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00:00He grabbed me. He wanted to go further. And I defended myself. I pushed him. He gave himself a very strong blow to the head and began to bleed.
00:16I think it was he who moved the threads so that he would not give your cousin the provisional freedom.
00:21Don Damián was Jesus who put Andrés' twin near the body. I'm sorry.
00:26I didn't think about the sentence, really. I just saw a way to get rid of him and kick him out of the company, as Don Pedro wants.
00:32I still don't believe I could have engendered a monster like you.
00:36I don't know. I thought that when this day came, Joaquín would also be more at home.
00:40Well, the director's job is what he has.
00:43Did you also tell him that you wanted to take care of the child you carry in your womb because he is your son?
00:47No, no. No one is going to know this. You never hear me. Never.
00:49But I do know.
00:50I want to marry you. We understand each other better than anyone else. I don't want to lose that.
00:54Has he gone mad?
00:55Miguel.
00:56Miguel, come here.
00:57No, really.
00:58According to the evidence of the Civil Guard, Víctor died the same day Andrés was in Valencia, but not later.
01:03Therefore, if we can prove that later, at the event, Andrés was wearing the twins ...
01:07You are a brilliant man, I know. With a magnificent future.
01:11You want to see your faculties diminished.
01:14That photos were taken during the event and that Andrés must appear in many of those photos because he told me that he was on his side in most of them.
01:24Andrés.
01:25Miguel.
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03:19Miguel.
03:20What?
03:21Of course, mother.
03:22At some point we had to tell him.
03:25And the sooner we did the promotion, the better.
03:28He had to offer me something juicy.
03:30Something that would mean a lot of employment in the region.
03:33No, yes, yes.
03:34I think it's fine.
03:37And has it seemed juicy enough to him?
03:40Well, yes.
03:42Because he told me that the news was given by the very director of the station, Jorge Molina.
03:46And that later he sent it to the courts and the headquarters to confirm the information.
03:51So it didn't come out of them?
03:53But we don't have proof that it was Pedro either.
03:57No.
03:58But then I remembered something I read and I looked for it.
04:05And look, mother.
04:07There.
04:09It is the inauguration of the new headquarters of the station.
04:12And Don Pedro Carpena is one of the outstanding assistants.
04:15So he has a very good relationship with Jorge Molina.
04:20It seems so.
04:22Which means that his suspicions and those of Uncle Damián may be true.
04:28Damn it, he has not lied to us.
04:31He is determined to make your cousin pay for the death of his son.
04:34Determined.
04:38I need him to go there as soon as possible.
04:40Yes, immediately. And any news, let Fausto let me know.
04:44Marta.
04:46Does your secretary know anything about the envelope with the photos?
04:49No, he doesn't know anything.
04:50But the guard says that yesterday an envelope arrived from the Valencia Chamber.
04:54What happens is that with the change of offices, there is a lot of chaos in the office.
04:58Yeah, but if it arrived yesterday, then someone could have taken it already, right?
05:03Someone?
05:04Yes, Marta. I mean Jesus.
05:06Why would Jesus want that envelope with the photos?
05:08I really have to tell you.
05:10I don't even think he knows they exist.
05:12Yeah.
05:13Listen, I have not yet been able to locate the photographer from Valencia,
05:16but he must have the negatives, so I have sent a transporter directly to his studio from there.
05:20And do you think he will give them to him?
05:21Sánchez Crespo has given notice that they will give them to us.
05:23So we will have them.
05:25Oh my God, I hope we are lucky.
05:27And there are more news.
05:29Speaking earlier with my father about the photos, he told me that a witness has appeared
05:33who saw someone arguing with Víctor the afternoon of his death.
05:37A witness? Who?
05:39I don't know.
05:40But apparently that stranger was arguing with Víctor in the same area where they found the body.
05:46But do you know who that stranger is?
05:48No, he doesn't know.
05:49But luckily it seems that the description does not fit with Andrés.
05:53Why? How is it?
05:55They say it's a man about 20 years older than Andrés and short.
06:00And the Civil Guard knew that?
06:02The witness has already personalized in the block to offer his statement.
06:07So we hope to arrive in time to stop the closure of instruction.
06:11And then why haven't they released Andrés yet?
06:13They have told the lawyer that first they prefer to question the criminals in the area
06:17that fit with the description of the suspect.
06:19So we have to wait.
06:21I'm afraid so.
06:22But Marta, that could go on for a long time.
06:24Or maybe none of them is the culprit.
06:26We can't be left with our arms crossed.
06:28We can't, we have to find another proof, whatever it is.
06:31You're right, we can't.
06:33We must continue to try to prove that Andrés was carrying the twins in Valencia.
06:39Ramallo, I beg you earnestly to continue pressuring them to release my son as soon as possible.
06:45The judge has to understand that the appearance of the new witness changes everything.
06:49Yes.
06:53Okay, I'm waiting for your news.
06:59Can I come in or do I interrupt you?
07:02No, come in, come in.
07:05Is something wrong?
07:09I owe you an apology for our conversation yesterday.
07:14Our conversation about Pedro.
07:17Do you mean that you no longer defend him?
07:21I have reasons to believe that he was the one who leaked the detention of your son to the press.
07:27You were right.
07:29So it was him.
07:32I think so.
07:34Joaquín made a few calls and everything indicates that he is indeed responsible.
07:40I feel very disappointed with Pedro.
07:43Well, I thank you for your apologies and I feel your disappointment.
07:47Now I understand that you were so angry with him and that you still are.
07:52Yes, but for me that now is the least.
07:56The only thing that matters to me is that today my son's innocence can be proven.
08:02Is there any news?
08:05That you have spoken of the witness by phone?
08:08Yes, well, we can't throw the bells in the air either.
08:12Can I know what it is about?
08:14What is it about?
08:17Apparently, someone, that witness, saw how Víctor heatedly argued with another man the same afternoon he died.
08:28Don't tell me.
08:30And that happened very close to the place where they found his body.
08:34And are they going to arrest that suspect?
08:37They haven't identified him yet.
08:40As soon as they do, then we have to find him and ...
08:45I hope all this happens soon.
08:48Yes.
08:50And there is more.
08:51What?
09:01Marta, are there any news about Andrés?
09:04No. The whole family is trying to do the impossible to get his release, but it won't be easy. Nothing easy.
09:12Well, everything will be fine. Don't lose hope. Trust.
09:17Marta, I'm sorry, I didn't mean to bother you. Is there any news about Andrés? I'm a little worried, really.
09:22No, there is no news. But both the lawyer and the family are trying to find other options to prove his innocence.
09:29Well, for my part, I want you to know that you can count on me for whatever you need, really.
09:33Thank you. In fact, I would appreciate your help.
09:37Sure. Whatever you need.
09:39Anything.
09:40You see, a letter arrived from Valencia yesterday. But we couldn't find it.
09:45It must be in the warehouse, in the factory ... I don't know.
09:48You see, there are some photos inside that may be the key to proving Andrés' innocence.
09:54And what was that envelope like?
09:57Well, it arrived by postal mail and the sender is from the Valencia Chamber of Commerce. Have you seen anything like that?
10:03Well, the truth is no.
10:05No, it doesn't ring a bell to me either. I've looked at the front desk, in employee areas, in the offices ...
10:11Marta, don't worry. Maybe it has been transferred out there and it appears somewhere, I don't know.
10:15I want to help you, but the store is out of service. I don't know how to do it.
10:18No, Fina. I prefer you to be in the store. I'm calmer. We are several looking.
10:22Sure. I'm going.
10:28Look, Marta. If you want, I can look through Luis' laboratory. Maybe it's there by mistake.
10:34It doesn't make much sense, but ...
10:36Well, that envelope is going to appear. Really. Even if we have to lift every slab of this factory.
10:45Tassio.
10:50You're welcome, Marta.
10:58Apparently, Andrés was taken some photos at the meeting of the Chamber of Commerce in Valencia.
11:05And if in those photos it is seen that he has his two twins in place, that would totally blame him.
11:12Because according to the autopsy, Víctor died the same day Andrés left for Valencia.
11:19And where are those photos?
11:21According to the president of the Chamber of Commerce, they were sent to the colony.
11:26Begoña and Marta are looking for them.
11:29But those photos can be a proof in his favor.
11:33Yes. And better than the witness, because it is possible that the Civil Guard will never find him.
11:39One way or another, it will be proven that your son is innocent. And the culprit of Víctor's death will pay for it.
11:48But what's wrong? Aren't you happy?
11:52Of course. Of course I'm happy.
11:55No. You don't seem very encouraged. And you should be. Because this gives us hope.
12:05You're right. What happens is that I'm exhausted. Exhausted and tense.
12:12They have been very hard days. And one has his limits.
12:22Well, I hope everything you've told me helps clarify the situation.
12:29I hope so too.
12:30Now I have to go. I'm going to do some errands, so I won't be back until tomorrow.
12:38Very well. See you tomorrow then.
13:23What a coincidence to find you here.
13:27I came to pray for my people, aunt. I never have time and it's been a long time since I've been here.
13:33Me too. I had a little hole in the canteen where there weren't many people and I came to talk to the Lord and your uncle for a while.
13:44Is something wrong?
13:48I'm worried about a friend, aunt. A friend who's going to leave her profession and I don't think she's doing a good job.
13:57She's making a mistake.
13:59Well, maybe you're right, but Dr. Borrell has already made her decision.
14:05We have to respect her.
14:08Well, maybe you're right, but Dr. Borrell has already made her decision.
14:12We have to respect her.
14:14You already knew.
14:16Well, if the canteen is worse than the confessional, that's where you find out everything.
14:20No, really, it's impossible to keep secrets in this neighborhood.
14:25I didn't know you were so attached to her.
14:28Yes. She was by my side in my hardest moments.
14:33You can tell she's a good person, right?
14:35Yes, she's a good person, aunt. Yes, she is.
14:38And I don't think what's happening is fair.
14:41She made a mistake and left the profession.
14:43They've already told me about that girl, Margarita.
14:47They've also told me it wasn't her fault.
14:49It wasn't her fault, aunt. No one could predict what was going to happen.
14:53And now, well, all the work for the wedding.
14:57Come on, it's not fair. It's not fair.
15:00Well, it may not be fair, but we have to respect other people's decisions.
15:05Claudia, that's the way it is.
15:07I know, aunt, but I'm very sorry that she's leaving through the back door.
15:12With everything she's done for the people of the neighborhood.
15:17And I thought I could throw her a party.
15:23I don't know if she's going to like it because it's very reserved, of course.
15:26Well, I'm telling you, I don't know.
15:29Because that woman is taking everything very discreetly, right?
15:32And besides, I think that girl is very introverted.
15:36Well, in the case of doing something to her, it has to be very intimate.
15:40And that she is alone with the people who really love her.
15:44Well, yes, if that's the case, it has to be something like that.
15:50All candidates for the position of dispensary
15:53are recently licensed, without any experience.
15:56And what we need is someone who has already had contact with patients.
16:01In short, I can't find what I'm looking for.
16:03And isn't it that deep down you're delaying this candidate thing because you don't want to leave?
16:08No, and don't insist, I have my decision very clear.
16:13What happens is that I'm not going to rest until I leave the dispensary in good hands.
16:20Well, in that case, don't despair.
16:22That candidate will appear sooner or later, you'll see.
16:26I hope so.
16:28Because the news that I'm leaving is spreading like wildfire among the staff.
16:32It is normal for people to comment.
16:35Everyone values you a lot around here.
16:37I know.
16:39And it has become quite clear to me after my conversation with Claudia.
16:45Although the decision is mine, it will also be difficult for me.
16:50And you know you have me for what you need.
16:53I know.
16:57If there's one thing I'm clear about, it's that I haven't made a mistake with you.
17:02I couldn't share my life with anyone else.
17:07Although I suppose that since you haven't found a replacement yet,
17:11you're not going to accompany me to Barcelona.
17:14I've been thinking about it.
17:18And no.
17:20Okay, I understand.
17:23Although I'm not going to deny that I had my hopes up.
17:26I'm sorry.
17:28But I've already told you that Barcelona is not just a city for me.
17:31That it's my past and that ...
17:34it moves me.
17:36You don't have to give me explanations.
17:38Really.
17:39And excuse me if I've pressured you with all this.
17:41It wasn't my intention.
17:43I thought that after knowing more aspects of your past,
17:46I don't know, you were more at ease with all this.
17:49And to have a relationship with my father, finally.
17:52Ah.
17:53Although it consists only in ...
17:56in a call from time to time, while ...
17:59you rummage from one place to another looking for a three-day job.
18:02Your father is how he is, and at this point you're not going to change him.
18:05The important thing is that thanks to him you have been able to rebuild your story.
18:09No?
18:11Well.
18:12Although I don't accompany you,
18:14it's good for you to go to that congress.
18:17I'm sure it's good for you, that you meet interesting people.
18:20Yes.
18:21No, no, yes, I have already confirmed my attendance.
18:24And that of a companion, but ...
18:26Luis.
18:27You have to go.
18:28Yes.
18:29I know you're thinking about Andrés.
18:31But ...
18:32you're not going to fix anything by staying here.
18:35Unfortunately, you're right.
18:39I hope everything clears up for him soon.
18:45Well, then you're going to help me do something in the canteen, right?
18:48Daughter, I'd love to, but it's not with me who you have to talk to.
18:52Why is that?
18:53Well, because you'll have to talk to Gaspar.
18:56He called me this morning.
18:57He told me to come back earlier, that you're on your way.
19:00Ah, that I'm already back in the neighborhood?
19:04And you're going to have to go now?
19:07I was going to stay a couple more days, but ...
19:10yes.
19:11My job here is over.
19:13I'm so angry that the canteen doesn't pay my salary, really.
19:18I wish I could stay here.
19:20Well, yes, daughter, yes.
19:21That was my intention, to stay here with you.
19:24But hey, who knows?
19:25Maybe I still get a job and I've been running around town
19:29saying that I need to work.
19:33It's just that I've had a very good time ...
19:35the weeks here with me.
19:37Yeah, honey.
19:38And me too.
19:39And that can't happen to us again, huh?
19:41Time without seeing each other, that can't happen again.
19:46Oh, Tita, it's just that I don't want you to leave.
19:48Me neither, honey.
19:49Me neither.
19:51I don't know, maybe the miracle will work
19:53and I'll get a job.
19:59Tita, I'm leaving.
20:02Did something happen to you for the party or something?
20:04No.
20:05I mean, yes.
20:06But well, I'll tell you later that this is very important.
20:11Bye.
20:17No, you never interrupt, on the contrary.
20:19It's a pleasure to talk to you.
20:21How can I help you?
20:23I would like us to talk in a discreet place.
20:25Is it possible?
20:26Yes, of course.
20:27If you want, we can meet on the terrace of the Magdalena.
20:30It's not far from the factory.
20:31Yes, I think it's fine there.
20:33And in an hour, are you okay?
20:36Very well, I'll be there.
20:38Can't you tell me something in advance?
20:40I think it's better that I tell you in person.
20:42See you in a while.
20:50Pedro, here you have the report on the expenses of supplies
20:56from the factory last quarter.
20:58This afternoon I will deal with the income.
21:03Are you listening to me?
21:04Sorry, what did you want?
21:06What's wrong with you?
21:08Digna just called me.
21:10She wants to talk to me.
21:12And has she told you what it is about?
21:14No, but her tone seemed to be annoying.
21:17Yes, yesterday I also noticed her a little strange when she came to see you.
21:21But since you didn't want to tell me anything about what you had talked about ...
21:24Digna and I have many things in common,
21:26but if there is something in which we do not coincide,
21:28it is in our opinion about Andrés de la Reina.
21:30And you are surprised not to coincide with her in that.
21:33If for her Andrés is her favorite nephew and for you ...
21:36For me he is responsible for the death of my son.
21:41Pedro, if Andrés de la Reina is a cause for conflict between you,
21:45what you have to do is not talk about him.
21:47Avoid that issue with her as much as possible.
21:50That's what I've been trying to do so far.
21:52But it turns out that Damien suspects that I am behind the negative
21:55to the fiancée and the leak to the press of his arrest.
21:58And it seems that Digna believed it.
22:00You should have been a little more discreet.
22:02Look, I told you.
22:04And what are you going to do?
22:06I mean with respect to Digna.
22:08I know how much it means to you.
22:11When it is definitively proven that Andrés is to blame,
22:15Digna will need my support and I will be there to give it to her.
22:19What's up? Why are you sighing?
22:21Let you know that that woman will not change what she feels for her nephew,
22:25even if she rots in hell.
22:27She will change, I tell you yes. She is an extraordinary woman.
22:31Oh, by the way, Pedro.
22:33Have you seen a shipment that arrived from the Chamber of Commerce of Valencia?
22:37A shipment?
22:38Yes.
22:39Yes, some photos of an act that was done there.
22:42And apparently Andrés was there.
22:44Marta's secretary called me asking about them.
22:48And why do you think they are looking for them?
22:50I don't know, but it seemed important.
22:53Well, I'm going to look for them,
22:55I still have a lot of unclassified mail.
22:57No, no, no, wait, wait.
22:59Let's focus, Irene.
23:01The Queen's people are the enemy, and the enemy is nothing.
23:07If you see those photos, you have to keep them.
23:10At least until we know why they are so interested.
23:13Pedro, please, that's ...
23:14Irene.
23:17Don't forget the place you occupy and who you owe it to.
23:20So do me a favor and do what I tell you.
23:30The Queen's people are the enemy, and the enemy is nothing.
23:42Claudia.
23:43Good afternoon, Mrs. Dina.
23:45Sorry to introduce myself like this without notifying you.
23:47No, of course, come in, come in.
23:51I had a very important thing to talk to you about, or at least for me.
23:55Well, tell me, you tell me.
23:57Eh ...
23:59I found out this morning that Mrs. Gema left her job at the big house,
24:02and I imagine you are looking for a substitute.
24:05Well, yes, but ...
24:06Honestly, I haven't thought about it yet.
24:10Well, you won't have to think anymore, because I'll bring you the solution.
24:13What?
24:14You won't leave your job as a maid to be raised?
24:18No, no, no, I didn't mean me.
24:20But my aunt Manuela,
24:22who has come to spend a few days in the neighborhood,
24:24and well, she's looking for a job to stay here with us.
24:28Ah.
24:30Of course.
24:31Thank you, Sargent.
24:38Hi, Maria.
24:42All good?
24:43Has something happened?
24:45They have found a witness who saw someone arguing with Victor.
24:49And that someone does not agree with Andrés' description.
24:53Well, but that's fantastic.
24:55And how was he?
24:57An older man.
24:59And do they suspect someone?
25:00Because then the nightmare is over.
25:04Look, I don't want to talk about this.
25:06I prefer not to hold vain hopes.
25:09Eh ...
25:10Of course, of course.
25:12Well ...
25:14Well, let's talk about something else.
25:16Today, for example, I went to see Joaquín at his office.
25:23I mean, his new office.
25:26And I saw the new secretary and you don't see what a relief, Maria.
25:29Because it has nothing to do with ...
25:31Well, you know, with ...
25:32With Miriam.
25:33And in fact, luckily, I don't think it's going to be Joaquín's style.
25:37It's Don Pedro's sister, by the way.
25:39Did you know?
25:40Uh-huh.
25:41And I think that later, in a few days, I could redecorate his office.
25:45Joaquín has told me no.
25:46But hey, I'm not going to stop until he gets it.
25:48I'm thinking about whether I can order a portrait of him.
25:51Because Jair Rabasio, the poor man, may he rest in peace, is not bad.
25:54But after all, the director is my husband.
25:57No?
25:58Do you know anyone?
25:59Some painter?
26:00Of the good ones?
26:02No, I can't think of anyone, but I'll look at it on the agenda, of course.
26:06You are a good friend.
26:08I imagine you know the picaqueso stage.
26:11Yes.
26:12It is that it has already become famous in La Colonia.
26:14It's not because she's my aunt, but she has hands.
26:17Well, she cooks like Los Angeles.
26:19I know.
26:20But precisely in the kitchen, Teresa and I already handle it.
26:24I see.
26:25Well, but a lot of people live in the big house.
26:27I imagine there will be work for everyone.
26:31Claudia, I think so.
26:33My aunt also has a lot of experience.
26:35Because she has been working there in Madrid with some gentlemen from Alta Alcurnia.
26:40In Madrid?
26:41And why did she leave that job?
26:43Well, because the gentlemen left for Switzerland.
26:45And she didn't see herself living so far away.
26:47Come on, you will know her, but she is more Spanish than paella.
26:51In addition, my aunt adapts to any place.
26:54You see, with the gentlemen, this ...
26:56And now in the canteen, people come right away.
27:00Yes.
27:01The little I have seen her there, I see her very comfortable with the parishioners of the canteen, yes.
27:06Yes.
27:07It is very sociable.
27:08Pispireta.
27:10But, Claudia, I think that in the big house they will need someone ... someone younger.
27:20I see.
27:21I have no doubt about your aunt's training and how good she is at everything she can do.
27:27But I think that a younger person will find it easier to follow the rules and the protocol of that family.
27:35Those of the queen need someone very discreet.
27:40They value that a lot.
27:43Well, my aunt is not very protocol, but she is very good, very respectful.
27:48Of course.
27:49And she will find a job very soon.
27:51Let her adapt to her qualities, you will see.
27:56Of course.
27:57Well, I don't bother her anymore, Mrs. Dinda.
27:59But please tell her that I wish her good luck.
28:02And that I think she will get a job very soon.
28:04Shall we go together?
28:06Sure.
28:12And then I went through the perfumery because I wanted to buy something and in the end I almost took half the store.
28:17But hey, the most important thing.
28:19This here.
28:23I know there is still a long way to go, Maria, but it's for the baby.
28:26It's a detail, but I wanted to be the first to give him something.
28:30Well, thank you very much.
28:31It's very nice.
28:33Thank you for the detail.
28:35You're welcome.
28:36It's nothing, it's nonsense.
28:39I suppose that when the time comes, the company will give me the whole lot.
28:45Well, now that you say it, of course.
28:47I'm sure so.
28:48Thank you anyway.
28:50And now, if you'll excuse me, I'm not for visits.
28:54And the next time, let me know before coming.
28:57To tell you if it suits me or not.
28:59Maria, I'm sorry, I came because I'm worried about you.
29:03Yeah, sometimes I prefer to be alone.
29:08Anyway, of course.
29:11Well, nothing, I'm very sorry I didn't warn you, but I thought that between friends there was no need for so much formalism.
29:17But hey.
29:18Look, Gema, maybe now you have plenty of time, but I'm having a bad time.
29:21I'm pregnant and my husband is in jail.
29:23He's not an idiot.
29:24That's precisely why, as I know, I wanted to entertain you, do something for you.
29:27Well, I'm not for trivialities, really, it seems that...
29:33Well, I'm very sorry, really, I didn't mean to waste your time this way, so...
29:37Sorry, sorry, sorry, sorry, I don't have a good day, sorry, I'm sorry.
29:41Nothing, nothing, don't worry, everything is understood.
29:43Don't go, please.
29:44Of course I'm going, Maria.
29:46I'm not going to bother you anymore.
29:57Bye.
30:15And that is what I intend, that we speak to clarify things.
30:20I don't like how I said goodbye yesterday, thank you.
30:23And I don't like to suspect the people I appreciate.
30:27Digna, you have nothing to suspect.
30:30Pedro, did you leak the news of Andrés' arrest?
30:34I already answered that question and I told you no.
30:36Very well, I'm going to ask you another way.
30:40Did you tell Jorge Molina that they had arrested my nephew?
30:45Jorge Molina?
30:47The director of the broadcaster who gave the news.
30:50So you already know the answer.
30:53I asked Joaquín for information because I needed to know if you were responsible.
30:59And it didn't take an hour to tell me that you had a very good relationship with that man.
31:03It seems that Joaquín, apart from being a director, has a vocation as a detective.
31:06For God's sake, don't make fun of me with that.
31:09You lied to me.
31:11How could you do such a thing to me?
31:13I did it for the company.
31:15We are not interested in not relating to a murderer.
31:17My nephew is innocent.
31:19See? That's why I didn't want to tell you anything about him.
31:23You can be objective with him, you have idealized him.
31:26No, I know him very well.
31:28As if he were my son.
31:29He is unable to hurt anyone.
31:32And much less to kill.
31:34Why don't you see how he really is?
31:35Not even now that the evidence clearly shows that he is a violent being.
31:39Well, for your information, I will tell you that the opposite will soon be proven.
31:44That he is innocent.
31:46I'm sorry to disappoint you, but it won't be like that.
31:50A witness has appeared.
31:53He saw a man arguing with Victor the same afternoon he was killed.
31:58And that description does not coincide at all with Andrés'.
32:02And not only that.
32:04Marta and Begoña are looking for evidence that will definitely exonerate him.
32:10What evidence?
32:11Why am I going to tell you?
32:13You have already decided that my nephew is guilty.
32:15And you don't care what I tell you.
32:20No.
32:45Good afternoon.
32:46Good afternoon.
32:47Do you have a moment?
32:48Yes, yes, of course, yes.
32:50Vera, I wanted to ask you a question.
32:52Mari Feli asked you about an envelope that arrived yesterday from the Chamber of Commerce in Valencia.
32:57I wanted to know if you had dealt with it.
32:59No, no, I'm very sorry, no.
33:01But ...
33:03But have you looked at it well?
33:04Yes, yes, of course.
33:06If you want to check it yourself, here is all the classified mail, so far.
33:11Ah, yes, yes, it doesn't matter, thank you.
33:13No, no, no, not at all.
33:25I already told him that there was nothing.
33:28I'm sorry.
33:29Yes, it's not that I don't believe it, it's just that ...
33:33It's just that he overshadowed some very important photos for us and ...
33:37Yesterday he keeps it, he picked up the envelope, but today it seems that the earth has swallowed it.
33:42Well, I don't know.
33:44Maybe they could contact the photographer who took them.
33:48We have already tried, but no, we don't work with him.
33:50Marta has even sent a carrier to Valencia, to his studio, to see if he finds it, but ...
33:54But we have no news.
33:56I'm sorry I can't help you.
33:58I just got here and I'm still doing a little bit of everything.
34:01I know, Irene, don't worry.
34:03I don't know, maybe they have transcribed it or they may be in the trash.
34:10Don't tell me that.
34:13Please don't tell me that.
34:15Is he okay?
34:16Do you want a glass of water?
34:17No, no, yes, sorry, forgive me.
34:20And thank you for your time, sorry.
34:48Yes, Carmen, everything is fine.
34:50In fact, I just came to help Marta with some matters.
34:53Of course, I have taken over my new position.
34:56I assure you that as soon as I return, you will have made me a marquis.
35:00What do I say, a marquis?
35:01A bull.
35:03Yes, woman, I'm content, don't worry.
35:05Ah, you open now?
35:07Well, I'll let you work.
35:08We'll talk soon.
35:10I love you, beautiful.
35:13Can you put me a wine, Manuela?
35:15Sure.
35:16I brought you wine.
35:18I'm back, baroque people.
35:20But hey, happy are the eyes.
35:22How are those ailments going?
35:24Come on, like new.
35:25Look, look, look, look.
35:28Oh my God.
35:29No, no, no.
35:30I'm perfectly fine.
35:32Come on, stay still, Fred Astaire.
35:33Come here.
35:36Oh my God, there are things that never change, huh?
35:38I missed you already.
35:39And not because Manuela does it wrong, but because Gaspar is very Gaspar.
35:42Well, well, Manuela does it very well too.
35:44I also miss you a lot.
35:46The truth is that I'm not very good at not doing anything.
35:49That's why I came before.
35:50Yes, or your family couldn't stand you, right?
35:52One of two.
35:53No, no, they took me by surprise.
35:55Yes, I have left them crying at the station, like Madalenas.
35:59Well, and this elegance?
36:01Where are you going?
36:02Are you going to a wedding or what?
36:03No, no, no wedding.
36:06Oh.
36:08I've missed something, haven't I?
36:09What happened?
36:10Well, now the boy is the boss.
36:12But he was already, right?
36:14Well, now more.
36:15I am the new director of perfumeries of the queen.
36:19But what are you telling me, man?
36:21But how can that be?
36:22Let's see.
36:23But if you are the board, then Joaquín, what position does he have?
36:26Well, the director.
36:28What director?
36:30But what director?
36:31Let's see.
36:32But if Joaquín is the director, then Mrs. Marta, what position does she have?
36:35Well, she is sales director and international.
36:38Oh my God, three.
36:39Well, things have changed in a couple of days.
36:41A lot, yes.
36:42Well, and you don't know the best of changes.
36:46Don Agustín has paid you what he owed.
36:48No, I don't believe that.
36:50I don't believe that.
36:51Oh my God.
36:52Well, this should have come to me before, I say, right?
36:55Let's toast.
36:56Let's have reasons.
36:59Look, Gaspar, I appreciate it, but I'm not in the mood for celebrations.
37:02I don't know if you've heard what happened.
37:05What's up?
37:06More news?
37:07More news?
37:11And because of the look on your face, I don't think they are good, right?
37:14Well, no.
37:16So Begoña has been here looking for those photos?
37:19Yes.
37:20And...
37:21And what?
37:23What's going on?
37:24No, she was very affected when I told her that the photos weren't there.
37:30Maybe you were right when you told me that Begoña and Andrés love each other.
37:34I already told you.
37:37Well, and what do I do if the photos show up?
37:40You know that perfectly well, Irene.
37:43But he told me that they have tried to contact the photographer who took them so that they could be sent back.
37:49In fact, they have sent a carrier to see if they are lucky and manage to locate him.
37:53Pedro, if they are doing all this, it is because there is really a lot at stake.
37:56And?
37:58Andrés did not pay for Mateo's death and now he will pay for both.
38:02If you give me that envelope, you have to give it to me.
38:05And if necessary, I will take care of destroying it myself.
38:27Don't forget where you work and who you owe it to.
38:31So do me a favor and do what I tell you.
38:35Yes.
38:59No, Father, we haven't found the photos yet.
39:01And what about the carrier you sent to Valencia?
39:04We still don't know anything about him.
39:06The closure of the institution is tomorrow.
39:08I know, but we can only wait.
39:12Listen, do you know anything about the man who argued with Víctor?
39:15No, no, nothing.
39:16Yes, he has already interrogated a few common criminals that they have signed, but ...
39:22Nah, they all have very solid quarters.
39:25I understand.
39:27Anyway, we're not going to get anything out there, Marta.
39:31This is what we have at the moment.
39:33Yes.
39:34If there is anything new, let me know.
39:36See you later at home.
39:38See you later, Father.
39:41What? What did he tell you?
39:43That they have not taken anything from the interrogation of the suspects because they all have quarters.
39:48Well, but maybe the man who argued with Víctor wasn't signed, right?
39:52Maybe he wasn't even from the area, that he was passing by, that he wasn't a criminal.
39:56What's up, Marta, aren't they going to keep looking or what?
39:58Well, I don't know, maybe not, because they are already very clear that they have the culprit, which is Andrés.
40:02It can't be.
40:04It can't be that we don't get it after how close we've been, it can't be.
40:09Begoña, let's not lose hope, we have to keep fighting anyway.
40:11Yes, but how?
40:13We'll think of something.
40:15Let's review the things we already have.
40:29Good afternoon.
40:30Could you do me a favor?
40:33I would need a perfume of the Goddess's petals.
40:36As I understand, they have just changed the design of the jar and Mr. Carpena wants to see it.
40:41Sure, I'm going to get one for him.
40:42Very kind.
41:00It's a beautiful design, don't you think?
41:02Yes, yes, yes, very beautiful, really.
41:04Well, I don't want to bother you anymore, thank you very much.
41:31Hi, honey.
41:33How's the afternoon?
41:37What's wrong?
41:40You're like this because I haven't had time for you this morning, right?
41:44No, it's not that, Joaquín, but the truth is that it has bothered me a bit.
41:47Lately, whenever I go to see you, you act as if you were bothering me.
41:52I'm very sorry, Gemma.
41:55Really, I'm very sorry.
41:57I didn't realize.
41:59Well, I also went to see Maria to find out how she was and she told me ...
42:03hard things.
42:05But well, I guess it's normal, she's very nervous about everything about Andrés.
42:09Yeah.
42:10Well, the only thing I can tell you is that ...
42:13I'm sorry.
42:15I was very upset.
42:17Yes, I understand, but ...
42:19I don't know, Joaquín, the thing is that today I have realized that I have no purpose.
42:24Really?
42:26Yes, really.
42:29Joaquín, it's just that at least before I felt useful, but now ...
42:33I have so much time that I just turn my head for nothing.
42:37That's because you have a lot of free time now.
42:39Too much free time.
42:40I spend all day doing nothing, I feel ...
42:42empty.
42:47What do you think?
42:49Maybe I'm saying nonsense.
42:54Tell me.
42:55Tell me.
42:58How would you see me working in the store?
43:03Give me hair, for God's sake.
43:04I'll help you with the albarans that are left,
43:05that in the end they don't give the grapes, my son.
43:08My mother.
43:10Let's see.
43:20But what is this?
43:22Chamber of Commerce, Valencia.
43:25The mother who gave birth to me.
43:28Pepelu, let Marisa help you with this, I can't, okay?
43:38Well, they have told me that they don't give the grapes.
43:40No, Gemma, stop, stop.
43:41Can I come in on duty?
43:42But what do you mean on duty?
43:43Carmen is in charge.
43:45Besides, I promised Tassio that I would keep Carmen in charge
43:48if you supported us in the vote.
43:50Yeah, but she's not there now.
43:51No, because she's fine.
43:52But only until Carmen returns.
43:55And besides, before having the position of in charge,
43:57you must have gone through others.
43:59Others what?
44:00Other positions, like the one of dependent, for example,
44:02to get to know the trade, to have more experience.
44:04Well, I have no problem.
44:05I can start from scratch, as a dependent.
44:08With how stubborn I am, I get to be in charge of nothing.
44:11No, no, Gemma.
44:12Things are not done like that.
44:13But why?
44:14What's the problem, Joaquín?
44:15Well, because there are many workers who want to be dependent.
44:19And besides, I'm not going to put my wife in charge.
44:23Oh, no.
44:24No, no.
44:25Because people will think that I'm taking advantage of my position.
44:28And do they think the same of Don Pedro?
44:30He just placed his sister.
44:31Gemma, no.
44:32No, period.
44:33I'm not going to take advantage of my position as director.
44:35But it's not just any position, Joaquín.
44:37Some advantage has to be that you are the director, right?
44:39I'm telling you no.
44:40Things are not done like that.
44:41Period.
44:42The conversation is over.
44:43I'm going to pee.
44:48Bye.
44:53Marta, Begoña, I have them.
44:55They are from the Valencia Chamber of Commerce.
44:57It was in logistics.
44:58I don't know how I couldn't see it before.
45:00Let me see.
45:06It's open.
45:07Yes, that's the weird thing.
45:09That's how it was when I found it.
45:13It's the photos.
45:16I gave you 24 hours to find a way out.
45:20The deadline is about to be fulfilled.
45:22And I did what I promised him.
45:24But the Civil Guard still has to do more checks
45:27before dismissing Andrés as a suspect.
45:29I have a little patience, for God's sake.
45:31Patience?
45:32We still don't know if the statement of your false witness
45:35has served for something.
45:37Maybe he didn't swallow it or he was convinced and ...
45:42Come in, Maria.
45:46Is there any news?
45:48Are they going to release Andrés?
45:50There is no news, but there is still room to fix it.
45:53I don't see how.
45:55With the ...
45:57With the false witness it has not been enough.
46:00It was you.
46:03You could have told me.
46:07I don't have to tell you anything.
46:10Father.
46:12I think we should stop being scruples and half-baked
46:16and look directly for a culprit to get Andrés out of jail.
46:19Forget about that.
46:20I'm not going to turn another innocent into justice.
46:24And what are we going to do then?
46:26At this point, I only see one solution.
46:31And it is that you two tell the truth.
46:35The truth, Maria, is that I don't think we can get you out of jail.
46:41But I think that being pregnant and having acted in defense of your honor,
46:46the sentence is not too severe
46:50and in 4 or 5 years you will be on the street.
47:03I know that's what I should do.
47:07Surrender.
47:09But I'm terrified to think what could happen to me in jail.
47:13I'm sorry, Maria.
47:16Everything would have been very different if you had told the truth from the beginning.
47:20I'm sure you would have been free.
47:23But by moving the corpse, you have complicated everything.
47:30And what about me, father?
47:33Are you willing to help me or leave me to my luck?
47:39Very well.
47:40Then call the Civil Guard once and for all.
47:42Let's finish this now.
47:47For once, this family is going to tell the truth.
47:54We have the photos.
47:56In that photo you can clearly see how Andres is wearing the clothes.
47:59The two of them at the Valencia event.
48:03But...
48:05But this could save him, right? It's a proof.
48:08Well, for us it's an irrefutable proof.
48:10It's great news, father, don't you think?
48:14What's going on?
48:15Father, we have to deliver those photos as soon as possible.
48:18What I think is that the best way to free your brother
48:22would be for the Civil Guard to find the real culprit.
48:27You're right, Mr. Damián.
48:29But even if this doesn't solve everything, the most important thing is to get Andres out of jail, right?
48:33Yes.
48:34The Civil Guard will have time to investigate and find the culprit.
48:39Yes, let's go deliver these photos.
48:43I'm going to call the lawyer to cover the Civil Guard's headquarters as soon as possible.
48:57Surprise!
49:04At least he could be happy that this creature is going to have a normal childhood.
49:08And you thank God for carrying my grandson in your womb.
49:12Because if it weren't for that, the one who would be between bars now would be you.
49:16I've had the best doctor in the world by my side.
49:21No, Claudia, no. No, no, no, this...
49:27All this is a lie.
49:28Who put him next to the body?
49:30And how did it happen to him? No one cares about that.
49:32It must have been a thief. Is it so hard for you to believe?
49:34Well, yes, it's hard for me.
49:36Because I don't understand why a thief would want to incriminate Andres.
49:38Maybe my cousin Joaquín doesn't think it's appropriate to hire you because of who you are.
49:45But maybe I can.
49:47Andres de la Reina is responsible for you losing what you most wanted.
49:51Maybe.
49:52But this obsession, the only thing it will achieve, is that you lose what you most want at this moment.
49:58Arigna.