37Vera.
40:39Vera.
40:40I don't want to remind you of what we talked about yesterday.
40:42Don't ever see my uncle again. Do you understand?
40:44But why not? He's in jail. Why can't I be empathetic?
40:48Well, no! I'm not going to go crazy over you.
40:53You don't want to know the ugly side of your sister, okay?
40:56Whatever has to do with my uncle, I'll handle it.
41:00Get out! Get out!
41:08And how much money are we talking about, officer?
41:14Because I have enough money for you to solve your miserable life from here until you die.
41:21Oh, Mr. Olivares.
41:25I'm a commander.
41:26It's the same thing.
41:29Make trouble for me.
41:32You have the eyes of some of my colleagues that are not easy to handle.
41:38Are you talking about Joaquin?
41:40Yes.
41:42That bastard is the first one I'm going to charge him when he gets out of here for everything he's done to me.
42:01Learn to behave, Mr. Olivares. You don't follow the rules here.
42:08We'll talk later, Mr. Olivares.
42:11It's not convenient for you to see us talking together.
42:15Especially Joaquin, who is one of your main enemies.
42:29What happened?
42:33Nothing.
42:37There's nothing to do.
42:39She's very hurt. She has so much bitterness that she can't forgive.
42:52Let's go, Joaquin.
43:07THE ACERO DYNASTY
43:12The bad herb must be eliminated from the root.
43:17And you are the bad herb, Tomas Jimenez.
43:37THE ACERO DYNASTY